Versatile mid-wide workhorse The Cooke SP3 32mm T2.4 Full Frame Prime Lens sits in the critical mid-wide range, making it one of the most versatile lenses in the series. It is ideal for interviews, narrative scenes, and handheld filmmaking. It delivers balanced perspective, natural depth rendering, and the signature Cooke filmic response with smooth highlight roll-off and organic skin reproduction. Engineered as a workhorse lens, it maintains consistent behavior across varying shooting conditions while integrating seamlessly into lightweight cinema setups. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 32mm T2.4 • Mid-wide versatile focal length • Constant T2.4 aperture • Full-frame coverage • Cinematic Cooke rendering • Mirrorless optimized system • Lightweight cine design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications• Focal length: 32mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical system • Mirrorless optimized • Interchangeable mount system • Cine housing • Color matched series

Motorized Dual Column for High Payload PTZ Elevation The Cartoni Lifto Twin HP is a motorized dual-column elevation system engineered for PTZ camera applications requiring both synchronized vertical movement and increased payload capacity. By combining two high-performance motorized columns, the system enables stable lifting and precise positioning of heavier camera setups in professional broadcast and studio environments. The system provides smooth and controlled vertical motion across its full operating range, extending the creative possibilities of PTZ systems beyond pan, tilt, and zoom. It is operated via a wired hand control unit, allowing synchronized movement of both columns. The controller supports continuous motion as well as programmable preset positions, enabling repeatable and accurate camera repositioning during live production workflows. Designed for stability and reliability, the Lifto Twin HP ensures balanced load distribution across both columns. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live productions, corporate environments, and house of worship installations. The Lifto Twin HP integrates with Cartoni’s Smart Deployment Series tripod and spreader system, delivering high torsional rigidity and operational safety. Its modular architecture supports compatibility with additional accessories such as dollies and transport solutions, allowing flexible deployment and efficient handling across a wide range of production scenarios. Features Cartoni Lifto Twin HP • Dual motorized elevation column system • Designed for high payload PTZ camera setups • Synchronized movement of both columns • Increased payload capacity for heavier configurations • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration performance for broadcast use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and balanced lifting performance • Suitable for professional studio and live environments • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in continuous production workflows Technical Specifications • System type: Dual motorized elevation column • Maximum payload: up to 60 kg / 132 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 22–28 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column for High Payload PTZ Applications The Cartoni Lifto HP is a motorized elevation column designed for PTZ camera systems that require higher payload capacity and stable vertical movement in professional broadcast environments. It extends the Lifto range by supporting heavier camera configurations while maintaining precise and controlled elevation across its full operating range. The system delivers smooth and repeatable vertical motion, enabling an additional axis of control alongside pan, tilt, and zoom. It is operated via a wired hand controller, allowing continuous movement and accurate positioning. The controller supports programmable preset positions, enabling fast and consistent camera repositioning during live production workflows. With a wide height range, the Lifto HP provides flexibility for different shooting angles and framing requirements. The motorized column operates with low noise and minimal vibration, ensuring suitability for on-air studio use. Its design supports stable lifting of heavier PTZ cameras and accessories, making it suitable for broadcast studios, live events, corporate production, and house of worship installations. The Lifto HP integrates with Cartoni’s Smart Deployment Series tripod system, providing high torsional rigidity and operational stability. Its modular architecture allows compatibility with additional accessories such as dollies and transport solutions, supporting flexible deployment and efficient handling across different production environments. Features Cartoni Lifto HP • Motorized elevation column for high payload PTZ systems • Designed for professional broadcast and studio environments • Increased payload capacity for heavier camera setups • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration design for on-air use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and controlled elevation performance • Compatible with PTZ cameras and accessories • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in live production workflows Technical Specifications • Maximum payload: up to 30 kg / 66 lbs • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Elevation type: Motorized column • Control interface: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor operation: Electric, low noise • Vibration: Minimal vibration performance • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 12–15 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feet The Cartoni Lifto Twin is a motorized dual-column elevation system designed for professional PTZ camera applications requiring synchronized vertical movement. By combining two motorized columns into a single system, it enables stable and precise elevation of heavier or dual-camera setups while maintaining smooth motion control for broadcast and studio environments. The system is engineered to deliver consistent and repeatable vertical positioning across its full operating range. It is controlled via a wired hand control unit and supports synchronized movement of both columns, ensuring balanced lifting and lowering. The controller allows continuous motion and includes programmable preset positions for fast and accurate repositioning during live production workflows. With an extended height range and increased payload capacity compared to single-column systems, the Lifto Twin is suitable for applications where additional stability and load support are required. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live event production, corporate environments, and houses of worship. The system is based on Cartoni’s modular PTZ support architecture and integrates with the Smart Deployment Series tripod and spreader system. This ensures high torsional rigidity and operational safety. The modular design also allows compatibility with accessories such as dollies and transport solutions, supporting flexible deployment and mobility across different production environments. Features Cartoni Lifto Twin • Dual motorized elevation column system • Designed for synchronized PTZ camera movement • Increased payload capacity compared to single-column systems • Smooth and precise vertical motion control • Extremely silent motor operation • Low vibration performance for broadcast environments • Wired remote control unit included • Synchronized control of both columns • Continuous movement across full height range • Programmable preset positions for repeatable shots • Suitable for heavier or dual-camera setups • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Safe and stable lifting operation • Modular system architecture • Expandable with accessories such as dollies • Designed for fast setup and deployment • Suitable for studio and live production use Technical Specifications • System type: Dual motorized elevation column • Maximum payload: 50 kg / 110 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and support accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 20–24 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feetThe Cartoni Lifto 25/S Motorized Elevation Column is specifically engineered for PTZ camera applications, delivering smooth and precise vertical movement designed for broadcast environments. It enhances traditional pan, tilt and zoom control by adding a controlled elevation axis, enabling more dynamic and creative shot composition in live and studio productions. The system is designed for fast deployment and operational reliability. It can be set up within minutes and is operated via a wired hand control unit or optional Bluetooth connection. The controller supports continuous movement across the full height range and includes three programmable preset positions for quick and repeatable camera repositioning during production workflows. With a height range from 60 cm up to 254 cm, the Lifto 25/S provides significant vertical flexibility while maintaining stability. The integrated motorized column operates with extremely low noise and minimal vibration, ensuring on-air suitability. The system supports a maximum payload of 25 kg, making it compatible with a wide range of professional PTZ cameras used in broadcast, live events, education and house of worship environments. The included Smart Deployment Series tripod with Smart-Stop mid-level spreader ensures high torsional rigidity and stability. The modular design allows for system expansion, including conversion to Twin or Pro configurations via additional components. Optional accessories such as a dolly or transport case further extend mobility and usability in different production scenarios. Features Cartoni Lifto 25/S • Motorized elevation column designed for PTZ cameras • Broadcast-quality vertical camera movement • Extremely silent motor operation • Smooth and vibration-free elevation movement • Height range from 60 cm to 254 cm • Maximum payload capacity of 25 kg • Wired remote control unit included • Optional Bluetooth control capability • Three programmable position presets • Continuous motion across full height range • Smart Deployment Series tripod included • Smart-Stop mid-level spreader for stability • High torsional rigidity construction • Safe release camera attachment system • Camera safety ring integration • XLR connector interface • Compatible with additional column upgrades • Convertible to Twin and Pro configurations • Optional dolly support for studio mobility • Compact transport case available as accessory Technical Specifications • Maximum payload: 25 kg / 55 lbs • Minimum height: 60 cm / 23.6 in • Maximum height: 254 cm / 100 in • Maximum height on feet: 240 cm / 94.5 in • Maximum height on dolly: 254 cm / 100 in • Weight: 11.8 kg / 26.0 lbs • Material: Aluminum • Column stroke: 660 mm / 25.98 in • Elevation speed: 38 mm/s • Footprint diameter (min height): 1306 mm / 51.4 in • Input voltage: 24 V • Power supply: 100–240 V, 50/60 Hz • Maximum current consumption: 9 A • Operational temperature: -10°C to +40°C • Control interface: Wired hand controller • Optional control: Bluetooth remote • Camera mounting: Safe release camera plate • Connector type: XLR Dimensions and Weight Height range: 60 cm to 254 cm Storage dimensions: approx. Ø 276 x 861 mm Weight: 11.8 kg

Compact Professional PTZ Camera Controller for Multi-Camera Production The Canon RC-IP300 is a compact yet powerful professional PTZ camera controller designed to deliver precise control of multi-camera productions in broadcast, live events, education and corporate environments. Built for reliability and efficiency, the controller allows a single operator to manage complex camera setups with speed and accuracy. Designed with workflow efficiency in mind, the RC-IP300 features an intuitive layout with a responsive joystick, dedicated camera buttons and a high-resolution 3.5-inch touchscreen preview display. This interface enables operators to monitor live video feeds, adjust settings quickly and maintain precise camera movements during live productions. The controller supports IP-based camera control and integrates seamlessly into modern networked production environments. Using Canon’s XC protocol, the RC-IP300 enables unified control across multiple Canon imaging products including PTZ cameras, Cinema EOS cameras and professional camcorders. This ensures smooth integration into mixed production setups and simplifies system management. A key advantage of the RC-IP300 is its scalability. Operators can control up to 200 cameras across up to 20 groups, making the controller suitable for anything from small studio setups to large-scale live productions. Each camera can store up to 100 presets, allowing instant recall of precise camera positions and repeatable shots. The compact form factor makes the controller ideal for control rooms, studios, auditoriums and event venues where space is limited but professional performance is required. Flexible power options, including Power over Ethernet (PoE) or a 12-volt power supply, simplify installation and reduce cabling complexity. The RC-IP300 also integrates with Canon PTZ applications and Stream Deck, providing customizable workflows and fast access to frequently used controls. With its combination of intuitive operation, advanced connectivity and reliable performance, the Canon RC-IP300 is a versatile solution for modern IP-based multi-camera production environments. Features Canon RC-IP300 • Professional PTZ camera controller for IP-based multi-camera productions • Control up to 200 cameras within a single system • Manage cameras across up to 20 groups • Store and recall up to 100 presets per camera • High-resolution 3.5-inch touchscreen preview display • Live video monitoring via IP video input • Ergonomic joystick for precise PTZ control • Intuitive button layout for fast camera selection and adjustments • Designed for single-operator workflows • Supports Canon XC protocol for unified device control • Compatible with Canon PTZ cameras, Cinema EOS and camcorders • Integration with Canon PTZ applications • Stream Deck compatibility for customizable control setups • Compact design suitable for studios, control rooms and auditoriums • Power via PoE or included 12 V power supply • GPIO connectivity via 9-pin D-Sub for tally signal integration • Ideal for live events, concerts, studios and educational environments • Reliable performance for professional broadcast applications Technical Specifications • Controller type: Professional PTZ camera controller • Display: 3.5-inch touchscreen preview monitor • Video input: IP video input • Camera connectivity: LAN and RS-422 • RS-422 ports: 1 • Maximum number of controllable cameras: up to 200 • Maximum camera groups: up to 20 • Presets per camera: up to 100 • Control protocol: Canon XC protocol • Network control: IP-based operation • GPIO interface: 9-pin D-Sub • Tally signal support: Yes • Power supply: PoE or DC 12 V power adapter • Compatible with Canon PTZ applications • Stream Deck integration supported • Designed for single-operator camera control • Supports multi-camera live production workflows Dimensions and Weight Compact tabletop controller design suitable for control rooms and studios Power supply options: PoE or 12 V DC Designed for space-efficient installations in broadcast environments

The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

The Canon EOS C50 Cinema Camera is the smallest and lightest Cinema EOS camera to date, yet it delivers uncompromising image quality and professional-grade performance. Designed for filmmakers, content creators, and production teams who demand cinematic results in a compact form, the C50 combines the flexibility of a full-frame 7K sensor with advanced features for video and stills. Its block-style design makes it a versatile tool for handheld shooting, rigs, gimbals, drones, or tripod setups, adapting seamlessly to different production environments. Image: Canon At the heart of the EOS C50 lies a 7K full-frame CMOS sensor paired with Canon’s powerful DIGIC DV7 image processor. This combination enables breathtaking Cinema RAW Light recording in 12-bit, oversampled 4K video with extraordinary detail, and high frame rate recording up to 120fps in 4K or 180fps in 2K, without cropping. Open Gate recording offers maximum flexibility for post-production, supporting horizontal, vertical, and anamorphic workflows. With more than 15 stops of dynamic range, Dual Base ISO (800 / 6400), and Canon Log 2/3, the C50 ensures true-to-life color and outstanding performance in challenging lighting conditions. Image: Canon Canon’s renowned Dual Pixel CMOS AF II brings fast, accurate, and reliable autofocus with advanced subject tracking. Combined with EOS iTR AF X and intelligent recognition for eyes, faces, and even animals, the EOS C50 ensures sharp focus across the entire frame. For handheld and on-the-move shooting, the built-in electronic Movie IS stabilization works in sync with optical IS from supported lenses, delivering smooth and steady footage. Image: Canon The EOS C50 is built for professional audio and connectivity. It supports up to 4-channel 24-bit audio with dual XLR inputs, a stereo mini-jack, built-in stereo mic, and headphone monitoring. The multifunction accessory shoe further expands options with Canon and third-party audio interfaces. With CFexpress and SD dual slots, simultaneous or relay recording in multiple formats is possible, streamlining professional workflows. Connectivity includes HDMI Type-A, USB-C, Timecode (DIN), remote input, Wi-Fi, and LAN via adapter, supporting live streaming, remote shooting, and fast data transfer. Image: Canon In addition to its cinema-grade video capabilities, the EOS C50 also captures 32.5 MP still images with continuous shooting up to 40 fps. This makes it a powerful hybrid solution for creators who need both outstanding motion and still performance in a single, portable device. Image: Canon With its compact yet robust design, advanced thermal management with active cooling, and professional interface layout, the Canon EOS C50 is engineered for reliability and endurance in demanding production environments. It is the perfect choice for solo shooters, small crews, and production companies looking for a versatile, future-proof tool that grows with their creativity. Features – Canon Cinema EOS C50 Compact and lightweight Cinema EOS design – smallest in the lineup 7K full-frame CMOS sensor with DIGIC DV7 processor Internal 12-bit Cinema RAW Light recording up to 7K 60p Oversampled 4K from 7K sensor for superior detail and color High frame rates: 4K up to 120fps, 2K up to 180fps (no crop) Open Gate recording (3:2, 7K) for versatile post-production Dual Base ISO (800 / 6400) for flexible low-light performance Dynamic range exceeding 15 stops with Canon Log 2/3 Dual Pixel CMOS AF II with EOS iTR AF X Advanced subject detection: eyes, faces, animals, vehicles Electronic Movie IS with optical IS lens support Support for anamorphic lenses (x2.0, x1.8, x1.5, x1.3) Professional audio: 4-channel, 24-bit recording Dual media slots: CFexpress Type B and SD UHS-II Multifunction accessory shoe for audio and expansion units HDMI Type-A, USB-C, Timecode DIN, remote input Integrated Wi-Fi (2.4 / 5 GHz) and Ethernet via adapter 14 customizable buttons for personalized operation 32.5 MP still photo capture, up to 40 fps bursts Active cooling system for unlimited recording durations Technical Specifications Sensor: Full-frame CMOS, 35.9 x 23.9 mm Effective pixels: approx. 32.3 MP (video), 32.5 MP (photo) Processor: Canon DIGIC DV7 Lens mount: Canon RF mount (EF and PL supported via adapters) Supported recording formats: Cinema RAW Light, XF-AVC, XF-HEVC S, XF-AVC S Cinema RAW Light recording: up to 7K 60p, 12-bit 4K oversampling from 7K, 10-bit 4:2:2 High frame rates: 4K 120fps, 2K 180fps, 5K Super35 up to 60fps Audio: 2x XLR (via top handle), 3.5mm stereo input, internal stereo mic, headphone out Still image capture: RAW / C-RAW / JPEG / HEIF, Dual Pixel RAW support ISO range: 100 – 25,600 (expandable up to 102,400 in video) Autofocus: Dual Pixel CMOS AF II, 100% frame coverage Stabilization: 5-axis electronic Movie IS with optical IS lens support Connectivity: HDMI Type-A, USB-C (3.2 Gen 2), Timecode DIN, remote (E3) Wireless: Wi-Fi (2.4 GHz / 5 GHz), Ethernet via USB-C adapter Storage: 1x CFexpress Type B, 1x SD UHS-II Power: LP-E6P battery, DC via DR-E6P Dimensions and Weight Dimensions (W x H x D): approx. 142 x 101 x 111 mm (body only) Weight: approx. 750 g (body only), 1,050 g (with handle, battery, and card) In the Box Camera body Detachable top handle with dual XLR inputs Microphone holder LP-E6P battery pack LC-E6E battery charger Shoulder strap Power cable

Unleashing the Power of Slo-Motion Unlock a new era of cinematic slow motion with the Pixboom Spark, a cutting edge high speed camera designed with creators in mind. Engineered for uncompromising performance, the Spark captures breathtaking footage at up to 1000 frames per second in 4K and an impressive 1800 frames per second in 2K, empowering filmmakers to explore moments previously invisible to the eye. At its core lies a Super 35mm BSI (backside illuminated) global shutter sensor that delivers stunning image quality with virtually no motion distortion and exceptional low light performance. Whether you are shooting fast paced action or artistic slow motion, the Spark ensures every frame is crisp and cinematic. Built for creative freedom, the Spark features unlimited recording time thanks to Pixboom’s custom lossless RAW format (pxbl), giving you full post production flexibility with zero compromise in quality. A prerecording buffer of 2000 frames ensures you never miss the perfect moment. An upcoming firmware update will also add ProRes support for even greater workflow compatibility. Footage is stored on exchangeable onboard SSD media with up to 2.4 terabytes capacity and a direct USB C connection. No additional card reader is required. This plug and play design simplifies data handling and saves valuable time on set. The Spark’s durable aluminum housing and active cooling system are engineered for consistent reliability, even in demanding environments. A 3.5 inch high brightness touchscreen provides intuitive camera control, while Wi Fi connectivity and a dedicated mobile app allow remote operation. External monitoring is supported via 12G SDI and HDMI 2.0 outputs, both capable of up to 4K at 60 frames per second. Perfect for Aerial Cinematography Thanks to its compact and lightweight design combined with a global shutter sensor, the Pixboom Spark is ideal for drone based cinematography. Whether you are capturing high speed sports, wildlife, or overhead perspectives, the Spark delivers stable and artifact free imagery, even during fast movement or vibrations. Its low weight also makes it easier to stay within drone payload limits, offering more flexibility and extended flight times. What truly sets the Pixboom Spark apart is its community driven development. Created in collaboration with filmmakers, VFX professionals, and content creators, the Spark embodies a new standard of camera design that puts real world needs first.Detailed information about the Picboom Spark can also be found on the CBM blog. Technical Highlights High frame rates  • 1000 fps at 4K resolution  • 1800 fps at 2K resolution • Sensor: Super 35mm BSI (backside illuminated) • Shutter: Global shutter, free of motion artifacts • Display: 3.5 inch high brightness touchscreen • Recording format: Pixboom lossless RAW (pxbl), future ProRes support• Pre recording buffer: Up to 2000 frames • Remote operation: via Wi Fi and mobile app Storage  • Exchangeable internal SSD  • USB C direct connection, no external reader needed  • Up to 2.4 terabytes capacity Monitoring outputs  • 12G SDI up to 4K 60p  • HDMI 2.0 Anamorphic support  • Custom resolutions  • De squeeze preview option Build quality  • Machined aluminum housing  • Active cooling systemTechnical Specifications  Sensor Sensor Type14.2MP Super 35mm Global Shutter CMOS Sensor Size4608 × 3072 | 25.34 × 16.90 mm (30.46 mm diagonal) Dynamic Range13 Stops Lens Mount Mount TypeInterchangeable locking mount (E / EF / PL) Electronic CommunicationSupported Recording & Media Max Data RateUp to 10 GB/s (Pixboom Pro Card) Media TypeRemovable Pixboom Pro Card Media ExportUSB-C, no card reader required Export Speed20 Gbps (USB 3.2 Gen2x2) Body & Power ConstructionAluminum Alloy ColorSilver / Black Dimensions (H × W × L)108 × 110 × 130 mm Weight< 1.1 kg (without mount & card) Power Input15–24 V via 5-Pin DC-IN / V-Lock Connectivity & I/O Video Outputs12G-SDI (4K), HDMI 2.0 (4K) Remote ControlWi-Fi (2.4 / 5 GHz), USB-C, 9-Pin EXT Additional I/OGenlock, LTC, GPIO (9-Pin EXT) Software Pixboom ControlMobile control & live preview Pixboom CineRAW processing software Resolutions and Frame Rates .spark-table { width:100%; min-width:1000px; border-collapse:collapse; font-size:14px; } .spark-table thead th { background:#f2f2f2; text-align:left; padding:10px; font-weight:600; border-bottom:2px solid #ddd; } .spark-table tbody tr:nth-child(even) { background:#fafafa; } .spark-table tbody td { padding:8px 10px; border-bottom:1px solid #e5e5e5; } .spark-table tbody tr:hover { background:#f0f0f0; } Recording Resolution Width Height Max FPS Sensor Width (mm) Sensor Height (mm) 4.6K 3:2 Open Gate4608307267025.3416.90 4.6K 16:94608259278125.3414.26 4.6K 2:14608230488725.3412.67 4.6K 2.37:146081944102525.3410.69 4.6K 4:146081152172425.346.34 4K 16:94096230488722.5312.67 4K 2:14096204899422.5311.26 4K 2.37:140961728117122.539.50 4K 4:140961024192622.535.63 2K 16:920481152172411.266.34 2K 2.37:12048864218211.264.75 2K 4:12048512362511.262.82

Compact Powerhouse for High-End Cinematic ProductionsThe Sony VENICE 2 Extension System Mini CBK-3621XS is a revolutionary addition to the Sony VENICE 2 ecosystem, designed for filmmakers who require maximum flexibility without compromising image quality. This ultra-compact extension system integrates seamlessly with the VENICE 2 8K and 6K models, allowing for versatile camera configurations in confined spaces or complex rig setups. Weighing just 0.54 kg (1.2 lbs) with an E-mount and 1.05 kg (2.3 lbs) with a PL mount adapter, the Extension System Mini is approximately 70% smaller than the existing VENICE Extension System 2. Despite its reduced size, it maintains the same high-performance image quality, making it ideal for handheld, gimbal, and POV shooting, as well as Steadicam, VR, and stereoscopic applications.A key feature of the system is its innovative drop-in ND cartridge system, which includes nine high-quality glass Neutral Density filters, ensuring precise exposure control in various lighting conditions. Additionally, the system introduces an improved, detachable 4.5m (14.8 ft) connection cable that is 3.3mm thinner than its predecessor, allowing for easier rigging and more flexible camera placement. For extended setups, an optional 12m (39.4 ft) cable is also available. These features enable filmmakers to achieve dynamic and immersive shots while maintaining the renowned cinematic quality of the VENICE 2.Beyond its compact design, the VENICE 2 Extension System Mini opens new creative possibilities, particularly in immersive media production. With an E-mount configuration, two units placed side by side replicate the human interpupillary distance of 64mm (2.5 in), making it a valuable tool for stereoscopic imaging and VR content creation. Its lightweight build and modularity also make it an excellent choice for Steadicam applications, where precise movement and weight balance are critical. Whether used for traditional filmmaking, virtual production, aerial cinematography, or experimental visual storytelling, the Sony VENICE 2 Extension System Mini sets a new standard for compact, high-end cinema capture.Features – Sony VENICE 2 Extension System MiniUltra-Compact Design: 70% smaller than the VENICE Extension System 2, perfect for handheld, gimbal, and tight-space shooting.8.6K Full-Frame CMOS Sensor: Delivers the same exceptional image quality as the VENICE 2 in a compact form.Detachable, Thin Connection Cable: 4.5m (14.8 ft) standard cable, with an optional 12m (39.4 ft) version available.Drop-In ND Filter System: Includes nine ND filters (clear to 2.4) for optimal exposure control.PL Mount Adapter Support: Enables compatibility with a wide range of professional cine lenses.Stereoscopic & VR Capabilities: Sensor spacing aligns with human interpupillary distance for immersive content creation.Steadicam Optimized: Lightweight and modular for stabilized camera operation.Integrated Mounting Points: 15 mounting holes for versatile rigging options.Durable & Lightweight: Robust build with dust, moisture, and shock resistance for professional use.Technical SpecificationsSensor Compatibility: VENICE 2 8K and Venice 2 6K (8K capture requires firmware update for 6K model)Filter System: 9-stage drop-in ND filter (Clear, 0.3-2.4)Cable Options: 4.5m (14.8 ft) standard, 12m (39.4 ft) optionalMount Options: E-mount and PL mount adapterGyro Sensor: Integrated for real-time tilt and positioning dataMetadata Support: Cooke/i Lens Metadata through PL mount adapterDimensions & WeightDimensions: 63.9 × 103.2 × 60.2 mm (2.5 × 4.06 × 2.37 in)Weight: 0.54 kg (1.2 lbs) with E-mount, 1.05 kg (2.3 lbs) with PL mount adapterIn the BoxSony VENICE 2 Extension System Mini Head Unit4.5m (14.8 ft) Detachable CablePL Mount AdapterDrop-In ND Filter Set (Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4)Mounting HardwareUser ManualAvailabilityPlanned to be released by August 2025 (TBD)

The Sony FR7 PTZ Camera + Sony FE PZ 16-35mm f/4 G Lens Bundle is the ultimate solution for filmmakers and content creators looking to capture cinematic footage from multiple angles in live events, broadcasting, or studio productions. The Sony FR7 PTZ Camera offers a full-frame Exmor R™ CMOS sensor, ensuring exceptional image quality with over 15 stops of dynamic range. Combined with the Sony FE PZ 16-35mm f/4 G Lens, this bundle provides the flexibility of a wide-angle zoom lens with superb clarity, sharpness, and a constant f/4 aperture, making it ideal for capturing everything from expansive landscapes to tight, dynamic shots with smooth focus transitions. The Sony FR7 PTZ Camera opens up new creative possibilities with its remote pan/tilt/zoom controls, perfect for live event productions, broadcasts, and other scenarios requiring seamless remote camera control. Paired with the Sony FE PZ 16-35mm f/4 G Lens, you can achieve stunning wide-angle shots with excellent edge-to-edge resolution and smooth autofocus, all while enjoying the versatility of Sony's E-mount lens system. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera is the first full-frame PTZ camera in Sony's lineup, offering a unique combination of cinematic image quality and remote control functionality. It is designed for versatility, with smooth pan/tilt/zoom operation, making it perfect for both indoor and outdoor events, multi-camera setups, and high-quality live broadcast productions. The Exmor R™ CMOS sensor provides incredible low-light sensitivity and a broad dynamic range, ensuring optimal performance in a variety of lighting conditions. Key Features: Full-frame Exmor R™ CMOS sensor for high-quality image capture. 15+ stops of dynamic range for smooth highlights and shadows. 4K (QFHD) at 120fps for high-frame-rate video and slow-motion capture. Real-time Eye AF & Fast Hybrid AF for accurate subject tracking. Remote pan/tilt/zoom/focus control for smooth operation. Dual media slots supporting CFexpress Type A and SDXC cards. Sony FE PZ 16-35mm f/4 G Lens Overview The Sony FE PZ 16-35mm f/4 G Lens is a wide-to-standard zoom lens with a constant f/4 aperture, making it ideal for low-light environments and providing smooth depth of field for both wide-angle and portrait shots. The G Lens series ensures excellent resolution and sharpness across the entire frame, with minimal chromatic aberration, distortion, and ghosting. With its versatile zoom range and high-quality optics, the 16-35mm f/4 G Lens offers superb performance for filmmakers who require high precision and reliability in varied shooting conditions. Whether you're capturing scenic wide shots or tight close-ups, this lens will deliver outstanding results. Key Features: Focal Length: 16-35mm, ideal for wide-angle to standard shots. Constant f/4 aperture for consistent brightness and depth of field control. Advanced optical design for exceptional sharpness and clarity. Fast autofocus for smooth subject tracking and precision. Dust and moisture-resistant construction for durability in various conditions. Perfect for Live Events and Broadcast Production: This bundle is designed with live event production, broadcasting, and cinema in mind. The Sony FR7 PTZ Camera's remote control capabilities and the Sony FE PZ 16-35mm f/4 G Lens's versatility in focal length give you all the tools you need to cover any situation with exceptional image quality. Whether you're filming a dynamic sports event, a live concert, or a studio production, the combination of these two powerful Sony products ensures smooth, cinematic footage from every angle.

The Sony FR7 PTZ Camera + Sony FE 70-200mm f/2.8 GM OSS Lens Bundle is an ideal combination for those seeking high-performance, remote-controlled PTZ shooting with superior image quality and versatility. The Sony FR7 PTZ Camera delivers full-frame, cinematic visuals, while the Sony FE 70-200mm f/2.8 GM OSS Lens adds an incredible zoom range perfect for capturing distant subjects in high resolution. This bundle is perfect for live events, sports broadcasts, and high-end cinematic productions that require long-range zoom, smooth operation, and premium image quality. Equipped with a 35mm full-frame Exmor R™ CMOS sensor and Sony’s E-mount system, the Sony FR7 offers more than 15 stops of dynamic range, ensuring that every shot is rich in detail, even in challenging lighting conditions. Paired with the Sony FE 70-200mm f/2.8 GM OSS Lens, you get a powerful tool for capturing close-ups from a distance, ideal for sports, concerts, and other fast-paced environments. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera offers cinematic full-frame image quality and the flexibility of remote pan, tilt, zoom, and focus control. Designed for professional filmmakers, broadcasters, and live event producers, the FR7 delivers exceptional 4K video quality (QFHD) at 120fps, allowing for ultra-smooth slow-motion footage. With an advanced Exmor R™ CMOS sensor, the camera provides superior low-light performance and a broad dynamic range for natural-looking highlights and shadows. The Sony FR7 is compatible with Sony’s extensive E-mount lens lineup, allowing for maximum flexibility with lens options, including the Sony FE 70-200mm f/2.8 GM OSS Lens. This camera’s remote-control capabilities make it perfect for situations where the camera cannot be manually operated, such as live broadcasts or multi-camera setups. Key Features: 15+ stops of dynamic range for enhanced highlights and shadows. 4K (QFHD) 120fps for slow-motion and high-resolution video. Real-time Eye AF & Fast Hybrid AF for pinpoint focus on fast-moving subjects. Remote control pan/tilt/zoom/focus with precise, smooth movements. Built-in ND filters for exposure control in changing light conditions. Dual media slots for CFexpress Type A and SDXC cards, offering versatile recording options. Sony FE 70-200mm f/2.8 GM OSS Lens Overview The Sony FE 70-200mm f/2.8 GM OSS Lens is a telephoto zoom lens that combines professional-grade performance with versatility. Its f/2.8 constant aperture allows it to excel in low-light environments, producing beautiful bokeh and crisp detail. Whether shooting close-ups or distant action, the lens provides consistent sharpness and clarity, making it ideal for high-demand productions such as sports, wildlife filming, or live events. With optical image stabilization (OSS), the lens ensures stable shots, even in handheld shooting conditions, and is compatible with the Sony FR7 for smooth zooming and focusing remotely. Key Features: Focal Length: 70-200mm, perfect for telephoto shots. Constant f/2.8 aperture for excellent low-light performance and shallow depth of field. Optical SteadyShot™ (OSS) for smooth handheld shooting. G Master™ lens quality for superior sharpness and beautiful bokeh. Fast, precise autofocus for quick subject tracking. Dust- and moisture-resistant design for rugged shooting conditions. Ideal for Live Event and Broadcast Productions: The Sony FR7 PTZ Camera and Sony FE 70-200mm f/2.8 GM OSS Lens bundle is designed for live event productions, broadcast environments, and multi-camera setups. The FR7’s remote-control PTZ capabilities provide seamless integration with event setups where flexibility and precision are paramount. The Sony FE 70-200mm f/2.8 GM OSS Lens allows operators to capture high-quality shots from a distance, making it the perfect solution for large events or action scenes that require zooming in on subjects without sacrificing image clarity.

The Sony FR7 PTZ Camera + Sony FE 24-70mm f/2.8 GM Lens Bundle is an exceptional combination designed for live event productions, broadcasting, and cinematic workflows that require high performance and flexibility. The FR7 is Sony’s groundbreaking PTZ (Pan-Tilt-Zoom) camera, offering full-frame image quality, cinematic imaging, and remote control capabilities, making it perfect for multi-camera productions in dynamic environments. Paired with the Sony FE 24-70mm f/2.8 GM Lens, this bundle allows for wide to medium telephoto shots with incredible sharpness and bokeh, making it ideal for close-ups and expansive scene compositions. Whether you are capturing a live event, broadcast production, or cinematic content, the Sony FR7 PTZ Camera offers unparalleled flexibility in positioning and zoom control remotely, while the Sony FE 24-70mm f/2.8 GM Lens provides the optical performance required for professional storytelling. Sony FR7 PTZ Camera Overview: The Sony FR7 PTZ Camera brings a new level of flexibility and cinematic image quality for professional content creation. This full-frame PTZ camera delivers outstanding 4K resolution (QFHD) at 120 fps, making it perfect for capturing smooth, detailed slow-motion footage, ideal for live events, sports broadcasts, and more. Featuring a back-illuminated 35mm Full-Frame Exmor R™ CMOS Sensor and Sony’s E-Mount lens system, the FR7 provides more than 15 stops of dynamic range, excellent low-light performance, and beautiful, creamy background bokeh. Optimized for remote control, this camera is perfect for studio and event environments where space is limited or when you need to adjust camera settings without physically moving the camera. The Sony FR7 integrates seamlessly with the Sony RM-IP500 Remote Controller and can store up to 100 camera positions, making it an incredibly flexible choice for multi-camera setups. Key Features: 15+ stops of dynamic range for stunning image quality. 4K (QFHD) 120fps for high-resolution slow-motion shots. Real-time Eye AF & Fast Hybrid AF for flawless autofocus performance. Remote control of Pan, Tilt, Zoom, Focus, and Recording for flexible, hands-free operation. Built-in ND filters with Auto ND mode for consistent exposure. Dual media slots for CFexpress Type A and SDXC cards for efficient recording workflows. Sony FE 24-70mm f/2.8 GM Lens Overview: The Sony FE 24-70mm f/2.8 GM Lens is a professional zoom lens designed for mirrorless full-frame cameras, providing a flexible zoom range and exceptional optical performance. This lens perfectly complements the Sony FR7, delivering outstanding image quality across the entire zoom range. The f/2.8 constant aperture ensures the lens performs brilliantly in low light, creating a smooth background blur (bokeh) to emphasize your subjects and deliver a cinematic look. The lens is renowned for its high resolution and contrast, making it suitable for both wide-angle landscape shots and intimate close-up portraits. Whether capturing a sprawling event scene or focusing on a specific subject, the Sony FE 24-70mm f/2.8 GM Lens ensures exceptional clarity and sharpness. Key Features: Focal Length: 24-70mm, offering versatility for a wide range of scenes. Constant f/2.8 aperture for low-light performance and shallow depth of field. G Master™ optics for exceptional sharpness, resolution, and beautiful bokeh. Nano AR coating to reduce ghosting and flare for clear, high-contrast images. Fast, precise autofocus for quick subject tracking and smooth focus transitions. Ideal for Live Event and Broadcast Productions: The Sony FR7 PTZ Camera with the Sony FE 24-70mm f/2.8 GM Lens is the ultimate solution for live event productions, broadcast, and film. The ability to remotely control pan, tilt, zoom, and focus with precision makes this bundle perfect for capturing dynamic actions, from sports broadcasts to concert performances. The high-quality imaging features ensure that each shot delivers cinematic excellence, making it the perfect choice for productions requiring versatility and top-notch performance.

The Sony FR7 PTZ Camera + Sony 28-135mm f/4 G OSS Lens Bundle offers the ideal combination for filmmakers and content creators who need a powerful, versatile, and remote-controlled camera system. The Sony FR7 PTZ Camera delivers cinematic-quality footage with its full-frame Exmor R™ CMOS sensor, boasting over 15 stops of dynamic range, and 4K (QFHD) video at 120fps. This is paired perfectly with the Sony 28-135mm f/4 G OSS Lens, a high-performance lens designed for video professionals. The lens offers a constant f/4 aperture, making it ideal for shooting in varying lighting conditions, while its optical steady shot (OSS) ensures smooth footage even during handheld or remote zooming. The Sony FR7 PTZ Camera provides flexibility with its remote pan/tilt/zoom control, perfect for live event productions, broadcast applications, or any situation where camera placement is limited. Together with the Sony 28-135mm f/4 G OSS Lens, this bundle offers everything you need to capture wide-angle shots, tight close-ups, and everything in between, all with stunning clarity and smooth operation. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera is the first full-frame PTZ camera in Sony's lineup, setting a new standard for cinematic production with remote-controlled pan, tilt, and zoom functionalities. It features the powerful Exmor R™ CMOS sensor, providing incredible low-light sensitivity, wide dynamic range, and exceptional detail, ensuring your content stands out in any production environment. Key Features: Full-frame Exmor R™ CMOS sensor for superior image quality. 15+ stops of dynamic range for vibrant highlights and deep shadows. 4K (QFHD) at 120fps for smooth high-frame-rate video and slow-motion capture. Real-time Eye AF and Fast Hybrid AF for precision tracking. Remote control pan/tilt/zoom/focus for smooth, versatile operation. Dual media slots supporting CFexpress Type A and SDXC cards for versatile recording options. Sony 28-135mm f/4 G OSS Lens Overview The Sony 28-135mm f/4 G OSS Lens is a zoom lens designed for professional video production. It offers an optical steady shot (OSS) for smooth, shake-free footage, even when using the lens remotely. The constant f/4 aperture provides consistent performance across the entire zoom range, while the lens’s focus and zoom rings are designed with filmmakers in mind, allowing for smooth, precise adjustments. Key Features: Focal Length: 28-135mm, covering a wide range from standard to telephoto shots. Constant f/4 aperture for consistent brightness and depth of field control. Optical SteadyShot™ (OSS) for effective image stabilization, ensuring smooth footage. Smooth zoom and focus rings for seamless, cinematic video production. Ideal for remote control setups in studio or on-location shooting. High optical performance with minimal chromatic aberration and distortion. Perfect for Live Events and Broadcast Production The Sony FR7 PTZ Camera combined with the Sony 28-135mm f/4 G OSS Lens offers unmatched flexibility and precision for high-end video productions. Whether you’re shooting a live broadcast, a corporate event, or a documentary, the Sony FR7 gives you full control over the camera movement, while the 28-135mm f/4 G OSS Lens ensures you capture sharp, clear footage across a variety of scenes. With both products working seamlessly together, you can easily create cinematic shots from multiple angles with incredible detail and color accuracy.

The Canon EOS C400 is a groundbreaking digital cinema camera designed for professional filmmakers who demand superior image quality and versatile shooting capabilities. With its Super 35mm CMOS sensor, the C400 delivers stunning 4K resolution and exceptional dynamic range, making it perfect for both narrative films and documentaries. The camera's advanced DIGIC DV 4 image processor ensures fast processing speeds and enhanced low-light performance, allowing filmmakers to capture breathtaking visuals in any lighting condition.Equipped with Canon's Dual Pixel CMOS AF technology, the EOS C400 provides smooth and precise autofocus, ensuring that your subjects remain sharp and in focus even during dynamic scenes. The camera also features a modular design, enabling filmmakers to customize their setups according to their specific needs, whether on a gimbal, tripod, or handheld. With a range of recording formats, including XF-AVC and MP4, the C400 offers flexibility for post-production workflows, making it an invaluable tool for any professional production team.In addition to its impressive performance, the Canon EOS C400 boasts a user-friendly interface with customizable controls and a high-resolution LCD touchscreen. The camera supports a wide range of lens options, making it compatible with Canon EF and PL mount lenses, allowing for endless creative possibilities. Elevate your storytelling with the Canon EOS C400, a camera that seamlessly blends cutting-edge technology with intuitive operation.Features of Canon EOS C400Super 35mm CMOS sensor for exceptional image quality4K recording capability with multiple recording formatsDual Pixel CMOS AF for fast and accurate autofocusDIGIC DV 4 image processor for enhanced low-light performanceModular design for flexible rigging and customizationHigh-resolution LCD touchscreen for easy operationSupports Canon EF and PL mount lenses for creative versatilityBuilt-in Wi-Fi for remote control and file transferTechnical SpecificationsSensor type: Super 35mm CMOSRecording resolution: Up to 4K (4096 x 2160)Frame rates: Up to 60 fps in 4KISO range: 160 to 102400Video formats: XF-AVC, MP4Connectivity: HDMI, SDI, USB 3.0Power supply: BP-955 BatteryWeight: Approximately 2.5 kg (body only)Dimensions & WeightDimensions: 168 x 186 x 176 mm (W x H x D)Weight: Approximately 2.5 kg (body only)Included in the PackageCanon EOS C400 camera bodyBP-955 battery packAC adapterUser manualLens mount capHand strap

Cinema-Camera with 6K Full-Frame Sensor, Triple Base ISO, 12G-SDI Output, and more. Builds on the success of the EOS R5 C and EOS C70, combining cutting-edge technology with a compact and ergonomic design to support professional users in creative filmmaking. State-of-the-Art Imaging in a Compact Cinema Body The Canon EOS C80 redefines what compact cinema cameras can do, featuring Canon’s groundbreaking 6K Full-Frame Backside Illuminated (BSI) stacked sensor—the same advanced imaging core first introduced in the flagship EOS C400. This new sensor design enables pristine 6K recording at up to 30p in Cinema RAW Light and oversampled 4K 4:2:2 10-bit footage with exceptional sharpness and dynamic range. A Triple Base ISO of 800, 3,200, and 12,800 ensures the C80 excels in any lighting condition, while automatic ISO switching makes it especially effective in dynamic, fast-moving environments such as live productions and documentary work. The EOS C80 inherits and enhances the ergonomic design of the popular C70, offering a robust yet portable form factor for handheld and gimbal-mounted shooting. The newly developed top handle improves handling comfort, while a brighter LCD screen and redesigned joystick ensure intuitive operation. A new multifunction accessory shoe supports Canon’s latest audio modules, and the camera’s extensive connectivity—Wi-Fi, Ethernet, HDMI, mini-XLR, USB-C, and Timecode—makes it a versatile tool for hybrid workflows, IP streaming, and multicam setups. With support for a wide range of recording formats including 6K RAW, XF-AVC S, and XF-HEVC S, the C80 caters to every stage of the production pipeline. Real-time lens and camera metadata capture, support for Cooke /i Technology™ via PL-RF adapter, and VR functions for Canon’s RF 5.2mm Dual Fisheye lens make this camera a flexible solution for traditional and virtual productions alike. Whether on set, in the field, or in post, the EOS C80 delivers uncompromising cinematic results with next-generation workflow support. 6K Full-Frame BSI Stacked Sensor The EOS C80 is Canon’s second EOS Cinema camera to feature a Backside Illuminated (BSI) stacked CMOS sensor, first introduced with the EOS C400 earlier this year. This sensor enables stunning 6K full-frame recording with a dynamic range of 16 stops, offering exceptional sensitivity with minimal noise. The Canon EOS C80’s Triple Base ISO of 800, 3,200, and 12,800 allows effortless adaptation to varying lighting conditions, delivering optimal image quality in any environment. An intelligent automatic mode seamlessly switches between these native ISO settings, benefiting dynamic scenes such as news broadcasts or live sports events. Equipped with Canon’s renowned Dual Pixel CMOS AF II technology, the EOS C80 now features advanced autofocus functions for unparalleled precision and responsiveness. With responsive face, eye, and head tracking, as well as newly developed body and animal tracking, the subject remains in focus. Proven and Enhanced Design with Professional Connectivity Options The EOS C80 retains the compact and familiar form of the EOS C70, with refined ergonomics that are especially beneficial for handheld use or mounting on gimbals and drones. The newly designed and detachable top handle enhances comfort, while a new multifunctional accessory shoe expands compatibility with audio accessories. Additionally, the camera features a brighter LCD display for improved visibility in outdoor use. The redesigned joystick is now closer to the thumb, making operation easier. As the latest addition to the Cinema EOS System, the EOS C80 supports the Canon PL-RF adapter, opening up a world of creative possibilities. Filmmakers can access a broad range of PL mount lenses, including support for Cooke /i Technology™ metadata. Integrated Wi-Fi and Ethernet connectivity ensure seamless file transfer, camera control, IP streaming, and optimized collaboration on set. Real-time capture and output of lens metadata and directory data enable workflow efficiency and creative control for VFX and virtual productions. The integrated VR functions are optimized for use with the Canon RF 5.2mm F2.8 L Dual Fisheye lens, delivering a realistic filming experience. Higher Quality Recording Formats The new Cine Camera offers a range of professional recording formats and high frame rates to meet the demands of any production. It supports 12-bit Cinema RAW Light up to 6K 30p and also introduces new MP4 video formats such as XF-AVC S and XF-HEVC S. These options provide exceptional 4K 4:2:2 10-bit image quality with oversampling at manageable file sizes, optimizing workflows from recording to post-production. All recording formats benefit from detailed metadata and structured filenames for seamless organization and efficient editing. Features – Canon EOS C80 6K Full-Frame BSI Stacked CMOS Sensor with 16+ stops DR Triple Base ISO (800/3,200/12,800) with automatic switching 6K 30p internal RAW + 4K oversampled 10-bit 4:2:2 recording Up to 180 fps in 2K and 120 fps in 4K for slow-motion work Dual Pixel CMOS AF II with advanced subject tracking (people, animals, objects) Compact form factor with redesigned handle, joystick, and brighter LCD Multifunction accessory shoe and mini-XLR for pro audio support IP streaming, Timecode I/O, and lens metadata for live and VFX workflows Technical Specifications Sensor: Full-Frame BSI Stacked CMOS Image Processor: DIGIC DV7 Internal Recording: 12-bit Cinema RAW Light up to 6K 30p Additional Formats: XF-AVC S / XF-HEVC S (4K 4:2:2 10-bit) Media: Dual SD card slots (UHS-II), CFexpress Type B Autofocus: Dual Pixel CMOS AF II with Eye, Face, Head, Body & Animal Tracking Audio: 2x mini-XLR, internal stereo mic, 4-channel recording Connectivity: Wi-Fi, Ethernet, HDMI, USB-C, Timecode, Remote Terminal Dimensions & Weight Dimensions (W × H × D): Approx. 142 mm × 123 mm × 115 mm Weight (Body only): Approx. 1.19 kg / 2.62 lbs

Trade in your existing SDI PTZ camera and get up to €1,300 off the new Sony BRC-AM7 — the next-generation PTZ built for professional live production. Purchase the BRC-AM7 at CBM. Trade in your old PTZ camera with SDI output. Receive a €1,300 trade-in discount directly on your invoice after successful verification. Promo period: till December 31, 2025 Contact us: info@cbm-cine.com BRC-AM7 is an advanced PTZ Auto Framing camera with built-in AI analytics delivering flagship image quality. Offering high interoperability with other production systems. The BRC-AM7 stands as one of the smallest and lightest integrated lens PTZ cameras, measuring a compact 168.7mm wide, 225.2mm tall, and 192.3mm deep, with a weight of just 3.7kg. Its compactness offers enhanced installation flexibility, broader accessibility, and diverse vantage points. Seamlessly integrating with Sony's professional camera ecosystem, it ensures compatibility and seamless color matching. Incorporating AI-based auto-tracking and Auto Framing technology, it streamlines content creation, enhancing production efficiency and maintaining high production values.Key Highlights: Dramatically improved imaging performance Images captured over a 20x optical zoom range that covers everything from wide angles to close-ups are delivered as high-quality 4K 60p output. In addition, interoperability with existing systems has been improved by incorporating ITU709/709tone, S-Cinetone™, and S-Log3 support. Built-in AI PTZ Auto Framing Advanced AI analytics allow subjects to be accurately tracked with smooth, natural-looking framing, making it easier than ever to produce high quality content with less camera operators. Direct pan and tilt drive using newly developed brushless DC motor results in exceptionally smooth camera operation. This advanced drive system is also remarkably quiet and is ideally suited to situations where silence is a requirement. Seamless integration with Sony’s system cameras The BRC-AM7 is the smallest and lightest camera of its type in the world*, making it easy to install just about anywhere. It is unobtrusive for the same reason, even in multi-camera setups. Additionally, the BRC-AM7 offers broad connectivity and system compatibility with for example S700PTP and free-d protocols.New 24-480 mm* integrated lens design covers wide to telephotoThis newly developed built-in lens features a 20x optical zoom range. In addition, Sony’s advanced Clear Image Zoom offers 30x zoom (720 mm) in 4K and 40x zoom (940 mm) in Full HD. This offers extraordinary range that can easily capture a subject in various situations.* 35mm full-frame equivalent.Built-in Variable ND filter for automatic exposure adjustmentSony’s original built-in electronic variable ND (neutral density) filter allows seamless variation from 1/4 to 1/128 ND, with an auto exposure mode automatically maintaining optimum exposure through lighting variations. Ideal exposure can be maintained when stage lighting changes, for example, without having to adjust iris, shutter, or gain. Also, optimum exposure can be achieved without affecting depth of field in the widest possible range of lighting situations.Quick colour matching with other Sony's camerasColor matching with Sony’s system cameras is simple with ITU709 and 709tone, as well as S-Cinetone and S-Log3 for Cinema Line cameras for seamless multi-camera operation.Built-in AI PTZ Auto Framing - Highly accurate recognition technologyAI analytics uses detailed human pose, head, face, clothing, and other data to recognise human subjects with high precision. This can be used to automatically control pan, tilt, and zoom to follow an athlete at a sports event, for example. PTZ Auto Framing is smooth and natural-looking, making it possible to work with a smaller camera crew.High-performance AF and PTZ Auto Framing combined for outstanding subject trackingThe latest Exmor™ RS image sensor and BIONZ XR image processing engine work in unison to achieve outstanding subject detection precision and speed for significantly improved tracking performance. The image sensor has focal plane phase-detection AF in the imaging area, easily focusing on fast-moving subjects with extraordinary speed and precision over a wide area. PTZ Auto Framing works with this newly adopted AF system to dramatically improve overall AF tracking performance. A performer who is actively moving around on stage can be reliably followed while precise focus is maintained, for example. With this capability, a multi-camera system can be set up to follow individual performers without requiring a correspondingly large camera crew.Versatile camera work and quiet operationA direct drive system using newly developed motors allows smooth, detailed control of camera pan and tilt for high-quality visual presentation. These advanced motors work with precision optical encoders to allow pan and tilt speeds ranging from a very slow 0.004 degrees per second to a snappy 180 degrees per second. This broad speed range makes it possible to be used in a various applications.Seamless integration with Sony’s system cameras - Interoperability with existing systemsThe BRC-AM7 supports not only ITU709, 709tone, S-Cinetone and S-Log3 for seamless color matching, but also has great control capability by S700PTP protocol. This allows remote control of Sony’s cameras via Ethernet, so detailed remote control is available from Sony’s RCP series remote control panels or MSU series master setup units. This makes it possible to combine the BRC-AM7 with Sony’s BRC series cameras and/or system cameras to create highly integrated systems with advanced remote-control capability*. *An MSU unit is required for multi-camera systems.Installation freedom and flexibilityThe BRC-AM7 is the smallest, lightest camera of its kind in the world.* It fits easily in limited spaces where installation of other PTZ cameras might be difficult or impossible. This product is less likely to be noticed if it appears in a shot in a multi-camera installation. The BRC-AM7 also has a standard 1/4-20 UNC screw socket for tripod mounting and the same 3/8-16 UNC screw socket as other system cameras for accessory attachment. ＊Equipped with a 1.0-type image sensor and compatible with 4K 60p as an integrated lens PTZ remote camera. As of April 2024 press announcement. Sony survey.Broad connectivityIn addition to 12G SDI primary output, 3G SDI is provided for monitoring. The BRC-AM7 offers a variety of video output options such as optical-fiber 12G SDI available via an SFP slot, and HDMI. Audio input can be connected via a pair of 3-pin XLR type connectors or a 3.5 mm stereo jack, providing plug-in compatibility.Power can be supplied via a standard 4-pin XLR connector, or a PoE++* network connection without the need for additional wiring in environments where a power infrastructure is not available.Expanding creative possibilitiesfree-d compliant camera tracking information output (pan, tilt, zoom, focus, iris) allows the camera’s position in 3DCG space to be output so that its motion can be replicated in virtual VR/AR systems. This makes high-level virtual production available for news programmes, events, and much more. SRT/RTMP/RTMPS/RTSP, NDI|HX, and optical fiber communication are supported, allowing 4K 60p output and remote control via an IP network Specifications

The versatile and compact Sony BURANO Cine Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

The versatile and compact Sony BURANO Docu Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony GP-VR100 Grip Remote Control for Sony BuranoPopular with operators around the world, the adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* we’ve made it even better. The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip. The unit can control basic camera shooting operations (recording start/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.Key Features GP-VR100 Grip Remote Control For Sony BURANO 8K Cinema Camera On/Off, Zoom & Focus Functions Extendable Extension Arm Coiled 3.5mm LANC Cable Mounts Using Sony-Standard Rosette Contoured Grip with Support StrapSony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

  A New Era in CinematographyVersatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. The Sony BURANO takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications      

The Canon EOS C70 is a groundbreaking camera designed for filmmakers seeking exceptional image quality in a compact and versatile package. With its Super 35mm Dual Gain Output sensor, the C70 delivers stunning 4K video recording at up to 120fps, allowing for beautifully detailed footage with excellent dynamic range. The camera’s innovative RF lens mount opens the door to a new world of creative possibilities, enabling compatibility with a broad range of Canon lenses, including the latest RF series.Equipped with Canon's renowned Dual Pixel CMOS AF, the EOS C70 ensures precise autofocus performance, allowing filmmakers to focus on their creative vision without worrying about tracking subjects. The camera features a range of professional-grade codecs and recording formats, including 10-bit 4:2:2 and XF-AVC, making it suitable for various production environments, from independent films to corporate projects. The built-in ND filters provide essential control over exposure in changing lighting conditions, ensuring consistent results in any scenario.The compact design of the EOS C70 makes it an ideal choice for handheld shooting and tight spaces, without compromising on professional features. Its intuitive controls and customizable buttons enhance the shooting experience, while the ergonomic design allows for comfortable operation during long filming sessions. The Canon EOS C70 is not just a camera; it's a powerful tool for storytellers looking to elevate their filmmaking to the next level.Features of Canon EOS C70Super 35mm Dual Gain Output sensor for enhanced image quality4K video recording at up to 120fps for stunning slow-motion effectsRF lens mount for compatibility with a wide range of Canon lensesDual Pixel CMOS AF for accurate and reliable autofocus10-bit 4:2:2 XF-AVC recording for professional-grade video qualityBuilt-in ND filters for precise exposure controlCompact and lightweight design for easy handheld shootingCustomizable buttons and intuitive controls for a user-friendly experienceTechnical SpecificationsSensor Type: Super 35mm Dual Gain OutputMaximum Resolution: 4K (4096 x 2160)ISO Range: 100-102400 (expandable)Recording Formats: XF-AVC, MP4Connectivity: HDMI, USB-C, Timecode In/OutDisplay: 3.5-inch LCD touchscreenDimensions & WeightLength: 163 mm (6.4 inches)Height: 145 mm (5.7 inches)Width: 130 mm (5.1 inches)Weight: Approximately 1.4 kg (3.1 lbs)Included in the PackageCanon EOS C70 camera bodyBattery packBattery chargerAC power adapterLens mount capUser manual

Sony FX3 Full-Frame Camera for Cinematic Look and Enhanced Operability for CreatorsFX3 Product Highlights     Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work     Multiple 1/4-20 UNC threaded mounting points to easily attach compatible accessories     Detachable XLR handle unit with two XLR/TRS audio inputs and one 3.5mm stereo jack     S-Cinetone™ look – inspired by the color science of the digital cinema camera VENICE – which is also used in FX9 and FX6 Cinema Line cameras     Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recordingi     Records up to 4K 120pii     10.2 megapixeliii full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine     Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic rangeiv     Fast Hybrid AF (Autofocus), Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras     5-axis in-body image stabilization with "Active Mode"v supports handheld movie shooting The Sony FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active modev, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.Cinematic LookThe FX3 boasts Sony's industry-leading image sensor technology to achieve high processing speeds and outstanding image quality. The full-frame, back-illuminated Exmor R CMOS sensor (approximately 10.2 effective megapixel count for video recording and approximately 12.1 effective megapixels count for stills) and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The standard ISO range is 80 to 102,400 (expandable to 409,600when shooting video), and dynamic range is an impressively wide 15+ stopsiv.In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using the S-Cinetone color matrix. Inspired by the color science used in Sony's flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and smooth highlights that are essential to create a cinematic look.Creators can record in 4K at up to 120 frames per secondii. Extraordinarily smooth slow-motion imageryvi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.Designed for Comfortable Solo-ShootingSony's most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 1.58 lbs. (715 g), including the battery and memory cards, and the body is only 5.11 in x 3.33 in x 3.06 in (77.8 mm x 129.7 mm x 84.5 mm). The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots.Designed for mobility and efficiency, the FX3's body features five 1/4-20 UNC threaded mounting points to easily attach compatible accessories while remaining light enough for handheld shooting and making it easy to set up and carry. The supplied XLR handle securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional threaded mounting points for accessories. Optional accessories such as external monitors, recorders, wireless microphones, or other add-ons can be securely attached.To enable 4-channel 24-bit audio recording, the supplied XLR handle includes two balanced XLR/TRS audio inputs and an additional 3.5mm stereo 2-channel jack. With an optional XLR or TRS microphone connected, the XLR adaptor on the handle takes care of the A/D (Analogue to Digital) conversion and DSP (Digital Signal Processing), and transfers the digital audio data directly to the camera for outstanding audio quality.  Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers easy set up. If the handle is not being used, the FX3 includes a 3.5mm stereo mic input on the camera body.The FX3 provides Fast Hybrid autofocus (AF) by using the 627 pointsvii focal plane phase-detection system during movie recording. The camera is further enhanced with Touch Tracking (Real-Time tracking) where simply touching the desired subject on the monitor screen initiates auto focus and tracking on that subject. Precise and smooth focus is maintained with Real-time Eye AF – technology that pinpoints the eye even when subjects are looking down or up at steep angles. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. These AF features have been implemented in the FX3 to ensure stable, flexible and precise focusing in any situation and are easy to operate for solo shoots.The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Modev that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.Expandability and Operability for Content CreatorsOperabilityFX3 was designed to optimize professional operability. The controls frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body for easy access. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency.The zoom lever located on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control.Recording lamps (tally) are provided on the top, front and back of the camera, so that the operator and talent can easily confirm recording.  A side-opening vari-angle touch-panel LCD monitor allows for easy operation and is suitable for gimbal-mounted shots, complicated angles, handheld operation and more. Flexible Exposure Mode allows the FX3 to have a similar Auto/Manual switch operation as other FX series cameras for iris, shutter speed and ISO, which can be set independently.ReliabilityCreators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdowni. The newly developed fan provides high-efficiency cooling by drawing air into the camera via the bottom panel and exhausts via the side.The new camera also features a dust and moisture resistant designix and durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast chargingx for uninterrupted recording.ExpandabilityThe FX3 is compatible with several recording functions including S-Log3 gamma and S-Gamut3.cine, which record in a high dynamic range and wide color gamut. It also supports internal recording in XAVC S™ (MPEG-4 AVC/H.264 Long GOP) and XAVC S-I (MPEG-4 AVC/H.264 Intra) formats in 4K (QFHD) and FHD, and XAVC HS™ (MPEG-H HEVC/H.265, 4K only) format. 4K 60p video in 10-bit 4:2:2 or 16-bit RAW formatxi can be output to an external device via the FX3 full-size HDMI Type-A jack.The FX3 also offers two fast, future-oriented media slots that contribute to unprecedented shooting freedom by being compatible with either CFexpress Type A or SDXC cards. The same data can be simultaneously recorded to both cards for backup and a "relay" mode will automatically switch to the second media card when the first media card becomes full during recording.The new camera has been developed with advanced connectivity features to better assist professional creators with high-speed wireless LAN functionality (2.4 GHz or 5 GHz bandxii) and wired LAN connection via a compatible USB-to-Ethernet adaptor. The FX3 supports video and still file transfers to a specified remote FTP server.  This FX3 also allows for remote shooting from a PC using the Imaging Edge Desktop™ application's "Remote" function via Wi-Fi, or Superspeed USB 5Gbps connection over USB Type-C® terminal.FEATURESImage sensor with blazingly fast readout speedThe back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.High performance image-processing engine The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production. Acclaimed cinematic colour with S-Cinetone™The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.All-Intra internal recordingIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 4K High Frame Rate 120fps recordingYou can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.16-bit RAW data outputFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4Kworkflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).HEVC codec with high compression efficiencyXAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes. Proxy recording for more efficient editing workflow Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720). Expand your vision with Creative LookLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.Flexible exposure modeFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.Fast, easy touch focus controlTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology. Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.Flexible camera positioning with vari-angle monitorThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity. Power for professional lengthFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast chargingor continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery. Reliable durability and weather resistance in tough situationsIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.   SPECIFICATIONS        

 Cinema Line Full-frame PTZ Interchangeable Lens camera with 15+ stop dynamic range, 4K (QFHD) high-frame-rate 120fps, Fast Hybrid & Real-time Eye AF, and S-Cinetone™ colour science.Sony’s New Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers. A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support. Uncompromised Image Quality in a PTZ Form FactorThe FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light. The FR7 features Sony's E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including: The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light. A 15+ stop latitude*3 allows smooth highlights and low noise levels. A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony's original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces. Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look. Easy Operation for Storytelling from New Angles With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony's RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation.The supplied infrared remote controller will also support the FR7's simple operation Variable PTZ Movements for Smooth Camera WorkPan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.Up to 100 Preset Camera PositionsThe FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button. The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony's Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update.Real-time Eye AF and Real-time TrackingFast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used. The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7's web application, with Real-time Eye AF if an eye is detected.Sony's Built-in Electronically Controlled Variable ND FilterThe built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.Versatile Interfaces for Various Production WorkflowsThe FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.Internal XAVC Recording and External RAW OutputA rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications. CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately). Professional Video and Audio InterfaceHDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.Ethernet ConnectivityCamera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements. The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment. The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.Multicamera Production SynchronizationThe Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups. Additionally, red/green tally lights are provided on the camera's side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location.  

The Canon Expansion Unit EU-V3 is an essential accessory for enhancing the functionality and versatility of Canon's Cinema EOS cameras. This unit is designed to provide filmmakers with additional connectivity and control options, making it an invaluable tool for both studio and on-location shooting. With its robust build quality and comprehensive feature set, the EU-V3 allows for seamless integration into various production setups, ensuring that users can focus on capturing their creative vision without interruption.Equipped with multiple output and input connections, the EU-V3 enables filmmakers to connect various devices, including external monitors, audio equipment, and control systems. Its user-friendly interface simplifies operation, allowing for quick adjustments and settings changes during production. Whether you’re working on a feature film, documentary, or commercial project, the EU-V3 empowers you to maximize your camera's capabilities and streamline your workflow.Additionally, the EU-V3 is designed for compatibility with a range of Canon Cinema EOS cameras, ensuring that users can easily upgrade their existing setups without the need for extensive modifications. With its reliable performance and extensive feature set, the Canon Expansion Unit EU-V3 is an essential companion for any professional filmmaker looking to enhance their production quality.Features of Canon Expansion Unit EU-V3Enhanced connectivity options for various devicesMultiple SDI and HDMI outputs for versatile monitoringIntegrated audio inputs for improved sound captureCompact and lightweight design for portabilityUser-friendly interface for easy operationCompatible with a range of Canon Cinema EOS camerasSupports various production workflows and setupsDurable construction for reliable performanceTechnical SpecificationsCompatibility: Canon Cinema EOS camerasOutput Connections: Dual 12G-SDI, HDMIAudio Inputs: 2 x XLR inputsPower Supply: DC input for external power sourceDimensions: 220 x 120 x 80 mm (L x W x H)Weight: Approximately 1.5 kg (3.3 lbs)Dimensions & WeightDimensions: 220 x 120 x 80 mm (L x W x H)Weight: Approximately 1.5 kg (3.3 lbs)Included in the PackageCanon Expansion Unit EU-V3Power adapter and cableUser manualWarranty card