Cooke

Compact 1.5x Anamorphic Primes for Mirrorless Cinema Capture The Cooke AP3 Series represents a ground-up anamorphic design philosophy tailored specifically for modern mirrorless cinema systems. Built to extend Cooke’s anamorphic lineage into a compact, lightweight form factor, AP3 delivers true 1.5x anamorphic rendering with the optical discipline and consistency expected from high-end production optics. The series is engineered for full-frame coverage while maintaining compatibility with S35 workflows, making it a flexible toolset for narrative, commercial, and documentary cinematography. At its core, AP3 is defined by controlled anamorphic character rather than exaggerated optical artifacts. The rendering is deliberately balanced: organic but not unpredictable, expressive but technically reliable. Focus transitions are smooth and continuous, producing a natural sense of depth that supports visual storytelling without drawing attention to the lens itself. The 1.5x squeeze factor provides a classic anamorphic aspect ratio while optimizing sensor utilization on modern full-frame mirrorless cameras. Flare behavior is distinctly Cooke—subtle, cinematic, and spectrally coherent across the range. Rather than introducing stylized or artificial flare signatures, AP3 produces natural optical responses that integrate into scene lighting. Combined with smooth bokeh rendition and carefully controlled field curvature, the lenses produce a cohesive image structure that supports both controlled lighting environments and available-light shooting scenarios. The series maintains consistent color balance across all focal lengths, ensuring seamless intercutting within multi-camera or multi-lens productions. Despite its anamorphic pedigree, AP3 is optimized for operational efficiency on set. The compact housing, standardized 0.8 MOD focus and iris gears, and consistent 87 mm front diameter allow rapid rigging and compatibility with lightweight support systems, matte boxes, and gimbal setups. Interchangeable mount options further extend system flexibility across major mirrorless platforms. This positions AP3 as a practical solution for owner-operators and production environments where mobility and optical performance must coexist. The Cooke AP3 Series is therefore not positioned as a stylistic exaggeration of anamorphic imaging, but as a precise, production-ready toolset that integrates classical anamorphic aesthetics into contemporary mirrorless workflows. It bridges the gap between traditional cinema optics and next-generation camera systems while preserving the signature Cooke imaging philosophy: controlled highlight roll-off, dimensional rendering, and natural tonal reproduction. Features – Cooke AP3 Series • Ground-up anamorphic optical design for mirrorless cinema systems • True 1.5x anamorphic squeeze factor for full-frame sensor coverage • Full-frame coverage with S35 compatibility • Compact and lightweight construction optimized for modern production workflows • Consistent Cooke color science across all focal lengths • Controlled anamorphic flare characteristics with natural optical behavior • Smooth, organic defocus rendering with stable bokeh structure • Cinematic focus transitions with natural depth continuity • 9-blade iris assembly for smooth highlight rendition • T-stop range from T2.4 to T16 across the series • Standardized 0.8 MOD focus and iris gears for professional rig compatibility • Unified 87 mm front diameter across all lenses • 82 mm front filter thread for consistent accessory use • Interchangeable mount system (E / RF / L / M options) • Optimized for handheld, gimbal, and lightweight cinema setups Series Focal Lengths – Cooke AP3 • Cooke AP3 35mm T2.4 1.5x Anamorphic Lens • Cooke AP3 50mm T2.4 1.5x Anamorphic Lens • Cooke AP3 85mm T2.4 1.5x Anamorphic Lens

Tele cinematic compression and isolation The Cooke AP3 FF 85mm T2.4 1.5x Anamorphic Lens is designed for controlled telephoto anamorphic cinematography, offering strong subject isolation, elegant background compression, and refined cinematic depth. It is ideal for portraits, close-ups, and emotionally driven narrative sequences. The 1.5x anamorphic squeeze creates characteristic oval bokeh and subtle horizontal flare behavior, while maintaining sharp optical performance and controlled rendering across the full frame image area. Despite its telephoto nature, the lens remains compact and highly portable, reflecting the AP3 design philosophy of lightweight anamorphic performance without compromise. The anodised housing ensures durability in demanding production environments, while maintaining ergonomic handling. The dual focus scale system and precise mechanical alignment across the AP3 series enable fast lens changes with consistent focus and iris motor positioning, improving efficiency on set. Class-leading close focus capability enhances creative flexibility, enabling intimate framing even at longer focal lengths. The AP3 system is optimized for modern mirrorless cinema workflows and maintains consistent optical and mechanical behavior across the full series. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 85mm T2.4 • 85mm telephoto anamorphic focal length • 1.5x squeeze factor • T2.4 constant aperture • Strong subject compression • Cinematic oval bokeh rendering • Compact telephoto cine design • Dual focus scale system • Excellent close focus performance • Matched AP3 mechanical alignment • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 85mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine focus mechanics • Anamorphic optical design • Interchangeable rear mount system • Mirrorless cinema optimized • Matched AP3 system standard

Natural anamorphic storytelling perspective The Cooke AP3 FF 50mm T2.4 1.5x Anamorphic Lens represents the classic anamorphic “normal” focal length, delivering a natural perspective with subtle compression and strong cinematic character. It is designed for narrative storytelling, dialogue scenes, and controlled cinematic compositions where emotional depth and spatial realism must coexist. The 1.5x squeeze factor produces elegant anamorphic oval bokeh and refined horizontal flares, while maintaining high resolution and controlled optical breathing characteristics. The result is a balanced anamorphic aesthetic that remains highly usable in modern digital production environments. The lens is built with portability and consistency in mind. Its compact anodised body, dual focus scale system, and precise mechanical matching across the AP3 series ensure efficient lens swaps and stable focus/iris motor alignment during production workflows. Close focus performance enables creative framing flexibility, allowing cinematographers to work in tight environments without compromising image quality or optical character. The AP3 system is designed for mirrorless-based cinema rigs, offering maximum adaptability while maintaining professional mechanical durability. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 50mm T2.4 • 50mm full-frame anamorphic focal length • 1.5x anamorphic squeeze • T2.4 constant aperture • Natural anamorphic perspective • Compact lightweight cine design • Dual focus scale system • Strong close focus capability • Matched mechanical alignment • Durable anodised housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine mechanics • Anamorphic optical system • Interchangeable rear mount system • Mirrorless optimized architecture • Matched AP3 mechanical standard

Wide cinematic anamorphic immersion The Cooke AP3 FF 35mm T2.4 1.5x Anamorphic Lens delivers a wide cinematic anamorphic field of view designed for immersive storytelling, dynamic camera movement, and modern full-frame production workflows. It combines classic anamorphic character with the compact ergonomics of a lightweight, mirrorless-optimized cinema lens system. With a 1.5x squeeze factor, the lens produces natural anamorphic oval bokeh and controlled horizontal flare characteristics while maintaining high image clarity and consistent sharpness across the frame. The optical design is tuned for modern digital sensors, ensuring a balanced combination of resolution, character, and cinematic softness. The AP3 series is engineered for portability without compromise. Its compact anodised housing, dual focus scale system, and precise mechanical alignment across the entire set enable fast lens changes while maintaining consistent focus and iris motor positions in professional production environments. Close focus performance is class-leading, allowing for creative framing flexibility even in tight shooting spaces. This makes the 35mm AP3 particularly effective for narrative filmmaking, handheld work, and high-mobility production setups. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless platforms. Features – Cooke AP3 FF 35mm T2.4 • 35mm full-frame anamorphic focal length • 1.5x anamorphic squeeze factor • Constant T2.4 aperture • Classic Cooke anamorphic rendering • Lightweight compact cine design • Dual focus scale system • Class-leading close focus capability • Consistent mechanical alignment across set • Anodised durable housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories, depending on purchase conditions or registration. Technical Specifications • Focal length: 35mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale layout • Manual cine focus system • Anamorphic optical design • Interchangeable rear mount system • Optimized for mirrorless cinema systems • Matched mechanical set alignment

Extended telephoto cinematic reach The Cooke SP3 100mm T2.4 Full Frame Prime Lens is the longest focal length in the SP3 series, designed for maximum subject isolation and controlled compression. It excels in close-ups and distant subject framing while maintaining Cooke’s signature organic rendering and smooth tonal response. Despite its telephoto reach, it remains compact and optimized for modern lightweight cinema workflows. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 100mm T2.4 • 100mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong compression effect • Cooke cinematic rendering • Compact telephoto design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 100mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Controlled compression cine tele lens The Cooke SP3 75mm T2.4 Full Frame Prime Lens is designed for subject isolation and controlled compression. It is ideal for portraits, close-ups, and emotionally driven cinematic framing. It delivers strong subject separation while maintaining natural skin tone reproduction and smooth tonal transitions. The lens integrates seamlessly into lightweight cinema rigs and maintains consistent rendering across the SP3 lineup. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 75mm T2.4 • 75mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong subject separation • Cooke cinematic rendering • Mirrorless optimized • Compact telephoto design • Smooth focus control • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 75mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine construction • Color consistency

Classic cinematic normal perspective The Cooke SP3 50mm T2.4 Full Frame Prime Lens represents the standard cinematic focal length, closely matching natural human vision. It is a core lens for dialogue scenes, portraits, and narrative storytelling. It delivers smooth tonal transitions, natural contrast behavior, and Cooke’s signature organic rendering with refined highlight roll-off. The lens is optimized for modern lightweight cinema systems while maintaining full optical consistency across the SP3 series. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 50mm T2.4 • Standard 50mm cinematic focal length • Constant T2.4 aperture • Full-frame coverage • Natural perspective rendering • Cooke cinematic look • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency

Versatile mid-wide workhorse The Cooke SP3 32mm T2.4 Full Frame Prime Lens sits in the critical mid-wide range, making it one of the most versatile lenses in the series. It is ideal for interviews, narrative scenes, and handheld filmmaking. It delivers balanced perspective, natural depth rendering, and the signature Cooke filmic response with smooth highlight roll-off and organic skin reproduction. Engineered as a workhorse lens, it maintains consistent behavior across varying shooting conditions while integrating seamlessly into lightweight cinema setups. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 32mm T2.4 • Mid-wide versatile focal length • Constant T2.4 aperture • Full-frame coverage • Cinematic Cooke rendering • Mirrorless optimized system • Lightweight cine design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications• Focal length: 32mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical system • Mirrorless optimized • Interchangeable mount system • Cine housing • Color matched series

Natural wide cinematic perspective The Cooke SP3 25mm T2.4 Full Frame Prime Lens delivers a natural wide-angle perspective that closely reflects human visual perception. It is a highly versatile focal length suitable for narrative filmmaking, documentaries, and commercial productions requiring spatial realism and controlled perspective. The lens renders images with smooth tonal transitions, natural contrast behavior, and the signature Cooke “film look”. Skin tones are reproduced with a soft, organic roll-off, avoiding harsh digital characteristics even in high-contrast lighting situations. Designed for modern lightweight cinema setups, the SP3 25mm integrates seamlessly into handheld and gimbal-based workflows. It is part of a fully matched optical system ensuring consistent rendering across all SP3 focal lengths. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless camera platforms. Features – Cooke SP3 25mm T2.4 • Natural wide-angle focal length • Constant T2.4 aperture • Full-frame coverage • Cooke cinematic color science • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus control • Minimal distortion characteristics • SP3 color consistency • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Designed for short flange focal distance mirrorless systems. Technical Specifications • Focal length: 25mm • Aperture: T2.4 • Full-frame coverage • Manual focus cine design • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Lightweight cine housing • Consistent series design

Ultra-wide cinematic control The Cooke SP3 18mm T2.4 Full Frame Prime Lens delivers an ultra-wide field of view designed for immersive storytelling, architectural work, and dynamic handheld cinematography. It is engineered as part of Cooke’s modern mirrorless-focused SP3 series, translating the renowned Cooke Look into a compact, lightweight optical system optimized for full-frame sensors. Despite its wide-angle perspective, the lens maintains exceptional edge-to-edge sharpness while preserving the organic rendering Cooke is known for. Skin tones remain natural, contrast transitions are smooth, and highlights roll off with cinematic precision rather than harsh digital clipping. This makes the 18mm SP3 particularly effective for narrative filmmaking, documentaries, and high-end commercial production. The mechanical design is optimized for modern gimbal and run-and-gun workflows. Its compact form factor supports lightweight camera builds without compromising precision in focus control or optical consistency across the SP3 series. Features – Cooke SP3 18mm T2.4 Full Frame Prime Lens • Ultra-wide 18mm focal length for immersive perspectives • Constant T2.4 aperture for consistent exposure control • Full-frame image coverage • Signature Cooke cinematic rendering (“Cooke Look”) • Optimized for mirrorless cine workflows • Compact and lightweight design for gimbals and handheld rigs • Smooth and precise manual focus control • Minimal focus breathing for cinematic pulls • Color-matched across SP3 lens series • Interchangeable rear mount system Mounts • Sony E-Mount (standard, factory-installed) • Canon RF Mount (interchangeable rear mount accessory) • Leica L-Mount (interchangeable rear mount accessory) • Leica M-Mount (interchangeable rear mount accessory) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Depending on purchase conditions or registration, selected mounts may be provided at no additional cost. The system is engineered specifically for short flange focal distance mirrorless camera platforms. Technical Specifications• Focal length: 18mm • Aperture: T2.4 • Full-frame coverage • Manual focus design • Cine-style geared focus and iris rings • Interchangeable rear mount system • Color matched across SP3 lineup • Optimized for digital cinema sensors • Consistent SP3 optical tuning • Designed for modern mirrorless cine systems

Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!

Cooke S4/i S35 Lens Series Focal length range: 12mm-300mm (18 lenses) Format: Super35 Mount: PL  Speed: T2 Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments. FEATURES High-quality Designed and developed in close technical collaboration with industry professionals. Consistent Modular construction increases ease of maintenance and serviceability. Convenient Colour-matched and compatible with Cooke 5/i, miniS4/i and Anamorphic/i. Connected /i Technology provides vital metadata for consistency and reproducibility. i/ Technology Cooke’s /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements. SPECIFICATIONS

Cooke Panchro/i Classic S35 Lens Series The famous Speed Panchro look lenses for Super35 Focal length range: 18mm – 152mm (12 lenses) Format: S35 Mount: PL Speed: T2.2 The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern re-design of these heritage lenses for Super35 cameras, true to the original classic look of the legendary Speed Panchro but with all the benefits of contemporary glass and technology. Cooke Panchro/i Classic S35 is a range of 12 lenses, key focal lengths having maximum aperture of T2.2. They are colour balanced and colour matched, ensuring consistency across the series. FEATURES Control The Panchro/i Classic S35 optical performance enables them to be used at full aperture with superior control of flare, distortion and spherical aberration. Balanced Colour balanced, colour matched and compatible with Cooke S8/i FF and S7/i FF, as well as other modern Cooke lenses. Timeless The same coveted Cooke Look aesthetic as the now legendary Cooke Speed Panchro. Cinematographers talk about Panchro/i Classic as having qualities which enable to convey more emotion in their work, particularly with faces. Smarter Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Edging and blackening are thoroughly performed to achieve accurate lens alignment and minimal flaring. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked. SPECIFICATIONS  

Cooke MiniS4/i S35 Lens Series Focal length range: 18mm-135mm (10 lenses) Format: Super35 Mount: PL  Speed: T2.8 The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses. FEATURES High-performing The same exceptional resolution and optical quality as the S4/i, but at a lower price point. i/Technology Cooke’s /i Technology enables film and digital cameras to automatically record key lens data such as focusing distance, aperture and depth-of-field for every frame shot and provide it to post-production teams digitally. Streamlining production and post, it saves time and cost while eliminating guesswork and enabling greater creative freedom. Handcrafted Innovation We use traditional polishing techniques to ensure the highest level of precision. An essential ingredient of lens manufacturing is consistent, persistent and accurate measurements. Minerals are evaporated at a high temperature in a vacuum to deposit a thin film onto the glass. Edging ensures that the glass diameters are perfectly round. A seamless process in which lenses are assembled according to specific measurements, checked, cleaned, tweaked and rechecked. Lightweight Enjoy a smaller, lighter lens without compromising on quality. Reliable All Cooke lenses are colour matched, meaning miniS4/i and S4/i lenses can be mixed on a shoot with full confidence. Streamlined Automatically record key lens data for each frame shot with /i Technology. SPECIFICATIONS  

  Cooke Panchro/i Classic FF Lens SeriesThe famous Speed Panchro lens, re-invented for Full Frame Focal length range: 18mm – 152mm (12 lenses) Format: Full Frame Mount: PL Speed: T2.2 In 1935, the Director of Photography of Metro-Goldwyn Mayer studios said, “… at least 50% of our productions are made with Speed Panchros.” A true icon, which first established the optical characteristics that would one day become known as the Cooke Look. Panchro/i Classic FF evolves this further with modern opto-mechanical design. Cooke’s Panchro/i Classic FF is a range of 12 lenses, key focal lengths having maximum aperture of T2.2. They are precisely colour balanced and colour matched, ensuring consistency across the series. FEATURES Control The Panchro/i Classic FF optical performance enables them to be used at full aperture with superior control of flare, distortion and spherical aberration. Balanced Colour balanced, colour matched and compatible with Cooke S8/i FF and S7/i FF, as well as other modern Cooke lenses. Timeless The same coveted Cooke Look aesthetic as the now legendary Cooke Speed Panchro. Cinematographers talk about Panchro/i Classic as having qualities which enable to convey more emotion in their work, particularly with faces. Smarter Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Edging and blackening are thoroughly performed to achieve accurate lens alignment and minimal flaring. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked. SPECIFICATIONS  

  Cooke S8/i FF Series The flagship Cooke prime lens series, optimised for digital and film cameras. Focal length range: 18mm – 135mm (16 lenses) Format: Full Frame  Mount: PL or LPL Speed: T1.4 A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability. * Lineup of 11 lenses is available now (18, 25, 27, 32, 35, 40, 50, 65, 75, 100 and 135mm), with more focal lengths coming later in 2023. FEATURES All-Spherical Design The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality. Faster With a maximum aperture of T1.4 across the majority of the focal lengths range, the S8/i FF lenses are amongst the very fastest produced for larger than Full Frame capture. They offer excellent control over depth of field and flare characteristics, whilst still providing exceptional low light performance. Lighter Compact and light, agile and easy to handle, the new S8/i FF lenses have been created for a wide variety of situations and today’s digital cinema cameras. Being lighter, however, has not compromised strength, durability, or their exceptional image aesthetic. Smarter Designed from the ground up to incorporate our very latest intelligent /i technology, which includes /i data focus and iris position, /i motion inertial data and /i maps, our factory calibrated shading and distortion data. They also benefit from a high degree of modularity, which increases reliability and reduces servicing time. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Sophisticated thin film equipment and traditional cementing processes are utilised to ensure optimum coatings. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked.   SPECIFICATIONS  

  Cooke Anamorphic/i FF Lens Series Advancing the evolution of filmmaking Focal length range: 32mm – 180mm (8 lenses) Format: Full Frame  Mount: PL or LPL Speed: T2.3 Cooke Anamorphic/i is a truly innovative range and the subject of multiple patents. They exemplify anamorphic characteristics. Eight high-speed focal lengths from 32mm to 180mm, all colour matched for different needs, including a macro focus 85mm lens. Coverage circle covers a full 24 x 36 still size sensor with 1.8x squeeze: the perfect sweet spot. FEATURES Hybrid The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design. It produces a traditional organic, cinematic and anamorphic wide screen quality, which is characterised by smooth, elliptical bokeh and minimal colour fringing to enable you to create sensitive and emotive images with a high degree of dimensionality. Special Flair When specifying your Cooke Anamorphic/i FF, you have the option to have the lens manufactured with a proprietary coating that allows you to kick flares, bokeh and other aberrations into new visual territory. Smarter Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork. Handcrafted Precision Anamorphic lenses are deeply complex to manufacture. Greater anamorphic insights and measurements are taken to ensure absolute quality. SPECIFICATIONS  

Cooke Anamorphic/i S35 Lens Series The timeless Super35 anamorphic lens Focal length range: 25mm – 300mm (10 lenses) Format: S35 Mount: PL Speed: T2.3 The Anamorphic/i S35 harness all the anamorphic lens characteristics demanded by filmmakers today and historically for film and digital image capture. Ten high-speed focal lengths from 25mm to 300mm, all colour matched for different needs, including a macro focus 85mm lens, each featuring the coveted Cooke Look. FEATURES Performance Superb optical and mechanical performance with images beautifully rendered for film and digital capture, and aberrations like astigmatism and longitudinal colour exceptionally well corrected. Special When specifying your Cook Anamorphic/i FF, you have the option to have the lens manufactured with a proprietary coating that allows you to kick flares, bokeh and other aberrations into new visual territory. i/ Technology Save time and cost by streamlining the production and post-production processes, while enhancing the accuracy of data points. Gone are the days of needing to manually record lens settings, with artists able to produce more precise visual effects and 3D models at a faster rate. From DPs and VFX artists to directors and producers, everyone enjoys a more efficient process. Handcrafted Precision Anamorphic lenses are deeply complex to manufacture and combine traditional and modern techniques. Meticulous measurements are taken to ensure absolute quality. SPECIFICATIONS

Cooke Macro/i FF Lens Series Superior image performance from infinity to 1:1 macro focus Focal length range: 60, 90, 150mm Format: Full Frame Mount: PL or LPL Speed: T2.5 A set of three complementary macro lenses, performance matched to the S8/i FF, Varotal/i FF and S7/i FF and featuring the iconic Cooke Look™. Expanded focus scale marks for shooting as normal focus lenses, with the ability to close focus down to 1:1 macro. These unique macro lenses are equally at home for principal photography and table top product close-up shots. A complete range of perfectly matched high-speed full frame macro 1:1 cine lenses, comprising 3 different focal lengths from 60mm to 150mm, at a maximum aperture of T2.5, covering wide angle to telephoto shots. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability. FEATURES All-Spherical Design The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing. It helps enable cinematographers to create sensitive and emotive images with a high degree of dimensionality. Faster Aperture With a maximum aperture of T2.5 at all focal lengths, the new Macro/i FF lenses are suitable for shooting virtually all kinds of photographic scenes. Compact With a small front diameter of 87mm, the new Macro/i FF lenses have been created for a wide variety of situations and today’s compact digital cinema cameras. Being compact, however, has not compromised strength, durability, or their exceptional image aesthetic. Smarter Designed from the ground up to incorporate our very latest intelligent /i Technology, which includes /i data focus and iris and zoom position. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Sophisticated thin film equipment and traditional cementing processes are utilised to ensure optimum coatings. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked. SPECIFICATIONS  

Cooke 5/i S35 Lens Series Focal length range: 18mm-135mm (9 lenses) Format: Super35 Mount: PL  Speed: T1.4 See in the dark like never before with T1.4 speed and a focus ring that illuminates when you need it. Harness the visibility you need without affecting the light coming into the camera, allowing you to get the perfect shot each time. FEATURES Exceptional Superior optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. Innovative T1.4 speed and a focus ring that eliminates the need for an external lamp. Convenient Colour matched and compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses. Insightful /i Technology collects detailed lens data for production, VFX and post-production teams. The Cooke /i Technology ecosystem provides critical lens metadata such as focus and iris position as well as individually calibrated lens distortion and shading maps. Suitable for the most modern VFX applications such as Virtual Production shooting. SPECIFICATIONS

  Cooke Varotal/i FF Lens Series Uncompromised zoom lenses with The Cooke Look™ Focal length range: 19-40mm, 30-95mm, 85-215mm Format: Full Frame Mount: PL Speed: T2.9 The original Cooke Varotal (1971) was the first zoom lens designed for professional motion picture photography. The Varotal/i FF series is a completely new design which offers outstanding optical performance with an almost total absence of breathing, chromatic aberration and distortion. The Varotal/i FF series offers focal length coverage from 19mm to 215mm, giving cinematographers huge flexibility from three lenses. Matched to S7/i FF and S8/i FF at T2.8, Varotal can augment Cooke primes as part of a lens system, achieving the beautiful, classical skin tones that characterise our now legendary look.   FEATURES Zoomable Prime Varotal/i FF removes the compromise that has been associated with zoom lenses. For observational documentary, live broadcast, efficiency or just style, they offer imaging performance commensurate with prime lenses. Varotal/i extends the photographic possibilities that Cooke offers cinematographers. Detail and Consistency Varotal/i offers striking levels of detail for 8k resolution and beyond. All three lenses feature a constant T2.9 aperture speed at all focal lengths, ensuring consistent results and creative control. Durability A scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, ensuring a durable, hard-wearing surface to meet the most demanding environmental conditions. /i Technology Designed from the ground up to incorporate Cooke intelligent /i technology, which includes /i data focus, iris and zoom position, /i motion inertial data and /i maps, our factory calibrated shading and distortion data. They also benefit from a high degree of modularity, which increases reliability and reduces servicing time. SPECIFICATIONS  

Cooke S7/i FF Lens Series Superb optical and mechanical performance in a comprehensive line-up Focal length range: 16mm – 300mm (14 lenses) Format: Full Frame Mount: PL or LPL Speed: T2 Optimised for film and digital cameras reducing lateral colour aberration and providing an organic bokeh, S7/i FF prime lenses are designed to provide maximum performance at full aperture with superior control of flare, distortion and spherical aberration. The S7/i series are a comprehensive line-up of 14 focal lengths from 16mm – 300m, colour matched to Anamorphic/i and Panchro/i Classic. FEATURES i/ Technology Cooke’s /i Technology enables cameras to automatically store key lens data on everything from lens setting and focusing distance to aperture and depth-of-field. Equipping cinematographers with essential information, it streamlines production and post processes while eliminating the need for guesswork. Handcrafted Precision Each Cooke lens is hand crafted at the factory in Leicester, U.K, using a combination of state-of-the-art technology, traditional 100-year-old techniques and personal dexterity that come together to create these extraordinary lenses. SPECIFICATIONS