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Leitz 35mm M 0.8 Leitz f/1.4
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

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Raptor T2.9 150mm Lens
  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Raptor T2.9 60mm Lens
  IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY  

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Raptor T2.9 100mm Lens
  IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

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Angénieux 18mm Optimo Prime F
  Angénieux 18mm Optimo Prime FThe Optimo Prime 18mm T2 Lens from Angenieux is a PL-mount lens that features a fast T2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. All the Optimo Prime lenses have a 95mm front diameter (except the 200mm), making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm) A totally genuine cinema design based on Directors of Photography recommendations Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity Optimo performances associated with a very high optical and mechanical quality, Famous Angénieux look & perfect match with the new Optimo Ultra 12X Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as: replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect) filters to change optical properties, MTF, CCI, etc. high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane front diameter 95mm for all except the F200 which is 114mm   Specifications Max T-Stop: 2 Minimum Object Distance: 1’2” Front Diameter (inches/mm): 3,74/95 Image Circle: 1,8/46.31 Reference (feet/meters): 324783/324887 Length(inches/mm) From PL Mount: 6.30/160 Horizontal FOV: 97.0° Vertical FOV: 65.0° Weight kg/lbs: <1.9/4.2 Focus Barrel Rotation MOD to Infinity: 320° Focus Barrel Rotation end stop to end stop: 300° Iris Barrel Rotation: 75°   ______________________________________________________________________________________ SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm ______________________________________________________________________________________ Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.

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Angénieux 200mm Optimo Prime F
  Angénieux 200mm Optimo Prime F The Optimo Prime 200mm T2.2 lens from Angenieux is a PL-mount lens that features a fast T2.2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range, including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. Except for this 200mm with a 114mm front, all the Optimo Prime lenses have a 95mm front diameter, making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm) A totally genuine cinema design based on Directors of Photography recommendations Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity Optimo performances associated with a very high optical and mechanical quality, Famous Angénieux look & perfect match with the new Optimo Ultra 12X, Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as: replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect) filters to change optical properties, MTF, CCI, etc. high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane front diameter 95mm for all except the F200 which is 114mm Specifications Max T-Stop: 2.4 Minimum Object Distance: 4′ Front Diameter (inches/mm): 4,50/114 Image Circle: 1,8/46.31 Reference (feet/meters): 324785/324889 Length(inches/mm) From PL Mount: 7.48/190 Horizontal FOV: 11.5° Vertical FOV: 6.5° Weight kg/lbs: <2.3/5.07 Focus Barrel Rotation MOD to Infinity: 320° Focus Barrel Rotation end stop to end stop: 300° Iris Barrel Rotation: 75°   ______________________________________________________________________________________ SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm ______________________________________________________________________________________   Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.  

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Angénieux Optimo Ultra 12x FF/VV
  Angénieux Optimo Ultra 12x FF/VV The long-range cinema zoom reference redefinedThe New Generation High End 12x Cine Zoom - successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.Main FeaturesNew Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm  

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Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35
  Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35The long-range cinema zoom reference redefinedSuccessor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability. Thanks to the IRO technology®, the lens can be configured in three different versions: S35 (Ø 31.1mm),  U35 (Ø 34.6mm) and  FF/VV (Ø 46.3mm) with dedicated sets of rear and rings. Main Features New Optical Design Completely new optical design to enable Full Frame Coverage Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look Superb image quality from open aperture, considered as “variable primes” Low distortion No ramping, minimal breathing, very fast for 12x zoom ratios Efficient use of aspherical elements to minimize color fringing Very short MOD 1.22m/4’ in S35 – 1.24m/4’1’’ in Ultra S35 – 4’2″ in FF/VV New Mechanical Design Completely newly designed mechanics vs. 24-290 & 28-340 Improved mechanical stability, and serviceability. Weight reduction of moving components Reduce dust inhale by improving air flow and adding dust traps Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks. User changeable focus marking rings (focusing scales available in feet or metric) Mechanical components based on light-weight material with dedicated anti-abrasion coating Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C) PL mount lens. Compatible with LPL mount. Additional lens mounts to come Available accessories: carrying handle, front protective glass, Optimo extenders To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 SpecificationsFF/VV Zoom ratio: 12x Focal Length: 36-435 Aperture: T4.2 Close Focus: 1.52m / 5ft Internal Focus: yes Image Circle Coverage: 46.3mm Weight (approx.): 12.75kg / 28.1lbs Length: 523mm / 20.6in Front Diameter: 162mm S35 Zoom ratio: 12x Focal Length: 24-290 Aperture: T2.8 Close Focus: 1.22m / 4ft Internal Focus: Yes Image Circle Coverage: 31.1mm Weight (approx.): 12.6 kg / 27.7lbs Length: 472mm / 18.6in Front Diameter: 162mm U35 Zoom ratio: 12x Focal Length: 26-320 Aperture: T3.1 Close Focus: 1.24m / 4ft 1in Internal Focus: Yes Image Circle Coverage: 34.6mm Weight (approx.): 12.75kg / 28.1lbs Length: 481mm / 18.9in Front Diameter: 162mm    

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Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack)
  Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens  The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35. This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics. Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2.9 (in FF/VV) open aperture, T22 in U35 (Open Gate). Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume   NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2.6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752   MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit    

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Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack)
  Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack) A new generation of wide-angle compact spherical zoom lens The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem. NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN  IRO Technology Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35) Cooke Metadata : External connector for metadata transfer to an external drive or a display unit      

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Angénieux Optimo Ultra Compact Wide Angle 21-56mm T2.9 FF
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS - Preliminary Full-Frame version only Focal Length (mm): 21-56 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: TBC Object dimensions at MOD (mm): TBC Weight: TBC Length: TBC   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

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Angénieux Type EZ-1 Pack (S35mm and FF) 30-90mm F1.9/T2 | 45-135mm F2.8/T3
The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal. The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). FEATURES Focal Length:          30-90 mm (S35 Format) / 45-135 mm (FF/VistaVision Fromat) Zoom Ratio:            3x Aperture:                 f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format) Format:                    S35mm and FF/VistaVision Weight (approx.):   2,15 kg Front diameter:      114 mm For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.

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ARRI PCA Basic Broadcast Set for Canon EOS C400
The new ARRI Support System for the Canon EOS C400 is designed to provide professional filmmakers with a robust and versatile setup for camera support, enabling seamless integration with a variety of accessories. This system is engineered to enhance the functionality and ergonomics of the Canon C400, making it an ideal choice for cinematic productions, documentaries, and live events. The support system includes an advanced baseplate, top plate, and various mounting options, all crafted from high-grade materials to ensure durability and reliability. With a focus on flexibility and user-friendliness, this support system allows for quick and secure mounting of essential accessories such as matte boxes, follow focus units, and external monitors. The modular design ensures compatibility with a range of ARRI and third-party components, allowing filmmakers to build the ideal setup for their specific needs. Key Features High Compatibility: Tailored for the Canon EOS C400, ensuring a perfect fit and alignment. Durable Construction: Made from high-quality aluminum alloy, offering strength and durability without adding unnecessary weight. Modular Design: Allows easy customization and integration with various accessories, providing maximum flexibility. Quick Release Mechanism: Enables fast and secure attachment/detachment of the camera for increased efficiency on set. Multiple Mounting Points: Includes 1/4"-20 and 3/8"-16 threaded holes for attaching various accessories like arms, monitors, and more. Advanced Top Plate: Provides additional support and mounting options for professional setups. Integrated Rod Support: Standard 15mm LWS rod support for accessories like follow focus and matte box. Ergonomic Design: Enhances camera handling, reducing operator fatigue during extended shoots. Set components and their functionalities: 1. K2.0051221 PCA Top Plate for Canon EOS C400 The PCA Top Plate is a two-part design that attaches securely to the Canon EOS C400, providing a robust mounting platform for various accessories. Features Compatible with the Canon EOS C400’s native top handle and the ARRI CCH-4 handle. Supports the addition of the K2.65264.0 15mm LWS Rod Console at the front, enabling the attachment of various accessories such as monitors and viewfinders. Multiple 1/4"-20 and 3/8"-16 threaded holes for attaching accessories like arms, mounts, or wireless receiver brackets. 2. K2.0051262 PCA Plate for Canon EOS C400 The PCA Plate provides a secure and stable base for the Canon EOS C400, equipped with dual 15mm lightweight rod supports at both the front and rear for accessory mounting. Features Integrated 15mm rod supports at both the front and back of the plate. Compatible with the BPA-5 Bridge Plate Adapter (K2.0017138), allowing for quick transitions between shoulder and tripod or studio configurations. Designed to support a range of broadcast accessories such as follow focuses, matte boxes, and lens supports. 3. K2.0043749 Broadcast Shoulder Adapter BSA-1 The Broadcast Shoulder Adapter BSA-1 is designed for comfortable and efficient shoulder-mounted shooting. It converts the PCA Plate into a broadcast-style shoulder support, enhancing the ergonomics and stability of the camera setup. Features Compatible with VCT-style quick-lock plates such as the ARRI QRP-1. Features an ergonomic shoulder pad for comfortable long-duration shooting. Converts the baseplate into a stable shoulder-mounted rig, ideal for ENG and documentary filming. 4. K2.66253.0 Support Rods (240mm/9.4in, Ø15mm) A pair of stainless steel rods designed for use with the 15mm rod system, providing a stable foundation for mounting essential accessories such as follow focuses and matte boxes. Features Length: 240mm / 9.4 inches. Diameter: 15mm. Constructed from lightweight and durable stainless steel. Benefits of the Basic Broadcast Set Enhanced Ergonomics: The inclusion of the Broadcast Shoulder Adapter BSA-1 with its ergonomic design makes shoulder-mounted shooting more comfortable and balanced, reducing fatigue during extended shoots. Quick Transitions: The set allows rapid changes between handheld, shoulder-mounted, and tripod setups, making it ideal for dynamic shooting environments. Versatile Accessory Support: With integrated rod supports and multiple attachment points, the set provides ample mounting options for accessories like follow focuses, matte boxes, and wireless systems. Conclusion The ARRI KK.0051659 PCA Basic Broadcast Set provides a comprehensive solution for transforming the Canon EOS C400 into a broadcast-ready camera system. With essential components like the top plate, baseplate, shoulder adapter, and support rods, this set is ideal for professionals seeking a comfortable and efficient shoulder-mounted setup for broadcast or documentary work. Optional: Individual Parts K2.0051221 PCA Top Plate for Canon EOS C400 A two-part top plate designed for the Canon EOS C400, compatible with various top handles and the 15mm LWS Rod Console for accessory attachment. K2.0051222 PCA Side Bracket Left for Canon EOS C400 Left side bracket offering protection and accessory mounting options, featuring a NATO rail with a safety release mechanism and multiple interface points (NATO rail, ARRI Pin Lock 3/8"). K2.0051223 PCA Side Bracket Right for Canon EOS C400 Right side bracket providing protection and accessory attachment capabilities, equipped with a NATO rail and multiple mounting points for secure and versatile setups. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 Rear right side bracket designed to protect the viewfinder plug and support accessory mounting with a built-in NATO rail and safety release mechanism. K2.0051262 PCA Plate for Canon EOS C400 Base plate featuring dual integrated 15mm lightweight rod supports, compatible with the BPA-5 Bridge Plate Adapter and BSA-1 Shoulder Adapter for flexible rig configurations. DownloadAccessories for Canon Camera EOS C400 / Nato Rail System

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ARRI PCA Basic Cine Set for Canon EOS C400
The new ARRI Support System for the Canon EOS C400 is designed to provide professional filmmakers with a robust and versatile setup for camera support, enabling seamless integration with a variety of accessories. This system is engineered to enhance the functionality and ergonomics of the Canon C400, making it an ideal choice for cinematic productions, documentaries, and live events. The support system includes an advanced baseplate, top plate, and various mounting options, all crafted from high-grade materials to ensure durability and reliability. With a focus on flexibility and user-friendliness, this support system allows for quick and secure mounting of essential accessories such as matte boxes, follow focus units, and external monitors. The modular design ensures compatibility with a range of ARRI and third-party components, allowing filmmakers to build the ideal setup for their specific needs. Key Features High Compatibility: Tailored for the Canon EOS C400, ensuring a perfect fit and alignment. Durable Construction: Made from high-quality aluminum alloy, offering strength and durability without adding unnecessary weight. Modular Design: Allows easy customization and integration with various accessories, providing maximum flexibility. Quick Release Mechanism: Enables fast and secure attachment/detachment of the camera for increased efficiency on set. Multiple Mounting Points: Includes 1/4"-20 and 3/8"-16 threaded holes for attaching various accessories like arms, monitors, and more. Advanced Top Plate: Provides additional support and mounting options for professional setups. Integrated Rod Support: Standard 15mm LWS rod support for accessories like follow focus and matte box. Ergonomic Design: Enhances camera handling, reducing operator fatigue during extended shoots. Set components and their functionalities: 1. K2.0051221 PCA Top Plate for Canon EOS C400 The PCA Top Plate is a versatile, two-part design that attaches to the Canon EOS C400, providing a secure mounting platform for accessories such as handles, monitors, and microphones. Features Compatible with the Canon EOS C400’s original handle and the ARRI CCH-4 handle. Allows the attachment of the K2.65264.0 15mm LWS Rod Console at the front, ideal for mounting various accessories. Multiple 1/4"-20 and 3/8"-16 threaded holes for versatile accessory mounting options. 2. K2.0051262 PCA Plate for Canon EOS C400 This baseplate is designed for secure attachment to the Canon EOS C400, featuring integrated front and rear 15mm rod supports for mounting essential accessories. Features Dual 15mm lightweight support rod mounts at the front and back. Compatible with the BPA-5 Bridge Plate Adapter (K2.0017138), enabling quick transitions between handheld and tripod or studio configurations. Provides a stable foundation for mounting follow focus units, matte boxes, and other accessories. 3. K2.0017138 Bridge Plate Adapter BPA-5 The BPA-5 Bridge Plate Adapter allows the Canon EOS C400 to be quickly and securely mounted to ARRI BP-8 and BP-9 cine-style bridge plates, making it easy to switch between handheld and tripod-based setups. Features Facilitates quick transfer from shoulder-mount to studio configurations. Compatible with the BP-8 and BP-9 bridge plates. Provides additional stability and flexibility for professional cine-style shooting. 4. K2.66253.0 Support Rods (240mm/9.4in, Ø15mm) A pair of lightweight stainless steel rods designed for use with 15mm rod systems, providing a stable foundation for accessory mounting. Features Length: 240mm / 9.4 inches. Diameter: 15mm. Constructed from stainless steel for durability and lightweight performance. Benefits of the Basic Cine Set Essential Accessory Support: The set provides a foundational setup for cine-style shooting with essential components like the top plate, baseplate, and support rods, offering flexibility for mounting various accessories. Efficient Workflow: The inclusion of the BPA-5 Bridge Plate Adapter enables rapid transitions between different shooting styles, enhancing productivity and workflow efficiency. Compact and Lightweight: The Basic Cine Set is designed to be lightweight and less complex than a full broadcast kit, making it suitable for filmmakers who need a streamlined setup for on-the-go shooting. This PCA Basic Cine Set is ideal for filmmakers who want to elevate the Canon EOS C400 to a professional cine-style camera with essential support and mounting options, without the need for a full broadcast configuration. Optional: Individual Parts K2.0051221 PCA Top Plate for Canon EOS C400 A two-part top plate designed for the Canon EOS C400, compatible with various top handles and the 15mm LWS Rod Console for accessory attachment. K2.0051222 PCA Side Bracket Left for Canon EOS C400 Left side bracket offering protection and accessory mounting options, featuring a NATO rail with a safety release mechanism and multiple interface points (NATO rail, ARRI Pin Lock 3/8"). K2.0051223 PCA Side Bracket Right for Canon EOS C400 Right side bracket providing protection and accessory attachment capabilities, equipped with a NATO rail and multiple mounting points for secure and versatile setups. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 Rear right side bracket designed to protect the viewfinder plug and support accessory mounting with a built-in NATO rail and safety release mechanism. K2.0051262 PCA Plate for Canon EOS C400 Base plate featuring dual integrated 15mm lightweight rod supports, compatible with the BPA-5 Bridge Plate Adapter and BSA-1 Shoulder Adapter for flexible rig configurations. Download Accessories for Canon Camera EOS C400 / Nato Rail System

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ARRI PCA Pro Broadcast Set for Canon EOS C400
The new ARRI Support System for the Canon EOS C400 is designed to provide professional filmmakers with a robust and versatile setup for camera support, enabling seamless integration with a variety of accessories. This system is engineered to enhance the functionality and ergonomics of the Canon C400, making it an ideal choice for cinematic productions, documentaries, and live events. The support system includes an advanced baseplate, top plate, and various mounting options, all crafted from high-grade materials to ensure durability and reliability. With a focus on flexibility and user-friendliness, this support system allows for quick and secure mounting of essential accessories such as matte boxes, follow focus units, and external monitors. The modular design ensures compatibility with a range of ARRI and third-party components, allowing filmmakers to build the ideal setup for their specific needs. Key Features High Compatibility: Tailored for the Canon EOS C400, ensuring a perfect fit and alignment. Durable Construction: Made from high-quality aluminum alloy, offering strength and durability without adding unnecessary weight. Modular Design: Allows easy customization and integration with various accessories, providing maximum flexibility. Quick Release Mechanism: Enables fast and secure attachment/detachment of the camera for increased efficiency on set. Multiple Mounting Points: Includes 1/4"-20 and 3/8"-16 threaded holes for attaching various accessories like arms, monitors, and more. Advanced Top Plate: Provides additional support and mounting options for professional setups. Integrated Rod Support: Standard 15mm LWS rod support for accessories like follow focus and matte box. Ergonomic Design: Enhances camera handling, reducing operator fatigue during extended shoots. Set components and their functionalities: 1. K2.0051221 PCA Top Plate for Canon EOS C400 This is a robust, two-part top plate that attaches securely to the Canon EOS C400, providing a stable platform for additional accessories. Features Compatible with the Canon EOS C400’s original handle and the ARRI CCH-4 handle. Supports the attachment of the K2.65264.0 15mm LWS Rod Console at the front, allowing for the mounting of various accessories like viewfinders or external monitors. Multiple 1/4"-20 and 3/8"-16 threaded holes for mounting accessories. 2. K2.0051262 PCA Plate for Canon EOS C400 This baseplate is designed to integrate with the Canon EOS C400 and provides front and rear 15mm lightweight support rod mounts for various accessories. Features Integrated dual 15mm rod support at the front and back. Compatible with the BPA-5 Bridge Plate Adapter (K2.0017138), enabling quick transitions between handheld and tripod-based shooting setups. 3. K2.0043749 Broadcast Shoulder Adapter BSA-1 The BSA-1 is a shoulder adapter designed to enhance the comfort and ergonomics of handheld shooting with the Canon EOS C400. It is compatible with VCT-style quick-lock plates such as the ARRI QRP-1. Features Ergonomic shoulder pad for comfortable handheld shooting. Quick-lock compatibility allows for rapid switching between shoulder-mounted and tripod-mounted configurations. Converts the PCA plate for use in broadcast-style setups. 4. K2.0017270 Camera Center Handle CCH-4 This top handle provides a secure grip and multiple mounting points for accessories. It is designed to attach to ARRI PCA top plates and is ideal for handheld shooting. Features Completely closed handle design. Multiple 1/4"-20 and 3/8"-16 mounting points. Compatible with most ARRI PCA top plates (excluding top plates for RED cameras). 5. K2.0051223 PCA Side Bracket Right for Canon EOS C400 The right-side bracket offers protection for the camera and additional mounting options for accessories. Features NATO rail included with a safety release mechanism. Multiple interfaces for attaching various accessories such as lights, monitors, or wireless receivers. 6. K2.0051222 PCA Side Bracket Left for Canon EOS C400 Similar to the right-side bracket, this left-side bracket offers protection and additional mounting points, enhancing the overall modularity of the setup. Features NATO rail with safety release mechanism. Provides protection and the ability to mount additional accessories securely. 7. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 This bracket protects the viewfinder plug and offers more mounting points for accessories at the rear of the camera. Features NATO rail included with safety release mechanism. Provides protection and additional accessory mounting interfaces. 8. K2.0047776 SU NATO Rail Clamp NRC-1 The NRC-1 provides 19mm rod attachment on NATO rails, compatible with the side brackets for the Sony BURANO and ARRI PCA systems. Features Allows 19mm rod attachment for lens motors, follow focus systems, or other rod-based accessories. Compatible with all three side brackets for secure mounting options. 9. K2.0048324 SU NATO Rail Adapter NRC-2 This NATO rail adapter is designed for securely attaching video transmitters or other accessories to NATO rails, providing multiple mounting possibilities. Features Two-part modular design for flexible mounting of transmitters. Compatible with all three side brackets, allowing versatile configurations. 10. K2.0006186 Rod Mounting Bracket RMB-3 The RMB-3 supports a single 19mm rod and is well suited for accessories such as lens motors or lightweight fixtures. Features Supports 19mm rods and can be adapted for 15mm rods using the reduction insert (K2.66255.0). Ideal for mounting accessories like follow focus units or lens motors. 11. K2.66253.0 Support Rods (240mm/9.4in, Ø15mm) A pair of lightweight stainless steel rods for use with 15mm rod systems, providing a sturdy foundation for mounting accessories. Features Length: 240mm / 9.4 inches. Diameter: 15mm. Constructed from durable stainless steel for lightweight yet sturdy support. 12. K2.66255.0 15mm Reduction Insert This insert allows 19mm rod mounts to be used with 15mm rods, expanding compatibility and providing flexibility in configuring the camera rig. Features Adapts 19mm rod mounts to support 15mm rods. Facilitates the use of a broader range of accessories. Benefits of the Pro Broadcast Set Enhanced Ergonomics: The Broadcast Shoulder Adapter and ergonomic design of components make the set ideal for long handheld shooting sessions, improving comfort and control. Versatile Mounting Options: Multiple mounting points and compatibility with industry-standard accessories provide flexibility in configuring the camera for various broadcast applications. Quick Transitions: The inclusion of the VCT-style quick-lock plate and bridge plate adapter facilitates rapid transitions between shoulder-mounted and tripod-based shooting. Comprehensive Protection: The side and rear brackets offer extensive protection for the camera body and vital components, ensuring durability in challenging shooting environments. This Pro Broadcast Set is ideal for broadcasters and filmmakers who require a highly customizable and ergonomic setup for the Canon EOS C400, providing all the necessary tools for professional broadcast and cine-style shooting. Optional: Individual Parts K2.0051221 PCA Top Plate for Canon EOS C400 A two-part top plate designed for the Canon EOS C400, compatible with various top handles and the 15mm LWS Rod Console for accessory attachment. K2.0051222 PCA Side Bracket Left for Canon EOS C400 Left side bracket offering protection and accessory mounting options, featuring a NATO rail with a safety release mechanism and multiple interface points (NATO rail, ARRI Pin Lock 3/8"). K2.0051223 PCA Side Bracket Right for Canon EOS C400 Right side bracket providing protection and accessory attachment capabilities, equipped with a NATO rail and multiple mounting points for secure and versatile setups. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 Rear right side bracket designed to protect the viewfinder plug and support accessory mounting with a built-in NATO rail and safety release mechanism. K2.0051262 PCA Plate for Canon EOS C400 Base plate featuring dual integrated 15mm lightweight rod supports, compatible with the BPA-5 Bridge Plate Adapter and BSA-1 Shoulder Adapter for flexible rig configurations.Download Accessories for Canon Camera EOS C400 / Nato Rail System

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ARRI PCA Pro Cine Set for Canon EOS C400
The new ARRI Support System for the Canon EOS C400 is designed to provide professional filmmakers with a robust and versatile setup for camera support, enabling seamless integration with a variety of accessories. This system is engineered to enhance the functionality and ergonomics of the Canon C400, making it an ideal choice for cinematic productions, documentaries, and live events. The support system includes an advanced baseplate, top plate, and various mounting options, all crafted from high-grade materials to ensure durability and reliability. With a focus on flexibility and user-friendliness, this support system allows for quick and secure mounting of essential accessories such as matte boxes, follow focus units, and external monitors. The modular design ensures compatibility with a range of ARRI and third-party components, allowing filmmakers to build the ideal setup for their specific needs. Key Features High Compatibility: Tailored for the Canon EOS C400, ensuring a perfect fit and alignment. Durable Construction: Made from high-quality aluminum alloy, offering strength and durability without adding unnecessary weight. Modular Design: Allows easy customization and integration with various accessories, providing maximum flexibility. Quick Release Mechanism: Enables fast and secure attachment/detachment of the camera for increased efficiency on set. Multiple Mounting Points: Includes 1/4"-20 and 3/8"-16 threaded holes for attaching various accessories like arms, monitors, and more. Advanced Top Plate: Provides additional support and mounting options for professional setups. Integrated Rod Support: Standard 15mm LWS rod support for accessories like follow focus and matte box. Ergonomic Design: Enhances camera handling, reducing operator fatigue during extended shoots. Set components and their functionalities: 1. K2.0051221 PCA Top Plate for Canon EOS C400 This two-part top plate is designed to securely attach to the Canon EOS C400, offering a multitude of mounting points for accessories such as monitors, microphones, and top handles. Features Compatible with top handles like the Canon EOS C400 handle and ARRI CCH-4. Supports the attachment of the K2.65264.0 15mm LWS Rod Console at the front. Provides a solid base for additional accessories with multiple 1/4"-20 and 3/8"-16 threaded holes. 2. K2.0051262 PCA Plate for Canon EOS C400 This baseplate is tailored for the Canon EOS C400, featuring integrated 15mm lightweight support rods at both the front and back. It serves as the foundation for shoulder rigs and other cine-style configurations. Features Dual 15mm rod support at the front and back for mounting follow focus, matte box, and other accessories. Compatible with the BPA-5 Bridge Plate Adapter (K2.0017138), enabling quick transitions between handheld and tripod-mounted setups. 3. K2.0017138 Bridge Plate Adapter BPA-5 The BPA-5 Bridge Plate Adapter allows the Canon EOS C400 to be easily switched between shoulder-mounted and tripod-based configurations using cine-style bridge plates like BP-8 and BP-9. Features: Facilitates quick transfer from shoulder rigs to bridge plates. Ensures secure mounting for various configurations, maintaining balance and stability. 4. K2.0017270 Camera Center Handle CCH-4 The CCH-4 is a versatile and ergonomic handle designed to attach securely to ARRI PCA top plates. Its closed design offers a comfortable grip and additional mounting points. Features Compatible with most ARRI PCA top plates (excluding top plates for RED cameras). Provides multiple 1/4"-20 and 3/8"-16 mounting points for accessories. 5. K2.0051223 PCA Side Bracket Right for Canon EOS C400 This right-side bracket offers protection and additional mounting points for accessories. It includes a NATO rail for quick and secure attachment. Features NATO rail with safety release mechanism. Multiple mounting interfaces for attaching accessories like handles and rod mounts. 6. K2.0051222 PCA Side Bracket Left for Canon EOS C400 The left-side bracket provides similar features to the right bracket, including protection and accessory mounting options, enhancing the modularity of the camera rig. Features Integrated NATO rail with safety release. Multiple mounting points for additional gear and accessories. 7. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 This rear side bracket protects sensitive components such as the viewfinder plug and offers additional accessory mounting points. Features NATO rail with safety release. Provides protection and flexible mounting solutions. 8. K2.0047776 SU NATO Rail Clamp NRC-1 The NRC-1 is a clamp that provides 19mm rod attachment on NATO rails. It is compatible with all three side brackets, ensuring versatility in accessory mounting. Features Allows 19mm rod mounting for lens motors or other accessories. Compatible with side brackets, enhancing rig flexibility. 9. K2.0048324 SU NATO Rail Adapter NRC-2 This adapter is designed for attaching video transmitters and other accessories to NATO rails. Its two-part modular design offers multiple mounting possibilities. Features Modular design for flexible mounting of transmitters. Compatible with side brackets for secure and customizable setup. 10. K2.0006186 Rod Mounting Bracket RMB-3 The RMB-3 bracket supports single 19mm rods and can be adapted for 15mm rods using a reduction insert, making it ideal for lens motors or lightweight accessories. Features Supports 19mm rods; compatible with 15mm rods using the K2.66255.0 reduction insert. Versatile mounting for lens motors or other rod-based accessories. 11. K2.66253.0 Support Rods (240mm/9.4in, Ø15mm) A pair of lightweight stainless steel rods, compatible with standard 15mm rod systems, providing a sturdy foundation for accessory mounting. Features Length: 240mm / 9.4 inches. Diameter: 15mm. Durable stainless steel construction. 12. K2.66255.0 15mm Reduction Insert This reduction insert adapts 19mm rod mounts to support 15mm rods, expanding the compatibility of the PCA system with a wider range of accessories. Features Converts 19mm rod mounts to 15mm rod compatibility. Essential for integrating various rod-based components. Benefits of the Pro Cine Set Comprehensive Kit: Provides all necessary components for building a complete, versatile rig for the Canon EOS C400. Modular Design: Allows for extensive customization to suit different shooting needs. High Compatibility: Works with a wide range of ARRI and third-party accessories, enabling filmmakers to create their ideal configuration. Durable Construction: Precision-engineered from high-quality materials to withstand the rigors of professional filmmaking. The ARRI PCA Pro Cine Set for the Canon EOS C400 is ideal for filmmakers seeking a reliable, flexible, and professional camera support system that enhances the capabilities of their camera in demanding production environments. Optional: Individual Parts K2.0051221 PCA Top Plate for Canon EOS C400 A two-part top plate designed for the Canon EOS C400, compatible with various top handles and the 15mm LWS Rod Console for accessory attachment. K2.0051222 PCA Side Bracket Left for Canon EOS C400 Left side bracket offering protection and accessory mounting options, featuring a NATO rail with a safety release mechanism and multiple interface points (NATO rail, ARRI Pin Lock 3/8"). K2.0051223 PCA Side Bracket Right for Canon EOS C400 Right side bracket providing protection and accessory attachment capabilities, equipped with a NATO rail and multiple mounting points for secure and versatile setups. K2.0051224 PCA Rear Side Bracket Right for Canon EOS C400 Rear right side bracket designed to protect the viewfinder plug and support accessory mounting with a built-in NATO rail and safety release mechanism. K2.0051262 PCA Plate for Canon EOS C400 Base plate featuring dual integrated 15mm lightweight rod supports, compatible with the BPA-5 Bridge Plate Adapter and BSA-1 Shoulder Adapter for flexible rig configurations.Download Accessories for Canon Camera EOS C400 / Nato Rail System

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Atomos Ninja Ultra
Ninja Ultra is a leap forward in filmaking technology. You get all of Ninja’s monitoring/recording tools and capabilities, but in conjunction with the Atomos Connect, it opens up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Ninja works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand New OS - New AtomOS 11 - faster, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for offline or CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony camerasRemoteView - Share live views from your screen over the internetMore Codecs included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording - Record & upload high bitrate 4K files to the CloudWi-Fi 6E - The best. Faster, lower latency, more stable connectionImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features. Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!Dual RAW record for Camera to Cloud workflow - capture 4Kp60 ProRes RAW & H.265 simultaneously*SDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI camerasAtomOS 11 offering a redesigned interface, new features, and performance improvements.SRT streaming ensures reliable video transmission even over unrealiable networks, allowing for seamless live content delivery.Publish directly from the cloud with 4K H.265 Camer ato Cloud mode*Faster and stronger connectivity with Wi-Fi 6E*Share what´s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.Same form factor as NinjaV, all Accessories are compatible with the new Ninja Series (Ninja & Ninja Ultra)*requires Atomos ConnectIn the Package1x Ninja Ultra1x Battery eliminator1x USB C PD to 2.1mm DC power lead1x QuickStart Guide

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Atomos Shinobi II
Shinobi II has been redesigned with a new, slimline case and a 50% brighter screen, yet still manages to pack in all of Atomos’ renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control. Features - What´s new:Slimmer body & portable design1500nits peak brightness HDR touchscreenCamera control via USB-C and LANCPowered via USB-C PDPower/charge your camera via USB-C PDHDMI & USB-C locking adapterThe latest Atomos monitoring toolsTechnical Specifications Much slimmer body and low-profile design - weighs just 210gms.50% brighter - 1500nits peak brightness, 5inch, high-resolution touchscreen.Camera control via USB-C for Canon, Panasonic and Sony cameras, plus Z CAM cameras via optional USB-C to Serial cable.Use the Camera Status indicator to check the camera´s internal record settings, battery status & remaining record time.New AtomOS 11 user interface has a more modern look, more responsive operation and easy access to all the most-used monitoring tools.Powered by NP-F style batteries, or via USB-C PD (10W input).Charge/power the camera via USB-C PD (13W output), all while using the Shinobi II´s camera control features.Unique Analysis Mode can deploy the waveform, histogram & vectorscope tools simultaneously.Frame Guides and 9 Grid help get perfect framing and compositing.Low power consumption - Shinobi II can run all day off a single batter charge.In the Package1x Shinobi II1x USB-C 2.0 cable1x HDMI + USB-C locking cable adapter1x QuickStart Guide

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Atomos Shogun Ultra
Shogun Ultra is everything you’d expect from a Shogun: perfect for larger HDMI mirrorless and SDI cinematic cameras and with network connectivity built-in. It’s also your gateway to amazingly fast and productive cloud workflows. Shogun Ultra is Peak Shogun. Opening up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with popular cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand new OS - New AtomOS 11 - faster, cleaner, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony cameras.RemoteView - Share live camera views from your Shogun´s screen over the internetPremium Options - NDI 4K TXMore Codecs Included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording* - Record & upload high bitrate 4K files to the Cloud*Available when subscribing to Classic and Premium Atomos Cloud ServicesWi-Fi 6E - Fast, stable connection to the internetImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications 7-inch 2000nits monitor-recorderCapture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!SRT streaming ensures reliable video transmission even over unreliable networks, allowing for seamless live simultaneouslySDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon RED and Sony SDI camerasNew AtomOS 11 improves memory management, boosts responsiveness, and unleashes new featuresPublish directly from the cloud with 4K h.265 Camera to Cloud modeFast and stronger connectivity with Wi-Fi 6EShare what´s on your Atomos screen with other AtomOS11 users, as well as iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone System, ARRI False color added in combination with other monitoring  tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.12G SDI IN and OUT and HDMI IN and OUTBi-directional HDMI <=> SDI input conversion with simultaneous SDI & HDMI outputsLong range ATOMOS AirGlu sync technology for wireless timecode via RF and Bluetooth LE1GbE Ethernet for high-speed robust hardwired network connectionConnectivity to Atomos Cloud Studio gateway of servicesIn the Package1x Shogun Ultra1x USB-C PD to 2.1mm DC power lead1x Master Caddy III2x Wi-Fi antennas1x AirGlu antennas1x Antenna tips1x 3.5mm to 3.5mm audio sync cable1x QuickStart Guide

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Bebob B155cineML
B-Mount High Power ML-Buffer Battery 14.4V/28.8V // 156Wh Features of B155cineML Powers the camera without interruption Automatic Charge/Discharge buffer changeover450W / 20A continuous Power and Current Drain Dual Voltage 14,4V/4s and 28,8V/8s for 12V and 24V Equipment Technical Specifications Model: B155cineML Mount: B-Mount - Battery Side & Camera SideCapacity: 156Wh Voltage: 14,4V/4s //28,8V/8s - Dual Voltage for 12V and 24V EquipmentCont. Discharge Current: 450W / 20,0ACells: Panasonic Li-Ion cellsTwist D-Tap: 1 (13,2V max 2,5A)USB-Port: 1 (5,0V max 1,0A)Fuel Gauge: 5-step LED (Charge/Discharge)Warranty: 2 Years 80% Capacity Chargers: B-mount Standard Charge Time: (bebob BS2/BS4) 2 Hours Dimensions & Weight Weight: 1,04 Kg Dimensions (W x H x D): 94 x 144 x 66mm

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Bebob B480cine
B-Mount High Power ML-Buffer Battery 14.4V/28.8V // 475Wh Features of B480cine Max Continous Discharge Current 20,0A For 12V and 24V Equipment Technical Specifications Model: B480cineMount: B-Mount - for 12V and 24V Equipment Capacity: 475Wh Voltage: 14,4V/28,8V (native)Cont. Discharge Current: 20,0ACells: Panasonic Li-Ion cellsTwist D-Tap: 1 (13,2V max 2,5A)USB-Port: 1 (5,0V max 1,0A)Fuel Gauge: 5-step LED (Charge/Discharge)Warranty: 2 Years 80% Capacity Chargers: B-mount Standard Charge Time: (bebob BS2/BS4) 8 Hours Dimensions & Weight Weight: 2,43 Kg Dimensions (W x H x D): 94 x 144 x 115mm

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Bebob B90cineML
B-Mount High Power ML-Buffer Battery 14.4V/28.8V // 86Wh Features of B90cineML Powers the camera without interruption Automatic Charge/Discharge buffer changeover450W / 20A continuous Power and Current Drain Dual Voltage 14,4V/4s and 28,8V/8s for 12V and 24V Equipment Technical Specifications Model: B90cineML Mount: B-Mount - Battery Side & Camera SideCapacity: 86Wh Voltage: 14,4V/4s //28,8V/8s - Dual Voltage for 12V and 24V EquipmentCont. Discharge Current: 450W / 20,0ACells: Sony Li-Ion cellsTwist D-Tap: 1 (13,2V max 2,5A)USB-Port: 1 (5,0V max 1,0A)Fuel Gauge: 5-step LED (Charge/Discharge)Warranty: 2 Years 80% Capacity Chargers: Bmount Standard Charge Time: (bebob BS2/BS4) 2 Hours Dimensions & Weight Weight: 0,662 Kg Dimensions (W x H x D): 94 x 144 x 47mm

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Bebob Coco-Double-B48
B-Mount High Power Adapter 48V/24V - 700W Features of Coco-Double-B48 For Light and Camera Output 48V / 24V (28V - reg adjustable)Input 2 x 24V B-Mount (unreg) Technical Specifications Model: Coco-Double-B48Voltage: 24V/48V reg / 28,8V (unreg)Output: 700W Constant Load - 48V Mode48V reg (+/- 2,5V adjustable ) - 1 XLR10p450W Constant Load - 24V Mode24 reg (+/- 5V adjustable) - 1 XLR 3pInput: B-Mount2 B-Mount (20,5V - 33,6V) with 20A Load450W Constant Power Loadsimilar CapacityConnectors: XL1 XLR10p - 48V Mode1 XLR 3p - 24V ModeMounting: Wedge Plate 8*M4 (Arri-Rail Mount)Spigot 3/8" 16mm (eg. for SuperClamp) Dimensions & Weight Weight: 1,58 Kg Dimensions (W x H x D): 248 x 110 x 156mm

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New
Bebob Green CUBE 500W - Sustainalbe block of power
The Bebob Green CUBE is currently available only on request. Eco-friendly power for cameras and lighting Munich-based battery manufacturer bebob presents the Bebob Green CUBE, a pioneering technology study for sustainable power supply on set. The portable block battery uses sodium-ion technology for energy storage – these do not require critical raw materials, are easier to recycle and have a reduced risk of fire and explosion compared to lithium-ion batteries. Like the proven bebob Cube 1200, the environmentally friendly Green CUBE is suitable for a variety of applications on set, especially for powering cameras and lights. Sodium-ion batteries for sustainable poweer storage In the search for sustainable power storage solutions, sodium-ion batteries could become a viable alternative to traditional lithium-ion batteries. Sodium-ion batteries use sodium instead of lithium. Both are reactive alkali metals, but sodium is much more abundant and accessible than lithium. This makes the extraction of sodium less harmful to the environment and more cost effective. Compared to the complex and energy-intensive recycling process for lithium-ion batteries, sodium-ion batteries are also much easier to recycle. Sodium-ion battery technology therefore helps to minimise the carbon footprint of power supplies in the broadcast and moving image industries by reducing emissions during extraction and recycling. Another advantage is that sodium-ion batteries are less flammable, less explosive and less prone to thermal overheating, which can also make them easier to transport. Background on the technology study “Reducing critical resources and reusing components are essential steps towards greater sustainability. At bebob, we have followed an environmentally friendly path from the very beginning: our lithium-ion batteries are repairable, which means they can be fitted with new cells at any time, significantly reducing their ecological footprint. It goes without saying that we also take care of professional recycling for our customers,” explains Michael Erkelenz, Managing Director of bebob factory. “With our Green CUBE we go one step further. The combination of sustainability, safety and performance makes sodium-ion cells a promising approach in the development of portable batteries for the film and TV industry. Sodium-ion technology cannot yet be applied one-to-one to on-board batteries – but we are committed to using our years of expertise to develop this environmentally friendly technology into a real alternative.” Wide range of applications Like the proven bebob CUBE 1200, the Green CUBE has been designed for various applications in the moving image and broadcast industry. With a maximum load of 500W and a capacity of 446Wh it is suitable for demanding 24V applications – especially for powering cameras and lights. With a weight of approximately eight kilograms and compact dimensions, the ‘green’ CUBE is easy to carry and meets the demands for sustainable production as well as easy and versatile handling.   Technical Specifications Multi-voltage: 12,4V / 24VMax. load capacity: 5000WCapacity: 446Wh / 36AhOutput: 2x USB-A 5V (2A)1x Twist D-Tap 12V2x XLR-4 12V2x XLR-3 24VBuilt-in charger Dimensions & Weight Weight: 8,35 Kg Dimensions (W x H x D): 208 x 356 x 167mm The Green CUBE is currently available only on request at a price of approximately €2,595

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Bright Tangerine Canon C70 – Expert Kit
Form a rigid cage around your Canon C70 with a steady foundation, protecting your camera while speeding up transitions between setups. From here, you can accessorise the camera in any way you like using NATO accessories or directly mounting to the helicoil reinforced 1/4” & 3/8” threads. With a lightweight build, the cage improves the filmmaking experience for the Canon C70 whether it is being operated in handheld, tripod or gimbal modes. Each kit comes with the Side Plate, Top Plate, NATO Top Handle, Top Bar Bracket, LeftField 15mm LWS Baseplate (DJI), HDMI Clamp & a set of two 15mm (9” length) Sterling Titanium Drumstix Rods. Versatile mounting options with 1/4”, 3/8”, NATO & QD points. Helicoil reinforced threads to prevent stripping and loosening over time. Patented Open•UP baseplate lets you easily lift off the camera from the dovetail. DJI compatible dovetail lets you move from tripod to gimbal with less weight & low center of gravity. Adjustable top handle provides a balanced grip. Support for Axl EVF mount, lens motors & other 15mm rod mounted accessories on top of camera. Sterling Titanium Drumstix Rods offer rigid support while being ultralight. No Compromises Every part of our Canon C70 LeftField system has been machined and hand-finished in our single factory in Church Crookham. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty. Weight: 1 kg  

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Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle Kit
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips. Variable density zones using KASBAH for optimal cushioning & pressure relief Open structure for air flow & allows for heat dissipation & evaporation of sweat Hand grip system for 15mm LWS & 19mm Studio configurations Upper flange encourages a relaxed grip and reduces tension 3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories Milled rosettes offers positive engagement using ARRI standard for maximum compatibility Symmetrical design allows for use on left or right sides Glove-friendly knob for easy adjustments in fast paced settings Precision cut from high-grade aluminium & stainless steel The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm  

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Bright Tangerine LeftField 3 Sony FX6 – Expert Kit
Bright Tangerine LeftField 3 Sony FX6 – Expert KitTake your Sony FX6 to the next level with the LeftField 3 Sony FX6 – Expert Kit. It provides everything you need to rig the camera for different configurations, allowing you to move between setups quickly and easily. Whether you’re shooting documentaries, corporate videos, or anything in between, the Sony FX6 Expert Kit will help you get the most out of your camera. Mini Axl for FX6 monitor with drag adjustment & sag-free support Articulating NATO rail adds extra reach & height placement for monitor Rigid top plate with 1/4”, 3/8”, NATO & QD sockets Helicoil reinforced threads to prevent stripping and loosening over time Patented Open•UP baseplate lets you easily lift off the camera from the dovetail Sets the camera to 15mm LWS standards with support for rods & accessories With the Sony FX6 – Expert Kit, you can take your Sony FX6 to new heights with everything needed for any situation.Ready for RiggingRig up accessories to the rigid top plate with options for NATO, 1/4″& 3/8″ mounted accessories. Two Quick Detach (QD) sockets are also ready for attaching a carrying strap or tethers.15mm LWS PlatformThe LeftField 15mm LWS baseplate is perfect for fast transitions on set, using the patented Open•Up system. With two industry-standard 15mm rod mounts to support other camera accessories like a matte box or focus motors.Flexible Monitor MountThe Mini Axl is a versatile bracket that replaces your stock monitor mount on the FX6. The screen can be adjusted on the fly to any angle or locked into place. When you're operating handheld with the Sony FX9 loupe, the Mini Axl will keep it from sagging from the weight. When it's time to change locations, simply stow away the monitor, keeping the screen protected. The included cable hook also helps with cable management and snags.Sony FX6 SystemThe included filler piece adds an additional central NATO rail for handles and gimbal plates, as well a support brace to completely remove all physical stress from the stock handle.Each Expert kit comes with the Top Plate, Filler Piece, Top Handle Brace, Mini Axl (Sony FX6), LeftField 3 15mm LWS Baseplate & a set of 15mm Drumstix (12"/30.4cm)You can expand the kit further with options for lens adaptor supports when using PL lenses, KASBAH Shoulder support & more.LeftField 3Customise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories.No CompromisesMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.

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Bright Tangerine Mini Axl (Sony FX6)
Bright Tangerine Mini Axl (Sony FX6) The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook. Adds an articulating NATO rail onto the Sony FX6 Top Handle Flexible monitor positioning with drag adjustment Replaces the original Sony FX6 monitor bracket Supports the weight of the FX9 Loupe and maintains horizon level Monitor can be folded & stowed away for transport This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm  

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