IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
The Cartoni e-JibO is a compact, encoded 3-section jib system engineered for productions that require mobility, speed, and precise motion control. Designed with versatility in mind, it enables operators to achieve dynamic camera moves without the complexity and footprint of traditional jib systems. Its modular three-section design allows for rapid assembly and disassembly, making it an ideal solution for fast-paced environments such as live productions, broadcast setups, and on-location shoots. Whether used in tight studio spaces or outdoor locations, the e-JibO adapts quickly to changing production demands. A key differentiator is its integrated encoding system, which makes the e-JibO fully compatible with virtual production workflows and remote operation systems. This enables accurate tracking of camera position and movement, allowing seamless integration into augmented reality and virtual studio environments. The jib is engineered for smooth and stable motion, ensuring consistent and repeatable camera moves. Its lightweight construction does not compromise on rigidity, offering a reliable platform for professional camera setups. Combined with Cartoni’s expertise in precision engineering, the e-JibO delivers high-end performance in a highly portable format. Overall, the Cartoni e-JibO bridges the gap between traditional jib systems and modern virtual production requirements, offering a cost-effective and future-proof solution for professionals who demand both flexibility and technical precision. Features and Cartoni e-JibO • 3-section modular jib design for flexible configurations • Fast assembly and disassembly in under minutes • Integrated encoding system for virtual production workflows • Compatible with AR and VR camera tracking systems • Lightweight construction for easy transport • High rigidity for stable and precise camera movement • Smooth and controlled jib operation • Designed for studio and on-location use • Supports remote head integration • Optimized for live broadcast environments • Compact footprint for tight production spaces • Cost-effective alternative to large jib systems • Professional-grade materials and build quality • Seamless integration with encoded heads • Repeatable and accurate motion control • Suitable for single-operator setups • Reduced setup time compared to traditional jibs • Engineered for reliability in demanding environments Technical Specifications • Jib type: 3-section portable encoded jib • Encoding system: Integrated position encoding • Compatibility: Virtual production and tracking systems • Construction: Lightweight high-strength materials • Assembly: Tool-less or minimal tools required • Operation: Manual or remote-assisted • Mounting: Compatible with professional tripods and pedestals • Payload capacity: Suitable for broadcast and cinema cameras • Sections: Three detachable arm segments • Transport: Compact breakdown for easy logistics • Balance system: Adjustable counterweight configuration • Motion control: Smooth manual operation with encoding feedback • Integration: Works with encoded heads and remote systems • Application: Studio, broadcast, live events, virtual production • Setup time: Optimized for rapid deployment • Stability: High torsional rigidity • Control interface: Dependent on connected remote systems Dimensions, Weights • Number of sections: 3 • Total length: Variable depending on configuration • Transport length: Reduced due to modular design • Weight: Lightweight for single-person handling • Payload: Dependent on configuration and counterbalance setup • Counterweight: Adjustable based on camera package
Compact Professional PTZ Camera Controller for Multi-Camera Production The Canon RC-IP300 is a compact yet powerful professional PTZ camera controller designed to deliver precise control of multi-camera productions in broadcast, live events, education and corporate environments. Built for reliability and efficiency, the controller allows a single operator to manage complex camera setups with speed and accuracy. Designed with workflow efficiency in mind, the RC-IP300 features an intuitive layout with a responsive joystick, dedicated camera buttons and a high-resolution 3.5-inch touchscreen preview display. This interface enables operators to monitor live video feeds, adjust settings quickly and maintain precise camera movements during live productions. The controller supports IP-based camera control and integrates seamlessly into modern networked production environments. Using Canon’s XC protocol, the RC-IP300 enables unified control across multiple Canon imaging products including PTZ cameras, Cinema EOS cameras and professional camcorders. This ensures smooth integration into mixed production setups and simplifies system management. A key advantage of the RC-IP300 is its scalability. Operators can control up to 200 cameras across up to 20 groups, making the controller suitable for anything from small studio setups to large-scale live productions. Each camera can store up to 100 presets, allowing instant recall of precise camera positions and repeatable shots. The compact form factor makes the controller ideal for control rooms, studios, auditoriums and event venues where space is limited but professional performance is required. Flexible power options, including Power over Ethernet (PoE) or a 12-volt power supply, simplify installation and reduce cabling complexity. The RC-IP300 also integrates with Canon PTZ applications and Stream Deck, providing customizable workflows and fast access to frequently used controls. With its combination of intuitive operation, advanced connectivity and reliable performance, the Canon RC-IP300 is a versatile solution for modern IP-based multi-camera production environments. Features Canon RC-IP300 • Professional PTZ camera controller for IP-based multi-camera productions • Control up to 200 cameras within a single system • Manage cameras across up to 20 groups • Store and recall up to 100 presets per camera • High-resolution 3.5-inch touchscreen preview display • Live video monitoring via IP video input • Ergonomic joystick for precise PTZ control • Intuitive button layout for fast camera selection and adjustments • Designed for single-operator workflows • Supports Canon XC protocol for unified device control • Compatible with Canon PTZ cameras, Cinema EOS and camcorders • Integration with Canon PTZ applications • Stream Deck compatibility for customizable control setups • Compact design suitable for studios, control rooms and auditoriums • Power via PoE or included 12 V power supply • GPIO connectivity via 9-pin D-Sub for tally signal integration • Ideal for live events, concerts, studios and educational environments • Reliable performance for professional broadcast applications Technical Specifications • Controller type: Professional PTZ camera controller • Display: 3.5-inch touchscreen preview monitor • Video input: IP video input • Camera connectivity: LAN and RS-422 • RS-422 ports: 1 • Maximum number of controllable cameras: up to 200 • Maximum camera groups: up to 20 • Presets per camera: up to 100 • Control protocol: Canon XC protocol • Network control: IP-based operation • GPIO interface: 9-pin D-Sub • Tally signal support: Yes • Power supply: PoE or DC 12 V power adapter • Compatible with Canon PTZ applications • Stream Deck integration supported • Designed for single-operator camera control • Supports multi-camera live production workflows Dimensions and Weight Compact tabletop controller design suitable for control rooms and studios Power supply options: PoE or 12 V DC Designed for space-efficient installations in broadcast environments
The Canon CN30x40 IAS J R1/P1 is a high-performance ultra-telephoto Cine Servo lens designed for demanding broadcast, documentary and live production environments. Combining cinematic optical performance with a powerful 30x zoom range, this lens enables filmmakers to capture distant subjects with exceptional clarity and precision. With a focal length range of 40–1200 mm, the lens delivers extraordinary reach for wildlife filmmaking, sports broadcasting and large-scale live productions. The integrated 1.5x extender expands the focal length to an impressive 60–1800 mm while maintaining excellent optical performance and enabling full-frame coverage. This versatility allows operators to seamlessly adapt to rapidly changing shooting conditions without sacrificing image quality. Canon’s renowned cinema optics ensure outstanding image reproduction suitable for modern 4K and 8K production. The lens provides natural color rendering, reduced flare and ghosting, and consistent sharpness throughout the entire zoom range. Even at extreme telephoto settings, the optical design preserves detail and contrast for visually striking footage. The CN30x40 IAS J R1/P1 is built for professional broadcast workflows. A high-precision servo drive enables smooth and accurate zoom control, making it ideal for live sports coverage and wildlife observation where precise framing and responsiveness are essential. Despite its impressive optical capabilities, the lens remains relatively lightweight for its class and is engineered for mobility in outdoor shooting environments. Its robust construction ensures reliability during demanding field operations, allowing production teams to move quickly between locations while maintaining professional image quality. Advanced lens metadata support further enhances compatibility with modern production pipelines. When used with RF or PL mount cameras, the lens can transmit detailed metadata that supports virtual production, VFX integration and real-time image correction such as distortion and vignetting adjustments. For cinematographers who require extreme reach, cinematic image quality and reliable broadcast functionality, the Canon CN30x40 IAS J R1/P1 provides a powerful solution for capturing spectacular moments from a distance. Features Canon CN30x40 IAS J R1/P1 • Ultra-telephoto Cine Servo lens designed for broadcast and cinema production • Massive 40–1200 mm focal length range • Integrated 1.5x extender expanding focal length to 60–1800 mm • 30x optical zoom range for flexible framing • Designed for professional wildlife and sports cinematography • Cinematic optical performance optimized for 4K and 8K capture • Native Super 35 coverage with full-frame compatibility using the extender • Natural color reproduction with minimal flare and ghosting • Consistent sharpness across the entire zoom range • High-precision servo drive for smooth zoom control • Ideal for live broadcast and remote shooting situations • Compact and relatively lightweight design for its class • Durable construction suitable for outdoor production environments • RF or PL mount options for flexible camera integration • Advanced lens metadata support for virtual production workflows • Supports real-time correction of distortion and vignetting • Professional iris design with 11 blades for cinematic rendering • Large front diameter suitable for professional accessories Technical Specifications • Lens mount: RF (R1) or PL (P1) interchangeable options • Focal length: 40–1200 mm • Focal length with extender: 60–1800 mm • Zoom ratio: 30x • Image coverage: Super 35 native • Maximum aperture: T5.0 (40–560 mm) • Maximum aperture at telephoto: T10.8 (1200 mm) • Maximum aperture with extender: T7.5 (60–840 mm) • Maximum aperture with extender at telephoto: T16.2 (1800 mm) • Iris blades: 11 • Minimum object distance: 3.5 m • Front diameter: 136 mm • Aspect ratio support: 1.78:1 and 1.9:1 imaging formats • Focus / Zoom / Iris gear pitch: Focus 0.8 / 0.5, Zoom 0.5, Iris 0.5 • Angle of view (1.78:1): 34.2° × 19.6° to 1.17° × 0.66° • Angle of view with extender: 23.2° × 13.1° to 0.78° × 0.44° • Integrated servo drive system included • Supports lens metadata transmission for modern workflows Dimensions and Weight Width: approx. 174.9 mm Height: approx. 170.6 mm Length: approx. 437.2 mm (RF mount version) Length: approx. 405.2 mm (PL mount version) Weight: approx. 6.7 kg (RF mount) Weight: approx. 6.6 kg (PL mount) Front diameter: 136 mm
Professional Multi‑Camera Video Assist System with 3G‑SDI and High‑Performance Processing The Ovide Smart M400 LT is a versatile video assist and monitoring system engineered for professional film and television productions. Combining robust hardware with flexible workflows, it supports multi‑camera recording, real‑time monitoring, and integrated storage. The system is designed to be compact and travel friendly while still offering high‑quality video paths and reliable on‑set performance. Featuring 3G‑SDI connectivity, powerful GPU‑based processing and removable SSD recording, the Smart M400 LT delivers efficient operation for HD and Single 4K camera workflows. Key Features 3G‑SDI Connectivity Reliable 3G‑SDI interfaces for high‑quality video input/output. High‑Performance Processing Multi‑core GPU architecture providing powerful video processing for demanding workflows. Quad HD / 4K Support Record four HD camera feeds simultaneously or one 4K camera feed. Compact Integrated Design Portable video assist solution with integrated monitor, processing and recording. 21.5″ LCD Touchscreen Accurate monitoring with DCI‑P3 color coverage. Portable and Rig‑Ready Integrated C‑stand receptacle, U‑bracket stand with cheeseplates and rugged connectors. IOS Streaming Stream live or playback video to iPad and iPhone devices. Technical Specifications Display 21.5″ LCD DCI‑P3 touchscreen Capacitive multi‑touch for intuitive on‑set control Video I/O 3G‑SDI video inputs and outputs Supports Quad HD or single 4K camera workflows Processing High‑performance GPU‑based processing Recording Two bays for removable SSD recording media Designed for production‑level recording workflows Connectivity 3G‑SDI video I/O LAN with PoE USB‑C 3.0 Audio input/output 12V auxiliary outputs Networking & Streaming Network‑based workflows Streaming video to iOS devices (iPad / iPhone) Mechanical & Physical Weight: 11.8 kg / 26 lbs Dimensions (with stand): approx. 54.6 × 41.5 × 13.4 cm Integrated C‑stand receptacle U‑bracket stand with built‑in cheeseplates Rugged high‑end connectors Power DC power input Hot‑swappable battery support Integrated UPS for short power interruptions
High-Performance Quad-4K Video Assist System with HDR OLED Monitoring The Ovide Smart M400 Pro is a professional video assist and multi-camera recording system designed for demanding film and television productions. Built around Apple’s M-series processing architecture and optimized for QTAKE workflows, the system combines a high-quality HDR OLED touchscreen with powerful GPU-based video processing. Supporting up to four simultaneous 4K camera feeds, ultra-low latency monitoring and removable SSD recording, the Smart M400 Pro offers a compact all-in-one solution for video assist operators, DITs and on-set monitoring environments. Key Features OLED Display – Superior Image Quality 21.5″ HDR OLED touchscreen with accurate color reproduction in the DCI-P3 color space. 12G-SDI Connectivity Supports high-bandwidth 12G-SDI signals for modern cinema camera workflows. Ultra-Low Latency Monitoring Minimal delay between camera signal and monitor output for real-time on-set monitoring. Quad 4K Recording Simultaneous recording of up to four independent 4K camera feeds. High-Performance Processing Eight GPU processors provide independent video pipelines for monitoring and recording. Compact Integrated Design All-in-one workstation combining monitor, processing and recording in a portable system. Optimized for Professional Workflows Designed for seamless integration with QTAKE video assist environments. Technical Specifications Display Screen size: 21.5″ Panel type: HDR OLED touchscreen Color space: DCI-P3 Touch interface: Capacitive multi-touch Processing Processor: Apple M4 Pro GPU architecture: 8 GPU processors Multi-pipeline video processing Approx. 25% performance increase vs. previous generation Ultra-low latency signal processing Video I/O Video standard: 12G-SDI Supports up to 4× simultaneous 4K camera inputs Integrated video router Independent video paths for multi-camera workflows Recording Simultaneous recording of up to 4× 4K streams Recording media: 2× removable SSD bays Designed for high-performance production workflows Connectivity 12G-SDI video inputs / outputs Optical fiber connectivity Ethernet / LAN with PoE USB-C 4.0 Audio input / output Headset / microphone interface 12V auxiliary power outputs Networking & Streaming Network-based monitoring workflows Streaming to iOS devices (iPad / iPhone) Integration with QTAKE monitoring applications Power AC power supply Block batteries Camera batteries Hot-swappable power system Integrated UPS Approx. 3 hours runtime with a single camera battery Mechanical Weight: 10.6 kg / 23.4 lb Dimensions: 53.7 × 39 × 12.3 cm Mounting Integrated C-stand pin U-bracket stand Multiple cheese plate mounting points Cooling Quiet active cooling with software-controlled fans
Maximum Versatility in a Compact 22x Wide-Angle Solution The FUJINON UA22x4.8BERD is a highly versatile 4K broadcast zoom lens engineered for modern production environments that demand both mobility and optical precision. Designed for 2/3-inch sensor broadcast cameras, it delivers an extended focal range from an ultra-wide 4.8mm to 106mm telephoto, enabling seamless coverage of everything from wide establishing shots to tight close-ups with a single lens. Its compact and lightweight construction, measuring approximately 251mm and weighing around 2.17kg, significantly reduces operator fatigue during long shooting sessions. This makes it particularly suitable for shoulder-mounted operation in dynamic scenarios such as news gathering, live sports coverage, and studio productions where agility and speed are critical. Building on the legacy of the widely adopted UA18x5.5BERD, this next-generation lens expands both the zoom ratio and wide-angle capability, offering enhanced creative flexibility. The improved wide-angle performance allows broader scene capture, making it ideal for confined indoor spaces, large venues, and immersive live event production. Advanced optical engineering ensures consistent 4K resolution across the entire zoom range. Fujifilm’s proprietary HT-EBC coating enhances light transmission and color fidelity, supporting HDR workflows with smooth tonal gradation and reduced flare or ghosting. This results in high-contrast images with accurate color reproduction, even in challenging lighting conditions such as stadium environments at dusk. Additionally, the lens integrates features tailored for modern broadcast workflows, including high-precision 16-bit encoders for zoom and focus position data, enabling seamless integration into virtual production and remote operation systems. With a minimum object distance of just 0.4m across the entire zoom range, it also supports flexible close-up shooting in tight spaces. Features – FUJINON UA22x4.8BERD • 22x optical zoom covering 4.8mm to 106mm • Ultra-wide 4.8mm focal length for immersive shots • Compatible with 2/3-inch broadcast cameras • Compact and lightweight design at approx. 2.17kg • Short overall length of approx. 251mm • Designed for high mobility and shoulder-mounted use • 4K optical performance across entire zoom range • Advanced aberration control for sharp image quality • HT-EBC coating for high light transmission • Accurate color reproduction for broadcast standards • Optimized for HDR shooting environments • Reduced flare and ghosting in high-contrast scenes • Minimum object distance of 0.4m • Close-up shooting capability across full zoom range • Integrated 16-bit encoders for zoom and focus • Ideal for virtual and remote production workflows • Suitable for news, studio, and sports broadcasting • Expanded wide-angle coverage vs. previous generation Technical Specifications • Lens type: 4K broadcast zoom lens • Sensor compatibility: 2/3-inch broadcast cameras • Zoom ratio: 22x • Focal length: 4.8mm – 106mm • Minimum object distance: 0.4m • Optical performance: 4K across full zoom range • Coating: HT-EBC (High Transmittance Electron Beam Coating) • Encoder resolution: 16-bit • Zoom control: Manual / servo compatible • Focus control: Manual / servo compatible • Iris control: Standard broadcast interface • Mount type: B4 mount • HDR compatibility: Yes • Color reproduction: Broadcast-grade accuracy • Aberration correction: Advanced optical design • Application: ENG, studio, sports, live production Dimensions and Weight • Length: 251 mm • Weight: 2.17 kg
Wireless Operation for Maximum Flexibility The Cartoni Lifto25 Bluetooth Remote Control allows operators to control the Lifto 25 column wirelessly, providing freedom of movement and simplified operation. This compact remote ensures quick, responsive control for professional studio, broadcast, and live production environments. Designed for intuitive use, the Bluetooth remote enables precise adjustments without the need for cables, reducing setup complexity and increasing operational flexibility. It integrates seamlessly with existing Lifto 25 systems for effortless control of vertical movements and presets. Features of the Cartoni Lifto25 Bluetooth Remote Control • Wireless Bluetooth operation for Lifto 25 columns • Compact and ergonomic design for easy handling • Enables precise vertical movement and control presets • Reduces cable clutter and setup complexity Technical Specifications • Connectivity: Bluetooth wireless • Compatibility: Lifto 25 column systems • Operation: Controls vertical movement and presets • Power: Battery-operated • Range: Standard Bluetooth operating distance
The Cartoni Lifto 25 Additional Column allows you to upgrade your existing Lifto 25/S into a Lifto Twin configuration, providing expanded vertical range and enhanced operational flexibility. This motorized column is designed to integrate seamlessly with your current setup, enabling synchronized operation of dual columns for larger camera rigs, heavier payloads, or multi-camera configurations. Equipped with an XLR connector and a dedicated cable for connecting the operator switch, the Additional Column ensures smooth communication and control between the columns and your Lifto 25 system. The integration maintains precise and coordinated movements, giving operators the confidence to execute complex camera shots with repeatable accuracy. This is particularly useful in professional broadcast, studio, or live production environments where reliability and consistency are essential. The modular design of the Lifto 25 Additional Column allows for quick and straightforward installation, minimizing setup time while maximizing functionality. By converting a single Lifto 25/S into a Twin column configuration, production teams gain the ability to manage larger setups, support additional PTZ cameras, or increase the flexibility of automated camera movements without requiring extensive additional equipment. This Additional Column maintains the high performance, smooth vertical motion, and professional-grade reliability that Lifto 25 users expect. It is compatible with all existing Lifto 25 accessories and supports integration with PTZ controllers, automation modules, and other Cartoni systems. The result is a highly adaptable and scalable solution for complex production workflows, enabling operators to expand creative possibilities and maintain operational efficiency. With the Cartoni Lifto 25 Additional Column, production teams can elevate their camera setups to new professional standards, enabling synchronized twin-column operation and enhanced flexibility in both live and studio production scenarios. Features of the Cartoni Lifto 25 Additional Column • Converts Lifto 25/S into a Lifto Twin configuration • Motorized vertical column for synchronized operation • Equipped with XLR connector for reliable control • Cable connection for operator switch integration • Supports larger camera rigs and additional PTZ cameras • Quick and easy installation for minimal setup time • Compatible with all Lifto 25 accessories and modules • Provides precise and repeatable vertical movements • Ideal for studio, broadcast, and live production workflows • Enhances creative flexibility and operational efficiency
The Cartoni PTZ Universal Plate for Lifto 25 is a versatile mounting solution designed to accommodate PTZ cameras from the most popular brands, even when using non-aligned mounting patterns. This universal plate provides multiple mounting holes, allowing precise centring of the camera for optimal balance and stability. It is compatible with all pedestals and Mitchell-based tripods, offering flexibility for a wide range of studio and broadcast setups. This plate is particularly useful in professional production environments where multiple PTZ camera brands are in use, or when camera setups need to be frequently adjusted. The range of mounting options ensures that each camera can be positioned securely and accurately, minimizing the risk of misalignment or instability during live production or multi-camera workflows. For added convenience, the PTZ camera can be attached using the optional AH921 quick-release sliding plate. This allows fast attachment and detachment while improving centring precision, which is especially valuable in fast-paced environments such as live broadcasts or mobile productions. The universal plate’s lightweight aluminium construction ensures durability without adding unnecessary weight, making it easy to handle and integrate into existing setups. With a maximum payload capacity of 15 kg (33.07 lbs), the Cartoni PTZ Universal Plate provides a reliable and stable platform for professional PTZ cameras. Its thoughtful design combines versatility, precision, and ease of use, making it an essential accessory for operators who require flexibility across different camera systems and mounting configurations. By using this plate, production teams can streamline setup processes, maintain accurate camera alignment, and achieve consistent results in any professional studio or broadcast environment. The Cartoni PTZ Universal Plate for Lifto 25 enhances operational efficiency, reduces setup time, and ensures reliable, stable camera mounting, making it a practical and dependable tool for modern production workflows. Features of the Cartoni PTZ Universal Plate Lifto 25 • Universal mounting for most PTZ camera brands with non-aligned patterns • Multiple mounting holes for precise camera centring • Compatible with all pedestals and Mitchell-based tripods • Optional AH921 quick-release sliding plate for fast attachment • Lightweight aluminium construction for easy handling • Maximum payload capacity of 15 kg / 33.07 lbs • Stable and secure platform for professional PTZ operation • Ideal for live broadcast, studio, and mobile production environments • Simplifies multi-camera setups and camera reconfigurations Technical Specifications • Weight: 0.8 kg / 1.76 lbs • Maximum payload capacity: 15 kg / 33.07 lbs • Material: Aluminium • Mounting holes: Multiple for precise centring • Compatibility: Pedestals and Mitchell-based tripods • Optional accessory: AH921 quick-release sliding plate • Application: Studio, broadcast, and mobile production • Stability: Ensures secure and reliable PTZ camera mounting Dimensions and Weight Weight: 0.8 kg / 1.76 lbs Material: Aluminium Maximum payload: 15 kg / 33.07 lbs
The Cartoni Lightweight Dolly for Lifto 25 is a compact and versatile mobility solution designed to enhance the flexibility of your studio or broadcast setup. Built for use with Red Lock and SDS tripods, this dolly allows easy repositioning of camera systems, including the Lifto 25 column, without compromising stability or precision. Its design provides smooth movement across studio floors, enabling operators to adjust camera positions quickly during live productions or multi-camera shoots. Constructed with lightweight materials, the dolly is easy to handle and transport, making it ideal for dynamic studio environments where equipment needs to be moved frequently. Despite its compact size, it offers a stable platform for tripod-based setups, ensuring cameras remain secure during transitions. The 75mm wheels deliver smooth rolling performance on various floor surfaces, reducing friction and effort while providing precise control over movement. The Cartoni Lightweight Dolly is particularly useful in fast-paced production environments, where quick repositioning of camera and column systems is required. Its compatibility with Red Lock and SDS tripods allows operators to integrate the dolly seamlessly into existing setups, providing enhanced flexibility without the need for additional modifications or adapters. This makes it a practical choice for both permanent studio installations and mobile production setups. By incorporating the Cartoni Lightweight Dolly into a Lifto 25 system, production teams can combine vertical camera movement with smooth horizontal mobility. This ensures greater creative control, faster setup times, and improved workflow efficiency. The dolly’s robust yet lightweight construction ensures that operators can move camera systems safely while maintaining professional precision and stability. Whether for live broadcast, studio production, or mobile shoots, the Cartoni Lightweight Dolly for Lifto 25 provides a reliable and flexible solution for dynamic camera positioning, making it an essential accessory for professional PTZ and tripod workflows. Features of the Cartoni Lightweight Dolly for Lifto 25 • Compatible with Red Lock and SDS tripods • 75mm wheels for smooth studio floor movement • Lightweight construction for easy handling and transport • Provides stable support for camera systems and Lifto 25 columns • Enables fast repositioning during live production and multi-camera shoots • Compact and versatile design for studio or mobile setups • Enhances workflow efficiency and creative flexibility • Ideal for dynamic camera positioning and flexible setups • Supports professional studio and broadcast environments Technical Specifications • Wheel diameter: 75 mm • Tripod compatibility: Red Lock and SDS systems • Construction: Lightweight aluminium and durable materials • Mobility: Smooth rolling on studio floors • Application: Studio, broadcast, and mobile production • Load capacity: Supports standard tripod and camera setups • Portability: Easy to handle and transport • Stability: Secure platform for precise camera movements Dimensions and Weight Lightweight, compact dolly Wheel diameter: 75 mm Material: Aluminium and durable components Designed for tripod-mounted cameras and columns
The Cartoni PTZ Pedestal Plate for Lifto 25 is a professional-grade support plate designed to securely mount PTZ cameras with a precise, aligned pattern. Its construction ensures reliable performance in studio and broadcast environments, providing a stable base for smooth and accurate camera operation. The plate is compatible with all pedestals and Mitchell-based tripods, making it a versatile solution for a wide range of production setups. For added convenience, PTZ cameras can be mounted using the optional AH921 quick-release sliding plate. This feature allows for fast attachment and detachment while providing enhanced centring capabilities, ensuring cameras are perfectly positioned for each shot. This makes the pedestal plate particularly useful for live productions or multi-camera workflows where speed and precision are critical. Constructed from lightweight yet durable aluminium, the PTZ Pedestal Plate weighs only 0.4 kg (0.88 lbs) while supporting up to 15 kg (33.07 lbs) of camera payload. Its combination of portability, strength, and stability makes it an ideal accessory for Lifto 25 columns and other professional PTZ setups. Operators can confidently mount cameras knowing that the plate provides a secure and rigid connection, even during dynamic movements or adjustments. The Cartoni PTZ Pedestal Plate is an essential accessory for studios, broadcast facilities, and mobile production environments. It simplifies setup, ensures consistent camera alignment, and supports efficient workflows for operators managing multiple cameras or fast-paced productions. By integrating this plate into a Lifto 25 setup, professionals gain a reliable foundation for precise PTZ control and enhanced creative flexibility. Features of the Cartoni PTZ Pedestal Plate for Lifto 25 • Secure mounting platform for PTZ cameras with aligned pattern • Compatible with all pedestals and Mitchell-based tripods • Optional AH921 quick-release sliding plate for fast attachment • Enhanced centring ability for precise camera positioning • Lightweight aluminium construction for easy handling • Supports up to 15 kg / 33.07 lbs of camera payload • Provides stable and reliable support for professional productions • Ideal for studio, broadcast, and mobile production setups • Simplifies multi-camera workflows and rapid reconfiguration Technical Specifications • Weight: 0.4 kg / 0.88 lbs • Maximum payload capacity: 15 kg / 33.07 lbs • Material: Aluminium • Mounting pattern: Aligned for PTZ cameras • Compatibility: Pedestals and Mitchell-based tripods • Optional accessory: AH921 quick-release sliding plate • Application: Professional studio and broadcast environments • Stability: Ensures rigid and secure camera mounting Dimensions and Weight Weight: 0.4 kg / 0.88 lbs Material: Aluminium Maximum payload: 15 kg / 33.07 lbs
The Cartoni PTZ TBar Multiple Support for Lifto 25 is a versatile solution designed to hold up to three PTZ cameras in a single, aligned configuration. Engineered for professional studio and broadcast environments, the TBar ensures stability, precise alignment, and easy integration with existing camera supports. Its compatible mounting pattern works seamlessly with all pedestals, Mitchell base tripods, and Cartoni PTZ supports, making it highly adaptable for different production setups. This support bar provides a robust platform for multi-camera operations, allowing operators to coordinate simultaneous shots or achieve complex camera angles without compromising stability. The TBar design ensures that each camera remains securely mounted, even during rapid movements or adjustments, giving operators full confidence in live production scenarios. To further enhance usability, PTZ cameras can be mounted using the optional AH921 quick-release sliding plate. This plate allows fast attachment and detachment of cameras while providing precise centring capability. It enables production teams to quickly reconfigure camera setups and maintain optimal alignment, saving valuable time during live or multi-camera shoots. Constructed from high-quality aluminium, the Cartoni PTZ TBar is lightweight yet strong, with a total weight of only 2.3 kg while supporting up to 30 kg of camera payload. This makes it ideal for use with the Lifto 25 column or other professional PTZ support systems, combining portability with robust performance. The TBar is an essential accessory for studios, broadcast trucks, and multi-camera production environments where flexibility, speed, and reliability are critical. With the Cartoni PTZ TBar Multiple Support, operators can efficiently manage multi-camera setups, ensure precise alignment, and maintain professional stability across all PTZ camera operations. Its combination of lightweight construction, high payload capacity, and optional quick-release integration makes it a practical and dependable solution for modern production workflows. Features of the Cartoni PTZ TBar Multiple Support for Lifto 25 • Holds up to three PTZ cameras with aligned mounting pattern • Compatible with all pedestals, Mitchell base tripods, and Cartoni PTZ supports • Optional AH921 quick-release sliding plate for fast attachment and precise centring • Provides robust stability for multi-camera setups • Lightweight aluminium construction for easy handling • Supports professional studio, broadcast, and live production environments • Enables coordinated multi-camera operation • Ideal for use with Lifto 25 columns and other PTZ systems • Simplifies camera reconfiguration and setup adjustments Technical Specifications • Weight: 2.3 kg / 5.07 lbs • Maximum payload capacity: 30 kg / 66.14 lbs • Material: Aluminium • Mounting pattern: Aligned for up to three PTZ cameras • Compatibility: Pedestals, Mitchell base tripods, Cartoni PTZ supports • Optional accessory: AH921 quick-release sliding plate • Application: Multi-camera studio and broadcast setups Dimensions and Weight Weight: 2.3 kg / 5.07 lbs Material: Aluminium Designed to support up to 30 kg / 66.14 lbs of camera equipment
The Cartoni Lifto 25 Control Module is a cutting-edge electronic control unit designed to elevate the functionality of the Lifto 25 column to a fully automated, professional level. By offering precise control over movement and speed ratios, this module transforms the Lifto 25 into an intelligent, programmable solution suitable for broadcast, live production, and studio environments. It allows operators to execute smooth, controlled elevation adjustments with accuracy, enhancing both workflow efficiency and creative possibilities. The module enables the memorization of positions, start and stop points, and even repeatable movements. Operators can configure single actions or loops, allowing complex shot sequences to be executed consistently without manual intervention. This functionality is especially valuable for multi-camera setups, automated productions, and any environment where repeatability and precision are essential. By integrating the module into your system, repetitive tasks are minimized, and operators can focus on creative shot composition and timing. Compatibility is a key strength of the Lifto 25 Control Module. It interfaces seamlessly with high-end PTZ cameras from Panasonic, Canon, and Sony, as well as with major PTZ controllers such as Panasonic and Skaarhoj units. This makes it a versatile solution for studios and production facilities already relying on professional PTZ workflows. The module ensures that elevation movements are synchronized with camera controls, enabling dynamic shots that would otherwise require multiple operators or complex rigging. Designed for professional applications, the Cartoni Lifto 25 Control Module combines reliability, programmability, and precision. Its intuitive interface allows easy setup and operation while providing full control over movement parameters. Whether for live events, automated studio shoots, or broadcast environments, the module expands the capabilities of the Lifto 25 column, delivering repeatable, smooth, and highly controlled elevation performance. By adding the Lifto 25 Control Module to your production toolkit, you gain a powerful device that integrates with existing PTZ systems, automates complex elevation tasks, and elevates the overall creative and operational potential of your studio setup. Features of the Cartoni Lifto 25 Control Module • Advanced electronic control for professional Lifto 25 automation • Adjustable speed ratios for smooth elevation movement • Memorizes positions, start and stop points, and repeatable actions • Supports looped movements for automated sequences • Compatible with Panasonic, Canon, and Sony high-end PTZ cameras • Interfaces with major PTZ controllers including Panasonic and Skaarhoj • Enables synchronized elevation with PTZ camera workflows • Ideal for live production, broadcast, and multi-camera setups • Enhances creative flexibility and operational efficiency Technical Specifications • Control type: Electronic automation module • Speed control: Variable speed ratios for elevation • Position memory: Stores start, stop, and repeat points • Movement modes: Single action or looped sequences • PTZ compatibility: Panasonic, Canon, Sony • PTZ controller integration: Panasonic, Skaarhoj • Application: Professional studio, broadcast, and automated setups • Repeatability: High precision for consistent shot execution
The Lifto 25 & PTZ Solutions TX Box + Pedals Kit is a professional control solution designed to extend the capabilities of the Lifto 25 system when paired with the RX Box. This setup allows operators to control the vertical movement of the Lifto 25 elevation columns with unmatched precision and flexibility, using intuitive foot pedals or alternative input devices. It is ideal for broadcast studios, live productions, and automated multi-camera environments where smooth, real-time column control is essential. The TX Box features a clear display that provides direct access to all connected settings, allowing operators to adjust configurations quickly and efficiently during live operations. By combining the TX Box with the pedals, the system enables movement of the Lifto 25 Up and Down and the ability to recall preset positions instantly. This functionality is especially useful for repetitive or complex shots, ensuring consistent framing and timing across multiple camera angles. Each pedal is equipped with a potentiometer, allowing operators to regulate the maximum speed in both directions. This feature provides fine-tuned control over column movement, enabling subtle adjustments or faster transitions depending on production requirements. The TX Box + Pedals Kit ensures that camera operators can focus on creative direction without compromising precision or reliability. Designed for integration with professional PTZ workflows, the TX Box + Pedals Kit supports live speed adjustments and instant recall of stored positions, making it a powerful addition to any automated camera setup. Its compact, durable design ensures it fits seamlessly into studio control environments, enhancing operational efficiency and creative possibilities for every production. With the Lifto 25 & PTZ Solutions TX Box + Pedals Kit, controlling automated camera elevations becomes intuitive and highly responsive. It allows for full dynamic adjustment, precise movement, and integration with PTZ controllers, enabling a seamless production workflow and professional results. Features of the Lifto 25 & PTZ Solutions TX Box + Pedals Kit • Compatible with RX Box for full Lifto 25 elevation control • Foot pedals enable Up, Down movement and recall of preset positions • Pedals equipped with potentiometer for real-time speed adjustment • TX Box display provides direct access to all system settings • Supports smooth, precise, and repeatable column movements • Ideal for live production, broadcast, and automated PTZ workflows • Enables instant recall of multiple preset positions • Compact and durable design for professional studio integration • Enhances creative control during multi-camera operations Technical Specifications • Power: 60 W • Operating tension: 12 V • Supply voltage: 100–240 V ~ 50/60 Hz 1.5 A • Control interface: Foot pedals and TX Box display • Functions: Up/Down movement, preset recall, speed adjustment • Pedal feature: Potentiometer for maximum speed regulation • Integration: Works with RX Box and Lifto 25 system • Supported environments: Broadcast, studio, live production
The Lifto 25 RX Box is a professional-grade controller designed to expand the capabilities of the Lifto 25/S, Lifto 25/S PRO, and Twin Elevation Columns. By leveraging the Ethernet network available at the location, the RX Box provides a robust, flexible, and highly reliable solution for controlling your column with precision and ease. This system is tailored for professional studio environments where synchronization, repeatability, and automation are critical for live production and broadcast setups. Installed alongside a dedicated power supply, the RX Box allows seamless integration with the most widely used PTZ camera controllers, including units from Sony, Panasonic, and Skaarhoj. Users benefit from a familiar workflow while gaining the ability to manage complex movements, store positions, and recall them instantly. This makes it ideal for environments where multiple camera angles, automated movements, and repeated shots are required. For additional operational flexibility, the RX Box is compatible with the Companion application module. This module enables control of the column using alternative input devices, such as the Stream Deck, giving operators the freedom to configure the control interface according to their production needs. The system allows storing up to 30 positions, which can be recalled at any time, enabling repeatable and precise camera movements without the need for manual repositioning. With the Lifto 25 RX Box, column movement is no longer limited by distance or complexity. The Ethernet-based architecture ensures smooth, reliable communication and allows for centralized control of the system in professional PTZ setups. This solution transforms the Lifto 25 columns into fully integrated, programmable studio tools, enhancing creative possibilities and operational efficiency in demanding production environments. Features of the Lifto 25 RX Box • Ethernet-based controller for advanced column operation • Compatible with Lifto 25/S, Lifto 25/S PRO, and Twin Elevation Columns • Works with most popular PTZ camera controllers including Sony, Panasonic, and Skaarhoj • Integration with Companion app module for Stream Deck and alternative devices • Allows storing and recalling up to 30 programmable positions • Supports professional studio and broadcast workflows • Provides centralized and repeatable column control • Operates alongside a dedicated power supply for stable performance • Enhances automation and synchronization in multi-camera setups Technical Specifications • Power: 200 W • Operating tension: 24 V • Supply voltage: 100–240 V ~ 50–60 Hz 2.8 A • Control protocol: Ethernet-based communication • Maximum programmable positions: 30 • Compatible PTZ controllers: Sony, Panasonic, Skaarhoj • Integration: Companion application module for alternative devices • Supported columns: Lifto 25/S, Lifto 25/S PRO, Twin Elevation Column
Ethernet Based Automation for PTZ Camera Systems The Lifto 25 Control Software is a dedicated automation solution designed to integrate the Lifto 25 telescopic column into professional PTZ camera environments. By utilizing standard Ethernet infrastructure already present in most studios, the system enables reliable and scalable control without the distance limitations typically associated with traditional control solutions. Installed on any Windows-based computer connected to the studio network, the software communicates directly with the Lifto 25 Control Module. This architecture allows the Lifto 25 to become a fully integrated component within automated PTZ production workflows, enabling synchronized camera positioning and height adjustments during live productions, broadcast environments, and automated studio setups. Through Ethernet-based communication, the Lifto 25 Control Software connects the column system directly with compatible PTZ controllers and cameras. The result is seamless integration into existing camera control systems from leading manufacturers such as Panasonic, Sony, Canon, and JVC. This makes it possible to coordinate camera movement and vertical positioning with precision and without additional cabling complexity. Operators can control the Lifto 25 directly via supported PTZ controllers, including Panasonic and Skaarhoj units, providing a familiar workflow for broadcast technicians and camera operators. For additional flexibility, commands can also be triggered through USB devices such as footswitches or gamepads, allowing hands-free operation during live productions. The software supports the operation of up to five Lifto 25 columns simultaneously when used with the dedicated Lifto 25 Control Module. This capability enables multi-camera studio configurations where multiple PTZ cameras can be vertically positioned and automated in synchronization, expanding creative possibilities for dynamic framing and automated shot transitions. Designed for professional studio environments, the Lifto 25 Control Software transforms the Lifto 25 into a fully automated camera positioning system, delivering precise control, reliable network-based communication, and seamless compatibility with leading PTZ ecosystems. Features of the Lifto 25 Control Software • Ethernet based control system for professional PTZ studio environments • Seamless integration of Lifto 25 columns into automated PTZ workflows • Compatible with major PTZ camera brands including Panasonic, Sony, Canon, and JVC • Works with professional PTZ controllers such as Panasonic and Skaarhoj • Software installation on any Windows based computer within the studio network • Enables synchronized vertical positioning of PTZ cameras • Supports control via USB footswitch or gamepad for flexible operation • Operates up to five Lifto 25 units when used with the Lifto 25 Control Module • No distance limitation thanks to Ethernet network communication • Designed for broadcast studios, live production environments, and automated camera setups Technical Specifications • Communication protocol: Ethernet based control • Software platform: Windows operating system • Control interface: PTZ controller, USB footswitch, or USB gamepad • Maximum supported units: Up to 5 Lifto 25 columns per system • Integration with dedicated Lifto 25 Control Module • Compatible PTZ brands: Panasonic, Sony, Canon, JVC • Supported PTZ controllers: Panasonic AW-RP series and Skaarhoj controllers • Network infrastructure: Standard studio Ethernet network • Automation capability: Integration into PTZ automation workflows
Professional 1.4x optical expansion for Full Frame and VistaVision lenses on 65mm digital cinema cameras The IBE Optics LPLx1.4 65-E Asph is a high-precision optical expander engineered to enable the use of most Full Frame and VistaVision lenses on modern 65mm digital cinema cameras. By increasing the projected image circle and focal length by a factor of 1.4, this expander allows cinematographers to leverage existing lens investments while covering larger 65mm sensors with confidence. Designed for uncompromising cinema applications, the LPLx1.4 65-E Asph delivers a maximum image diameter of 60 mm, making it suitable for 65mm sensor formats that demand extended coverage. The optical design ensures high resolution and consistent contrast across the entire image field, maintaining the integrity and character of the original lens. The sophisticated optical construction incorporates high-index, low-dispersion glass elements and precision-engineered aspherical surfaces. This combination minimizes chromatic aberrations and maximizes sharpness while preserving color fidelity. Extended color correction with apochromatic performance supports demanding HDR and large format workflows. Mechanically, the expander features a robust housing made from anodized aluminum combined with stainless steel mounts. This ensures long-term stability, precise flange depth accuracy, and reliability in professional production environments. The compact and lightweight form factor makes it practical for handheld, Steadicam, and crane setups. An integrated electronic pass-through system transfers lens metadata directly to the camera body, ensuring accurate recording of lens information in postproduction workflows. This functionality supports modern data-driven production pipelines without compromising mechanical robustness.Features IBE Optics LPLx1.4 65-E Asph • Electronic pass-through for lens metadata • 60 mm image diameter for 65 mm sensors • High-index, low-dispersion glass elements • Aspherical optical design for maximum resolution • Extended color correction with apochromatic performance • Robust mechanical construction with stainless steel mounts • Compact and lightweight form factor Technical Specifications * • Maximum image diameter: 60 mm / 2.36'' • Mount configuration: LPL to LPL • Magnification factor: 1.4x • Light transmission loss: 1 stop • Optical design: 2 lenses, 2 aspheres, 3 groups • Electronic data: metadata pass-through • Maximum T-stop transmission: 1.4 • Maximum recommended T-stop: 1.9* Please note that the IBE Optics LPLx1.4 65-E Asph is not compatible with mirror cameras or the UMS system.* Subject to change. Dimensions and Weight Weight: 370 g / 0.82 lbs
Compact High-Performance Power The bebob VmicroC micro batteries combine uncompromising performance with a compact and lightweight design, setting a new benchmark for portable power solutions in professional production environments. Designed for filmmakers, content creators, and broadcast teams, these batteries provide reliable energy delivery while keeping size and weight to a minimum. With full USB-C PD3 support for both input and output, the VmicroC batteries eliminate the need for proprietary chargers. Users can charge their batteries or power compatible devices directly via USB-C, ensuring flexibility and convenience during shoots, on location, or while traveling. The batteries feature an advanced auto communication system that seamlessly adapts to major camera brands including Sony, Arri, Blackmagic Design, Red, and Fuji. Integrated SM-Bus communication and a five-step LED display give users accurate information on the battery’s State of Charge and State of Health at all times, reducing downtime and uncertainty on set. Practical operational features extend beyond power delivery. An integrated flashlight provides quick illumination in dark environments, while the optimized stackable storage design allows production teams to safely transport and organize multiple batteries efficiently. Safety and compliance are at the core of the VmicroC design. All models meet international certifications including IEC 62133-2, UN38.3, FCC, and CE, as well as CE and UKCA directives, ensuring secure, reliable, and globally compatible operation. Sustainability and serviceability are central to the new VmicroC lineup. Each battery is fully serviceable, repairable, and features a cell refresh option that extends its life cycle, reduces waste, and lowers long-term costs. The two-year warranty covers all components (except cells), while the cells themselves are guaranteed for one year with a minimum of 80% capacity retention. bebob VmicroC Micro Batteries Overview V45microC • Capacity: 14.4V / 3.0Ah / 43Wh • Weight: 330g • Dimensions (WxHxD): 75 x 101 x 32mm • MSRP: €278 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols: Sony, Arri, Blackmagic, Red, Fuji, … • 5-step LED display for State of Charge and State of Health • Integrated flashlight • Stackable and serviceable design V98microC • Capacity: 14.4V / 6.6Ah / 95Wh • Weight: 580g • Dimensions (WxHxD): 75 x 101 x 54mm • MSRP: €298 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols: Sony, Arri, Blackmagic, Red, Fuji, … • 5-step LED display • Integrated flashlight • Stackable and serviceable design V150microC • Capacity: 14.4V / 9.9Ah / 143Wh • Weight: 850g • Dimensions (WxHxD): 75 x 101 x 77mm • MSRP: €348 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable design V200microC • Capacity: 14.4V / 13.2Ah / 190Wh • Weight: 1040g • Dimensions (WxHxD): 75 x 101 x 91mm • MSRP: €398 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable design V240microC • Capacity: 14.4V / 16.5Ah / 238Wh • Weight: 1180g • Dimensions (WxHxD): 75 x 101 x 97mm • MSRP: €458 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable designFeatures – bebob VmicroC Micro Batteries with USB-C• Ultra-compact, lightweight design for mobile production • USB-C PD3 input/output support (up to 45W) • Twist D-Tap interface for flexible power delivery • 5-step LED display: State of Charge and State of Health • Auto communication setup for Sony, Arri, Blackmagic, Red, Fuji, and more • Continuous output up to 16A / 200W • Safe and stackable storage design • Integrated flashlight for quick use in dark environments • Re-cellable and serviceable for sustainable operation • Certified to IEC 62133-2, UN38.3, FCC, and CE standards • Complies with CE, UKCA, and other international directives • Lightweight from 330g to 1180g depending on model • Supports fast charging via USB-C and V-Mount/D-Tap • Optimized for professional field and studio use • Warranty: 2 years on components, 1 year on cells Technical Specifications • Capacity: 43Wh – 238Wh (depending on model) • Voltage: 14.4V • Mount: micro V-Mount • Output: 16A max, 200W continuous • USB-C Output (PD3): max 45W • D-Tap Output: 14.4V unregulated / 5A • Input (charge): 16.8V / 5A (up to 80W) • USB-C Charge: up to 40W • V-Mount/D-Tap Charge: 16.8V / 5A • Communication protocols: Sony, Arri, Blackmagic, Red, Fuji, auto detection • LED Display: 5-stage SOC & SOH • Integrated operational flashlight • Stackable storage optimized • Fully serviceable and repairable • Sustainable cell refresh capability • Safety certifications: IEC 62133-2, UN38.3, FCC, CE, UKCA Dimensions and Weight • Dimensions (WxHxD): 75 x 101 x 32mm – 75 x 101 x 97mm • Weight: 330g – 1180g depending on capacity
Portable Elevation and Rock-Solid Stability The Cartoni Ragno Pod is a professional portable tripod riser and operator platform engineered to deliver reliable elevation, stability, and speed on demanding productions. Designed and manufactured by Cartoni, the Ragno Pod elevates your camera setup by over 62 cm, providing a clear, unobstructed viewpoint above crowds, obstacles, or barriers. This makes it an ideal solution for live events, broadcast, sports, houses of worship, news gathering, and performances where visibility and stability are critical. Crafted from aviation-grade aluminum, the Ragno Pod combines lightweight portability with exceptional structural strength. Its wide tripod footpath accommodates all popular professional tripods equipped with floor spreaders or built-in spreaders and rubber feet, ensuring broad compatibility across existing setups. A single adjustable leg allows precise leveling on uneven surfaces, while the patented locking mechanism securely fixes all three legs in position for confident, vibration-free operation. The optional foldable operator platform enhances comfort and control during extended shoots. By keeping the operator platform structurally separate from the tripod base, the Ragno Pod minimizes vibration transfer, resulting in steadier shots even in dynamic environments. Quick to deploy and easy to transport, the Ragno Pod and platform pack neatly into the included padded carrying case, making it a practical choice for mobile crews who need performance without compromise. Features – Cartoni Ragno Pod • Elevates camera systems by 62.9 cm for improved sightlines • Portable tripod riser and operator platform for professional use • Aviation-grade aluminum construction for strength and low weight • Wide footpath compatible with tripods using floor or built-in spreaders • Single adjustable leg for precise leveling on uneven ground • Patented locking mechanism for maximum stability during operation • Optional foldable operator platform with anti-slip surface • Reduced vibration transfer thanks to separated platform design • Fast setup in minutes for efficient on-location workflows Technical Specifications • Maximum payload capacity: 100 kg / 220.46 lbs • Maximum height: 62.9 cm / 24.76 in • Stroke: 220 mm / 8.66 in • Footprint diameter at minimum height: 1343 mm / 52.87 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs Dimensions and Weights • Overall dimensions: 727.5 x 705 x 91 mm / 28.64 x 27.76 x 3.58 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs
Compact Wireless Camera Control with Full Certified Range The Bitbox Mini delivers industry-grade wireless camera and lighting control in the smallest and lightest form factor available today. Designed to integrate seamlessly with existing bitbox ecosystems, the Mini is engineered for professional cinematographers, camera assistants, and tech crews who require dependable remote control performance on set without unnecessary bulk or complexity. Weighing under 50 g and roughly the size of a typical AirPods Pro case, this unit fits comfortably on compact rigs, gimbals, drones, or any camera build where space and weight matter most without sacrificing operational reliability. Unlike larger control radios, the Bitbox Mini is optimized specifically as a remote node, with a focus on delivering secure, interference-managed sub-GHz wireless communications. When paired with a full-featured bitbox base station, it enables robust control of camera parameters from a distance of up to 1 km line-of-sight, enabling crews to operate remotely while maintaining full access to menu systems, exposure settings, recording controls, and lighting devices. Its design adheres to FCC, ISED, and CE compliance standards, making it suitable for use in the most tightly regulated RF environments across North America and Europe—a critical consideration for professional productions where spectrum coordination and certification are prerequisites. Constructed from durable, RoHS-compliant materials with an injection-molded housing composed of 60 % post-consumer recycled plastic and a machined aluminum mounting plate, the Bitbox Mini is built for repeated use in demanding production environments. It offers a straightforward connection via 100 Mbps Ethernet and includes an omnidirectional quarter-wave antenna, providing reliable radio performance and easy integration with existing cable workflows. While it omits USB-C and internal expansion capabilities to maintain its compact footprint, its core functionality ensures that smaller setups and lightweight rigs can still benefit from professional remote control without compromise. Features — Bitbox Mini (English) Ultra-compact wireless camera and lighting control module Weighs under 50 g, ideal for lightweight rigs and portable setups Designed as a remote-only node (requires bitbox base station) Up to 1 km line-of-sight range Sub-GHz radio protocol for robust signal penetration FCC, ISED, and CE compliance for regulated environments Engineered for professional cinema production workflows Industrial-grade electronics and components Injection-molded enclosure with aluminum mounting plate RoHS-compliant manufacturing process Easy Ethernet connection (100 Mbps) Omnidirectional quarter-wave antenna included Compatible with major camera control systems over Ethernet Low-profile form factor for tight spaces Designed to expand existing bitbox networks Reliable performance on compact production rigs Technical Specifications (English) Device Type: Remote wireless camera control radio Radio Module: Bit Part BP.BBR.V1.915 Range: Up to 1 km line-of-sight Compliance: FCC, ISED, CE Connection: 100 Mbps Ethernet Ports: LEMO 2-Pin Power, Ethernet Power Requirement: Industry standard 2-pin LEMO power input Antenna: Omnidirectional quarter-wave included USB-C: Not included Internal Expansion: None Internal Ethernet Switch: None Operating Temperature: Professional equipment range (typical) Mounting: Integrated aluminum mounting plate Control Mode: Remote only LED Indicators: Signal and status indicators Firmware: Field-upgradeable Compatibility: Works with bitbox ecosystems Certification: CE, FCC, ISED Dimensions & Weight (English) Dimensions (approximate): 58.9 mm × 42 mm × 19.75 mm Weight: ~48 g Housing Material: 60 % post-consumer recycled plastic Mounting Plate Material: Machined aluminum
Professional Long-Range Wireless Ethernet BridgeThe Bit Part Bitbox is a purpose built long range wireless Ethernet bridge engineered for professional film and broadcast environments. Instead of relying on congested 2.4 GHz and 5 GHz WiFi bands, the Bitbox operates in the 915 MHz spectrum, creating a stable and interference resistant point to point data link for camera control and network integration. In high density RF environments such as soundstages, studios, OB trucks, and urban locations, conventional WiFi networks are frequently compromised by wireless video systems, lens control, and consumer devices. The Bitbox eliminates these bottlenecks by establishing a transparent Layer 2 bridge that behaves like an invisible Ethernet cable between camera and control device. The lower frequency architecture provides superior signal penetration through concrete, steel, and structural obstacles. This results in reliable connectivity over multiple city blocks in interference heavy areas and several miles in clear line of sight conditions. The ultra low latency design ensures real time camera parameter adjustments without perceptible delay. Designed for seamless integration into professional camera builds and DIT carts, the Bitbox features direct USB C to tablet connectivity through its integrated Ethernet chipset. There is no SSID management, no web interface, and no complex configuration. A dedicated hardware pairing button enables secure device matching in seconds. With a polarity agnostic 2 pin Lemo 0B input supporting 11 to 36 volts, the Bitbox protects against wiring errors common in rental environments. When powered via Lemo, it actively supplies up to 1.5 amps over USB C, capable of maintaining charge on an iPad Mini during full brightness operation. Consuming only 1.8 watts on average, it minimizes load on camera batteries while delivering maximum network stability. The CNC machined aluminum chassis ensures durability under demanding production conditions. Compact, lightweight, and built for reliability, the Bitbox is the definitive wireless Ethernet solution for remote camera control where failure is not an option. Features Bitbox • 915 MHz wireless architecture for interference free operation • Transparent Layer 2 Ethernet bridge • No SSID, no web GUI, zero configuration workflow • Ultra low latency for real time camera control • Validated long range performance in dense urban RF environments • Multi mile range in line of sight conditions • Gigabit Ethernet RJ45 port • Direct USB C to tablet connectivity without external dongles • Integrated USB Ethernet chipset • Sub five second boot time • Secure hardware pairing button • Base and Remote hardware role switch • High visibility LED status indicators • Polarity agnostic 2 pin Lemo 0B power input • Wide voltage input range 11 to 36 volts DC • USB C power passthrough up to 1.5A when powered via Lemo • Average power consumption of 1.8 watts • CNC machined high grade aluminum chassis • Multiple professional mounting patterns Technical Specifications • Frequency range 915 MHz North America • Regional variants available for EU and UK CE UKCA • Network interface 1x Gigabit Ethernet RJ45 • Wireless architecture point to point bridge • Latency optimized for real time control protocols • Secure hardware based pairing system • Field replaceable SMA antenna • Primary power input 2 pin Lemo 0B 11 to 36V DC • Polarity independent power design • Secondary power input 5V via USB C • USB C output power up to 5V 1.5A when powered by Lemo • Integrated USB C Ethernet bridge chipset • Boot time under 5 seconds • Average power draw 1.8W • Chassis material 6061 and 7075 aluminum • Black anodized surface finish • 1/4 20 threaded mounting hole with ARRI and SmallHD anti rotation geometry • 15mm grid with 10x M4 mounting points • 20mm grid with 7x M2.5 mounting points compatible with Wooden Camera mini rail Dimensions • Dimensions 81.1 mm x 51.2 mm x 21.8 mm (3.19 inch x 2.01 inch x 0.86 inch)
RF-X Auto-Switcher for Bolt 4K/6 and Ranger RXs Teradek RF-X is an intelligent RF auto-switcher designed to guarantee uninterrupted, zero-delay wireless video in the most demanding production environments. Built specifically for Bolt 4K, Bolt 6, and Ranger receivers, RF-X automatically manages redundant signal paths and always delivers the strongest available feed as a single, clean 12G-SDI output. RF-X (Radio Frequency Matrix) continuously monitors up to six connected Bolt or Ranger receivers over hardline SDI connections. As RF conditions change, the system seamlessly switches between inputs without dropped frames, visible hits, or added latency. The result is a rock-solid wireless video signal that remains stable even in heavily congested RF environments, where manual switching or single-receiver setups often fail. Designed for broadcast, live events, and high-end cine production, RF-X operates fully automatically and requires no operator intervention. Whether cameras are moving through complex locations, talent blocks line of sight, or interference levels fluctuate, RF-X intelligently selects the best signal in real time. This eliminates the need for costly manual switchers, reduces crew workload, and protects critical video feeds when every second counts. RF-X excels in environments such as stadiums, concerts, motorsports, and challenging film locations including hospitals, airports, and military facilities. For extended workflows, multiple RF-X units can be linked via single-mode fiber using the integrated SFP port. Fiber connectivity adds another layer of reliability by avoiding RF noise, ground loops, and electrical interference, while enabling long-distance transmission to DIT carts, video village, or downstream routing infrastructure. Fully plug-and-play, RF-X integrates effortlessly into existing Bolt or Ranger systems. Simply connect your redundant receivers to the SDI inputs and route the output to your monitor, recorder, or switcher. Optional web and app-based tools provide visibility into signal quality and system status, but the core switching logic works automatically in the background. RF-X is not a radio system itself—it is a professional video switcher that ensures the highest possible video quality by always selecting the best available wireless input. Workflows Versatile. Indispensable. Reliable. From stadiums and racetracks to concert venues and on set, RF-X thrives in chaotic RF environments with unpredictable conditions and long-range camera movement. Live Sports Secure uninterrupted sideline-to-sideline coverage in high interference arenas. Concerts Deliver an uninterrupted show for the crowd and production pit using RF-X. Cine Production From long tracking shots with multiple physical obstacles to locations with extreme radio frequency congestion. Motorsports Maintain a seamless 12G-SDI feed across high-speed circuits using RF-X. Features – Teradek RF-X Intelligent auto-switcher for wireless video redundancy Seamless hit-less failover between up to six receivers Single uninterrupted clean 12G-SDI output Configurable 12G-SDI multi-view output Zero added latency switching Designed for Bolt 4K, Bolt 6, and Ranger RXs Continuous real-time signal quality monitoring Optimized for high-RF-congestion environments Eliminates manual switching and reduces operator workload Supports 4K 10-bit 4:2:2 wireless video workflows Integrated SFP port for SDI fiber connectivity Extend coverage via single-mode fiber links Full SDI ancillary data pass-through Plug-and-play operation with no configuration required Web UI for monitoring and firmware updates Mobile and desktop app support Compact, rack-friendly aluminum chassis Built for broadcast, live events, and cine production Technical Specifications Video inputs: 6x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber input: 1x 12G-SDI over optical fiber (SFP, module sold separately) Video outputs: 2x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber output: 1x 12G-SDI over optical fiber (SFP, module sold separately) Supported resolutions: up to 4Kp60 and HD formats Color sampling: YCbCr 4:2:2, 10-bit SDI ancillary data: full metadata pass-through Audio input: embedded SDI audio Audio output: embedded SDI audio Delay TX to RX: < 0.001 seconds Output processing: configurable multi-view Ethernet: 1x Gigabit Ethernet (10/100/1000) USB interface: USB-C for firmware upgrades Bluetooth: supported Configuration: OLED front panel with joystick navigation Web interface: local device management and monitoring Construction, Dimensions and Weight Dimensions: 8.7 x 6.9 x 1.7 in (221 x 175 x 44 mm), including connectors Weight: approx. 1.9 lbs (855 g) Construction: aluminum chassis with temperature-controlled low-noise fan Mounting: 1/2-width 1U rack compatible, dual-unit mounting supportedIn the Box RF-X 36W 2pin to AC Power PSU (Additional RXs and SDI cables not included)
Professional Handheld Control for Bitbox The Bit Part Bitbox iPad Plate is a fully native mounting solution engineered to transform the Apple iPad Mini into a robust, professional handheld control surface for bitbox systems. Designed specifically for the Apple iPad Mini (6th generation and newer), this plate creates a compact, balanced, and production-ready camera control unit suitable for on-set operation, carts, desks, and mobile workflows. Developed in close collaboration with Possum Solutions, the Bitbox iPad Plate focuses on real-world usability for camera assistants, DITs, and technicians. The design allows a bitbox radio to be directly hard-mounted to the plate, ensuring a secure mechanical connection and eliminating unnecessary adapters. For alternative workflows, an additional 1/4-20 mounting point behind the bitbox supports third-party quick-release systems such as Wedgie, Lnkcine, or Cinelock. Power management is fully integrated. The plate ships with a genuine bebob AMMicro battery plate and also supports compatible Anton Bauer Gold Mount or V-Mount micro plates, depending on the selected version. The battery plate can be mounted in multiple orientations, allowing the iPad to rest at a comfortable viewing angle on a cart or desk, or to support horizontal battery placement for alternative docking and handheld configurations. Machined from high-grade aluminum and finished with a durable anodized coating, the Bitbox iPad Plate is built for daily professional use. Extensive mounting points, support for Wooden Camera mini rails, and integrated cable routing ensure a clean, secure, and modular setup. Thoughtful details such as corner loops designed for Peak Design Anchor Links further enhance portability and safety on set. Available in Space Gray, Black, and high-visibility Signal Orange, the Bitbox iPad Plate combines functional engineering with a distinctive professional aesthetic. Features – Bit Part Bitbox iPad Plate Native mounting plate for bitbox and iPad Mini (6th gen and newer) Designed as a dedicated handheld bitbox control unit Precision-machined aluminum construction Direct hard-mount screw pattern for bitbox radios Additional 1/4-20 mounting point behind the bitbox Supports Wedgie, Lnkcine, Cinelock and similar mounts Genuine bebob AMMicro battery plate included (variant-dependent) Supports Gold Mount or V-Mount micro battery plates Battery plate mountable in multiple orientations Comfortable viewing angle for cart and desk operation Horizontal battery option for alternative docking workflows Ample 1/4-20 and 3/8-16 threaded mounting holes Outer screw pattern compatible with Wooden Camera mini rails Integrated internal cable routing for clean builds Corner loops compatible with Peak Design Anchor Links Balanced design for extended handheld use Available in Space Gray, Black, and Signal Orange (RAL2010) Built for professional cinema and broadcast environments Technical Specifications Compatibility: Apple iPad Mini 6th generation and newer Primary material: CNC-machined aluminum Aluminum grade: Plate assembly in 6061 T6, mounting interfaces optimized for rigidity Finish: Anodized (color variant dependent) bitbox mounting: Dedicated screw mounting pattern Alternative mounting: 1/4-20 threaded interface Battery support: Gold Mount or V-Mount micro (variant dependent) Included battery plate: bebob AMMicro Gold Mount (GM versions) Power cable: Genuine LEMO FGG.0B 2-pin cable included USB-C cable: Bit Part custom USB-C ribbon cable included Rail support: Wooden Camera mini rail pattern Thread standards: 1/4-20 and 3/8-16 Cable management: Internal routing through plate Use cases: Handheld, cart-based, desk-based control Color options: Space Gray, Black, Signal Orange Shipping status: First production wave shipping May 2025 Dimensions & Weight Dimensions: 212 mm × 150 mm × 29 mm Weight: approx. 500 g Form factor: Compact, balanced handheld plate Optimized for portability without compromising rigidity Available Versions & SKUs Bitbox iPad Plate Space Gray / Gold Mount – SKU: BP.AKS.IPM.SG.G Bitbox iPad Plate Space Gray / V-Mount – SKU: BP.AKS.IPM.SG.V Bitbox iPad Plate Black / Gold Mount – SKU: BP.AKS.IPM.B.G Bitbox iPad Plate Black / V-Mount – SKU: BP.AKS.IPM.B.V Bitbox iPad Plate Signal Orange / Gold Mount – SKU: BP.AKS.IPM.O.G Bitbox iPad Plate Signal Orange / V-Mount – SKU: BP.AKS.IPM.O.V
Precision Mounting for Professional Rigs The Bit Part Bitbox Mounting Plate is a purpose-built mounting solution designed to integrate the bitbox cleanly and securely into professional camera rigs. Engineered for reliability on set, it provides a flexible and robust interface between the bitbox and industry-standard mounting hardware, ensuring stable operation even in demanding production environments. Machined from aerospace-grade 7075 T6 aluminum, the mounting plate offers exceptional strength while remaining lightweight. This material choice ensures long-term durability, resistance to deformation, and consistent performance under mechanical stress, making it suitable for daily use in rental and production workflows. The rotatable and variable-offset design allows precise positioning of the bitbox, enabling optimal cable routing, antenna clearance, and ergonomic placement on compact or complex camera builds. Multiple threaded mounting options support seamless integration with cages, rods, arms, and accessories commonly used in cinema production. With ARRI anti-rotation compatibility and both horizontal and vertical mounting slots, the Bitbox Mounting Plate delivers maximum flexibility while preventing unwanted movement. It is the ideal solution for camera assistants, DITs, and technicians who require a secure, adaptable, and professional mounting interface for their bitbox systems. Features – Bit Part Bitbox Mounting Plate Precision-machined from aerospace-grade 7075 T6 aluminum Rotatable design for flexible orientation Variable offset for optimal positioning on any rig 1/4-20 and 3/8-16 threaded holes ARRI anti-rotation hole pattern for secure mounting Horizontal 1/4-20 mounting slots Vertical 1/4-20 mounting slots Designed specifically for Bit Part bitbox devices Technical Specifications Material: 7075 T6 aerospace-grade aluminum Manufacturing process: CNC milled Thread types: 1/4-20 and 3/8-16 Anti-rotation standard: ARRI-compatible Mounting orientation: Horizontal and vertical Design: Rotatable with variable offset Intended use: Professional cinema camera rigs Dimensions & Weight Compact, low-profile design for tight rig configurations Lightweight aluminum construction for minimal added mass Optimized thickness for strength without bulk