The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The Easyrig Minimax is a compact and lightweight camera support system designed for filmmakers who need a flexible, portable solution for handheld shooting. Perfect for smaller camera setups, the Minimax offers the same stability and weight distribution that Easyrig is known for but in a more compact form. By transferring the weight of the camera from your arms to your back and hips, the Minimax significantly reduces fatigue, allowing you to shoot for extended periods without discomfort. This makes it ideal for documentary filmmakers, event videographers, and content creators who are constantly on the move.The Minimax features an innovative spring system that automatically adjusts to the weight of the camera, offering smooth and reliable support for cameras weighing between 2 and 7 kg. Its ergonomic design ensures that your shooting experience remains comfortable, while also improving the stability and smoothness of your shots. The system is easy to set up and pack away, making it a go-to solution for quick transitions between locations or shots. With the Easyrig Minimax, you can maintain full creative control without compromising on comfort or mobility.FeaturesCompact and lightweight design for easy portabilitySupports cameras weighing between 2 and 7 kgReduces operator fatigue by distributing weight to hips and backErgonomic design for comfortable, long-duration useAutomatic spring system adjusts to camera weightProvides stable, smooth shots for handheld filmingIdeal for documentary, event, and content shootingQuick and easy setup for fast-paced production environmentsTechnical SpecificationsSupports camera weights from 2 to 7 kgMaterial: high-strength aluminum and steelAdjustable camera support strapSpring system with automatic adjustment featureCompatible with DSLR, mirrorless, and small cinema camerasHeight-adjustable for different body typesWeight: 2 kgCarrying capacity: 7 kg maxDimensions and WeightsWeight: 2 kgCamera weight capacity: 2 to 7 kgDimensions (packed): 58 cm x 26 cm x 17 cmPackaged weight: 2.5 kgScope of DeliveryEasyrig MinimaxCarrying bagAdjustable camera support strapUser manual
The Black arm Complete is for users working with higher loads and carries between 5-32kg (11-70lbs). Of course you have the option to upgrade the Standard version into a Complete, if needed. The Black Complete ships with four 7.0mm springs and four 7.5mm springs, that takes the entire range of 5-32kg. You can use the springs in single (one spring on each side) or dual (two springs on each side) configuration, to precisely achieve the lift needed. The damping action of all axes, vertical, tilt and roll is created by custom made actuator hydraulic dampers that are fully adjustable. You adjust the damping with a knob that has 22 steps, to precisely dial in the exact amount of damping you need for your shot. The Black Complete ships with a total of six dampers, allowing for dual dampers on each axis if needed, or as spares. Each Black arm ships with one anti-vibration mount (AVM). The main purpose of the AVM is to reduce high frequency vibrations, such as noise from a cars engine. In order to maximise the efficiency of the AVM, you should use the version that matches your load and conditions. The Wire AVMs comes in five different weight ranges, and is very easy to use. You just put the correct one on and go. The Tranquilizer has many adjustments to fine tune it's performance, and may give better results if you have the time and skills to configure it properly.
The Black arm is a 3-axis dampening system with an additional vibration mount for stabilizing roll and tilt errors as well as vertical motion and vibrations. The Black arm is a hardmount system, made for gimbals, that you want to mount on vehicles such as cars, ATVs, boats, snowmobiles etc. The Black arm Complete is for users working with higher loads and carries between 5-32kg (11-70lbs).
The FlowCine SERENE spring arm is a cutting-edge extension for Easyrig systems, designed to add advanced stabilization capabilities for filmmakers in dynamic shooting environments. By smoothing out vertical motion, the SERENE enhances the stability of camera setups and minimizes the common "bounce" effect that arises when filming with handheld rigs. It is ideal for capturing steady shots while walking or running, making it a go-to choice for professionals aiming for high-quality, fluid shots in motion-heavy scenes.The SERENE attaches easily to the Easyrig, integrating seamlessly with a wide range of camera setups up to a certain weight capacity, supporting a smooth and reliable shooting experience even under challenging conditions. This spring arm stands out for its adjustable tension system, allowing users to fine-tune settings to suit various cameras and configurations, creating a versatile stabilization solution for all types of cinematic applications.In addition to stabilizing footage, the SERENE arm provides excellent support for the operator, reducing strain on the back and shoulders and enhancing comfort during long shoots. This accessory is invaluable for action shots, tracking, and handheld cinematography where fluid, natural movement is critical.Features of FlowCine SERENE Spring Arm for EasyrigAttaches seamlessly to Easyrig systemsReduces vertical movement for smoother shotsMinimizes "bounce" effect for professional footageCompatible with various camera setups up to a certain weightAdjustable tension for tailored stabilizationImproves comfort and reduces strain during extended useDurable build for demanding environmentsIdeal for action, tracking, and handheld shootingTechnical SpecificationsCompatible with Easyrig Vario 5 and other modelsAdjustable tension springs for optimal balancingSupports camera setups up to 15 kgVertical stabilization adjustment range up to 3 cmDurable, high-quality build for longevityCustomizable spring settings for different filming scenariosQuick-release mechanism for easy setup and breakdownDimensions: 35 cm x 10 cm x 8 cmDimensions & WeightLength: 35 cmWidth: 10 cmHeight: 8 cmWeight: 1.2 kgIncluded in the PackageSERENE spring armQuick-release mountAdjustment toolUser guide
The Flowcine Tranquilizer use custom polymers instead of wire rope. They have a system that lets you go from different types of hardness and amount of polymers, that allows for perfect tweaking of your setup weight, allowing the Tranquilizer to work optimally. The package ships with two sets of polymers, shore 30 and shore 40, and you can easily add more sets if you have a wide span of different gimbals you want to change between, however since the system easily lets you add and subtract the amount, you already have a great range of freedom in weight span with the default package. The Tranquilizer also includes the Flowcine Passive plates. These adds more mass to the system, and lets you dial in the perfect weight and also makes a huge difference compensating incoming hard shocks. These are very easy to add and remove on the fly, while your gimbal is already attached to the system. We include eight of the passive plates in the package, enabling you to add just over 5KG/11LBS to the Tranquilizer. To reduce the problem with when the pan motor goes into self oscillation, we have a design that allows the system to reduce a great deal of incoming vibrations, while at the same time keep the gimbal in check from jittering around the pan axis. This allows you to tune your gimbal/gyrohead with the highest possible pan motor torque settings and the result will be a head that handles high speeds, wind and other dynamics when shooting from vehicles better. FEATURES The Flowcine Tranquilizer has been carefully built from ground up to meet the following criterias: Small in size Stabilize lighter gimbals with small amounts of mass Reduce vibrations from lowest possible frequency range and maximise motor torque without getting into self oscillation, which is a common problem with wire rope isolators.
The Easyrig Quick Release Camera Hook with 2 pcs 3/8" and 2 pcs 1/4 ball studs is an essential tool for filmmakers looking for fast and secure camera mounting solutions. Designed to work seamlessly with Easyrig systems, this quick release hook allows operators to swiftly change between cameras or other setups without losing time. The included 3/8" and 1/4" ball studs ensure compatibility with a wide range of camera rigs and accessories, giving filmmakers the flexibility they need on set. The quick release mechanism guarantees a secure hold while providing the convenience of instant detachment when needed.This product is perfect for professionals who require efficient and reliable camera support in dynamic shooting environments. Whether you're working with a lightweight DSLR or a heavier cinema camera, the Easyrig Quick Release Camera Hook ensures your equipment stays secure while allowing for easy transitions between shots. Built with robust materials, it's durable enough to withstand the rigors of professional filmmaking, making it an indispensable addition to your camera gear.FeaturesQuick release mechanism for fast camera changesCompatible with 3/8" and 1/4" ball studsWorks with a variety of camera setups and rigsDurable construction for professional useEnsures a secure hold on your camera equipmentLightweight and easy to transportIdeal for dynamic shooting environmentsEnhances efficiency on setTechnical SpecificationsSupports both 3/8" and 1/4" mounting optionsHigh-quality aluminum and stainless steel constructionQuick release hook mechanismCompatible with Easyrig systemsSuitable for both lightweight and heavier camera setupsBall stud diameter: 3/8" and 1/4"Secure locking system for safe operationCompact design for portabilityDimensions and WeightsHook weight: 0.25 kgBall stud sizes: 3/8" and 1/4"Dimensions: 10 cm x 5 cm x 3 cmPackaged weight: 0.5 kgCompact size for easy handlingScope of Delivery1x Easyrig Quick Release Camera Hook2x 3/8" ball studs2x 1/4" ball studsUser manual
The Easyrig 5 Vario with Cinema Vest and standard arm is a versatile tool designed to provide filmmakers with superior comfort and control during long shoots. Ideal for professional cinematographers and camera operators, this system helps distribute the camera's weight across your body, reducing strain on the arms, back, and shoulders. The Vario 5 mechanism allows for adjustable tension, accommodating camera setups ranging from 5 to 17 kg, making it adaptable to a wide variety of cameras and rigs.The included Cinema Vest is designed to give additional support for larger rigs, offering a comfortable and snug fit during extended use. Combined with the standard arm, this system ensures that the camera's weight is transferred evenly to your body, allowing you to focus on capturing the perfect shot without fatigue. The Easyrig 5 Vario helps to stabilize handheld shots, creating smooth, professional footage without the need for additional stabilizing equipment. Whether you're filming a fast-paced action scene or a long interview, the Easyrig 5 Vario is an essential addition to any professional filmmaker’s kit.FeaturesAdjustable tension to support camera setups from 5 to 17 kgErgonomic Cinema Vest for added comfort during long shootsStandard arm for easy and smooth weight distributionReduces arm, shoulder, and back strain, enhancing filming efficiencyStabilizes handheld shots for professional-quality footageQuick setup and adjustment for a variety of cameras and rigsIdeal for both fast-paced and stationary filmingDurable design for long-term, professional useTechnical SpecificationsSupports camera weights from 5 to 17 kgStandard arm length: 90 cmAdjustable tension control for different camera setupsWeight of the complete system: 3.4 kgMaterial: high-strength aluminum and durable fabricDesigned for professional filmmakers and cinematographersCompatible with various cinema cameras and heavy rigsDimensions and WeightsTotal system weight: 3.4 kgArm length: 90 cmCinema Vest size: Adjustable, fits most body typesPackaged dimensions: 100 cm x 30 cm x 20 cmPackaged weight: 4.5 kgScope of Delivery1x Easyrig 5 Vario1x Cinema Vest1x Standard Arm1x Carrying BagUser Manual
The Sachtler 1017MS System Ace XL fluid head with flowtech™75 tripod legs offers a tripod system for videographers who use cameras weighing up to 8 kg / 17.6 pounds. The Ace XL system enables broadcast-style performance while using lightweight components more suited to HDSLRs and compact camcorders. The Ace XL fluid head features fiberglass-reinforced composite construction and weighs only 1.7 kg / 3.7 pounds. The two-stage carbon fiber legs weigh only 2.9 kg / 6.4 pounds. This makes the system lightweight at only 4.8 kg / 10.6 pounds. The unique flowtech™75 is easier and faster to deploy and adjust than any other tripod. Supports cameras with up to 8 kg / 17.6 lb, 8-Step Counterbalance, 3-Pan/Tilt Drag Grades, system includes Ace XL fluid head (S2150-0004) + tripod flowtech 75 with rubber feet FT + padded bag 75 (9116); flowtech™75 is a 2-stage 75 mm carbon fibre tripod with unique quick release brakes for instant and easy deployment, ergonomic carbon fibre design with strong magnetic leg locks for comfortable transport, exceptional torsional stiffness and a versatile hinge lock mechanism for low and high shots. Height range in spreaderless mode: 41 - 169 cm (16.1 - 66.5 in); height range with mid-level spreader: 78 - 173 cm (30.7 - 68.1 in).
The Sachtler System FSB 6 Sideload fluid head with flowtech™75 carbon fiber tripod legs offer a professional tripod system for videographers who use cameras weighing up to 8 kg / 17.6 pounds. The FSB 6 head provides frictionless leak-proof fluid drag with three levels of drag, for perfect pictures while panning, without jerks and vibrations. Identical across both horizontal and vertical planes, and allows complete disengagement of drag for fast panning. The system includes a mid-level spreader and bag.FSB 6 fluid head (0407) + tripod flowtech 75 MS with mid-level spreader and rubber feet (4585) + padded bag flowtech 75 (9116); flowtech™75 is a 2-stage 75 mm carbon fibre tripod with unique quick release brakes for instant and easy deployment, ergonomic carbon fibre design with strong magnetic legs locks for comfortable transport, exceptional torsional stiffness and a versatile hinge lock mechanism for low and high shots.Height range in spreaderless mode: 41 - 169 cm (16.1 - 66.5 in); height range with mid-level spreader: 78 - 173 cm (30.7 - 68.1 in).
The Cine 7+7 HD combines the established cine-features of the big Sachtler heads with the advantages of a more compact 100 mm fluid head - the perfect solution for all those who work with lighter film set-ups. Damping properties, a side load function, very wide load range, Speedbalance technology and optimum front swivel arm are what makes up the compact Cine 7+7.
The Easyrig Umbrella with Holder for Minimax is a versatile accessory designed for filmmakers seeking to enhance their shooting environment. This umbrella provides essential protection against the elements, ensuring that your equipment and crew remain safe from rain and harsh sunlight. The thoughtfully designed holder allows for quick and easy attachment to the Easyrig Minimax, making it a practical solution for on-the-go shooting.Constructed from durable materials, the Easyrig Umbrella is lightweight yet robust, making it easy to transport while standing up to the rigors of outdoor filming. The generous size offers ample coverage, allowing you to maintain optimal working conditions, whether on a bustling set or in a remote location. With the Easyrig Umbrella, filmmakers can focus on their creative vision without the distractions of weather conditions, ensuring smooth and uninterrupted production.FeaturesDesigned specifically for Easyrig Minimax compatibilityLightweight construction for easy handling and transportDurable materials withstand various weather conditionsQuick attachment and detachment for seamless integrationProvides protection from rain and sunlightGenerous coverage for optimal shooting conditionsCompact design for easy storage and portabilityEnhances crew comfort and equipment safetyTechnical SpecificationsMaterial: High-quality waterproof fabricWeight: 0.8 kgDiameter: 150 cmMounting mechanism: Standard holder for Easyrig MinimaxColor: Black with reflective edgesWind resistance: Up to 30 km/hEasy setup and takedown processDesigned for professional use in film productionDimensions and WeightsWeight: 0.8 kgDiameter: 150 cmPackaged weight: 1 kgPackaged dimensions: 70 cm x 10 cm x 10 cmScope of Delivery1x Easyrig Umbrella1x Umbrella holder for MinimaxUser manual