* Available from October 2025. Pre-order now at CBM!The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

IB/E K70 Series – Precision Large Format Cine Lenses for Stunning 65mm ImageryExpected to be available in Spring/Summer 2026 The IB/E 70 Series represent the pinnacle of optical engineering designed specifically for 65mm format cameras, including the ARRI ALEXA 265, Blackmagic URSA 17K, and Fujifilm GFX ETERNA. Crafted in Germany with premium materials and expert craftsmanship, these lenses deliver extraordinary image quality characterized by a perfect harmony of razor-sharp detail and beautifully smooth bokeh. Cinematographers can expect exceptional color fidelity and minimal chromatic aberration thanks to the advanced apochromatic color correction and aspheric elements incorporated in the optical design. Designed to meet the demands of the new generation of large-format digital sensors, the IB/E 70 lenses combine cutting-edge technology with practical features that support demanding shoots. Each lens maintains a constant length during focusing due to internal focusing mechanics, ensuring stability and balance on any rig. With an aperture of T1.7 and industry-standard M0.8 gear wheels for iris and focus control, the set offers creative flexibility and precision. Lightweight and compact, these lenses are ideal for challenging production environments where portability and optical excellence must go hand in hand. The IB/E 70 Series also supports advanced metadata integration through Cooke /i technology, providing seamless data capture on set. Available in both PL and LPL mounts, the lenses offer tuning options including customized flares, iris behavior, and color temperature adjustments. Built by a dedicated team in Bavaria, this lens series is a powerful tool for filmmakers aiming to achieve stunning cinematic visuals with a natural depth of field and perspective unique to the 65mm format. Technical SpecificationsImportant note: Technical specifications and focal lengths are preliminary and subject to change. /* Container für die beiden Spalten */ .responsive-table-container { display: flex; gap: 40px; flex-wrap: wrap; justify-content: center; max-width: 1200px; margin: 0 auto; } /* Jede Spalte */ .responsive-table-column { flex: 1 1 400px; box-sizing: border-box; } /* Überschriften */ .responsive-table-column h3 { margin-bottom: 12px; font-size: 1.1em; text-align: left; } /* Listen */ .responsive-table-column ul { padding-left: 20px; margin: 0; line-height: 1.4em; font-size: 0.95em; } /* Responsive */ @media (max-width: 800px) { .responsive-table-container { flex-direction: column; gap: 20px; } } /* Product Sheet Bereich */ .product-sheet-download { max-width: 1200px; margin: 30px auto 0 auto; text-align: left; } .product-sheet-download h3 { font-size: 1.1em; margin-bottom: 8px; } .product-sheet-download a { font-size: 0.95em; color: #0066cc; text-decoration: none; } .product-sheet-download a:hover { text-decoration: underline; } Features Ultra-fast T1.7 maximum aperture for exceptional low-light performance Internal focusing with constant lens length for stable rig setup Large 104 mm front diameter supports extensive filter options Available in PL and LPL mounts for versatile camera compatibility M0.8 standard gear wheels for smooth focus and iris control High-performance apochromatic color correction with minimal lateral color Lightweight and compact design for ease of handling on set Optional tuning for flares, iris characteristics, and color temperature Technical Specifications Image circle diameter: 65mm format coverage Aperture: T1.7 maximum, 9-blade iris (varies by focal length) Minimum focus distance: ranges from 17 cm (24mm) to 88 cm (135mm) Lens length: approximately 12.8 to 14 cm depending on focal length Weight: 1.6 to 1.9 kg per lens Optical design: aspheric elements with apochromatic correction Metadata compatibility: Cooke /i Technology integrated via mount contacts Breathing: minimal, between 3% and 5% Current Product Sheet PDF Download – IB/E K70 Series for 65mm Format Cameras (Data is subject to change)

Ultra-Wide 8K Cine-Servo Lens for Broadcast and CinemaThe Canon CN5x11 IAS T R1/P1 Cine Servo Lens redefines ultra-wide cinematography with an 11–55 mm focal range, offering an impressive 100° field of view. Designed for demanding broadcast, live, and cinematic productions, this lens provides exceptional edge-to-edge sharpness and natural color reproduction across 8K resolution. Lightweight at approximately 3 kg, it excels in mobile setups, including gimbals, cranes, robotic systems, and shoulder-mounted rigs, without compromising stability or handling. Its balanced design makes it equally effective in tight studio spaces or expansive live event environments, capturing both subjects and surroundings in stunning detail. Advanced Servo Control and Flexible OperationEquipped with Canon’s next-generation e-Xs V Digital Drive Unit, the CN5x11 IAS T R1/P1 offers precise servo control, high-resolution 16-bit encoding, focus breathing correction, and enhanced ergonomic operation. The detachable servo unit ensures quick adaptation between live event coverage and cinema-style productions. Available with RF or PL mount options, the lens supports real-time metadata output, making it fully compatible with virtual production pipelines, VFX workflows, and advanced post-production needs. The RF version further supports Canon Dual Pixel CMOS AF and lens distortion correction, while the PL variant integrates Cooke /i Technology™ and ZEISS eXtended Data™ for seamless metadata capture. Versatility and Image QualityThis Cine Servo lens features an integrated 1.5× extender, enabling compatibility with Super 35mm or full-frame cameras. Its 11-blade iris provides smooth highlights and attractive background blur, creating a cinematic depth-of-field effect even in live productions or documentaries. The lens delivers consistent color balance and natural skin tones, minimizing post-production correction. Whether filming dynamic sports events, high-paced news, or cinematic dramas, the CN5x11 IAS T R1/P1 combines premium optics, lightweight mobility, and versatile control options to meet the exacting standards of professional cinematographers and broadcast specialists. Features – Canon CN5x11 IAS T R1/P1 Ultra-wide 11–55 mm focal length, 100° field of view 8K HDR optical quality from center to edge Lightweight design (~3 kg) for gimbal, crane, and shoulder use Available with RF or PL mount Detachable e-Xs V Digital Drive Unit High-resolution 16-bit encoder for precise lens data Focus breathing correction for smooth zoom and focus 11-blade iris for soft highlights and cinematic bokeh Integrated 1.5× extender for full-frame or Super 35mm use RF mount supports Dual Pixel CMOS AF and lens distortion correction PL mount supports Cooke /i Technology™ and ZEISS eXtended Data™ USB-C connectivity for remote control and configuration Optimized servo control with enhanced ergonomics Versatile zoom for tight studio or live event setups High color fidelity with natural skin tones Ideal for broadcast, live, multi-cam, virtual, and cinema productions Minimal weight for portable and mobile applications Compatible with virtual production and VFX workflows Fast servo response for live and dynamic shooting Balanced construction for easy handheld operation Technical Specifications Mount: RF or PL Zoom ratio: 5× Focal length: 11–55 mm (16.5–82.5 mm with 1.5× extender) Maximum aperture: T2.95 (11–41 mm) / T3.95 (55 mm) Aperture blades: 11 Image circle: Ø29.6 mm (Super 35) / Ø43.3 mm (Full Frame) Minimum focus distance: 0.6 m / 2.0 ft Near-field coverage (11 mm): 69.7 × 39.1 cm Near-field coverage (55 mm): 13.3 × 7.5 cm Field of view: 96.4° × 64.2° (11 mm) / 25.2° × 14.3° (55 mm) Aspect ratio: 1.78:1, 1.9:1 optional Supported resolution: up to 8K Lens design: aspherical + anomalous dispersion elements Servo drive: e-Xs V Digital Drive Unit, detachable Control interface: USB-C, 3× 20-pin connectors Metadata support: Dual Pixel CMOS AF, Cooke /i, ZEISS eXtended Data Compatible with full-frame and Super 35 cameras High dynamic range (HDR) imaging Focus breathing correction enabled Optimized for virtual production systems Dimensions & Weight Dimensions: 186.6 × 129.9 × 301.0 mm (RF) / 186.6 × 129.9 × 269.0 mm (PL) Front diameter: Ø114 mm Weight: ~3.01 kg (RF) / ~2.92 kg (PL)

Expand Your Creative Field of View The Angenieux WA 0.75 Wide Angle Adapter is designed specifically for Optimo Prime lenses (Optimo Prime 18mm and 21mm only), providing cinematographers and filmmakers with a simple yet powerful way to expand their creative possibilities. By reducing the focal length by a factor of 0.75, the adapter widens the field of view without any loss of T-stop, ensuring consistent exposure while capturing more immersive shots. When mounted on Optimo Prime 18mm and 21mm lenses, the WA 0.75 Adapter transforms the 18mm into a 13.5mm and the 21mm into a 15.7mm, allowing filmmakers to explore new perspectives and elegant distortion effects. Its optical design preserves image sharpness from 2m (6’6”) to infinity, maintaining Angenieux’s renowned cinematic quality while adding a subtle creative twist. Engineered with high-quality optical glass, the adapter weighs only 450g, making it easy to integrate into professional workflows without adding unnecessary bulk. The WA 0.75 Adapter opens a new world of visual storytelling, enabling directors of photography to push the boundaries of composition, create dramatic wide-angle shots, and experiment with creative distortion effects, all while keeping focus and exposure consistent. For any production using Optimo Prime lenses, the Angenieux WA 0.75 Adapter becomes an indispensable accessory for achieving wider shots and distinctive cinematic visuals. Its lightweight, durable construction and precise optical design make it a reliable choice for on-set and location shooting alike. Features – Angenieux WA 0.75 Adapter Technical Specifications For Optimo Prime 18mm & 21mm Expands field of view by 0.75x factor No T-stop loss for consistent exposure Transforms 18mm into 13.5mm Transforms 21mm into 15.7mm Elegant wide-angle distortion effects Sharp image from 2m (6’6”) to infinity Lightweight, only 450g High-quality Angenieux optical glass Enhances creative composition possibilities Ratio: 0.75x Minimum Object Distance (MOD): 0.46m / 1’6” Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with included adaptor ring) Weight: 1 lb / 450g Maintains original T-stop Compatible with Optimo Prime 18mm Compatible with Optimo Prime 21mm Sharpness guaranteed from 2m to infinity Designed for professional cinema applications Dimensions & Weight Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with adaptor) Weight: 1 lb / 450g @media (max-width: 800px) { table, thead, tbody, th, td, tr { display: block; width: 100%; } th { font-weight: bold; } }

Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!

The FUJINON GF 32-90mm T3.5 PZ OIS WR is a groundbreaking addition to the GF lens lineup, marking the first power zoom lens designed for the GFX Series of large-format mirrorless cameras. Covering a versatile focal length of 32-90mm (equivalent to 25-71mm in 35mm format), this lens brings cinema-grade video quality to a compact and lightweight form factor, weighing just 2.1kg. Its design draws inspiration from the acclaimed FUJINON Premista Series, widely recognized in professional video production for exceptional operability and optical performance. Engineered to meet the demands of modern video production, the GF 32-90mm T3.5 PZ OIS WR reduces the need for frequent lens changes by spanning wide-angle to standard focal lengths in a single lens. This efficiency is ideal for small-crew or solo productions, enabling high-quality shooting with minimal setup. The lens maintains a bright T3.5 aperture throughout the zoom range, ensuring consistent exposure control and smooth depth-of-field transitions, allowing filmmakers to capture the subtleties of light and texture with precision. Optical excellence is at the core of this lens, featuring 25 elements in 19 groups, including three ED and three aspherical elements. Advanced Nano GI coating minimizes flare and ghosting, delivering crystal-clear images even in challenging lighting conditions. Breathing is effectively suppressed for stable compositions during focus pulls, while the 13-blade nearly circular aperture produces beautiful, creamy bokeh that enhances cinematic expression. Video professionals will appreciate the intuitive power zoom mechanism, combined with precise electronic control for focus, zoom, and aperture rings. The lens incorporates smooth, high-precision autofocus and image stabilization, ensuring reliable performance during handheld or dynamic shooting scenarios.  Its compact dimensions and ergonomic design make long shooting sessions more manageable without compromising optical quality. When paired with the FUJIFILM GFX ETERNA 55 camera, this lens unlocks new creative possibilities, offering filmmakers unprecedented flexibility, speed, and image fidelityFeatures – FUJINON GF 32-90mm T3.5 PZ OIS WR First power zoom lens in the GF lineup for cinematic video Focal length: 32-90mm (equivalent to 25-71mm in 35mm format) Constant T3.5 aperture across entire zoom range 25 elements in 19 groups, including 3 ED and 3 aspherical lenses Nano GI coating reduces flare and ghosting Cinema lens-inspired operability and ergonomic design Lightweight body: approximately 2.1kg Compact length: 222mm Rear focus system for precise focus control 200-degree focus rotation for accurate manual focusing Three independent manual rings: focus, zoom, iris (aperture) 13-blade rounded diaphragm for smooth bokeh Power zoom control via camera (GFX ETERNA 55) High-speed, high-precision autofocus Advanced image stabilization for handheld shooting Minimal focus breathing for stable compositions Supports standard cinema accessories like follow focus and lens motors Durable weather-resistant construction Technical Specifications – FUJINON GF 32-90mm T3.5 PZ OIS WR Type: Power Zoom Large Format Lens Lens Configuration: 25 elements in 19 groups (3 aspherical, 3 ED) Focal Length: 32-90mm (35mm equivalent: 25-71mm) Angle of View: 81.0°-33.8° Maximum Aperture: T3.5 Minimum Aperture: T32 Aperture Blades: 13 (rounded diaphragm) Minimum Focus Distance: 0.8m (both wide and tele) Maximum Magnification: 0.06x Filter Size: 111mm Image Stabilization: Yes, optical Autofocus: High-speed, precise Lens Mount: FUJIFILM G Mount Lens Type: Power Zoom Cine Lens Weather Resistant: Yes Accessories Included: Front/Rear lens caps, support foot, zoom lever, lens case Dimensions & Weight Diameter: 123.5mm (114mm effective) Length: 222.5mm Weight: 2,150g

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

* in Development *The FUJINON UA22×4.8BERD is a versatile 4K broadcast zoom lens that combines wide-angle capability with powerful zoom performance in a compact and lightweight body. Covering a focal range from 4.8mm wide-angle to 106mm telephoto, it offers outstanding flexibility for news coverage, studio productions, and live sports broadcasting. Its wide 4.8mm angle makes it especially useful in tight indoor environments, while the 22x zoom ensures detailed, immersive visuals even in large-scale arenas. Weighing only 2.2kg and measuring just 252mm in length, the UA22×4.8 is engineered for high mobility and reduced operator fatigue, particularly for handheld or shoulder-mounted shooting. Its lightweight construction ensures ease of operation during long shoots without compromising durability. Compared to its predecessor, the UA18x5.5, this model expands the focal range while maintaining the same portability, offering broadcast professionals a wider field of view and greater creative flexibility. With cutting-edge optical simulation technology and Fujifilm’s HT-EBC multi-layer coating, the UA22×4.8 delivers superb 4K image quality across the entire zoom range. High transmittance and precise color reproduction ensure HDR-ready shooting, capturing smooth tonal gradations and reducing issues like black crush or highlight blowout in high-contrast conditions. Equipped with 16-bit encoders for precise position detection, the lens also supports virtual and remote production workflows, making it a forward-looking choice for modern broadcasting environments. Features – FUJINON UA22×4.8BERD Wide-angle shooting at 4.8mm with 22x zoom up to 106mm Compact and lightweight design: 252mm length, 2.2kg weight Ideal for news, studio, and sports broadcasting applications 4K optical performance with minimized aberrations across zoom range HT-EBC multi-layer coating for high light transmittance and accurate color HDR-ready for smooth gradations and high-contrast shooting conditions Close focus capability: 0.4m across entire zoom range High-resolution 16-bit encoders for virtual/remote production workflows Technical Specifications Format: 2/3-inch sensor broadcast cameras Focal length: 4.8mm–106mm Zoom ratio: 22x Optical performance: 4K resolution across full zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) HDR support: Balanced exposure for high dynamic range shooting Encoders: High-resolution 16-bit for zoom/focus position detection Minimum object distance: 0.4m across zoom range Dimensions & Weight Length: 252mm Weight: Approx. 2.2kg

The FUJINON LA30x7.8BRM sets a new standard in the broadcast lens category, offering a class-leading 30x zoom in a remarkably compact and lightweight design. With a focal range of 7.8mm wide-angle to 234mm telephoto, it provides outstanding versatility for broadcast professionals who need to capture everything from expansive stadium shots to close-up details. Weighing just 1.7kg and measuring only 190mm in length, this lens ensures excellent mobility and reduced operator fatigue, making it ideal for ENG-style shooting and live event coverage. Designed for today’s fast-evolving broadcast and production environments, the LA30x7.8 integrates a newly developed drive unit with high-resolution 16-bit encoders. This enables precise position detection for zoom, focus, and iris, ensuring seamless integration with virtual and remote production workflows. Whether you are working on live sports, music performances, or news coverage, the lens provides the speed, accuracy, and flexibility required for both creative and technical excellence. The advanced optical design delivers true 4K performance across the entire zoom range. Fujifilm’s proprietary HT-EBC multi-layer coating enhances light transmittance and color accuracy, ensuring crisp, vibrant images with minimal aberrations. Additional features such as a macro function for extreme close-ups, electronic flange back adjustment, autofocus command support, and a rear-focus mechanism for reduced breathing make the LA30x7.8 a powerful tool for broadcasters seeking both reliability and cutting-edge image quality. Features – FUJINON LA30x7.8BRM Highest-in-class 30x zoom covering 7.8mm–234mm range Compact and lightweight: 190mm length, 1.7kg weight Newly developed drive unit with 16-bit encoders for virtual/remote production Ultra-fast zooming from wide to tele in 1.0 sec or ultra-slow in 120 sec Rear-focus mechanism to minimize focus breathing Fujifilm HT-EBC multi-layer coating for high transmittance and true color reproduction Macro function for extreme close-ups up to 5cm Supports autofocus control commands from the camera Technical Specifications Format: 2/3-inch sensor broadcast cameras Zoom ratio: 30x (7.8mm–234mm) Drive unit: Newly developed with high-resolution 16-bit encoders Optical performance: 4K resolution across entire zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) Flange back: Electronic adjustment function Zoom speed: Max. 1.0 sec / Min. 120 sec (wide–tele) Mechanism: Rear-focus system for minimized breathing Dimensions & Weight Length: 190mm Weight: Approx. 1.7kg

The Leitz Cine HUGO 40 mm T1.5 is the long-awaited expansion to the HUGO series, delivering the most requested focal length in professional cinematography. Designed in close collaboration with Leica Camera engineers, this prime lens captures the emotional, organic character of Leica glass while being optimized for demanding film productions. Filling the gap between 35 mm and 50 mm, the 40 mm prime offers a unique balance of intimacy and perspective, making it one of the most versatile focal lengths for narrative and commercial filmmaking. Its rendering is unmistakably cinematic: soft fall-off, creamy bokeh, rich color transitions, and sharpness in the center without appearing overly clinical. The result is a natural, tactile image that resonates with audiences and enhances storytelling. Compact, lightweight, and mechanically precise, the HUGO 40 mm is ideal for handheld work, gimbals, drones, and compact rigs, while still maintaining full professional cinema functionality. With a fast T1.5 aperture, consistent housing design across the HUGO line, and multiple mount options, it is a reliable and creative tool for filmmakers who demand exceptional optical performance with Leica’s legendary signature. Features – Leitz Cine HUGO 40 mm T1.5 Cinematic 40 mm focal length, perfect balance between 35 mm and 50 mm Maximum aperture of T1.5 for exceptional low-light performance and shallow depth of field Signature Leica rendering with soft fall-off, creamy bokeh, and rich colors Co-developed with Leica Camera engineers for unique optical character Compact and lightweight design, optimized for handheld and gimbal use Standardized housing with matched focus and iris positions across the HUGO series 0.8 MOD cine gearing for seamless integration into professional rigs Technical Specifications Focal length: 40 mm Maximum aperture: T1.5 Image circle: 43.3 mm (full-frame / VistaVision coverage) Minimum focus: approx. 0.36 m (14 in) Iris: 11 rounded blades Focus rotation: 270° Iris rotation: approx. 70.5° Mount options: LPL, L, M Dimensions & Weight Length: 68 mm Front diameter: 95 mm Filter thread: 92 mm screw-in Weight: approx. 810–870 g

The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet

The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

The Canon RF 24-105mm F2.8 L IS USM lens offers an exceptional blend of versatility and high-quality optics, making it an ideal choice for professional photographers and videographers. With a constant f/2.8 aperture, this lens excels in a wide range of lighting conditions, allowing for stunning low-light performance and beautiful depth of field control. Its focal length range of 24-105mm makes it suitable for various photography styles, from sweeping landscapes to intimate portraits. Engineered with advanced optical technology, this lens incorporates aspherical and ultra-low dispersion elements to minimize distortions and ensure sharp, vibrant images. The built-in Image Stabilization helps eliminate camera shake, enabling you to capture crystal-clear images even in challenging environments. Additionally, its rugged, weather-sealed design ensures durability in various shooting conditions, making it a reliable companion for outdoor photography. Features Constant f/2.8 maximum aperture Versatile focal length range of 24-105mm Advanced optical design for superior image quality Built-in Image Stabilization for reduced blur Weather-sealed construction for durability Fast and precise Dual Nano USM autofocus Ideal for both still photography and videography Compatible with Canon RF mount cameras Technical Specifications Focal Length: 24-105mm Maximum Aperture: f/2.8 Lens Construction: 18 elements in 15 groups Image Stabilization: Yes (up to 5 stops) Filter Size: 77mm Focus Type: Autofocus Dimensions, Weight Weight: 700 grams Dimensions: 88.8 mm x 136 mm Included Items Canon RF 24-105mm F2.8 L IS USM lens Lens hood Front and rear lens caps User manual

A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.

The Angénieux Type EZ-3 Pack (S35mm and FF) is the latest innovation in the acclaimed EZ series, offering a powerful telephoto zoom with exceptional versatility. With a focal range of 45–165mm (S35) and 68–250mm (Full Frame/VistaVision), this lens delivers precise and consistent imagery for filmmakers working across different formats. Whether you're capturing cinematic long shots or dynamic run-and-gun scenes, the EZ-3 adapts seamlessly. Featuring IRO Technology® (Interchangeable Rear Optics), the EZ-3 can be swiftly reconfigured between S35 and FF formats with minimal tools, providing maximum adaptability on set. A constant T-stop of T2.3/T3 in S35 and T3.5/T4.5 in FF ensures consistent exposure, allowing for uninterrupted shooting. The compact form factor—just 265mm in length and 2.6 kg in weight—makes this lens ideal for handheld, gimbal, or Steadicam work. With dual focus scales (feet and meters) and compatibility with existing EZ-1 and EZ-2 accessories, the EZ-3 is a reliable and efficient tool for professional filmmakers. Its long reach and crisp optical performance make it especially valuable for narrative, documentary, and commercial productions. Features – Angénieux Type EZ-3 Pack (S35mm and FF) 45-165mm T2.3/T3 | 68-250mm T3.5-4.5 Interchangeable format design: S35 and Full Frame New quick IRO Technology® for fast configuration Long telephoto reach with 3.7x zoom ratio Consistent T-stop: T2.3/T3 (S35), T3.5/T4.5 (FF) Compact & lightweight: 265mm length, 2.6 kg Dual focus scale (feet and meters) for international crews Full compatibility with EZ-1 and EZ-2 accessories Smooth focus rotation and user-friendly design Technical Specifications Focal Length: 45–165mm (S35) | 68–250mm (FF/VV) Zoom Ratio: 3.7x Aperture: T2.3/T3 (S35) | T3.5/T4.5 (FF) Minimum Object Distance: 1.2m / 4 ft Format Coverage: S35 (24 x 13.6mm) | FF (37.7 x 24.9mm) Mount: PL (interchangeable to EF, E, RF) Focus Rotation: 300° Front Diameter: 114mm Dimensions and Weight Length: 265mm (10.4 inches) Weight: 2.6 kg (4.4 lb) Front Diameter: 114 mm In the Box Angénieux Type EZ-3 Lens S35 Rear Optical Group (pre-installed) FF/VV Rear Optical Group Front Protective Glass EZ Hood Lens Caps (Front & Rear) Transport Case User Manual Warranty Documentation

The Canon CN-E70-200mm T4.4 L IS Compact Cinema Servo Zoom Lens is a high-performance telephoto cinema zoom designed to meet the demands of professional filmmakers, broadcast crews, and commercial productions. Covering a versatile 70–200mm focal range, this lens allows for precise framing, dynamic close-ups, and controlled background compression, all without changing lenses during critical shoots. Featuring a constant T4.4 aperture across the zoom range, the CN-E70-200mm delivers consistent exposure and image quality in a wide range of lighting conditions. Its advanced L-series optics produce sharp, high-contrast images with minimal chromatic aberration and distortion, ensuring every shot maintains professional clarity. The lens is equipped with built-in image stabilization, reducing the impact of camera shake during handheld or mobile setups, making it ideal for gimbal, Steadicam, and shoulder-mounted applications. Internal zoom and focus mechanisms provide smooth operation and prevent focus breathing, while consistent gear positioning ensures compatibility with follow focus and zoom control systems. Lightweight and robust, the CN-E70-200mm T4.4 L IS combines portability with professional reliability. Its ergonomic design and durable construction make it suitable for both studio and location filming. Advanced metadata communication with Canon cinema cameras allows for seamless integration into post-production workflows, enhancing efficiency and precision. Whether capturing dramatic sequences, sports, or wildlife, this telephoto zoom lens delivers cinematic image quality with creative flexibility. Features – Canon CN-E70-200mm T4.4 L IS Zoom Lens: Professional telephoto zoom lens for cinema production Focal range: 70–200mm for tight framing and compression Constant T4.4 aperture for consistent exposure L-series optics for sharp, high-contrast imagery Minimal chromatic aberration and distortion Built-in image stabilization Smooth internal zoom and focus mechanisms Consistent gear positions for follow focus and zoom systems Compatible with Canon cinema camera metadata Ideal for handheld, gimbal, and Steadicam shooting Ergonomic, lightweight, and portable design Smooth iris operation with 11-blade aperture Reliable performance in low-light conditions High-quality cinematic bokeh Robust, professional-grade construction Optimized for 4K and 8K productions Suitable for studio and location filming Reduced focus breathing Advanced metadata support for efficient post-production Seamless integration with Canon EF mount systemsTechnical Specifications: Focal length: 70–200mm Maximum aperture: T4.4 Minimum aperture: T22 Lens mount: Canon EF Format compatibility: Super 35 / APS-C Focus type: Manual Focus rotation: 300° Iris: Smooth, 11-blade Optical design: L-series glass elements Minimum focus distance: 1.2 m (3.9 ft) Zoom type: Internal Image stabilization: Built-in Aperture control: Manual Lens coating: Anti-reflection coatings Weight: 2.4 kg Length: 230 mm Filter thread: N/A (front lens gear system) Color rendition: Neutral, cinematic Mount communication: EF metadata compatible Temperature range: Operational -10°C to 40°C Dimensions & Weight: Length: 230 mm Maximum diameter: 95 mm Weight: 2.4 kg

Canon CN-E18-80mm T4.4 Zoom Lens – Compact Cinema Zoom for Creative Filmmaking The Canon CN-E18-80mm T4.4 Compact Cinema Zoom Lens is a compact, professional-grade cinema zoom designed to deliver exceptional image quality and flexibility for narrative films, documentaries, and commercial productions. With a versatile 18–80mm focal range, this lens allows filmmakers to capture wide establishing shots as well as medium telephoto perspectives without changing lenses, streamlining production and reducing setup time. Engineered for consistency and precision, the CN-E18-80mm T4.4 offers a constant T4.4 aperture across the zoom range, providing reliable exposure control in a variety of lighting conditions. Its internal zoom design ensures smooth focus and zoom operation while maintaining optimal image quality and minimal focus breathing. The lens incorporates Canon’s L-series optical technology, producing sharp, high-contrast images with minimal chromatic aberration and distortion. Lightweight and compact, the CN-E18-80mm is ideal for handheld, gimbal, or Steadicam shooting. The lens features consistent gear positions for focus, zoom, and iris, making it fully compatible with professional follow focus and zoom control systems. Additionally, its built-in image stabilization compensates for minor camera shake, ensuring smooth, cinematic results even in dynamic shooting scenarios. Designed with practical workflow in mind, the CN-E18-80mm T4.4 supports advanced metadata communication when used with Canon cinema cameras, allowing for more efficient post-production. Whether you are capturing fast-paced action, dramatic sequences, or intimate interviews, this zoom lens provides the versatility, reliability, and image quality demanded by professional filmmakers. Features – Canon CN-E18-80mm T4.4 Zoom Lens: Compact, lightweight design for easy handlingVersatile 18–80mm focal range Constant T4.4 aperture across the zoom range High-resolution L-series optics for exceptional image quality Minimal chromatic aberration and distortion Smooth internal zoom and focus operation Consistent gear positions for follow focus and zoom control Built-in image stabilization Supports Canon cinema camera metadata functions Ideal for handheld, gimbal, or Steadicam use 300° focus rotation for precision focusing Smooth iris operation Durable, professional-grade construction High-contrast, sharp images suitable for 4K and 8K productions Optimized for cinematic bokeh and background separation Lightweight enough for extended handheld shooting Reliable in low-light shooting conditions Designed for both studio and location filming Seamless integration with existing Canon EF-mount systems Technical Specifications: Focal length: 18–80mm Maximum aperture: T4.4 Minimum aperture: T22 Lens mount: Canon EF Format compatibility: Super 35 / APS-C Focus type: Manual Focus rotation: 300° Iris: Smooth, 11-blade Optical design: L-series glass elements Minimum focus distance: 0.9 m (3 ft) Zoom type: Internal Image stabilization: Built-in Aperture control: Manual Lens coating: Anti-reflection coatings Weight: 2.3 kg Length: 205 mm Filter thread: N/A (front lens gear system) Color rendition: Neutral, cinematic Mount communication: EF metadata compatible Temperature range: Operational -10°C to 40°C Dimensions & Weight: Length: 205 mm Maximum diameter: 95 mm Weight: 2.3 kg

  Wooden Camera - ARRI LPL Mount v2 for Sony VENICE, VENICE 2, BURANO Cameras The ARRI LPL Mount for Sony VENICE, VENICE 2, and BURANO allows seamless integration of ARRI Signature Lenses with Sony’s high-end cinema cameras, enabling direct lens pogo connections for full metadata pass-through. This premium mount transmits internal /i lens data from smart lenses or translated external lens data from remote focus motor drivers directly to the camera.For external data transmission, simply connect the LDT-R2 or LDT-V2 from DCS to record real-time lens values directly into the metadata headers of the camera footage, making any lens a smart lens.   The mount features high-precision manufacturing and accurate flareage, with flocked aluminum construction to minimize unwanted reflections and flare artifacts. It is factory-calibrated to industry standards and includes a shimmable design for fine-tuning flange depth. By removing the six socket head screws around the collar, users can separate the flange from the mount and insert color-coded shims of various thicknesses: Silver – 0.0127mm (0.0005”) Amber – 0.0254mm (0.001”) Purple – 0.0381mm (0.0015”) Red – 0.0508mm (0.002”) Green – 0.0762mm (0.003”) Tan – 0.1016mm (0.004”) Blue – 0.127mm (0.005”) Back focus adjustment should be verified using collimation tools.For added versatility, the ARRI LPL to PL Adapter is fully compatible, allowing users to quickly switch from standard PL lenses to LPL lenses while maintaining full data pass-through.The included LPL port cap protects the camera sensor when no lens is mounted, ensuring optimal performance in any shooting environment.Works with:* ARRI LPL Lenses with Impression Filters* ARRI LPL to PL Adapter* Leitz Hugo Lenses* LDT systems from DCSSpecificationsWeight: 316gDimensions: 11,3 x 12,6 x 4,7 cm  

Canon CN-R135mm T2.2 L F - Premium RF Cine Lens for Professional Telephoto Shots The Canon CN-R135mm T2.2 L F is a high-performance cine lens designed for filmmakers who demand precise control, exceptional image quality, and versatility for 4K, 8K, and HDR productions. With its RF mount, the CN-R135mm offers seamless integration with Canon RF-mount cameras, enabling fast communication and enhanced functionality for optimal performance. The lens features a T2.2 aperture, which strikes the perfect balance between allowing ample light in low-light situations and maintaining sharp, clear images. It also offers a beautiful shallow depth of field that enhances the cinematic look of your footage, allowing filmmakers to focus attention precisely where it’s needed.This 135mm lens excels in both portrait and telephoto shots, making it ideal for capturing stunning close-ups and expansive landscapes alike. The 300° focus rotation provides fine control over focus adjustments, ensuring accuracy and precision when setting up shots, even in fast-paced or dynamic filming environments. The 11-blade iris creates soft, natural bokeh that adds a professional touch to every shot, beautifully separating subjects from the background with smooth, pleasing transitions of light. In-camera electronic features, such as distortion and vignetting corrections, and Dual Pixel Focus Assistant, further streamline the filmmaking process, reducing the need for extensive post-production adjustments and ensuring the highest quality output.Designed to withstand the demands of professional cinematography, the CN-R135mm T2.2 L F is both durable and compact, making it suitable for use across a variety of filming scenarios. Its standard 114mm front diameter is compatible with matte boxes, and the 105mm filter thread accommodates a wide selection of filters, adding to its creative versatility. Whether you’re shooting a documentary, narrative film, or music video, this lens delivers extraordinary image quality and precision, allowing filmmakers to unlock their creative potential and elevate their work to the highest cinematic standards.Features: Canon CN-R135mm T2.2 L FRF mount for seamless integration with Canon RF-mount camerasHigh optical performance for 4K, 8K, and HDR productionsT2.2 aperture for balanced low-light performance and shallow depth of field11-blade iris for smooth, natural bokeh and beautiful light transitions300° focus rotation for precise and controlled focus adjustmentsBuilt-in electronic distortion and vignetting corrections for fewer post-production tasksDual Pixel Focus Assistant for easy focus tracking and enhanced functionalityCompact and robust design for use in professional filmmaking environmentsTechnical SpecificationsMount Type: RF mountAperture: T2.2Focus Rotation: 300° for accurate and smooth focus controlIris Blades: 11-blade aperture for cinematic bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 1.5mSupported Camera Systems: Canon RF-mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 174mmWeight: 1.9 kgIn the BoxCanon CN-R135mm T2.2 L F lensLens capRear lens capUser manual

Canon CN-R85mm T1.3 L F - Premium RF Cine Lens for Stunning Cinematic Bokeh The Canon CN-R85mm T1.3 L F is a powerful cine lens designed to provide filmmakers with outstanding optical performance and exceptional creative control. With its RF mount, the CN-R85mm integrates seamlessly with Canon's RF-mount cameras, ensuring rapid communication and enhanced functionality for professional filmmaking. Its large T1.3 aperture enables superior performance in low-light conditions, allowing filmmakers to capture stunning, high-contrast shots with a shallow depth of field. Whether shooting dramatic close-ups or wide scenes, this lens delivers exceptional sharpness, crisp details, and the rich, cinematic bokeh that is perfect for creating a high-quality production look.The CN-R85mm T1.3 L F also boasts an impressive 300° focus rotation, providing precise and smooth focus adjustments even during complex shots. The 11-blade iris ensures that the bokeh remains soft and natural, adding depth and dimension to the background and light sources. The lens also incorporates in-camera electronic distortion correction and the Dual Pixel Focus Assistant, which work together to simplify the focus process and minimize the need for post-production fixes. These advanced features make this lens an excellent choice for professional filmmakers who require precision, reliability, and top-tier image quality for their projects.Built to withstand the demands of professional filmmaking, the Canon CN-R85mm T1.3 L F is both compact and robust, making it suitable for a wide range of filming environments, from controlled studio setups to outdoor shoots. The lens features a standard 114mm front diameter, which is compatible with matte boxes, and its 105mm filter thread allows for easy attachment of filters. Designed for maximum optical clarity and versatility, the CN-R85mm T1.3 L F offers a level of performance and creative flexibility that elevates any film production.Features: Canon CN-R85mm T1.3 L FRF mount for seamless integration with Canon RF-mount camerasSuperior optical performance for 4K, 8K, and HDR productionsLarge T1.3 aperture for excellent low-light performance and shallow depth of field11-blade iris for smooth, cinematic bokeh and light transitions300° focus rotation for precise and accurate focus controlBuilt-in electronic distortion correction for fewer post-production adjustmentsDual Pixel Focus Assistant for enhanced focus tracking and ease of useCompact and durable design, suitable for a wide range of filming scenariosTechnical SpecificationsMount Type: RF mountAperture: T1.3Focus Rotation: 300° for accurate focus adjustmentsIris Blades: 11-blade aperture for beautiful bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 0.85mSupported Camera Systems: Canon RF-mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 138mmWeight: 1.5 kgIn the BoxCanon CN-R85mm T1.3 L F lensLens capRear lens capUser manual

Canon CN-R50mm T1.3 L F - Premium RF Cine Lens for Low-Light and Cinematic Shots The Canon CN-R50mm T1.3 L F is an exceptional cine lens designed to deliver unrivaled image quality for filmmakers working with 4K, 8K, and HDR productions. With its RF mount, this lens ensures fast and seamless integration with Canon cameras, providing advanced communication and functionality to optimize your shooting experience. The CN-R50mm features a wide T1.3 aperture, which allows for outstanding performance in low-light conditions, providing a shallow depth of field for cinematic, high-contrast shots. The result is rich, vibrant footage with sharp focus and beautifully smooth bokeh that adds depth and aesthetic appeal to your visuals.The CN-R50mm T1.3 L F is engineered with precision focus control, offering a 300° focus rotation for accurate manual focus adjustments during critical shots. The 11-blade iris produces soft, round bokeh that enhances the visual quality of your production, while also offering exceptional control over light sources, creating beautiful, cinematic effects. Built-in electronic features such as in-camera distortion correction and the Dual Pixel Focus Assistant further improve the efficiency of your workflow by reducing the need for time-consuming corrections in post-production. These features make the CN-R50mm ideal for both professional filmmakers and those just beginning to explore high-end cinematography.Compact and durable, the Canon CN-R50mm T1.3 L F is built to endure the rigors of professional filmmaking environments. Its standard 114mm front diameter is compatible with matte boxes, while the 105mm filter thread accommodates a wide range of filters. Whether you're capturing stunning portraits, intimate dialogue scenes, or wide-angle shots, this lens provides exceptional image quality and creative flexibility. The Canon CN-R50mm T1.3 L F offers everything needed to elevate your cinematic work to the next level, delivering consistently crisp, sharp images across all your production needs.Features: Canon CN-R50mm T1.3 L FRF mount for fast, efficient integration with Canon camerasExcellent optical performance for 4K, 8K, and HDR filmmakingT1.3 aperture for superior low-light performance and shallow depth of field11-blade iris for smooth, cinematic bokeh and soft light transitions300° focus rotation for precise, controlled focus adjustmentsIn-camera electronic distortion correction to reduce post-production workDual Pixel Focus Assistant for accurate focus tracking and enhanced performanceCompact, robust design built for demanding professional environmentsTechnical SpecificationsMount Type: RF mountAperture: T1.3Focus Rotation: 300° for precise, controlled focusIris Blades: 11-blade aperture for cinematic bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 0.4mSupported Camera Systems: Canon RF mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 122mmWeight: 1.4 kgIn the BoxCanon CN-R50mm T1.3 L F lensLens capRear lens capUser manual

Canon CN-R35mm T1.5 L F - High-Quality RF Cine Lens for Professional Cinematography The Canon CN-R35mm T1.5 L F is a high-performance cine lens that brings exceptional optical clarity and precision to professional filmmakers working with 4K, 8K, and HDR footage. Designed with the RF mount, this lens integrates effortlessly with Canon cameras, ensuring fast communication and advanced functionality for smooth and efficient workflows. With its fast T1.5 aperture, the CN-R35mm allows for beautiful low-light shooting and provides a shallow depth of field, creating a cinematic look with stunning clarity and bokeh that is perfect for a wide range of filming scenarios, from intimate scenes to sweeping landscapes.Featuring a 300° focus rotation, the CN-R35mm offers filmmakers precise control over focus, ensuring accurate adjustments during critical shots. The 11-blade iris creates a smooth, round bokeh, contributing to visually appealing backgrounds and light effects. The lens is also equipped with Canon’s in-camera electronic distortion correction, helping to minimize lens distortion and reducing the need for post-production corrections. Additionally, the Dual Pixel Focus Assistant enhances focus accuracy, making this lens a powerful tool for both seasoned professionals and emerging filmmakers alike.Built for durability and ease of use, the Canon CN-R35mm T1.5 L F is compact and robust, designed to perform reliably in demanding production environments. Its standard 114mm front diameter is compatible with matte boxes, and the 105mm filter thread allows for easy integration with filters. Whether you're shooting on a tripod, handheld, or with a gimbal, this lens delivers outstanding results, offering filmmakers the creative flexibility needed to bring their vision to life with cinematic detail and precision.Features: Canon CN-R35mm T1.5 L FRF mount for fast integration with Canon cameras and seamless communicationExcellent optical performance for 4K, 8K, and HDR productionT1.5 maximum aperture for outstanding low-light performance and shallow depth of field11-blade iris for smooth, cinematic bokeh and soft transitions in light300° focus rotation for precise focus control, ideal for critical shotsBuilt-in electronic distortion correction for minimal post-production adjustmentsDual Pixel Focus Assistant for enhanced focus accuracy and ease of useCompact and robust design, suitable for diverse filming environmentsTechnical SpecificationsMount Type: RF mountAperture: T1.5Focus Rotation: 300° for precise controlIris Blades: 11-blade aperture for cinematic bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 0.3mSupported Camera Systems: Canon RF mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 115mmWeight: 1.3 kgIn the BoxCanon CN-R35mm T1.5 L F lensLens capRear lens capUser manual

Canon CN-R24mm T1.5 L F - Professional RF Cine Lens for High-Quality Filmmaking The Canon CN-R24mm T1.5 L F is a top-tier cine lens that delivers exceptional optical quality for professional filmmakers working in 4K, 8K, and HDR production. Featuring the RF mount, this lens ensures flawless integration with Canon cameras, offering faster communication and enhanced functionality for more efficient workflows. With its fast T1.5 aperture, the CN-R24mm excels in low-light conditions, providing filmmakers with the creative flexibility to capture stunning visuals with shallow depth of field, soft bokeh, and precise focus control, all while maintaining sharpness and clarity across the frame.This lens offers a 300° focus rotation, giving cinematographers the ability to make incredibly precise manual focus adjustments. The 11-blade iris creates beautiful, cinematic bokeh, enhancing the overall aesthetic of your footage. The CN-R24mm is ideal for capturing wide-angle shots with minimal distortion, and thanks to Canon’s advanced electronic features, such as in-camera distortion correction and Dual Pixel Focus Assistant, the lens reduces the need for time-consuming post-production fixes. This means you can focus more on the creative process and less on correcting flaws after the fact.The Canon CN-R24mm T1.5 L F is designed with the professional filmmaker in mind, combining compact size with a robust build that can withstand the rigors of production environments. The lens features a consistent 114mm front diameter, compatible with standard matte boxes, and a 105mm filter thread, making it easy to pair with a variety of accessories. Whether you're shooting wide-angle scenes or close-ups, the CN-R24mm provides exceptional image quality, ensuring that your production maintains a cinematic look from start to finish.Features: Canon CN-R24mm T1.5 L FRF mount for quick, seamless integration with Canon camerasOutstanding optical performance for 4K, 8K, and HDR productionFast T1.5 aperture for excellent low-light performance and shallow depth of field11-blade iris for smooth, cinematic bokeh and soft light transitions300° focus rotation for precise and controlled focus adjustmentsIn-camera electronic distortion correction for streamlined post-productionDual Pixel Focus Assistant for more efficient focus tracking and accuracyCompact, robust design suitable for a variety of professional filming conditionsTechnical SpecificationsMount Type: RF mountAperture: T1.5Focus Rotation: 300° for enhanced precisionIris Blades: 11-blade aperture for cinematic bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 0.3mSupported Camera Systems: Canon RF mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 109.5mmWeight: 1.2 kgIn the BoxCanon CN-R24mm T1.5 L F lensLens capRear lens capUser manual