The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet

Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contactDownload SeeU BrochureSeeU-Brochure

IB/E K70 Series – Precision Large Format Cine Lenses for Stunning 65mm ImageryExpected to be available in Spring/Summer 2026 The IB/E 70 Series represent the pinnacle of optical engineering designed specifically for 65mm format cameras, including the ARRI ALEXA 265, Blackmagic URSA 17K, and Fujifilm GFX ETERNA. Crafted in Germany with premium materials and expert craftsmanship, these lenses deliver extraordinary image quality characterized by a perfect harmony of razor-sharp detail and beautifully smooth bokeh. Cinematographers can expect exceptional color fidelity and minimal chromatic aberration thanks to the advanced apochromatic color correction and aspheric elements incorporated in the optical design. Designed to meet the demands of the new generation of large-format digital sensors, the IB/E 70 lenses combine cutting-edge technology with practical features that support demanding shoots. Each lens maintains a constant length during focusing due to internal focusing mechanics, ensuring stability and balance on any rig. With an aperture of T1.7 and industry-standard M0.8 gear wheels for iris and focus control, the set offers creative flexibility and precision. Lightweight and compact, these lenses are ideal for challenging production environments where portability and optical excellence must go hand in hand. The IB/E 70 Series also supports advanced metadata integration through Cooke /i technology, providing seamless data capture on set. Available in both PL and LPL mounts, the lenses offer tuning options including customized flares, iris behavior, and color temperature adjustments. Built by a dedicated team in Bavaria, this lens series is a powerful tool for filmmakers aiming to achieve stunning cinematic visuals with a natural depth of field and perspective unique to the 65mm format. Technical SpecificationsImportant note: Technical specifications and focal lengths are preliminary and subject to change. /* Container für die beiden Spalten */ .responsive-table-container { display: flex; gap: 40px; flex-wrap: wrap; justify-content: center; max-width: 1200px; margin: 0 auto; } /* Jede Spalte */ .responsive-table-column { flex: 1 1 400px; box-sizing: border-box; } /* Überschriften */ .responsive-table-column h3 { margin-bottom: 12px; font-size: 1.1em; text-align: left; } /* Listen */ .responsive-table-column ul { padding-left: 20px; margin: 0; line-height: 1.4em; font-size: 0.95em; } /* Responsive */ @media (max-width: 800px) { .responsive-table-container { flex-direction: column; gap: 20px; } } /* Product Sheet Bereich */ .product-sheet-download { max-width: 1200px; margin: 30px auto 0 auto; text-align: left; } .product-sheet-download h3 { font-size: 1.1em; margin-bottom: 8px; } .product-sheet-download a { font-size: 0.95em; color: #0066cc; text-decoration: none; } .product-sheet-download a:hover { text-decoration: underline; } Features Ultra-fast T1.7 maximum aperture for exceptional low-light performance Internal focusing with constant lens length for stable rig setup Large 104 mm front diameter supports extensive filter options Available in PL and LPL mounts for versatile camera compatibility M0.8 standard gear wheels for smooth focus and iris control High-performance apochromatic color correction with minimal lateral color Lightweight and compact design for ease of handling on set Optional tuning for flares, iris characteristics, and color temperature Technical Specifications Image circle diameter: 65mm format coverage Aperture: T1.7 maximum, 9-blade iris (varies by focal length) Minimum focus distance: ranges from 17 cm (24mm) to 88 cm (135mm) Lens length: approximately 12.8 to 14 cm depending on focal length Weight: 1.6 to 1.9 kg per lens Optical design: aspheric elements with apochromatic correction Metadata compatibility: Cooke /i Technology integrated via mount contacts Breathing: minimal, between 3% and 5% Current Product Sheet PDF Download – IB/E K70 Series for 65mm Format Cameras (Data is subject to change)

The FUJINON LA30x7.8BRM sets a new standard in the broadcast lens category, offering a class-leading 30x zoom in a remarkably compact and lightweight design. With a focal range of 7.8mm wide-angle to 234mm telephoto, it provides outstanding versatility for broadcast professionals who need to capture everything from expansive stadium shots to close-up details. Weighing just 1.7kg and measuring only 190mm in length, this lens ensures excellent mobility and reduced operator fatigue, making it ideal for ENG-style shooting and live event coverage. Designed for today’s fast-evolving broadcast and production environments, the LA30x7.8 integrates a newly developed drive unit with high-resolution 16-bit encoders. This enables precise position detection for zoom, focus, and iris, ensuring seamless integration with virtual and remote production workflows. Whether you are working on live sports, music performances, or news coverage, the lens provides the speed, accuracy, and flexibility required for both creative and technical excellence. The advanced optical design delivers true 4K performance across the entire zoom range. Fujifilm’s proprietary HT-EBC multi-layer coating enhances light transmittance and color accuracy, ensuring crisp, vibrant images with minimal aberrations. Additional features such as a macro function for extreme close-ups, electronic flange back adjustment, autofocus command support, and a rear-focus mechanism for reduced breathing make the LA30x7.8 a powerful tool for broadcasters seeking both reliability and cutting-edge image quality. Features – FUJINON LA30x7.8BRM Highest-in-class 30x zoom covering 7.8mm–234mm range Compact and lightweight: 190mm length, 1.7kg weight Newly developed drive unit with 16-bit encoders for virtual/remote production Ultra-fast zooming from wide to tele in 1.0 sec or ultra-slow in 120 sec Rear-focus mechanism to minimize focus breathing Fujifilm HT-EBC multi-layer coating for high transmittance and true color reproduction Macro function for extreme close-ups up to 5cm Supports autofocus control commands from the camera Technical Specifications Format: 2/3-inch sensor broadcast cameras Zoom ratio: 30x (7.8mm–234mm) Drive unit: Newly developed with high-resolution 16-bit encoders Optical performance: 4K resolution across entire zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) Flange back: Electronic adjustment function Zoom speed: Max. 1.0 sec / Min. 120 sec (wide–tele) Mechanism: Rear-focus system for minimized breathing Dimensions & Weight Length: 190mm Weight: Approx. 1.7kg

* in Development *The FUJINON UA22×4.8BERD is a versatile 4K broadcast zoom lens that combines wide-angle capability with powerful zoom performance in a compact and lightweight body. Covering a focal range from 4.8mm wide-angle to 106mm telephoto, it offers outstanding flexibility for news coverage, studio productions, and live sports broadcasting. Its wide 4.8mm angle makes it especially useful in tight indoor environments, while the 22x zoom ensures detailed, immersive visuals even in large-scale arenas. Weighing only 2.2kg and measuring just 252mm in length, the UA22×4.8 is engineered for high mobility and reduced operator fatigue, particularly for handheld or shoulder-mounted shooting. Its lightweight construction ensures ease of operation during long shoots without compromising durability. Compared to its predecessor, the UA18x5.5, this model expands the focal range while maintaining the same portability, offering broadcast professionals a wider field of view and greater creative flexibility. With cutting-edge optical simulation technology and Fujifilm’s HT-EBC multi-layer coating, the UA22×4.8 delivers superb 4K image quality across the entire zoom range. High transmittance and precise color reproduction ensure HDR-ready shooting, capturing smooth tonal gradations and reducing issues like black crush or highlight blowout in high-contrast conditions. Equipped with 16-bit encoders for precise position detection, the lens also supports virtual and remote production workflows, making it a forward-looking choice for modern broadcasting environments. Features – FUJINON UA22×4.8BERD Wide-angle shooting at 4.8mm with 22x zoom up to 106mm Compact and lightweight design: 252mm length, 2.2kg weight Ideal for news, studio, and sports broadcasting applications 4K optical performance with minimized aberrations across zoom range HT-EBC multi-layer coating for high light transmittance and accurate color HDR-ready for smooth gradations and high-contrast shooting conditions Close focus capability: 0.4m across entire zoom range High-resolution 16-bit encoders for virtual/remote production workflows Technical Specifications Format: 2/3-inch sensor broadcast cameras Focal length: 4.8mm–106mm Zoom ratio: 22x Optical performance: 4K resolution across full zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) HDR support: Balanced exposure for high dynamic range shooting Encoders: High-resolution 16-bit for zoom/focus position detection Minimum object distance: 0.4m across zoom range Dimensions & Weight Length: 252mm Weight: Approx. 2.2kg

The Canon EOS C50 Cinema Camera is the smallest and lightest Cinema EOS camera to date, yet it delivers uncompromising image quality and professional-grade performance. Designed for filmmakers, content creators, and production teams who demand cinematic results in a compact form, the C50 combines the flexibility of a full-frame 7K sensor with advanced features for video and stills. Its block-style design makes it a versatile tool for handheld shooting, rigs, gimbals, drones, or tripod setups, adapting seamlessly to different production environments. Image: Canon At the heart of the EOS C50 lies a 7K full-frame CMOS sensor paired with Canon’s powerful DIGIC DV7 image processor. This combination enables breathtaking Cinema RAW Light recording in 12-bit, oversampled 4K video with extraordinary detail, and high frame rate recording up to 120fps in 4K or 180fps in 2K, without cropping. Open Gate recording offers maximum flexibility for post-production, supporting horizontal, vertical, and anamorphic workflows. With more than 15 stops of dynamic range, Dual Base ISO (800 / 6400), and Canon Log 2/3, the C50 ensures true-to-life color and outstanding performance in challenging lighting conditions. Image: Canon Canon’s renowned Dual Pixel CMOS AF II brings fast, accurate, and reliable autofocus with advanced subject tracking. Combined with EOS iTR AF X and intelligent recognition for eyes, faces, and even animals, the EOS C50 ensures sharp focus across the entire frame. For handheld and on-the-move shooting, the built-in electronic Movie IS stabilization works in sync with optical IS from supported lenses, delivering smooth and steady footage. Image: Canon The EOS C50 is built for professional audio and connectivity. It supports up to 4-channel 24-bit audio with dual XLR inputs, a stereo mini-jack, built-in stereo mic, and headphone monitoring. The multifunction accessory shoe further expands options with Canon and third-party audio interfaces. With CFexpress and SD dual slots, simultaneous or relay recording in multiple formats is possible, streamlining professional workflows. Connectivity includes HDMI Type-A, USB-C, Timecode (DIN), remote input, Wi-Fi, and LAN via adapter, supporting live streaming, remote shooting, and fast data transfer. Image: Canon In addition to its cinema-grade video capabilities, the EOS C50 also captures 32.5 MP still images with continuous shooting up to 40 fps. This makes it a powerful hybrid solution for creators who need both outstanding motion and still performance in a single, portable device. Image: Canon With its compact yet robust design, advanced thermal management with active cooling, and professional interface layout, the Canon EOS C50 is engineered for reliability and endurance in demanding production environments. It is the perfect choice for solo shooters, small crews, and production companies looking for a versatile, future-proof tool that grows with their creativity. Features – Canon Cinema EOS C50 Compact and lightweight Cinema EOS design – smallest in the lineup 7K full-frame CMOS sensor with DIGIC DV7 processor Internal 12-bit Cinema RAW Light recording up to 7K 60p Oversampled 4K from 7K sensor for superior detail and color High frame rates: 4K up to 120fps, 2K up to 180fps (no crop) Open Gate recording (3:2, 7K) for versatile post-production Dual Base ISO (800 / 6400) for flexible low-light performance Dynamic range exceeding 15 stops with Canon Log 2/3 Dual Pixel CMOS AF II with EOS iTR AF X Advanced subject detection: eyes, faces, animals, vehicles Electronic Movie IS with optical IS lens support Support for anamorphic lenses (x2.0, x1.8, x1.5, x1.3) Professional audio: 4-channel, 24-bit recording Dual media slots: CFexpress Type B and SD UHS-II Multifunction accessory shoe for audio and expansion units HDMI Type-A, USB-C, Timecode DIN, remote input Integrated Wi-Fi (2.4 / 5 GHz) and Ethernet via adapter 14 customizable buttons for personalized operation 32.5 MP still photo capture, up to 40 fps bursts Active cooling system for unlimited recording durations Technical Specifications Sensor: Full-frame CMOS, 35.9 x 23.9 mm Effective pixels: approx. 32.3 MP (video), 32.5 MP (photo) Processor: Canon DIGIC DV7 Lens mount: Canon RF mount (EF and PL supported via adapters) Supported recording formats: Cinema RAW Light, XF-AVC, XF-HEVC S, XF-AVC S Cinema RAW Light recording: up to 7K 60p, 12-bit 4K oversampling from 7K, 10-bit 4:2:2 High frame rates: 4K 120fps, 2K 180fps, 5K Super35 up to 60fps Audio: 2x XLR (via top handle), 3.5mm stereo input, internal stereo mic, headphone out Still image capture: RAW / C-RAW / JPEG / HEIF, Dual Pixel RAW support ISO range: 100 – 25,600 (expandable up to 102,400 in video) Autofocus: Dual Pixel CMOS AF II, 100% frame coverage Stabilization: 5-axis electronic Movie IS with optical IS lens support Connectivity: HDMI Type-A, USB-C (3.2 Gen 2), Timecode DIN, remote (E3) Wireless: Wi-Fi (2.4 GHz / 5 GHz), Ethernet via USB-C adapter Storage: 1x CFexpress Type B, 1x SD UHS-II Power: LP-E6P battery, DC via DR-E6P Dimensions and Weight Dimensions (W x H x D): approx. 142 x 101 x 111 mm (body only) Weight: approx. 750 g (body only), 1,050 g (with handle, battery, and card) In the Box Camera body Detachable top handle with dual XLR inputs Microphone holder LP-E6P battery pack LC-E6E battery charger Shoulder strap Power cable

Ultra-Wide 8K Cine-Servo Lens for Broadcast and CinemaThe Canon CN5x11 IAS T R1/P1 Cine Servo Lens redefines ultra-wide cinematography with an 11–55 mm focal range, offering an impressive 100° field of view. Designed for demanding broadcast, live, and cinematic productions, this lens provides exceptional edge-to-edge sharpness and natural color reproduction across 8K resolution. Lightweight at approximately 3 kg, it excels in mobile setups, including gimbals, cranes, robotic systems, and shoulder-mounted rigs, without compromising stability or handling. Its balanced design makes it equally effective in tight studio spaces or expansive live event environments, capturing both subjects and surroundings in stunning detail. Advanced Servo Control and Flexible OperationEquipped with Canon’s next-generation e-Xs V Digital Drive Unit, the CN5x11 IAS T R1/P1 offers precise servo control, high-resolution 16-bit encoding, focus breathing correction, and enhanced ergonomic operation. The detachable servo unit ensures quick adaptation between live event coverage and cinema-style productions. Available with RF or PL mount options, the lens supports real-time metadata output, making it fully compatible with virtual production pipelines, VFX workflows, and advanced post-production needs. The RF version further supports Canon Dual Pixel CMOS AF and lens distortion correction, while the PL variant integrates Cooke /i Technology™ and ZEISS eXtended Data™ for seamless metadata capture. Versatility and Image QualityThis Cine Servo lens features an integrated 1.5× extender, enabling compatibility with Super 35mm or full-frame cameras. Its 11-blade iris provides smooth highlights and attractive background blur, creating a cinematic depth-of-field effect even in live productions or documentaries. The lens delivers consistent color balance and natural skin tones, minimizing post-production correction. Whether filming dynamic sports events, high-paced news, or cinematic dramas, the CN5x11 IAS T R1/P1 combines premium optics, lightweight mobility, and versatile control options to meet the exacting standards of professional cinematographers and broadcast specialists. Features – Canon CN5x11 IAS T R1/P1 Ultra-wide 11–55 mm focal length, 100° field of view 8K HDR optical quality from center to edge Lightweight design (~3 kg) for gimbal, crane, and shoulder use Available with RF or PL mount Detachable e-Xs V Digital Drive Unit High-resolution 16-bit encoder for precise lens data Focus breathing correction for smooth zoom and focus 11-blade iris for soft highlights and cinematic bokeh Integrated 1.5× extender for full-frame or Super 35mm use RF mount supports Dual Pixel CMOS AF and lens distortion correction PL mount supports Cooke /i Technology™ and ZEISS eXtended Data™ USB-C connectivity for remote control and configuration Optimized servo control with enhanced ergonomics Versatile zoom for tight studio or live event setups High color fidelity with natural skin tones Ideal for broadcast, live, multi-cam, virtual, and cinema productions Minimal weight for portable and mobile applications Compatible with virtual production and VFX workflows Fast servo response for live and dynamic shooting Balanced construction for easy handheld operation Technical Specifications Mount: RF or PL Zoom ratio: 5× Focal length: 11–55 mm (16.5–82.5 mm with 1.5× extender) Maximum aperture: T2.95 (11–41 mm) / T3.95 (55 mm) Aperture blades: 11 Image circle: Ø29.6 mm (Super 35) / Ø43.3 mm (Full Frame) Minimum focus distance: 0.6 m / 2.0 ft Near-field coverage (11 mm): 69.7 × 39.1 cm Near-field coverage (55 mm): 13.3 × 7.5 cm Field of view: 96.4° × 64.2° (11 mm) / 25.2° × 14.3° (55 mm) Aspect ratio: 1.78:1, 1.9:1 optional Supported resolution: up to 8K Lens design: aspherical + anomalous dispersion elements Servo drive: e-Xs V Digital Drive Unit, detachable Control interface: USB-C, 3× 20-pin connectors Metadata support: Dual Pixel CMOS AF, Cooke /i, ZEISS eXtended Data Compatible with full-frame and Super 35 cameras High dynamic range (HDR) imaging Focus breathing correction enabled Optimized for virtual production systems Dimensions & Weight Dimensions: 186.6 × 129.9 × 301.0 mm (RF) / 186.6 × 129.9 × 269.0 mm (PL) Front diameter: Ø114 mm Weight: ~3.01 kg (RF) / ~2.92 kg (PL)

Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame  • Mount: PL mount (standard) or LPL mount (optional)  • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

The FUJINON GF 32-90mm T3.5 PZ OIS WR is a groundbreaking addition to the GF lens lineup, marking the first power zoom lens designed for the GFX Series of large-format mirrorless cameras. Covering a versatile focal length of 32-90mm (equivalent to 25-71mm in 35mm format), this lens brings cinema-grade video quality to a compact and lightweight form factor, weighing just 2.1kg. Its design draws inspiration from the acclaimed FUJINON Premista Series, widely recognized in professional video production for exceptional operability and optical performance. Engineered to meet the demands of modern video production, the GF 32-90mm T3.5 PZ OIS WR reduces the need for frequent lens changes by spanning wide-angle to standard focal lengths in a single lens. This efficiency is ideal for small-crew or solo productions, enabling high-quality shooting with minimal setup. The lens maintains a bright T3.5 aperture throughout the zoom range, ensuring consistent exposure control and smooth depth-of-field transitions, allowing filmmakers to capture the subtleties of light and texture with precision. Optical excellence is at the core of this lens, featuring 25 elements in 19 groups, including three ED and three aspherical elements. Advanced Nano GI coating minimizes flare and ghosting, delivering crystal-clear images even in challenging lighting conditions. Breathing is effectively suppressed for stable compositions during focus pulls, while the 13-blade nearly circular aperture produces beautiful, creamy bokeh that enhances cinematic expression. Video professionals will appreciate the intuitive power zoom mechanism, combined with precise electronic control for focus, zoom, and aperture rings. The lens incorporates smooth, high-precision autofocus and image stabilization, ensuring reliable performance during handheld or dynamic shooting scenarios.  Its compact dimensions and ergonomic design make long shooting sessions more manageable without compromising optical quality. When paired with the FUJIFILM GFX ETERNA 55 camera, this lens unlocks new creative possibilities, offering filmmakers unprecedented flexibility, speed, and image fidelityFeatures – FUJINON GF 32-90mm T3.5 PZ OIS WR First power zoom lens in the GF lineup for cinematic video Focal length: 32-90mm (equivalent to 25-71mm in 35mm format) Constant T3.5 aperture across entire zoom range 25 elements in 19 groups, including 3 ED and 3 aspherical lenses Nano GI coating reduces flare and ghosting Cinema lens-inspired operability and ergonomic design Lightweight body: approximately 2.1kg Compact length: 222mm Rear focus system for precise focus control 200-degree focus rotation for accurate manual focusing Three independent manual rings: focus, zoom, iris (aperture) 13-blade rounded diaphragm for smooth bokeh Power zoom control via camera (GFX ETERNA 55) High-speed, high-precision autofocus Advanced image stabilization for handheld shooting Minimal focus breathing for stable compositions Supports standard cinema accessories like follow focus and lens motors Durable weather-resistant construction Technical Specifications – FUJINON GF 32-90mm T3.5 PZ OIS WR Type: Power Zoom Large Format Lens Lens Configuration: 25 elements in 19 groups (3 aspherical, 3 ED) Focal Length: 32-90mm (35mm equivalent: 25-71mm) Angle of View: 81.0°-33.8° Maximum Aperture: T3.5 Minimum Aperture: T32 Aperture Blades: 13 (rounded diaphragm) Minimum Focus Distance: 0.8m (both wide and tele) Maximum Magnification: 0.06x Filter Size: 111mm Image Stabilization: Yes, optical Autofocus: High-speed, precise Lens Mount: FUJIFILM G Mount Lens Type: Power Zoom Cine Lens Weather Resistant: Yes Accessories Included: Front/Rear lens caps, support foot, zoom lever, lens case Dimensions & Weight Diameter: 123.5mm (114mm effective) Length: 222.5mm Weight: 2,150g

Freelensing Cine® Full Set is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Full Set includes• Freelensing Cine® Frame  • Transport case (e.g., Pelicase with foam insert)  • Mount: PL mount (standard) or LPL mount (optional)  • Gas springs (2 pieces each): 2kg (blue), 3kg (red), 4kg (black • Extra weights (~250g each)  • Tool set: Allen keys, screwdriver, wrenches  • U-Frame (position “0” fixation)  • Gears: Shift, Swing, Tilt (0.8 MOD, motor-compatible)  • 15mm rods & clamps  • Support handle  • Z-extensions & reducer bushings (19mm ->15mm)  • Lens-test / rear-measure tool  • Gear reduction kitsCAMERA MOUNTS FOR: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set