Zoom Lenses

Ultra-Wide 8K Cine-Servo Lens for Broadcast and CinemaThe Canon CN5x11 IAS T R1/P1 Cine Servo Lens redefines ultra-wide cinematography with an 11–55 mm focal range, offering an impressive 100° field of view. Designed for demanding broadcast, live, and cinematic productions, this lens provides exceptional edge-to-edge sharpness and natural color reproduction across 8K resolution. Lightweight at approximately 3 kg, it excels in mobile setups, including gimbals, cranes, robotic systems, and shoulder-mounted rigs, without compromising stability or handling. Its balanced design makes it equally effective in tight studio spaces or expansive live event environments, capturing both subjects and surroundings in stunning detail. Advanced Servo Control and Flexible OperationEquipped with Canon’s next-generation e-Xs V Digital Drive Unit, the CN5x11 IAS T R1/P1 offers precise servo control, high-resolution 16-bit encoding, focus breathing correction, and enhanced ergonomic operation. The detachable servo unit ensures quick adaptation between live event coverage and cinema-style productions. Available with RF or PL mount options, the lens supports real-time metadata output, making it fully compatible with virtual production pipelines, VFX workflows, and advanced post-production needs. The RF version further supports Canon Dual Pixel CMOS AF and lens distortion correction, while the PL variant integrates Cooke /i Technology™ and ZEISS eXtended Data™ for seamless metadata capture. Versatility and Image QualityThis Cine Servo lens features an integrated 1.5× extender, enabling compatibility with Super 35mm or full-frame cameras. Its 11-blade iris provides smooth highlights and attractive background blur, creating a cinematic depth-of-field effect even in live productions or documentaries. The lens delivers consistent color balance and natural skin tones, minimizing post-production correction. Whether filming dynamic sports events, high-paced news, or cinematic dramas, the CN5x11 IAS T R1/P1 combines premium optics, lightweight mobility, and versatile control options to meet the exacting standards of professional cinematographers and broadcast specialists. Features – Canon CN5x11 IAS T R1/P1 Ultra-wide 11–55 mm focal length, 100° field of view 8K HDR optical quality from center to edge Lightweight design (~3 kg) for gimbal, crane, and shoulder use Available with RF or PL mount Detachable e-Xs V Digital Drive Unit High-resolution 16-bit encoder for precise lens data Focus breathing correction for smooth zoom and focus 11-blade iris for soft highlights and cinematic bokeh Integrated 1.5× extender for full-frame or Super 35mm use RF mount supports Dual Pixel CMOS AF and lens distortion correction PL mount supports Cooke /i Technology™ and ZEISS eXtended Data™ USB-C connectivity for remote control and configuration Optimized servo control with enhanced ergonomics Versatile zoom for tight studio or live event setups High color fidelity with natural skin tones Ideal for broadcast, live, multi-cam, virtual, and cinema productions Minimal weight for portable and mobile applications Compatible with virtual production and VFX workflows Fast servo response for live and dynamic shooting Balanced construction for easy handheld operation Technical Specifications Mount: RF or PL Zoom ratio: 5× Focal length: 11–55 mm (16.5–82.5 mm with 1.5× extender) Maximum aperture: T2.95 (11–41 mm) / T3.95 (55 mm) Aperture blades: 11 Image circle: Ø29.6 mm (Super 35) / Ø43.3 mm (Full Frame) Minimum focus distance: 0.6 m / 2.0 ft Near-field coverage (11 mm): 69.7 × 39.1 cm Near-field coverage (55 mm): 13.3 × 7.5 cm Field of view: 96.4° × 64.2° (11 mm) / 25.2° × 14.3° (55 mm) Aspect ratio: 1.78:1, 1.9:1 optional Supported resolution: up to 8K Lens design: aspherical + anomalous dispersion elements Servo drive: e-Xs V Digital Drive Unit, detachable Control interface: USB-C, 3× 20-pin connectors Metadata support: Dual Pixel CMOS AF, Cooke /i, ZEISS eXtended Data Compatible with full-frame and Super 35 cameras High dynamic range (HDR) imaging Focus breathing correction enabled Optimized for virtual production systems Dimensions & Weight Dimensions: 186.6 × 129.9 × 301.0 mm (RF) / 186.6 × 129.9 × 269.0 mm (PL) Front diameter: Ø114 mm Weight: ~3.01 kg (RF) / ~2.92 kg (PL)

The FUJINON GF 32-90mm T3.5 PZ OIS WR is a groundbreaking addition to the GF lens lineup, marking the first power zoom lens designed for the GFX Series of large-format mirrorless cameras. Covering a versatile focal length of 32-90mm (equivalent to 25-71mm in 35mm format), this lens brings cinema-grade video quality to a compact and lightweight form factor, weighing just 2.1kg. Its design draws inspiration from the acclaimed FUJINON Premista Series, widely recognized in professional video production for exceptional operability and optical performance. Engineered to meet the demands of modern video production, the GF 32-90mm T3.5 PZ OIS WR reduces the need for frequent lens changes by spanning wide-angle to standard focal lengths in a single lens. This efficiency is ideal for small-crew or solo productions, enabling high-quality shooting with minimal setup. The lens maintains a bright T3.5 aperture throughout the zoom range, ensuring consistent exposure control and smooth depth-of-field transitions, allowing filmmakers to capture the subtleties of light and texture with precision. Optical excellence is at the core of this lens, featuring 25 elements in 19 groups, including three ED and three aspherical elements. Advanced Nano GI coating minimizes flare and ghosting, delivering crystal-clear images even in challenging lighting conditions. Breathing is effectively suppressed for stable compositions during focus pulls, while the 13-blade nearly circular aperture produces beautiful, creamy bokeh that enhances cinematic expression. Video professionals will appreciate the intuitive power zoom mechanism, combined with precise electronic control for focus, zoom, and aperture rings. The lens incorporates smooth, high-precision autofocus and image stabilization, ensuring reliable performance during handheld or dynamic shooting scenarios.  Its compact dimensions and ergonomic design make long shooting sessions more manageable without compromising optical quality. When paired with the FUJIFILM GFX ETERNA 55 camera, this lens unlocks new creative possibilities, offering filmmakers unprecedented flexibility, speed, and image fidelityFeatures – FUJINON GF 32-90mm T3.5 PZ OIS WR First power zoom lens in the GF lineup for cinematic video Focal length: 32-90mm (equivalent to 25-71mm in 35mm format) Constant T3.5 aperture across entire zoom range 25 elements in 19 groups, including 3 ED and 3 aspherical lenses Nano GI coating reduces flare and ghosting Cinema lens-inspired operability and ergonomic design Lightweight body: approximately 2.1kg Compact length: 222mm Rear focus system for precise focus control 200-degree focus rotation for accurate manual focusing Three independent manual rings: focus, zoom, iris (aperture) 13-blade rounded diaphragm for smooth bokeh Power zoom control via camera (GFX ETERNA 55) High-speed, high-precision autofocus Advanced image stabilization for handheld shooting Minimal focus breathing for stable compositions Supports standard cinema accessories like follow focus and lens motors Durable weather-resistant construction Technical Specifications – FUJINON GF 32-90mm T3.5 PZ OIS WR Type: Power Zoom Large Format Lens Lens Configuration: 25 elements in 19 groups (3 aspherical, 3 ED) Focal Length: 32-90mm (35mm equivalent: 25-71mm) Angle of View: 81.0°-33.8° Maximum Aperture: T3.5 Minimum Aperture: T32 Aperture Blades: 13 (rounded diaphragm) Minimum Focus Distance: 0.8m (both wide and tele) Maximum Magnification: 0.06x Filter Size: 111mm Image Stabilization: Yes, optical Autofocus: High-speed, precise Lens Mount: FUJIFILM G Mount Lens Type: Power Zoom Cine Lens Weather Resistant: Yes Accessories Included: Front/Rear lens caps, support foot, zoom lever, lens case Dimensions & Weight Diameter: 123.5mm (114mm effective) Length: 222.5mm Weight: 2,150g

* in Development *The FUJINON UA22×4.8BERD is a versatile 4K broadcast zoom lens that combines wide-angle capability with powerful zoom performance in a compact and lightweight body. Covering a focal range from 4.8mm wide-angle to 106mm telephoto, it offers outstanding flexibility for news coverage, studio productions, and live sports broadcasting. Its wide 4.8mm angle makes it especially useful in tight indoor environments, while the 22x zoom ensures detailed, immersive visuals even in large-scale arenas. Weighing only 2.2kg and measuring just 252mm in length, the UA22×4.8 is engineered for high mobility and reduced operator fatigue, particularly for handheld or shoulder-mounted shooting. Its lightweight construction ensures ease of operation during long shoots without compromising durability. Compared to its predecessor, the UA18x5.5, this model expands the focal range while maintaining the same portability, offering broadcast professionals a wider field of view and greater creative flexibility. With cutting-edge optical simulation technology and Fujifilm’s HT-EBC multi-layer coating, the UA22×4.8 delivers superb 4K image quality across the entire zoom range. High transmittance and precise color reproduction ensure HDR-ready shooting, capturing smooth tonal gradations and reducing issues like black crush or highlight blowout in high-contrast conditions. Equipped with 16-bit encoders for precise position detection, the lens also supports virtual and remote production workflows, making it a forward-looking choice for modern broadcasting environments. Features – FUJINON UA22×4.8BERD Wide-angle shooting at 4.8mm with 22x zoom up to 106mm Compact and lightweight design: 252mm length, 2.2kg weight Ideal for news, studio, and sports broadcasting applications 4K optical performance with minimized aberrations across zoom range HT-EBC multi-layer coating for high light transmittance and accurate color HDR-ready for smooth gradations and high-contrast shooting conditions Close focus capability: 0.4m across entire zoom range High-resolution 16-bit encoders for virtual/remote production workflows Technical Specifications Format: 2/3-inch sensor broadcast cameras Focal length: 4.8mm–106mm Zoom ratio: 22x Optical performance: 4K resolution across full zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) HDR support: Balanced exposure for high dynamic range shooting Encoders: High-resolution 16-bit for zoom/focus position detection Minimum object distance: 0.4m across zoom range Dimensions & Weight Length: 252mm Weight: Approx. 2.2kg

The FUJINON LA30x7.8BRM sets a new standard in the broadcast lens category, offering a class-leading 30x zoom in a remarkably compact and lightweight design. With a focal range of 7.8mm wide-angle to 234mm telephoto, it provides outstanding versatility for broadcast professionals who need to capture everything from expansive stadium shots to close-up details. Weighing just 1.7kg and measuring only 190mm in length, this lens ensures excellent mobility and reduced operator fatigue, making it ideal for ENG-style shooting and live event coverage. Designed for today’s fast-evolving broadcast and production environments, the LA30x7.8 integrates a newly developed drive unit with high-resolution 16-bit encoders. This enables precise position detection for zoom, focus, and iris, ensuring seamless integration with virtual and remote production workflows. Whether you are working on live sports, music performances, or news coverage, the lens provides the speed, accuracy, and flexibility required for both creative and technical excellence. The advanced optical design delivers true 4K performance across the entire zoom range. Fujifilm’s proprietary HT-EBC multi-layer coating enhances light transmittance and color accuracy, ensuring crisp, vibrant images with minimal aberrations. Additional features such as a macro function for extreme close-ups, electronic flange back adjustment, autofocus command support, and a rear-focus mechanism for reduced breathing make the LA30x7.8 a powerful tool for broadcasters seeking both reliability and cutting-edge image quality. Features – FUJINON LA30x7.8BRM Highest-in-class 30x zoom covering 7.8mm–234mm range Compact and lightweight: 190mm length, 1.7kg weight Newly developed drive unit with 16-bit encoders for virtual/remote production Ultra-fast zooming from wide to tele in 1.0 sec or ultra-slow in 120 sec Rear-focus mechanism to minimize focus breathing Fujifilm HT-EBC multi-layer coating for high transmittance and true color reproduction Macro function for extreme close-ups up to 5cm Supports autofocus control commands from the camera Technical Specifications Format: 2/3-inch sensor broadcast cameras Zoom ratio: 30x (7.8mm–234mm) Drive unit: Newly developed with high-resolution 16-bit encoders Optical performance: 4K resolution across entire zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) Flange back: Electronic adjustment function Zoom speed: Max. 1.0 sec / Min. 120 sec (wide–tele) Mechanism: Rear-focus system for minimized breathing Dimensions & Weight Length: 190mm Weight: Approx. 1.7kg

The Canon RF 24-105mm F2.8 L IS USM lens offers an exceptional blend of versatility and high-quality optics, making it an ideal choice for professional photographers and videographers. With a constant f/2.8 aperture, this lens excels in a wide range of lighting conditions, allowing for stunning low-light performance and beautiful depth of field control. Its focal length range of 24-105mm makes it suitable for various photography styles, from sweeping landscapes to intimate portraits. Engineered with advanced optical technology, this lens incorporates aspherical and ultra-low dispersion elements to minimize distortions and ensure sharp, vibrant images. The built-in Image Stabilization helps eliminate camera shake, enabling you to capture crystal-clear images even in challenging environments. Additionally, its rugged, weather-sealed design ensures durability in various shooting conditions, making it a reliable companion for outdoor photography. Features Constant f/2.8 maximum aperture Versatile focal length range of 24-105mm Advanced optical design for superior image quality Built-in Image Stabilization for reduced blur Weather-sealed construction for durability Fast and precise Dual Nano USM autofocus Ideal for both still photography and videography Compatible with Canon RF mount cameras Technical Specifications Focal Length: 24-105mm Maximum Aperture: f/2.8 Lens Construction: 18 elements in 15 groups Image Stabilization: Yes (up to 5 stops) Filter Size: 77mm Focus Type: Autofocus Dimensions, Weight Weight: 700 grams Dimensions: 88.8 mm x 136 mm Included Items Canon RF 24-105mm F2.8 L IS USM lens Lens hood Front and rear lens caps User manual

A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.

The Angénieux Type EZ-3 Pack (S35mm and FF) is the latest innovation in the acclaimed EZ series, offering a powerful telephoto zoom with exceptional versatility. With a focal range of 45–165mm (S35) and 68–250mm (Full Frame/VistaVision), this lens delivers precise and consistent imagery for filmmakers working across different formats. Whether you're capturing cinematic long shots or dynamic run-and-gun scenes, the EZ-3 adapts seamlessly. Featuring IRO Technology® (Interchangeable Rear Optics), the EZ-3 can be swiftly reconfigured between S35 and FF formats with minimal tools, providing maximum adaptability on set. A constant T-stop of T2.3/T3 in S35 and T3.5/T4.5 in FF ensures consistent exposure, allowing for uninterrupted shooting. The compact form factor—just 265mm in length and 2.6 kg in weight—makes this lens ideal for handheld, gimbal, or Steadicam work. With dual focus scales (feet and meters) and compatibility with existing EZ-1 and EZ-2 accessories, the EZ-3 is a reliable and efficient tool for professional filmmakers. Its long reach and crisp optical performance make it especially valuable for narrative, documentary, and commercial productions. Features – Angénieux Type EZ-3 Pack (S35mm and FF) 45-165mm T2.3/T3 | 68-250mm T3.5-4.5 Interchangeable format design: S35 and Full Frame New quick IRO Technology® for fast configuration Long telephoto reach with 3.7x zoom ratio Consistent T-stop: T2.3/T3 (S35), T3.5/T4.5 (FF) Compact & lightweight: 265mm length, 2.6 kg Dual focus scale (feet and meters) for international crews Full compatibility with EZ-1 and EZ-2 accessories Smooth focus rotation and user-friendly design Technical Specifications Focal Length: 45–165mm (S35) | 68–250mm (FF/VV) Zoom Ratio: 3.7x Aperture: T2.3/T3 (S35) | T3.5/T4.5 (FF) Minimum Object Distance: 1.2m / 4 ft Format Coverage: S35 (24 x 13.6mm) | FF (37.7 x 24.9mm) Mount: PL (interchangeable to EF, E, RF) Focus Rotation: 300° Front Diameter: 114mm Dimensions and Weight Length: 265mm (10.4 inches) Weight: 2.6 kg (4.4 lb) Front Diameter: 114 mm In the Box Angénieux Type EZ-3 Lens S35 Rear Optical Group (pre-installed) FF/VV Rear Optical Group Front Protective Glass EZ Hood Lens Caps (Front & Rear) Transport Case User Manual Warranty Documentation

The Canon CN-E70-200mm T4.4 L IS Compact Cinema Servo Zoom Lens is a high-performance telephoto cinema zoom designed to meet the demands of professional filmmakers, broadcast crews, and commercial productions. Covering a versatile 70–200mm focal range, this lens allows for precise framing, dynamic close-ups, and controlled background compression, all without changing lenses during critical shoots. Featuring a constant T4.4 aperture across the zoom range, the CN-E70-200mm delivers consistent exposure and image quality in a wide range of lighting conditions. Its advanced L-series optics produce sharp, high-contrast images with minimal chromatic aberration and distortion, ensuring every shot maintains professional clarity. The lens is equipped with built-in image stabilization, reducing the impact of camera shake during handheld or mobile setups, making it ideal for gimbal, Steadicam, and shoulder-mounted applications. Internal zoom and focus mechanisms provide smooth operation and prevent focus breathing, while consistent gear positioning ensures compatibility with follow focus and zoom control systems. Lightweight and robust, the CN-E70-200mm T4.4 L IS combines portability with professional reliability. Its ergonomic design and durable construction make it suitable for both studio and location filming. Advanced metadata communication with Canon cinema cameras allows for seamless integration into post-production workflows, enhancing efficiency and precision. Whether capturing dramatic sequences, sports, or wildlife, this telephoto zoom lens delivers cinematic image quality with creative flexibility. Features – Canon CN-E70-200mm T4.4 L IS Zoom Lens: Professional telephoto zoom lens for cinema production Focal range: 70–200mm for tight framing and compression Constant T4.4 aperture for consistent exposure L-series optics for sharp, high-contrast imagery Minimal chromatic aberration and distortion Built-in image stabilization Smooth internal zoom and focus mechanisms Consistent gear positions for follow focus and zoom systems Compatible with Canon cinema camera metadata Ideal for handheld, gimbal, and Steadicam shooting Ergonomic, lightweight, and portable design Smooth iris operation with 11-blade aperture Reliable performance in low-light conditions High-quality cinematic bokeh Robust, professional-grade construction Optimized for 4K and 8K productions Suitable for studio and location filming Reduced focus breathing Advanced metadata support for efficient post-production Seamless integration with Canon EF mount systemsTechnical Specifications: Focal length: 70–200mm Maximum aperture: T4.4 Minimum aperture: T22 Lens mount: Canon EF Format compatibility: Super 35 / APS-C Focus type: Manual Focus rotation: 300° Iris: Smooth, 11-blade Optical design: L-series glass elements Minimum focus distance: 1.2 m (3.9 ft) Zoom type: Internal Image stabilization: Built-in Aperture control: Manual Lens coating: Anti-reflection coatings Weight: 2.4 kg Length: 230 mm Filter thread: N/A (front lens gear system) Color rendition: Neutral, cinematic Mount communication: EF metadata compatible Temperature range: Operational -10°C to 40°C Dimensions & Weight: Length: 230 mm Maximum diameter: 95 mm Weight: 2.4 kg

Canon CN-E18-80mm T4.4 Zoom Lens – Compact Cinema Zoom for Creative Filmmaking The Canon CN-E18-80mm T4.4 Compact Cinema Zoom Lens is a compact, professional-grade cinema zoom designed to deliver exceptional image quality and flexibility for narrative films, documentaries, and commercial productions. With a versatile 18–80mm focal range, this lens allows filmmakers to capture wide establishing shots as well as medium telephoto perspectives without changing lenses, streamlining production and reducing setup time. Engineered for consistency and precision, the CN-E18-80mm T4.4 offers a constant T4.4 aperture across the zoom range, providing reliable exposure control in a variety of lighting conditions. Its internal zoom design ensures smooth focus and zoom operation while maintaining optimal image quality and minimal focus breathing. The lens incorporates Canon’s L-series optical technology, producing sharp, high-contrast images with minimal chromatic aberration and distortion. Lightweight and compact, the CN-E18-80mm is ideal for handheld, gimbal, or Steadicam shooting. The lens features consistent gear positions for focus, zoom, and iris, making it fully compatible with professional follow focus and zoom control systems. Additionally, its built-in image stabilization compensates for minor camera shake, ensuring smooth, cinematic results even in dynamic shooting scenarios. Designed with practical workflow in mind, the CN-E18-80mm T4.4 supports advanced metadata communication when used with Canon cinema cameras, allowing for more efficient post-production. Whether you are capturing fast-paced action, dramatic sequences, or intimate interviews, this zoom lens provides the versatility, reliability, and image quality demanded by professional filmmakers. Features – Canon CN-E18-80mm T4.4 Zoom Lens: Compact, lightweight design for easy handlingVersatile 18–80mm focal range Constant T4.4 aperture across the zoom range High-resolution L-series optics for exceptional image quality Minimal chromatic aberration and distortion Smooth internal zoom and focus operation Consistent gear positions for follow focus and zoom control Built-in image stabilization Supports Canon cinema camera metadata functions Ideal for handheld, gimbal, or Steadicam use 300° focus rotation for precision focusing Smooth iris operation Durable, professional-grade construction High-contrast, sharp images suitable for 4K and 8K productions Optimized for cinematic bokeh and background separation Lightweight enough for extended handheld shooting Reliable in low-light shooting conditions Designed for both studio and location filming Seamless integration with existing Canon EF-mount systems Technical Specifications: Focal length: 18–80mm Maximum aperture: T4.4 Minimum aperture: T22 Lens mount: Canon EF Format compatibility: Super 35 / APS-C Focus type: Manual Focus rotation: 300° Iris: Smooth, 11-blade Optical design: L-series glass elements Minimum focus distance: 0.9 m (3 ft) Zoom type: Internal Image stabilization: Built-in Aperture control: Manual Lens coating: Anti-reflection coatings Weight: 2.3 kg Length: 205 mm Filter thread: N/A (front lens gear system) Color rendition: Neutral, cinematic Mount communication: EF metadata compatible Temperature range: Operational -10°C to 40°C Dimensions & Weight: Length: 205 mm Maximum diameter: 95 mm Weight: 2.3 kg

The Canon CN7X17 KAS T Cine-Servo lens is a groundbreaking tool designed for professional cinematographers seeking both versatility and precision in their work. This 17-120mm lens features a fast T2.95 maximum aperture, ensuring excellent low-light performance and a shallow depth of field that allows filmmakers to create stunning visuals with a cinematic feel. The zoom range is perfect for a variety of shooting scenarios, from wide establishing shots to tight close-ups, making it an ideal choice for everything from documentaries to narrative films.Engineered with Canon's advanced optical technology, the CN7X17 KAS T delivers sharp, high-contrast images across the entire zoom range. Its par-focal design ensures that the focus remains consistent even while zooming, a critical feature for dynamic shooting environments. The lens is equipped with a 200-degree focus rotation and a 15-blade iris, allowing for smooth focus pulls and beautiful bokeh. With a robust build that withstands the rigors of professional production, this lens is designed for use on various camera systems, making it a versatile addition to any filmmaker’s toolkit.Adding to its versatility, the Canon CN7X17 KAS T features a compact form factor that makes it suitable for handheld shooting and gimbal work. The lens is also compatible with Canon's EF mount cameras, enhancing its usability across a wide range of cinema rigs. Whether you're shooting in a controlled studio environment or out in the field, this lens offers the reliability and performance that professional filmmakers demand, allowing them to focus on storytelling without worrying about their equipment.Features of Canon CN7X17 KAS T Cine-Servo Lens17-120mm focal length for versatile shooting optionsFast T2.95 maximum aperture for low-light capabilityPar-focal design maintains focus during zooming200-degree focus rotation for precise adjustments15-blade iris for smooth bokeh and pleasing highlightsCompact and lightweight for handheld and gimbal useCompatible with Canon EF mount camerasRobust build quality suitable for professional useTechnical SpecificationsFocal Length: 17-120 mmMaximum Aperture: T2.95Zoom Ratio: 7xFocus Rotation: 200 degreesIris Blades: 15Lens Mount: Canon EFWeight: Approx. 2.8 kgDimensions: Approx. 200 mm x 140 mmDimensions & WeightLength: Approx. 200 mmDiameter: 140 mmWeight: Approx. 2.8 kgIncluded in the PackageCanon CN7X17 KAS T Cine-Servo LensFront and rear lens capsUser manualProtective lens pouch

  Sony FE 70-200mm F4 Macro G OSS II Full-frame compact telephoto zoom   Highlights Spectacular G Lens rendering and corner to corner resolution Eye-opening close-up performance with half macro (0.5x) at all focal lengths Fast, precise, quiet autofocus and tracking matches high-speed cameras Compact high-resolution telephoto zoomOur most advanced lens technology comes together in a compact, lightweight 70-200 mm F4 telephoto zoom G Lens™ that delivers outstanding optical and AF performance as well as half-macro capability1 throughout the zoom range. Impressive handling and mobility make it an excellent choice for a wide range of still and movie applications.Spectacular G Lens renderingExcellent corner-to-corner resolution and contrast throughout the zoom range are achieved by combining AA (advanced aspherical) and aspherical lens elements. Three ED (Extra-low Dispersion) elements and one Super ED element suppress chromatic aberration and color bleeding for revealing sharpness. Exquisite full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and optimized spherical aberration.Eye-opening close-up performanceThis is the world's first2 zoom lens in its class to offer half-macro capability1 throughout the zoom range. Minimum focusing distance is 10- 1/4 in. (0.26 m) at the wide end and 16-1/2 in. (0.42 m) at the telephoto end of the zoom range, with a maximum magnification of 0.5x throughout. New levels of zoom close-up capability offer unprecedented versatility and freedom for shooting stills as well as movies.Fast autofocus matches high-speed camerasFour of Sony's original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to approximately a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. The speed potential of high-performance α series cameras is fully realized. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won't be lost.Refined movie performance and imageryLinear Response MF ensures that manual focus responds directly and linearly to subtle control. The breathing compensation function provided in compatible α series cameras is fully supported, reducing unwanted image shifts while focusing. Built-in optical image stabilization can work in conjunction with the in-body stabilization in compatible α series cameras to provide extremely smooth, stable handheld footage.Top-class performance with teleconvertersThe FE 70-200mm F4 Macro G OSS II is fully compatible with Sony's 1.4x and 2.0x teleconverters. In addition to increasing maximum focal length, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths. And because the working distance does not change with the teleconverter attached, you can move in close to the subject to capture truly impressive images.Compact, mobile, reliable, and easy to useThis innovative lens offers a rare blend of performance and compact mobility. It is 3-1/4 in. (82.2 mm) in diameter by 5- 7/8 in. (149 mm) in length at the wide end of the zoom range and weighs 28.1 oz. (794 g). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation.

  Sony FE 16-35mm F2.8 GM IIThe FE 16-35mm F2.8 GM II delivers dynamic wide-angle perspectives with extraordinary resolution and bokeh while maximizing the speed and performance of advanced camera bodies. Unequalled AF performance provides significant advantages for stills and movies in a versatile lens that is also the smallest and lightest of its kind.   Key Features Full-Frame | f/2.8 to f/22 Fast Wide-Angle Zoom 20% Lighter, 10% Smaller than Previous Four XD Linear AF Motors, Floating Focus Aperture De-Click and Lock Switches Zoom Smoothness Switch XA and Super ED Elements Fluorine Coating Dust and Moisture-Resistant Construction Breathtaking G Master resolutionHigh spatial resolution results in detailed rendering right out to the image edges throughout the 16-35 mm zoom range, even with the lens wide open. Five aspherical elements include three XA (extreme aspherical) elements, and aberration is effectively controlled for an outstanding blend of high resolution and gorgeous bokeh.Extraordinary resolution and bokehSmooth, beautiful bokeh is made possible by a large F2.8 maximum aperture, innovative optical design, and an advanced 11-blade aperture unit. The FE 16-35mm F2.8 GM II also offers outstanding close-up performance with a minimum focusing distance of 0.22 m (0.73 ft) throughout the zoom range and maximum magnification of 0.32x. Get close for dynamic perspectives while deep bokeh adds extra expressive capability.Refined for outstanding movie imageryReduced focus breathing, focus shift, and axis shift when zooming contribute to smooth movie imagery, while XD (extreme dynamic) Linear Motors and an advanced aperture unit reduce noise and vibration. A center of gravity that changes very little contributes to agile, stable maneuverability when shooting handheld, and eliminates the need for readjustment after changing the zoom setting when using a gimbal.AF that is smooth, precise, quiet, and lightning fastThe FE 16-35mm F2.8 GM II uses a floating focus mechanism that includes four original XD Linear Motors and precise lens control for up to approx. 2x higher AF speed. Continuous shooting at up to 30 fps is possible with Sony’s α1 body. It reliably acquires focus and smoothly tracks subjects, easily achieving the critical focus required for slow motion and 4K/8K movies.The world’s smallest and lightest in its classEven though it is the smallest and lightest F2.8 16-35 mm zoom in the world, the FE 16-35mm F2.8 GM II delivers extraordinary imaging quality thanks to XA elements and Super ED glass (extra-low dispersion) in an advanced optical design. Lightweight high-thrust XD Linear Motors further contribute to a low overall weight of just 547 grams (19.3 oz.). That’s about 20% lighter than the E 16-35mm F2.8 GM. Overall length is a compact 111.5 mm(4-1/2 in.).Professional control and reliabilityA click ON/OFF switch and lock switch offer flexible aperture control, while two focus hold buttons provide convenient access for horizontal or vertical shooting. One function can be assigned to the focus hold buttons from the body menus. All seams feature structural sealing, buttons and switches are fitted with silicone rubber gaskets, and a rubber ring seals the lens mount for protection against dust and moisture.      

  Sony FE 24-70mm F2.8 GM II Full-frame Standard Zoom G Master lensNext-generation G Master standard zoomThe FE 24-70mm F2.8 GM II is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations.High resolution that rivals the best primesExcellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity.Stunning G Master bokehExquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 8.27" (0.21 meters) and 11.8" (0.30 meters), with max. magnification of 0.32x.Fast, precise AF and excellent responseFour of Sony’s original XD (Extreme Dynamic) Linear Motors, a floating focus mechanism and advanced lens control achieve high AF precision and approximately 2x better tracking performance while zooming than the previous model.3 With a compatible body it can shoot at up to 30 frames per second.4 The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped downMovie features refined for visual creatorsThe latest lens design technology reduces unwanted image shifts and angle of view variations for smooth, expressive movie imagery. XD Linear Motors enhance AF and tracking performance, enabling high frame rate recording for exquisite detail. Independent focus and aperture rings are provided. Linear response MF ensures direct, repeatable manual focus adjustment when focusing manually.Excellent control and reliability in any environmentAn updated dust and moisture resistant design6 provides extra reliability for outdoor use in challenging conditions, and a fluorine coating keeps the front element clean. Convenient operation of circular polarizing and variable ND filters (optional) is provided by a special opening in the supplied lens hood. Two customizable focus hold buttons are provided for easy access and convenient control when shooting in any orientation.   Highlights Superb image quality throughout the entire zoom range at all focusing distances Smallest and lightest F2.8 24-70mm zoom in its class2 - 24.6 oz (695 g) Beautiful F2.8 bokeh throughout the zoom range from advanced optics & 11-blade aperture Four XD Linear Motors and floating focus achieve fast, precise, quiet AF and excellent response Minimum focusing distance is just 8.3” at 24mm and 11.8” at 70 mm, 0.32 max magnification Nano AR coating II effectively suppresses reflections, flare and ghosting Advanced design reduces focus breathing, focus shift and axial shift when zooming Aperture ring, click/de-click switch and iris lock for professional aperture control Two customizable focus hold buttons, zoom smoothness switch Dust and moisture resistant for robust reliability5 ED aspherical lens elements correct spherical and chromatic aberrations Linear Response MF for precise, repeatable manual focus control Instant auto/manual focus selection via AF/MF switch Front fluorine coating prevents fingerprints, dust, water and oil Petal shaped, bayonet mount lens hood with filter control window  

The Fujinon Duvo™ HZK24-300mm is a versatile and high-performance cinema lens, designed specifically for filmmakers who need both wide and telephoto capabilities in one robust package. With an impressive zoom range of 24mm to 300mm, this lens covers everything from wide landscapes to detailed close-ups, making it ideal for a wide range of cinematic applications. Its constant aperture ensures consistent exposure throughout the zoom range, providing sharp and vibrant images in a variety of lighting conditions.Built with Fujinon’s renowned optical technology, the Duvo™ HZK24-300mm delivers superior image quality, with minimal distortion and chromatic aberration. It’s optimized for both Super 35 and full-frame sensors, making it compatible with various high-end cinema cameras. This lens is perfect for 4K and 8K productions, delivering ultra-high resolution and detail, making it future-proof for evolving content creation standards. Whether you’re shooting documentaries, commercials, or narrative films, this lens provides the flexibility, precision, and durability required for professional filmmaking.The robust build of the HZK24-300mm makes it suitable for both studio and on-location shoots. With advanced weather sealing, it can withstand challenging shooting environments, ensuring reliability even in extreme conditions. The lens features smooth manual control of focus, zoom, and iris, allowing for precise adjustments. It’s the go-to choice for cinematographers who need a high-quality, reliable zoom lens with exceptional optical performance.FeaturesWide 24-300mm zoom range for versatile shootingConstant aperture for consistent exposure throughout the zoom rangeAdvanced optical design for minimal distortion and superior image qualityOptimized for Super 35 and full-frame sensorsIdeal for 4K and 8K cinematic productionsWeather-sealed for use in challenging environmentsSmooth manual focus, zoom, and iris controlsSuitable for both studio and on-location shootsTechnical SpecificationsFocal length: 24-300mmAperture range: T2.9-T22Image circle: 46.3mmMinimum focusing distance: 1.5mLens mount: PL mountWeight: approx. 10kgFront diameter: 136mmSupported formats: Super 35, Full FrameDimensions and WeightWeight: approx. 10kgLength: 40cmFront diameter: 136mmIncluded in the PackageFujinon Duvo™ HZK24-300mm Zoom LensFront and rear lens capsHeavy-duty carrying caseLens support footPL mount cap

The HZK25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame*2. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts. Today, in the broadcast industry, cinema cameras equipped with a sensor larger than the industry’s mainstream sensor*3 are increasingly used in live coverage of sporting events and music concerts, amidst the growing needs for immersive cinematic expressions involving the use of bokeh and high dynamic range. However, cinema camera lenses are optimized for shooting movies and TV commercials, and therefore have a smaller zoom magnification ratio than that of broadcast lenses. They also require a specialist in focus operations, which is uncommon in the broadcast industry. For these reasons, there has been a demand for a high-magnification zoom that supports a large sensor and can be operated in the same way as box-type broadcast lenses. The new HZK25-1000mm is a broadcast zoom lens that uses optical technology, nurtured over many years, to deliver the world’s highest 40x zoom and the world’s longest focal length of 1000mm. It is designed in the dual format, supporting two types of large sensors. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by way of activating the built-in expander*4 to expand the image circle by 1.5 times. It offers the added benefit of maintaining the same angle of view in both sensors. On the wide-angle side, the lens provides F2.8 aperture, enabling cinematic visual expressions with shallow depth-of-field and resulting beautiful bokeh. The use of large-diameter aspherical lens and fluorite lens*5 controls various forms of aberration thoroughly to achieve optical performance which exceeds 4K. The lens maintains the operation of broadcast lenses involving zoom demand and focus demand even when mounted on a cinema camera. It can also be used with a variety of existing accessories*6. Furthermore, the lens features an image-stabilization mechanism based on Fujifilm’s unique “ceramic ball roller” system to accurately compensate for on-set vibrations and wind-induced movements for operation stability. Following many years of developing and supplying broadcast lenses that address broadcast camera operators’ refined needs, Fujifilm became the first in the world to release a 4K-compatible broadcast lens in 2015. The company has since established a lineup of 8K-compatible broadcast lenses to lead the industry in raising video image quality. In the cinema industry, Fujifilm began building its lineup of cinema camera lenses in 2009 with the launch of the HK Series. Of five lens series currently on offer, the Premista Series of cinema camera zoom lenses compatible with large-format sensors*7 is embraced by frontline producers of movies and TV commercials due to its superior image resolution and advanced operability. Fujifilm will continue to develop and supply high-performance lenses and accessories that facilitate their easy operations, thereby catering to the diversifying needs of frontline video professionals. *1 Among box-type broadcast zoom lenses compatible with a sensor larger than the Super 35mm, as of October 19, 2022 according to Fujifilm data. *2 Capable of covering an image circle measuring 28.5mm across the entire zoom range when combined with a camera equipped with a Super 35mm sensor, and covering an image circle measuring 41.3mm across the entire zoom range when combined with a camera equipped with a sensor equivalent to 35mm full frame; Image circle refers to a circular area where lights that have passed through the lens form an image. *3 2/3 inch sensor. *4 The expander can expand the image circle and extend the focal length to the telephoto side. *5 Lens element made of fluorite, which has a characteristically small wavelength dispersion in light refractive indices; It enables optical design with minimal chromatic aberration. *6 Limited to accessories specifically designed for box-type FUJINON broadcast lenses. *7 Image sensor that is larger than the mainstream formats of cinema cameras: super 35mm sensor and 35mm full frame sensor.   Main features (1) World’s highest 40x zoom and world’s longest focal length of 1000mm The broadcast lens is developed with optical technology nurtured over many years. It delivers the world’s highest 40x zoom covering from 25mm in wide angle to the world’s longest 1000m in ultra-telephoto. The use of the built-in expander shifts the focal length by 1.5 times to 37.5mm-1500mm, allowing users to capture a far-away subject in the size as intended.   (2) Supporting the Super 35mm sensor and a sensor equivalent to 35mm full frame The dual format lens is compatible with two large sensors that are mainstream among cinema cameras. The lens normally works with the Super 35mm sensor, and also supports a sensor equivalent to 35mm full frame by activating the built-in expander to expand the image circle by 1.5 times. When mounted on a camera equipped with a sensor equivalent to 35mm full frame, the lens delivers its maximum optical performance while maintaining the same angle of view as that of the Super 35mm sensor. (3) Cinematic visual expressions with beautiful bokeh With the use of large-diameter aspherical elements and fluorite elements, polished precisely, various forms of aberration are controlled thoroughly to achieve optical performance which exceeds 4K. Ghosting, lens flair and color bleeding are also suppressed to deliver natural yet high-definition footage. The lens has the maximum aperture of F2.8 on the wide-angle end despite being a high magnification lens that supports a large sensor. This enables filming in low-light conditions, such as an indoor concert. The optical design application “FOCUS,” developed by Fujifilm, has been used to simulate how the background is rendered out of focus. Out-of-focus areas were separated into several layers to examine bokeh textures to achieve bokeh that naturally goes out-of-focus from the focal plane into the background. This produces the cinematic expression which makes the subject stand out. (4) Latest image-stabilization mechanism The lens is equipped with an image stabilization mechanism based on Fujifilm’s unique “ceramic ball roller system”. It not only provides advanced image stabilization against on-set vibrations and wind-induced movements, but also controls swing-back to facilitate stable filming. (5) Operations involving zoom demand and focus demand The lens can be used in the same style as broadcast lenses involving zoom demand and focus demand while being mounted on a cinema camera. It can also be used with existing accessories designed for box-type broadcast FUJINON lenses. It also supports multi-camera operations, filming with multiple cameras at the same time to support efficient live production.   Specs Zoom Range: 25-1000 mm in Super35 with internal extender: 37-1500 mm in Super35 with internal expander: 37.5-1500 in Full Frame Note, the internal expander and extender in this lens are the same device. Expanders and extenders increase the focal length by their designated ratio (e.g. 15x). Expanders generally pay greater attention to maintaining optical quality towards the edges, which is important in Full Frame. Extenders basically “worry” about the center Super35 area.   Maximum Aperture in Super35: F2.8 at 25mm F3.9 at 700 mm F5.0 at 1000 mm Maximum Aperture in Full Frame with internal 1.5x expander: F4.2 at 37.5 mm F5.3 at 1050 mm F7.5 at 1500 mm Image Diagonal in Super35:  Ø 28.55 mm Image Diagonal in Full Frame:  Ø 41.3 mm Close Focus (M.O.D.):   3.5m / 11’5″ Length:   669mm / 26.3″ Weight:   28 kg / 61.7 lb Front Screw in filter: 241 mm (M241 x 1) Front diameter with Protective Screw-in Front Clear Filter: 245 mm ALAC – Automatic Chromatic Aberration Correction ARIA – Automatic Restoration of Illumination Attenuation corrects for aperture ramping. Remote Back-Focus        

  Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit      

  Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens  The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35. This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics. Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2.9 (in FF/VV) open aperture, T22 in U35 (Open Gate). Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume   NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2.6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752   MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit    

  Angénieux Optimo Ultra 12x FF/VV The long-range cinema zoom reference redefinedThe New Generation High End 12x Cine Zoom - successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.Main FeaturesNew Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm  

  Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35The long-range cinema zoom reference redefinedSuccessor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability. Thanks to the IRO technology®, the lens can be configured in three different versions: S35 (Ø 31.1mm),  U35 (Ø 34.6mm) and  FF/VV (Ø 46.3mm) with dedicated sets of rear and rings. Main Features New Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 1.22m/4’ in S35 – 1.24m/4’1’’ in Ultra S35 – 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm S35 Zoom ratio: 12x Focal Length: 24-290 Aperture: T2.8 Close Focus: 1.22m / 4ft Internal Focus: Yes Image Circle Coverage: 31.1mm Weight (approx.): 12.6 kg / 27.7lbs Length: 472mm / 18.6in Front Diameter: 162mm U35 Zoom ratio: 12x Focal Length: 26-320 Aperture: T3.1 Close Focus: 1.24m / 4ft 1in Internal Focus: Yes Image Circle Coverage: 34.6mm Weight (approx.): 12.75kg / 28.1lbs Length: 481mm / 18.9in Front Diameter: 162mm    

The Canon CN8x15 IAS S E1-P1 Cine-Servo Zoom lens is engineered for professional filmmakers who demand exceptional optical performance combined with advanced functionality. This 8x zoom lens features a focal length range of 15mm to 120mm, providing versatile framing options suitable for a variety of shooting scenarios, from wide landscapes to detailed close-ups. The lens is designed with a compact and lightweight form factor, making it ideal for handheld shooting as well as use on gimbals and drones.Equipped with Canon's advanced optical technology, the CN8x15 IAS S ensures superior image quality with minimal distortion and excellent color rendition. Its consistent T2.95 aperture throughout the zoom range allows for precise exposure control, even in dynamic lighting conditions. The lens also incorporates an electronic servo system that enables smooth and precise zoom adjustments, perfect for cinematic productions that require flawless transitions.Additionally, the CN8x15 IAS S is compatible with a range of cinema cameras and offers seamless integration with various filming equipment. Its robust construction ensures durability, while features like a 16-blade iris create beautiful bokeh, enhancing the visual appeal of your shots. Elevate your filmmaking experience with the Canon CN8x15 IAS S E1-P1, where cutting-edge technology meets creative flexibility.Features of Canon CN8x15 IAS S E1-P1Versatile 8x zoom range (15mm to 120mm) for various scenesConsistent T2.95 aperture for uniform exposure throughout zoomAdvanced optical design for exceptional image qualityElectronic servo zoom for smooth, precise controlCompact and lightweight for easy handlingCompatible with various cinema cameras and equipment16-blade iris for beautiful bokeh and depth of fieldRobust construction for durability in professional environmentsTechnical SpecificationsFocal Length: 15mm to 120mmMaximum Aperture: T2.95Zoom Ratio: 8xImage Format: Super 35mmFocus System: Internal focusWeight: Approximately 2.5 kg (5.5 lbs)Dimensions & WeightLength: 196 mm (7.7 inches)Diameter: 105 mm (4.1 inches)Included in the PackageCanon CN8x15 IAS S E1-P1 Cine-Servo Zoom lensFront and rear lens capsLens hoodUser manualWarranty card

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 20-50mm (Zoom Ratio 2.5x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 60cm Front Diameter 114mm Länge: 233.3mm (EF: 241.3mm) Weight approx. 3.3kg EOS Lens cCommunication & Cooke/i Technology supported  

The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF and PL mount options and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range. Advanced Lens Metadata Support includes Cooke /i Technology™ protocol on PL mount models.8K Optical Performance with Canon Cinema EOS Color ScienceThe lenses produce superb color rendition and detail, with sharp images from the center to the outer edges, rated for 8K HDR capture. An 11-blade aperture creates soft, beautiful light rays and stunning depth-of-field falloff, while an internal focusing system delivers minimized focus breathing and excellent parfocal performance. The lenses render the beautiful and warm color tones synonymous with Canon's cinema lens family.Canon's advanced optical technology and lens coatings have combined to achieve 8K optical performance through the zoom range. Various types of aberrations have been corrected to achieve beautiful imagery from the center of the image out to all edges. All of Canon's cinema lenses have been designed with a consistent warm color balance that expresses skin tones beautifully, making them ideal for capturing subject textures. Color reproduction is also consistent when lenses are interchanged, which can help reduce post-production work. HDR video offers an expanded tonal range that represents the visual expression close to its natural image. Our 8K-compatible chromatic aberration correction reduces color bleeding, and the light-shielding design and optimized coatings reduce ghosting and flaring. The inner focus system reduces focus breathing, giving greater stability to framing a shot. The 11-blade iris gives the lenses a natural bokeh effect that is almost circular from maximum to the minimum aperture. The odd number of blades diffuse the glow of high luminance subjects for softer imaging.Constant T2.4 throughout the zoom rangeThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Designed for Full Frame CamerasThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are designed for Full-Frame, Large-Format cameras, enabling impressive images using bokeh with a shallow depth of field.Advanced Lens Metadata SupportThe Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras.Available in EF Mount or Cooke/i Technology™ PL Mount OptionsThe CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP are Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.Cinema Style OperabilityBoth the CN-E20-50MM T2.4 L F / FP and CN-E45-135MM T2.4 L F / FP lenses share the same design with consistent front diameter, gear positions and gear rotation angles. Weighing under 8 pounds and measuring under 10 inches long, the lenses also feature focus, zoom, and iris rings with industry standard gears and 0.8mm pitch to suit many third party follow focus accessories. The lenses feature luminous (glow in the dark) metric and imperial markings for easy operation in low light. Built for longevity, the premium design and outstanding optics and components, offer quick and precise operation, with durability ideal for professional video productions.   Specifications Flexible Mount Option EF / PL Focal Length: 45-135mm (Zoom Ratio 3.0x) T-Stop: 2.4 Number of Iris Blades: 11 Focus Rotation Angle: 300° Minimum Shooting Distance: 100cm Front Diameter 114mm Länge: 238.4mm (EF: 246.4mm) Weight approx. 3.4kg EOS Lens cCommunication & Cooke/i Technology supported  

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS - Preliminary Full-Frame version only Focal Length (mm): 21-56 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: TBC Object dimensions at MOD (mm): TBC Weight: TBC Length: TBC   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS Full-Frame version only Focal Length (mm): 37-102 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: 57.3° / 22,7° Object dimensions at MOD (mm): 449 x 237 / 159 x 84 Weight: 206 Kg /5,7 lbs Length: 235mm / 9.25in   Available Q1 2022 - Pre-order now!   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit