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Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

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Raptor T2.9 100mm Lens
  IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Raptor T2.9 60mm Lens
  IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY  

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Raptor T2.9 150mm Lens
  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Leitz 35mm M 0.8 Leitz f/1.4
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

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Cameras
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Arri ALEXA Mini LF
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI's large-format camera system. The LF camera system consists of the high-speed ALEXA LF and ALEXA Mini LF cameras, ARRI Signature Prime lenses, LPL lens mount, PL-to-LPL adapter, and Lens Data System LDS-2. The combined feature sets and form factors of ARRI's two large-format cameras encompass al on-set requirements.FEATURES Immersive large-format look Lower noise with higher usable sensitivity Highes dynamic range of any production camera ARRI color science for natural skin tones, easy color correction and clean VFX Perfect for High Dynymic Range (HDR) and Wide Color Gamut (WCG) displays Robust and reliable Easy to operate and use on set Fast and efficient workflows Internal recording to new Codex Compact Drive Uncompressed and unencrypted MXF/ARRIRAW Fast and efficient MXF/Apple ProRes New Codex Compact Drive 1TB is small, tough and cost-efficient Affordable Compact Drive Reader works without license or extra software Compact Drive Adapter is compatible with SXR Capture Drive Docks New MVF-2 high-contrast HD viewfinder HD OLED display, color science and ARRICAM eyepiece like ALEXA LF EVF-2 Optimal judgement of focus, dynamic range and color Stable color balance through temperature-controlled display Large 4" flip-out monitor shows image or camera menu Three operation medes: single operator, crew or remote New flexible and reliiable CoaXPress VF cable, up to 10 m/33 ft The ALEXA Mini LF uses the same sensor as the ALEXA LF. This is the ALEV 3 A2X sensor, which has the same photosite size and type as the Super 35 ARRI digital cameras. It has 4448 x 3096 photosites (yes, it is therefore a 4.5K sensor) and measures 36.70 x 25.54 mm. The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Our current prototypes weigh in at 2.6 Kg/5.7 lbs for the camera body with LPL lens mount and 800 g/1.7 lbs for the MVF-2 viewfinder.Arri-Alexa-LF-two-sidesAdditional new features Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8 New dedicated, regulated 12 V and 24 V accessory power outputs New SYNC IN and improved AUDIO connectors Two built-in microphones Six user buttons on camera's left side One LOCK button each for camera and viewfinder Additional external WiFi antenna Easier access to media, VF and TC connectors Great system compatibility Same sensor and recording formats as ALEXA LF Compatible with LPL and PL mount lenses, Super 35 and full frame Supports all anamorphic de-squeeze ratios Compatible with almost all ALEXA Mini accessories Compatible with ARRIand cmotion wireless remote systems Works with 12 V and 24 V on-board batteries (~65 W power draw) 

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Canon EOS C300 Mark III
The Canon EOS C300 Mark III is a cutting-edge digital cinema camera designed for professional filmmakers seeking exceptional image quality and versatility. Equipped with a Super 35mm Dual Gain Output (DGO) sensor, it captures stunning 4K resolution footage with an impressive dynamic range of up to 16 stops, allowing for extraordinary detail in both highlights and shadows. This makes the C300 Mark III ideal for a variety of shooting environments, from low-light conditions to bright daylight settings. The camera's compact and modular design enhances portability, making it perfect for on-location shoots or studio settings.The C300 Mark III offers advanced color science and HDR capabilities, enabling filmmakers to achieve rich, lifelike colors and seamless integration with HDR workflows. With support for Canon Log 2 and Log 3, the camera allows for extensive post-production flexibility and grading options. Additionally, the camera's ergonomic layout, customizable controls, and intuitive interface streamline the shooting process, allowing operators to focus on capturing the moment without distraction.Whether you're working on feature films, documentaries, or commercial projects, the Canon EOS C300 Mark III is equipped to meet the demands of high-end production. With robust build quality and compatibility with a wide range of Canon EF and PL mount lenses, this camera delivers the performance and reliability that professionals require. Elevate your storytelling with the Canon EOS C300 Mark III, where creativity meets precision.Features of Canon EOS C300 Mark IIISuper 35mm Dual Gain Output (DGO) sensor for high dynamic range4K resolution recording at up to 120fpsDual Pixel CMOS AF for fast and accurate focusingCanon Log 2 and Log 3 support for advanced color gradingModular design for customizable configurationsBuilt-in ND filters (2, 4, 6 stops) for flexible exposure controlHDR workflows with HLG and PQ supportErgonomic controls for enhanced shooting comfortTechnical SpecificationsImage Sensor: Super 35mm CMOSResolution: 4K (4096 x 2160)Dynamic Range: 16 stopsISO Range: 160 to 102400Recording Formats: XF-AVC, MP4Connectivity: 12G-SDI, HDMI, Ethernet, USB-CDimensions & WeightDimensions: 178 x 178 x 183 mm (L x W x H)Weight: Approximately 1.8 kg (3.9 lbs)Included in the PackageCanon EOS C300 Mark III camera bodyBattery pack (BP-A60)Battery charger (CG-A20)AC adapterUser manualWarranty card

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Canon EOS C300 MkII Touch Focus Kit
The Canon EOS C300 Mk II Touch Focus Kit consists of a C300 Mk II digital cinema camera with EF Mount, LM-V1 4" Touchscreen LCD Monitor (identical to that shipping with the C200), and MA400 XLR Accessory, which is a separate XLR unit. Using these two accessories instead of the traditional "clamshell" Monitor/XLR unit (not included) enables a more flexible, streamlined configuration. If the user does not require XLR functionality, the C300 Mark II can be used with the LCD only for an incredibly compact camera build (ideal for use with Gimbal Stabilizers). The original top handle is still included and compatible with the new configuration options.CameraThe Canon EOS C300 Mark II Digital Cinema Camera with EF lens mount features a dynamic range of 15 stops, CFast recording technology, 4K/2K/Full HD internal and external recording with 4K RAW output, plus a new 10-bit Canon Log 2 Gamma. Canon also improved the Dual Pixel CMOS Autofocus along with an innovative focus assist engineering. This camera was remodeled with user input to enhance the user experience of studio motion picture applications, broadcast, indie productions, sports, and many more.SensorThe redesigned camera boasts an 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor. It supports up to 4K DCI recording with a maximum resolution of 4096x2160 pixels. Data from the 4K sensor, working with its dual Canon DIGIC DV5 image processors, delivers Over-Sampling HD Processing for reduced-moiré 2K (DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Autofocus.The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. The EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs to enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body. You can choose among multiple recording modes, resolutions, and frame rates to meet your individual production needs.Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch to maximize the amount of light which falls on each photo site. This enhances the sensitivity while also minimizing noise. It also supports ISO speeds of up to 102,400 for low-light imaging. This sensor reduces data-readout time to about half of what it was in the original EOS C300 Camera, which results in a significant reduction in rolling-shutter artifacts.AutofocusThe Autofocus now includes an expanded focusing area and Face Detection when used in combination with Canon EF lenses. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies.Canon expanded the DAF focusing area to approximately 80% (vertically) x 80% (horizontally). You can move the focus area using the convenient 4-direction key to provide you with a more manual control over Autofocus operation. This only functions when the Guide Area is within the Dual Pixel CMOS AF Range.Face Detection AF on Canon EF lenses will recognize a face, focus on it, then follow that face when it moves.One innovative feature of the enhanced AF allows you to confirm if you are focused in front of or behind the subject through visual observation. In this manner, quick and accurate manual focus can be achieved.LensesThe C300 Mark II is compatible with the full range of 100 Canon EF and EF-S photographic lenses, including specialty tilt-shift and fisheye models, plus Canon CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO zooms. New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.ImprovementsThe Canon EOS C300 Mark II Digital Cinema Camera facilitates operation and creative freedoms, such as full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built in internal mono reference microphone, a removable hand grip, and an improved camera handle extension with additional attachment points. The modular design of the EOS C300 Mark II camera accommodates many third-party accessories.A new log gamma designated as Canon Log Gamma 2 was designed explicitly for the camera's 10-bit recording capabilities. The files produced using Log format are ideal for color correction and grading in post-production. Canon did this to produce a high level of creative freedom while minimizing degradation of image quality. When using Canon Log 2, the Cinema EOS C300 Mark II can provide a dynamic range up to 1600%.Be sure to check out the images where a chart on Slow and Fast Motion recording has been provided for your reference.RecordingThe Canon EOS C300 Mark II employs CFast (CompactFast) 2.0 cards for in-camera 4K video recording. The camera features two CFast card slots. Each slot is protected by a convenient hinged cover. The camera also includes an SD card slot for HD and Proxy recording. The camera can simultaneously record 4K on two CFast (2.0) cards along with 2K proxy images on its SD card for off-line editing. Canon provided a chart to show the memory cards verified for the EOS C300 Mark II.ErgonomicsThis camera builds on the efficient ergonomic design of the original, while adding new advantages. Redesigned to maximize shooting comfort and the usability improvements asked for by users, the EOS C300 Mark II Digital Cinema Camera's modular design allows different components to be added or removed as needed to meet both the demands of a particular shooting environment and the comfort of the camera operator. In addition to the core body, the EOS C300 Mark II Digital Cinema Camera comes with a removable hand grip, and improved low-angle camera handle extension with additional attachment points. Connectivity & ControlThe C300 MK II arrives equipped with (2) 3G-SDI, a gunlock input, a timecode input/output, and an HDMI output. It also includes a remote terminal, a standard headphone jack, and both an audio and a video terminal to connect exclusively to a monitor.The camera supports the Canon RC-V100 remote controller (sold separately) to enable adjustments to camera controls and image quality from a distance. It supports a variety of third-party LANC accessories.You do not need a remote to achieve remove control though. Use a standard web browser on a WiFi capable device (your smart phone, laptop, tablet, etc.) to take dynamic control of your camera functionality. Canon added focus control functions. You can adjust the focus area by touch. The EOS C300 Mark II camera offers full manual control of functions such as iris, shutter speed, gain, zoom, focus, and audio. The user also has access to Custom Picture Settings, Custom Functions, and Custom Display Options.The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.The Canon MA-400 Microphone Adapter allows you to mount a microphone on your Canon EOS C300 MK II Camera or Canon XC15 4K Professional Camcorder. The Mic Adapter fits on your camera accessory shoe so you can hold an optional on-board microphone. The Mic Adapter is powered by the camera or camcorder's power supply and does not require additional power or batteries to operate.The Microphone Adapter provides the ability to use the INPUT Terminals to record audio from your compatible microphone (19-20 mm diameter) or analog line in sources with an XLR connector.Attach the MA-400 to your camera or camcorder by sliding the attachment base into your camera or camcorder's accessory shoe, then tightening the lock screw to secure in place. Connect the AUDIO terminal to the camcorder or camera AUDIO terminal with the appropriate cable. A cable clamp can be helpful to keep this cable from snagging as you move the camera during recording.Your condenser microphone with its own power supply and a 3.5mm stereo mini jack/plug can be used in the Microphone Adapter. To attach your microphone to the MA-400 Microphone Adapter, begin by loosening the microphone lock screw on the top of the Adapter. Open the microphone holder to insert your microphone, then tighten the lock screw. The microphone cable feeds through the cable clamp under your microphone holder. Place the mic cable into either an INPUT Terminal or a MIC Terminal (Input 1 and Input 2) on this Mic Adapter.Includes: C300 MkII Body / without Standard-display Touch LCD LM-V1 / the same unit included in C200 MA-400 XLR-accessory Mount Arm Small HD  

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New
Canon EOS C400
The Canon EOS C400 is a groundbreaking digital cinema camera designed for professional filmmakers who demand superior image quality and versatile shooting capabilities. With its Super 35mm CMOS sensor, the C400 delivers stunning 4K resolution and exceptional dynamic range, making it perfect for both narrative films and documentaries. The camera's advanced DIGIC DV 4 image processor ensures fast processing speeds and enhanced low-light performance, allowing filmmakers to capture breathtaking visuals in any lighting condition.Equipped with Canon's Dual Pixel CMOS AF technology, the EOS C400 provides smooth and precise autofocus, ensuring that your subjects remain sharp and in focus even during dynamic scenes. The camera also features a modular design, enabling filmmakers to customize their setups according to their specific needs, whether on a gimbal, tripod, or handheld. With a range of recording formats, including XF-AVC and MP4, the C400 offers flexibility for post-production workflows, making it an invaluable tool for any professional production team.In addition to its impressive performance, the Canon EOS C400 boasts a user-friendly interface with customizable controls and a high-resolution LCD touchscreen. The camera supports a wide range of lens options, making it compatible with Canon EF and PL mount lenses, allowing for endless creative possibilities. Elevate your storytelling with the Canon EOS C400, a camera that seamlessly blends cutting-edge technology with intuitive operation.Features of Canon EOS C400Super 35mm CMOS sensor for exceptional image quality4K recording capability with multiple recording formatsDual Pixel CMOS AF for fast and accurate autofocusDIGIC DV 4 image processor for enhanced low-light performanceModular design for flexible rigging and customizationHigh-resolution LCD touchscreen for easy operationSupports Canon EF and PL mount lenses for creative versatilityBuilt-in Wi-Fi for remote control and file transferTechnical SpecificationsSensor type: Super 35mm CMOSRecording resolution: Up to 4K (4096 x 2160)Frame rates: Up to 60 fps in 4KISO range: 160 to 102400Video formats: XF-AVC, MP4Connectivity: HDMI, SDI, USB 3.0Power supply: BP-955 BatteryWeight: Approximately 2.5 kg (body only)Dimensions & WeightDimensions: 168 x 186 x 176 mm (W x H x D)Weight: Approximately 2.5 kg (body only)Included in the PackageCanon EOS C400 camera bodyBP-955 battery packAC adapterUser manualLens mount capHand strap

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Canon EOS C500 Mark II
The Canon EOS C500 Mark II is a groundbreaking cinema camera that blends exceptional image quality with unparalleled versatility for professional filmmakers. Equipped with a full-frame 5.9K sensor, the C500 Mark II delivers stunning visuals with an impressive dynamic range, making it suitable for various shooting conditions, from dramatic narratives to commercial projects. The camera’s ability to record in Canon Log 2 and Canon Log 3 formats ensures post-production flexibility, allowing filmmakers to achieve their desired aesthetic with ease.Designed for seamless integration into any production environment, the C500 Mark II features a modular design that can be customized to fit specific workflows and shooting styles. Its compact form factor makes it ideal for handheld shooting, while the robust build quality ensures reliability on set. With built-in ND filters and dual-pixel autofocus technology, filmmakers can focus on their creativity without being hindered by technical limitations. The intuitive interface, combined with customizable buttons, enhances user experience, enabling quick adjustments during high-pressure shoots.The Canon EOS C500 Mark II is not just a camera; it’s a complete filmmaking solution. From independent filmmakers to large-scale productions, this camera meets the demands of modern cinematography while maintaining the classic Canon quality. With its remarkable low-light performance and advanced connectivity options, the C500 Mark II is a versatile tool that empowers filmmakers to tell their stories with clarity and precision.Features of Canon EOS C500 Mark IIFull-frame 5.9K sensor for stunning image quality15 stops of dynamic range for enhanced color gradingModular design for customizable setupsDual Pixel CMOS AF for precise autofocus performanceBuilt-in ND filters for creative control over exposureCanon Log 2 and Log 3 support for flexible post-productionCompact and lightweight for easy handheld shootingAdvanced connectivity options, including 12G-SDI and HDMITechnical SpecificationsSensor Type: Full-frame CMOSVideo Resolution: Up to 5.9K at 60pRecording Formats: XF-AVC, MP4ISO Range: 160 to 102,400 (expandable)Autofocus System: Dual Pixel CMOS AFImage Stabilization: Electronic stabilization availableDimensions & WeightLength: 178 mm (7.0 inches)Height: 158 mm (6.2 inches)Depth: 152 mm (6.0 inches)Weight: Approximately 1.4 kg (3.1 lbs) without lensIncluded in the PackageCanon EOS C500 Mark II camera bodyBattery pack (BP-A30)Battery charger (CG-A20)AC adapter (CA-946)User manualWarranty card

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Canon EOS C70
The Canon EOS C70 is a groundbreaking camera designed for filmmakers seeking exceptional image quality in a compact and versatile package. With its Super 35mm Dual Gain Output sensor, the C70 delivers stunning 4K video recording at up to 120fps, allowing for beautifully detailed footage with excellent dynamic range. The camera’s innovative RF lens mount opens the door to a new world of creative possibilities, enabling compatibility with a broad range of Canon lenses, including the latest RF series.Equipped with Canon's renowned Dual Pixel CMOS AF, the EOS C70 ensures precise autofocus performance, allowing filmmakers to focus on their creative vision without worrying about tracking subjects. The camera features a range of professional-grade codecs and recording formats, including 10-bit 4:2:2 and XF-AVC, making it suitable for various production environments, from independent films to corporate projects. The built-in ND filters provide essential control over exposure in changing lighting conditions, ensuring consistent results in any scenario.The compact design of the EOS C70 makes it an ideal choice for handheld shooting and tight spaces, without compromising on professional features. Its intuitive controls and customizable buttons enhance the shooting experience, while the ergonomic design allows for comfortable operation during long filming sessions. The Canon EOS C70 is not just a camera; it's a powerful tool for storytellers looking to elevate their filmmaking to the next level.Features of Canon EOS C70Super 35mm Dual Gain Output sensor for enhanced image quality4K video recording at up to 120fps for stunning slow-motion effectsRF lens mount for compatibility with a wide range of Canon lensesDual Pixel CMOS AF for accurate and reliable autofocus10-bit 4:2:2 XF-AVC recording for professional-grade video qualityBuilt-in ND filters for precise exposure controlCompact and lightweight design for easy handheld shootingCustomizable buttons and intuitive controls for a user-friendly experienceTechnical SpecificationsSensor Type: Super 35mm Dual Gain OutputMaximum Resolution: 4K (4096 x 2160)ISO Range: 100-102400 (expandable)Recording Formats: XF-AVC, MP4Connectivity: HDMI, USB-C, Timecode In/OutDisplay: 3.5-inch LCD touchscreenDimensions & WeightLength: 163 mm (6.4 inches)Height: 145 mm (5.7 inches)Width: 130 mm (5.1 inches)Weight: Approximately 1.4 kg (3.1 lbs)Included in the PackageCanon EOS C70 camera bodyBattery packBattery chargerAC power adapterLens mount capUser manual

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Canon EOS C80 Cinema-Camera with 6K Full-Frame Sensor, Triple Base ISO, 12G-SDI Output, and more
The EOS C80 Builds on the Success of the EOS R5 C and EOS C70, Combining Cutting-Edge Technology with a Compact and Ergonomic Design to Support Professional Users in Creative Filmmaking. Features Latest Canon Cinema Camera with 6K Full-Frame BSI Stacked Sensor 6K 30p internal RAW, 6K Oversampling with 4K 4:2:2 10-bit Recording High Frame Rate up to 2K 180p, 4K 12p Enhanced Low Light and Autofocus Performance Improved Support for Live Productions State-of-the-Art Technology: 6K Full-Frame BSI Stacked Sensor The EOS C80 is Canon’s second EOS Cinema camera to feature a Backside Illuminated (BSI) stacked CMOS sensor, first introduced with the EOS C400 earlier this year. This sensor enables stunning 6K full-frame recording with a dynamic range of 16 stops, offering exceptional sensitivity with minimal noise. The Canon EOS C80’s Triple Base ISO of 800, 3,200, and 12,800 allows effortless adaptation to varying lighting conditions, delivering optimal image quality in any environment. An intelligent automatic mode seamlessly switches between these native ISO settings, benefiting dynamic scenes such as news broadcasts or live sports events. Equipped with Canon’s renowned Dual Pixel CMOS AF II technology, the EOS C80 now features advanced autofocus functions for unparalleled precision and responsiveness. With responsive face, eye, and head tracking, as well as newly developed body and animal tracking, the subject remains in focus. Proven and Enhanced Design with Professional Connectivity Options The EOS C80 retains the compact and familiar form of the EOS C70, with refined ergonomics that are especially beneficial for handheld use or mounting on gimbals and drones. The newly designed and detachable top handle enhances comfort, while a new multifunctional accessory shoe expands compatibility with audio accessories. Additionally, the camera features a brighter LCD display for improved visibility in outdoor use. The redesigned joystick is now closer to the thumb, making operation easier. As the latest addition to the Cinema EOS System, the EOS C80 supports the Canon PL-RF adapter, opening up a world of creative possibilities. Filmmakers can access a broad range of PL mount lenses, including support for Cooke /i Technology™ metadata. Integrated Wi-Fi and Ethernet connectivity ensure seamless file transfer, camera control, IP streaming, and optimized collaboration on set. Real-time capture and output of lens metadata and directory data enable workflow efficiency and creative control for VFX and virtual productions. The integrated VR functions are optimized for use with the Canon RF 5.2mm F2.8 L Dual Fisheye lens, delivering a realistic filming experience. Higher Quality Recording Formats The new Cine Camera offers a range of professional recording formats and high frame rates to meet the demands of any production. It supports 12-bit Cinema RAW Light up to 6K 30p and also introduces new MP4 video formats such as XF-AVC S and XF-HEVC S. These options provide exceptional 4K 4:2:2 10-bit image quality with oversampling at manageable file sizes, optimizing workflows from recording to post-production. All recording formats benefit from detailed metadata and structured filenames for seamless organization and efficient editing.

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Canon EOS Cinema C200
The Canon EOS Cinema C200 is a versatile and powerful cinema camera designed to meet the demanding needs of filmmakers and content creators. With its exceptional 4K recording capabilities and Canon’s renowned Dual Pixel CMOS autofocus technology, the C200 allows for stunning image quality and precise focus tracking in various shooting environments. Its compact and lightweight design makes it ideal for handheld shooting, while the integrated EVF (electronic viewfinder) and LCD touchscreen ensure intuitive operation and framing flexibility.Equipped with the innovative Canon RAW light recording format, the C200 captures high-quality images with a wide dynamic range, providing filmmakers with extensive color grading possibilities in post-production. The camera supports both internal and external recording options, offering flexibility in workflows, whether shooting documentaries, commercials, or narrative films. With a variety of frame rates available, including slow motion and high frame rate recording, the C200 adapts to different creative needs and styles.The EOS Cinema C200 also features comprehensive connectivity options, including 12G-SDI and HDMI outputs, making it easy to integrate into professional production environments. Its robust build quality and ergonomic design ensure durability and comfort during extended shooting sessions, making it an ideal choice for both seasoned professionals and emerging filmmakers looking to elevate their storytelling capabilities.Features of Canon EOS Cinema C2004K UHD video recording with multiple frame ratesCanon Dual Pixel CMOS autofocus for precise focus trackingCanon RAW light recording format for high-quality imagesCompact and lightweight design for handheld shootingIntegrated EVF and LCD touchscreen for intuitive operationDual CFexpress card slots for flexible recording optionsExtensive connectivity: 12G-SDI and HDMI outputsCustomizable controls for enhanced user experienceTechnical SpecificationsImage Sensor: Super 35mm CMOS sensorISO Range: 160 to 102400 (expandable)Video Resolution: 4K UHD (4096 x 2160)Recording Formats: Canon RAW light, MP4Frame Rates: Up to 120 fps in 1080pConnectivity: 12G-SDI, HDMI, USB 3.0Audio: Dual XLR inputs with phantom powerDimensions & WeightDimensions: 152 x 163 x 127 mm (L x W x H)Weight: Approximately 1.4 kg (3.1 lbs)Included in the PackageCanon EOS Cinema C200 camera bodyBattery pack and chargerLens mount adapter (EF)User manualWarranty card

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Canon EOS Cinema C300 Mark II
The Canon EOS Cinema C300 Mark II is a professional-grade digital cinema camera that sets new standards for image quality, versatility, and ease of use. Featuring a Super 35mm sensor, this camera captures stunning 4K resolution video with an impressive dynamic range and low-light performance. Designed for filmmakers who demand the best, the C300 Mark II allows for seamless integration into any production environment, making it a favorite among cinematographers for narrative films, documentaries, and commercial projects.Equipped with Canon's renowned Dual Pixel CMOS AF technology, the C300 Mark II offers fast and accurate autofocus, enhancing focus tracking capabilities during shooting. The camera supports various recording formats, including Canon XF-AVC and ProRes, allowing users to select the ideal codec for their workflow. Its modular design and extensive connectivity options provide flexibility for various accessories and setups, ensuring that it can adapt to the specific needs of any production.With intuitive controls and a robust build, the Canon EOS C300 Mark II is designed for the rigors of professional filmmaking. Whether shooting on location or in a studio, filmmakers can rely on this camera to deliver exceptional results with minimal effort. Its combination of performance, functionality, and reliability makes the C300 Mark II an indispensable tool for today's filmmakers.Features of Canon EOS Cinema C300 Mark IISuper 35mm sensor for exceptional image quality4K resolution recording with a wide dynamic rangeDual Pixel CMOS AF for fast and precise autofocusSupports multiple recording formats including XF-AVC and ProResModular design for flexible configuration and customizationExtensive connectivity options for accessoriesBuilt-in ND filters for optimal exposure controlIntuitive user interface for easy operationTechnical SpecificationsSensor Type: Super 35mm CMOSImage Processor: Dual DIGIC DV5Video Resolution: Up to 4K (4096 x 2160)ISO Range: 160 to 20000Recording Formats: XF-AVC, ProResMaximum Frame Rate: 120 fps in 2K modeConnectivity: SDI, HDMI, Ethernet, TimecodeDimensions & WeightDimensions: 162 x 163 x 185 mm (L x W x H)Weight: Approximately 1.7 kg (3.7 lbs) (body only)Included in the PackageCanon EOS Cinema C300 Mark II camera bodyAC adapter and power cordCamera strapUser manualWarranty card  

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Canon EOS Cinema C700 FF PL
The Canon EOS Cinema C700 FF PL is a high-performance full-frame digital cinema camera designed for professional filmmakers and cinematographers. With its 35mm full-frame sensor, the C700 FF PL captures stunning 4K and 4K DCI video, providing exceptional detail and dynamic range. This camera excels in a variety of shooting environments, from narrative films to documentaries, thanks to its robust design and advanced imaging capabilities.Equipped with Canon's Dual Pixel CMOS AF technology, the C700 FF PL ensures precise and responsive autofocus, allowing filmmakers to focus on their creative vision without worrying about technical details. The camera supports various recording formats, including Canon RAW and ProRes, providing flexibility for different production needs. Additionally, its modular design allows for extensive customization, accommodating various accessories and configurations to meet the demands of any project.The C700 FF PL also features built-in ND filters and a comprehensive range of connectivity options, making it a versatile choice for filmmakers seeking a reliable and powerful tool. Whether shooting on location or in a controlled studio environment, the Canon EOS Cinema C700 FF PL delivers outstanding performance, making it an essential addition to any professional film setup.Features of Canon EOS Cinema C700 FF PLFull-frame 35mm sensor for exceptional image quality4K and 4K DCI recording capabilitiesDual Pixel CMOS AF for fast and accurate autofocusSupports Canon RAW and ProRes recording formatsModular design for customization and flexibilityBuilt-in ND filters for optimal exposure controlComprehensive connectivity options, including SDI and HDMIIntuitive user interface for easy operationTechnical SpecificationsSensor Type: Full-frame 35mm CMOSImage Processor: Dual DIGIC DV7Video Resolution: Up to 4K (4096 x 2160)ISO Range: 160 to 102400Maximum Frame Rate: 120 fps in 2K modeRecording Formats: Canon RAW, ProResConnectivity: 12G-SDI, HDMI, Ethernet, TimecodeDimensions & WeightDimensions: 180 x 150 x 150 mm (L x W x H)Weight: Approximately 2.6 kg (5.73 lbs) (body only)Included in the PackageCanon EOS Cinema C700 FF PL camera bodyAC adapter and power cordCamera strapUser manualWarranty card

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Canon EVF-V70 – High-Resolution OLED Electronic Viewfinder
The Canon EVF-V70 is a state-of-the-art electronic OLED viewfinder designed specifically for professional filmmakers and videographers. With its high-resolution 1920 x 1080 OLED display, the EVF-V70 offers stunning image clarity and exceptional color accuracy, ensuring that every detail is visible even in challenging lighting conditions. The viewfinder's ergonomic design enhances user comfort, allowing filmmakers to focus on their craft without distraction. Its intuitive interface provides quick access to essential functions, including focus peaking, histogram displays, and customizable settings, making it a versatile tool for various shooting scenarios.Built for durability, the EVF-V70 features a robust construction that withstands the rigors of on-location shoots while maintaining a lightweight profile. It includes an adjustable eyepiece that can be tailored to individual preferences, accommodating a wide range of users. The integrated diopter adjustment ensures a clear view for users with varying eyesight, while the wide viewing angle allows for flexible shooting positions. This electronic viewfinder is compatible with several Canon cinema cameras, enhancing the overall filming experience by delivering real-time feedback and precise image monitoring.The EVF-V70 is designed to streamline workflow and improve creative possibilities. Its HDMI input supports 4K signals, providing filmmakers with high-quality monitoring options. Additionally, it incorporates a comprehensive range of features such as waveform monitoring and frame guides, making it an indispensable tool for any serious filmmaker. Whether you are shooting on a professional set or capturing dynamic events, the Canon EVF-V70 is engineered to elevate your filmmaking experience.Features of Canon EVF-V70High-resolution 1920 x 1080 OLED display for crystal-clear imagesWide viewing angle for flexible shooting positionsAdjustable eyepiece for personalized comfortIntegrated diopter adjustment for various eyesight needsHDMI input supporting 4K signal monitoringFocus peaking and histogram displays for precise controlCustomizable settings for tailored user experienceLightweight and durable design for on-location shootsTechnical SpecificationsDisplay Type: OLEDResolution: 1920 x 1080 pixelsInput: HDMIPower Supply: DC 12V (via battery or AC adapter)Operating Temperature: 0 to 40°C (32 to 104°F)Diopter Adjustment: -4 to +3 dptDimensions & WeightDimensions: 185 x 130 x 70 mm (L x W x H)Weight: Approximately 380 g (0.84 lbs)Included in the PackageCanon EVF-V70 electronic OLED viewfinderEyepiece cupHDMI cableUser manualWarranty card

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Canon Expansion Unit EU-V3
The Canon Expansion Unit EU-V3 is an essential accessory for enhancing the functionality and versatility of Canon's Cinema EOS cameras. This unit is designed to provide filmmakers with additional connectivity and control options, making it an invaluable tool for both studio and on-location shooting. With its robust build quality and comprehensive feature set, the EU-V3 allows for seamless integration into various production setups, ensuring that users can focus on capturing their creative vision without interruption.Equipped with multiple output and input connections, the EU-V3 enables filmmakers to connect various devices, including external monitors, audio equipment, and control systems. Its user-friendly interface simplifies operation, allowing for quick adjustments and settings changes during production. Whether you’re working on a feature film, documentary, or commercial project, the EU-V3 empowers you to maximize your camera's capabilities and streamline your workflow.Additionally, the EU-V3 is designed for compatibility with a range of Canon Cinema EOS cameras, ensuring that users can easily upgrade their existing setups without the need for extensive modifications. With its reliable performance and extensive feature set, the Canon Expansion Unit EU-V3 is an essential companion for any professional filmmaker looking to enhance their production quality.Features of Canon Expansion Unit EU-V3Enhanced connectivity options for various devicesMultiple SDI and HDMI outputs for versatile monitoringIntegrated audio inputs for improved sound captureCompact and lightweight design for portabilityUser-friendly interface for easy operationCompatible with a range of Canon Cinema EOS camerasSupports various production workflows and setupsDurable construction for reliable performanceTechnical SpecificationsCompatibility: Canon Cinema EOS camerasOutput Connections: Dual 12G-SDI, HDMIAudio Inputs: 2 x XLR inputsPower Supply: DC input for external power sourceDimensions: 220 x 120 x 80 mm (L x W x H)Weight: Approximately 1.5 kg (3.3 lbs)Dimensions & WeightDimensions: 220 x 120 x 80 mm (L x W x H)Weight: Approximately 1.5 kg (3.3 lbs)Included in the PackageCanon Expansion Unit EU-V3Power adapter and cableUser manualWarranty card

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Canon Remote Operation Unit OU-700
FEATURESThe OU-700 Remote Operation Unit for C700 from Canon provides a control surface for accessing camera settings as well as triggering record start/stop. The unit can be mounted directly to the right side of the camera or used remotely by employing a separately available extension cable. It is ideal for scenarios where several crew members need access to the camera.

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Sony BRC-AM7 PTZ-Camera
BRC-AM7 is an advanced PTZ Auto Framing camera with built-in AI analytics delivering flagship image quality. Offering high interoperability with other production systems. The BRC-AM7 stands as one of the smallest and lightest integrated lens PTZ cameras, measuring a compact 168.7mm wide, 225.2mm tall, and 192.3mm deep, with a weight of just 3.7kg. Its compactness offers enhanced installation flexibility, broader accessibility, and diverse vantage points. Seamlessly integrating with Sony's professional camera ecosystem, it ensures compatibility and seamless color matching. Incorporating AI-based auto-tracking and Auto Framing technology, it streamlines content creation, enhancing production efficiency and maintaining high production values.Key Highlights: Dramatically improved imaging performance Images captured over a 20x optical zoom range that covers everything from wide angles to close-ups are delivered as high-quality 4K 60p output. In addition, interoperability with existing systems has been improved by incorporating ITU709/709tone, S-Cinetone™, and S-Log3 support. Built-in AI PTZ Auto Framing Advanced AI analytics allow subjects to be accurately tracked with smooth, natural-looking framing, making it easier than ever to produce high quality content with less camera operators. Direct pan and tilt drive using newly developed brushless DC motor results in exceptionally smooth camera operation. This advanced drive system is also remarkably quiet and is ideally suited to situations where silence is a requirement. Seamless integration with Sony’s system cameras The BRC-AM7 is the smallest and lightest camera of its type in the world*, making it easy to install just about anywhere. It is unobtrusive for the same reason, even in multi-camera setups. Additionally, the BRC-AM7 offers broad connectivity and system compatibility with for example S700PTP and free-d protocols.New 24-480 mm* integrated lens design covers wide to telephotoThis newly developed built-in lens features a 20x optical zoom range. In addition, Sony’s advanced Clear Image Zoom offers 30x zoom (720 mm) in 4K and 40x zoom (940 mm) in Full HD. This offers extraordinary range that can easily capture a subject in various situations.* 35mm full-frame equivalent.Built-in Variable ND filter for automatic exposure adjustmentSony’s original built-in electronic variable ND (neutral density) filter allows seamless variation from 1/4 to 1/128 ND, with an auto exposure mode automatically maintaining optimum exposure through lighting variations. Ideal exposure can be maintained when stage lighting changes, for example, without having to adjust iris, shutter, or gain. Also, optimum exposure can be achieved without affecting depth of field in the widest possible range of lighting situations.Quick colour matching with other Sony's camerasColor matching with Sony’s system cameras is simple with ITU709 and 709tone, as well as S-Cinetone and S-Log3 for Cinema Line cameras for seamless multi-camera operation.Built-in AI PTZ Auto Framing - Highly accurate recognition technologyAI analytics uses detailed human pose, head, face, clothing, and other data to recognise human subjects with high precision. This can be used to automatically control pan, tilt, and zoom to follow an athlete at a sports event, for example. PTZ Auto Framing is smooth and natural-looking, making it possible to work with a smaller camera crew.High-performance AF and PTZ Auto Framing combined for outstanding subject trackingThe latest Exmor™ RS image sensor and BIONZ XR image processing engine work in unison to achieve outstanding subject detection precision and speed for significantly improved tracking performance. The image sensor has focal plane phase-detection AF in the imaging area, easily focusing on fast-moving subjects with extraordinary speed and precision over a wide area. PTZ Auto Framing works with this newly adopted AF system to dramatically improve overall AF tracking performance. A performer who is actively moving around on stage can be reliably followed while precise focus is maintained, for example. With this capability, a multi-camera system can be set up to follow individual performers without requiring a correspondingly large camera crew.Versatile camera work and quiet operationA direct drive system using newly developed motors allows smooth, detailed control of camera pan and tilt for high-quality visual presentation. These advanced motors work with precision optical encoders to allow pan and tilt speeds ranging from a very slow 0.004 degrees per second to a snappy 180 degrees per second. This broad speed range makes it possible to be used in a various applications.Seamless integration with Sony’s system cameras - Interoperability with existing systemsThe BRC-AM7 supports not only ITU709, 709tone, S-Cinetone and S-Log3 for seamless color matching, but also has great control capability by S700PTP protocol. This allows remote control of Sony’s cameras via Ethernet, so detailed remote control is available from Sony’s RCP series remote control panels or MSU series master setup units. This makes it possible to combine the BRC-AM7 with Sony’s BRC series cameras and/or system cameras to create highly integrated systems with advanced remote-control capability*. *An MSU unit is required for multi-camera systems.Installation freedom and flexibilityThe BRC-AM7 is the smallest, lightest camera of its kind in the world.* It fits easily in limited spaces where installation of other PTZ cameras might be difficult or impossible. This product is less likely to be noticed if it appears in a shot in a multi-camera installation. The BRC-AM7 also has a standard 1/4-20 UNC screw socket for tripod mounting and the same 3/8-16 UNC screw socket as other system cameras for accessory attachment. *Equipped with a 1.0-type image sensor and compatible with 4K 60p as an integrated lens PTZ remote camera. As of April 2024 press announcement. Sony survey.Broad connectivityIn addition to 12G SDI primary output, 3G SDI is provided for monitoring. The BRC-AM7 offers a variety of video output options such as optical-fiber 12G SDI available via an SFP slot, and HDMI. Audio input can be connected via a pair of 3-pin XLR type connectors or a 3.5 mm stereo jack, providing plug-in compatibility.Power can be supplied via a standard 4-pin XLR connector, or a PoE++* network connection without the need for additional wiring in environments where a power infrastructure is not available.Expanding creative possibilitiesfree-d compliant camera tracking information output (pan, tilt, zoom, focus, iris) allows the camera’s position in 3DCG space to be output so that its motion can be replicated in virtual VR/AR systems. This makes high-level virtual production available for news programmes, events, and much more. SRT/RTMP/RTMPS/RTSP, NDI|HX, and optical fiber communication are supported, allowing 4K 60p output and remote control via an IP network Specifications

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Sony Burano 4K Digital Cinema Camera
  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications      

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Sony Burano Cine Kit with 3x Sony CFexpress Memory Card 960GB
The versatile and compact Sony BURANO Cine Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

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Sony Burano Docu Kit with Sony GP-VR100 grip and 3x Sony CFexpress Memory Card 960GB
The versatile and compact Sony BURANO Docu Kit offers high-quality imaging with its Full-Frame 8.6K sensor, delivering stunning visuals and wide latitude. Its large sensor ensures beautiful bokeh and dynamic wide-angle shots, while its maximum resolution of 8632 x 4856 produces exceptional 4K content through oversampling. Supporting various image scan modes, including full-frame and Super35, as well as optimized downsampled and high-speed modes like 6K 60p (FF crop), it caters to diverse production needs, whether solo or team-based. A pioneer in cinema camera design, the BURANO builds upon VENICE's excellence in image quality and usability, tailored for solo and small team productions. It's 33% lighter than VENICE 2, more power-efficient, and compatible with CFexpress media, making it both the smallest full-frame CineAlta camera and the most advanced. With superior image quality regardless of crew size or location, it sets a new standard in cinematography. Simplifying 8K shooting, the BURANO is the first PL mount-compatible camera with built-in stabilization, combining electronic variable ND filter system with in-body image stabilization (IBIS) for smooth footage. It boasts Fast Hybrid and Subject Recognition AF with AI for effortless shooting in demanding conditions, adapting to various shooting styles from handheld to drone operation.In addition, the Sony 1TB CFexpress Type B Card offers blazing read and write speeds of up to 1850 MB/s and 1750 MB/s respectively, enhancing workflows and productivity for professionals and enthusiasts alike. VPG400 certification ensures stable high bitrate or framerate video capture at 4K resolution and beyond, while its durability makes it perfect for challenging environments such as sports events, location shoots, and outdoor expeditions. Key Features Sony BuranoFull-frame 8K cinema capability with 8.6K sensor Large 36x24mm sensor for wide latitude and rich color gamutMaximum resolution of 8632 x 4856 for phenomenal 4K oversampled content Multiple image scan modes: full-frame, Super35, down sampled, and high-speed (e.g., 6K 60p) Versatile and lightweight design, easily configurable for solo or team production Incorporates VENICE's superior image quality and usability, optimized for solo/small team productions 33% lighter than VENICE 2, power-efficient, and supports CFexpress media World's first PL mount compatible camera with built-in stabilization system Features electronic variable ND filter system and in-body image stabilization (IBIS) Fast Hybrid and Subject Recognition AF with AI, adaptable to various shooting styles.Sony GP-VR100 Grip Remote Control for Sony BuranoPopular with operators around the world, the adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* we’ve made it even better. The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip. The unit can control basic camera shooting operations (recording start/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.Key Features GP-VR100 Grip Remote Control For Sony BURANO 8K Cinema Camera On/Off, Zoom & Focus Functions Extendable Extension Arm Coiled 3.5mm LANC Cable Mounts Using Sony-Standard Rosette Contoured Grip with Support StrapSony CFexpress Memory Card 960GB The Sony 960GB CEB-G Series CFexpress Type B Memory Card offers blazing read speeds of up to 1850 MB/s and write speeds of up to 1750 MB/s, ideal for professionals needing rapid data transfer. VPG400 certification ensures stable high bitrate video capture, while its durability withstands extreme conditions, offering peace of mind for outdoor shoots. The card's toughness exceeds industry standards, withstanding falls up to 5 meters and harsh environments. Additionally, Sony's Media Scan Utility monitors card health, and rescue software aids in file recovery. Compatible with Sony CFexpress Type B and XQD G series, the MRW-G1 card reader enables quick data transfer for efficient workflows. Key Features CFexpress Memory Card 960GB Ultra-fast read speeds of up to 1850 MB/s High write speeds of up to 1750 MB/s VPG400 certification for stable high bitrate video capture Exceptional durability for extended professional use Superior strength exceeding industry standards Withstands falls up to 5 meters Resilient in extreme environmental conditions Sony Media Scan Utility monitors card health Downloadable rescue software for file recovery Compatibility with Sony CFexpress Type B and XQD G series; works with MRW-G1 card reader for efficient data transfer

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Sony CBK-3620XS VENICE Extension System 2
  Sony CBK-3620XS Realto VENICE Extension System 2 The [CBK-3620XS] is increasing the flexibility compared with [CBK-3610XS] as customers are now able to use both sensors with even more distance between the sensor and the body. This will add the possible usage also on cranes which have been limited before. This model is able to support all features of VENICE 2 and will expand the creativity of DoPs. Shooting a scene handheld with an impossible sense of freedom comparable to a stills camera. Revolutionizing aerial photography with an array of three cameras inside a jet fighter’s cockpit. The original VENICE Extension was created out of a partnership with a director demanding impossible flexibility for a 3D shoot where there could be no compromise in image quality. The innovative cabled separation of the image sensor and camera body meant cinematographers no longer needed to compromise their vision. Its compact size allowed DoPs to fit truly cinematic lenses and achieve their preferred look in every scene. Key features Supports VENICE2 8K high quality images (Compatible with VENICE2-8K/VENICE2-6K/VENICE) 2 new cable lengths, 12m & 3m no repeater necessary (both cables are included in the CBK-3620XS) Tilt/Roll sensor built-in 3 more assign buttons (4 in total for VENICE2) Unique technology Second Generation EnhancementsIncorporating customer feedback and developed alongside VENICE 2, the VENICE Extension System 2 (CBK-3620XS) offers a wider bandwidth to support the VENICE 2 with an 8K sensor, over twice as much cable distance (up to 12 m) without a repeater box, additional control buttons and a built-in gyro sensor. It once again expands the realms of possibility for cinematography. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors, while also supporting the original VENICE camera with extended 12-m cable length. The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to accessorize and fit on to a wide variety of rigs while the main weight of the camera can be supported elsewhere. There’s no need for a smaller, lighter B-camera for extreme shooting scenarios. You can shoot everything with one modular camera system.   DetailsIdeal for shooting in tight spaces and with gimbalsThe Extension System camera head measures 158 × 147 × 126 mm (H × W × D)*, weighing around 2.2 kg* with a PL mount adapter and 1.7 kg* with E mount when used with the VENICE 2 8K sensor block. The separated sensor block with lens is so small and light it allows for an easy handheld mode, enabling you to locate it in tiny spaces, keeps stabilization systems lightweight, allows use of larger lenses while maintaining a smaller profile, facilitates faster operation for motion-control rigs, use of body mounts, and other situations that you wouldn’t expect possible for a full-frame cinema camera. The creative freedom without any image compromise is boundless.Extends up to 12 meters without a repeaterThe original VENICE Extension System could reach a maximum extension of 5.5 m between the camera head and body. The VENICE Extension System 2 more than doubles that with transmission distance up to 12 m. The original also needed a repeater to connect the middle of the cable between the head and body to reach 5.5 m. The CBK-3620XS extends to 12 m without a repeater. This enables greater freedom of movement and expands the range of shooting possibilities, particularly when used with a crane. The CBK-3620XS also offers both 3-m and 12-m cables. Simply choose the best one for your needs.Gyroscopic support with recording to metadataWhile shooting with the original Extension System did not accommodate use of a spirit level indicator (gyroscope sensor), the CBK-3620XS is equipped with a sensor on the camera head side that detects horizontal and vertical tilt. This allows use of a spirit level indicator and spirit level gauge graphical indicator on the camera's main monitor, even when shooting with the CBK-3620XS. Camera head tilt information can be checked when shooting at different head and tilt angles – ideal for VFX applications. Naturally, the horizontal and vertical tilt are also recorded in the metadata and output through the camera’s SDI.4 assignable (ASSIGN) buttons on camera head for easy operationThe camera head has four ASSIGN buttons that can be set to functions such as change ND filter settings, REC Start/Stop and more for easier operation with VENICE 2. Choose a custom set-up that suits your preference for any scene. Please note the original VENICE is limited to one button operation with CBK-3620XS.Compatible with VENICE* and VENICE 2**The CBK-3620XS was developed alongside VENICE 2 to support both 8K and 6K sensors. It is also compatible with the original VENICE using the latest firmware, however, due that camera’s existing functionality, some CBK-3620XS features may not be available. VENICE does not support spirit level display and recording to metadata, while only one assignable button is functional rather than four. However, VENICE fully benefits from greater cabling length.* VENICE requires the latest firmware.** VENICE 2 requires the latest firmware. Specifications Power consumptionApprox. 3.0 W (with 3-m extension)Approx. 3.0 W (with 12-m extension)Operating Temperature0 °C to 40 °C (32 °F to 104 °F)Storage Temperature–20 °C to +60 °C (–4 °F to +140 °F)MassImager Block Adapter 3 m: 1.8 kg (3 lb 16 oz)Imager Block Adapter 12 m: 3.2 kg (7 lb 1 oz)Camera Body Adapter: 0.4 kg (14 oz)CBK-3620XSApprox. 5.4 kg (11 lb 15 oz)(excluding supplied accessories)Input/Output Connectors24 V IN connector (Fischer 3-pin) (1)24 V OUT connector (Fischer 3-pin) (1)MONITOR IN connector (BNC type) (1)MONITOR OUT connector (BNC type) (1)  

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Sony FX3 Full-Frame Camera
Sony FX3 Full-Frame Camera for Cinematic Look and Enhanced Operability for CreatorsFX3 Product Highlights     Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work     Multiple 1/4-20 UNC threaded mounting points to easily attach compatible accessories     Detachable XLR handle unit with two XLR/TRS audio inputs and one 3.5mm stereo jack     S-Cinetone™ look – inspired by the color science of the digital cinema camera VENICE – which is also used in FX9 and FX6 Cinema Line cameras     Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recordingi     Records up to 4K 120pii     10.2 megapixeliii full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine     Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic rangeiv     Fast Hybrid AF (Autofocus), Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras     5-axis in-body image stabilization with "Active Mode"v supports handheld movie shooting The Sony FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active modev, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.Cinematic LookThe FX3 boasts Sony's industry-leading image sensor technology to achieve high processing speeds and outstanding image quality. The full-frame, back-illuminated Exmor R CMOS sensor (approximately 10.2 effective megapixel count for video recording and approximately 12.1 effective megapixels count for stills) and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The standard ISO range is 80 to 102,400 (expandable to 409,600when shooting video), and dynamic range is an impressively wide 15+ stopsiv.In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using the S-Cinetone color matrix. Inspired by the color science used in Sony's flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and smooth highlights that are essential to create a cinematic look.Creators can record in 4K at up to 120 frames per secondii. Extraordinarily smooth slow-motion imageryvi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.Designed for Comfortable Solo-ShootingSony's most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 1.58 lbs. (715 g), including the battery and memory cards, and the body is only 5.11 in x 3.33 in x 3.06 in (77.8 mm x 129.7 mm x 84.5 mm). The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots.Designed for mobility and efficiency, the FX3's body features five 1/4-20 UNC threaded mounting points to easily attach compatible accessories while remaining light enough for handheld shooting and making it easy to set up and carry. The supplied XLR handle securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional threaded mounting points for accessories. Optional accessories such as external monitors, recorders, wireless microphones, or other add-ons can be securely attached.To enable 4-channel 24-bit audio recording, the supplied XLR handle includes two balanced XLR/TRS audio inputs and an additional 3.5mm stereo 2-channel jack. With an optional XLR or TRS microphone connected, the XLR adaptor on the handle takes care of the A/D (Analogue to Digital) conversion and DSP (Digital Signal Processing), and transfers the digital audio data directly to the camera for outstanding audio quality.  Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers easy set up. If the handle is not being used, the FX3 includes a 3.5mm stereo mic input on the camera body.The FX3 provides Fast Hybrid autofocus (AF) by using the 627 pointsvii focal plane phase-detection system during movie recording. The camera is further enhanced with Touch Tracking (Real-Time tracking) where simply touching the desired subject on the monitor screen initiates auto focus and tracking on that subject. Precise and smooth focus is maintained with Real-time Eye AF – technology that pinpoints the eye even when subjects are looking down or up at steep angles. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. These AF features have been implemented in the FX3 to ensure stable, flexible and precise focusing in any situation and are easy to operate for solo shoots.The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Modev that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.Expandability and Operability for Content CreatorsOperabilityFX3 was designed to optimize professional operability. The controls frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body for easy access. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency.The zoom lever located on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control.Recording lamps (tally) are provided on the top, front and back of the camera, so that the operator and talent can easily confirm recording.  A side-opening vari-angle touch-panel LCD monitor allows for easy operation and is suitable for gimbal-mounted shots, complicated angles, handheld operation and more. Flexible Exposure Mode allows the FX3 to have a similar Auto/Manual switch operation as other FX series cameras for iris, shutter speed and ISO, which can be set independently.ReliabilityCreators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdowni. The newly developed fan provides high-efficiency cooling by drawing air into the camera via the bottom panel and exhausts via the side.The new camera also features a dust and moisture resistant designix and durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast chargingx for uninterrupted recording.ExpandabilityThe FX3 is compatible with several recording functions including S-Log3 gamma and S-Gamut3.cine, which record in a high dynamic range and wide color gamut. It also supports internal recording in XAVC S™ (MPEG-4 AVC/H.264 Long GOP) and XAVC S-I (MPEG-4 AVC/H.264 Intra) formats in 4K (QFHD) and FHD, and XAVC HS™ (MPEG-H HEVC/H.265, 4K only) format. 4K 60p video in 10-bit 4:2:2 or 16-bit RAW formatxi can be output to an external device via the FX3 full-size HDMI Type-A jack.The FX3 also offers two fast, future-oriented media slots that contribute to unprecedented shooting freedom by being compatible with either CFexpress Type A or SDXC cards. The same data can be simultaneously recorded to both cards for backup and a "relay" mode will automatically switch to the second media card when the first media card becomes full during recording.The new camera has been developed with advanced connectivity features to better assist professional creators with high-speed wireless LAN functionality (2.4 GHz or 5 GHz bandxii) and wired LAN connection via a compatible USB-to-Ethernet adaptor. The FX3 supports video and still file transfers to a specified remote FTP server.  This FX3 also allows for remote shooting from a PC using the Imaging Edge Desktop™ application's "Remote" function via Wi-Fi, or Superspeed USB 5Gbps connection over USB Type-C® terminal.FEATURESImage sensor with blazingly fast readout speedThe back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.High performance image-processing engine The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production. Acclaimed cinematic colour with S-Cinetone™The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.All-Intra internal recordingIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 4K High Frame Rate 120fps recordingYou can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.16-bit RAW data outputFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4Kworkflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).HEVC codec with high compression efficiencyXAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes. Proxy recording for more efficient editing workflow Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720). Expand your vision with Creative LookLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.Flexible exposure modeFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.Fast, easy touch focus controlTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology. Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.Flexible camera positioning with vari-angle monitorThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity. Power for professional lengthFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast chargingor continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery. Reliable durability and weather resistance in tough situationsIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.   SPECIFICATIONS        

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Sony FX6 Full Frame 4K up to 120p
FEATURES 4K 10.2 megapixel full-frame back-illumination CMOS Exmor R TM sensor 15+ stop dynamic range ISO expandable to 409,600 for low light conditions S-Cinematone highly regarded look profile also used in FX9 and inspired by VENICE colorimetry Compact and approx. 0.89kg (body only) lightweight body suitable for grab-and-shoot-styling 627 points phase-detection AF, Real-time Eye AF 4K (QFHD) high-frame-rate 120fps recording XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI BIONZ XR TM image processing engine optimized for mobile movie shooting style S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility Built-in electroic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto Magnesium body and frame for high durability with light weight   TECH SPECSCamera: Lens Mount: E-Mount Imaging Sensor: 4K Full-Frame / Exmor R FF4K Full-Frame: DCI 4K 60p Super35mm: FHD 60p Number of pixels (total): Approx: 12.9 Megapixels Number of pixels (effective): Approx. 10.2 Megapixels Built-in Optical Filters: Clear, linear variable ND (1/4 ND to 1/128 ND) Base ISO: 800-12800 ISO: 320 - 409600 Shutter Speed: 64F to 1/8000 sec Slow and Quick Motion Function: XAVC-I 4096x2160: 1 to 60 frames (59.94/50/29.97/25/23.98)XAVC-I/L 3840x1080: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)XAVC-I/L 1920x1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output White Balance: Preset, Memory A, Memory B (2000K-15000K)/ATW Gain: -3 to 30dB (every 1dB), AGC Gamma Curve: SRD Mode: S-Cinetone, Standard, Still, ITU709; HDR mode: HLG_Live, HLG_Neutral Latitude: 15+ stop LCD: 8.8cm (3.5 type) approx. 2.76M dots Fast Hybrid AF In/Output SDI Output: BNC: 12G/6G/3G-SDI (Leven A/B) Audio Input: 2x XLR-type 3-pin (female), line/mic/mic +48V selectableMic referance -30 to -80 dBu General Recording Format (Video): (I= Intra; L= Long)XAVC-I DCI4K 59.94/50/29.97/25/24/23.98pXAVC-I QFHD 59.94/50/29.97/25/23.98pXAVC-I HD 59.94/50/29.97/25/23.98pXAVC-L QFHD 29.97/25/23.98/59.94/50pXAVC-L HD 23.97/25/29.97/50.59.94p Recording Format (Audio): LPCM 24bits, 48kHz, 4 channels Recording Frame Rate: (I= Intra; L= Long)XAVC-I DCI4K (4096x21609) 59.94/50/29.97/23.98/25/24pXAVC-I QF HD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-I HD (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L QFHD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-L HD 50 (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L HD 35 (1920x1080) 59.94/50/29.97/23.98/25p Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels Media Type: CFexpress Type A and 2x SD card Power Requirements: DC 19.5V Power Consumption: Approx. 18.0 W (while recording XAVC-I QF HD 59.94) Battery Operating Time: Approx. 105min with BP-U35 battery (while recording XAVC-I QF HD 59.94p)Approx. 215min with BP-U70 battery (while recording XAVC-I QF HD 59.94p) Dimensions (WxHxD): 114x 116x 153mm (body without protrusions) Weight: Approx. 890g (body only) and 2.59Kg (with Viewfinder, Grip Remote Control BP-U35 battery, SEL24105G Lens, Lens Hood, Handle, Mic holder) Wi-FI/NFC: Supported Format: IEEE 802.11 a/b/g/n/ac Frequency Band [[F_WI0007]]: 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth Security: WEP/WPA-PSK / WPA2-PSK NFC: NFC Forum Type 3 Tag compliant Supplied Accessories: Handle LCD Monitor LCD Hood Grip remote control AC Adaptor Power Cord USB-C Cable Cold Shoe Kit Lens Mount Cap Handle Connector Cap

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Sony ILME-FR7 Full Frame PTZ-Camera
 Cinema Line Full-frame PTZ Interchangeable Lens camera with 15+ stop dynamic range, 4K (QFHD) high-frame-rate 120fps, Fast Hybrid & Real-time Eye AF, and S-Cinetone™ colour science.Sony’s New Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers. A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support. Uncompromised Image Quality in a PTZ Form FactorThe FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light. The FR7 features Sony's E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including: The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light. A 15+ stop latitude*3 allows smooth highlights and low noise levels. A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony's original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces. Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look. Easy Operation for Storytelling from New Angles With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony's RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation.The supplied infrared remote controller will also support the FR7's simple operation Variable PTZ Movements for Smooth Camera WorkPan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.Up to 100 Preset Camera PositionsThe FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button. The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony's Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update.Real-time Eye AF and Real-time TrackingFast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used. The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7's web application, with Real-time Eye AF if an eye is detected.Sony's Built-in Electronically Controlled Variable ND FilterThe built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.Versatile Interfaces for Various Production WorkflowsThe FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.Internal XAVC Recording and External RAW OutputA rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications. CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately). Professional Video and Audio InterfaceHDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.Ethernet ConnectivityCamera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements. The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment. The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.Multicamera Production SynchronizationThe Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups. Additionally, red/green tally lights are provided on the camera's side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location.  

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Sony PVM-X1800 18.4" 4K/UHD HDR TRIMASTER Monitor
 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions The PVM-X1800 is an 18.4-inch 4K HDR high grade picture, 4K premium LCD (3840x2160) monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc.   Input for 12G-SDI and Quad-Lin 3G-SDI to HD-SDI as well as HDMI The PVM-X1800 provides 12G-SDI inputs and can accept quad-link 3G-SDI and a single HD-SDI from traditional devices. The monitor also supports an HDMI connection for display of inputs with signal formats ranging from 640x480/60P PC up to 4096x2160/60P 4:2:2 YCBC.   TECHNICAL SPECS Size: 18.4" / 469.2 mm Panel: α-SI TFT Active Matrix LCD Resolution: 3840 x 2160 (UHD) Brightness: 1000 nits Viewing angle: 89°/89°/89°/89° Display colors: Approx. 1.07 billion Color Depth: 10-bit Color Gamut: ITU-R BT.2020*3, ITU-R BT.709, DCI-P3*3, S-GAMUT3*3, S-GAMUT3.Cine*3 Video Inputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI, 1x HDMI (1.4) Video Outputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI Power Inputs:1x  XLR-type 3pin (m), 22V-32V DC Data I/O: 1x RJ45 8pin (Parallel Remote), 1x Ethernet 10BASE-T/1000BASE-TX RJ45 (Serial Remote LAN) LUTs: 33 grid point or 17 grid point .cube files are supported, User 3D LUT, Audio: 1x 3.5mm 3-pin Stereo Headphone Jack Power Requirements: AC 100V - 240V, 21A - 0.8A / DC 22V - 32V, 8.2A - 5.1A Power Consumption: approx. 180W (max at AC) / approx. 165W (max at DC) / 0.3W in power off-mode Dimensions with handle and with stand (HxWxD): 44,4x 36,3x 16,9 cm Dimensions with handle and without stand (HxWxD): 44,4x 31,0x 14,9 cm Dimensions without handle and without stand (HxWxD): 32,6x 31,0x 14,9 cm Weight: 8.2 Kg *3 The PVM-X1800 does not cover selected colour space in full.   FEATURES 4K/UHD 18.4” 10-bit LCD monitor 1000Nits Brightness 12G-SDI Video input HDR-SDR conversion support  

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Sony PXW-FX9 Full Frame Camcorder
Full-frame creativityRealize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. Capturing the impossibleMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required. 6K Full-Frame "Exmor R" sensor for stunning picture qualityThe camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.  *DCI 4K (4096 x 2160 at 17:9 recording)  requires Ver.2.0 or higher firmware. Dual Base ISO for stunning images in any lightThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.  *ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.  Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended. Cine EI mode: Set EI gain lower and exposure level higher instead Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)  · *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired frame rate is available.   FEATURES: 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HLG Mode Dual XQD Card Slots, 2K Imager Scan Mode 12G/6G/3G-SDI & HDMI Output up to 4K  TECH SPECS Mount: E-Mount Image Sensor: 6K Full-Frame Full-Frame: DCI 4K 60p (V2.0) Super35mm: DCI 4K 60p (V2.0) Latitude: 15+ stops Base ISO: Dual Base ISO (800/4000) ISO: 320 - 102400 (V2.0) Variable ND: 1/4 - 1/128 Gamma Curve: S-Cinetone, S-log3, HLG HFR: FHD 180p (V2.0) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output (V2.0) Fast Hybrid AF TC, Genlock Recording Format: Mpeg HD322 Proxy Recording: Yes Weight: Approx. 2.0 (Body only) Software Features and Improvements:  Full-frame 4K 60p/50p recording with oversampling (image sensor scan size is around 5K) FHD 180fps shooting DCI 4K recording 16 bit RAW output (with XDCA-FX9) Support DWX digital wireless audio receiver (with XDCA-FX9) Eye-AF capability Support 6G-SDI Adds User 3D Look-Up-Table function Adds HDR shooting function with Hybrid Log Gamma Supports touch-screen operation (regarding some status screens and some settings) Increased upper limit of Gain setting Supports XLR-K3M with digital I/F Image quality improvement at S35 2K mode    Be up to date with the Software & Firmware!  

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Sony PXW-Z280 Bundle incl. 2 SxS-1 Cards
World-leading handheld 4K HDR performanceAn all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.The complete package for professionalsUnpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimize training requirements.World's first 1/2-type 3CMOS Sensor for broadcast 4KThe Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction and enhanced detail reproduction) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.17x professional HD zoom lens with three independent rings with end-stop and large focal lengthThe PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3 mm to 515 mm (35 mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom, and iris, making for better and faster adjustment.The image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution, thanks to digital extender.Spectacular HDR performanceDemand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.S-Log3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in gradingInstant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of contentAmazingly fast precision auto focusThe PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and, however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.Built-in electronic Variable ND FiltersSony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.12G-SDI accelerated workflowRevolutionize your workflow with 12 Gbps content transfer—four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.Accurate OLED viewfinderAn expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast, and high resolution (2.36M dot) enables precise manual focus and eliminates any color-breaking phenomenon.Dual Multi-Interface (MI) ShoeMI Shoe provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximize operational flexibility.*Accessories sold separately. HVL-LBPC light does not draw power from PXW-Z280.Dual XLR and 4 Channel AudioThe PXW-Z280 offers superior professional audio capabilities with independent volume dials, enabling precision control of external audio inputs, including an MI-shoe attached microphone.Dual SxS media slotsThe camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay, or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode.**Simul and back-up recording are limited to HD operationNetworked for high mobilityThe PXW-Z280 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features: Dual Link Cellular—use two cellular networks in combination to provide an even more reliable network connection. The PXW-Z280 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.) High-quality Sony QoS Streaming to Network RX station (sold separately) and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location. FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature and other content files shot in XAVC (QFHD/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection is restored Trimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking. Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile™** allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0–10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity Wired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP *5 GHz support dependent on country/regional regulation. Only PXW-Z280V supports 5 GHz. **The Content Browser Mobile™ application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.High-quality XAVC Intra and XAVC Long GOP recordingsXAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high-definition recording with rich tonal expression.Broadcast-standard MPEG HD422 and MPEG HDHigh-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.DVCAM at 25 Mbps in MXF file formatMany broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.   SxS-1 Memory Card: Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacityRead speed up to 440MB/sSupports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation.Enhanced media management with Memory Media Utility:Memory Media Utility dedicated PC software for Sony memory media products (available from download) provides enhanced media management. Specifications Interface: ExpressCard/34, PCI Express Gen2 Read speed: 3.5Gbps (=440MB/s)* Write Speed: 1.6Gbps (=200MB/s)* : SBS-64G1C, SBS-128G1C 110MB/s* : SBS-32G1C Capacity: 32GB**: SBS-32G1C 64GB**: SBS-64G1C 128GB**: SBS-128G1C Model Name: SBS-32G1C, SBS-64G1C, SBS-128G1C Operating Temperature: -25℃-65℃ Storage Temperature: -40℃-85℃ Weight: Approx.27g Dimension (W x H x D): Approx.34 x 5 x 75 mm (excluding the projecting parts)  

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