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Sony VENICE CineAlta 6K FullFrame camera
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

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Raptor T2.9 150mm Lens
  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Raptor T2.9 60mm Lens
  IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY  

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Raptor T2.9 100mm Lens
  IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

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Leitz 35mm M 0.8 Leitz f/1.4
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

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Camera Accessories
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15mm Studio Support Kit for Canon C300 MKIII / C500 MKII
Use this 15mm Studio Support Kit  for both cameras: EOS C300 MKIII and EOS C500 MK II. Included in box: Basic Set for Canon C300 MKIII/ C500 MkII - #KK.0033625 LMB 4x5 Pro Set - #KK.0015177 LMB 4x5 Clamp Adapter Set - #KK.0015133 Follow Focus FF-5 Cine Set Pro - #K0.60144.0 | KK.0005758 Adapter FF-5 for 15mm Studio Support - #K2.47630.0 Lens Support LS-10 for 15mm Studio - #K2.47228.0 Universal Bridge Support UBS-3 - #K2.0013320 Bridge Plate BP-9 - #K2.0031435 Bottom Dovetail Plate 300mm/12in - #K2.0015896 Support Rods 340mm, Ø15mm - #K2.66252.0 Handgrip without on/off switch - #K2.47861.0 Handgrip Extension, long - #K2.47863.0 Shoulder Belt Adapters - #K2.0001223 Rod Mounting Bracket RMB-3 - #K2.0006186  

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19mm Studio Support Kit for Canon C300 MKIII / C500 MKII
Use this 19mm Studio Support Kit  for both cameras: EOS C300 MKIII and EOS C500 MK II. Included in box: Basic Set for Canon C300 MKIII/ C500 MkII - #KK.0033625 LMB 4x5 Pro Set - #KK.0015177 LMB 4x5 Clamp Adapter Set - #KK.0015133 Follow Focus FF-5 Cine Set Pro - #K0.60144.0 | KK.0005758 Adapter FF-5 for 19mm Studio Support - #K2.47629.0 Lens Support LS-9 for 19mm Studio - #K2.47227.0 Universal Bridge Support UBS-3 - #K2.0013320 Bridge Plate BP-8 - #K2.0031436 Bottom Dovetail Plate 300mm/12in - #K2.0015896 Support Rods 340mm/13.4in, Ø19mm - #K2.66269.0 Handgrip without on/off switch - #K2.47861.0 Handgrip Extension, long - #K2.47863.0 Shoulder Belt Adapters - #K2.0001223 Rod Mounting Bracket RMB-3 - #K2.0006186  

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ARRI Basic Cine Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0017138, Bridge Plate Adapter BPA-5 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4  

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ARRI Pro Cine Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043731, Side Bracket Right for Sony Venice 1/2 K2.0043725, Side Bracket Left for Sony Venice 1/2 K2.0017138, Bridge Plate Adapter BPA-5 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4 K2.0021525, EVF bracket for Sony DVF-EL200 (Venice) K2.0006140, Mini Viewfinder Bracket MVB-1  

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Arri Base Plate for Sony VENICE Ext. Unit
The Base Plate for the Venice Extension Unit is compatible with the BPA-5 and the ENG-style shoulder bottom part from the plate for Sony Venice. Like with the Sony Venice both can be easily attached by sliding them on and off from front or back. The release button is accessible from both sides.15mm lightweight rod support standard is integrated. ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. FEATURES The Base Plate fo the Venice Extension Unit is compatible with the BPA-5 and the ENG-style shoulder bottom part from the plate for Sony Venice. Like with the Sony Venice both can be easily attached by sliding them on and off from front or back. The release button is accessible from both sides. 15mm lightweight rod support standard is integrated. ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented.  

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ARRI Basic Broadcast Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043749, Broadcast Shoulder Adapter BSA-1 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4  

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ARRI Basic Set for Sony VENICE
Get ready to shoot with this Basic Set for Sony VENICE from ARRI, comprising a dedicated shoulder plate, a BPA-5 bridge plate adapter, a pair of 13" 15mm lightweight stainless steel rods, and a QRP-1 quick release plate. The plate features integrated front and back 15mm LWS rod clamps and an adjustable shoulder pad, and interfaces with the QRP-1 for easy attachment to a tripod. The BPA-5 bridge plate adapter allows you to quickly transfer your VENICE from the shoulder plate to a separately available cine-style bridge plate.  

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Arri Black Plate for Sony VENICE Ext. Unit
The Back Plate can be mounted either at the top or at the bottom of the back and it is also compatible with the Repeater Unit (an extension cable) for either horizontal or vertical attachment.It offers plenty of interfaces (1/4”-20; 3/8”-16 with anti-twist pin holes). ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. FEATURES The Black Plate can be mounted either at the top or at the bottom of the back and it is also compatible with the Tepeater Unit (an extensio´n cable) for either horizontal or vertical attachment. It offers plenty of interfaces (1/4"-20, 3/8"-16 with anti-twist pin holes). ARRI's Multi Hex screws - compatible with HEX 3, HEX 4, HEX 5 and 5/32" are implemented. Weight: 46 g

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ARRI Bridge Plate Adapter BPA-5
The Bridge Plate Adapter BPA-5 allows quick transfer from shoulder camera to cine style bridge plates such as BP-8 and BP-9. It is compatible with the upper part of the “Plate for Sony Venice” (K2.0017137).  

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Arri Cable clamp for Sony VENICE Ext. Unit
The Cable Clamp works as a strain-relief for the cable which connects the Extension Unit to the Venice camera body and recording unit. It is compatible with the Side Bracket Right. FEATURES The Cable Clamp works as a strain-relief for the cable which connects the Extension Unit to the Venice camera body and recording unit. It is compatible with the Side Bracket Right K2.0024566 Weight: 28 g

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ARRI Camera Center Handle CCH-4
The CCH-4 is a completely closed top handle and is compatible to most of the ARRI PCA top plates (not compatible with the top plate for RED, C300 MkII, Sony A7 and the MAP-1 and 2 from the ALEXA Mini). Numerous of interfaces (1/4-20”; 3/8-16”; M4) for additional accessories (e.g. RMB-3) are integrated. The CCH-4 can be mounted onto the Top Plate for the Sony Venice in three different positions and is compatible with the Sliding Adapter for the CCH-4 (K2.0019282).  

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ARRI KK.0006718 Pro Set for FS7/FS7II/FX9
The ARRI Pro Set for Sony PXW-FS7/FS72 provides a range of components designed to support and add accessories to your FS7 or FS7M2 HD camera. This set includes an adapter base plate with an integrated 15mm rod bracket, a built-in shoulder pad, a detachable 15mm rod console, two pairs of 15mm rods, a lens adapter support, a top cheese plate, a CCH2 carrying handle, and a viewfinder bracket. The flexible adapter plate is compatible with bridge plates like the ARRI BP-8 and BP-9, and with VCT-style tripod adapters. Extended rosettes on the plate will accommodate the original Sony handgrip or any rosette-based grip. For handheld operating comfort, a contoured shoulder pad is integrated into the adapter plate.This set's two pairs of 15mm rods, the adapter plate's built-in rod holders, and the included 15mm rod console provide front and rear support for 15mm rod-based accessories. The included LAS-1 lens adapter support offers a sturdy foundation for pillar-style PL, EF, and other lens adapters. The top plate and the CCH2 handle include 3/8"-16 threaded accessory mounts, and the top plate has a measuring tape stud lining up with the camera's "film plane." For increased viewing comfort, use the viewfinder bracket to ergonomically position the Sony EVF.Key Features     For Sony PXW-FS7/FS7M2 Cameras     Base Plate Fits Bridge & VCT Plates     Front & Back 15mm LWS Rod Support     2 x Pairs of 15 mm Rods (9" & 5.5") Included in Box     1 x K2.0003684 - Adapter Plate für Sony PXW-FS7/FS7II     1 x K2.0003899 - Lens Adapter Support LAS-1     1 x K2.66253.0 - Support Rods 240 mm (9.4"), Ø 15 mm     1 x K2.0003722 - Top Plate für Sony PXW-FS7     1 x K2.73002.0 - Center Camera Handle, CCH-2     1 x K2.0003749 - Viewfinder Bracket für Sony PXW-FS7     1 x K2.65264.0 - 15 mm LWS Rod Console     1 x K2.66254.0 - Support Rods 140 mm (5.5"), Ø 15 mm    

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ARRI KK.0033626 Pro Set für Canon C500 II
Includes Top Plate for Canon C500 MkII K2.0033441, Plate for Canon C500 MkII - K2.0033439, Bridge Plate Adapter BPA-5 - K2.0017138, Camera Center Handle CCH-4 - K2.0017270, Sliding Adapter for CCH-4 - K2.0019282, Rod Mounting Bracket RMB-3 - K2.0006186, 15mm Reduction Insert -K2.66255.0, Mini Viewfinder Bracket MVB-1 - K2.0006140, Monitor Bracket - K2.0015520 and Support Rods 340mm, Ø15mm K2.66252.0.The Top Plate for C500 MkII offers a variety of 1/4-20"; 3/8-16" and M4 threads for additional accessory support such as the RMB-3, CCH-4 (CCH-4 Sliding Adapter option) or CCH-2. An integrated optically centered 15mm lightweight support interface allows to mount 15mm rods or the Mini Viewfinder Bracket MVB-1 (K2.0006140). The C500 MkII monitor (via the Monitor Bracket for Canon C200 K2.0015520) or Canons C700 EVF (via K2.0013195 EVF bracket for C700) can be attached to the MVB-1.The K2.0033439 Plate for C500 MkII can be used either shoulder mounted compatible with a VCT-14 style plate such as the QRP-1 or by using the Bridge Plate Adapter BPA-5 to mount the cine-style BP-8, BP-9 or BPS-2. Both versions can be changed easily to the front and the back by sliding and exchanging one against the other without the need to detach any accessories from the camera. The plate includes an interface for two 15mm rods at the front and an optional 15mm lightweight support at the back (15mm rods included).Included in box     1x Top Plate for Canon C500 MkII K2.0033441     1x Plate for Canon C500 MkII - K2.0033439     1x Bridge Plate Adapter BPA-5 - K2.0017138     1x Camera Center Handle CCH-4 - K2.0017270     1x Sliding Adapter for CCH-4 - K2.0019282     1x Rod Mounting Bracket RMB-3 - K2.0006186     1x 15mm Reduction Insert -K2.66255.0     1x Mini Viewfinder Bracket MVB-1 - K2.0006140     1x Monitor Bracket - K2.0015520     1x Support Rods Pair 340mm, Ø15mm K2.66252.0.    

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ARRI Plate for Sony Venice
The Plate for Sony Venice with two integrated 15mm lightweight supports (at the front and the back) and a comfortable shoulder pad can be adjusted for perfect balancing. The plate is compatible with VCT-style tripod adapters such as the QRP-1 from ARRI.  

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ARRI Pro Broadcast Set for Sony Venice 1/2
Includes: K2.0043699, Top Plate for Sony Venice 1/2 K2.0043726, Plate for Sony Venice 1/2 K2.0043731, Side Bracket Right for Sony Venice 1/2 K2.0043725, Side Bracket Left for Sony Venice 1/2 K2.0043749, Broadcast Shoulder Adapter BSA-1 K2.66252.0, Support Rods 340mm, Ø15mm K2.0017270, Camera Center Handle CCH-4 K2.0021525, EVF bracket for Sony DVF-EL200 (Venice) K2.0006140, Mini Viewfinder Bracket MVB-1  

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ARRI Pro Set for Sony VENICE
Get ready to shoot with your Sony VENICE with this Pro Set from ARRI, comprising a dedicated shoulder plate, a BPA-5 bridge plate adapter, a dedicated top plate, a CCH-4 camera center handle, an RMB-3 rod-mounting bracket, a pair of 13" 15mm lightweight stainless steel rods, and a QRP-1 quick release plate. The plate features integrated front and back 15mm LWS rod clamps and an adjustable shoulder pad, and interfaces with the QRP-1 for easy attachment to a tripod. The BPA-5 bridge plate adapter allows you to quickly transfer your VENICE from the shoulder plate to a separately available cine-style bridge plate. The top plate enables low-angle shots, offers numerous accessory threads, and allows you to mount the CCH-4 center handle in one of three different positions. Lastly, the RMB-3 bracket supports a single 19mm rod, or a 15mm rod via a separately available reduction insert, and is well suited to accessories such as lens motors and lightweight viewfinder mounts.  

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ARRI Pro Set for Venice Extension Unit 1/2
ARRI Sony Venice Extension Unit Set Pro. The Sony Venice Extension Unit “Rialto 1+2” is an add-on to the Venice camera. It allows to separate the sensor unit from the recording unit connected through a cable. The accessories from ARRI PCA therefore are based on an addition to the existing accessories for the Sony Venice camera. For using all features, ARRI recommend using the “Rialto” accessories with the Venice accessories from ARRI PCA. FEATURES The existing ARRI PCA accessories are compatible with the “Rialto” accessories Compact and lightweight design of all components All components can be mounted individually (top, bottom, sides and back) An additional cable clamp prevents the cable connected to the sensor unit from getting damaged When using the Side Bracket Right vertical shooting is possible as well Includes:K2.66253.0 1x Support Rods 240mm/9.4in, Ø15mmK2.66254.0 1x Support Rods 140mm/5.5in, Ø15mmK2.66227.0 1x Cage Top Handle, CTH-1K2.66255.0 1x 15mm Reduction InsertK2.65264.0 1x 15mm LWS Rod ConsoleK2.0024564 1x Base Plate for Venice Ext. UnitK2.0039457 1x Top Plate for Venice Ext. UnitK2.0024566 1x Side Bracket Right for Venice Ext. UnitK2.0024761 1x Side Bracket Left for Venice Ext. UnitK2.0024569 1x Cable Clamp for Venice Ext. UnitK2.0024574 1x Rosette Adapters, RA-6, pairK2.0024573 1x Back Plate for Venice Ext. UnitK2.0024965 1x Wooden Handgrip WHG-1K2.0006186 1x Rod Mounting Bracket RMB-3K2.0047941 1x Back Plate 2 for Venice Ext. UnitK2.0017138 1x Bridge Plate Adapter BPA-5

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ARRI QRP-1-Baseplate
The ARRI QRP-1 Quick-Release Plate is compatible with the ARRI AMIRA camera, select ARRI support systems, and many industry-standard broadcast cameras. The VCT wedge design enables you to quickly attach and remove your camera from the plate using the lever release. FEATURES Quick release plate with lever release VCT-style plate enables quick mounting and removal of camera For ARRI AMIRA, select ARRI support systems, and many industry-standard broadcast cameras  

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ARRI Rod Mounting Bracket RMB-3
The RMB-3 supports a single 19 mm rod (15 mm rod via reduction insert K2.66255.0) and is well suited to accessories such as lens motors or lightweight viewfinder mounts.  

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Arri Rosette Adapters, RA-6, pair
The Rosette Adapters allow the user to attach rosettes on four different positions on both side brackets. They will be attached by two screws and are rock solid.ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4 and 5/32” are implemented. FEATURES The Rosette Adapters allow the user to attach rosettes on four different positions on both side brackets. They will be attached by two screws and are rock solid. ARRI's Multi HEX screws - compatible with HEX 3, HEX 4 and 5/32" are implemented. Weight: 77 g

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Arri Side Bracket Left for Sony VENICE Ext. Unit
The Side Bracket Left offers plenty of interfaces (1/4”-20; 3/8”-16 with anti-twist pin holes; RMB-3; RA-6, Wooden Handgrip WHG-1 and for the base plate to be used for vertical shooting)ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. FEATURES The Side Bracket Left offers plenty of interfaces (1/4”-20, 3/8”-16 with anti-twist pin holes, RMB-3, RA-6, Wooden Handgrip WHG-1 and for the base plate to be used for vertical shooting). ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. Weight: 67 g

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Arri Side Bracket Right for Sony VENICE Ext. Unit
The Side Bracket Right offers plenty of interfaces (1/4”-20; 3/8”-16 with anti-twist pin holes; RMB-3; RA-6, Wooden Handgrip WHG-1, Cable Clamp and for the base plate to be used for vertical shooting)ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. FEATURES The Side Bracket Right offers plenty of interfaces (1/4”-20, 3/8”-16 with anti-twist pin holes, RMB-3, RA-6, Wooden Handgrip WHG-1, Cable Clamp and for the base plate to be used for vertical shooting). ARRI´s Multi Hex screws – compatible with HEX 3, HEX 4, HEX 5 and 5/32” are implemented. Weight: 67 g

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ARRI Sliding Adapter for CCH-4
The sliding adapter enables the CCH-4 to slide back and forth for finding the perfect balancing point on the camera. It can be mounted in different positions on following ARRI top plates: Canon C200, Canon C700, Panasonic EVA-1, VariCam, Sony PMW F5/F55, Sony PXW-FS7/FS7II.  

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Arri Sony Venice Extension Unit Set Basic
ARRI Sony Venice Extension Unit Set Basic. The Sony Venice Extension Unit “Rialto” is an add-on to the Venice camera. It allows to separate the sensor unit from the recording unit connected through a cable. The accessories from ARRI PCA therefore are based on an addition to the existing accessories for the Sony Venice camera. For using all features, ARRI recommend using the “Rialto” accessories with the Venice accessories from ARRI PCA. FEATURES The existing ARRI PCA accessories are compatible with the “Rialto” accessories Compact and lightweight design of all components All components can be mounted individually (top, bottom, sides and back) An additional cable clamp prevents the cable connected to the sensor unit from getting damaged When using the Side Bracket Right vertical shooting is possible as well Set includes: 1x Base Plate for Venice Ext. Unit1x Top Plate for Venice Ext. Unit1x Side Bracket Right for Venice Ext. Unit1x Side Bracket Left for Venice Ext. Unit1x Cable Clamp for Venice Ext. Unit1x Back Plate for Venice Ext. Unit1x Rosette Adapters, RA-6, pair

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