The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

Sony Venice 2 8K – Redefining the Art of Cinematic Imaging Unmatched Resolution and Sensor Performance The Sony Venice 2 8K represents a pinnacle in digital cinematography, offering a full-frame 8.6K CMOS sensor capable of capturing extraordinary detail across every frame. Unlike cameras that chase resolution as a mere number, the Venice 2 integrates its sensor with advanced imaging technology and dual base ISO (500 / 2500), allowing cinematographers to achieve pristine results in both high-light and low-light scenarios. Its 16+ stops of dynamic range preserve subtle shadow detail and smooth highlight roll-off, ensuring images maintain a natural, cinematic depth even in challenging lighting. Whether filming sweeping landscapes, intricate interior scenes, or dimly lit narratives, the Venice 2 provides unmatched control over exposure and tonal gradation. This makes it a versatile choice for productions where lighting is dynamic or unpredictable, enabling filmmakers to capture every nuance of the scene without compromise. Modular Design for Maximum Flexibility One of the Venice 2’s defining features is its modular architecture, designed for adaptability on set. The camera’s sensor, core, and extension units can be separated, allowing it to be rigged for gimbals, drones, handheld setups, or fully equipped studio mounts. Its lightweight magnesium alloy body combines durability with portability, ensuring reliable performance during extended shoots, whether on location or in controlled studio environments. Lens versatility further enhances creative freedom. With interchangeable PL and E-mount options, filmmakers can pair the camera with a wide array of high-end prime and zoom lenses, including anamorphic optics, to achieve signature cinematic looks. This modular approach ensures the Venice 2 fits seamlessly into complex productions without limiting artistic choices. Advanced Color Science and Cinematic Look Sony’s Venice Color Science is central to the Venice 2, offering filmmakers an authentic, filmic image quality. Skin tones appear natural, highlights roll off smoothly, and shadows retain rich texture, making the camera ideal for character-driven narratives. Its S-Gamut3.Cine color space and S-Log3 workflow support HDR production and provide extensive grading latitude in post-production. The camera also supports real-time LUT previews, allowing directors and DPs to evaluate the intended look on set. This immediate feedback is invaluable for high-budget productions where visual consistency and creative intent are critical. By combining sensor performance with advanced color science, Venice 2 ensures every frame can be graded precisely to meet the director’s vision. 8K Recording and Versatile Workflow Options The Venice 2 doesn’t just excel in resolution—it integrates flexible shooting formats for modern production demands. 8K full-frame recording at up to 60fps enables slow-motion capture, high-resolution reframing, and precise VFX integration. For productions requiring compositing, the camera offers 6K and 4K crop modes, providing creative flexibility without sacrificing quality. Professional post-production is supported through 16-bit RAW output and codecs such as X-OCN XT and ProRes HQ, ensuring that every nuance captured by the sensor is preserved. This combination of high-resolution capture and robust codec support allows cinematographers and post-production teams to handle complex workflows efficiently while retaining maximum image fidelity.Sony Venice 2 8K - Menu Simulator Practical Advantages on Set The Venice 2 is built not only for image quality but also for practical, day-to-day production demands. Its dual base ISO enables faster setup and reduces dependency on extensive lighting equipment. Its robust construction ensures uninterrupted operation in extreme environments, while modularity allows rapid reconfiguration to meet changing shot requirements. Whether used for feature films, commercials, high-end episodic content, or VFX-heavy productions, the Venice 2’s combination of flexibility, reliability, and unmatched image quality makes it a trusted tool for professional cinematographers around the world. Why Filmmakers Choose the Venice 2 Open in new window In a market crowded with high-resolution cinema cameras, the Sony Venice 2 8K stands out not only for its specifications but for its ability to translate technical excellence into creative freedom. Every aspect of the camera—from sensor design and dual base ISO to modularity and color science—has been engineered to empower filmmakers to tell stories without compromise. Its combination of resolution, dynamic range, color fidelity, and adaptability ensures that every project can achieve its full visual potential. For storytellers seeking more than a digital camera, the Venice 2 becomes a partner in cinematic expression, capturing imagery that is richly detailed, emotionally compelling, and visually transformative. From the quietest character moments to epic cinematic sequences, it delivers a consistent, filmic quality that elevates every frame.Key Features of the Sony Venice 2 8K Sony Venice 2 mit Extension System Mini The Sony Venice 2 8K offers an impressive array of features designed for professional filmmakers who require precision, flexibility, and high-end image quality. At the forefront is the camera’s full-frame 8.6K sensor, which provides a level of detail that is unmatched in digital cinematography. This sensor captures subtle textures and fine details, making it ideal for large-format productions and high-end visual effects workflows. The dual base ISO of 500 and 2500 ensures that the camera can handle both brightly lit exteriors and low-light interiors with minimal noise, giving cinematographers greater creative freedom and reliability on set. The camera supports 8K full-frame recording at up to 60 frames per second, which allows for smooth slow-motion and provides the flexibility to reframe or crop in post-production without compromising image quality. For productions with heavy VFX requirements, the Venice 2 offers 6K and 4K crop modes, simplifying compositing workflows while maintaining the sensor’s full dynamic range. Recording is supported through 16-bit RAW output and professional codecs such as X-OCN XT and ProRes HQ, ensuring that every subtle nuance of the captured image is preserved and ready for post-production. Sony’s renowned Venice Color Science is central to the camera’s appeal. The combination of S-Gamut3.Cine color space and S-Log3 log workflow provides filmmakers with an expansive dynamic range and a broad color palette for grading in post. Skin tones remain natural and lifelike, highlights roll off smoothly, and shadows retain rich detail, making it easier to achieve cinematic results directly from the camera. Real-time LUT previews further enhance on-set workflow, allowing directors and cinematographers to evaluate color grading in real time and make creative decisions confidently. The Venice 2’s modular design is another standout feature, offering flexibility to configure the camera for different shooting scenarios. Its separable sensor, core, and extension units can be mounted on handheld rigs, gimbals, drones, or traditional studio setups. Lens compatibility includes interchangeable PL and E-mount options, allowing the use of a wide variety of primes, zooms, and anamorphic lenses. Combined with its lightweight magnesium alloy body and integrated cooling system, the Venice 2 can endure long shooting days while remaining adaptable to complex production environments.Technical Specifications and Workflow Advantages The technical specifications of the Sony Venice 2 8K reflect its positioning as a top-tier digital cinema camera. The camera supports full-frame 8.6K resolution (8640 x 5760), with frame rates up to 60fps and an extended ISO range for diverse lighting conditions. Its dual base ISO allows filmmakers to choose optimal sensitivity without compromising dynamic range, which exceeds 16 stops for outstanding highlight and shadow detail. Recording options include professional-grade X-OCN, ProRes, and 16-bit RAW formats, ensuring compatibility with high-end post-production workflows. The Venice 2 is designed for practical use in demanding production environments. Its modularity allows quick reconfiguration for studio, location, or aerial work, and its durable construction ensures consistent performance in extreme conditions. Multiple lens mounts provide the creative freedom to pair the camera with virtually any professional optics, supporting both standard spherical and anamorphic lenses. Real-time LUT preview, high dynamic range support, and flexible recording modes make it a versatile tool for directors and cinematographers who need creative control from set to post. In addition, the Venice 2 supports multi-camera setups, with synchronized recording and SDI output for monitoring and live previews. This makes it ideal for complex productions such as commercials, episodic content, and feature films, where multiple cameras are often used simultaneously. By combining high-resolution capture, advanced color science, flexible workflow options, and practical usability, the Venice 2 ensures that filmmakers can focus on creative storytelling rather than technical limitations. Applications and Creative Potential The Sony Venice 2 8K is suitable for a wide range of cinematic applications, from narrative features and commercials to high-end episodic content and virtual production. Its ability to capture ultra-detailed 8K imagery makes it ideal for large-format projection and VFX-heavy sequences, while its dual base ISO and modular design enable filmmakers to adapt quickly to changing lighting and production environments. In practice, cinematographers have used the Venice 2 for complex tracking shots with gimbals or drones, high-speed slow-motion sequences, and intimate dialogue-driven scenes that require natural skin tones and nuanced shadows. The camera’s color science and dynamic range allow for consistent results across diverse lighting conditions, reducing the need for extensive color correction in post. Whether shooting a controlled studio environment or unpredictable real-world locations, the Venice 2 provides the technical reliability and creative freedom necessary for high-end productions. Sony Venice 2 8K – Technical Specifications Sensor & Image Quality Full-frame 8.6K CMOS sensor (36 x 24 mm) Maximum resolution: 8640 x 5760 pixels Frame rates: up to 60fps in 8K Dual base ISO: 500 / 2500 for optimal low- and high-light performance Dynamic range: over 16 stops for shadows and highlights High sensitivity with minimal noise Wide latitude for post-production grading Recording & Formats 16-bit RAW output for maximum image fidelity X-OCN XT and X-OCN recording for efficient post workflows ProRes HQ, ProRes 422 support Flexible crop modes: 6K and 4K for VFX and reframing High frame rate recording options for slow-motion sequences Color & Log Profiles Venice Color Science for natural, cinematic skin tones S-Gamut3 / S-Gamut3.Cine wide color gamut S-Log3 log gamma for extended dynamic range HDR support: HLG and S-Log3 workflows Real-time LUT preview on set for accurate creative monitoring Modular Design & Body Modular construction: separable sensor, core, and extension units Lightweight magnesium alloy body for durability Integrated cooling system for extended shooting sessions Rugged and reliable for extreme shooting conditions Compact design suitable for handheld, gimbal, drone, or studio rigs Lens & Optics Interchangeable PL and E-mount options Supports spherical and anamorphic lenses Full-frame coverage for cinematic lenses Optimized for both high-resolution primes and zooms Workflow & Monitoring Multi-camera synchronization for complex shoots SDI output for monitoring and live previews HDMI 2.1 for external displays and grading reference Flexible LUT application on set for creative decision-making Supports on-set color grading and immediate review Media & Connectivity Media options: Codex Capture Drives High-speed data transfer for RAW and ProRes files Network and remote control compatible File management optimized for post-production pipelines Additional Features Versatile for feature films, commercials, episodic content, and virtual production Ideal for high-end VFX workflows and large-format projections Reliable in unpredictable lighting and location conditions Smooth highlight roll-off and preserved shadow detail Enables precise creative control from set to post-production Comparison: Sony Venice 2 8K vs Sony Venice 2 6K Feature Sony Venice 2 8K Sony Venice 2 6K Sensor Full-frame 8.6K CMOS Full-frame 6K CMOS Maximum Resolution 8640 x 5760 6048 x 4032 Frame Rates Up to 60fps in 8K Up to 60fps in 6K Dual Base ISO 500 / 2500 500 / 2500 Dynamic Range 16+ stops 16+ stops Recording Formats X-OCN XT, X-OCN, ProRes HQ, 16-bit RAW X-OCN, ProRes HQ, 16-bit RAW Lens Mount PL / E-mount interchangeable PL / E-mount interchangeable Color Science Venice Color Science, S-Gamut3.Cine, S-Log3 Venice Color Science, S-Gamut3.Cine, S-Log3 HDR Support S-Log3, HLG S-Log3, HLG Weight (Body Only) 2.3 kg 2.2 kg Media Codex Capture Drives, SDI Output, HDMI 2.1 Codex Capture Drives, SDI Output, HDMI 2.0 Modular Design Separable sensor, core, and extension units Separable sensor and core unit Cooling System Integrated cooling for extended shoots Integrated cooling Crop Modes 6K / 4K crop modes for VFX 4K crop mode for VFX Multi-camera Support Yes, synchronized recording Yes, synchronized recording Workflow Optimization Real-time LUT preview, post-production ready Real-time LUT preview, post-production ready Ideal Applications Feature films, commercials, episodic content, VFX-heavy productions Feature films, commercials, episodic content

Ultra-Reliable Long-Range Wireless Video The SWIT Crew System is a new generation of professional wireless video transmission solutions designed for filmmakers, broadcasters, and live production teams. Powered by the advanced KUWI 2.0 Pro chipset, it ensures maximum stability, long-range performance, and ultra-low latency. Operating in the 5.1–5.9 GHz DFS-compliant frequency band with proprietary anti-interference RF technology, the system automatically scans and selects the optimal channel, providing robust performance even in crowded environments. With latency as low as 32 ms, visual lossless H.265 encoding up to 26.8 Mbps, and support for 3G-SDI, HDMI® and USB-C capture, the Crew System delivers reliable high-quality HD video for PC and Mac workflows. It supports 1T→4R multicast, ensuring one transmitter can seamlessly feed multiple receivers without signal loss. Embedded metadata and timecode trigger transmission, combined with AES-256 dual encryption protection, guarantee both professional workflow integration and maximum security. Each unit features a high-bright OLED display for intuitive configuration, while multiple power supply options (NP-F, V-Mount, 2-pin LEMO, USB-C) make the system highly versatile. The Crew family consists of four models—Crew, Crew V, Crew Max, and Crew V-Max—tailored to different on-set needs while remaining fully cross-compatible.Designed for Professional Film and Broadcast Work The SWIT Crew System is designed for professional film and broadcast environments, providing reliable wireless video transmission for every stage of production. It ensures that directors, camera assistants, DITs, and other crew members can monitor high-quality video feeds with minimal latency, even in complex shooting scenarios. Whether used on feature films, commercials, live events, or studio productions, the Crew System delivers consistent performance across multiple receivers simultaneously, thanks to its advanced multicast capabilities. Its robust anti-interference RF technology and long-range transmission make it ideal for both indoor and outdoor sets, allowing crews to maintain clear, uninterrupted communication and real-time decision-making. By combining flexibility, ultra-low latency, and professional-grade encryption, the SWIT Crew System enhances collaboration on set and ensures that every member of the production team has access to the same high-quality video signal at all times. SWIT Crew Versions • CrewThe base model Crew offers a compact form factor with NP-F battery support and 1.2 km / 4 000 ft line-of-sight transmission distance. Ideal for mobile productions and lightweight camera setups. • Crew V The Crew V includes the same transmission performance as the Crew but adds a dual-sided V-Mount design, allowing direct installation on V-Mount powered cameras and rigs with passthrough power. • Crew Max The Crew Max extends the range to 3 km / 10 000 ft line-of-sight with a built-in high-gain panel antenna on the receiver, combining NP-F power on the transmitter with V-Mount on the receiver for maximum flexibility. • Crew V-Max The flagship Crew V-Max combines 3 km range with dual-sided V-Mount transmitter and receiver design, making it the most powerful choice for demanding professional workflows and large-scale productions. Features – SWIT Crew System KUWI 2.0 Pro wireless technology (not Wi-Fi) Proprietary anti-interference RF system 5.1–5.9 GHz license-free DFS compliant Auto scan and channel selection 3G-SDI, HDMI® and USB-C HD video output H.265 codec up to 26.8 Mbps, visual lossless Consistent ultra-low 32 ms latency 1T→4R multicast capability Metadata and timecode trigger transmission High-bright OLED display for setup and monitoring AES-256 dual encryption protection Flexible power options: NP-F, V-Mount, 2-pin LEMO, USB-CTechnical Specifications – SWIT Crew System Transmission Distance: up to 3 km / 10 000 ft (depending on model) Video Interfaces: 3G-SDI, HDMI®, USB-C capture for PC/Mac Codec: H.265 up to 26.8 Mbps Latency: ~32 ms Multicast: 1T→4R Frequency: 5.1–5.9 GHz, DFS compliant RF Technology: KUWI 2.0 Pro with proprietary anti-interference Encryption: AES-256 dual encryptionBrochure DownloadDownload the Crew Brochure here

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet