BRC-AM7 is an advanced PTZ Auto Framing camera with built-in AI analytics delivering flagship image quality. Offering high interoperability with other production systems. The BRC-AM7 stands as one of the smallest and lightest integrated lens PTZ cameras, measuring a compact 168.7mm wide, 225.2mm tall, and 192.3mm deep, with a weight of just 3.7kg. Its compactness offers enhanced installation flexibility, broader accessibility, and diverse vantage points. Seamlessly integrating with Sony's professional camera ecosystem, it ensures compatibility and seamless color matching. Incorporating AI-based auto-tracking and Auto Framing technology, it streamlines content creation, enhancing production efficiency and maintaining high production values.Key Highlights: Dramatically improved imaging performance Images captured over a 20x optical zoom range that covers everything from wide angles to close-ups are delivered as high-quality 4K 60p output. In addition, interoperability with existing systems has been improved by incorporating ITU709/709tone, S-Cinetone™, and S-Log3 support. Built-in AI PTZ Auto Framing Advanced AI analytics allow subjects to be accurately tracked with smooth, natural-looking framing, making it easier than ever to produce high quality content with less camera operators. Direct pan and tilt drive using newly developed brushless DC motor results in exceptionally smooth camera operation. This advanced drive system is also remarkably quiet and is ideally suited to situations where silence is a requirement. Seamless integration with Sony’s system cameras The BRC-AM7 is the smallest and lightest camera of its type in the world*, making it easy to install just about anywhere. It is unobtrusive for the same reason, even in multi-camera setups. Additionally, the BRC-AM7 offers broad connectivity and system compatibility with for example S700PTP and free-d protocols.New 24-480 mm* integrated lens design covers wide to telephotoThis newly developed built-in lens features a 20x optical zoom range. In addition, Sony’s advanced Clear Image Zoom offers 30x zoom (720 mm) in 4K and 40x zoom (940 mm) in Full HD. This offers extraordinary range that can easily capture a subject in various situations.* 35mm full-frame equivalent.Built-in Variable ND filter for automatic exposure adjustmentSony’s original built-in electronic variable ND (neutral density) filter allows seamless variation from 1/4 to 1/128 ND, with an auto exposure mode automatically maintaining optimum exposure through lighting variations. Ideal exposure can be maintained when stage lighting changes, for example, without having to adjust iris, shutter, or gain. Also, optimum exposure can be achieved without affecting depth of field in the widest possible range of lighting situations.Quick colour matching with other Sony's camerasColor matching with Sony’s system cameras is simple with ITU709 and 709tone, as well as S-Cinetone and S-Log3 for Cinema Line cameras for seamless multi-camera operation.Built-in AI PTZ Auto Framing - Highly accurate recognition technologyAI analytics uses detailed human pose, head, face, clothing, and other data to recognise human subjects with high precision. This can be used to automatically control pan, tilt, and zoom to follow an athlete at a sports event, for example. PTZ Auto Framing is smooth and natural-looking, making it possible to work with a smaller camera crew.High-performance AF and PTZ Auto Framing combined for outstanding subject trackingThe latest Exmor™ RS image sensor and BIONZ XR image processing engine work in unison to achieve outstanding subject detection precision and speed for significantly improved tracking performance. The image sensor has focal plane phase-detection AF in the imaging area, easily focusing on fast-moving subjects with extraordinary speed and precision over a wide area. PTZ Auto Framing works with this newly adopted AF system to dramatically improve overall AF tracking performance. A performer who is actively moving around on stage can be reliably followed while precise focus is maintained, for example. With this capability, a multi-camera system can be set up to follow individual performers without requiring a correspondingly large camera crew.Versatile camera work and quiet operationA direct drive system using newly developed motors allows smooth, detailed control of camera pan and tilt for high-quality visual presentation. These advanced motors work with precision optical encoders to allow pan and tilt speeds ranging from a very slow 0.004 degrees per second to a snappy 180 degrees per second. This broad speed range makes it possible to be used in a various applications.Seamless integration with Sony’s system cameras - Interoperability with existing systemsThe BRC-AM7 supports not only ITU709, 709tone, S-Cinetone and S-Log3 for seamless color matching, but also has great control capability by S700PTP protocol. This allows remote control of Sony’s cameras via Ethernet, so detailed remote control is available from Sony’s RCP series remote control panels or MSU series master setup units. This makes it possible to combine the BRC-AM7 with Sony’s BRC series cameras and/or system cameras to create highly integrated systems with advanced remote-control capability*. *An MSU unit is required for multi-camera systems.Installation freedom and flexibilityThe BRC-AM7 is the smallest, lightest camera of its kind in the world.* It fits easily in limited spaces where installation of other PTZ cameras might be difficult or impossible. This product is less likely to be noticed if it appears in a shot in a multi-camera installation. The BRC-AM7 also has a standard 1/4-20 UNC screw socket for tripod mounting and the same 3/8-16 UNC screw socket as other system cameras for accessory attachment. ＊Equipped with a 1.0-type image sensor and compatible with 4K 60p as an integrated lens PTZ remote camera. As of April 2024 press announcement. Sony survey.Broad connectivityIn addition to 12G SDI primary output, 3G SDI is provided for monitoring. The BRC-AM7 offers a variety of video output options such as optical-fiber 12G SDI available via an SFP slot, and HDMI. Audio input can be connected via a pair of 3-pin XLR type connectors or a 3.5 mm stereo jack, providing plug-in compatibility.Power can be supplied via a standard 4-pin XLR connector, or a PoE++* network connection without the need for additional wiring in environments where a power infrastructure is not available.Expanding creative possibilitiesfree-d compliant camera tracking information output (pan, tilt, zoom, focus, iris) allows the camera’s position in 3DCG space to be output so that its motion can be replicated in virtual VR/AR systems. This makes high-level virtual production available for news programmes, events, and much more. SRT/RTMP/RTMPS/RTSP, NDI|HX, and optical fiber communication are supported, allowing 4K 60p output and remote control via an IP network Specifications

 Cinema Line Full-frame PTZ Interchangeable Lens camera with 15+ stop dynamic range, 4K (QFHD) high-frame-rate 120fps, Fast Hybrid & Real-time Eye AF, and S-Cinetone™ colour science.Sony’s New Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers. A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support. Uncompromised Image Quality in a PTZ Form FactorThe FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light. The FR7 features Sony's E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including: The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light. A 15+ stop latitude*3 allows smooth highlights and low noise levels. A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony's original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces. Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look. Easy Operation for Storytelling from New Angles With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony's RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation.The supplied infrared remote controller will also support the FR7's simple operation Variable PTZ Movements for Smooth Camera WorkPan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.Up to 100 Preset Camera PositionsThe FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button. The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony's Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update.Real-time Eye AF and Real-time TrackingFast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used. The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7's web application, with Real-time Eye AF if an eye is detected.Sony's Built-in Electronically Controlled Variable ND FilterThe built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.Versatile Interfaces for Various Production WorkflowsThe FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.Internal XAVC Recording and External RAW OutputA rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications. CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately). Professional Video and Audio InterfaceHDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.Ethernet ConnectivityCamera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements. The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment. The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.Multicamera Production SynchronizationThe Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups. Additionally, red/green tally lights are provided on the camera's side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location.