Prime Lenses

The TRIBE7 BLACKWING7 Cine Primes are designed for cinematographers who want to move beyond purely technical image reproduction and instead actively shape the visual identity of their work in-camera. Rather than pursuing clinical sharpness or neutral rendering, this lens system is built around controlled optical character—where imperfection is not a flaw, but a creative parameter. At the core of BLACKWING7 lies a fundamentally different design philosophy: the lens is not just a capture tool, but an expressive instrument. Contrast behavior, flare response, halation, and focus falloff are not fixed characteristics, but elements that can be intentionally influenced. This approach allows filmmakers to establish a consistent yet highly individual visual language directly on set, reducing dependency on post-production manipulation. What sets the system apart in practical production use is its ability to integrate this level of optical control without sacrificing workflow efficiency. Despite its expressive nature, BLACKWING7 maintains consistent mechanics across the full focal length range, ensuring predictable handling for focus pullers, camera assistants, and operators. This balance between creative unpredictability in the image and operational consistency on set is a key reason why the system is increasingly adopted in high-end narrative and commercial productions. The system is built for large format cinematography and covers a comprehensive focal length range suitable for narrative, commercial, and high-end branded content production. All lenses share a consistent mechanical design, ensuring operational reliability and intuitive handling across the entire set, even in demanding production environments. A defining feature of the BLACKWING7 system is its tunable optical architecture. Each lens can be configured through distinct tuning profiles that alter its rendering behavior, enabling precise control over image mood and texture. In addition, interchangeable front elements further extend creative flexibility by modifying flare characteristics and tonal response. This combination of optical tuning and modular design results in a lens system that functions less like a traditional prime set and more like a creative imaging platform. The outcome is a highly cinematic, expressive image that retains technical precision while offering significant artistic latitude at the point of capture. Focal Lengths Focal Length Image Circle (mm) Close Focus (cm) Weight (kg) 17mm5622.01.75 20.7mm5623.01.5 23.7mm5626.01.5 27mm5634.01.7 37mm6745.71.6 47mm6044.51.5 57mm6748.31.6 77mm6766.01.4 107mm6768.51.4 137mm6781.31.5 Tuning Options Tuning Image Character Contrast Flare & Halation Use Case S Tuned Controlled, closest to neutral Balanced Subtle and controlled Commercial, mixed workflows, consistency T Tuned Organic, vintage leaning Softer roll off Noticeable glow and halation Narrative, cinematic storytelling X Tuned Highly expressive and stylized Lower, more variable Strong flares and pronounced halation Music videos, fashion, experimental visuals Features TRIBE7 BLACKWING7 Cine Primes • Tunable optical design for creative image control • Available in S Tuned, T Tuned, and X Tuned variants • Large format coverage for modern cinema cameras • Designed in collaboration with Bradford Young • Controlled spherical aberration for organic rendering • Customizable flare characteristics • Smooth contrast roll off for cinematic highlights • Interchangeable front elements for look variation • Consistent mechanical design across all focal lengths • High speed aperture for low light performance • Pleasing and structured bokeh rendering • Enhanced highlight halation depending on tuning • Reduced clinical sharpness for natural image feel • Engineered for narrative and commercial filmmaking • Robust housing for professional production environments • Precise focus mechanics with long focus throw • Optimized for modern digital sensors • Unique visual identity directly from the lens Technical Specifications • Lens series: BLACKWING7 Cine Primes • Available focal lengths: 17mm – 137mm • Maximum aperture: approx. T1.9 (varies by focal length) • Lens mount: PL mount • Sensor coverage: Large format (up to 67 mm image circle) • Tuning options: S Tuned, T Tuned, X Tuned • Interchangeable front elements supported • Iris design: 14 blade aperture • Focus rotation: approx. 270 degrees • Front diameter: standardized across set • Color rendering: tuned per optical profile • Flare behavior: controlled and adjustable • Contrast characteristics: profile dependent • Close focus distance: 22.0 cm – 81.3 cm • Housing material: high precision metal construction • Scale markings: dual side, engraved • Compatibility: industry standard cine accessories • Designed for high end digital cinema workflows Dimensions and Weight Dimensions vary depending on focal length. Front diameter is standardized across the set for seamless matte box compatibility. Each lens is optimized for balanced handling across handheld and studio configurations. Weight ranges from 1.4 kg to 1.75 kg depending on focal length.

T1.3 Large Format Cinema Primes with Consistent Organic RenderingThe Sigma Aizu Prime Line is a next-generation large-format cinema prime system designed for high-end motion picture production where optical consistency, speed and controlled image character are critical. Built and engineered in Aizu, Japan, the series combines modern high-resolution performance with a deliberately organic rendering approach, delivering a cinematic image that balances sharpness, texture and natural fall-off. At the core of the system is a constant T1.3 aperture across all focal lengths in the initial release. This enables a highly flexible exposure workflow in low-light environments while maintaining shallow depth of field control and smooth subject isolation. The optical design prioritizes cinematic expression over clinical rendering, producing images with refined contrast behavior, natural bokeh and carefully controlled highlight roll-off. The Aizu Prime Line is optimized specifically for cinema applications, with focus breathing and geometric distortion tightly controlled to ensure stable framing during rack focus operations and dynamic camera movement. Color reproduction and contrast are carefully matched across the entire range, allowing for seamless intercutting between focal lengths without perceptual shifts in image character. Despite their extreme speed, the lenses maintain a compact and production-friendly form factor. This supports a wide range of modern capture workflows, including handheld operation, Steadicam, gimbal systems and traditional studio setups. The mechanical design follows a unified standard across the set, enabling efficient lens changes and predictable handling for camera assistants in fast-paced production environments. The system is designed as a coherent focal length family covering the most commonly used ranges in narrative, commercial and episodic production. The initial release focuses on the core production set from 25mm through 75mm, providing a practical and highly usable optical package for contemporary cinematography workflows. Features – Sigma Aizu Prime Line • Constant T1.3 aperture across all available focal lengths • Large-format cinema prime lens system • Designed specifically for motion picture production workflows • Organic image rendering with modern optical precision • Controlled sharpness with natural roll-off characteristics • Smooth and cinematic bokeh rendition • Minimized focus breathing for stable reframing • Low distortion optical design • Matched color and contrast across all focal lengths • Consistent flare behavior throughout the series • Ø 46.3 mm image circle coverage • Full compatibility with large-format sensors • Compact and production-optimized housing design • Unified mechanical standard across the lens set • Optimized for handheld, gimbal, Steadicam and studio use Available Focal Lengths (Initial Release 25–75mm) • Sigma Aizu Prime 25mm T1.3 LF • Sigma Aizu Prime 27mm T1.3 LF • Sigma Aizu Prime 32mm T1.3 LF • Sigma Aizu Prime 35mm T1.3 LF • Sigma Aizu Prime 40mm T1.3 LF • Sigma Aizu Prime 50mm T1.3 LF • Sigma Aizu Prime 65mm T1.3 LF • Sigma Aizu Prime 75mm T1.3 LFcoming soon: • Sigma Aizu Prime 18mm T1.3 LF • Sigma Aizu Prime 21mm T1.3 LF • Sigma Aizu Prime 100mm T1.3 LF • Sigma Aizu Prime 125mm T1.3 LF 

Compact 1.5x Anamorphic Primes for Mirrorless Cinema Capture The Cooke AP3 Series represents a ground-up anamorphic design philosophy tailored specifically for modern mirrorless cinema systems. Built to extend Cooke’s anamorphic lineage into a compact, lightweight form factor, AP3 delivers true 1.5x anamorphic rendering with the optical discipline and consistency expected from high-end production optics. The series is engineered for full-frame coverage while maintaining compatibility with S35 workflows, making it a flexible toolset for narrative, commercial, and documentary cinematography. At its core, AP3 is defined by controlled anamorphic character rather than exaggerated optical artifacts. The rendering is deliberately balanced: organic but not unpredictable, expressive but technically reliable. Focus transitions are smooth and continuous, producing a natural sense of depth that supports visual storytelling without drawing attention to the lens itself. The 1.5x squeeze factor provides a classic anamorphic aspect ratio while optimizing sensor utilization on modern full-frame mirrorless cameras. Flare behavior is distinctly Cooke—subtle, cinematic, and spectrally coherent across the range. Rather than introducing stylized or artificial flare signatures, AP3 produces natural optical responses that integrate into scene lighting. Combined with smooth bokeh rendition and carefully controlled field curvature, the lenses produce a cohesive image structure that supports both controlled lighting environments and available-light shooting scenarios. The series maintains consistent color balance across all focal lengths, ensuring seamless intercutting within multi-camera or multi-lens productions. Despite its anamorphic pedigree, AP3 is optimized for operational efficiency on set. The compact housing, standardized 0.8 MOD focus and iris gears, and consistent 87 mm front diameter allow rapid rigging and compatibility with lightweight support systems, matte boxes, and gimbal setups. Interchangeable mount options further extend system flexibility across major mirrorless platforms. This positions AP3 as a practical solution for owner-operators and production environments where mobility and optical performance must coexist. The Cooke AP3 Series is therefore not positioned as a stylistic exaggeration of anamorphic imaging, but as a precise, production-ready toolset that integrates classical anamorphic aesthetics into contemporary mirrorless workflows. It bridges the gap between traditional cinema optics and next-generation camera systems while preserving the signature Cooke imaging philosophy: controlled highlight roll-off, dimensional rendering, and natural tonal reproduction. Features – Cooke AP3 Series • Ground-up anamorphic optical design for mirrorless cinema systems • True 1.5x anamorphic squeeze factor for full-frame sensor coverage • Full-frame coverage with S35 compatibility • Compact and lightweight construction optimized for modern production workflows • Consistent Cooke color science across all focal lengths • Controlled anamorphic flare characteristics with natural optical behavior • Smooth, organic defocus rendering with stable bokeh structure • Cinematic focus transitions with natural depth continuity • 9-blade iris assembly for smooth highlight rendition • T-stop range from T2.4 to T16 across the series • Standardized 0.8 MOD focus and iris gears for professional rig compatibility • Unified 87 mm front diameter across all lenses • 82 mm front filter thread for consistent accessory use • Interchangeable mount system (E / RF / L / M options) • Optimized for handheld, gimbal, and lightweight cinema setups Series Focal Lengths – Cooke AP3 • Cooke AP3 35mm T2.4 1.5x Anamorphic Lens • Cooke AP3 50mm T2.4 1.5x Anamorphic Lens • Cooke AP3 85mm T2.4 1.5x Anamorphic Lens

Tele cinematic compression and isolation The Cooke AP3 FF 85mm T2.4 1.5x Anamorphic Lens is designed for controlled telephoto anamorphic cinematography, offering strong subject isolation, elegant background compression, and refined cinematic depth. It is ideal for portraits, close-ups, and emotionally driven narrative sequences. The 1.5x anamorphic squeeze creates characteristic oval bokeh and subtle horizontal flare behavior, while maintaining sharp optical performance and controlled rendering across the full frame image area. Despite its telephoto nature, the lens remains compact and highly portable, reflecting the AP3 design philosophy of lightweight anamorphic performance without compromise. The anodised housing ensures durability in demanding production environments, while maintaining ergonomic handling. The dual focus scale system and precise mechanical alignment across the AP3 series enable fast lens changes with consistent focus and iris motor positioning, improving efficiency on set. Class-leading close focus capability enhances creative flexibility, enabling intimate framing even at longer focal lengths. The AP3 system is optimized for modern mirrorless cinema workflows and maintains consistent optical and mechanical behavior across the full series. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 85mm T2.4 • 85mm telephoto anamorphic focal length • 1.5x squeeze factor • T2.4 constant aperture • Strong subject compression • Cinematic oval bokeh rendering • Compact telephoto cine design • Dual focus scale system • Excellent close focus performance • Matched AP3 mechanical alignment • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 85mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine focus mechanics • Anamorphic optical design • Interchangeable rear mount system • Mirrorless cinema optimized • Matched AP3 system standard

Natural anamorphic storytelling perspective The Cooke AP3 FF 50mm T2.4 1.5x Anamorphic Lens represents the classic anamorphic “normal” focal length, delivering a natural perspective with subtle compression and strong cinematic character. It is designed for narrative storytelling, dialogue scenes, and controlled cinematic compositions where emotional depth and spatial realism must coexist. The 1.5x squeeze factor produces elegant anamorphic oval bokeh and refined horizontal flares, while maintaining high resolution and controlled optical breathing characteristics. The result is a balanced anamorphic aesthetic that remains highly usable in modern digital production environments. The lens is built with portability and consistency in mind. Its compact anodised body, dual focus scale system, and precise mechanical matching across the AP3 series ensure efficient lens swaps and stable focus/iris motor alignment during production workflows. Close focus performance enables creative framing flexibility, allowing cinematographers to work in tight environments without compromising image quality or optical character. The AP3 system is designed for mirrorless-based cinema rigs, offering maximum adaptability while maintaining professional mechanical durability. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 50mm T2.4 • 50mm full-frame anamorphic focal length • 1.5x anamorphic squeeze • T2.4 constant aperture • Natural anamorphic perspective • Compact lightweight cine design • Dual focus scale system • Strong close focus capability • Matched mechanical alignment • Durable anodised housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine mechanics • Anamorphic optical system • Interchangeable rear mount system • Mirrorless optimized architecture • Matched AP3 mechanical standard

Wide cinematic anamorphic immersion The Cooke AP3 FF 35mm T2.4 1.5x Anamorphic Lens delivers a wide cinematic anamorphic field of view designed for immersive storytelling, dynamic camera movement, and modern full-frame production workflows. It combines classic anamorphic character with the compact ergonomics of a lightweight, mirrorless-optimized cinema lens system. With a 1.5x squeeze factor, the lens produces natural anamorphic oval bokeh and controlled horizontal flare characteristics while maintaining high image clarity and consistent sharpness across the frame. The optical design is tuned for modern digital sensors, ensuring a balanced combination of resolution, character, and cinematic softness. The AP3 series is engineered for portability without compromise. Its compact anodised housing, dual focus scale system, and precise mechanical alignment across the entire set enable fast lens changes while maintaining consistent focus and iris motor positions in professional production environments. Close focus performance is class-leading, allowing for creative framing flexibility even in tight shooting spaces. This makes the 35mm AP3 particularly effective for narrative filmmaking, handheld work, and high-mobility production setups. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless platforms. Features – Cooke AP3 FF 35mm T2.4 • 35mm full-frame anamorphic focal length • 1.5x anamorphic squeeze factor • Constant T2.4 aperture • Classic Cooke anamorphic rendering • Lightweight compact cine design • Dual focus scale system • Class-leading close focus capability • Consistent mechanical alignment across set • Anodised durable housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories, depending on purchase conditions or registration. Technical Specifications • Focal length: 35mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale layout • Manual cine focus system • Anamorphic optical design • Interchangeable rear mount system • Optimized for mirrorless cinema systems • Matched mechanical set alignment

Extended telephoto cinematic reach The Cooke SP3 100mm T2.4 Full Frame Prime Lens is the longest focal length in the SP3 series, designed for maximum subject isolation and controlled compression. It excels in close-ups and distant subject framing while maintaining Cooke’s signature organic rendering and smooth tonal response. Despite its telephoto reach, it remains compact and optimized for modern lightweight cinema workflows. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 100mm T2.4 • 100mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong compression effect • Cooke cinematic rendering • Compact telephoto design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 100mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Controlled compression cine tele lens The Cooke SP3 75mm T2.4 Full Frame Prime Lens is designed for subject isolation and controlled compression. It is ideal for portraits, close-ups, and emotionally driven cinematic framing. It delivers strong subject separation while maintaining natural skin tone reproduction and smooth tonal transitions. The lens integrates seamlessly into lightweight cinema rigs and maintains consistent rendering across the SP3 lineup. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 75mm T2.4 • 75mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong subject separation • Cooke cinematic rendering • Mirrorless optimized • Compact telephoto design • Smooth focus control • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 75mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine construction • Color consistency

Classic cinematic normal perspective The Cooke SP3 50mm T2.4 Full Frame Prime Lens represents the standard cinematic focal length, closely matching natural human vision. It is a core lens for dialogue scenes, portraits, and narrative storytelling. It delivers smooth tonal transitions, natural contrast behavior, and Cooke’s signature organic rendering with refined highlight roll-off. The lens is optimized for modern lightweight cinema systems while maintaining full optical consistency across the SP3 series. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 50mm T2.4 • Standard 50mm cinematic focal length • Constant T2.4 aperture • Full-frame coverage • Natural perspective rendering • Cooke cinematic look • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Natural wide cinematic perspective The Cooke SP3 25mm T2.4 Full Frame Prime Lens delivers a natural wide-angle perspective that closely reflects human visual perception. It is a highly versatile focal length suitable for narrative filmmaking, documentaries, and commercial productions requiring spatial realism and controlled perspective. The lens renders images with smooth tonal transitions, natural contrast behavior, and the signature Cooke “film look”. Skin tones are reproduced with a soft, organic roll-off, avoiding harsh digital characteristics even in high-contrast lighting situations. Designed for modern lightweight cinema setups, the SP3 25mm integrates seamlessly into handheld and gimbal-based workflows. It is part of a fully matched optical system ensuring consistent rendering across all SP3 focal lengths. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless camera platforms. Features – Cooke SP3 25mm T2.4 • Natural wide-angle focal length • Constant T2.4 aperture • Full-frame coverage • Cooke cinematic color science • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus control • Minimal distortion characteristics • SP3 color consistency • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Designed for short flange focal distance mirrorless systems. Technical Specifications • Focal length: 25mm • Aperture: T2.4 • Full-frame coverage • Manual focus cine design • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Lightweight cine housing • Consistent series design

Ultra-wide cinematic control The Cooke SP3 18mm T2.4 Full Frame Prime Lens delivers an ultra-wide field of view designed for immersive storytelling, architectural work, and dynamic handheld cinematography. It is engineered as part of Cooke’s modern mirrorless-focused SP3 series, translating the renowned Cooke Look into a compact, lightweight optical system optimized for full-frame sensors. Despite its wide-angle perspective, the lens maintains exceptional edge-to-edge sharpness while preserving the organic rendering Cooke is known for. Skin tones remain natural, contrast transitions are smooth, and highlights roll off with cinematic precision rather than harsh digital clipping. This makes the 18mm SP3 particularly effective for narrative filmmaking, documentaries, and high-end commercial production. The mechanical design is optimized for modern gimbal and run-and-gun workflows. Its compact form factor supports lightweight camera builds without compromising precision in focus control or optical consistency across the SP3 series. Features – Cooke SP3 18mm T2.4 Full Frame Prime Lens • Ultra-wide 18mm focal length for immersive perspectives • Constant T2.4 aperture for consistent exposure control • Full-frame image coverage • Signature Cooke cinematic rendering (“Cooke Look”) • Optimized for mirrorless cine workflows • Compact and lightweight design for gimbals and handheld rigs • Smooth and precise manual focus control • Minimal focus breathing for cinematic pulls • Color-matched across SP3 lens series • Interchangeable rear mount system Mounts • Sony E-Mount (standard, factory-installed) • Canon RF Mount (interchangeable rear mount accessory) • Leica L-Mount (interchangeable rear mount accessory) • Leica M-Mount (interchangeable rear mount accessory) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Depending on purchase conditions or registration, selected mounts may be provided at no additional cost. The system is engineered specifically for short flange focal distance mirrorless camera platforms. Technical Specifications• Focal length: 18mm • Aperture: T2.4 • Full-frame coverage • Manual focus design • Cine-style geared focus and iris rings • Interchangeable rear mount system • Color matched across SP3 lineup • Optimized for digital cinema sensors • Consistent SP3 optical tuning • Designed for modern mirrorless cine systems

High-Speed Cinematic Large Format Prime The Aizu Prime 75mm T1.3 LF delivers a classic cinematic portrait perspective combined with the exceptional optical speed and large-format coverage that define Sigma’s Aizu Prime lineup. Designed specifically for professional cinema production, the lens combines refined subject separation, cinematic rendering, and modern high-resolution optical performance within a compact cine housing. The 75mm focal length is widely regarded as one of the most cinematic portrait perspectives, providing elegant compression, strong subject isolation, and natural visual depth. This makes the lens particularly suitable for dramatic close-ups, beauty cinematography, commercials, fashion production, narrative filmmaking, and emotional dialogue scenes. Optically, the lens combines exceptional sharpness with an intentionally organic cinematic rendering profile. Skin tones remain natural and dimensional while highlights transition smoothly and out-of-focus areas maintain refined softness. The result is a cinematic image with emotional depth and modern technical precision. The constant T1.3 aperture enables filmmakers to create extremely shallow depth of field while maintaining excellent low-light capability. Subject isolation appears highly cinematic, while Sigma’s cinema-focused optical design minimizes focus breathing and distortion to preserve framing consistency during focus pulls and moving shots. Mechanically, the lens features a robust full-metal cine housing with standardized gear positions, consistent front diameter, and long 270° focus rotation for highly precise manual operation. Despite its high-speed optical design and large-format image circle, the lens remains compact enough for handheld, Steadicam, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with modern metadata-driven cinema workflows for VFX and virtual production applications. Features – Aizu Prime 75mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Cinematic portrait focal length • Exceptional subject isolation • Organic cinematic rendering • High-resolution optical performance • Excellent low-light capability • Smooth cinematic focus falloff • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 75mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.85m / 2'9" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.8kg / 4.0lb • Weight (Sony E-Mount): approx. 1.9kg / 4.2lb

Cinematic Large Format Prime The Aizu Prime 65mm T1.3 LF is designed to deliver a refined cinematic portrait perspective combined with the exceptional brightness and optical consistency that define Sigma’s Aizu Prime lineup. As part of the world’s first large-format cinema lens family with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for cinematic portraiture and narrative filmmaking. The 65mm focal length provides elegant spatial compression and natural subject separation while maintaining a highly cinematic field of view. This makes the lens particularly effective for emotional close-ups, dialogue scenes, commercial cinematography, beauty work, and dramatic storytelling applications. Optically, the lens combines high-resolution sharpness with an organic rendering profile optimized for cinema production. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain refined softness without sacrificing overall image detail. The result is a cinematic image that balances technical precision with emotional depth. The constant T1.3 aperture allows filmmakers to achieve exceptionally shallow depth of field and excellent low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Focus breathing and distortion are carefully minimized to ensure stable framing during focus transitions and moving shots. Mechanically, the lens features a professional cine-standard housing with full-metal construction, long 270° focus rotation, and standardized gear placement for seamless integration into professional cinema workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with advanced metadata workflows used in VFX production and virtual production environments. Features – Aizu Prime 65mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Cinematic portrait focal length • Organic cinematic rendering • Excellent subject separation • Exceptional low-light capability • Smooth focus transition rendering • Controlled focus breathing • Reduced distortion characteristics • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact professional cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 65mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.70m / 2'4" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for large-format cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.8lb • Weight (Sony E-Mount): approx. 1.8kg / 4.0lb

Cinematic Large Format Prime The Aizu Prime 50mm T1.3 LF represents the classic cinematic standard focal length within Sigma’s advanced Aizu Prime lineup. Combining a highly natural perspective with exceptional optical speed and large-format image coverage, the lens is designed for professional cinematographers seeking maximum creative flexibility and cinematic image quality. As part of the world’s first large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the Aizu Prime 50mm T1.3 LF establishes a new performance category for modern cinema optics. The lens delivers exceptional brightness while maintaining consistent rendering characteristics across the entire Aizu Prime family. The 50mm focal length is widely considered one of the most universally applicable cinematic perspectives, closely matching natural human visual perception while still providing cinematic subject separation and spatial compression. This makes the lens highly suitable for narrative filmmaking, portrait cinematography, commercials, dialogue scenes, and documentary production. Optically, the lens delivers a refined balance between high-resolution sharpness and organic cinematic rendering. Images maintain outstanding detail while preserving natural skin tones, smooth tonal transitions, and elegant highlight behavior. The rendering avoids the sterile appearance often associated with digital cinema optics and instead produces a cinematic image with depth and emotional texture. The ultra-fast T1.3 aperture allows filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light capability. Focus transitions remain smooth and cinematic, while Sigma’s advanced cinema optical design minimizes focus breathing and geometric distortion to preserve framing consistency during focus pulls and camera movement. Mechanically, the lens features a robust full-metal housing engineered specifically for professional cinema environments. Standardized gear positioning, consistent front diameter, and long 270° focus rotation ensure seamless compatibility with follow focus systems, matte boxes, remote motors, and professional rigging configurations. The lens also supports Cooke /i Technology and ZEISS eXtended Data, enabling advanced metadata workflows for VFX-heavy productions, virtual production environments, and post-production tracking systems. Features – Aizu Prime 50mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 50mm perspective • Organic cinematic rendering characteristics • Modern high-resolution optical performance • Excellent low-light capability • Cinematic shallow depth of field • Smooth natural focus transitions • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 50mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Optimized for 6K–8K workflows • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb

Cinematic Large Format Prime Lens The Aizu Prime 40mm T1.3 LF expands Sigma’s next-generation Aizu Prime lineup with a focal length that delivers a highly natural cinematic perspective combined with exceptional optical speed and large-format coverage. As part of the world’s first full large-format cinema lens series with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production workflows. The 40mm focal length is widely regarded as one of the most versatile perspectives in cinematography, positioned between the classic 35mm and 50mm visual language. It delivers a natural field of view with strong subject separation while maintaining environmental context, making it particularly effective for narrative filmmaking, commercials, handheld cinematography, documentary production, and dialogue scenes. Optically, the lens combines extremely high resolving power with an organic cinematic rendering profile designed specifically for motion picture production. Images maintain exceptional detail and contrast while preserving natural highlight transitions, refined skin tones, and smooth out-of-focus rendering. The result is a cinematic image with depth and dimensionality that integrates naturally into modern digital cinema workflows. The constant T1.3 aperture enables filmmakers to achieve exceptionally shallow depth of field and outstanding low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to preserve compositional consistency during focus pulls and camera movement. Mechanically, the Aizu Prime 40mm T1.3 LF features a robust full-metal cine housing with standardized gear positioning, long 270° focus rotation, and consistent front dimensions across the lineup. This allows seamless integration with professional cinema accessories including matte boxes, follow focus systems, remote motors, and rigging configurations. Despite its ultra-fast aperture and large-format image coverage, the lens remains compact and lightweight, making it suitable for handheld, Steadicam, crane, drone, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with advanced VFX, virtual production, and post-production pipelines. Features – Aizu Prime 40mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Natural cinematic 40mm perspective • Organic rendering with modern sharpness • Excellent low-light performance • Cinematic shallow depth of field • Smooth highlight roll-off characteristics • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 40mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Compatible with professional cine accessories • Designed for large-format cinema cameras • Optimized for 6K–8K production workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb

Cinematic Large Format Prime The Aizu Prime 35mm T1.3 LF represents one of the most essential focal lengths within Sigma’s Aizu Prime cinema lineup, delivering a classic cinematic field of view combined with the extraordinary brightness and rendering consistency of the series. As part of the world’s first lineup of large-format cinema lenses with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for high-end filmmaking. The 35mm focal length has long been considered a foundational cinematic perspective, offering a natural balance between environmental context and subject intimacy. This makes the lens exceptionally versatile across narrative filmmaking, commercials, music videos, handheld cinematography, and documentary production. Optically, the Aizu Prime 35mm T1.3 LF combines modern high-resolution imaging performance with an intentionally organic cinematic character. Images maintain exceptional clarity while preserving soft tonal transitions, natural skin rendering, and refined highlight behavior. The lens avoids the overly clinical rendering often associated with digital cinema optics, instead producing dimensional and emotionally engaging imagery. The ultra-fast T1.3 aperture provides outstanding low-light capability and exceptionally shallow depth of field, allowing cinematographers to isolate subjects with cinematic precision while maintaining smooth and natural focus falloff. Focus breathing and distortion are carefully minimized to maintain composition integrity during focus transitions and camera movement. Mechanically, the lens features a professional cine-standard housing with robust metal construction, standardized gear placement, and a long 270° focus rotation for highly precise manual focus operation. The compact form factor allows seamless integration into handheld, Steadicam, crane, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX production, post-production tracking, and virtual production environments. Features – Aizu Prime 35mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 35mm perspective • Organic rendering with modern resolution • Exceptional low-light capability • Cinematic shallow depth of field • Controlled focus breathing • Reduced geometric distortion • Smooth cinematic bokeh • Natural skin tone rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 35mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Cine-standard mechanical design • Compatible with professional cinema accessories • Designed for full-frame cinema cameras • Optimized for 6K–8K capture systems Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for handheld and gimbal workflows • Standardized dimensions across the Aizu Prime lineup

Balanced Cinematic Full Frame Prime The Aizu Prime 32mm T1.3 LF is designed as one of the most versatile focal lengths within Sigma’s Aizu Prime lineup, combining a natural cinematic perspective with the series’ signature ultra-fast T1.3 aperture and large-format coverage. As part of the world’s first full large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production. The 32mm focal length provides an exceptionally balanced angle of view that closely matches natural human perception while still offering cinematic spatial separation and depth. This makes the lens highly effective for narrative filmmaking, handheld cinematography, commercials, documentary work, and dialogue-heavy productions. Optically, the lens combines modern cinema sharpness with an organic and naturally soft rendering profile. Images maintain high resolution and refined detail while avoiding harsh digital characteristics. The result is a cinematic image with dimensionality, smooth tonal transitions, and elegant falloff behavior. The constant T1.3 aperture enables filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light performance. Subject isolation appears highly cinematic while focus transitions remain smooth and visually natural. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to maintain visual consistency during focus pulls and dynamic camera movement. Mechanically, the lens features a robust all-metal cine housing with standardized gear positions, long focus throw, and consistent front dimensions for seamless integration into professional cinema workflows. Despite its large-format coverage and high-speed optical design, the lens remains lightweight enough for modern gimbal, Steadicam, and handheld operation. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX-heavy productions and virtual production environments. Features – Aizu Prime 32mm T1.3 LF • Constant T1.3 aperture across the lineup • Large-format full-frame coverage • Natural cinematic perspective rendering • Organic image character with modern sharpness • Exceptional low-light performance • Cinematic shallow depth of field • Smooth focus transition rendering • Controlled focus breathing • Minimal distortion characteristics • 46.3mm image circle • Compact lightweight cine design • Standardized cine mechanics • Long 270° focus rotation • Full metal housing construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for handheld and gimbal workflows • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 32mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens construction optimized for cinema use • Compatible with professional cine accessories • Designed for large-format camera systems • Optimized for 6K–8K workflows Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for modern production rigs • Standardized dimensions across the Aizu Prime lineup

Natural Perspective Large Format Cine Lens The Aizu Prime 27mm T1.3 LF expands Sigma’s next-generation large-format cinema lineup with a focal length designed to deliver an exceptionally natural and immersive cinematic perspective. As part of the Aizu Prime series, the lens maintains the lineup’s defining characteristic: a constant T1.3 aperture across all focal lengths, establishing a new benchmark for professional cinema production. The 27mm focal length occupies a unique position within the cinema ecosystem, offering a slightly more natural field of view than a traditional 25mm while maintaining strong environmental context and cinematic spatial depth. This makes the lens highly versatile for handheld cinematography, dialogue scenes, moving camera shots, and immersive commercial work. Optically, the lens combines modern high-resolution sharpness with an intentionally organic rendering profile. Images maintain exceptional detail while avoiding the overly clinical appearance often associated with digital cinema optics. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain a refined cinematic softness. The extremely bright T1.3 aperture enables outstanding low-light capability while producing exceptionally shallow depth of field and powerful subject isolation. Focus breathing and distortion are carefully minimized to preserve compositional integrity during focus pulls and dynamic camera movement. Mechanically, the Aizu Prime 27mm T1.3 LF features a robust all-metal housing engineered for professional production environments. The lens incorporates standardized cine gear placement, a 270° focus throw, and consistent front dimensions to ensure compatibility with professional cinema rigs and accessories. Despite its advanced optical performance and large-format image coverage, the lens remains compact and lightweight, supporting modern handheld and gimbal workflows without compromise. Advanced metadata integration through Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with modern VFX and virtual production pipelines. Features – Aizu Prime 27mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame and large-format coverage • Natural cinematic field of view • Organic rendering with modern sharpness • Exceptional low-light performance • Controlled cinematic contrast • Minimal focus breathing • Reduced geometric distortion • Smooth highlight transition rendering • 46.3mm image circle • Long 270° focus rotation • Standardized cine mechanics • Compact lightweight construction • Full metal professional housing • Cooke /i compatible • Supports ZEISS eXtended Data • Optimized for handheld and gimbal use • Designed for high-end cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 27mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.33m / 1'1" • Maximum magnification ratio: 1:6.9 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Designed for large-format cinema production • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125.4mm / 5" • Length (Sony E-Mount): 159.4mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.8lb

Ultra Fast Large Format Cinema Precision The Aizu Prime 25mm T1.3 LF is part of Sigma’s groundbreaking Aizu Prime series, the world’s first lineup of large-format cinema lenses to achieve a constant T1.3 aperture across all focal lengths. Designed specifically for professional cinema production, the lens combines exceptional brightness, modern optical precision, and an organic cinematic rendering optimized for high-end digital filmmaking workflows. Featuring a large image circle of 46.3mm, the Aizu Prime 25mm T1.3 LF fully supports large-format and full-frame cinema cameras while maintaining excellent edge-to-edge consistency. The focal length delivers a highly versatile wide-angle perspective ideal for narrative filmmaking, commercials, documentaries, music videos, and immersive cinematic environments. The extremely fast T1.3 aperture allows filmmakers to create exceptionally shallow depth of field while maintaining natural dimensionality and smooth subject separation. The lens delivers refined bokeh characteristics and cinematic highlight rendering without sacrificing overall sharpness or image fidelity. Sigma engineered the optical system specifically for motion picture production, minimizing distortion and focus breathing to ensure visual consistency during complex camera movement and focus transitions. Mechanically, the lens follows a professional cine-standard design philosophy with robust all-metal construction, precise focus resistance, and long-throw focus rotation for accurate manual operation. Standardized gear positioning and a uniform front diameter allow seamless integration into professional cinema rigs, follow focus systems, matte boxes, and remote production environments. Despite its extremely bright aperture and large-format coverage, the lens remains remarkably compact and lightweight, supporting handheld, Steadicam, gimbal, crane, and drone workflows. The lens also supports Cooke /i Technology and ZEISS eXtended Data for advanced metadata workflows in VFX and virtual production environments. Features – Aizu Prime 25mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame cinema coverage • 46.3mm image circle • Designed exclusively for cinema applications • Organic cinematic rendering characteristics • Modern sharpness with natural softness • Controlled focus breathing • Minimal geometric distortion • Smooth cinematic bokeh rendering • Excellent low-light performance • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight housing design • Full metal cine construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for 6K–8K cinema workflows • High durability for professional production use Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 25mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.31m / 1'0" • Maximum magnification ratio: 1:6.5 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Optimized for large-format cinema cameras • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125mm / 5" • Length (Sony E-Mount): 159mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.7lb

Compact Essential Cinema Kit The Sigma Two Prime Cine Lens Set with Case is a compact full-frame cinema lens kit designed for minimal but highly efficient production workflows. It is engineered for cinematographers who require a lightweight, fast-deployable system without compromising optical consistency, mechanical robustness, or cinematic rendering quality. The set combines two complementary focal lengths that cover essential storytelling perspectives from wide establishing shots to natural medium framing. The configuration is optimized for fast-paced productions such as documentaries, branded content, commercials, and run-and-gun narrative filmmaking. The Sigma Two Prime Cine Lens Set includes the Sigma 14mm T3.2 FF Classic Art Prime Lens and the Sigma 135mm T2 FF Classic Art Prime Lens. This combination creates an extremely wide focal separation, enabling both extreme perspective capture and strong telephoto compression within a minimal kit footprint. Optically, both lenses are designed for full-frame sensors and deliver high resolving power suitable for modern 6K–8K cinema workflows. The rendering is characterized by controlled contrast, natural color reproduction, and a cinematic falloff that integrates well into both digital and high-end grading pipelines. Mechanically, the lenses follow a unified cine-standard design philosophy with consistent gear placement, robust all-metal housing, and standardized 0.8 MOD gearing. This ensures compatibility with professional follow focus systems, matte boxes, and rigging setups without reconfiguration between lenses. The included custom-fitted transport case ensures maximum protection and workflow efficiency in rental, production, and travel environments. Focal Length Coverage • Sigma 14mm T3.2 FF Classic Art Prime Lens • Sigma 135mm T2 FF Classic Art Prime Lens Features – Sigma Two Prime Cine Lens Set • Two-lens full-frame cine prime system • Extreme focal range coverage from ultra wide to telephoto • Compact and lightweight production kit design • High-resolution full-frame optical performance • Optimized for 6K–8K digital cinema workflows • Consistent Sigma Cine color science across both lenses • Standard 0.8 MOD cine gear system • Fully mechanical manual focus operation • Robust full-metal housing construction • Controlled focus breathing characteristics • Cinematic contrast and natural highlight roll-off • Compatible with professional cine accessories • Fast deployment workflow for documentary and commercial use • Rental-ready transport and storage system • Includes custom protective hard case Mounts • PL Mount • Canon EF Mount • Sony E-Mount Technical Specifications • Lens set: 2 prime lenses • Format: Full Frame (36mm image circle class) • Focus type: Manual cine focus • Aperture range: T3.2 – T16 (14mm), T2 – T16 (135mm) • Gear standard: 0.8 MOD cine gearing • Housing: Full metal cine construction • Front diameter: 95mm standard cine front • Color science: Sigma CCI matching system • Breathing: Controlled optical design • Focus rotation: Extended cine focus throw • Mount system: Interchangeable cine mounts (depending on configuration) • Use case: Compact cine production kit, documentary, commercial, run-and-gun Dimensions & Weight • Total kit weight: approx. 3.0–4.5 kg (depending on mount configuration) • Individual lens weight: approx. 1.2–1.6 kg each • Included: Custom hard transport case with inlay system • Case type: Impact-resistant professional cine case

Complete Cinema Prime System The Sigma FF High Speed Primes with Case is a comprehensive full-frame cinema prime system designed for high-end film production, offering extensive focal length coverage for complete narrative flexibility. The set provides a continuous range of focal lengths, enabling cinematographers to maintain visual consistency across wide establishing shots, mid-range dialogue scenes, and tight telephoto close-ups. All lenses in the system are matched for color science, contrast behavior, and mechanical layout, ensuring seamless transitions during production. The optical design supports modern high-resolution cinema workflows, delivering sharp, controlled imagery with cinematic character. The included professional case ensures safe transport and efficient handling in rental and production environments. Focal Length Coverage • Sigma 14mm T2 FF Classic Art Prime Lens • Sigma 20mm T1.5 FF Classic Art Prime Lens • Sigma 24mm T1.5 FF Classic Art Prime Lens • Sigma 35mm T1.5 FF Classic Art Prime Lens • Sigma 50mm T1.5 FF Classic Art Prime Lens • Sigma 85mm T1.5 FF Classic Art Prime Lens • Sigma 135mm T2 FF Classic Art Prime Lens Features – Sigma FF High Speed Primes • Seven-lens full-frame cine prime system • Complete focal length coverage • Matched optical and mechanical design • Consistent Sigma color science • High-resolution 6K–8K support • Controlled cinematic rendering • Standard 0.8 MOD cine gears • Full metal construction across all lenses • Minimal focus breathing • Long focus throw precision system • VFX-ready optical consistency • Production workflow optimized • Rental industry standard kit • Includes professional transport case Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Lens set: 7 prime lenses • Format: Full Frame • Focus type: manual cine • Gear standard: 0.8 MOD • Housing: metal cine construction • Color matching: Sigma CCI standard • Front diameter: 95mm standard • Use case: full production system Dimensions & Weight • Set weight: approx. 12–18 kg • Includes: heavy-duty transport case

Core Narrative Cinema Kit The Sigma Five Prime Cine Lens Set with Case is a core full-frame cine prime system designed for narrative filmmaking and commercial production. It provides a balanced focal length range that covers essential storytelling perspectives from wide-angle to telephoto. The set ensures consistent optical rendering across all lenses, delivering uniform color science, contrast behavior, and mechanical ergonomics. Each lens is optimized for high-resolution digital cinema workflows, supporting modern 6K–8K production standards while maintaining strong cinematic character and controlled optical behavior. The inclusion of a dedicated transport case ensures secure handling, making the set ideal for rental houses and traveling production teams. Focal Length Coverage • Sigma 14mm T3.2 FF Classic Art Prime Lens • Sigma 24mm T1.5 FF Classic Art Prime Lens • Sigma 35mm T1.5 FF Classic Art Prime Lens • Sigma 50mm T1.5 FF Classic Art Prime Lens • Sigma 85mm T1.5 FF Classic Art Prime Lens Features – Sigma Five Prime Cine Lens Set • Five-lens full-frame cine prime system • Essential cinematic focal length coverage • Matched optical rendering across all lenses • Consistent Sigma color science • High-resolution 6K–8K imaging support • Standard 0.8 MOD cine gearing • Full metal professional construction • Controlled focus breathing • Long focus throw for precision control • VFX-compatible optical consistency • Efficient production workflow design • Rental-ready system configuration • Includes professional transport case • Engraved focus and T-stop markings Mounts • PL Mount (depending on configuration) • EF Mount • Sony E-Mount Technical Specifications • Lens set: 5 prime lenses • Format: Full Frame • Focus type: manual cine • Gear standard: 0.8 MOD • Housing: metal cine construction • Color matching: Sigma CCI standard • Breathing: controlled • Front diameter: 95mm standard • Use case: narrative production kit Dimensions & Weight • Set weight: approx. 8–12 kg • Includes: hard transport case

Full Frame Cinematic Prime Set The Sigma Prime Classic PL Mount Set is a curated full-frame cine prime system designed for professional narrative filmmaking and high-end commercial production. It brings together a matched set of focal lengths optimized for consistent cinematic rendering, workflow efficiency, and visual coherence across an entire production. The set is built around Sigma’s Classic Art optical philosophy, delivering an organic image character with reduced contrast, controlled flare behavior, and subtle halation. This creates a more filmic and atmospheric rendering compared to clinical modern cine optics. Each lens in the set is designed to maintain consistent color science, focus behavior, and mechanical layout, ensuring fast lens changes without workflow interruptions. This is particularly valuable in high-pressure production environments such as feature films and large-scale commercials. The PL mount configuration ensures compatibility with industry-standard cinema cameras and accessories, making the set suitable for rental houses, studios, and professional cinematography teams. All lenses feature robust all-metal construction, standardized cine gear positions, and long focus rotation for precise manual control. Focal Length Coverage • Sigma 14mm T3.2 FF Classic Art Prime Lens • Sigma 20mm T2.5 FF Classic Art Prime Lens • Sigma 24mm T2.5 FF Classic Art Prime Lens • Sigma 28mm T2.5 FF Classic Art Prime Lens • Sigma 35mm T2.5 FF Classic Art Prime Lens • Sigma 40mm T25 FF Classic Art Prime Lens • Sigma 50mm T2.5 FF Classic Art Prime Lens • Sigma 65mm T2.5 FF Classic Art Prime Lens • Sigma 85mm T2.5 FF Classic Art Prime Lens • Sigma 105mm T2.5 FF Classic Art Prime Lens • Sigma 135mm T3.2 FF Classic Art Prime Lens Features – Sigma Prime Classic PL Mount Set • Full-frame cine prime lens system • Matched optical character across all lenses • Classic Art organic rendering profile • Reduced contrast cinematic tuning • Enhanced flare and halation behavior • PL mount professional cinema standard • Consistent color science across lineup • Standard 0.8 MOD cine gears • Long precision focus rotation • Full metal durable construction • High-resolution 6K–8K imaging • VFX-friendly optical consistency • Rental and production optimized workflow • Engraved focus and T-stop scales Mounts • PL Mount Technical Specifications • Format: Full Frame • Lens type: Prime set • Focus type: manual cine • Gear standard: 0.8 MOD • Housing: metal cine construction • Color matching: Sigma CCI standard • Optical design: Classic Art tuning • Breathing: controlled across set • Front diameter: 95mm standard • Compatibility: PL cinema systems Dimensions & Weight • Set weight: approx. 10–14 kg (depending on configuration) • Includes: professional transport case

Long Cinematic Tele Lens The Sigma 135mm T3.2 FF Classic Art Prime is a long telephoto full-frame cinema lens designed for extreme compression, maximum subject isolation, and highly controlled cinematic framing. It is used in narrative filmmaking, commercial production, and specialized portrait cinematography where distance and emotional focus are critical. The 135mm focal length produces strong spatial compression, flattening perspective and intensifying background separation for a distinctly cinematic visual signature. The Classic Art optical tuning introduces reduced contrast, enhanced flare behavior, and subtle halation, producing a more atmospheric and filmic image response with a slightly nostalgic character. The T3.2 aperture still provides strong depth-of-field control and low-light capability, while prioritizing optical stability and consistency in long-range compositions. Optically, the lens delivers high resolution, controlled aberrations, and consistent color reproduction across the Sigma Classic Art Prime lineup. Focus breathing is minimized for stable framing during focus pulls. Mechanically, it follows full cine standards with 0.8 MOD gearing, extended focus throw for precision operation, and robust all-metal construction designed for professional production environments. Features – Sigma 135mm T3.2 FF Classic Art Prime • Full-frame long telephoto cinematic prime • Classic Art organic rendering profile • Reduced contrast optical tuning • Enhanced flare and halation • T3.2 fast aperture • Extreme cinematic compression • Strong subject isolation • High-resolution full-frame imaging • Smooth bokeh rendering • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • VFX-compatible optical design • Engraved precision focus scales Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 135mm • Maximum aperture: T3.2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 1.2 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Image circle: full-frame optimized Dimensions & Weight • Length: approx. 130–160 mm • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm