Available from July 23, 2026 The FUJINON GF19-35mmT3.5 PZ OIS WR is an ultra-wide power zoom lens developed specifically for the FUJIFILM GFX ETERNA 55 and GFX100 II camera systems. Designed for large-format filmmaking, it combines cinema-grade optical performance with advanced electronic control and a lightweight, production-ready design. Featuring the same handling, dimensions and visual characteristics as the GF32-90mmT3.5 PZ OIS WR, the new lens allows filmmakers to seamlessly cover focal lengths from ultra-wide to standard without changing accessories such as matte boxes or follow-focus systems. Both lenses maintain a constant T3.5 aperture throughout the zoom range while delivering perfectly matched colour reproduction, bokeh and focus falloff for consistent image quality across productions. The lens inherits the renowned design philosophy of the FUJINON Premista series and is equipped with internal motors for focus, zoom and iris control. Its large image circle fully covers the 55 mm diagonal 4:3 sensor of the GFX ETERNA 55, making it an ideal choice for high-end cinema applications. Key Features Ultra-wide 19-35 mm focal length range for large-format cinema production Constant T3.5 aperture throughout the entire zoom range Optimised for the FUJIFILM GFX ETERNA 55 and GFX100 II Covers the full 55 mm diagonal 4:3 sensor of the GFX ETERNA 55 Premium optical design with 23 elements in 15 groups, including 4 ED and 3 aspherical elements for outstanding sharpness and minimal aberrations Nano GI coating reduces flare and ghosting while maximising contrast and light transmission Internal focusing system with advanced optical design for compact dimensions and a weight of only 2.1 kg Identical barrel dimensions as the GF32-90mmT3.5 PZ OIS WR for fast lens changes without repositioning accessories Independent focus, zoom and iris rings with standard 0.8M cine gears Long 200° focus rotation for precise manual focus control Electronic control of focus, zoom and iris directly from the camera body or the dedicated GFX ETERNA 55 top handle Significantly reduced focus breathing for stable framing during focus pulls 13-blade iris produces smooth, natural-looking bokeh Integrated Optical Image Stabilisation (OIS) with improved motion detection for stable handheld shooting Fast, highly responsive internal motors for accurate autofocus and smooth electronic operation The FUJINON GF19-35mmT3.5 PZ OIS WR is the ideal ultra-wide companion to the GF32-90mmT3.5 PZ OIS WR, providing filmmakers with a matched power zoom system that combines exceptional optical quality, efficient workflows and the creative flexibility required for professional large-format cinema production.

* Full details coming soon. The Angénieux Optimo Ultra 12x 65 is a cinema zoom lens engineered specifically as the new reference for large-format and 65mm digital cinematography. It features a new optical design developed to deliver uncompromising performance for next-generation 65 Format cameras. The lens provides full 60 mm image circle coverage, ensuring consistent contrast and resolution across the entire frame.This lens brings the signature Angénieux look to large-format applications, characterized by elegant skin rendering, smooth falloff, and cinematic consistency. With a 12x zoom range covering focal lengths from 46 mm to 556 mm and a constant T5.6 aperture, it is designed for high-end professional cinema environments where large sensor coverage is required. The optical design is specially optimized for Large-Format applications to provide consistent image quality throughout the entire zoom range.Features Angénieux Optimo Ultra 12x 65• New optical design developed specifically for Large-Format cinema applications • Optimized for next-generation 65 Format digital camera systems • Full 60 mm image circle coverage for consistent resolution across the entire frame • Signature Angénieux look with elegant skin rendering and smooth falloff • Versatile 12x zoom range covering 46 mm to 556 mm • Constant T5.6 aperture for cinematic consistency during zooming • Designed to deliver uncompromising performance in professional cinematographyTechnical Specifications• Product Reference: 66066539BA • Focal Length: 46–556 mm • Aperture: T5.6 • Image Circle: 60 mm • Minimum Object Distance (MOD): 1.29 m / 4'3"Dimensions and Weights• Length: 560 mm / 22.05 in • Weight: 12.8 kg / 28.2 lbs

The Angénieux Type EZ-3 Tele 65 extends the EZ65 Series into the telephoto range, bringing the established EZ workflow and optical character into large-format 65 mm production. Designed for high-end cinema systems such as the Blackmagic URSA Cine 17K and Fujifilm GFX Eterna, it enables filmmakers to fully leverage large-format sensors while maintaining the ergonomics, resolution performance, and distinctive visual signature of the EZ lens family. This telephoto cinema zoom is engineered for professional production environments where reach, image quality, and consistency are critical. Key Features Telephoto zoom for large-format 65 mm cinema systems Consistent EZ Series optical character across focal range Optimized for high-resolution sensor performance Robust professional build with established EZ ergonomics Specifications Focal Length: 82–300 mm Aperture: T4.2–T5.4 Minimum Object Distance (MOD): 1.2 m / 4 ft Image Circle: 60 mm Weight: < 3 kg / 6.6 lbs Focus Scale: Dual scale (feet / meters) Lens Mount: LPL mount only (non-interchangeable) Important Notes Sold as single-format lens only (no lens packs available) Fixed LPL mount; mounts are not interchangeable... more infos coming soon 

The Angénieux Type EZ-2 Wide Angle 65 brings the iconic EZ Series experience to the large-format 65 mm ecosystem, unlocking the full imaging potential of next-generation cinema cameras such as the Blackmagic URSA Cine 17K and Fujifilm GFX Eterna systems. Designed to preserve the core strengths of the EZ Series, it combines outstanding ergonomics, high optical performance, and the characteristic Angénieux cinematic look. Key Features Wide-angle cine zoom optimized for large-format 65 mm sensors Maintains the established EZ Series optical character and operational workflow High-resolution performance with a smooth, cinematic rendering Optimized for professional cinema and high-end production environments Specifications Focal Length: 27–72 mm Aperture: T3.6 Minimum Object Distance (MOD): 0.6 m / 2 ft Image Circle: 60 mm* (covers 58 mm image circle from 27–30 mm) Weight: < 2.5 kg / 5.5 lbs Focus Scale: Dual scale (feet / meters) Lens Mount: LPL mount only (non-interchangeable) Important Notes Available as a single-format configuration only (no lens packs) Fixed LPL mount; mounts are not interchangeable... more infos coming soon

The TRIBE7 BLACKWING7 Cine Primes are designed for cinematographers who want to move beyond purely technical image reproduction and instead actively shape the visual identity of their work in-camera. Rather than pursuing clinical sharpness or neutral rendering, this lens system is built around controlled optical character—where imperfection is not a flaw, but a creative parameter. At the core of BLACKWING7 lies a fundamentally different design philosophy: the lens is not just a capture tool, but an expressive instrument. Contrast behavior, flare response, halation, and focus falloff are not fixed characteristics, but elements that can be intentionally influenced. This approach allows filmmakers to establish a consistent yet highly individual visual language directly on set, reducing dependency on post-production manipulation. What sets the system apart in practical production use is its ability to integrate this level of optical control without sacrificing workflow efficiency. Despite its expressive nature, BLACKWING7 maintains consistent mechanics across the full focal length range, ensuring predictable handling for focus pullers, camera assistants, and operators. This balance between creative unpredictability in the image and operational consistency on set is a key reason why the system is increasingly adopted in high-end narrative and commercial productions. The system is built for large format cinematography and covers a comprehensive focal length range suitable for narrative, commercial, and high-end branded content production. All lenses share a consistent mechanical design, ensuring operational reliability and intuitive handling across the entire set, even in demanding production environments. A defining feature of the BLACKWING7 system is its tunable optical architecture. Each lens can be configured through distinct tuning profiles that alter its rendering behavior, enabling precise control over image mood and texture. In addition, interchangeable front elements further extend creative flexibility by modifying flare characteristics and tonal response. This combination of optical tuning and modular design results in a lens system that functions less like a traditional prime set and more like a creative imaging platform. The outcome is a highly cinematic, expressive image that retains technical precision while offering significant artistic latitude at the point of capture. Focal Lengths Focal Length Image Circle (mm) Close Focus (cm) Weight (kg) 17mm5622.01.75 20.7mm5623.01.5 23.7mm5626.01.5 27mm5634.01.7 37mm6745.71.6 47mm6044.51.5 57mm6748.31.6 77mm6766.01.4 107mm6768.51.4 137mm6781.31.5 Tuning Options Tuning Image Character Contrast Flare & Halation Use Case S Tuned Controlled, closest to neutral Balanced Subtle and controlled Commercial, mixed workflows, consistency T Tuned Organic, vintage leaning Softer roll off Noticeable glow and halation Narrative, cinematic storytelling X Tuned Highly expressive and stylized Lower, more variable Strong flares and pronounced halation Music videos, fashion, experimental visuals Features TRIBE7 BLACKWING7 Cine Primes • Tunable optical design for creative image control • Available in S Tuned, T Tuned, and X Tuned variants • Large format coverage for modern cinema cameras • Designed in collaboration with Bradford Young • Controlled spherical aberration for organic rendering • Customizable flare characteristics • Smooth contrast roll off for cinematic highlights • Interchangeable front elements for look variation • Consistent mechanical design across all focal lengths • High speed aperture for low light performance • Pleasing and structured bokeh rendering • Enhanced highlight halation depending on tuning • Reduced clinical sharpness for natural image feel • Engineered for narrative and commercial filmmaking • Robust housing for professional production environments • Precise focus mechanics with long focus throw • Optimized for modern digital sensors • Unique visual identity directly from the lens Technical Specifications • Lens series: BLACKWING7 Cine Primes • Available focal lengths: 17mm – 137mm • Maximum aperture: approx. T1.9 (varies by focal length) • Lens mount: PL mount • Sensor coverage: Large format (up to 67 mm image circle) • Tuning options: S Tuned, T Tuned, X Tuned • Interchangeable front elements supported • Iris design: 14 blade aperture • Focus rotation: approx. 270 degrees • Front diameter: standardized across set • Color rendering: tuned per optical profile • Flare behavior: controlled and adjustable • Contrast characteristics: profile dependent • Close focus distance: 22.0 cm – 81.3 cm • Housing material: high precision metal construction • Scale markings: dual side, engraved • Compatibility: industry standard cine accessories • Designed for high end digital cinema workflows Dimensions and Weight Dimensions vary depending on focal length. Front diameter is standardized across the set for seamless matte box compatibility. Each lens is optimized for balanced handling across handheld and studio configurations. Weight ranges from 1.4 kg to 1.75 kg depending on focal length.

T1.3 Large Format Cinema Primes with Consistent Organic RenderingThe Sigma Aizu Prime Line is a next-generation large-format cinema prime system designed for high-end motion picture production where optical consistency, speed and controlled image character are critical. Built and engineered in Aizu, Japan, the series combines modern high-resolution performance with a deliberately organic rendering approach, delivering a cinematic image that balances sharpness, texture and natural fall-off. At the core of the system is a constant T1.3 aperture across all focal lengths in the initial release. This enables a highly flexible exposure workflow in low-light environments while maintaining shallow depth of field control and smooth subject isolation. The optical design prioritizes cinematic expression over clinical rendering, producing images with refined contrast behavior, natural bokeh and carefully controlled highlight roll-off. The Aizu Prime Line is optimized specifically for cinema applications, with focus breathing and geometric distortion tightly controlled to ensure stable framing during rack focus operations and dynamic camera movement. Color reproduction and contrast are carefully matched across the entire range, allowing for seamless intercutting between focal lengths without perceptual shifts in image character. Despite their extreme speed, the lenses maintain a compact and production-friendly form factor. This supports a wide range of modern capture workflows, including handheld operation, Steadicam, gimbal systems and traditional studio setups. The mechanical design follows a unified standard across the set, enabling efficient lens changes and predictable handling for camera assistants in fast-paced production environments. The system is designed as a coherent focal length family covering the most commonly used ranges in narrative, commercial and episodic production. The initial release focuses on the core production set from 25mm through 75mm, providing a practical and highly usable optical package for contemporary cinematography workflows. Features – Sigma Aizu Prime Line • Constant T1.3 aperture across all available focal lengths • Large-format cinema prime lens system • Designed specifically for motion picture production workflows • Organic image rendering with modern optical precision • Controlled sharpness with natural roll-off characteristics • Smooth and cinematic bokeh rendition • Minimized focus breathing for stable reframing • Low distortion optical design • Matched color and contrast across all focal lengths • Consistent flare behavior throughout the series • Ø 46.3 mm image circle coverage • Full compatibility with large-format sensors • Compact and production-optimized housing design • Unified mechanical standard across the lens set • Optimized for handheld, gimbal, Steadicam and studio use Available Focal Lengths (Initial Release 25–75mm) • Sigma Aizu Prime 25mm T1.3 LF • Sigma Aizu Prime 27mm T1.3 LF • Sigma Aizu Prime 32mm T1.3 LF • Sigma Aizu Prime 35mm T1.3 LF • Sigma Aizu Prime 40mm T1.3 LF • Sigma Aizu Prime 50mm T1.3 LF • Sigma Aizu Prime 65mm T1.3 LF • Sigma Aizu Prime 75mm T1.3 LFcoming soon: • Sigma Aizu Prime 18mm T1.3 LF • Sigma Aizu Prime 21mm T1.3 LF • Sigma Aizu Prime 100mm T1.3 LF • Sigma Aizu Prime 125mm T1.3 LF 

Compact 1.5x Anamorphic Primes for Mirrorless Cinema Capture The Cooke AP3 Series represents a ground-up anamorphic design philosophy tailored specifically for modern mirrorless cinema systems. Built to extend Cooke’s anamorphic lineage into a compact, lightweight form factor, AP3 delivers true 1.5x anamorphic rendering with the optical discipline and consistency expected from high-end production optics. The series is engineered for full-frame coverage while maintaining compatibility with S35 workflows, making it a flexible toolset for narrative, commercial, and documentary cinematography. At its core, AP3 is defined by controlled anamorphic character rather than exaggerated optical artifacts. The rendering is deliberately balanced: organic but not unpredictable, expressive but technically reliable. Focus transitions are smooth and continuous, producing a natural sense of depth that supports visual storytelling without drawing attention to the lens itself. The 1.5x squeeze factor provides a classic anamorphic aspect ratio while optimizing sensor utilization on modern full-frame mirrorless cameras. Flare behavior is distinctly Cooke—subtle, cinematic, and spectrally coherent across the range. Rather than introducing stylized or artificial flare signatures, AP3 produces natural optical responses that integrate into scene lighting. Combined with smooth bokeh rendition and carefully controlled field curvature, the lenses produce a cohesive image structure that supports both controlled lighting environments and available-light shooting scenarios. The series maintains consistent color balance across all focal lengths, ensuring seamless intercutting within multi-camera or multi-lens productions. Despite its anamorphic pedigree, AP3 is optimized for operational efficiency on set. The compact housing, standardized 0.8 MOD focus and iris gears, and consistent 87 mm front diameter allow rapid rigging and compatibility with lightweight support systems, matte boxes, and gimbal setups. Interchangeable mount options further extend system flexibility across major mirrorless platforms. This positions AP3 as a practical solution for owner-operators and production environments where mobility and optical performance must coexist. The Cooke AP3 Series is therefore not positioned as a stylistic exaggeration of anamorphic imaging, but as a precise, production-ready toolset that integrates classical anamorphic aesthetics into contemporary mirrorless workflows. It bridges the gap between traditional cinema optics and next-generation camera systems while preserving the signature Cooke imaging philosophy: controlled highlight roll-off, dimensional rendering, and natural tonal reproduction. Features – Cooke AP3 Series • Ground-up anamorphic optical design for mirrorless cinema systems • True 1.5x anamorphic squeeze factor for full-frame sensor coverage • Full-frame coverage with S35 compatibility • Compact and lightweight construction optimized for modern production workflows • Consistent Cooke color science across all focal lengths • Controlled anamorphic flare characteristics with natural optical behavior • Smooth, organic defocus rendering with stable bokeh structure • Cinematic focus transitions with natural depth continuity • 9-blade iris assembly for smooth highlight rendition • T-stop range from T2.4 to T16 across the series • Standardized 0.8 MOD focus and iris gears for professional rig compatibility • Unified 87 mm front diameter across all lenses • 82 mm front filter thread for consistent accessory use • Interchangeable mount system (E / RF / L / M options) • Optimized for handheld, gimbal, and lightweight cinema setups Series Focal Lengths – Cooke AP3 • Cooke AP3 35mm T2.4 1.5x Anamorphic Lens • Cooke AP3 50mm T2.4 1.5x Anamorphic Lens • Cooke AP3 85mm T2.4 1.5x Anamorphic Lens

Tele cinematic compression and isolation The Cooke AP3 FF 85mm T2.4 1.5x Anamorphic Lens is designed for controlled telephoto anamorphic cinematography, offering strong subject isolation, elegant background compression, and refined cinematic depth. It is ideal for portraits, close-ups, and emotionally driven narrative sequences. The 1.5x anamorphic squeeze creates characteristic oval bokeh and subtle horizontal flare behavior, while maintaining sharp optical performance and controlled rendering across the full frame image area. Despite its telephoto nature, the lens remains compact and highly portable, reflecting the AP3 design philosophy of lightweight anamorphic performance without compromise. The anodised housing ensures durability in demanding production environments, while maintaining ergonomic handling. The dual focus scale system and precise mechanical alignment across the AP3 series enable fast lens changes with consistent focus and iris motor positioning, improving efficiency on set. Class-leading close focus capability enhances creative flexibility, enabling intimate framing even at longer focal lengths. The AP3 system is optimized for modern mirrorless cinema workflows and maintains consistent optical and mechanical behavior across the full series. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 85mm T2.4 • 85mm telephoto anamorphic focal length • 1.5x squeeze factor • T2.4 constant aperture • Strong subject compression • Cinematic oval bokeh rendering • Compact telephoto cine design • Dual focus scale system • Excellent close focus performance • Matched AP3 mechanical alignment • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 85mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine focus mechanics • Anamorphic optical design • Interchangeable rear mount system • Mirrorless cinema optimized • Matched AP3 system standard

Natural anamorphic storytelling perspective The Cooke AP3 FF 50mm T2.4 1.5x Anamorphic Lens represents the classic anamorphic “normal” focal length, delivering a natural perspective with subtle compression and strong cinematic character. It is designed for narrative storytelling, dialogue scenes, and controlled cinematic compositions where emotional depth and spatial realism must coexist. The 1.5x squeeze factor produces elegant anamorphic oval bokeh and refined horizontal flares, while maintaining high resolution and controlled optical breathing characteristics. The result is a balanced anamorphic aesthetic that remains highly usable in modern digital production environments. The lens is built with portability and consistency in mind. Its compact anodised body, dual focus scale system, and precise mechanical matching across the AP3 series ensure efficient lens swaps and stable focus/iris motor alignment during production workflows. Close focus performance enables creative framing flexibility, allowing cinematographers to work in tight environments without compromising image quality or optical character. The AP3 system is designed for mirrorless-based cinema rigs, offering maximum adaptability while maintaining professional mechanical durability. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 50mm T2.4 • 50mm full-frame anamorphic focal length • 1.5x anamorphic squeeze • T2.4 constant aperture • Natural anamorphic perspective • Compact lightweight cine design • Dual focus scale system • Strong close focus capability • Matched mechanical alignment • Durable anodised housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine mechanics • Anamorphic optical system • Interchangeable rear mount system • Mirrorless optimized architecture • Matched AP3 mechanical standard

Wide cinematic anamorphic immersion The Cooke AP3 FF 35mm T2.4 1.5x Anamorphic Lens delivers a wide cinematic anamorphic field of view designed for immersive storytelling, dynamic camera movement, and modern full-frame production workflows. It combines classic anamorphic character with the compact ergonomics of a lightweight, mirrorless-optimized cinema lens system. With a 1.5x squeeze factor, the lens produces natural anamorphic oval bokeh and controlled horizontal flare characteristics while maintaining high image clarity and consistent sharpness across the frame. The optical design is tuned for modern digital sensors, ensuring a balanced combination of resolution, character, and cinematic softness. The AP3 series is engineered for portability without compromise. Its compact anodised housing, dual focus scale system, and precise mechanical alignment across the entire set enable fast lens changes while maintaining consistent focus and iris motor positions in professional production environments. Close focus performance is class-leading, allowing for creative framing flexibility even in tight shooting spaces. This makes the 35mm AP3 particularly effective for narrative filmmaking, handheld work, and high-mobility production setups. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless platforms. Features – Cooke AP3 FF 35mm T2.4 • 35mm full-frame anamorphic focal length • 1.5x anamorphic squeeze factor • Constant T2.4 aperture • Classic Cooke anamorphic rendering • Lightweight compact cine design • Dual focus scale system • Class-leading close focus capability • Consistent mechanical alignment across set • Anodised durable housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories, depending on purchase conditions or registration. Technical Specifications • Focal length: 35mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale layout • Manual cine focus system • Anamorphic optical design • Interchangeable rear mount system • Optimized for mirrorless cinema systems • Matched mechanical set alignment

Extended telephoto cinematic reach The Cooke SP3 100mm T2.4 Full Frame Prime Lens is the longest focal length in the SP3 series, designed for maximum subject isolation and controlled compression. It excels in close-ups and distant subject framing while maintaining Cooke’s signature organic rendering and smooth tonal response. Despite its telephoto reach, it remains compact and optimized for modern lightweight cinema workflows. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 100mm T2.4 • 100mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong compression effect • Cooke cinematic rendering • Compact telephoto design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 100mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Controlled compression cine tele lens The Cooke SP3 75mm T2.4 Full Frame Prime Lens is designed for subject isolation and controlled compression. It is ideal for portraits, close-ups, and emotionally driven cinematic framing. It delivers strong subject separation while maintaining natural skin tone reproduction and smooth tonal transitions. The lens integrates seamlessly into lightweight cinema rigs and maintains consistent rendering across the SP3 lineup. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 75mm T2.4 • 75mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong subject separation • Cooke cinematic rendering • Mirrorless optimized • Compact telephoto design • Smooth focus control • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 75mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine construction • Color consistency

Classic cinematic normal perspective The Cooke SP3 50mm T2.4 Full Frame Prime Lens represents the standard cinematic focal length, closely matching natural human vision. It is a core lens for dialogue scenes, portraits, and narrative storytelling. It delivers smooth tonal transitions, natural contrast behavior, and Cooke’s signature organic rendering with refined highlight roll-off. The lens is optimized for modern lightweight cinema systems while maintaining full optical consistency across the SP3 series. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 50mm T2.4 • Standard 50mm cinematic focal length • Constant T2.4 aperture • Full-frame coverage • Natural perspective rendering • Cooke cinematic look • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Natural wide cinematic perspective The Cooke SP3 25mm T2.4 Full Frame Prime Lens delivers a natural wide-angle perspective that closely reflects human visual perception. It is a highly versatile focal length suitable for narrative filmmaking, documentaries, and commercial productions requiring spatial realism and controlled perspective. The lens renders images with smooth tonal transitions, natural contrast behavior, and the signature Cooke “film look”. Skin tones are reproduced with a soft, organic roll-off, avoiding harsh digital characteristics even in high-contrast lighting situations. Designed for modern lightweight cinema setups, the SP3 25mm integrates seamlessly into handheld and gimbal-based workflows. It is part of a fully matched optical system ensuring consistent rendering across all SP3 focal lengths. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless camera platforms. Features – Cooke SP3 25mm T2.4 • Natural wide-angle focal length • Constant T2.4 aperture • Full-frame coverage • Cooke cinematic color science • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus control • Minimal distortion characteristics • SP3 color consistency • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Designed for short flange focal distance mirrorless systems. Technical Specifications • Focal length: 25mm • Aperture: T2.4 • Full-frame coverage • Manual focus cine design • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Lightweight cine housing • Consistent series design

Ultra-wide cinematic control The Cooke SP3 18mm T2.4 Full Frame Prime Lens delivers an ultra-wide field of view designed for immersive storytelling, architectural work, and dynamic handheld cinematography. It is engineered as part of Cooke’s modern mirrorless-focused SP3 series, translating the renowned Cooke Look into a compact, lightweight optical system optimized for full-frame sensors. Despite its wide-angle perspective, the lens maintains exceptional edge-to-edge sharpness while preserving the organic rendering Cooke is known for. Skin tones remain natural, contrast transitions are smooth, and highlights roll off with cinematic precision rather than harsh digital clipping. This makes the 18mm SP3 particularly effective for narrative filmmaking, documentaries, and high-end commercial production. The mechanical design is optimized for modern gimbal and run-and-gun workflows. Its compact form factor supports lightweight camera builds without compromising precision in focus control or optical consistency across the SP3 series. Features – Cooke SP3 18mm T2.4 Full Frame Prime Lens • Ultra-wide 18mm focal length for immersive perspectives • Constant T2.4 aperture for consistent exposure control • Full-frame image coverage • Signature Cooke cinematic rendering (“Cooke Look”) • Optimized for mirrorless cine workflows • Compact and lightweight design for gimbals and handheld rigs • Smooth and precise manual focus control • Minimal focus breathing for cinematic pulls • Color-matched across SP3 lens series • Interchangeable rear mount system Mounts • Sony E-Mount (standard, factory-installed) • Canon RF Mount (interchangeable rear mount accessory) • Leica L-Mount (interchangeable rear mount accessory) • Leica M-Mount (interchangeable rear mount accessory) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Depending on purchase conditions or registration, selected mounts may be provided at no additional cost. The system is engineered specifically for short flange focal distance mirrorless camera platforms. Technical Specifications• Focal length: 18mm • Aperture: T2.4 • Full-frame coverage • Manual focus design • Cine-style geared focus and iris rings • Interchangeable rear mount system • Color matched across SP3 lineup • Optimized for digital cinema sensors • Consistent SP3 optical tuning • Designed for modern mirrorless cine systems

High-Speed Cinematic Large Format Prime The Aizu Prime 75mm T1.3 LF delivers a classic cinematic portrait perspective combined with the exceptional optical speed and large-format coverage that define Sigma’s Aizu Prime lineup. Designed specifically for professional cinema production, the lens combines refined subject separation, cinematic rendering, and modern high-resolution optical performance within a compact cine housing. The 75mm focal length is widely regarded as one of the most cinematic portrait perspectives, providing elegant compression, strong subject isolation, and natural visual depth. This makes the lens particularly suitable for dramatic close-ups, beauty cinematography, commercials, fashion production, narrative filmmaking, and emotional dialogue scenes. Optically, the lens combines exceptional sharpness with an intentionally organic cinematic rendering profile. Skin tones remain natural and dimensional while highlights transition smoothly and out-of-focus areas maintain refined softness. The result is a cinematic image with emotional depth and modern technical precision. The constant T1.3 aperture enables filmmakers to create extremely shallow depth of field while maintaining excellent low-light capability. Subject isolation appears highly cinematic, while Sigma’s cinema-focused optical design minimizes focus breathing and distortion to preserve framing consistency during focus pulls and moving shots. Mechanically, the lens features a robust full-metal cine housing with standardized gear positions, consistent front diameter, and long 270° focus rotation for highly precise manual operation. Despite its high-speed optical design and large-format image circle, the lens remains compact enough for handheld, Steadicam, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with modern metadata-driven cinema workflows for VFX and virtual production applications. Features – Aizu Prime 75mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Cinematic portrait focal length • Exceptional subject isolation • Organic cinematic rendering • High-resolution optical performance • Excellent low-light capability • Smooth cinematic focus falloff • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 75mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.85m / 2'9" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.8kg / 4.0lb • Weight (Sony E-Mount): approx. 1.9kg / 4.2lb

Cinematic Large Format Prime The Aizu Prime 65mm T1.3 LF is designed to deliver a refined cinematic portrait perspective combined with the exceptional brightness and optical consistency that define Sigma’s Aizu Prime lineup. As part of the world’s first large-format cinema lens family with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for cinematic portraiture and narrative filmmaking. The 65mm focal length provides elegant spatial compression and natural subject separation while maintaining a highly cinematic field of view. This makes the lens particularly effective for emotional close-ups, dialogue scenes, commercial cinematography, beauty work, and dramatic storytelling applications. Optically, the lens combines high-resolution sharpness with an organic rendering profile optimized for cinema production. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain refined softness without sacrificing overall image detail. The result is a cinematic image that balances technical precision with emotional depth. The constant T1.3 aperture allows filmmakers to achieve exceptionally shallow depth of field and excellent low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Focus breathing and distortion are carefully minimized to ensure stable framing during focus transitions and moving shots. Mechanically, the lens features a professional cine-standard housing with full-metal construction, long 270° focus rotation, and standardized gear placement for seamless integration into professional cinema workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with advanced metadata workflows used in VFX production and virtual production environments. Features – Aizu Prime 65mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Cinematic portrait focal length • Organic cinematic rendering • Excellent subject separation • Exceptional low-light capability • Smooth focus transition rendering • Controlled focus breathing • Reduced distortion characteristics • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact professional cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 65mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.70m / 2'4" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for large-format cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.8lb • Weight (Sony E-Mount): approx. 1.8kg / 4.0lb

Cinematic Large Format Prime The Aizu Prime 50mm T1.3 LF represents the classic cinematic standard focal length within Sigma’s advanced Aizu Prime lineup. Combining a highly natural perspective with exceptional optical speed and large-format image coverage, the lens is designed for professional cinematographers seeking maximum creative flexibility and cinematic image quality. As part of the world’s first large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the Aizu Prime 50mm T1.3 LF establishes a new performance category for modern cinema optics. The lens delivers exceptional brightness while maintaining consistent rendering characteristics across the entire Aizu Prime family. The 50mm focal length is widely considered one of the most universally applicable cinematic perspectives, closely matching natural human visual perception while still providing cinematic subject separation and spatial compression. This makes the lens highly suitable for narrative filmmaking, portrait cinematography, commercials, dialogue scenes, and documentary production. Optically, the lens delivers a refined balance between high-resolution sharpness and organic cinematic rendering. Images maintain outstanding detail while preserving natural skin tones, smooth tonal transitions, and elegant highlight behavior. The rendering avoids the sterile appearance often associated with digital cinema optics and instead produces a cinematic image with depth and emotional texture. The ultra-fast T1.3 aperture allows filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light capability. Focus transitions remain smooth and cinematic, while Sigma’s advanced cinema optical design minimizes focus breathing and geometric distortion to preserve framing consistency during focus pulls and camera movement. Mechanically, the lens features a robust full-metal housing engineered specifically for professional cinema environments. Standardized gear positioning, consistent front diameter, and long 270° focus rotation ensure seamless compatibility with follow focus systems, matte boxes, remote motors, and professional rigging configurations. The lens also supports Cooke /i Technology and ZEISS eXtended Data, enabling advanced metadata workflows for VFX-heavy productions, virtual production environments, and post-production tracking systems. Features – Aizu Prime 50mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 50mm perspective • Organic cinematic rendering characteristics • Modern high-resolution optical performance • Excellent low-light capability • Cinematic shallow depth of field • Smooth natural focus transitions • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 50mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Optimized for 6K–8K workflows • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb

Cinematic Large Format Prime Lens The Aizu Prime 40mm T1.3 LF expands Sigma’s next-generation Aizu Prime lineup with a focal length that delivers a highly natural cinematic perspective combined with exceptional optical speed and large-format coverage. As part of the world’s first full large-format cinema lens series with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production workflows. The 40mm focal length is widely regarded as one of the most versatile perspectives in cinematography, positioned between the classic 35mm and 50mm visual language. It delivers a natural field of view with strong subject separation while maintaining environmental context, making it particularly effective for narrative filmmaking, commercials, handheld cinematography, documentary production, and dialogue scenes. Optically, the lens combines extremely high resolving power with an organic cinematic rendering profile designed specifically for motion picture production. Images maintain exceptional detail and contrast while preserving natural highlight transitions, refined skin tones, and smooth out-of-focus rendering. The result is a cinematic image with depth and dimensionality that integrates naturally into modern digital cinema workflows. The constant T1.3 aperture enables filmmakers to achieve exceptionally shallow depth of field and outstanding low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to preserve compositional consistency during focus pulls and camera movement. Mechanically, the Aizu Prime 40mm T1.3 LF features a robust full-metal cine housing with standardized gear positioning, long 270° focus rotation, and consistent front dimensions across the lineup. This allows seamless integration with professional cinema accessories including matte boxes, follow focus systems, remote motors, and rigging configurations. Despite its ultra-fast aperture and large-format image coverage, the lens remains compact and lightweight, making it suitable for handheld, Steadicam, crane, drone, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with advanced VFX, virtual production, and post-production pipelines. Features – Aizu Prime 40mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Natural cinematic 40mm perspective • Organic rendering with modern sharpness • Excellent low-light performance • Cinematic shallow depth of field • Smooth highlight roll-off characteristics • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 40mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Compatible with professional cine accessories • Designed for large-format cinema cameras • Optimized for 6K–8K production workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb

Cinematic Large Format Prime The Aizu Prime 35mm T1.3 LF represents one of the most essential focal lengths within Sigma’s Aizu Prime cinema lineup, delivering a classic cinematic field of view combined with the extraordinary brightness and rendering consistency of the series. As part of the world’s first lineup of large-format cinema lenses with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for high-end filmmaking. The 35mm focal length has long been considered a foundational cinematic perspective, offering a natural balance between environmental context and subject intimacy. This makes the lens exceptionally versatile across narrative filmmaking, commercials, music videos, handheld cinematography, and documentary production. Optically, the Aizu Prime 35mm T1.3 LF combines modern high-resolution imaging performance with an intentionally organic cinematic character. Images maintain exceptional clarity while preserving soft tonal transitions, natural skin rendering, and refined highlight behavior. The lens avoids the overly clinical rendering often associated with digital cinema optics, instead producing dimensional and emotionally engaging imagery. The ultra-fast T1.3 aperture provides outstanding low-light capability and exceptionally shallow depth of field, allowing cinematographers to isolate subjects with cinematic precision while maintaining smooth and natural focus falloff. Focus breathing and distortion are carefully minimized to maintain composition integrity during focus transitions and camera movement. Mechanically, the lens features a professional cine-standard housing with robust metal construction, standardized gear placement, and a long 270° focus rotation for highly precise manual focus operation. The compact form factor allows seamless integration into handheld, Steadicam, crane, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX production, post-production tracking, and virtual production environments. Features – Aizu Prime 35mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 35mm perspective • Organic rendering with modern resolution • Exceptional low-light capability • Cinematic shallow depth of field • Controlled focus breathing • Reduced geometric distortion • Smooth cinematic bokeh • Natural skin tone rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 35mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Cine-standard mechanical design • Compatible with professional cinema accessories • Designed for full-frame cinema cameras • Optimized for 6K–8K capture systems Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for handheld and gimbal workflows • Standardized dimensions across the Aizu Prime lineup

Balanced Cinematic Full Frame Prime The Aizu Prime 32mm T1.3 LF is designed as one of the most versatile focal lengths within Sigma’s Aizu Prime lineup, combining a natural cinematic perspective with the series’ signature ultra-fast T1.3 aperture and large-format coverage. As part of the world’s first full large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production. The 32mm focal length provides an exceptionally balanced angle of view that closely matches natural human perception while still offering cinematic spatial separation and depth. This makes the lens highly effective for narrative filmmaking, handheld cinematography, commercials, documentary work, and dialogue-heavy productions. Optically, the lens combines modern cinema sharpness with an organic and naturally soft rendering profile. Images maintain high resolution and refined detail while avoiding harsh digital characteristics. The result is a cinematic image with dimensionality, smooth tonal transitions, and elegant falloff behavior. The constant T1.3 aperture enables filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light performance. Subject isolation appears highly cinematic while focus transitions remain smooth and visually natural. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to maintain visual consistency during focus pulls and dynamic camera movement. Mechanically, the lens features a robust all-metal cine housing with standardized gear positions, long focus throw, and consistent front dimensions for seamless integration into professional cinema workflows. Despite its large-format coverage and high-speed optical design, the lens remains lightweight enough for modern gimbal, Steadicam, and handheld operation. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX-heavy productions and virtual production environments. Features – Aizu Prime 32mm T1.3 LF • Constant T1.3 aperture across the lineup • Large-format full-frame coverage • Natural cinematic perspective rendering • Organic image character with modern sharpness • Exceptional low-light performance • Cinematic shallow depth of field • Smooth focus transition rendering • Controlled focus breathing • Minimal distortion characteristics • 46.3mm image circle • Compact lightweight cine design • Standardized cine mechanics • Long 270° focus rotation • Full metal housing construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for handheld and gimbal workflows • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 32mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens construction optimized for cinema use • Compatible with professional cine accessories • Designed for large-format camera systems • Optimized for 6K–8K workflows Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for modern production rigs • Standardized dimensions across the Aizu Prime lineup

Natural Perspective Large Format Cine Lens The Aizu Prime 27mm T1.3 LF expands Sigma’s next-generation large-format cinema lineup with a focal length designed to deliver an exceptionally natural and immersive cinematic perspective. As part of the Aizu Prime series, the lens maintains the lineup’s defining characteristic: a constant T1.3 aperture across all focal lengths, establishing a new benchmark for professional cinema production. The 27mm focal length occupies a unique position within the cinema ecosystem, offering a slightly more natural field of view than a traditional 25mm while maintaining strong environmental context and cinematic spatial depth. This makes the lens highly versatile for handheld cinematography, dialogue scenes, moving camera shots, and immersive commercial work. Optically, the lens combines modern high-resolution sharpness with an intentionally organic rendering profile. Images maintain exceptional detail while avoiding the overly clinical appearance often associated with digital cinema optics. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain a refined cinematic softness. The extremely bright T1.3 aperture enables outstanding low-light capability while producing exceptionally shallow depth of field and powerful subject isolation. Focus breathing and distortion are carefully minimized to preserve compositional integrity during focus pulls and dynamic camera movement. Mechanically, the Aizu Prime 27mm T1.3 LF features a robust all-metal housing engineered for professional production environments. The lens incorporates standardized cine gear placement, a 270° focus throw, and consistent front dimensions to ensure compatibility with professional cinema rigs and accessories. Despite its advanced optical performance and large-format image coverage, the lens remains compact and lightweight, supporting modern handheld and gimbal workflows without compromise. Advanced metadata integration through Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with modern VFX and virtual production pipelines. Features – Aizu Prime 27mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame and large-format coverage • Natural cinematic field of view • Organic rendering with modern sharpness • Exceptional low-light performance • Controlled cinematic contrast • Minimal focus breathing • Reduced geometric distortion • Smooth highlight transition rendering • 46.3mm image circle • Long 270° focus rotation • Standardized cine mechanics • Compact lightweight construction • Full metal professional housing • Cooke /i compatible • Supports ZEISS eXtended Data • Optimized for handheld and gimbal use • Designed for high-end cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 27mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.33m / 1'1" • Maximum magnification ratio: 1:6.9 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Designed for large-format cinema production • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125.4mm / 5" • Length (Sony E-Mount): 159.4mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.8lb

Ultra Fast Large Format Cinema Precision The Aizu Prime 25mm T1.3 LF is part of Sigma’s groundbreaking Aizu Prime series, the world’s first lineup of large-format cinema lenses to achieve a constant T1.3 aperture across all focal lengths. Designed specifically for professional cinema production, the lens combines exceptional brightness, modern optical precision, and an organic cinematic rendering optimized for high-end digital filmmaking workflows. Featuring a large image circle of 46.3mm, the Aizu Prime 25mm T1.3 LF fully supports large-format and full-frame cinema cameras while maintaining excellent edge-to-edge consistency. The focal length delivers a highly versatile wide-angle perspective ideal for narrative filmmaking, commercials, documentaries, music videos, and immersive cinematic environments. The extremely fast T1.3 aperture allows filmmakers to create exceptionally shallow depth of field while maintaining natural dimensionality and smooth subject separation. The lens delivers refined bokeh characteristics and cinematic highlight rendering without sacrificing overall sharpness or image fidelity. Sigma engineered the optical system specifically for motion picture production, minimizing distortion and focus breathing to ensure visual consistency during complex camera movement and focus transitions. Mechanically, the lens follows a professional cine-standard design philosophy with robust all-metal construction, precise focus resistance, and long-throw focus rotation for accurate manual operation. Standardized gear positioning and a uniform front diameter allow seamless integration into professional cinema rigs, follow focus systems, matte boxes, and remote production environments. Despite its extremely bright aperture and large-format coverage, the lens remains remarkably compact and lightweight, supporting handheld, Steadicam, gimbal, crane, and drone workflows. The lens also supports Cooke /i Technology and ZEISS eXtended Data for advanced metadata workflows in VFX and virtual production environments. Features – Aizu Prime 25mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame cinema coverage • 46.3mm image circle • Designed exclusively for cinema applications • Organic cinematic rendering characteristics • Modern sharpness with natural softness • Controlled focus breathing • Minimal geometric distortion • Smooth cinematic bokeh rendering • Excellent low-light performance • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight housing design • Full metal cine construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for 6K–8K cinema workflows • High durability for professional production use Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 25mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.31m / 1'0" • Maximum magnification ratio: 1:6.5 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Optimized for large-format cinema cameras • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125mm / 5" • Length (Sony E-Mount): 159mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.7lb

Versatile Full Frame Cinema Zoom The AF Cine Line 28-105mm T3 FF is a versatile full-frame cinema zoom lens designed for productions that require broad focal length coverage, reliable autofocus performance, and professional cinema handling within a single lens system. Developed for modern filmmaking workflows, the lens supports applications ranging from narrative production and documentaries to live events, commercial content, interviews, and fast-moving production environments. The wide zoom range from 28mm to 105mm allows cinematographers and operators to cover a large variety of framing situations without frequent lens changes. Wide-angle shots, medium perspectives, close-up compositions, and compressed telephoto framings can all be captured within one compact cinema zoom system, improving efficiency during production. The constant T3 aperture maintains stable exposure performance throughout the entire zoom range while still allowing cinematic background separation and reliable low-light usability. The optical system is optimized for high-resolution cinema capture and delivers balanced sharpness, natural contrast behavior, and smooth out-of-focus rendering suitable for professional motion picture production. The autofocus functionality is specifically beneficial for productions with dynamic movement, unpredictable action, or limited crew sizes. Subject tracking and responsive focus adjustment help simplify operation during handheld shooting, gimbal movement, event coverage, documentary production, and mobile cinema workflows. The lens also retains cine-oriented manual control behavior for operators who prefer traditional focus techniques. Mechanically, the AF Cine Line 28-105mm T3 FF follows professional cinema standards with integrated 0.8 MOD gearing for focus, zoom, and iris operation. The lens housing is constructed from durable metal materials designed to withstand demanding production environments while remaining compact enough for lightweight rigs and stabilizer systems. The standardized 95mm front diameter ensures compatibility with professional matte boxes and accessory systems commonly used in cinema production. The overall design focuses on production flexibility, allowing the lens to function effectively across studio, handheld, travel, documentary, and commercial shooting environments. Its combination of autofocus capability, extended zoom coverage, and cine-oriented mechanical construction makes the AF Cine Line 28-105mm T3 FF a practical all-in-one cinema zoom solution for productions that prioritize speed, flexibility, and professional image quality. Features – AF Cine Line 28-105mm T3 FF • Full-frame autofocus cinema zoom lens • Extended 28–105mm focal length coverage • Constant T3 aperture throughout zoom range • Designed for flexible production workflows • Autofocus support for moving subjects • Suitable for handheld and documentary production • Cine-oriented mechanical construction • Smooth cinematic focus rendering • Controlled focus breathing characteristics • High-resolution optical performance • Full metal lens housing • Standardized 0.8 MOD cine gearing • 95mm front diameter • Compact design for mobile production rigs • Compatible with professional cine accessories • Suitable for 6K and 8K capture workflows • Optimized for solo operator environments • Reduced need for lens changes during production Mounts • Sony E-Mount • L-Mount Technical Specifications • Lens type: Full Frame Autofocus Cinema Zoom Lens • Focal length: 28–105mm • Aperture range: T3 – T22 • Image coverage: Full Frame • Front diameter: 95mm • Gear standard: 0.8 MOD • Focus rotation: approx. 200° • Zoom rotation: approx. 70° • Iris rotation: approx. 54° • Filter thread: 82mm • Housing construction: Full metal • Autofocus support: Yes • Cine-style manual controls • Designed for professional cinema workflows • Compatible with follow focus systems Dimensions & Weight • Length (L-Mount): approx. 158mm • Length (Sony E-Mount): approx. 160mm • Weight: approx. 1.3kg • Lightweight cinema zoom construction