Atomos Ninja TX – 5″ HDMI/12G-SDI & Wi-Fi Monitor-Recorder

The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

Ninja Ultra is a leap forward in filmaking technology. You get all of Ninja’s monitoring/recording tools and capabilities, but in conjunction with the Atomos Connect, it opens up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Ninja works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand New OS - New AtomOS 11 - faster, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for offline or CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony camerasRemoteView - Share live views from your screen over the internetMore Codecs included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording - Record & upload high bitrate 4K files to the CloudWi-Fi 6E - The best. Faster, lower latency, more stable connectionImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features. Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!Dual RAW record for Camera to Cloud workflow - capture 4Kp60 ProRes RAW & H.265 simultaneously*SDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI camerasAtomOS 11 offering a redesigned interface, new features, and performance improvements.SRT streaming ensures reliable video transmission even over unrealiable networks, allowing for seamless live content delivery.Publish directly from the cloud with 4K H.265 Camer ato Cloud mode*Faster and stronger connectivity with Wi-Fi 6E*Share what´s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.Same form factor as NinjaV, all Accessories are compatible with the new Ninja Series (Ninja & Ninja Ultra)*requires Atomos ConnectIn the Package1x Ninja Ultra1x Battery eliminator1x USB C PD to 2.1mm DC power lead1x QuickStart Guide

Shinobi II has been redesigned with a new, slimline case and a 50% brighter screen, yet still manages to pack in all of Atomos’ renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control. Features - What´s new:Slimmer body & portable design1500nits peak brightness HDR touchscreenCamera control via USB-C and LANCPowered via USB-C PDPower/charge your camera via USB-C PDHDMI & USB-C locking adapterThe latest Atomos monitoring toolsTechnical Specifications Much slimmer body and low-profile design - weighs just 210gms.50% brighter - 1500nits peak brightness, 5inch, high-resolution touchscreen.Camera control via USB-C for Canon, Panasonic and Sony cameras, plus Z CAM cameras via optional USB-C to Serial cable.Use the Camera Status indicator to check the camera´s internal record settings, battery status & remaining record time.New AtomOS 11 user interface has a more modern look, more responsive operation and easy access to all the most-used monitoring tools.Powered by NP-F style batteries, or via USB-C PD (10W input).Charge/power the camera via USB-C PD (13W output), all while using the Shinobi II´s camera control features.Unique Analysis Mode can deploy the waveform, histogram & vectorscope tools simultaneously.Frame Guides and 9 Grid help get perfect framing and compositing.Low power consumption - Shinobi II can run all day off a single batter charge.In the Package1x Shinobi II1x USB-C 2.0 cable1x HDMI + USB-C locking cable adapter1x QuickStart Guide

Shogun Ultra is everything you’d expect from a Shogun: perfect for larger HDMI mirrorless and SDI cinematic cameras and with network connectivity built-in. It’s also your gateway to amazingly fast and productive cloud workflows. Shogun Ultra is Peak Shogun. Opening up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with popular cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand new OS - New AtomOS 11 - faster, cleaner, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony cameras.RemoteView - Share live camera views from your Shogun´s screen over the internetPremium Options - NDI 4K TXMore Codecs Included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording* - Record & upload high bitrate 4K files to the Cloud*Available when subscribing to Classic and Premium Atomos Cloud ServicesWi-Fi 6E - Fast, stable connection to the internetImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications 7-inch 2000nits monitor-recorderCapture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!SRT streaming ensures reliable video transmission even over unreliable networks, allowing for seamless live simultaneouslySDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon RED and Sony SDI camerasNew AtomOS 11 improves memory management, boosts responsiveness, and unleashes new featuresPublish directly from the cloud with 4K h.265 Camera to Cloud modeFast and stronger connectivity with Wi-Fi 6EShare what´s on your Atomos screen with other AtomOS11 users, as well as iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone System, ARRI False color added in combination with other monitoring  tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.12G SDI IN and OUT and HDMI IN and OUTBi-directional HDMI <=> SDI input conversion with simultaneous SDI & HDMI outputsLong range ATOMOS AirGlu sync technology for wireless timecode via RF and Bluetooth LE1GbE Ethernet for high-speed robust hardwired network connectionConnectivity to Atomos Cloud Studio gateway of servicesIn the Package1x Shogun Ultra1x USB-C PD to 2.1mm DC power lead1x Master Caddy III2x Wi-Fi antennas1x AirGlu antennas1x Antenna tips1x 3.5mm to 3.5mm audio sync cable1x QuickStart Guide

Neon is a series of precision on-set and in-studio 4K HDR monitor-recorder production workhorses where reliable and trustworthy monitoring is essential. The Neon comes in four sizes (17”, 24”, 31” and 55”) that can be synced together to provide an ecosystem of field monitors where accuracy of image representation and consistency of image is critical between crew members...all controlled by the Atomos App. Digital filmmaking re-imagined for today’s creatorThe Atomos Neon series is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing it with Atomos innovation and technology. We do this by combining RAW recording with cinema display technology for monitoring, on-screen production checking and review of creative intent, story flow and matching continuity between scenes. Neon streamlines the creative workflow from lens to viewing. We have adopted industry standard formats like ProRes RAW from major camera makers enabling the performance of ProRes and the flexibility of RAW into cinema productions and built for computer finishing. Neon performs real-time Dolby Vision processing to enable down-stream viewing on any Dolby Vision capable TV or monitor. The upshot is an on-set computer replacement merged with an ecosystem of field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing. FEATURES Choose from 17” and 24” screen size The 31” and 55” version has no release date yet 1000nits brightness, true 10-bit, DCI-P3 (100%) DCI 4K (4096 x 2160) nativ resolution Supports up to DCI 4K/UHD 4K Bluetooth controlled via Atomos iOS app (AtomOS) or physical remote control Real-time recording and playback up to 4K60p including ProRes, -RAW, Cinema DNG, Avid DNx formats In/Out: 2x 12G-SDI, 1x HDMI Playout: 2x configurable BNC, 1x HDMI Atomos Button Bar Remote Control Unit (BBRCU)   TECHNICAL SPECS Display: Unique combination of advanced LED and LCD technologie Size: 17" / 24" Resolution: 2048 x 1080 (Neon17) / 4096 x 2160 (Neon24) Brightness: 1000 Nits Color Depth: True 10-bit Color Gamut: DCI-P3 100% coverage Inputs: 2x SDI, 1x HDMI, Outputs: 2x SDI, 1x HDMI, Input Voltage: tba Operation Power: 10-22W Dimensions:  - 17": 41,3x 25,3x 7,1 cm - 24": 59,4x 34,0x 73 cm  Weight:  - 17":4,5 Kg - 24": 8,6 Kg

Shinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or SDI. An ideal directors’ monitor, focus pullers’ monitor, program or preview display for video switchers, and perfect for vloggers presenting to camera. FEATURES 7”, 1920 x 1200, 10-bit (8+2 FRC), touchscreen 2200nits brightness In/Out: 1x HDMI (2.0) 4K60p, 1x 3G-SDI 2Kp60 Bi-directional HDMI <--> SDI signal cross conversion AtomHDR provides Log to HDR conversion for display and loop out Built-in 3D LUT box TECHNICAL SPECS Display: IPS LCD Size: 7,2" Resolution: 1920 x 1200 Brightness: 2200 Nits Color Depth: 10-bit (8+2 FRC) Color Gamut: Rec.709 Inputs: 1x HDMI (2.0) 4K60p, 1x 3G-SDI 2Kp60 Outputs: 1x HDMI (2.0) 4K60p, 1x 3G-SDI 2Kp60 Input Voltage: 6.2 - 16.8V (Battery + DC in) Operation Power: 5.8 - 7.2V Dimensions: 19,8x 13,3x 3,9 cm Weight: 577g  

NEW Quantum dot color, optically bonded panel covering the DCI-P3 gamut 19” Monitor/Recorder with RAW recording up to 6Kp30 and up to 2k in 240p. 4kp60 via SDI and HDMI with built in Log to HDR and custom 3D LUT slots. Live quad Channel HD switching and ISO recording. Record ProRes RAW, 10bit 422 ProRes/DNxHR recording. HDMI 2.0 and Quad SDI (3G QuadLink/6G/12G), support for Genlock and LTC timecode. FEATURES 19”, 1920 x 1080, 10-bit (8+2), touchscreen 1200nits Brightness, covering DCI-P3 color gamut Live quad channel HD switching and recording Cross conversion In/Out: Quad link 4x 3G-SDI or 12G singe link, 1x HDMI Playout: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G, 1x HDMI TECHNICAL SPECS Display: SuperAtom IPS panel, touchscreen Size: 19" Resolution:  1920 x 1080 Brightness: 1200 Nits Color Depth: 10-bit (8+2) Color Gamut: DCI P3 Inputs: Quad link 4x 3G-SDI (coming soon) or up to 12G single link SDI, 1x HDMI Outputs: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G, 1x HDMI Input Voltage: 14.4V nominal; DC in 12 - 16.8V Dimensions: 50,4x 33,0x 18,0 cm (with stand) Weight: 6,0 Kg (with stand) RECORDING Pre-roll record (HD 8s, 4K 2s) Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate (see: atomos.com/drives) Master caddy dock: 2.5” SATA to USB 2.0/3.0 Supported applications: Supported Applications FCPX/FCP7+ /Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /Autodesk Smoke 2015