Sony Venice 2 8K – Redefining the Art of Cinematic Imaging Unmatched Resolution and Sensor Performance The Sony Venice 2 8K represents a pinnacle in digital cinematography, offering a full-frame 8.6K CMOS sensor capable of capturing extraordinary detail across every frame. Unlike cameras that chase resolution as a mere number, the Venice 2 integrates its sensor with advanced imaging technology and dual base ISO (500 / 2500), allowing cinematographers to achieve pristine results in both high-light and low-light scenarios. Its 16+ stops of dynamic range preserve subtle shadow detail and smooth highlight roll-off, ensuring images maintain a natural, cinematic depth even in challenging lighting. Whether filming sweeping landscapes, intricate interior scenes, or dimly lit narratives, the Venice 2 provides unmatched control over exposure and tonal gradation. This makes it a versatile choice for productions where lighting is dynamic or unpredictable, enabling filmmakers to capture every nuance of the scene without compromise. Modular Design for Maximum Flexibility One of the Venice 2’s defining features is its modular architecture, designed for adaptability on set. The camera’s sensor, core, and extension units can be separated, allowing it to be rigged for gimbals, drones, handheld setups, or fully equipped studio mounts. Its lightweight magnesium alloy body combines durability with portability, ensuring reliable performance during extended shoots, whether on location or in controlled studio environments. Lens versatility further enhances creative freedom. With interchangeable PL and E-mount options, filmmakers can pair the camera with a wide array of high-end prime and zoom lenses, including anamorphic optics, to achieve signature cinematic looks. This modular approach ensures the Venice 2 fits seamlessly into complex productions without limiting artistic choices. Advanced Color Science and Cinematic Look Sony’s Venice Color Science is central to the Venice 2, offering filmmakers an authentic, filmic image quality. Skin tones appear natural, highlights roll off smoothly, and shadows retain rich texture, making the camera ideal for character-driven narratives. Its S-Gamut3.Cine color space and S-Log3 workflow support HDR production and provide extensive grading latitude in post-production. The camera also supports real-time LUT previews, allowing directors and DPs to evaluate the intended look on set. This immediate feedback is invaluable for high-budget productions where visual consistency and creative intent are critical. By combining sensor performance with advanced color science, Venice 2 ensures every frame can be graded precisely to meet the director’s vision. 8K Recording and Versatile Workflow Options The Venice 2 doesn’t just excel in resolution—it integrates flexible shooting formats for modern production demands. 8K full-frame recording at up to 60fps enables slow-motion capture, high-resolution reframing, and precise VFX integration. For productions requiring compositing, the camera offers 6K and 4K crop modes, providing creative flexibility without sacrificing quality. Professional post-production is supported through 16-bit RAW output and codecs such as X-OCN XT and ProRes HQ, ensuring that every nuance captured by the sensor is preserved. This combination of high-resolution capture and robust codec support allows cinematographers and post-production teams to handle complex workflows efficiently while retaining maximum image fidelity.Sony Venice 2 8K - Menu Simulator Practical Advantages on Set The Venice 2 is built not only for image quality but also for practical, day-to-day production demands. Its dual base ISO enables faster setup and reduces dependency on extensive lighting equipment. Its robust construction ensures uninterrupted operation in extreme environments, while modularity allows rapid reconfiguration to meet changing shot requirements. Whether used for feature films, commercials, high-end episodic content, or VFX-heavy productions, the Venice 2’s combination of flexibility, reliability, and unmatched image quality makes it a trusted tool for professional cinematographers around the world. Why Filmmakers Choose the Venice 2 Open in new window In a market crowded with high-resolution cinema cameras, the Sony Venice 2 8K stands out not only for its specifications but for its ability to translate technical excellence into creative freedom. Every aspect of the camera—from sensor design and dual base ISO to modularity and color science—has been engineered to empower filmmakers to tell stories without compromise. Its combination of resolution, dynamic range, color fidelity, and adaptability ensures that every project can achieve its full visual potential. For storytellers seeking more than a digital camera, the Venice 2 becomes a partner in cinematic expression, capturing imagery that is richly detailed, emotionally compelling, and visually transformative. From the quietest character moments to epic cinematic sequences, it delivers a consistent, filmic quality that elevates every frame.Key Features of the Sony Venice 2 8K Sony Venice 2 mit Extension System Mini The Sony Venice 2 8K offers an impressive array of features designed for professional filmmakers who require precision, flexibility, and high-end image quality. At the forefront is the camera’s full-frame 8.6K sensor, which provides a level of detail that is unmatched in digital cinematography. This sensor captures subtle textures and fine details, making it ideal for large-format productions and high-end visual effects workflows. The dual base ISO of 500 and 2500 ensures that the camera can handle both brightly lit exteriors and low-light interiors with minimal noise, giving cinematographers greater creative freedom and reliability on set. The camera supports 8K full-frame recording at up to 60 frames per second, which allows for smooth slow-motion and provides the flexibility to reframe or crop in post-production without compromising image quality. For productions with heavy VFX requirements, the Venice 2 offers 6K and 4K crop modes, simplifying compositing workflows while maintaining the sensor’s full dynamic range. Recording is supported through 16-bit RAW output and professional codecs such as X-OCN XT and ProRes HQ, ensuring that every subtle nuance of the captured image is preserved and ready for post-production. Sony’s renowned Venice Color Science is central to the camera’s appeal. The combination of S-Gamut3.Cine color space and S-Log3 log workflow provides filmmakers with an expansive dynamic range and a broad color palette for grading in post. Skin tones remain natural and lifelike, highlights roll off smoothly, and shadows retain rich detail, making it easier to achieve cinematic results directly from the camera. Real-time LUT previews further enhance on-set workflow, allowing directors and cinematographers to evaluate color grading in real time and make creative decisions confidently. The Venice 2’s modular design is another standout feature, offering flexibility to configure the camera for different shooting scenarios. Its separable sensor, core, and extension units can be mounted on handheld rigs, gimbals, drones, or traditional studio setups. Lens compatibility includes interchangeable PL and E-mount options, allowing the use of a wide variety of primes, zooms, and anamorphic lenses. Combined with its lightweight magnesium alloy body and integrated cooling system, the Venice 2 can endure long shooting days while remaining adaptable to complex production environments.Technical Specifications and Workflow Advantages The technical specifications of the Sony Venice 2 8K reflect its positioning as a top-tier digital cinema camera. The camera supports full-frame 8.6K resolution (8640 x 5760), with frame rates up to 60fps and an extended ISO range for diverse lighting conditions. Its dual base ISO allows filmmakers to choose optimal sensitivity without compromising dynamic range, which exceeds 16 stops for outstanding highlight and shadow detail. Recording options include professional-grade X-OCN, ProRes, and 16-bit RAW formats, ensuring compatibility with high-end post-production workflows. The Venice 2 is designed for practical use in demanding production environments. Its modularity allows quick reconfiguration for studio, location, or aerial work, and its durable construction ensures consistent performance in extreme conditions. Multiple lens mounts provide the creative freedom to pair the camera with virtually any professional optics, supporting both standard spherical and anamorphic lenses. Real-time LUT preview, high dynamic range support, and flexible recording modes make it a versatile tool for directors and cinematographers who need creative control from set to post. In addition, the Venice 2 supports multi-camera setups, with synchronized recording and SDI output for monitoring and live previews. This makes it ideal for complex productions such as commercials, episodic content, and feature films, where multiple cameras are often used simultaneously. By combining high-resolution capture, advanced color science, flexible workflow options, and practical usability, the Venice 2 ensures that filmmakers can focus on creative storytelling rather than technical limitations. Applications and Creative Potential The Sony Venice 2 8K is suitable for a wide range of cinematic applications, from narrative features and commercials to high-end episodic content and virtual production. Its ability to capture ultra-detailed 8K imagery makes it ideal for large-format projection and VFX-heavy sequences, while its dual base ISO and modular design enable filmmakers to adapt quickly to changing lighting and production environments. In practice, cinematographers have used the Venice 2 for complex tracking shots with gimbals or drones, high-speed slow-motion sequences, and intimate dialogue-driven scenes that require natural skin tones and nuanced shadows. The camera’s color science and dynamic range allow for consistent results across diverse lighting conditions, reducing the need for extensive color correction in post. Whether shooting a controlled studio environment or unpredictable real-world locations, the Venice 2 provides the technical reliability and creative freedom necessary for high-end productions. Sony Venice 2 8K – Technical Specifications Sensor & Image Quality Full-frame 8.6K CMOS sensor (36 x 24 mm) Maximum resolution: 8640 x 5760 pixels Frame rates: up to 60fps in 8K Dual base ISO: 500 / 2500 for optimal low- and high-light performance Dynamic range: over 16 stops for shadows and highlights High sensitivity with minimal noise Wide latitude for post-production grading Recording & Formats 16-bit RAW output for maximum image fidelity X-OCN XT and X-OCN recording for efficient post workflows ProRes HQ, ProRes 422 support Flexible crop modes: 6K and 4K for VFX and reframing High frame rate recording options for slow-motion sequences Color & Log Profiles Venice Color Science for natural, cinematic skin tones S-Gamut3 / S-Gamut3.Cine wide color gamut S-Log3 log gamma for extended dynamic range HDR support: HLG and S-Log3 workflows Real-time LUT preview on set for accurate creative monitoring Modular Design & Body Modular construction: separable sensor, core, and extension units Lightweight magnesium alloy body for durability Integrated cooling system for extended shooting sessions Rugged and reliable for extreme shooting conditions Compact design suitable for handheld, gimbal, drone, or studio rigs Lens & Optics Interchangeable PL and E-mount options Supports spherical and anamorphic lenses Full-frame coverage for cinematic lenses Optimized for both high-resolution primes and zooms Workflow & Monitoring Multi-camera synchronization for complex shoots SDI output for monitoring and live previews HDMI 2.1 for external displays and grading reference Flexible LUT application on set for creative decision-making Supports on-set color grading and immediate review Media & Connectivity Media options: Codex Capture Drives High-speed data transfer for RAW and ProRes files Network and remote control compatible File management optimized for post-production pipelines Additional Features Versatile for feature films, commercials, episodic content, and virtual production Ideal for high-end VFX workflows and large-format projections Reliable in unpredictable lighting and location conditions Smooth highlight roll-off and preserved shadow detail Enables precise creative control from set to post-production Comparison: Sony Venice 2 8K vs Sony Venice 2 6K Feature Sony Venice 2 8K Sony Venice 2 6K Sensor Full-frame 8.6K CMOS Full-frame 6K CMOS Maximum Resolution 8640 x 5760 6048 x 4032 Frame Rates Up to 60fps in 8K Up to 60fps in 6K Dual Base ISO 500 / 2500 500 / 2500 Dynamic Range 16+ stops 16+ stops Recording Formats X-OCN XT, X-OCN, ProRes HQ, 16-bit RAW X-OCN, ProRes HQ, 16-bit RAW Lens Mount PL / E-mount interchangeable PL / E-mount interchangeable Color Science Venice Color Science, S-Gamut3.Cine, S-Log3 Venice Color Science, S-Gamut3.Cine, S-Log3 HDR Support S-Log3, HLG S-Log3, HLG Weight (Body Only) 2.3 kg 2.2 kg Media Codex Capture Drives, SDI Output, HDMI 2.1 Codex Capture Drives, SDI Output, HDMI 2.0 Modular Design Separable sensor, core, and extension units Separable sensor and core unit Cooling System Integrated cooling for extended shoots Integrated cooling Crop Modes 6K / 4K crop modes for VFX 4K crop mode for VFX Multi-camera Support Yes, synchronized recording Yes, synchronized recording Workflow Optimization Real-time LUT preview, post-production ready Real-time LUT preview, post-production ready Ideal Applications Feature films, commercials, episodic content, VFX-heavy productions Feature films, commercials, episodic content

Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more...  More information about the Sony VENICE can be found at www.sonycine.com  Download Technicolor Look Collection for VENICE here.

Unparalleled flexibility with uncompromised image quality The VENICE Extension System enables cabled separation of the VENICE camera body and image sensor block by up to 5.5 m with no degradation in image quality. The kit consists of a front panel cover, image sensor block case and a 9 ft (2.7 m) cable with an additional 9 ft (2.7 m) extension cable. (VENICE camera is not included.) The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to affix additional accessories and fit with a wide variety of rigs. The Extension System is fully compatible with all existing and future VENICE cameras upgraded to V3 or higher firmware. FEATURES Enhanced mobility and maneuverability Separation of the camera body and image sensor block of up to 5.5 m enables exceptional flexibility when filming with gimbals, handheld, in helicopter/underwater housings, with custom rigs such as those used for 3D/VR content, and shooting scenes in confined spaces such as vehicles. The separated image block weighs just 4 lb (1.9 kg) with PL mount and 3 lb (1.4 kg) with e-mount for the utmost shooting flexibility. Uncompromised image quality When shooting with CBK-3610XS there's no degradation in image quality. Whether shooting with a standard 2.7 m separation or using the extension cable for a maximum 5.5 m separation, you can be sure the image quality is the same as shooting with VENICE in standard configuration. Advanced Features CBK-3610XS preserves full use of the advanced features VENICE offers, such as its built-in 8-step glass ND filter system, Dual Base ISO, and more. More information about the Sony VENICE can be found at www.sonycine.com    

Sony Venice Cine Bundle includes:Camera Body Sony Venice with permanent anamorphotic and Fullframe licenses, Viewfinder DVF-EL200 and Recorder AXS-R7 Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.   Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:   Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects.   Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors.   Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space.   Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.     World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.     Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.    Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.   Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.   Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode.  *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection 1x HFR License and much more... More information about the Sony VENICE can be found at www.sonycine.com