Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contact

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

Cinema-Camera with 6K Full-Frame Sensor, Triple Base ISO, 12G-SDI Output, and more. Builds on the success of the EOS R5 C and EOS C70, combining cutting-edge technology with a compact and ergonomic design to support professional users in creative filmmaking. State-of-the-Art Imaging in a Compact Cinema Body The Canon EOS C80 redefines what compact cinema cameras can do, featuring Canon’s groundbreaking 6K Full-Frame Backside Illuminated (BSI) stacked sensor—the same advanced imaging core first introduced in the flagship EOS C400. This new sensor design enables pristine 6K recording at up to 30p in Cinema RAW Light and oversampled 4K 4:2:2 10-bit footage with exceptional sharpness and dynamic range. A Triple Base ISO of 800, 3,200, and 12,800 ensures the C80 excels in any lighting condition, while automatic ISO switching makes it especially effective in dynamic, fast-moving environments such as live productions and documentary work. The EOS C80 inherits and enhances the ergonomic design of the popular C70, offering a robust yet portable form factor for handheld and gimbal-mounted shooting. The newly developed top handle improves handling comfort, while a brighter LCD screen and redesigned joystick ensure intuitive operation. A new multifunction accessory shoe supports Canon’s latest audio modules, and the camera’s extensive connectivity—Wi-Fi, Ethernet, HDMI, mini-XLR, USB-C, and Timecode—makes it a versatile tool for hybrid workflows, IP streaming, and multicam setups. With support for a wide range of recording formats including 6K RAW, XF-AVC S, and XF-HEVC S, the C80 caters to every stage of the production pipeline. Real-time lens and camera metadata capture, support for Cooke /i Technology™ via PL-RF adapter, and VR functions for Canon’s RF 5.2mm Dual Fisheye lens make this camera a flexible solution for traditional and virtual productions alike. Whether on set, in the field, or in post, the EOS C80 delivers uncompromising cinematic results with next-generation workflow support. 6K Full-Frame BSI Stacked Sensor The EOS C80 is Canon’s second EOS Cinema camera to feature a Backside Illuminated (BSI) stacked CMOS sensor, first introduced with the EOS C400 earlier this year. This sensor enables stunning 6K full-frame recording with a dynamic range of 16 stops, offering exceptional sensitivity with minimal noise. The Canon EOS C80’s Triple Base ISO of 800, 3,200, and 12,800 allows effortless adaptation to varying lighting conditions, delivering optimal image quality in any environment. An intelligent automatic mode seamlessly switches between these native ISO settings, benefiting dynamic scenes such as news broadcasts or live sports events. Equipped with Canon’s renowned Dual Pixel CMOS AF II technology, the EOS C80 now features advanced autofocus functions for unparalleled precision and responsiveness. With responsive face, eye, and head tracking, as well as newly developed body and animal tracking, the subject remains in focus. Proven and Enhanced Design with Professional Connectivity Options The EOS C80 retains the compact and familiar form of the EOS C70, with refined ergonomics that are especially beneficial for handheld use or mounting on gimbals and drones. The newly designed and detachable top handle enhances comfort, while a new multifunctional accessory shoe expands compatibility with audio accessories. Additionally, the camera features a brighter LCD display for improved visibility in outdoor use. The redesigned joystick is now closer to the thumb, making operation easier. As the latest addition to the Cinema EOS System, the EOS C80 supports the Canon PL-RF adapter, opening up a world of creative possibilities. Filmmakers can access a broad range of PL mount lenses, including support for Cooke /i Technology™ metadata. Integrated Wi-Fi and Ethernet connectivity ensure seamless file transfer, camera control, IP streaming, and optimized collaboration on set. Real-time capture and output of lens metadata and directory data enable workflow efficiency and creative control for VFX and virtual productions. The integrated VR functions are optimized for use with the Canon RF 5.2mm F2.8 L Dual Fisheye lens, delivering a realistic filming experience. Higher Quality Recording Formats The new Cine Camera offers a range of professional recording formats and high frame rates to meet the demands of any production. It supports 12-bit Cinema RAW Light up to 6K 30p and also introduces new MP4 video formats such as XF-AVC S and XF-HEVC S. These options provide exceptional 4K 4:2:2 10-bit image quality with oversampling at manageable file sizes, optimizing workflows from recording to post-production. All recording formats benefit from detailed metadata and structured filenames for seamless organization and efficient editing. Features – Canon EOS C80 6K Full-Frame BSI Stacked CMOS Sensor with 16+ stops DR Triple Base ISO (800/3,200/12,800) with automatic switching 6K 30p internal RAW + 4K oversampled 10-bit 4:2:2 recording Up to 180 fps in 2K and 120 fps in 4K for slow-motion work Dual Pixel CMOS AF II with advanced subject tracking (people, animals, objects) Compact form factor with redesigned handle, joystick, and brighter LCD Multifunction accessory shoe and mini-XLR for pro audio support IP streaming, Timecode I/O, and lens metadata for live and VFX workflows Technical Specifications Sensor: Full-Frame BSI Stacked CMOS Image Processor: DIGIC DV7 Internal Recording: 12-bit Cinema RAW Light up to 6K 30p Additional Formats: XF-AVC S / XF-HEVC S (4K 4:2:2 10-bit) Media: Dual SD card slots (UHS-II), CFexpress Type B Autofocus: Dual Pixel CMOS AF II with Eye, Face, Head, Body & Animal Tracking Audio: 2x mini-XLR, internal stereo mic, 4-channel recording Connectivity: Wi-Fi, Ethernet, HDMI, USB-C, Timecode, Remote Terminal Dimensions & Weight Dimensions (W × H × D): Approx. 142 mm × 123 mm × 115 mm Weight (Body only): Approx. 1.19 kg / 2.62 lbs

Compact Powerhouse for High-End Cinematic ProductionsThe Sony VENICE 2 Extension System Mini CBK-3621XS is a revolutionary addition to the VENICE 2 ecosystem, designed for filmmakers who require maximum flexibility without compromising image quality. This ultra-compact extension system integrates seamlessly with the VENICE 2 8K and 6K models, allowing for versatile camera configurations in confined spaces or complex rig setups. Weighing just 0.54 kg (1.2 lbs) with an E-mount and 1.05 kg (2.3 lbs) with a PL mount adapter, the Extension System Mini is approximately 70% smaller than the existing VENICE Extension System 2. Despite its reduced size, it maintains the same high-performance image quality, making it ideal for handheld, gimbal, and POV shooting, as well as Steadicam, VR, and stereoscopic applications.A key feature of the system is its innovative drop-in ND cartridge system, which includes nine high-quality glass Neutral Density filters, ensuring precise exposure control in various lighting conditions. Additionally, the system introduces an improved, detachable 4.5m (14.8 ft) connection cable that is 3.3mm thinner than its predecessor, allowing for easier rigging and more flexible camera placement. For extended setups, an optional 12m (39.4 ft) cable is also available. These features enable filmmakers to achieve dynamic and immersive shots while maintaining the renowned cinematic quality of the VENICE 2.Beyond its compact design, the VENICE 2 Extension System Mini opens new creative possibilities, particularly in immersive media production. With an E-mount configuration, two units placed side by side replicate the human interpupillary distance of 64mm (2.5 in), making it a valuable tool for stereoscopic imaging and VR content creation. Its lightweight build and modularity also make it an excellent choice for Steadicam applications, where precise movement and weight balance are critical. Whether used for traditional filmmaking, virtual production, aerial cinematography, or experimental visual storytelling, the Sony VENICE 2 Extension System Mini sets a new standard for compact, high-end cinema capture.Features – Sony VENICE 2 Extension System MiniUltra-Compact Design: 70% smaller than the VENICE Extension System 2, perfect for handheld, gimbal, and tight-space shooting.8.6K Full-Frame CMOS Sensor: Delivers the same exceptional image quality as the VENICE 2 in a compact form.Detachable, Thin Connection Cable: 4.5m (14.8 ft) standard cable, with an optional 12m (39.4 ft) version available.Drop-In ND Filter System: Includes nine ND filters (clear to 2.4) for optimal exposure control.PL Mount Adapter Support: Enables compatibility with a wide range of professional cine lenses.Stereoscopic & VR Capabilities: Sensor spacing aligns with human interpupillary distance for immersive content creation.Steadicam Optimized: Lightweight and modular for stabilized camera operation.Integrated Mounting Points: 15 mounting holes for versatile rigging options.Durable & Lightweight: Robust build with dust, moisture, and shock resistance for professional use.Technical SpecificationsSensor Compatibility: VENICE 2 8K and 6K (8K capture requires firmware update for 6K model)Filter System: 9-stage drop-in ND filter (Clear, 0.3-2.4)Cable Options: 4.5m (14.8 ft) standard, 12m (39.4 ft) optionalMount Options: E-mount and PL mount adapterGyro Sensor: Integrated for real-time tilt and positioning dataMetadata Support: Cooke/i Lens Metadata through PL mount adapterDimensions & WeightDimensions: 63.9 × 103.2 × 60.2 mm (2.5 × 4.06 × 2.37 in)Weight: 0.54 kg (1.2 lbs) with E-mount, 1.05 kg (2.3 lbs) with PL mount adapterIn the BoxSony VENICE 2 Extension System Mini Head Unit4.5m (14.8 ft) Detachable CablePL Mount AdapterDrop-In ND Filter Set (Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4)Mounting HardwareUser ManualAvailabilityPlanned to be released by August 2025 (TBD)

The SWIT K21 21.5" FHD 1500nit Field Monitor is a professional-grade monitoring solution designed to meet the demands of today’s dynamic field production environments. Equipped with a large 21.5-inch Full HD IPS panel and an ultra-bright 1500nit backlight, the K21 ensures excellent visibility even in direct sunlight. This makes it a perfect choice for outdoor shoots, live productions, or on-location work where clear image monitoring is crucial. The robust all-metal housing with reinforced rubber corner guards and a quick-release screen protector ensures the monitor is ready for challenging environments without compromising image clarity or usability. At the heart of the K21 is SWIT’s intuitive Scene OS, which allows users to build up to 8 customizable “Scenes,” each with 8 shortcut tools. These can include waveform, vector scope, peaking, false color, zebras, and more, enabling instant access to essential tools and functions during shooting. The K21 supports advanced video and audio analysis tools, anamorphic de-squeeze (up to 2x), and delog/HDR LUTs from major camera manufacturers like ARRI, RED, Sony, and Canon. You can also load up to 10 custom 3D LUTs via USB-A for personalized color workflows. Calibration is fast and precise thanks to SWIT’s support for X-Rite’s i1Display Pro HL probe via the monitor’s USB-C port—no PC connection required. The K21 also delivers versatile power and mounting solutions: AC input, 4-pin XLR, or V-mount battery power, plus interchangeable cheese plates and a VESA-to-C-stand adaptor for flexible mounting. Whether mounted in a flight case for a director’s monitor or set up on a light stand, the K21 is a rugged, reliable, and color-accurate field monitor tailored for professional cinematographers and production crews. Features – SWIT K21 21.5" FHD 1500nit Field Monitor 21.5" 1920×1080 Full HD IPS display 1500nits high brightness, sunlight-readable Rugged aluminum housing with rubber corner protection Quick-release screen protective glass Scene OS with up to 8 customizable pages and shortcuts Built-in waveform, vectorscope, histogram HDR and SDR monitoring with camera log LUTs Up to 10 user 3D LUTs uploadable via USB-A Auto 3D LUT calibration via USB-C (X-Rite i1Display Pro HL) Anamorphic de-squeeze (1.33x to 2x) Custom false color and zebra settings Focus assist, peaking, safe area markers Custom aspect ratio overlays 2K/3G/HD/SD-SDI and 4K HDMI 1.4 input SDI audio meters and timecode display AC, 4-pin XLR, and V-mount battery power support Dual interchangeable cheese plates for accessories C-stand VESA adaptor included Optional flight case version available Firmware updates via USB Intuitive menu and button interface Technical Specifications – SWIT K21 Display: 21.5-inch IPS, 1920×1080 resolution Brightness: 1500nits Color Processing: 10-bit Video Inputs: 2× 3G-SDI, 1× 4K HDMI 1.4 Video Outputs: 2× 3G-SDI loop outputs USB-A: Firmware updates and LUT upload USB-C: Auto calibration with X-Rite i1Display Pro HL Monitoring Tools: Waveform, vector scope, histogram, peaking, focus assist HDR Support: HLG, PQ, SDR Gamma 2.2/2.4/2.6 LUT Support: Built-in and 10× user 3D LUTs (CUBE) Audio Monitoring: SDI audio meter display Power Input: AC 100–240V DC Input: 11–17V 4-pin XLR Battery Mount: Integrated V-mount plate Mounting: VESA, C-stand adaptor, cheese plates Scene OS: 8 scenes with 8 customizable function keys each False Color & Zebra: Fully adjustable thresholds Aspect Ratio Overlays: Customizable Dimensions & Weight Monitor Dimensions (without accessories): approx. 510 × 312 × 48 mm Weight (monitor only): approx. 5.2 kg Weight (with cheese plates and C-stand adaptor): approx. 6.5 kg Flight case version available (dimensions and weight vary) In the Box SWIT K21 21.5" Field Monitor 2× Interchangeable Cheese Plates VESA-to-C-stand Adaptor AC Power Cable Screen Protective Glass (pre-installed) User Manual Optional: Flight Case Kit (K21-FC, if ordered)

Availability: April 2025The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

The Angénieux Type EZ-3 Pack (S35mm and FF) is the latest innovation in the acclaimed EZ series, offering a powerful telephoto zoom with exceptional versatility. With a focal range of 45–165mm (S35) and 68–250mm (Full Frame/VistaVision), this lens delivers precise and consistent imagery for filmmakers working across different formats. Whether you're capturing cinematic long shots or dynamic run-and-gun scenes, the EZ-3 adapts seamlessly. Featuring IRO Technology® (Interchangeable Rear Optics), the EZ-3 can be swiftly reconfigured between S35 and FF formats with minimal tools, providing maximum adaptability on set. A constant T-stop of T2.3/T3 in S35 and T3.5/T4.5 in FF ensures consistent exposure, allowing for uninterrupted shooting. The compact form factor—just 265mm in length and 2.6 kg in weight—makes this lens ideal for handheld, gimbal, or Steadicam work. With dual focus scales (feet and meters) and compatibility with existing EZ-1 and EZ-2 accessories, the EZ-3 is a reliable and efficient tool for professional filmmakers. Its long reach and crisp optical performance make it especially valuable for narrative, documentary, and commercial productions. Features – Angénieux Type EZ-3 Pack (S35mm and FF) 45-165mm T2.3/T3 | 68-250mm T3.5-4.5 Interchangeable format design: S35 and Full Frame New quick IRO Technology® for fast configuration Long telephoto reach with 3.7x zoom ratio Consistent T-stop: T2.3/T3 (S35), T3.5/T4.5 (FF) Compact & lightweight: 265mm length, 2.6 kg Dual focus scale (feet and meters) for international crews Full compatibility with EZ-1 and EZ-2 accessories Smooth focus rotation and user-friendly design Technical Specifications Focal Length: 45–165mm (S35) | 68–250mm (FF/VV) Zoom Ratio: 3.7x Aperture: T2.3/T3 (S35) | T3.5/T4.5 (FF) Minimum Object Distance: 1.2m / 4 ft Format Coverage: S35 (24 x 13.6mm) | FF (37.7 x 24.9mm) Mount: PL (interchangeable to EF, E, RF) Focus Rotation: 300° Front Diameter: 114mm Dimensions and Weight Length: 265mm (10.4 inches) Weight: 2.6 kg (4.4 lb) Front Diameter: 114 mm In the Box Angénieux Type EZ-3 Lens S35 Rear Optical Group (pre-installed) FF/VV Rear Optical Group Front Protective Glass EZ Hood Lens Caps (Front & Rear) Transport Case User Manual Warranty Documentation

The Canon EOS C400 is a groundbreaking digital cinema camera designed for professional filmmakers who demand superior image quality and versatile shooting capabilities. With its Super 35mm CMOS sensor, the C400 delivers stunning 4K resolution and exceptional dynamic range, making it perfect for both narrative films and documentaries. The camera's advanced DIGIC DV 4 image processor ensures fast processing speeds and enhanced low-light performance, allowing filmmakers to capture breathtaking visuals in any lighting condition.Equipped with Canon's Dual Pixel CMOS AF technology, the EOS C400 provides smooth and precise autofocus, ensuring that your subjects remain sharp and in focus even during dynamic scenes. The camera also features a modular design, enabling filmmakers to customize their setups according to their specific needs, whether on a gimbal, tripod, or handheld. With a range of recording formats, including XF-AVC and MP4, the C400 offers flexibility for post-production workflows, making it an invaluable tool for any professional production team.In addition to its impressive performance, the Canon EOS C400 boasts a user-friendly interface with customizable controls and a high-resolution LCD touchscreen. The camera supports a wide range of lens options, making it compatible with Canon EF and PL mount lenses, allowing for endless creative possibilities. Elevate your storytelling with the Canon EOS C400, a camera that seamlessly blends cutting-edge technology with intuitive operation.Features of Canon EOS C400Super 35mm CMOS sensor for exceptional image quality4K recording capability with multiple recording formatsDual Pixel CMOS AF for fast and accurate autofocusDIGIC DV 4 image processor for enhanced low-light performanceModular design for flexible rigging and customizationHigh-resolution LCD touchscreen for easy operationSupports Canon EF and PL mount lenses for creative versatilityBuilt-in Wi-Fi for remote control and file transferTechnical SpecificationsSensor type: Super 35mm CMOSRecording resolution: Up to 4K (4096 x 2160)Frame rates: Up to 60 fps in 4KISO range: 160 to 102400Video formats: XF-AVC, MP4Connectivity: HDMI, SDI, USB 3.0Power supply: BP-955 BatteryWeight: Approximately 2.5 kg (body only)Dimensions & WeightDimensions: 168 x 186 x 176 mm (W x H x D)Weight: Approximately 2.5 kg (body only)Included in the PackageCanon EOS C400 camera bodyBP-955 battery packAC adapterUser manualLens mount capHand strap

The new Ovide Smart Assist (2025) is the latest evolution of Ovide’s renowned video assist systems, designed to meet the needs of professional filmmakers and video operators. This next-generation device introduces a host of powerful upgrades, offering ultra-low latency video output, a 25% faster processing speed, and an advanced 12G-SDI interface for high-bandwidth applications. The integrated 8-GPU processor ensures the ability to manage up to eight fully processed and independent video paths, making it a top choice for multi-camera productions. Additionally, its built-in video router streamlines the workflow, while an integrated UPS protects against unexpected power interruptions.Not only does the Ovide Smart Assist (2025) excel in performance, but its new external design also enhances usability and portability. The device is now 20% lighter, making it easier to carry on set, while the robust construction ensures durability in demanding shooting environments. The 10% larger 1000-nit HDR display delivers outstanding brightness and clarity, allowing users to monitor footage with superior accuracy, even in bright daylight conditions. Powered by a single camera battery, it offers up to three hours of untethered operation, providing the flexibility required for dynamic shooting situations.Features – Ovide Smart Assist (2025) 12G-SDI support for high-bandwidth video applications Ultra-low video output latency for real-time monitoring25% faster processing speed for optimized workflow8-GPU processors enable eight independent video pathsBuilt-in video router for seamless input and output managementIntegrated UPS to prevent power interruptionsBattery-powered operation, lasting up to three hours on a single charge20% lighter construction for better portability10% larger 1000-nit HDR display for superior brightness and image qualityRugged design built for demanding on-set conditionsTechnical SpecificationsVideo input/output: 12G-SDI, multiple video streams supportedProcessing unit: 8-GPU processor architectureLatency: Ultra-low for near-instant responseDisplay: 1000-nit HDR, 10% larger than previous modelsBattery life: Up to 3 hours with a single camera batteryWeight reduction: 20% lighter than previous versionsBuilt-in components: Video router and UPSConstruction: Durable, impact-resistant designDimensions & WeightCompact and lightweight form factor20% lighter than previous Smart Assist modelsOptimized for portability without sacrificing display sizeIn the BoxOvide Smart Assist (2025) main unitPower supply unitBattery mounting systemProtective transport caseUser manual

  Sony Burano - A New Era in Cinematography Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production. BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.Smaller, Lighter, Stronger At 6.39 lb including the PL adapter, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminum for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system, which is completely isolated from the image sensor and other dust sensitive components.Smarter Shooting BURANO makes shooting the highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilization system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilization (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount   Shoot The Way You WantBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with a flexible mounting system and versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.Full-Frame 8.6K SensorBURANO has a large 3.6 x 2.4 cm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich color gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 3.5 cm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimized down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering to a wide range of production requirements. * Only 17:9 in Super 35 Cropped (S35c) mode16 Stop LatitudeWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb color rendition, giving operators maximum flexibility in color grading. * S-Log3 shooting. Sony measurements.Wide Color GamutBURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide color space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same color accuracy as VENICE 2, it’s easy to use both cameras together for a seamless and efficient post-production workflow.   Internal 16-bit X-OCN LT and XAVC H recordingDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even greater data savings and faster post-production workflow.* Not compatible with X-OCN XT and X-OCN ST recording formatsNew in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient color workflow. s709: Kodak 2383-like natural tones and colors s709(800): Standard 709 tone curve for accurate color reproduction Anamorphic Lens De-Squeeze functionBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.In-Body Stabilization with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilization (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilization system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilization is so effective that it removes the need for any extra equipment for many applications.Stabilization is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilization mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.Catch the action with Fast Hybrid AF*Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.AI Subject Recognition AF with touch*Our onboard AI processing unit recognizes not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognizes body and head position, so you can even track a subject facing away from the camera or wearing a mask.Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair is covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF featuresDual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.* XAVC-only   Specifications      

Ovide KOKO – 10” Recording Monitor with DIT FunctionsThe Ovide KOKO is a versatile 10-inch recording monitor designed to meet the demanding conditions of film and video production. Built to withstand the toughest shoots, it combines powerful video assist features with essential DIT (Digital Imaging Technician) functionalities. Whether on set, in live production, or on the go, the KOKO enhances workflow efficiency for camera crews and DIT professionals with its advanced toolset and robust design.With its flexible recording capabilities, the Ovide KOKO can capture up to four mixed-format 1080p cameras simultaneously or a single UHD camera in Apple ProRes. This makes it the perfect solution for multi-camera setups, interviews, and complex shoots where reliable recording is crucial. The bright, high-resolution touchscreen ensures precise image monitoring, while professional tools such as waveform, vectorscope, and LUT support provide accurate color and exposure control.Beyond its recording capabilities, the Ovide KOKO offers extensive DIT functionalities, including metadata handling, playback, and on-set color grading to streamline post-production from the very start. Its compact yet durable construction makes it easy to transport and suitable for both studio environments and challenging outdoor conditions. With a wide range of connectivity options and an intuitive interface, the Ovide KOKO is an essential tool for modern film production. CINE GEAR 2023 Technical Award Winner - Camera Technology: Accessories KOKO: A recording monitor with video assist functions in your hands. FEATURES Touchscreen Sharp, super bright (2000nits) True colour 10" HD (1920x1080) Camera Batteries Powered via regular V-, B- or Gold Mount batteries Metadata Digital cinema automatic metadata reading & recording Fast Boots in 1.5 seconds and quick rec-to-play switch SSD Recording Records to removalbe SSD Rock Solid Tough construction materials and high-end connectors No Software No additional software needed Connections USB-C, 3.5mm jack for headphones, audio in/out, and Ethernet connection  Technical Specs Screen: 10.1", TFT LCD, Touchscreen Display size: 1920x1200pixels, 8bit Screen brightness: 2000Nits Inputs: 4x 12G-SDI Outputs: 4x 12G-SDI TC: BNC-LTC / SDI embedded Connect up to 4x 1080p60 or 1x 4K Recording media: removalbe SSD disk (4mm thick) Camera battery socket: V-, B- or Gold Mount Recording: Apple ProRes Automatic metadata capture: Arri, Sony, Canon, Red: Focus, Iris, Zoom, Balance, Shutter, ISO, Looks USB: USB-C Power input: 12-17 VDC Power consuption: 25W Power connection: Lemo 2pin connector Dimensions (WxHxD): 25,0 x 16,9 x 3,3 cm Weight: 1,3 kg Mounting: Optiona all around the monitor   Functions Rec-Stop-Play in/out Histogram Waveform Focus assist Zebra False color LUTs Metadata   In the Box Power supply Sunhood V-Mount battery mount New firmware  NEW OVIDE KOKO v1.6 Firmware Ovide is launching the new firmware version v1.6 for Ovide Koko, featuring the following highlights:Quad Playback functionLock Touchscreen functionDropdown menu to select viewRGB/BIAS monitor adjustmentMuch faster file indexingEnhanced grids on video metersNew vectorscope with skin tone axis and coloured trace Quicktime metadata compatibility with SilverstackNew keyboard shortcuts Extended integration with SkaarhojDownload here  

  Cooke S8/i FF Series The flagship Cooke prime lens series, optimised for digital and film cameras. Focal length range: 18mm – 135mm (16 lenses) Format: Full Frame  Mount: PL or LPL Speed: T1.4 A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability. * Lineup of 11 lenses is available now (18, 25, 27, 32, 35, 40, 50, 65, 75, 100 and 135mm), with more focal lengths coming later in 2023. FEATURES All-Spherical Design The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality. Faster With a maximum aperture of T1.4 across the majority of the focal lengths range, the S8/i FF lenses are amongst the very fastest produced for larger than Full Frame capture. They offer excellent control over depth of field and flare characteristics, whilst still providing exceptional low light performance. Lighter Compact and light, agile and easy to handle, the new S8/i FF lenses have been created for a wide variety of situations and today’s digital cinema cameras. Being lighter, however, has not compromised strength, durability, or their exceptional image aesthetic. Smarter Designed from the ground up to incorporate our very latest intelligent /i technology, which includes /i data focus and iris position, /i motion inertial data and /i maps, our factory calibrated shading and distortion data. They also benefit from a high degree of modularity, which increases reliability and reduces servicing time. Handcrafted Precision Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Sophisticated thin film equipment and traditional cementing processes are utilised to ensure optimum coatings. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked.   SPECIFICATIONS  

The LED Dino Light now in RGBWW with IP65 rating.The Lightstar LUXED-P9-LM-IP65 is a waterproof RGBWW high output LED spotlight. It can be controlled over the dimmer, DMX, lumenradio and the free Lightstar app. Perfect for outdoor sets on a cherry picker.It’s robust, versatile and the perfect match for your set. The Lightstar LUXED-P9 comes with a yoke-mount for easy mounting. The slim structure of the LUXED-9 is perfect for lighting stands in small areas and studios. The LUXED-P9 gives you full control with the tools of your choice. You can use DMX, lumenradio or free app to change your settings and adjust each one of the 9 spots seperately. Expect astonishing 1440W of bi-color and 720W of RGB light, that will change the way you work on set. The high-quality frame offers you endless possibilities to mount your LUXED-P9 whereever you need it. FEATURES Color temperature: 2400-10000K Dimming: 0-100% Control: Cable DMX 4-channel control per unit or LumenRadio IP class: IP65 Dimensions: 1256x1218x216mm    

Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras – initially available for Sone E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount. Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries, or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down. The complete set comes with a lens case. ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All. Product Features Comprehensive Focal Range Featuring focal lengths of 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm, Nano Primes offer a comprehensive range, delivering versatile angles of view from wide-angle to telephoto. This makes them the preferred choice for a broad spectrum of cinematic requirements. Covering Cinematic Full-Frame Leveraging full-frame sensors enhances visual depth and character. Nano Primes are designed to accommodate these larger sensors, providing cinematographers of all levels – from aspiring to seasoned professionals – the ability to create images abundant in volume and personality. Cinematic Look in Every Shot The high speed of the Nano Primes, coupled with their close focus capability, achieves a mesmerizing shallow depth-of-field, even in wide-angle shots. With a maximum aperture of T1.5 and a rounded 12-blade iris, these lenses produce an exquisite bokeh, allowing the creation of authentic cinematic visuals. Providing a versatile and subtle sharpness reminiscent of Supreme Primes, they serve as an excellent choice for B-Cam and C-Cam, or as a cost-effective alternative. Full Cine Ergonomics in a Small Package Nano Primes showcase exceptional precision and durability. With a compact design housing a 95mm compendium ring and an 86mm screw-in filter thread, these lenses seamlessly integrate with gimbals and drones. The uniform positioning of focus and iris rings simplifies lens changes, complemented by easy-to-read calibrated scales, a fluid 280° focus rotation, and a precise 90° iris ring rotation for meticulous control. Tested for Harsh Conditions Made for challenging conditions such as cold and rain, Nano Primes undergo rigorous testing to guarantee unparalleled durability in the most demanding filming environments. Nano Primes stand as the reliable choice for everyday lenses. Interchangeable Mount The Nano Primes are equipped for seamless mount exchange, facilitated by the trusted ZEISS IMS (Interchangeable Mount System). Featuring user-adjustable back focus through shims, these lenses guarantee precise scales, even with entry-level cameras that typically exhibit higher mount mechanics tolerances. Electronic Interface for Real-Time Lens Data The Nano Primes come with an integrated electronic interface on the mount, enabling real-time transmission of metadata, including focal length, focus distance, and aperture, directly to the camera. Additional lens data, covering distortion and vignetting, is accessible within the ZEISS CinCraft ecosystem. This information proves valuable for post-production (CinCraft Mapper) and is compatible with the newly introduced CinCraft Scenario camera tracking system. Used and Maintained Around the Globe Hand-assembled and meticulously engraved with individually calibrated scales, ZEISS Nano Prime lenses prioritize serviceability from the early stages of development. ZEISS has established a robust global service network in recent years, with authorized service stations providing maintenance to factory standards in the US, Europe, and Asia. Lens-SetArt-Nr 2595-736 (Meter) / 2595-737 (Feed)ZEISS Nano Prime 18 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.25 m / 9.8‘‘ - Length: 112 mm / 4.4’’ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.19 kg / 2.62 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 90.3° ZEISS Nano Prime 24 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.35 m / 13.8‘‘ - Length: 89 mm / 3.5 - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.88 kg / 1.93 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 74.2° ZEISS Nano Prime 35 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.45 m / 17.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.87 kg / 1.92 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 53.8° ZEISS Nano Prime 50 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.50 m / 19.7‘‘ - Length: 89 mm / 3.5‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.92 kg / 2.04 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 40.4°   ZEISS Nano Prime 75 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 0.75 m / 29.5‘‘ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.13 kg / 2.48 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 27.7° ZEISS Nano Prime 100 mm T1.5 - Aperture: T1.5 to T16 - Close Focus: 1.0 m / 39.4’’ - Length: 112 mm / 4.4‘‘ - Front Diameter: 95 mm / 3.7‘‘ - Weight: 1.26 kg / 2.77 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 20.7°