Leitz

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

The Leitz Cine HUGO 40 mm T1.5 is the long-awaited expansion to the HUGO series, delivering the most requested focal length in professional cinematography. Designed in close collaboration with Leica Camera engineers, this prime lens captures the emotional, organic character of Leica glass while being optimized for demanding film productions. Filling the gap between 35 mm and 50 mm, the 40 mm prime offers a unique balance of intimacy and perspective, making it one of the most versatile focal lengths for narrative and commercial filmmaking. Its rendering is unmistakably cinematic: soft fall-off, creamy bokeh, rich color transitions, and sharpness in the center without appearing overly clinical. The result is a natural, tactile image that resonates with audiences and enhances storytelling. Compact, lightweight, and mechanically precise, the HUGO 40 mm is ideal for handheld work, gimbals, drones, and compact rigs, while still maintaining full professional cinema functionality. With a fast T1.5 aperture, consistent housing design across the HUGO line, and multiple mount options, it is a reliable and creative tool for filmmakers who demand exceptional optical performance with Leica’s legendary signature. Features – Leitz Cine HUGO 40 mm T1.5 Cinematic 40 mm focal length, perfect balance between 35 mm and 50 mm Maximum aperture of T1.5 for exceptional low-light performance and shallow depth of field Signature Leica rendering with soft fall-off, creamy bokeh, and rich colors Co-developed with Leica Camera engineers for unique optical character Compact and lightweight design, optimized for handheld and gimbal use Standardized housing with matched focus and iris positions across the HUGO series 0.8 MOD cine gearing for seamless integration into professional rigs Technical Specifications Focal length: 40 mm Maximum aperture: T1.5 Image circle: 43.3 mm (full-frame / VistaVision coverage) Minimum focus: approx. 0.36 m (14 in) Iris: 11 rounded blades Focus rotation: 270° Iris rotation: approx. 70.5° Mount options: LPL, L, M Dimensions & Weight Length: 68 mm Front diameter: 95 mm Filter thread: 92 mm screw-in Weight: approx. 810–870 g

Leitz Cine has introduced a new LPL Mount for the Sony VENICE Extension System Mini. In combination with the Leitz LPL to PL Adapter, this mount provides rental houses and productions with a solution that eliminates the need to change mounts when using professional cine lenses. Designed to accommodate all LPL and PL lenses, including rehoused vintage rangefinder lenses and lenses with rear filters, this mount ensures seamless integration without the need for frequent mount changes. Whether working with native LPL lenses or PL-mount lenses via the Leitz LPL to PL Adapter, this system delivers maximum compatibility, stability, and efficiency for high-end productions.Unlike the LPL mounts designed for VENICE/BURANO, this mount features a unique system that attaches directly to the Sony VENICE Extension System Mini with four screws, providing a rigid and stable connection while protecting the underlying E mount. The LPL to PL Adapter securely locks into the LPL mount, ensuring rock-solid support for PL-mount lenses. Both the mount and adapter incorporate metadata contacts, allowing seamless transfer of /i lens metadata to the camera for accurate focus, iris, and zoom data.Built from high-grade aluminum with a stainless steel mount, the Leitz LPL Mount for Sony VENICE Extension System Mini is engineered for durability and long-term use. By offering a complete, versatile mounting solution, Leitz eliminates the need to swap mounts between productions, making it an essential tool for filmmakers and rental houses seeking efficiency and reliability in every shoot.Features of Leitz LPL Mount for Sony VENICE Extension System MiniUniversal Lens Compatibility – Supports all LPL lenses, including vintage rangefinders and lenses with rear filters.LPL to PL Adapter – Provides secure and stable support for PL-mount lenses without the need for frequent mount changes.Direct Attachment – Mounts directly to the Sony VENICE Extension System Mini with four screws, ensuring stability and protecting the E mount.Metadata Integration – Features /i contacts for seamless lens metadata transfer to the camera.High-Quality Construction – Made from high-grade aluminum with a stainless steel lens mount for durability and longevity.Rigid and Reliable Design – Engineered to handle larger cine lenses with a secure and stable connection.Effortless Workflow – Eliminates the need to switch mounts between productions, saving time and reducing wear on equipment.Technical SpecificationsMaterial: High-grade aluminum with stainless steel mountCompatibility: All LPL lenses, PL lenses via adapterMount Type: Direct attachment with four screwsMetadata Support: /i lens metadata pass-throughAdapter: Integrated LPL to PL AdapterDesign: Engineered for rigid, stable lens support

The Leitz HUGO lenses bring the legendary optical character of Leica M photography glass into the world of modern, professional cinematography. Based on the popularity of the Leitz M 0.8 series, HUGO primes carry forward a century-old tradition of storytelling optics — known for their rich colors, artful flares, and a rounded image field that translates emotion into every frame. New Leitz HUGO II 90mm T2.1 Lens Leica M lenses have long been the tool of choice for street photographers, war correspondents, and visual storytellers who value speed, subtlety, and soul. With the HUGO series, Leitz distills that spirit into a cine-ready lens set that meets the highest demands of today's productions. Leitz Hugo meets Sony Venice | Image credit: Leitz Even wide open at T1.5, HUGO lenses deliver sharp images — yet remain gentle in contrast and falloff. The lenses exhibit a natural, organic rendering, with strong field curvature in full frame use that allows subjects to visually separate from their surroundings. The resulting bokeh transforms backgrounds into painterly backdrops, enhancing the emotional depth of a scene. Two Series. One Signature Look. The complete HUGO lineup now includes 13 full frame lenses ranging from 18mm to 135mm, all featuring Leica M optics in a new housing designed for cinema use. HUGO Series I – T1.5 Compact, fast, and built for performance, the original HUGO lenses offer exceptional speed and character with T1.5 apertures across nine focal lengths — from ultra-wide to telephoto. HUGO Series II – T2.1 Newly introduced, the HUGO II lenses (66mm, 75mm, 90mm) provide slightly slower T2.1 apertures but offer smaller size, lighter weight, and a slightly different rendering while maintaining the same visual language. The 66mm T2.1, for example, is based on a Cold War–era “spy lens” design, while the 75mm and 90mm T2.1 draw on the iconic Summicron-M look. Special EditionThe 50mm T1.0 completes the range with a unique character, offering even more creative control over depth and exposure. At a Glance – Full Lineup HUGO Series I (T1.5): 18 mm, 21 mm, 25 mm, 28 mm, 35 mm, 40 mm, 50 mm, 65 mm, 75 mm, 90 mm, 135 mm HUGO Series II (T2.1): 66 mm, 75 mm, 90 mm Special Edition: 50 mm T1Durability, Serviceability, and Future-Proofing Leitz Hugo meets Sony Venice | Image credit: Leitz As with all Leitz cine lenses, the HUGO series is designed for long-term professional use: Readily available partsFactory-trained lens technicians Long-term service support Existing Leitz M 0.8 lenses are eligible for conversion to HUGO housingsBuilt for Cinematography  New Leitz HUGO II 66mm T2.1 Lens The HUGO lenses are not adapted still lenses — they are fully re-engineered for professional production environments: Production-Ready Design: Traditional cine-style housing, 270° focus rotation, matching gear positions for fast lens changes Mount Flexibility: Standard LPL mount, easily swappable to Leica M or Leica L mount Improved Mechanics: Greatly increased close focus performance Consistent Build: Compact and featherweight housings starting at 1.78 lbs / 0.81 kg, lengths between 2.7–4.8” (68–121 mm), all with 95mm front diametersWho is Hugo? The name “HUGO” pays homage to Hugo Wehrenfennig, a legendary engineer at Leica who helped develop the original Leica M bayonet mount — still used today. With a 27.8 mm flange depth, the Leica M mount made it possible to design small, fast, high-performance lenses for those who needed to move lightly and shoot quickly. That same design philosophy lives on in the Leitz HUGO cine lenses. Summary The Leitz HUGO lens series is the perfect intersection of Leica heritage and Leitz cine innovation — designed for cinematographers who value optical character, compactness, and mechanical excellence. Whether you're shooting handheld, on gimbals, or full-scale productions, HUGO lenses give you legendary Leica rendering in a robust, modern package.

The new lenses are available with PL- and LPL-Mount options including metadata interface Cooke /i and ARRI LDS-2. LEITZ PRIMES SET OF 18, 21, 25, 29, 35, 40, 50, 65, 75, 100, 135, 180MM KEY FEATURES Color matched with LEITZ ZOOMs Minimal breathing Low distortion easy to change focus-scales (imperial / metric) TECHNICAL DETAILS Includes 12 prime lenses T-Stop: 1.8 (180mm T2) Image circle VistaVision (Ø46.5mm) PL-, LPL-Mount incl. metadata interface Cooke/I and ARRI LDS-2  

The new lenses are available with PL- and LPL-Mount options including metadata interface Cooke /i and ARRI LDS-2. KEY FEATURES Color matched with LEITZ PRIMES No light loss/ramping over entire zoom range Parfocal and minimal breathing No visuable chromatic aberration easy to change focus-scales (imperial / metric) TECHNICAL DETAILS T-Stop 2.8 Image circle VistaVision (Ø46.5mm) Front diameter 114mm PL-, LPL-Mount incl. metadata interface Cooke/I and ARRI LCD-2

The new lenses are available with PL- and LPL-Mount options including metadata interface Cooke /i and ARRI LDS-2.KEY FEATURESColor matched with LEITZ PRIMESNo light loss/ramping over entire zoom rangeParfocal and minimal breathingDistortion is exceptionally lowNo visuable chromatic aberrationeasy to change focus-scales (imperial / metric)TECHNICAL DETAILST-Stop 2.8Image circle VistaVision (Ø46.5mm)Front diameter 114mmPL-, LPL-Mount incl. metadata interface Cooke/I and ARRI LCD-2 

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        50-N mm Max. Aperture:     f/0.95 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   835g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        75 mm Max. Aperture:     f/2.0 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   572g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        50 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   466g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        90 mm Max. Aperture:     f/2.0 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   605g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length:        100 mm Aperture:               T2.0 - T22 full close Format:                  36 mm (Enlarged "Super  35) Mount:                   PL Front Diameter:    95 mm Weight:                  1,2 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more  

SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length:         16 mm Aperture:                T1.4 - T22 - full close Format:                   33 mm Mount:                    PL - Titanium Front Diameter:    95 mm Weight:                   1,7 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        24 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   505g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:    

SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length:         135 mm Aperture:                T1.4 - T16 - full close Format:                   33 mm Mount:                    PL - Titanium Front Diameter:    114 mm Weight:                   3,4 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        35 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length:        28 mm Max. Aperture:     f/1.4 Format:                  Full Frame (24mm x 36mm) Mount:                   Leica M-Mount Front Diameter:    80mm Weight:                   480g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:  

SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length:        25 mm Aperture:               T2.0 - T22 full close Format:                  36 mm (Enlarged "Super  35) Mount:                   PL Front Diameter:    95 mm Weight:                  1,5 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more  

The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length:       180 mm Max. Aperture:     f/3.6 Format:                 60 mm (ARRI ALEXA 65) Mount:                  PL, LPL, XPL-with Cooke/i Front Diameter:   95mm Iris Shape:            Circular through all stops Weight:                 1,62 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more  

The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length:       35 mm Max. Aperture:     f/2.6 Format:                 60 mm (ARRI ALEXA 65) Mount:                  PL, LPL, XPL-with Cooke/i Front Diameter:   95mm Iris Shape:            Circular through all stops Weight:                 1,40 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more  

The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length:       100 mm Max. Aperture:     f/2.2 Format:                 60 mm (ARRI ALEXA 65) Mount:                  PL, LPL, XPL-with Cooke/i Front Diameter:   95mm Iris Shape:            Circular through all stops Weight:                 1,16 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more

SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length:        35 mm Aperture:               T2.0 - T22 full close Format:                  36 mm (Enlarged "Super  35) Mount:                   PL Front Diameter:    95 mm Weight:                  1,3 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more  

SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length:        15 mm Aperture:               T2.0 - T22 full close Format:                  36 mm (Enlarged "Super  35) Mount:                   PL Front Diameter:    95 mm Weight:                  1,8 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more  

SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length:        40 mm Aperture:               T2.0 - T22 full close Format:                  36 mm (Enlarged "Super  35) Mount:                   PL Front Diameter:    95 mm Weight:                  1,3 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more