Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
Expand Your Creative Field of View The Angenieux WA 0.75 Wide Angle Adapter is designed specifically for Optimo Prime lenses (Optimo Prime 18mm and 21mm only), providing cinematographers and filmmakers with a simple yet powerful way to expand their creative possibilities. By reducing the focal length by a factor of 0.75, the adapter widens the field of view without any loss of T-stop, ensuring consistent exposure while capturing more immersive shots. When mounted on Optimo Prime 18mm and 21mm lenses, the WA 0.75 Adapter transforms the 18mm into a 13.5mm and the 21mm into a 15.7mm, allowing filmmakers to explore new perspectives and elegant distortion effects. Its optical design preserves image sharpness from 2m (6’6”) to infinity, maintaining Angenieux’s renowned cinematic quality while adding a subtle creative twist. Engineered with high-quality optical glass, the adapter weighs only 450g, making it easy to integrate into professional workflows without adding unnecessary bulk. The WA 0.75 Adapter opens a new world of visual storytelling, enabling directors of photography to push the boundaries of composition, create dramatic wide-angle shots, and experiment with creative distortion effects, all while keeping focus and exposure consistent. For any production using Optimo Prime lenses, the Angenieux WA 0.75 Adapter becomes an indispensable accessory for achieving wider shots and distinctive cinematic visuals. Its lightweight, durable construction and precise optical design make it a reliable choice for on-set and location shooting alike. Features – Angenieux WA 0.75 Adapter Technical Specifications For Optimo Prime 18mm & 21mm Expands field of view by 0.75x factor No T-stop loss for consistent exposure Transforms 18mm into 13.5mm Transforms 21mm into 15.7mm Elegant wide-angle distortion effects Sharp image from 2m (6’6”) to infinity Lightweight, only 450g High-quality Angenieux optical glass Enhances creative composition possibilities Ratio: 0.75x Minimum Object Distance (MOD): 0.46m / 1’6” Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with included adaptor ring) Weight: 1 lb / 450g Maintains original T-stop Compatible with Optimo Prime 18mm Compatible with Optimo Prime 21mm Sharpness guaranteed from 2m to infinity Designed for professional cinema applications Dimensions & Weight Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with adaptor) Weight: 1 lb / 450g @media (max-width: 800px) { table, thead, tbody, th, td, tr { display: block; width: 100%; } th { font-weight: bold; } }
Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame • Mount: PL mount (standard) or LPL mount (optional) • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2 MARRIAGE BETWEEN CAMERA and FREELENSING CINE® Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc) WHAT MOVEMENTS DOES FREELENSING CINE® OFFER? Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements
The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet
Leitz Cine has introduced a new LPL Mount for the Sony VENICE Extension System Mini. In combination with the Leitz LPL to PL Adapter, this mount provides rental houses and productions with a solution that eliminates the need to change mounts when using professional cine lenses. Designed to accommodate all LPL and PL lenses, including rehoused vintage rangefinder lenses and lenses with rear filters, this mount ensures seamless integration without the need for frequent mount changes. Whether working with native LPL lenses or PL-mount lenses via the Leitz LPL to PL Adapter, this system delivers maximum compatibility, stability, and efficiency for high-end productions.Unlike the LPL mounts designed for VENICE/BURANO, this mount features a unique system that attaches directly to the Sony VENICE Extension System Mini with four screws, providing a rigid and stable connection while protecting the underlying E mount. The LPL to PL Adapter securely locks into the LPL mount, ensuring rock-solid support for PL-mount lenses. Both the mount and adapter incorporate metadata contacts, allowing seamless transfer of /i lens metadata to the camera for accurate focus, iris, and zoom data.Built from high-grade aluminum with a stainless steel mount, the Leitz LPL Mount for Sony VENICE Extension System Mini is engineered for durability and long-term use. By offering a complete, versatile mounting solution, Leitz eliminates the need to swap mounts between productions, making it an essential tool for filmmakers and rental houses seeking efficiency and reliability in every shoot.Features of Leitz LPL Mount for Sony VENICE Extension System MiniUniversal Lens Compatibility – Supports all LPL lenses, including vintage rangefinders and lenses with rear filters.LPL to PL Adapter – Provides secure and stable support for PL-mount lenses without the need for frequent mount changes.Direct Attachment – Mounts directly to the Sony VENICE Extension System Mini with four screws, ensuring stability and protecting the E mount.Metadata Integration – Features /i contacts for seamless lens metadata transfer to the camera.High-Quality Construction – Made from high-grade aluminum with a stainless steel lens mount for durability and longevity.Rigid and Reliable Design – Engineered to handle larger cine lenses with a secure and stable connection.Effortless Workflow – Eliminates the need to switch mounts between productions, saving time and reducing wear on equipment.Technical SpecificationsMaterial: High-grade aluminum with stainless steel mountCompatibility: All LPL lenses, PL lenses via adapterMount Type: Direct attachment with four screwsMetadata Support: /i lens metadata pass-throughAdapter: Integrated LPL to PL AdapterDesign: Engineered for rigid, stable lens support
The Tiffen Magnetic Control System (MCS) revolutionizes the way you attach filters to your lenses. This innovative system uses magnetic force to quickly and securely connect Tiffen filters to your lens, eliminating the hassle of traditional screw-on filters. The MCS system consists of a magnetic adapter ring that attaches to your lens's filter threads and MCS filters with integrated magnets. This allows for instant filter changes, saving valuable time on set or in the field. The strong magnetic connection ensures a secure and reliable hold, even in demanding shooting situations. The MCS system is designed for speed and convenience. Simply screw the magnetic adapter ring onto your lens once, and then you can effortlessly attach and detach any MCS filter. This is especially beneficial when using multiple filters or when needing to quickly switch between different filter effects. The MCS system is compatible with a wide range of Tiffen filters, including ND, Polarizing, Color, and Diffusion filters, offering a complete filter solution for various creative needs. Each MCS filter comes with front and rear magnetic protective caps to ensure safe storage and transport. The Tiffen MCS system not only offers speed and convenience but also maintains the high optical quality that Tiffen filters are known for. The filters are manufactured using Tiffen’s renowned ColorCore™ technology, where the filter material is laminated between two pieces of optical glass and then ground and polished to precise tolerances. This ensures exceptional image quality and color fidelity. The MCS system is available in common filter sizes (58mm, 77mm, and 82mm) and is compatible with other sizes using step-up rings, allowing for use with a wide range of lenses. Features of the Tiffen Magnetic Control System (MCS) Fast and secure magnetic filter attachment. Eliminates the need for threading filters. Compatible with a wide range of Tiffen filters (ND, Polarizing, Color, Diffusion). Strong magnetic connection for reliable hold. Quick filter changes for increased efficiency. Maintains high optical quality with ColorCore™ technology. Available in 58mm, 77mm, and 82mm sizes; compatible with other sizes via step-up rings. Technical Specifications System Type: Magnetic Filter Mounting System Attachment Method: Magnetic Filter Sizes: 58mm, 77mm, 82mm Compatibility: Tiffen MCS Filters Adapter Material: Metal Dimensions & Weights Adapter Ring Dimensions: (Please insert dimensions for each size) Filter Dimensions: (Please insert dimensions for each size) Adapter Ring Weight: (Please insert weight for each size) Filter Weight: (Please insert weight for each size) In the Box MCS Magnetic Adapter Ring (Specific size) MCS Filter (Specific type and size) Front and Rear Magnetic Protective Caps
The TrueND Clear 0.0 filter is an indispensable tool for professional cinematographers and photographers seeking the ultimate in lens protection without sacrificing image quality. Unlike Neutral Density (ND) filters designed to reduce light transmission, the Clear 0.0 is entirely transparent, acting as a protective barrier against dust, scratches, moisture, and accidental impacts. This preserves the pristine condition of your valuable lenses, maintaining their performance and resale value. While UV filters offer some protection, the TrueND Clear 0.0 prioritizes optical purity above all else, making it the ideal choice for demanding cinema applications where image integrity is paramount. Manufactured to the same exacting standards as TrueND's renowned ND filters, the Clear 0.0 boasts exceptional optical clarity and neutrality. This means it will not introduce any unwanted color cast, distortion, or vignetting to your images. TrueND's philosophy centers around simplicity and purity of image; therefore, the Clear 0.0 utilizes a minimal coating approach on high-quality optical glass. This deliberate design choice maximizes light transmission, minimizes reflections and flare, and ensures that your lens's inherent optical characteristics are preserved. This stands in contrast to multi-coated UV filters, which can sometimes introduce unwanted artifacts. Investing in the TrueND Clear 0.0 filter is an investment in the long-term health and performance of your lenses. It provides peace of mind during storage, transport, and demanding shooting conditions. For cinematographers and photographers who demand the best and refuse to compromise on image quality, the TrueND Clear 0.0 is the essential protective tool. Features of the TrueND Clear 0.0 Filter Provides robust physical protection against dust, scratches, moisture, and impacts. Completely transparent with no impact on image quality, color, or sharpness. Manufactured with the same high-quality optical glass as TrueND ND filters. Minimalist coating design maximizes light transmission and minimizes reflections and flare. Maintains lens's original optical performance. Specifically designed for professional cinema applications. Technical Specifications Filter Type: Clear Protection Filter ND Value: 0.0 (No light reduction) Material: High-Quality Optical Glass Coating: Minimalist single-layer coating Available Sizes: 4x5.65", 6.6x6.6" (Please confirm if other sizes are available) Dimensions & Weights 4x5.65" 6.6x6.6" In the Box TrueND Clear 0.0 Filter Protective Filter Pouch/Case
The Flowcine xMOUNT is a highly versatile, professional-grade accessory designed to securely mount your camera or gimbal system on vehicles, dollies, or rigs. This innovative mounting solution is built for filmmakers who demand stability, flexibility, and ease of use during dynamic shooting environments. Whether you're filming high-speed car chases or need precise camera positioning on complex setups, the xMOUNT ensures your gear remains stable and safe even under challenging conditions.Made from durable materials, the Flowcine xMOUNT features a robust suction cup system that provides exceptional grip on smooth surfaces like cars, windows, or any glass structure. It is specifically engineered to reduce vibrations and deliver smooth, stable footage, regardless of the terrain. With adjustable mounting arms, the xMOUNT allows for multiple configurations, giving filmmakers the creative freedom to achieve any angle or camera position without compromising safety or stability.With the Flowcine xMOUNT, filmmakers have a reliable, professional solution that can withstand the rigors of demanding shoots. It is compatible with various gimbal systems and cameras, making it an indispensable tool for both independent and professional filmmakers seeking enhanced control over their camera setup.Features Flowcine xMOUNTVersatile mounting system for vehicles, dollies, and rigsStrong suction cup with superior grip on smooth surfacesReduces vibrations for stable footage in dynamic environmentsAdjustable mounting arms for customizable configurationsCompatible with a variety of gimbals and camera systemsBuilt with high-quality, durable materials for professional useSimple installation process for fast setups on setIdeal for high-speed or complex camera movementsTechnical SpecificationsMaximum load capacity: 15 kgAdjustable mounting angles: 360 degreesSuction cup diameter: 15 cmMaterial: High-grade aluminum and stainless steelVibration damping technology for stable footageCompatible with most camera and gimbal systemsQuick-release mechanism for easy camera detachmentDimensions and WeightWeight: 2.5 kgDimensions: 40 cm x 25 cm x 20 cmPackage Contents1x Flowcine xMOUNT2x Adjustable mounting arms1x Suction cup system1x Quick-release mechanism1x Instruction manual
The Canon Mount Adapter PL-RF is an essential accessory for filmmakers and photographers seeking to expand their creative possibilities. This innovative adapter allows users to attach PL-mount lenses to Canon’s RF-mount cameras, facilitating the use of high-quality cinema lenses in a compact and versatile setup. Designed for optimal performance, the PL-RF ensures excellent image quality, maintaining the integrity of the lens’s optical characteristics. With robust construction, the adapter is built to withstand the rigors of professional use while providing a seamless interface for quick lens changes. The user-friendly design allows for easy mounting and dismounting, ensuring that creators can focus on capturing stunning visuals without technical hindrances. Whether shooting in a studio or on location, the Canon Mount Adapter PL-RF enhances the versatility of RF-mount cameras, making it a vital tool for any serious filmmaker. Features Compatible with PL-mount lenses Seamless integration with Canon RF-mount cameras Robust and durable construction User-friendly design for quick lens changes Maintains optical performance and image quality Compact and lightweight for easy portability Ideal for both studio and on-location shooting Supports electronic communication between lens and camera Technical Specifications Mount Type: PL mount to RF mount Construction: Metal and high-quality plastics Compatibility: Canon RF-mount cameras Lens Support: Supports full-frame and APS-C lenses Communication: Electronic contacts for lens communication Focus Type: Manual focus only Dimensions, Weights Dimensions: 75 x 70 x 25 mm Weight: 300 g Included Items Canon Mount Adapter PL-RF User manual Warranty card
Precision Machined for Maximum Agility The Gecko Cam LPL Mount for Sony Venice Extension System Mini is engineered for professionals seeking uncompromising lens performance in a compact and agile package. Designed specifically for the Venice Extension System Mini, this mount delivers rock solid lens support without adding unnecessary bulk, making it ideal for gimbal work, handheld shoots, or tight rig setups. Whether on location or in the studio, it offers a seamless integration into demanding production environments. Featherlight Build Professional Strength Crafted with a titanium LPL flange and locking ring, the mount combines superior material strength with extremely low weight. This ensures a secure lens connection while minimizing stress on the camera system. The build quality speaks to Gecko Cam’s reputation for high end engineering, offering long term durability even in the most demanding filming conditions. Maximum Compatibility Zero Compromises This mount supports the full range of LPL lenses and includes full lens data transmission, enabling accurate metadata capture for post production workflows. Its versatile design ensures smooth compatibility with diverse lens brands and shooting configurations. Whether you're operating with high end primes or specialty optics, this mount handles them all with precision and ease. Features – Gecko Cam LPL Mount for Sony Venice Extension System Mini Ultra lightweight design ideal for gimbal and handheld setups Titanium LPL flange and locking ring for ultimate durability Seamless integration with Sony Venice Extension System Mini Full LPL lens data connection support Rock solid mount stability for professional grade performance Quick and easy lens changes with intuitive handling Broad lens compatibility across LPL systems Designed and precision engineered in Germany Technical Specifications Mount type: LPL Large Positive Lock Material: Titanium flange and locking ring Compatibility: Sony Venice Extension System Mini Lens communication: Full support for LPL lens metadata Mechanical interface: Precision CNC machined components Mounting stability: Zero play lock system Weight tolerance: Optimized for lightweight rig setups Build standard: Gecko Cam professional engineering quality Dimensions and Weight Diameter outer: 85 mm Depth: 26 mm Flange depth: LPL standard Material composition: Titanium alloy and high grade aluminum Designed for balanced camera setups and weight sensitive rigs
Wooden Camera - ARRI LPL Mount v2 for Sony VENICE, VENICE 2, BURANO Cameras The ARRI LPL Mount for Sony VENICE, VENICE 2, and BURANO allows seamless integration of ARRI Signature Lenses with Sony’s high-end cinema cameras, enabling direct lens pogo connections for full metadata pass-through. This premium mount transmits internal /i lens data from smart lenses or translated external lens data from remote focus motor drivers directly to the camera.For external data transmission, simply connect the LDT-R2 or LDT-V2 from DCS to record real-time lens values directly into the metadata headers of the camera footage, making any lens a smart lens. The mount features high-precision manufacturing and accurate flareage, with flocked aluminum construction to minimize unwanted reflections and flare artifacts. It is factory-calibrated to industry standards and includes a shimmable design for fine-tuning flange depth. By removing the six socket head screws around the collar, users can separate the flange from the mount and insert color-coded shims of various thicknesses: Silver – 0.0127mm (0.0005”) Amber – 0.0254mm (0.001”) Purple – 0.0381mm (0.0015”) Red – 0.0508mm (0.002”) Green – 0.0762mm (0.003”) Tan – 0.1016mm (0.004”) Blue – 0.127mm (0.005”) Back focus adjustment should be verified using collimation tools.For added versatility, the ARRI LPL to PL Adapter is fully compatible, allowing users to quickly switch from standard PL lenses to LPL lenses while maintaining full data pass-through.The included LPL port cap protects the camera sensor when no lens is mounted, ensuring optimal performance in any shooting environment.Works with:* ARRI LPL Lenses with Impression Filters* ARRI LPL to PL Adapter* Leitz Hugo Lenses* LDT systems from DCSSpecificationsWeight: 316gDimensions: 11,3 x 12,6 x 4,7 cm
The Single 8″ Rudy Arm from Upgrade Innovations is a versatile and robust mounting solution designed for professional filmmakers and camera operators. This arm offers secure and adaptable mounting options for monitors, recorders, lights, and other accessories, enhancing workflow efficiency on set. Featuring industry-standard Arri 3/8″, Arri 1/4″, and SmallHD 1/4″ pin-loc mounting options, the Rudy Arm provides broad compatibility with a wide range of equipment. Its intelligent design and high-quality construction make it a reliable tool for demanding productions. With two independent locking pivot points, the 8″ Rudy Arm allows for precise positioning and secure locking of mounted accessories. The 8″ length 15mm rod provides ample reach and flexibility, while the included Arri and SmallHD pin-loc 15mm mounting spuds ensure a solid and stable connection. The ability to pair the Arri 3/8″ pin-loc spud with Arri patterned Wedgie2 and LNKCINE accessories further expands mounting possibilities and enables quick release setups. The arm's unique O-ring design allows for easy addition or removal of arm sections, providing customizable length and configuration. Constructed from premium 6061 aircraft aluminum with Mil-Spec anodizing and stainless steel hardware, the Single 8″ Rudy Arm is built for durability and long-lasting performance. Supporting up to 9kg/20lbs, it can handle a wide range of professional accessories. The arm’s modular design, combined with its strong construction, makes it an essential tool for any camera rig. Manufactured in Canada and NAFTA/CETA qualified, the Rudy Arm represents a commitment to quality and craftsmanship. Features of the Upgrade Innovations Single 8″ Rudy Arm Industry-standard Arri 3/8″, Arri 1/4″, and SmallHD 1/4″ pin-loc mounting options Two independent locking pivot points for precise positioning 8″ length 15mm rod for ample reach Includes Arri and SmallHD pin-loc 15mm mounting spuds Compatible with Arri patterned Wedgie2 and LNKCINE for quick release mounting Unique O-ring design for customizable arm length and configuration Supports up to 9kg/20lbs Technical Specifications Total Reach: 25cm / 10″ Rod Length: 8″ Mounting Options: Arri 3/8″ pin-loc, Arri 1/4″ pin-loc, SmallHD 1/4″ pin-loc Material: 6061 aircraft aluminum Finish: Mil-Spec anodizing Hardware: Stainless steel Weight Capacity: 9kg / 20lbs Dimensions and Weight Weight: 0.3kg / 0.66 lbs In the Box 1x 15mm 3/8 Threaded Rod – 8″ Length 1x 15mm Pivot Clamp Ball-Loc with Adjustable Lever 1x 15mm Pivot Clamp Friction-Loc with Adjustable Lever 1x Arri 3/8″ Pin-Loc 15mm Spud – 2.9″ 1x Arri 1/4″ Pin-Loc 15mm Spud – 2.5″ 1x SmallHD 1/4″ Pin-Loc 15mm Spud – 2.5″ O-Ring Kit
Enhance your cinematography with the Tiffen 138mm Split Field Diopter, a versatile tool designed to add dynamic visual effects to your shots. This innovative diopter from the renowned Tiffen Company allows you to simultaneously focus on both near and distant subjects within the same frame. The split design offers the unique capability of having one half of the lens function as a close-up diopter while the other half remains at a normal focus, providing unmatched creative control and depth-of-field manipulation. Key Features: Dual Focus Capability: Enables simultaneous focus on near and far objects, creating unique and captivating compositions. High-Quality Optics: Utilizes Tiffen’s superior optical glass technology to ensure clear, sharp, and distortion-free images. Creative Flexibility: Perfect for achieving dramatic depth-of-field effects and adding a new dimension to your visual storytelling. Durable Construction: Designed to withstand the rigors of professional use, ensuring long-lasting performance. Easy Integration: Fits seamlessly into 138mm filter holders or matte boxes, allowing for quick setup and adjustments on set. Specifications: Size: 138mm diameter Type: Split Field Diopter Material: Premium optical glass Design: Half diopter for close-up, half for normal focus Applications: The Tiffen 138mm Split Field Diopter is an essential tool for cinematographers seeking to push the boundaries of visual creativity. Ideal for narrative filmmaking, documentaries, commercials, and experimental projects, it allows for innovative focus techniques that draw viewers into the story. Whether you’re highlighting intricate details in the foreground while keeping the background in focus or creating surreal, dreamlike effects, this diopter offers unparalleled artistic possibilities. Elevate your filmmaking with the Tiffen 138mm Split Field Diopter and explore the creative potential it brings to your lens kit. With this powerful tool, you can achieve stunning visual effects that enhance your storytelling and captivate your audience. Strength 1 2 3 Formats 15mm 30mm
Unlock new dimensions of creativity with the Tiffen Letterbox Diopter 138mm, a specialized optical accessory designed to deliver unique visual effects in your cinematography. This diopter, engineered by the trusted Tiffen Company, allows filmmakers to focus on a narrow horizontal strip of the image, providing a letterbox effect while the top and bottom portions of the frame remain out of focus. Perfect for creating cinematic looks and adding dramatic emphasis, the Letterbox Diopter 138mm is a versatile tool for both film and digital productions. Key Features: Letterbox Effect: Creates a focused horizontal strip in the center of your frame, ideal for highlighting subjects and creating a cinematic aesthetic. High-Quality Optics: Made with Tiffen’s superior optical glass, ensuring clear and sharp imagery with minimal distortion. Creative Control: Offers filmmakers precise control over focus areas, enhancing the visual storytelling capabilities of any project. Robust Construction: Durable and reliable, built to withstand the demands of professional filmmaking environments. Simple Integration: Easily fits into 138mm filter holders or matte boxes, allowing for quick and efficient use on set. Specifications: Size: 138mm diameter Type: Letterbox Diopter Material: Premium optical glass Focus Area: Narrow horizontal strip Applications: The Tiffen Letterbox Diopter 138mm is perfect for cinematographers and directors looking to add a unique visual touch to their films. Whether you’re emphasizing a character’s face, creating a stylized look for a specific scene, or achieving a vintage letterbox effect, this diopter provides the creative flexibility needed to enhance your storytelling. Suitable for feature films, documentaries, music videos, and experimental projects, it broadens the horizon of what’s possible in visual composition. Experience the creative possibilities with the Tiffen Letterbox Diopter 138mm and elevate your cinematographic work to new heights. This essential tool for your lens kit will help you achieve stunning visual effects that captivate and engage your audience. Strength 1 2 3 Formats 15mm 30mm
Enhance your cinematography with the Tiffen Strip Diopter 138mm, an essential tool for creative professionals seeking to add unique visual effects to their footage. This high-quality diopter, manufactured by the renowned Tiffen Company, offers exceptional clarity and precision, allowing you to focus on a narrow horizontal or vertical strip of the image while the rest remains out of focus. Ideal for achieving selective focus and creating dramatic depth-of-field effects, the Strip Diopter 138mm is perfect for both film and digital cinematography. Key Features: Selective Focus: Isolate a specific area of your frame with precision, bringing attention to key elements within your shot. High-Quality Optics: Crafted with Tiffen’s superior optical technology, ensuring sharp and clear images without distortion. Versatile Application: Suitable for a wide range of creative effects in both professional and experimental filmmaking. Durable Construction: Built to withstand rigorous shooting environments, providing reliable performance in various conditions. Easy to Use: Designed for effortless attachment to 138mm filter holders or matte boxes, facilitating quick setup and adjustments on set. Specifications: Size: 138mm diameter Type: Strip Diopter Material: High-grade optical glass Focus Area: Narrow horizontal or vertical strip Applications: The Tiffen Strip Diopter 138mm is an indispensable tool for cinematographers looking to achieve striking visual effects. Whether you are highlighting a character’s eyes, creating a surreal atmosphere, or directing the viewer’s attention to a particular part of the frame, this diopter delivers unparalleled creative control. Ideal for narrative films, music videos, commercials, and experimental projects, it opens up new possibilities for visual storytelling. Elevate your filmmaking with the Tiffen Strip Diopter 138mm and explore the endless creative potential it brings to your lens kit. Experience the difference in every shot and let your imagination run wild with this exceptional optical tool. Strength 1 2 3 Formats 15mm 30mm
Unlock the intricate details of your subjects with the Tiffen Full Field Close-Up Diopters 138mm. These high-quality diopters, crafted by the trusted Tiffen Company, are designed to magnify your subject and allow for closer focusing distances, making them an essential tool for photographers and cinematographers who specialize in macro or close-up work. Ideal for capturing fine details and small objects with clarity and precision, these diopters provide exceptional image quality and versatility. Key Features: Magnification: Increases the size of your subject in the frame, allowing for detailed close-up shots without compromising image quality. High-Quality Optics: Made from Tiffen’s superior optical glass, ensuring clear, sharp, and distortion-free images. Versatile Use: Perfect for macro photography, product shots, nature photography, and any scenario where you need to focus closely on small subjects. Durable Construction: Built to withstand the demands of professional use, ensuring long-lasting performance. Easy Integration: Compatible with 138mm filter holders or matte boxes, allowing for seamless attachment and quick adjustments on set. Specifications: Size: 138mm diameter Type: Full Field Close-Up Diopter Material: Premium optical glass Diopter Strengths: Available in various strengths (e.g., +1, +2, +3) to provide different levels of magnification Applications: The Tiffen Full Field Close-Up Diopters 138mm are indispensable for photographers and filmmakers who need to capture small subjects with high detail. Whether you’re shooting intricate jewelry, delicate flowers, tiny insects, or detailed product shots, these diopters allow you to get closer to your subject and reveal its fine details. Ideal for use in both studio and outdoor settings, they provide the flexibility and quality needed for professional macro work. Enhance your macro photography and cinematography with the Tiffen Full Field Close-Up Diopters 138mm. Experience the superior image quality and magnification that these diopters offer, and bring your subjects to life with stunning detail and clarity. Strength 1.8 1.4 1.2 1 2 3
Enhance the quality of your images with the Tiffen Ultra Circular Polarizing Filter 4 x 5.6. Crafted by the renowned Tiffen Company, this high-performance filter is designed to reduce reflections and glare while enhancing color saturation and contrast. Ideal for professional photographers and cinematographers, the Tiffen Ultra Circular Polarizing Filter ensures superior image clarity and vibrant visuals in a variety of shooting conditions. Key Features: Advanced Polarization: Effectively reduces reflections and glare from non-metallic surfaces such as water, glass, and foliage, allowing for clearer, more vibrant images. Enhanced Color and Contrast: Intensifies color saturation and contrast, making skies appear bluer and foliage richer, providing greater overall image depth and clarity. High-Quality Optics: Constructed with Tiffen’s premium optical glass, ensuring exceptional sharpness, color fidelity, and minimal distortion. Circular Polarization: Suitable for use with autofocus and metering systems, ensuring accurate exposure and focus readings. Durable Construction: Built to withstand the rigors of professional use, offering long-lasting durability and consistent performance. Versatile Application: Perfect for a wide range of photographic and cinematographic scenarios, from landscapes and cityscapes to studio shoots and portraiture. Specifications: Size: 4 x 5.6 inches Type: Ultra Circular Polarizer Material: Premium optical glass Frame: Sturdy construction for easy handling and integration with matte boxes Applications: The Tiffen Ultra Circular Polarizing Filter 4 x 5.6 is an essential tool for photographers and filmmakers seeking to achieve the highest quality images. It is particularly useful for outdoor shoots where controlling reflections and glare is critical. This filter is ideal for capturing stunning landscapes, architectural shots, and any scene with reflective elements. By enhancing color and contrast, it helps produce visually striking images that stand out. Maximize your creative potential with the Tiffen Ultra Circular Polarizing Filter 4 x 5.6. Experience the superior polarization and image enhancement this filter offers, and bring your artistic vision to life with clarity and precision. Whether capturing the vibrant hues of a sunset, the intricate details of architecture, or the lushness of a forest, this filter ensures your images are crisp, clear, and captivating.
Elevate your photography and cinematography with the Tiffen Ultra Linear Polarizer Filter 4 x 5.6. Engineered by the trusted Tiffen Company, this high-performance filter is designed to reduce reflections and glare while enhancing color saturation and contrast. Ideal for both professional photographers and filmmakers, the Tiffen Ultra Linear Polarizer is a versatile tool that ensures superior image quality in various shooting conditions. Key Features: Superior Polarization: Effectively minimizes reflections and glare from non-metallic surfaces such as water, glass, and foliage, allowing for clearer, more vibrant images. Enhanced Color and Contrast: Boosts color saturation and contrast, making skies appear bluer and foliage richer, and providing greater overall image depth and clarity. High-Quality Optics: Constructed with Tiffen’s premium optical glass, ensuring exceptional sharpness, color fidelity, and minimal distortion. Durable and Reliable: Built to meet the demands of professional use, offering long-lasting durability and consistent performance. Versatile Application: Suitable for a wide range of photographic and cinematographic scenarios, from landscapes and cityscapes to studio shoots. Specifications: Size: 4 x 5.6 inches Type: Ultra Linear Polarizer Material: Premium optical glass Frame: Sturdy construction for easy handling and integration with matte boxes Applications: The Tiffen Ultra Linear Polarizer Filter 4 x 5.6 is an indispensable tool for photographers and filmmakers looking to achieve the highest quality images. It is especially useful for outdoor shoots where controlling reflections and glare is crucial. This filter is ideal for capturing stunning landscapes, architectural shots, and any scene with reflective elements. By enhancing color and contrast, it helps to produce visually striking images that stand out. Maximize your creative potential with the Tiffen Ultra Linear Polarizer Filter 4 x 5.6. Experience the superior polarization and image enhancement that this filter offers, and bring your artistic vision to life with clarity and precision. Whether you are capturing the vibrant hues of a sunset, the intricate details of architecture, or the lushness of a forest, this filter ensures your images are crisp, clear, and captivating.
Our 4 x 5.65" Combination IRND Glimmerglass Polarizer Camera Filter is a four-in-one combination filter. This filter provides color and contrast enhancement and removes unwanted glare from reflections while adding a subtle glow of Glimmerglass diffusion effect. The combination provides cinematographers with sensitive controlled filtration in exterior environments. Five years ago Tiffen responded to the demand of IR pollution control filters. Now they’re expanding the range by combining the technical benefits of IRNDs with some of our best selling Special Effect Filters. Once again, Tiffen’s ColorCore technology provides filmmakers with the necessary tools to create the world’s greatest images. 4 filters-in-one reducing multiple surfaces and potential reflection from stacked filters Removes unwanted reflections and is ideal for shooting in hot/warm environments Saturates colors providing better contrast without affecting the overall color balance Eliminates ultraviolet rays to remove haze from outdoor shots Maintains the distinct subtle effect of Glimmerglass Designed for digital cameras with CMOS & CCD sensors with heightened response to the Red channel Absorbs pollution in the Far Red (visible) and Near Infrared wavelengths IR absorbing component is proportionate to the ND value Ideal for lightweight 2 stage and clip-on matte boxes with rotating stage Made from water white glass Made in the U.S.A. Density 0.6 1.2
The Tiffen 4 x 5.65" Soft Edge Graduated ND Filter (Horizontal Orientation) is a graduated neutral density filter that helps to specifically darken skies and other bright areas of the image. The filter is densest at the edge and tapers to clear by the middle, with a soft-edged line of transition between the density and clear areas. Neutral density filters do not affect the coloration of the image and the 1.2 density provides a 4 stop reduction in light from entering the lens. This filter is constructed from Water White glass and is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 5.65" / 101.6 x 143.5mm. Note: A horizontal orientation filter’s line of transition runs parallel to the long side of the filter. Soft-edged 1.2 ND graduated filter for darkening skies and other bright areas of the image. Provides a 4 stop reduction in light in selective areas. Neutral density filters do not affect the overall coloration of the image. Water White optical glass for excellent clarity. Density 0.3 0.6 0.9 1.2
The Tiffen 4 x 5.650" Hard Edge Graduated ND Filter Horizontal Orientation is a graduated neutral density filter that helps to specifically darken skies and other bright areas of the image. The filter is densest at the edge and tapers to clear by the middle, with a hard-edged line of transition between the density and clear areas. Neutral density filters do not affect the coloration of the image and the density provides reduction in light from entering the lens. This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 5.65" / 101.6 x 143.5mm. Note: A horizontal orientation filter’s line of transition runs parallel to the long side of the filter. Hard-edged 0.3 ND graduated filter for darkening skies and other bright areas of the image. Provides a 1 stop reduction in light in selective areas. Neutral density filters do not affect the overall coloration of the image. Density 0.3 0.6 0.9 1.2 1.5
Achieve perfect exposure balance and enhance the dynamic range of your shots with the Tiffen Soft Edge Graduated ND Filter (Horizontal Orientation) 4 x 5.65. This professional-grade filter, crafted by the esteemed Tiffen Company, is designed to gradually reduce the amount of light entering the lens in a horizontal orientation, making it ideal for scenarios with bright skies and darker foregrounds. The soft edge transition ensures a smooth blend between the neutral density and clear areas, delivering natural-looking results without harsh lines. Key Features: Soft Edge Graduated ND: Provides a gradual transition from ND to clear, ensuring a seamless blend and natural-looking exposure adjustments. Horizontal Orientation: Specifically designed for landscapes and other wide-format compositions where the horizon line needs balancing. Exposure Control: Allows for controlled reduction of light in specific areas of the frame, perfect for achieving balanced exposures in high-contrast scenes. High-Quality Optics: Made from Tiffen’s premium optical glass, ensuring superior image clarity, color fidelity, and minimal distortion. Durable Construction: Built to withstand the demands of professional use, ensuring reliable performance in various shooting environments. Specifications: Size: 4 x 5.65 inches Type: Soft Edge Graduated ND (Horizontal Orientation) Material: Premium optical glass Density Options: Available in various densities (e.g., ND 0.3, 0.6, 0.9) to suit different lighting conditions and creative needs Applications: The Tiffen Soft Edge Graduated ND Filter (Horizontal Orientation) 4 x 5.65 is an essential tool for photographers and cinematographers aiming to capture balanced and dynamic scenes. It is particularly effective for landscape photography, seascapes, and any wide-format shot where the sky is significantly brighter than the foreground. By reducing the light entering the lens in a controlled manner, this filter helps prevent overexposure in the sky while maintaining detail in the foreground, resulting in well-balanced and visually striking images. Elevate your visual storytelling with the Tiffen Soft Edge Graduated ND Filter (Horizontal Orientation) 4 x 5.65. Experience the enhanced dynamic range and professional-quality results that come with using Tiffen’s trusted optical filters. Perfect for any shooting situation, this filter allows you to achieve the perfect exposure balance effortlessly, bringing your creative vision to life with clarity and precision. Density 0.3 0.6 0.9
The Tiffen 4 x 5.65" Smoque Filter can be applied to simulate the presence of smoke within a frame or scene. It can be used to substitute typical theatrical smoke generators such as smoke cookies, chips, pellets, grenades, or aerosols. This filter can also be used to supplement the use of such smoke generators to help provide a consistent appearance of smoke, particularly if wind or other conditions prevent physical smoke from settling or staying within a frame or scene. The use of physical smoke is associated with the release of solid particles into the air. By lessening or eliminating the release of those particles, a more predictable and comfortable photo or film set can be maintained. The Tiffen 4 x 5.650" Smoque Filter is constructed from optical glass for clarity as well as color fidelity and is compatible with filter holders that can accommodate 4mm-thick, 4 x 5.65" rectangular filters. It is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. Simulates the presence of smoke within a frame or scene Substitute or supplement typical theatrical smoke generators such as smoke cookies, chips, pellets, grenades, or aerosols Provides a consistent appearance of smoke, particularly if wind or other conditions prevent physical smoke from settling or staying within a frame or scene Helps maintain a more predictable and comfortable photo or film set by lessening or eliminating the release of solid particles into the air which is associated with the use of physical smoke Constructed from optical glass for clarity and color fidelity Padded pouch included for storage and transport Available in other sizes upon request Grades of 1/8, 1/4, 1/2, 2, 3, and 4 are also available where this filter type’s effect becomes approximately twice as strong with each grade number increase.
Elevate your photographic and cinematographic work with the Tiffen Linear Polarizer Filter 4x5.6, a high-quality filter designed to enhance image clarity, contrast, and color saturation. This filter, developed by the renowned Tiffen Company, is essential for controlling reflections and glare from non-metallic surfaces such as water, glass, and foliage. Ideal for both professional photographers and filmmakers, the Tiffen Linear Polarizer provides unparalleled control over the quality of light entering your lens. Key Features: Polarization: Effectively reduces reflections and glare, allowing you to capture scenes with enhanced clarity and vivid color saturation. High-Quality Optics: Made with Tiffen’s superior optical glass, ensuring exceptional image sharpness and minimal distortion. Contrast Enhancement: Improves overall contrast in your images, making skies appear deeper blue and landscapes more defined. Durable Construction: Designed for rigorous professional use, offering long-lasting durability and reliable performance. Versatile Use: Perfect for a wide range of applications including landscape photography, architectural shots, and any scenario involving reflective surfaces. Specifications: Size: 4x5.6 inches Type: Linear Polarizer Material: Premium optical glass Frame: Sturdy and reliable design for easy handling and integration with matte boxes Applications: The Tiffen Linear Polarizer Filter 4x5.6 is a must-have for photographers and filmmakers looking to achieve superior image quality in challenging lighting conditions. It is especially useful for outdoor shoots where reflections and glare can detract from the overall image quality. Whether capturing the vibrant colors of a landscape, the intricate details of architecture, or any scene with reflective elements, this polarizer filter ensures your images are crisp, clear, and free from unwanted reflections. Maximize the potential of your visuals with the Tiffen Linear Polarizer Filter 4x5.6. This essential tool not only enhances the aesthetic quality of your shots but also provides the technical precision required for professional-grade photography and cinematography. Experience the difference in every frame and bring your creative vision to life with Tiffen’s trusted optical excellence.
Ensure optimal image clarity and protection for your lenses with the Tiffen Clear Coated Filter. Designed by the industry-leading Tiffen Company, this filter is an essential accessory for photographers and cinematographers who demand the highest quality in their visual productions. The clear coated filter provides a layer of protection for your lens without altering the color balance or adding any special effects, making it perfect for general use in various shooting environments. Key Features: Uncompromised Clarity: Maintains the original clarity and sharpness of your lens, ensuring high-quality images without any color shifts or distortions. Protective Coating: Shields your lens from dust, dirt, scratches, and fingerprints, extending the life of your valuable equipment. Anti-Reflective Surface: Reduces reflections and flare, improving image contrast and overall quality, particularly in bright lighting conditions. High-Quality Construction: Made with Tiffen’s renowned optical glass, offering superior durability and performance. Versatile Use: Ideal for both photography and videography, providing protection and clarity in any shooting scenario. Specifications: Type: Clear Coated Filter Material: Premium optical glass with protective coating Compatibility: Available in various sizes to fit a wide range of lenses Effect: No alteration to color balance or image quality Applications: The Tiffen Clear Coated Filter is a must-have for photographers and cinematographers who want to protect their lenses while maintaining the highest image quality. Whether you’re shooting in harsh environments, dealing with unpredictable weather conditions, or simply want to keep your lens safe during everyday use, this filter provides reliable protection without compromising your work. It’s perfect for all types of photography and videography, from landscapes and portraits to commercial shoots and film production. Experience the peace of mind and enhanced image quality with the Tiffen Clear Coated Filter. Invest in this essential accessory to safeguard your lenses and ensure your creative vision is captured with the utmost clarity and precision.