Leitz 35mm M 0.8 Leitz f/1.4
€1.00*
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma.
FEATURES
Focal Length: 35 mm
Max. Aperture: f/1.4
Format: Full Frame (24mm x 36mm)
Mount: Leica M-Mount
Front Diameter: 80mm
Weight: 380g
CAMERA COMPATIBILITY
Sony VENICE
ARRI Alexa Mini/Amira
RED Monstro
and more - see comparative table:
Raptor T2.9 60mm Lens
€1.00*
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount
All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E, …)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Raptor T2.9 150mm Lens
€1.00*
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Sony VENICE CineAlta 6K FullFrame camera
€1.00*
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation
Simple and intuitive
Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Full-Frame sensor for cinema
VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.
Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:
Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.
Super35 anamorphic 4K
For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.
Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:
Fast shutter
VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
More colors for more expression
VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.
Dual Base ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
World’s first 8-step mechanical ND Filters
VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Next generation viewfinder
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
Engineered to survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Additional features of the Venice camera:
native PL- and E-mount (Lever lock type)
anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen
desqeeze function on monitor out for several anamorphic squeeze factors
up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats
downsampling from Full Frame Image with 6K resulution to 4K XAVC codec
parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards
the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019
several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility
Full menu control via web browser based wired and wireless connection
and much more...
More information about the Sony VENICE can be found at www.sonycine.com
Download Technicolor Look Collection for VENICE here.
Raptor T2.9 100mm Lens
€1.00*
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount
The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics.
Features:
Maximum magnification 1:1
No change in length, thanks to internal focusing
extended color correction (APO)
Aperture T 2.9-T22
Constistent distance from flange to iris- and focusring
Front diameter of 95 mm
M0.8 gear wheels for focus and iris
UMS PL Mount (LPL, Canon EF, Sony NEX E,...)
Robust and durable mechanical design
Data sheet downloadAPO CINE MACRO LENS FAMILY
Angénieux 18mm Optimo Prime F
€1.00*
Angénieux 18mm Optimo Prime FThe Optimo Prime 18mm T2 Lens from Angenieux is a PL-mount lens that features a fast T2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. All the Optimo Prime lenses have a 95mm front diameter (except the 200mm), making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm)
A totally genuine cinema design based on Directors of Photography recommendations
Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity
Optimo performances associated with a very high optical and mechanical quality,
Famous Angénieux look & perfect match with the new Optimo Ultra 12X
Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as:
replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
filters to change optical properties, MTF, CCI, etc.
high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
front diameter 95mm for all except the F200 which is 114mm
Specifications
Max T-Stop: 2
Minimum Object Distance: 1’2”
Front Diameter (inches/mm): 3,74/95
Image Circle: 1,8/46.31
Reference (feet/meters): 324783/324887
Length(inches/mm) From PL Mount: 6.30/160
Horizontal FOV: 97.0°
Vertical FOV: 65.0°
Weight kg/lbs: <1.9/4.2
Focus Barrel Rotation MOD to Infinity: 320°
Focus Barrel Rotation end stop to end stop: 300°
Iris Barrel Rotation: 75°
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Angénieux 200mm Optimo Prime F
€1.00*
Angénieux 200mm Optimo Prime F
The Optimo Prime 200mm T2.2 lens from Angenieux is a PL-mount lens that features a fast T2.2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh.
It shares a matching color profile with the entire Optimo range, including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. Except for this 200mm with a 114mm front, all the Optimo Prime lenses have a 95mm front diameter, making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm)
A totally genuine cinema design based on Directors of Photography recommendations
Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity
Optimo performances associated with a very high optical and mechanical quality,
Famous Angénieux look & perfect match with the new Optimo Ultra 12X,
Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as:
replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect)
filters to change optical properties, MTF, CCI, etc.
high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane
front diameter 95mm for all except the F200 which is 114mm
Specifications
Max T-Stop: 2.4
Minimum Object Distance: 4′
Front Diameter (inches/mm): 4,50/114
Image Circle: 1,8/46.31
Reference (feet/meters): 324785/324889
Length(inches/mm) From PL Mount: 7.48/190
Horizontal FOV: 11.5°
Vertical FOV: 6.5°
Weight kg/lbs: <2.3/5.07
Focus Barrel Rotation MOD to Infinity: 320°
Focus Barrel Rotation end stop to end stop: 300°
Iris Barrel Rotation: 75°
______________________________________________________________________________________
SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE
PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm
GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm
SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm
______________________________________________________________________________________
Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.
Angénieux Optimo Ultra 12x FF/VV
€1.00*
Angénieux Optimo Ultra 12x FF/VV
The long-range cinema zoom reference redefinedThe New Generation High End 12x Cine Zoom - successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.Main FeaturesNew Optical Design
Completely new optical design to enable Full Frame Coverage
Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look
Superb image quality from open aperture, considered as “variable primes”
Low distortion
No ramping, minimal breathing, very fast for 12x zoom ratios
Efficient use of aspherical elements to minimize color fringing
Very short MOD 4’2″ in FF/VV
New Mechanical Design
Completely newly designed mechanics vs. 24-290 & 28-340
Improved mechanical stability, and serviceability.
Weight reduction of moving components
Reduce dust inhale by improving air flow and adding dust traps
Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks.
User changeable focus marking rings (focusing scales available in feet or metric)
Mechanical components based on light-weight material with dedicated anti-abrasion coating
Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C)
PL mount lens. Compatible with LPL mount. Additional lens mounts to come
Available accessories: carrying handle, front protective glass, Optimo extenders
To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752
SpecificationsFF/VV
Zoom ratio: 12x
Focal Length: 36-435
Aperture: T4.2
Close Focus: 1.52m / 5ft
Internal Focus: yes
Image Circle Coverage: 46.3mm
Weight (approx.): 12.75kg / 28.1lbs
Length: 523mm / 20.6in
Front Diameter: 162mm
Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35
€1.00*
Angénieux Optimo Ultra 12x Full Pack FF/VV, S35 & U35The long-range cinema zoom reference redefinedSuccessor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability. Thanks to the IRO technology®, the lens can be configured in three different versions: S35 (Ø 31.1mm), U35 (Ø 34.6mm) and FF/VV (Ø 46.3mm) with dedicated sets of rear and rings.
Main Features
New Optical Design
Completely new optical design to enable Full Frame Coverage
Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution –appealing cinematic look
Superb image quality from open aperture, considered as “variable primes”
Low distortion
No ramping, minimal breathing, very fast for 12x zoom ratios
Efficient use of aspherical elements to minimize color fringing
Very short MOD 1.22m/4’ in S35 – 1.24m/4’1’’ in Ultra S35 – 4’2″ in FF/VV
New Mechanical Design
Completely newly designed mechanics vs. 24-290 & 28-340
Improved mechanical stability, and serviceability.
Weight reduction of moving components
Reduce dust inhale by improving air flow and adding dust traps
Precise and ergonomic focus ring with scale rotation of 321 degrees, the largest in the industry and over 70 focus marks.
User changeable focus marking rings (focusing scales available in feet or metric)
Mechanical components based on light-weight material with dedicated anti-abrasion coating
Adapted to extreme shooting environments (passive athermalisation from -20°C to +40°C)
PL mount lens. Compatible with LPL mount. Additional lens mounts to come
Available accessories: carrying handle, front protective glass, Optimo extenders
To use with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752
SpecificationsFF/VV
Zoom ratio: 12x
Focal Length: 36-435
Aperture: T4.2
Close Focus: 1.52m / 5ft
Internal Focus: yes
Image Circle Coverage: 46.3mm
Weight (approx.): 12.75kg / 28.1lbs
Length: 523mm / 20.6in
Front Diameter: 162mm
S35
Zoom ratio: 12x
Focal Length: 24-290
Aperture: T2.8
Close Focus: 1.22m / 4ft
Internal Focus: Yes
Image Circle Coverage: 31.1mm
Weight (approx.): 12.6 kg / 27.7lbs
Length: 472mm / 18.6in
Front Diameter: 162mm
U35
Zoom ratio: 12x
Focal Length: 26-320
Aperture: T3.1
Close Focus: 1.24m / 4ft 1in
Internal Focus: Yes
Image Circle Coverage: 34.6mm
Weight (approx.): 12.75kg / 28.1lbs
Length: 481mm / 18.9in
Front Diameter: 162mm
Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack)
€1.00*
Angénieux Optimo Ultra Compact 21-56mm FF & U35 rear Open Gate (Full Pack)
A new generation of wide-angle compact spherical zoom lens
The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.
This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.
Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem.
NEW OPTICAL DESIGN
Completely new optical design to enable Full Frame Coverage
Superb image quality from T2.9 (in FF/VV) open aperture, T22 in U35 (Open Gate).
Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look
Perfect homogeneity of color, contrast and resolution. Low distortion
No ramping, minimal breathing, very fast for 2.7x zoom ratios
Close focus of 2ft / 0.6m enables extreme close-up shots
Internal focus, internal zoom, constant lens volume
NEW MECHANICAL DESIGN
Completely newly designed mechanics vs. Optimo 15-40 & 28-76
Compact (235mm) and very lightweight (2.6kg / 6lbs)
Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system
Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design
User changeable focus marking rings (focusing scales available in feet or metric)
Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C)
Available in PL mount.
Front protective glass (as an accessory)
Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752
MULTIPLE IMAGE FORMAT DESIGN
IRO Technology
Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35)
Cooke Metadata : External connector for metadata transfer to an external drive or a display unit
Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack)
€1.00*
Angénieux Optimo Ultra Compact 37-102mm FF & U35 rear Open Gate (Full Pack)
A new generation of wide-angle compact spherical zoom lens
The full pack, which is based on the exclusive IRO (Interchangeable Rear Optics) technology by Angénieux, includes a full-frame and a U35 rear that can be easily interchanged to work on full-frame cameras or to cover the open gate of the new ARRI ALEXA 35.This new generation of high-end lenses is fully designed for the FF/VV format and Open Gate. Lightweight and compact, they are among the lightest on the market. Designed for cinematographers who want to have the possibility to work in both formats or for rental companies who have both types of cameras, the Optimo Ultra Compact lenses are the perfect addition to the Optimo Ultra 12X and the Optimo Prime Series. They seduce by their ergonomics, their superb optical quality from T2.9 (in FF/VV) or T2.2 (in U35-Opengate), including the famous Angénieux look and their high-precision mechanics.Image quality is consistent from open to close aperture and at every focal length and focus distance. The iris is also capable of closing completely. The balance of contrast, color and resolution offer an appealing cinematic look. The Angénieux Full Frame solution is now complete with zooms and primes for all kinds of applications in one single and homogeneous ecosystem.
NEW OPTICAL DESIGN
Completely new optical design to enable Full Frame Coverage
Superb image quality from T2,9 (in FF/VV) open aperture
Well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. Appealing cinematic look
Perfect homogeneity of color, contrast and resolution. Low distortion
No ramping, minimal breathing, very fast for 2.7x zoom ratios
Close focus of 2ft / 0.6m enables extreme close-up shots
Internal focus, internal zoom, constant lens volume
NEW MECHANICAL DESIGN
Completely newly designed mechanics vs. Optimo 15-40 & 28-76
Compact (235mm) and very lightweight (2,6kg / 6lbs)
Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system
Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design
User changeable focus marking rings (focusing scales available in feet or metric)
Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C)
Available in PL mount.
Front protective glass (as an accessory)
Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752
MULTIPLE IMAGE FORMAT DESIGN
IRO Technology
Two versions : Optimo Ultra Compact FF/VV + U35 Only and Optimo Ultra Compact Full Pack (FF + U35)
Cooke Metadata : External connector for metadata transfer to an external drive or a display unit
Angénieux Optimo Ultra Compact Wide Angle 21-56mm T2.9 FF
€1.00*
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.
SPECIFICATIONS - Preliminary
Full-Frame version only
Focal Length (mm): 21-56
T-Stop: 2,9
Close Focus: 600mm/2ft
Internal Focus: Yes
Image Circle Coverage: 46,3mm
Front Diameter: 114mm
Iris full closure: Yes
Metadata: Yes
Horizontal angular field of view: TBC
Object dimensions at MOD (mm): TBC
Weight: TBC
Length: TBC
NEW OPTICAL DESIGN
Completely new optical design to enable Full Frame Coverage
Superb image quality from T2,9 (in FF/VV) open aperture
Perfect homogeneity of color, contrast and resolution. Low distortion
No ramping, minimal breathing, very fast for 2.7x zoom ratios
Close focus of 2ft / 0.6m enables extreme close-up shots
Internal focus, internal zoom, constant lens volume
NEW MECHANICAL DESIGN
Completely newly designed mechanics vs. Optimo 15-40 & 28-76
Compact (235mm) and very lightweight (2,6kg / 6lbs)
Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system
Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design
User changeable focus marking rings (focusing scales available in feet or metric)
Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C)
Available in PL mount.
Front protective glass (as an accessory)
Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752
MULTIPLE IMAGE FORMAT DESIGN
IRO ready
Optimo Ultra Compact FF/VV Only for the time being
/i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit
Angénieux Type EZ-1 Pack (S35mm and FF) 30-90mm F1.9/T2 | 45-135mm F2.8/T3
€1.00*
The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm diagonal.
The EZ-Zooms were created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal).
FEATURES
Focal Length: 30-90 mm (S35 Format) / 45-135 mm (FF/VistaVision Fromat)
Zoom Ratio: 3x
Aperture: f/1.9 - T2 (S35 Format9 / f/2.8 - T3 (FF/VistaVision Format)
Format: S35mm and FF/VistaVision
Weight (approx.): 2,15 kg
Front diameter: 114 mm
For the first time, ENG-Style productions will get the flexibility necessary for run-and-gun shooting, combined with an exellence of image quality at an affordable price. The Detachable ENG-Style zoom grip available from MOVCAM is a perfect match for the EZ's. Users can also easily change between PL, Canon EF and Sony E mounts.
Bright Tangerine Canon C70 – Expert Kit
€1.00*
Form a rigid cage around your Canon C70 with a steady foundation, protecting your camera while speeding up transitions between setups. From here, you can accessorise the camera in any way you like using NATO accessories or directly mounting to the helicoil reinforced 1/4” & 3/8” threads. With a lightweight build, the cage improves the filmmaking experience for the Canon C70 whether it is being operated in handheld, tripod or gimbal modes. Each kit comes with the Side Plate, Top Plate, NATO Top Handle, Top Bar Bracket, LeftField 15mm LWS Baseplate (DJI), HDMI Clamp & a set of two 15mm (9” length) Sterling Titanium Drumstix Rods.
Versatile mounting options with 1/4”, 3/8”, NATO & QD points.
Helicoil reinforced threads to prevent stripping and loosening over time.
Patented Open•UP baseplate lets you easily lift off the camera from the dovetail.
DJI compatible dovetail lets you move from tripod to gimbal with less weight & low center of gravity.
Adjustable top handle provides a balanced grip.
Support for Axl EVF mount, lens motors & other 15mm rod mounted accessories on top of camera.
Sterling Titanium Drumstix Rods offer rigid support while being ultralight.
No Compromises Every part of our Canon C70 LeftField system has been machined and hand-finished in our single factory in Church Crookham. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.
Weight: 1 kg
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle Kit
€1.00*
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips.
Variable density zones using KASBAH for optimal cushioning & pressure relief
Open structure for air flow & allows for heat dissipation & evaporation of sweat
Hand grip system for 15mm LWS & 19mm Studio configurations
Upper flange encourages a relaxed grip and reduces tension
3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories
Milled rosettes offers positive engagement using ARRI standard for maximum compatibility
Symmetrical design allows for use on left or right sides
Glove-friendly knob for easy adjustments in fast paced settings
Precision cut from high-grade aluminium & stainless steel
The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm
Bright Tangerine LeftField 3 Sony FX6 – Expert Kit
€1.00*
Bright Tangerine LeftField 3 Sony FX6 – Expert KitTake your Sony FX6 to the next level with the LeftField 3 Sony FX6 – Expert Kit. It provides everything you need to rig the camera for different configurations, allowing you to move between setups quickly and easily. Whether you’re shooting documentaries, corporate videos, or anything in between, the Sony FX6 Expert Kit will help you get the most out of your camera.
Mini Axl for FX6 monitor with drag adjustment & sag-free support
Articulating NATO rail adds extra reach & height placement for monitor
Rigid top plate with 1/4”, 3/8”, NATO & QD sockets
Helicoil reinforced threads to prevent stripping and loosening over time
Patented Open•UP baseplate lets you easily lift off the camera from the dovetail
Sets the camera to 15mm LWS standards with support for rods & accessories
With the Sony FX6 – Expert Kit, you can take your Sony FX6 to new heights with everything needed for any situation.Ready for RiggingRig up accessories to the rigid top plate with options for NATO, 1/4″& 3/8″ mounted accessories. Two Quick Detach (QD) sockets are also ready for attaching a carrying strap or tethers.15mm LWS PlatformThe LeftField 15mm LWS baseplate is perfect for fast transitions on set, using the patented Open•Up system. With two industry-standard 15mm rod mounts to support other camera accessories like a matte box or focus motors.Flexible Monitor MountThe Mini Axl is a versatile bracket that replaces your stock monitor mount on the FX6. The screen can be adjusted on the fly to any angle or locked into place. When you're operating handheld with the Sony FX9 loupe, the Mini Axl will keep it from sagging from the weight. When it's time to change locations, simply stow away the monitor, keeping the screen protected. The included cable hook also helps with cable management and snags.Sony FX6 SystemThe included filler piece adds an additional central NATO rail for handles and gimbal plates, as well a support brace to completely remove all physical stress from the stock handle.Each Expert kit comes with the Top Plate, Filler Piece, Top Handle Brace, Mini Axl (Sony FX6), LeftField 3 15mm LWS Baseplate & a set of 15mm Drumstix (12"/30.4cm)You can expand the kit further with options for lens adaptor supports when using PL lenses, KASBAH Shoulder support & more.LeftField 3Customise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories.No CompromisesMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.
Bright Tangerine Mini Axl (Sony FX6)
€1.00*
Bright Tangerine Mini Axl (Sony FX6)
The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook.
Adds an articulating NATO rail onto the Sony FX6 Top Handle
Flexible monitor positioning with drag adjustment
Replaces the original Sony FX6 monitor bracket
Supports the weight of the FX9 Loupe and maintains horizon level
Monitor can be folded & stowed away for transport
This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm
Bright Tangerine Misfit Kick 360 3-Stage Swing Away Kit
€1.00*
Craft your image with filters to get the shot you envision. This kit is ready for three 4×5.65” filters, with 15mm LWS Swing Away support for faster lens changes without having to remove the matte box.
Independent 360-degree rotating filter stage for use with polarisers, graduated ND & FX filters.
Swing away provides clear access to swap lenses & accessories.
Compatible with 4×5.65″, 5×5″ or 5.65×5.65″ trays & filters.
Offers a wide field-of-view and maximum coverage for cine-servo lenses.
Combines with Frame Safe clamp adapters to suit a range of lenses, available in 80-143mm sizes.
360-Degree Rotation The kit includes the expansion pack, with both rear stages offering 360-degrees of rotation, useful for positioning graduated NDs or adding a polariser to reduce glare or reflections. Wide Angle Coverage with support up to 5.65×5.65″ For operators using wide angle cine-servo lenses, the Misfit Kick 360 supports larger 5×5” & 5.65×5.65” trays & filters, removing the risk of vignetting, even when rotating the stage. Frame Safe To complete the system, simply add a Frame Safe clamp adapter to suit your lens available from 80mm to 143mm diameters. It is also compatible with ARRI clamp adapters. British Workmanship Machined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Misfit Kick 360 comes with our famous Bright Tangerine Support and the addition of a 5 year warranty.
Weight: 1 kg
Dimensions: 35 × 25 × 12 cm
Bright Tangerine Prodigy Air Deflector Base Kit
€1.00*
Clear lens with the Prodigy Air Deflector
The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition.
Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.
Product Highlights
Easily deflects rain and other debris for a clear lens
50cm (20") long hose allows for flexible compressor placement
Rugged and tough construction for use in any weather conditions
Reveal Stage expands for a third filter stage
Requires Frame Safe clamp adapter - available in 11 sizes
In the box
B5000.1001 - Prodigy Air Deflector Compressor
B5000.1002 - Prodigy Air Head
B5000.1004 - Prodigy Power Cable
B5000.1007 - Prodigy Hose
B5000.1009 - Prodigy Top Flag
2x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)
Bright Tangerine Prodigy Air Deflector Compressor
€1.00*
The Prodigy Air Deflector Compressor filters and compresses air, accelerating it to 300+ mph through the connected hose to the Air Head. It is extremely durable, rugged, and waterproof, and can endure any harsh conditions in either hot or cold climates. BUILT FOR PROFESSIONALS The Compressor can be placed up to 50cm (20") away from the Air Head and has a variety of rigging possibilities. When in high risk situations, connect a safety wire to the tether point for added peace of mind. Powered by industry-standard 24V for high efficiency and ability to use larger batteries for longer run times. The 2-pin LEMO port has built-in automatic polarity switching to prevent any short circuits and potential damage. The 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes. USER-FRIENDLY The large buttons on the control panel are easy to operate with gloves on, and future firmware updates can be done by the user using the Type-C USB port. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. The air filter is a drop-in replacement with no special tools required that can be done in the field. EXTRA CARE COMES STANDARD Hand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Compressor comes with our famous Bright Tangerine Support and the addition of a 24-month warranty
Product Highlights
Easy to rig using arms, rod brackets and clamps
Simple interface for operation with R/S connectivity
Automatic Polarity Detection (2-pin LEMO for US or ARRI Standard)
Rugged housing and military-grade filtration
Self-serviceable in the field or on location
Bright Tangerine Prodigy Air Deflector Production Kit
€1.00*
Clear lens with the Prodigy Air Deflector
The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition.
Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.
Product Highlights
Easily deflects rain and other debris for a clear lens
50cm (20") long hose allows for flexible compressor placement
Rugged and tough construction for use in any weather conditions
Includes all necessary cables, accessories and spares
Set up for three stages, with 15mm LWS support using Black Hole
In the box
B5000.1001 - Prodigy Air Deflector Compressor
B5000.1002 - Prodigy Air Head
2x B5000.1004 - Prodigy Power Cable
2x B5000.1007 - Prodigy Hose
B5000.1009 - Prodigy Top Flag
3x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)
B5000.1006 - Prodigy Spare Glass
B1235.1017 - Frame Safe Clamp Adapter (143mm)
B1250.1076 - Black Hole Rubber Donut (143mm)
B1235.1002 - 15mm LWS Support Bracket (Misfit Kick)
Bright Tangerine Prodigy Air Head
€1.00*
The Prodigy Air Head takes pressurised air from the Compressor through the connected hose and creates barrier over a specially treated piece of glass for a clear lens. With advanced processes, we can make a glass that is optically clear with no effect on image quality or exposure, and it has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating. Spare glass is accessible if it gets damaged or breaks, and replacing it takes only a few minutes.BUILT ON THE MISFIT KICKThe Air Head can also be used as a standalone matte box. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clipon configuration or with rod supports on a 15mm LWS or 15/19 Studio setup.Compared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed from high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates.EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Air Head comes with our famous Bright Tangerine Support and the addition of a 24-month warranty.
Product Highlights
Keep your lens clear to shoot through rain, dust and debris
Low maintenance with no moving parts
Flat surfaces make it easy to bag your camera
No vignetting with wide angle lenses on large format sensors
Can be set up for clip-on or rod mounted with full range of Frame Safe clamp adapters
Bright Tangerine Prodigy Filter
€1.00*
The Prodigy accelerates air to over 300 miles per hour. The high airflow filter purifies to 1 micron blocking out dust particles and debris from entering the compressor.It is robust, waterproof, and designed to operate in a wide temperature range (-40 to +50°C) so you can use the Prodigy in any type of environment.EASY INSTALLATIONThe filter in the Prodigy Compressor needs to be replaced every 12 months or sooner, so that you can maintain the highest possible level of performance. To replace it is simple: remove four mounting screws on the bottom and remove the housing. Remove the old filter and drop in the new filter. Reattach the housing and you’re ready to go.Product Highlights
Prevents particles from entering the compressor
Military-grade filtration designed for high airflow
Filters out any particle larger than 1 micron
Waterproof and operates in a wide temperature range
Bright Tangerine Prodigy Hose – 100cm (40″)
€1.00*
Bright Tangerine Prodigy Hose – 100cm (40″)
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.The hose is 100cm (40”) in length and features secure bayonet fittings on each end.
Purpose-built to handle high pressure and large volume of air
100cm (40”) long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Hose also available in 50cm (20”) & 75cm (30”) lengths
Description
Available in 50cm (20”), 75cm (30”) & 100cm (40”) lengths to place the compressor further away from the Air Head.
QUICK RELEASE CONNECTORS
Attaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.
DESIGNED FOR HIGH PRESSURE
The Prodigy Hose is available in a range of lengths, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.
Additional information
Weight: 0,120 kgDimensions: 102,5 × 4 × 3 cm
Bright Tangerine Prodigy Hose – 75cm (30″)
€1.00*
Bright Tangerine Prodigy Hose – 75cm (30″)
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.The hose is 75cm (30”) in length and features secure bayonet fittings on each end.
Purpose-built to handle high pressure and large volume of air
75cm (30”) long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Hose also available in 50cm (20”) & 100cm (40”) lengths
Description
Available in 50cm (20”), 75cm (30”) & 100cm (40”) lengths to place the compressor further away from the Air Head.
QUICK RELEASE CONNECTORS
Attaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.
DESIGNED FOR HIGH PRESSURE
The Prodigy Hose is available in a range of lengths, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.
Additional information
Weight 0,090 kgDimensions 75,5 × 4 × 3 cm
Bright Tangerine Prodigy Hose Prodigy Hose – 50cm (20″)
€1.00*
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.QUICK RELEASE CONNECTORSAttaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.DESIGNED FOR HIGH PRESSUREThe Prodigy Hose is 50cm (20") in length, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.Product Highlights
Purpose-built to handle high pressure and large volume of air
50cm (20") long hose allows for flexible compressor placement
Kink resistant and durable to provide high air flow
One-piece quick release bayonet fittings for no leaks
Bright Tangerine Prodigy Power Cable
€1.00*
Power the Prodigy Air Deflector with this 2-pin Lemo to 3-pin XLR cable.24V RATEDThe 1.5m (4.9ft) cable made from high-quality materials rated for 24V offers minimal voltage drop. They are flexible and reliable for the most demanding conditions.WIRING SPECIFICATIONSThe Prodigy power cable uses the US standard. For both the 2-pin LEMO & XLR connector, Pin 1 is wired for Power (+), and Pin 2 for Ground (-). EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Power Cable comes with our famous Bright Tangerine Support and the addition of a 12-month warranty.
Product Highlights
Hand-built and tested for a reliable connection for the Prodigy Air Deflector
High-quality 2-Pin 2B Lemo & XLR connectors
Rated for 24V output with low voltage drop
Flexible 1.5m (4.9ft) long cable
Bright Tangerine Prodigy Spare Glass
€1.00*
The Prodigy Glass has been through a nummer of manufacturing processes to create a piece of glass with special properties.The air flow from the compressor attaches to the glass to deflect water and particles out of view.IMPACT-RESISTANTThe Prodigy Glass is neutral and impact resistant, free of unwanted color shifts while protecting expensive front elements and filters. It provides a barrier for any debris or particles which would otherwise damage the lens during stunts or action scenes.WATER REPELLANTThe glass has also been treated with a superhydrophobic coating that prevents water from beading on the surface. Combined with the Prodigy air flow, any water is cleared almost instantly.EASY INSTALLATIONThe replacement of the glass is a simple process that can be done in minutes. Using a 4mm Hex key, undo the screw to remove the access panel. Slide out the old glass and insert the new glass. Reattach the access panel and fixing screw and you’re ready to go.Product Highlights
Impact-resistant against chips and scratches
Superhydrophobic coating to repel water and particles
Optically clear to maintain lens characteristics
Easy to replace and install in a few minutes
Bright Tangerine Prodigy Top Flag
€1.00*
The Prodigy Top Flag is a great way to protect your frame from the elements and maintain contrast by blocking out flares. No tools are required, so you can install it quickly on the go. The flag provides additional protection for your Prodigy glass, with its 165 degree range of movement. It can close flush for transport and open up to block out flares and provide coverage from rain.QUICK AND EASYTo install the flag, line up the guide posts and insert the thumbscrew through the mounting point. You can now use the thumbscrew to set the tension. When fully tightened, the flag will be secured in position. Slightly loosen to adjust the flag on the fly. This is great when working in fast paced environments when constantly changing angles.EXTRA CARE COMES STANDARDMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Prodigy Top Flag comes with our famous Bright Tangerine Support and the addition of a 2-year warranty.Product Highlights
Quick and easy installation, no tools required
Adjustable tension - lock it off or adjust it on the fly
Lightweight carbon fiber construction for easy transport
Closes flat for complete protection for your Prodigy Glass