The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
The Maxima 5.0 is the ultimate Cartoni fluid head for Digital Cinematography with heavy duty camera packages.The Maxima series is designed by and for cinematographers. Patented drag and balance systems provide a feel that has raised the industry standard on what is expected in a fluid head. User controls located and designed for total comfort allow operators to rapidly fine tune head performance by feel. The patented continuous fluid drag system performs from almost freewheeling to an exceptionally consistent drag for maximum versatility and flawless diagonal shots. The large sliding camera plate is compatible with Arri, Sony and O’Connor slides.Its outstanding patented counterbalance compensates payloads from zero to 50 kg, with “perfect balance” throughout the 180° tilt range. The patented continuous fluid drag system performs from almost freewheeling to extremely consistent drag for maximum versatility and perfect diagonal shots. The Maxima 5.0 knobs and levers are ergonomically placed to ensure camera operators complete ease-of-use in any situation, whether in the studio, location or during outside shooting. Drag and counterbalance settings are monitored on a large digital display.The large sliding camera plate is compatible with Arri , Sony and O’Connor slides. The head comes with a telescopic pan bar and a short front pan bar. With the classic Mitchell base the Maxima 5.0 interfaces with all flat base Mitchel tripods and platforms. Optional 150mm bowl base adapter can be easily applied. Optional Pedestal adapter can be easily applied.
The SDS Carbon 100 tripod is the ultimate ENG lightweight support, expressly designed for ultra-fast operation.- The Smart Deployment System (SDS) is the fastest one-lever two-stage tripod on the market. Covered by three patents it offers an unprecedented ease of deployment and versatility.- Six telescopic triple cross-layered carbon fiber tubes provide the SDS tripod with an extraordinary torsional rigidity, becoming the bestseller solution for ENG and Documentary work.- Through one lever, conveniently located on the middle stage, the patented Smart Deployment System (SDS) adjusts the double stage legs, and yet the operator can rely on a positive clamp at any desired operative height.Technical Data Weight: 2.9 kg Capacity: 60 kg Minimum Height: 25 cm Maximum Height: 161 cm Folded Height: 73 cm Material: Carbon Fiber Number of stages: 2
The Focus 22 fluid head offers the widest payload range of the Focus Series from 3 kg (6.5 lbs) to 22 kg (49 lbs).Built with extensive use of lightweight magnesium alloys and high resistance polymer composites the Focus 22 weighs only 3.9 kg (8.6 lbs) and represents the most advanced solution of the Focus line featuring the patented Cartoni “wing” continuously adjustable counterbalance setting, and a continuously variable patented fluid damping system on both pan and tilt movements.Main Features Tilt angle of +/- 90° Temperature range is -40°/+60° Celsius Sliding camera plate with Euro-style quick release system Telescopic orientable pan bar Illuminated bubble level 150mm bowl (also in 100mm version) Easily-readable numerical counterbalance reference The Focus 22 is specifically designed for the most recent ENG digital & CineStyle cameras like the ones from Arri, Red, Blackmagic Design, Canon, Sony and others…The professional grade materials, matched to the outstanding Cartoni construction quality, makes the Focus 22 the perfect solution when searching for a fluid head built to last at a fair price point.Compatibility Interfaces with all 150 mm bowl base tripods. AH869/150 adapter for Cartoni Pedestal P40 P70+, P70 Steering
Fluid Heads AccessoriesBowl base adapter from Mitchell flat base to 150mm for Master Mk2 Master 30 Maxima 5.0 Master 40 Maxima 30 Spinhead Lambda 25 Airfloater
With its rugged construction and extraordinary sturdiness the Cartoni Studio Carbon Tripod 2 Stages and Heavy Duty Tripods are designed to support the larger Fluid Heads in Studio or Outside Broadcast configuration.A special care has been developed in achieving torsional rigidity and positive leg clamp.Each Tripod can be secured either by an integral off mid-level Spreader or by a variety of a ground Spreaders and skids.Using a bowl base converter from 150 mm to flat base, it is possible to mount on this Tripod Studio C40S, Lambda, C60S, Spinhead (all versions) Master MK2 and Maxima Fluid Heads.C20S 150 mm can be mounted straight on the Tripod.When assembled with mid-level spreader, requires pivoting tripod feet.Technical Data Weight: 5 kg Capacity: 150 kg Maximum Height: 163 cm Folded Height: 75 cm Material: Carbon Fiber Number of stages: 2
Bright Tangerine Mini Axl (Sony FX6) The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook. Adds an articulating NATO rail onto the Sony FX6 Top Handle Flexible monitor positioning with drag adjustment Replaces the original Sony FX6 monitor bracket Supports the weight of the FX9 Loupe and maintains horizon level Monitor can be folded & stowed away for transport This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm
Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS SpacerSet up your Sony FX6 with the correct spacing for 15mm LWS accessories when filming in vertical orientation.It combines with the Portrait Plate Adaptor and LeftField Sony FX6 Baseplate. Sets camera to correct height for 15mm LWS accessories Combines with LeftField Sony FX6 15mm LWS Baseplate and Sony FX6 Portrait Adapter Plate (B4004.1016) Securely interlocks with riser, eliminating any play or movement Includes captive ¼” & 3/8” mounting screws Set up your Sony FX6 with the correct spacing for 15mm LWS accessories like a matte box, lens supports and more when filming in vertical orientation.15mm LWS SpacingThe spacer interlocks with the Sony FX6 riser, eliminating any play or movement in the plate. The two captive screws are used to secure the Sony FX6 in portrait orientation using the portrait plate adapter.British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter 15mm LWS Spacer comes with our famous Bright Tangerine Support and the addition of a 5 year warranty.Weight: 0,130 kgDimensions: 3,3 × 8,8 × 1,5 cm
Bright Tangerine Sony FX6 CheeseplateCreate a clean build using a NATO based Cheeseplate on your Sony FX6 to mount your wireless transmitters, audio equipment, cables & more. Multiple 3/8″ & 1/4″ threads for mounting accessories Integrated NATO clamp for fast set up & removal Added cable management with wide slots for bongo ties Plate can be configured in portrait or landscape orientation Lightweight & low profile Keep your camera build clean & simple with the Sony FX6 Cheeseplate. Using the integrated NATO clamp, mount it to the top rail on the top plate to speed up your build time on set.Portrait or Landscape OrientationsThe NATO clamp attaches to the cheeseplate using a 3/8″ Anti-Twist mount. The cheeseplate can be mounted using any of the outer mounting points as required in either landscape or portrait orientation.Easy Accessory MountingWith multiple anti-twist 3/8″ & 1/4″ mounting points, you can attach any type of accessory you like from wireless video transmitters, audio receivers, FIZ controllers & more.The NATO clamp is secured in place using a 4mm Hex key.Extra care comes standardMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. Every Cheeseplate comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.
Bright Tangerine Sony FX6 Portrait Adapter PlateEasily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate.It also adds an extra layer of convenience as a cheeseplate for mounting accessories like wireless video transmitters and more. Right side cheeseplate for your Sony FX6 for secure mounting in vertical orientation. Connects to the Sony FX6 Top Plate Mk II & handgrip mount Provides ¼”, 3/8”, QD socket & ARRI rosette for accessory mounting with helicoiled threads for dovetails & quick release plates. Compatible with B4004.1019 spacer for proper 15mm LWS height Easily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate. It also adds an extra layer of convenience with its double function as a cheeseplate for mounting accessories like wireless video transmitters and more.Accessory MountingThe plate provides a number of threaded ¼” & 3/8” holes on the side and top for mounting accessories. It also features an ARRI standard rosette for hand grips.Two helicoil reinforced threads provide a balanced point for mounting dovetails & quick release plates.Gimbal CompatibleWhen working with gimbals, combine it with the LeftField risers and dovetails for the DJI Ronin 2, RS 3 or Freefly Movi for a seamless quick release system, letting you switch between platforms in seconds.InstallationThe Portrait Adapter Plate attaches to the Sony FX6 Top Plate Mk II (B4004.1018) and is secured to the side using the hand grip mount. This creates a robust connection, keeping the camera secure and steady. The plate is also compatible with Sony FX6 Top Plate Mk I (B4004.1005).15mm LWS SpacingTo achieve proper 15mm LWS height spacing when in portrait mode, combine with the 15mm LWS Spacer (B4004.1019).British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter Plate comes with our famous Bright Tangerine Support and the addition of a 2 year warranty.Weight: 0,197 kgDimensions: 13,5 × 8,5 × 4 cm
Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips. Variable density zones using KASBAH for optimal cushioning & pressure relief Open structure for air flow & allows for heat dissipation & evaporation of sweat Hand grip system for 15mm LWS & 19mm Studio configurations Upper flange encourages a relaxed grip and reduces tension 3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories Milled rosettes offers positive engagement using ARRI standard for maximum compatibility Symmetrical design allows for use on left or right sides Glove-friendly knob for easy adjustments in fast paced settings Precision cut from high-grade aluminium & stainless steel The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm
Freelensing Cine® Full Set is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Full Set includes• Freelensing Cine® Frame • Transport case (e.g., Pelicase with foam insert) • Mount: PL mount (standard) or LPL mount (optional) • Gas springs (2 pieces each): 2kg (blue), 3kg (red), 4kg (black • Extra weights (~250g each) • Tool set: Allen keys, screwdriver, wrenches • U-Frame (position “0” fixation) • Gears: Shift, Swing, Tilt (0.8 MOD, motor-compatible) • 15mm rods & clamps • Support handle • Z-extensions & reducer bushings (19mm ->15mm) • Lens-test / rear-measure tool • Gear reduction kitsCAMERA MOUNTS FOR: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2 MARRIAGE BETWEEN CAMERA and FREELENSING CINE® Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc) WHAT MOVEMENTS DOES FREELENSING CINE® OFFER? Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements
Easyrig MINIMAX lightweight model with new STABIL light arm improves your gimbal work!The new released STABIL Light arm was developed to carry gimbals and cameras between 2 - 7kg.It helps stabilize hand held shots to a certain degree while protecting your back. This allows you to operate the gimbal and camera for a much longer period of time. All new Minimax's are fitted with an updated spring that is made to work more efficiently together with the STABIL Light. It’s smoother and it’s more reliable. The design is based on the original STABIL and has the ability to lock the arm so it functions as a standard Minimax.The STABIL Light is design- and trademark protected. FEATURES STABIL Light arm stabilizes your shots with camera hook improved power pack with payload 2-7kg overload protection system special lightweight vest packed in a comfortable bag designed and made in Sweden EASY-MM100STL comes with a hook to carry the camera EASY-MM100STLQ comes with comfortable Quick-Release Device
Easyrig MINIMAX lightweight model with new STABIL light arm improves your gimbal work!The new released STABIL Light arm was developed to carry gimbals and cameras between 2 - 7kg.It helps stabilize hand held shots to a certain degree while protecting your back. This allows you to operate the gimbal and camera for a much longer period of time. All new Minimax's are fitted with an updated spring that is made to work more efficiently together with the STABIL Light. It’s smoother and it’s more reliable. The design is based on the original STABIL and has the ability to lock the arm so it functions as a standard Minimax.The STABIL Light is design- and trademark protected. FEATURES STABIL Light arm stabilizes your shots with quick-release improved power pack with payload 2-7kg overload protection system special lightweight vest packed in a comfortable bag designed and made in Sweden EASY-MM100STL comes with a hook to carry the camera EASY-MM100STLQ comes with comfortable Quick-Release Device
The Easyrig EasyTilt is an innovative support system designed for filmmakers and videographers who require seamless camera movement without compromising stability or comfort. This advanced tilt mechanism allows you to effortlessly adjust the angle of your camera while maintaining a lightweight setup, making it perfect for dynamic shooting scenarios. The EasyTilt is compatible with various camera rigs, ensuring that you can adapt it to your specific needs, whether you’re shooting documentaries, feature films, or corporate videos.Crafted with high-quality materials, the Easyrig EasyTilt is both durable and lightweight, ensuring that it can withstand the demands of professional use while remaining easy to transport. The adjustable design promotes optimal ergonomics, reducing strain during extended shooting sessions. With the EasyTilt, you can achieve smooth, controlled camera angles that enhance the overall production value of your work, allowing for creative storytelling and fluid cinematography.FeaturesEasy tilt adjustment for dynamic camera movementCompatible with various camera rigsLightweight design for portabilityDurable construction for professional useErgonomic setup reduces user fatigueSmooth operation for enhanced filming qualityQuick installation and adjustmentVersatile for a range of shooting stylesTechnical SpecificationsMaterial: Aluminum and high-strength plasticWeight: 1.5 kgLoad capacity: Up to 15 kgCompatibility: Fits standard camera rigsTilt range: 90 degreesDimensions: 30 cm x 20 cm x 10 cmFinish: Anodized for durabilityUser manual includedDimensions and WeightsWeight: 1.5 kgDimensions: 30 cm x 20 cm x 10 cmMaximum load capacity: 15 kgPackaged weight: 2 kgPackaged dimensions: 35 cm x 25 cm x 15 cmScope of Delivery1x Easyrig EasyTiltUser manual
The Easyrig Cover for Easyrig STABIL Arm is an essential accessory designed to protect your Easyrig STABIL Arm from the rigors of professional filmmaking environments. This durable cover shields the arm from dust, dirt, and scratches, ensuring that your equipment remains in top condition for extended use. Whether you’re on set or in transit, the cover offers reliable protection, preventing wear and tear that can compromise the performance and longevity of your rig.Crafted from high-quality, weather-resistant materials, the Easyrig Cover is both lightweight and easy to attach, providing maximum protection without adding bulk. Its form-fitting design ensures a snug fit around the STABIL Arm, while still allowing for easy access to adjustments and controls. Perfect for filmmakers who want to maintain the quality and performance of their gear, this cover is an investment in the long-term durability of your Easyrig system.FeaturesProtects Easyrig STABIL Arm from dust, dirt, and scratchesLightweight and durable design for ease of useWeather-resistant materials for outdoor shooting conditionsSnug, form-fitting cover for optimal protectionEasy to attach and remove for quick adjustmentsExtends the lifespan of your Easyrig STABIL ArmIdeal for professional filmmakers and frequent travelersMaintains the performance and appearance of your rigTechnical SpecificationsCompatible with Easyrig STABIL ArmMaterial: high-quality weather-resistant fabricColor: BlackWeight: 0.3 kgEasy to clean and maintainFits securely with adjustable strapsDesigned for long-term protectionDimensions and WeightsWeight: 0.3 kgDimensions: 30 cm x 15 cm x 10 cmPackaged weight: 0.5 kgPackaged dimensions: 35 cm x 20 cm x 15 cmScope of DeliveryEasyrig Cover for Easyrig STABIL ArmUser manual
OConnor precision with flowtech speed.The Oconnor Ultimate 1040 flowtech100 system brings together the precision ultra-smooth fluid camera movement that has made OConnor heads the cinematography industry standard together with the award-winning speed, agility and stability of the flowtech tripod system.The unique OConnor edition of the carbon fibre flowtech®100 tripod provides camera operators with an incredibly fast, lightweight and easy-to-setup camera support with revolutionary quick release brakes and rubber feet for speed with stability.The tripod is perfectly complemented by the Ultimate 1040 fluid head that delivers a continuous, ultra-smooth pan and tilt fluid drag system for ultimate control and stability together with OConnor’s unrivalled Sinusoidal Counterbalance system for true, accurate balance at any point in the tilt range and counterbalance down to zero for perfect balance no matter the payload. Made with high-performance magnesium, and aluminium alloys with stainless steel and genuine carbon fibre finishing, the Ultimate 1040 head is built to deliver consistent results on the most demanding sets.One of the most versatile camera support systems available - able to support payloads from 0 to 45lbs (20kg) at 5” (15cm) centre of gravity and a +/- 90 tilt range - the Ultimate 1040 flowtech100 System is the perfect camera support system for cinematographers who need to move from heavier to lighter payload camera setups without compromise.System includes 1040 Fluid Head Package: C1265-0001 flowtech® 100 Tripod & Feet: C1266-0002 Handle: S2051-1061 Case: C1254-0001
Join the tripod revolution with the OConnor edition of the award winning flowtech100. The unique carbon fibre flowtech100 tripod provides cinematographers with an incredibly fast, lightweight and easy-to-setup camera support with revolutionary quick release brakes and rubber feet for speed with stability. With a 100mm bowl, the OConnor flowtech100 is able to support a payload of up to 30kg (66lb).Deploy and adjust your tripod in an instant: Unique quick release brakes - Easy to transport and exceptional torsional stiffness: Ergonomic carbon fibre leg design - Capture extremely low and high shots: Versatile hinge lock mechanism - Fast and stable setup in narrow spaces or on uneven terrain: Unique carbon fibre mid-level spreader - Superior performance and reliability: Extensive endurance and environmental testing Features Type: 2-Stage Tripod Material: Carbon Fiber Capacity: 66 lbs. (30 kg) Weight 7.01 lbs (3.2 kg) tripod only Maximum Height: 60.2 in. (153 cm) spreaderless mode Minimum Height: 10.2 in. (26 cm) spreaderless mode Top Casting: 3x 3/8" thread, 100mm bowl Collapsed Length: 29.9 in. (76 cm) System includes: flowtech® 100 tripod Set of 3 Rubber feet Attachment mount
OConnor Ultimate 1040 Fluid Head Package. OConnor Ultimate 1040 Fluid HeadThe Ultimate 1040 fluid head brings the same quality build and precision movement found the larger OConnor 2575 and 2065 heads to enable cinematographers easily move from heavier to lighter payload camera setups without compromise.Features of the lightweight yet sturdy fluid head include a stepless, ultra-smooth pan and tilt fluid drag custom designed to provide ultimate control and stability, as well as the OConnor Sinusoidal Counterbalance system that provides true, accurate balance at any point in the tilt range. Providing perfect balance even for lighter-weight cameras with counterbalancing down to zero, the Ultimate 1040 head is made with high-performance magnesium, and aluminium alloys with stainless steel and genuine carbon fibre finishing, to deliver consistent results on the most demanding sets. For camera operators, making the change to smaller, lighter cameras while retaining quality has never been easier. And most importantly, the famous OConnor feel, remains the same regardless of...Features Greater head capacity than 1030 with 0-45lbs (20kg) payload Same OConnor ‘feel the difference’ drag feel as bigger heads with continuous adjustment (not stepped!) Same accessory options as larger OConnor heads OConnor sinusoidal balance mech with widest balance range (down to zero) with near zero balance error Flowtech®®100 2-stage 100 mm lightweight carbon fibre tripod with unique quick release brakes for instant and easy deployment Large Euro ‘Touch and go’ plate 12" Pan Handle with 30° Bend 11.5" Pan Handle Extension +/- 90° Tilt Range Smooth, Stepless & widest range Pan & Tilt Drag Counterbalance Sinusoidal Full 180° tilt range from zero to max payload 100mm Ball Base Optionally Interchangeable to 150mm, Mitchell, 4 bolt, 3 bolt or quickfix. Specification 1040 Fluid Head 100mm Ball Payload 0-20kg/ 0-45 lb at 127mm/ 5inches Included in box 1x Ultimate 1040 1x Large Euro Quick Release with CameraPlate (1030-268) 1x Pan handlefor 1030 range (1030-246) 1x Pan handle extension (2575-135) 1x 100mm Ball Base (08365) 1x 100mm FT Tiedown (S2052-1100)
OR-2020 Rigalto Backpack System RIGALTO was developed as the ideal solution to securely carry and operate the Sony VENICE camera together with the „Rialto“ tethered extension system by using a MiniMax support arm. The spacious Rigalto light weight universal cheese plate system mounts to all standard industry camera plates including ARRI dovetail, Sony VCT-14, and others. The big cheese plate comes with clamps for exclusive use with the Easyrig MiniMax camera support system (not included) and is also compatible to mount further accessories like Noga arms and more. PRE ORDERS ARE WELCOME, expected to be available in September 2020. FEATURES • Unique padded backpack system for maximum comfort.• Universal cheese plate system mounts to all standard industry camera plates.• Incorporates mounting for the Easyrig MiniMax camera support system.• Sturdy travel bag with backpack & shoulder strap for easy carrying.• Supports a variety of monitor sizes, cables, V-mount or AB battery adaptors.
The xBONE is a back mount adjustable arm, that is mounted on vests that allows this type of configuration. It basically allows the operator a great array of different positions for their socket block to be mounted, to increase range of motion and give better clearance between the operator and the arm. The possibility to precisely position the arm mounting point opens up for new ways of shooting. The xBONE package contains everything needed for various operators and body sizes. It includes three mounts for various vests and a hard mount, a back bone that can slide sideways on the mounts, and three different sections in various lengths and a socket block xy (roll/tilt) stage. The three vests mounts are for Fawcetts Exovest made by Tiffen international ltd, the Walter Klassen FX back mount vest and the (now discontinued product) Action Products Vest. The mount for fixed hard mount, consisting of two 48-52mm clamps that are easy to re-arrange in various positions depending on need. The xBONEs three different sections are adjustable in four different angles and together with the adjustable back bone bar this gives the operator a wide range of possible socket-block-to-arm connection positions. The xBONE can be configured to retract the socket-block-to-arm connection position further back than ordinary, something that can be useful in certain shots that require the sled to be offset to the “wrong” operating position. The xBONE also provides better clearance in between the arm and the sled due to different positioning of the stabilizer arm connection to the socket block. It is configured so that it can perfectly fit any operator size and at the same time have the socket block connection to their arm at a preferred position. The xBONE also have a fully adjustable xy socket block stage that has a adjustable knob tilt, and the usual roll adjustment by two knobs. The roll adjustment with the xBONE socket block has a larger degree adjustment than ordinary socket blocks.
OConnor's 60L is a lighter weight, speedy setup tripod with a Mitchell top or 150 mm bowl, making it the ideal choice for professional cinematographers who require a flexible shooting package for larger cameras.The 60L weighs just 9 lbs (4.1 kg) and has a double extension design that is safe and stable carrying payloads of up to 209 lbs (95 kg), even at its maximum height of 60.6" (154 cm). Despite its generous height range it folds down to a mere 29.9" (76 cm). The smart quick clamping system includes visible tripod clamp lockdown and this is coupled with a pre-set mid-level spreader to ensure secure, easy deployment in every situation. Removable rubber feet expose spikes for optimal traction and payload safety on a variety of surfaces. SPECIFICATIONS Type: 2-Stage TripodMaterial: Carbon FiberCapacity: 209 lbs. (95 kg)Weight: 9 lbs (4.1 kg) tripod onlyMaximum Height: 60.6 in. (154 cm)Minimum Height: 22.8 in. (58 cm)Top Casting: Mitchell or 150mm bowlCollapsed Length: 29.9 in. (76 cm)Includes: Mid-Leg spreader, Set of 3 Rubber feet
The CINE HD tripod is the perfect choice for heavy payloads that must be supported in a safe and reliable manner. SPECIFICATIONS Material: AluminiumCapacity: 309 lbs. (140 kg)Weight: 29.3 lbs. (13.3 kg) (with Spreader)Maximum Height: 69.2 in. (175.8 cm)Minimum Height: 33.6 in. (85.3 cm)Top Casting: Mitchell or 150 mmCollapsed Length: 240.4 in. (103 cm)Collapsed Width: 11.1 in. (28.2 cm)Includes: (spreader sold seperately)
OConnor's new 30L tripod system features an expanded payload range in a lightweight package that makes it the perfect companion for the new 1030D and 1030Ds Ultimate Fluid Heads.At just 8.8 lbs (4 kg) the 30L's double extension design ensures it can safely and stably carry payloads of up to 209 lbs (95 kg) even at its maximum height of 63.4" (161 cm). And the 30L is versatile. Despite its generous height range, it folds down to a mere 29.5” (75 cm) for convenient travel. A smart quick clamping system offers secure and visible tripod lockdown. The system's integral spreader system offers easy trouble-free security. Removable rubber feet expose spikes for optimal traction and payload safety on a variety of surfaces. SPECIFICATIONS Type: 2-Stage TripodMaterial: Carbon FiberCapacity: 209 lbs. (95 kg)Weight8.8 lbs: (4 kg) tripod onlyMaximum Height: 61.8 in. (157 cm)Minimum Height: 22 in. (56 cm)Top Casting: 100 mm Ball BaseCollapsed Length: 29.5 in. (75 cm)Includes: Mid-Leg spreader, Set of 3 Rubber feet
Sachtler System Cine 30 carbon fibre with Fluid Head, EFP 2 MCF Tripod , Mid-Level Spreader & Cover The Sachtler Cine 30 HD is a reliable and flexible solution for daily film and HD use. Thanks to the Snap & Go side-loading mechanism, heavy camera packages can be mounted quickly without compromising safety and still allowing the plate to slide to adjust balance. This makes it quick and easy to prepare a shot, no matter how many accessories are weighing down your camera.The head features two payload ranges, from 3 – 30 kg and 8 – 35 kg for optimal versatility. Once you are balanced, the 18-step counterbalance ensures you can be sure your camera is always securely fastened and you won’t suffer any unforeseen tips. Frictionless leak proof fluid damping with seven levels of drag for smooth panning also means that your tilts and pans are always seamless. SPECIFICATIONS Weight: 12.20 kgTemperature range: -40 to 60 °CSliding range: 150 mmInterface Compatibility: SideloadBowl size: 150 mmMaterial: Carbon FibreTransport length: 950 mmTripod stages: 2Payload: 3 to 35 kgTilt range: 90° to -75°Height with spreader: 0.77 to 1.73 mSpreader type: Mid-level spreaderCounterbalance: 18 counterbalance steps + Boost ButtonDrag: 7 + 0 horizontal and vertical grades of drag