Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contactDownload SeeU BrochureSeeU-Brochure

Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame  • Mount: PL mount (standard) or LPL mount (optional)  • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

  IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY    

  IB/E Velociter x0.8 Optical ConverterThe Velociter x0.8 optical converter reduces the focal length of the RAPTOR macro lenses by 0.8x. At the same time it increases the lens speed by almost 1 stop. For example, the RAPTOR 100 mm T2.9 becomes a 80 mm T2.3. The Velociter x0.8 features high-index, low-dispersion glass as well as multi layer coating to ensure the highest possible resolution and contrast with minimal optical degradation. To create an optical design that is optimized for the RAPTOR macro lens family and digital cameras, the maximum input T-Stop is 2.9. The Velociter x0.8 can easily be assembled in exchange of the extension tube of the PL UMS mount. Note: With the Velociter connected to the lens, only PL cameras can be used. Not Compatible with Raptor 60mm. Technical data Max. image diameter (mm) 36.0 Magnification x0.8 Max. input T-Stop 2.9 Light drop (stops) 1.0 Diameter (mm) 54.0 Length (mm) 31.0 Weight (kg) 0.18  

Freelensing Cine® Full Set is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Full Set includes• Freelensing Cine® Frame  • Transport case (e.g., Pelicase with foam insert)  • Mount: PL mount (standard) or LPL mount (optional)  • Gas springs (2 pieces each): 2kg (blue), 3kg (red), 4kg (black • Extra weights (~250g each)  • Tool set: Allen keys, screwdriver, wrenches  • U-Frame (position “0” fixation)  • Gears: Shift, Swing, Tilt (0.8 MOD, motor-compatible)  • 15mm rods & clamps  • Support handle  • Z-extensions & reducer bushings (19mm ->15mm)  • Lens-test / rear-measure tool  • Gear reduction kitsCAMERA MOUNTS FOR: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements