The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
Lightweight Camera Support for Maximum Agility The Easyrig Vario 6 is the next evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Building on the legacy of the Vario 5, the Vario 6 is 20% lighter while maintaining the durability and reliability professionals demand. Designed for cameras weighing between 4–14 kg (9–31 lbs), it allows operators to move freely and focus on capturing perfect shots without fatigue. Images by Easyrig The Easyrig Vario 6 is the latest evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Ten years after the launch of the popular Vario 5, Easyrig has developed a lighter, more nimble version to meet the demands of today’s filmmaking environments. The Vario 6 is 20% lighter than the Vario 5, while still maintaining the durability and reliability that professionals expect. Designed for cameras weighing between 4–14 kg (9–31 lbs), it is perfectly suited for modern setups, from compact digital cinema cameras to fully rigged handheld systems. For reference, an ARRI ALEXA 35 Xtreme weighs about 5 kg with a prime lens, battery, and accessories, while a Sony VENICE 2 in a similar configuration comes in at around 6 kg. With its sleek new design and a completely redesigned power pack mechanism, the Vario 6 allows users to adjust the tension of the suspension line themselves — even while wearing the rig. Simply turn the knob on the back to perfectly match the support to your camera package, ensuring comfort and control without assistance. The Easyrig Vario 6 is fully compatible with all previous Easyrig vests, making it easy to upgrade an existing system. Operators only need to purchase the support bar to retrofit, and any Easyrig upper arm can also be attached. Despite these upgrades, the Vario 6 does not replace the Easyrig Vario 5, as both serve different purposes within the Easyrig lineup. Whether you’re shooting handheld, tracking fast action, or working in tight spaces, the Vario 6 provides smooth, balanced support throughout your production day. Each standard package includes a support bar, camera hook or quick release, breathable vest, height adjustment, power pack, tension knob, adjustable vest stabilizer, manual, and transport bag — everything required for immediate professional use. Handmade in Sweden using high-quality local components, the Easyrig Vario 6 has been rigorously stress-tested by professionals to withstand the toughest conditions. Available worldwide from October 2025, it is engineered to last your entire filmmaking career. Versatile, durable, and built for comfort, the Easyrig Vario 6 is the ideal solution for filmmakers seeking a lightweight yet robust support system for medium-sized camera setups. Features – Easyrig Vario 6 Lightweight support system, 20% lighter than Vario 5 Adjustable tension for 4–14 kg (9–31 lbs) camera setups Ergonomic, sleek design for maximum comfort Retrofits onto all previous Easyrig vests Easy-to-use tension adjustment knob Compatible with all cameras featuring a handle Quick release option available without extra charge Handmade in Sweden High-quality local components Support bar included Camera hook included Vest with breathable material Height adjustment system Adjustable vest stabilizer Durable power pack mechanism Transport bag included Easy assembly and setup Tested by professional ambassadors Designed for long-term durability Smooth weight distribution reduces fatigue Technical Specifications Load range: 4–14 kg (9–31 lbs) Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable tension knob Height adjustment: integrated Vest stabilizer: adjustable Camera hook / Quick release included Handmade assembly Power pack with new mechanism Compatible with all previous Easyrig vests Breathable vest material Ergonomic support bar design Retrofits to existing setups Smooth operation under load Tested for professional use Durable and lightweight materials Easy to clean and maintain Transport bag dimensions: compact and travel-friendly Supports medium-sized cameras Dimensions and Weight Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable vest and support bar: fits a wide range of body sizes Compact transport dimensions
Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame • Mount: PL mount (standard) or LPL mount (optional) • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2 MARRIAGE BETWEEN CAMERA and FREELENSING CINE® Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc) WHAT MOVEMENTS DOES FREELENSING CINE® OFFER? Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements
The Easyrig Boom Rig is a specialized support system designed specifically for sound engineers and boom operators, providing a lightweight and ergonomic solution for long and demanding shoots. Drawing from Easyrig's 30 years of expertise in weight distribution, the Boom Rig is crafted to relieve the strain on shoulders, arms, and back by transferring the weight of the boom pole directly to the operator’s hips through a comfortable vest. This innovative approach not only prevents fatigue and potential injury but also allows the operator the freedom to focus on precise audio capture without discomfort.With adjustable weight capacity between 2.5-10 kg, the Easyrig Boom Rig can accommodate various boom pole setups, making it ideal for a wide range of production types including drama, documentaries, and commercials. The system supports high and low-angle operations, enabling flexibility in capturing sound in different environments and setups. Additionally, the Boom Rig includes a unique side hook that secures the boom pole, allowing the user to free both hands when needed.The Boom Rig’s user-friendly design makes it easy to set up in under a minute. Attachments for a mixer on the vest's front provide convenient access while distributing additional weight to the hips. The included backpack-style transport bag ensures ease of portability. With its robust, comfortable build and practical features, the Easyrig Boom Rig empowers sound professionals to work longer and with greater efficiency, improving overall audio performance on set.Features Easyrig Boom RigDesigned specifically for sound engineers and boom operatorsDistributes boom pole weight to hips, relieving shoulder and back strainSupports boom pole weights from 2.5-10 kg with adjustable tension knobCompatible with all boom poles through a versatile hook system with rollersHigh and low-angle operation for diverse shooting environmentsFront attachment for a mixer, allowing hands-free accessQuick and easy setup in under a minutePortable design with a backpack-style transport bagTechnical SpecificationsWeight capacity range: 2.5-10 kgHook with rollers for easy boom pole movementHeight and power adjustments on the support barVest with breathable, ergonomic materialsSide hook to secure boom pole for hands-free useCompatible with standard audio mixer setupsQuick setup time of approximately one minuteTransport bag with backpack functionalityDimensions and WeightWeight (without accessories): approx. 2.2 kgAdjustable height range: 100-150 cmBackpack dimensions: 55 x 40 x 25 cmIn the Box1 x Vest with breathable material1 x Boom hook with rollers1 x Upper support bar1 x Mixer holder1 x Side hook1 x Strap for securing boom hook1 x User manual1 x Transport bag (usable as a backpack)
The Flowcine xMOUNT is a highly versatile, professional-grade accessory designed to securely mount your camera or gimbal system on vehicles, dollies, or rigs. This innovative mounting solution is built for filmmakers who demand stability, flexibility, and ease of use during dynamic shooting environments. Whether you're filming high-speed car chases or need precise camera positioning on complex setups, the xMOUNT ensures your gear remains stable and safe even under challenging conditions.Made from durable materials, the Flowcine xMOUNT features a robust suction cup system that provides exceptional grip on smooth surfaces like cars, windows, or any glass structure. It is specifically engineered to reduce vibrations and deliver smooth, stable footage, regardless of the terrain. With adjustable mounting arms, the xMOUNT allows for multiple configurations, giving filmmakers the creative freedom to achieve any angle or camera position without compromising safety or stability.With the Flowcine xMOUNT, filmmakers have a reliable, professional solution that can withstand the rigors of demanding shoots. It is compatible with various gimbal systems and cameras, making it an indispensable tool for both independent and professional filmmakers seeking enhanced control over their camera setup.Features Flowcine xMOUNTVersatile mounting system for vehicles, dollies, and rigsStrong suction cup with superior grip on smooth surfacesReduces vibrations for stable footage in dynamic environmentsAdjustable mounting arms for customizable configurationsCompatible with a variety of gimbals and camera systemsBuilt with high-quality, durable materials for professional useSimple installation process for fast setups on setIdeal for high-speed or complex camera movementsTechnical SpecificationsMaximum load capacity: 15 kgAdjustable mounting angles: 360 degreesSuction cup diameter: 15 cmMaterial: High-grade aluminum and stainless steelVibration damping technology for stable footageCompatible with most camera and gimbal systemsQuick-release mechanism for easy camera detachmentDimensions and WeightWeight: 2.5 kgDimensions: 40 cm x 25 cm x 20 cmPackage Contents1x Flowcine xMOUNT2x Adjustable mounting arms1x Suction cup system1x Quick-release mechanism1x Instruction manual
The DWARF Connection DC.CLICK Quick Release Tilt Head is a robust and user-friendly mounting solution designed for professional on-set monitors. Crafted in Austria with meticulous attention to detail, this tilt head is constructed entirely from high-grade 7075 aluminum, ensuring exceptional durability and reliability in demanding production environments. Its intuitive design and precision engineering make it an indispensable tool for filmmakers, videographers, and content creators who demand seamless monitor positioning and rock-solid stability. Featuring a universal quick-release plate, the DC.CLICK is compatible with most monitor cages available on the market, including the DWARF Connection DC.GO Cage. This versatility allows for quick and easy attachment and detachment of your monitor, streamlining your workflow and saving valuable time on set. The tilt head's smooth tilting action, combined with predefined hard stops and adjustable friction, provides precise control over your monitor's angle, ensuring optimal viewing in any situation. Whether you're working on a C-stand or using a 3/8-inch threaded stud, the DC.CLICK delivers unwavering support and stability. The DC.CLICK also incorporates a spring-loaded locking pin, allowing for effortless tilting and secure locking of your chosen angle. This innovative feature enables quick adjustments on the fly, ensuring your monitor is always perfectly positioned for optimal viewing. The robust construction and thoughtful design of the DC.CLICK make it a reliable and essential addition to any professional camera setup. Features - DWARF Connection DC.CLICK Universal quick-release plate compatible with most monitor cages Constructed from high-grade 7075 aluminum for exceptional durability Made in Austria with precision engineering Predefined hard stops and adjustable friction for precise tilt control Spring-loaded locking pin for secure angle adjustments Compatible with 16mm C-stand pins and 3/8-inch threaded studs Seamless integration with the DWARF Connection DC.GO Cage Technical Specifications Material: 7075 Aluminum Mounting: 16mm C-Stand Pin, 3/8-inch Threaded Stud Compatibility: Universal Quick Release Plate (most monitor cages) Tilt Range: Full Tilt with Hard Stops Locking Mechanism: Spring-loaded Locking Pin Finish: Anodized Dimensions (Insert specific dimensions here - e.g., Height: X cm, Width: Y cm, Depth: Z cm) Weights (Insert specific weight here - e.g., Weight: X g/kg) In the Box 1x DWARF Connection DC.CLICK Quick Release Tilt Head 1x Universal Quick Release Plate
The Upgrade Innovations Double 6″ Rudy Arm is a highly versatile and robust articulating arm designed for professional camera setups. This double-arm configuration offers enhanced reach and flexibility compared to single-arm systems, making it ideal for mounting multiple accessories or for situations requiring greater extension. Featuring industry-standard Arri 3/8″ pin-loc, Arri 1/4″ pin-loc, and SmallHD 1/4″ pin-loc mounting options, the Double 6″ Rudy Arm provides broad compatibility with a wide range of monitors, recorders, lights, and other essential equipment. With three independent locking pivot points, this arm provides precise control over accessory positioning, allowing for fine-tuned adjustments and secure locking. The two 6″ length 15mm rods offer a total reach of 13″ (33cm), enabling complex rigging configurations. The included Arri and SmallHD pin-loc 15mm mounting spuds ensure a solid and stable connection to various accessories. Pairing the Arri 3/8″ pin-loc spud with Arri patterned Wedgie2 and LNKCINE accessories enables quick-release mounting for rapid setup and teardown on set. Constructed from premium 6061 aircraft aluminum, with Mil-Spec anodizing and stainless steel hardware, the Double 6″ Rudy Arm is built for durability and long-lasting performance in demanding professional environments. The unique O-ring design allows for easy modification of the arm's configuration by adding or removing sections, providing ultimate customization. The system is interchangeable with other Rudy Arm components and 15mm accessories, creating endless build possibilities. Made in Canada and NAFTA/CETA qualified, this arm reflects a commitment to quality and craftsmanship. Features of the Upgrade Innovations Double 6″ Rudy Arm Arri 3/8″, Arri 1/4″, and SmallHD 1/4″ pin-loc mounting options Three independent locking pivot points for precise positioning Two 6″ length 15mm rods (13" total reach) Solid mounting with included Arri and SmallHD pin-loc 15mm mounting spuds Compatible with Arri patterned Wedgie2 and LNKCINE for quick release Unique O-ring design for customizable configuration Supports up to 6.8kg / 15lbs Technical Specifications Total Reach: 33cm / 13″ Rod Length: 6″ (x2) Mounting Options: Arri 3/8″ pin-loc, Arri 1/4″ pin-loc, SmallHD 1/4″ pin-loc Material: 6061 aircraft aluminum Finish: Mil-Spec anodizing Hardware: Stainless steel Weight Capacity: 6.8kg / 15lbs Dimensions and Weight Weight: 0.36kg / 0.79 lbs In the Box 2x 15mm 3/8 Threaded Rod – 6″ Length 2x 15mm Pivot Clamp Ball-Loc with Adjustable Lever 1x 15mm Pivot Clamp Friction-Loc with Adjustable Lever 1x Arri 3/8″ Pin-Loc 15mm Spud – 2.9″ 1x Arri 1/4″ Pin-Loc 15mm Spud – 2.5″ 1x SmallHD 1/4″ Pin-Loc 15mm Spud – 2.5″ O-Ring Kit
The Upgrade Innovations Single 8″ Rudy Arm – Arri 3/8 to Arri 3/8 is a robust and versatile articulating arm designed for professional camera setups. This arm is specifically designed for users requiring Arri 3/8″ pin-loc connections on both ends, providing a secure and stable mounting solution for various accessories like monitors, recorders, lights, and more. With its 8″ length and two independent locking pivot points, it offers precise positioning and reliable support for equipment weighing up to 9kg (20lbs). This Rudy Arm features solid mounting on both ends thanks to the included Arri 3/8″ 15mm mounting spuds, preventing unwanted loosening of mounted accessories during operation. Its compatibility with Arri patterned Wedgie2 and LNKCINE accessories enables quick-release mounting options, further enhancing workflow efficiency on set. The unique O-ring design allows for easy modification of the arm's length and configuration by adding or removing sections, providing ultimate customization for various shooting scenarios. Built with premium 6061 aircraft aluminum, Mil-Spec anodizing, and stainless steel hardware, the Single 8″ Rudy Arm is designed for durability and long-lasting performance in demanding professional environments. Its modular design allows for seamless integration with other Rudy Arm components and 15mm accessories, creating endless build possibilities. Made in Canada and NAFTA/CETA qualified, this arm reflects a commitment to quality craftsmanship and reliable performance. Features of the Upgrade Innovations Single 8″ Rudy Arm – Arri 3/8 to Arri 3/8 Arri 3/8″ pin-loc mounting on both ends Two independent locking pivot points for precise positioning 8″ length 15mm rod Solid mounting with Arri 3/8″ 15mm mounting spuds Compatible with Arri patterned Wedgie2 and LNKCINE for quick release Unique O-ring design for customizable length Supports up to 9kg / 20lbs Technical Specifications Total Reach: 25cm / 10″ Rod Length: 8″ Mounting: Arri 3/8″ pin-loc on both ends Material: 6061 aircraft aluminum Finish: Mil-Spec anodizing Hardware: Stainless steel Weight Capacity: 9kg / 20lbs Dimensions and Weight Weight: 0.3kg / 0.66 lbs In the Box 1x 15mm 3/8 Threaded Rod – 8″ Length 1x 15mm Pivot Clamp Ball-Loc with Adjustable Lever 1x 15mm Pivot Clamp Friction-Loc with Adjustable Lever 2x Arri 3/8″ Pin-Loc 15mm Spud – 2.9″ 1x Arri 3/8″ Pin-Loc Pattern 15mm Spud – 2.9″ O-Ring Kit
The Single 8″ Rudy Arm from Upgrade Innovations is a versatile and robust mounting solution designed for professional filmmakers and camera operators. This arm offers secure and adaptable mounting options for monitors, recorders, lights, and other accessories, enhancing workflow efficiency on set. Featuring industry-standard Arri 3/8″, Arri 1/4″, and SmallHD 1/4″ pin-loc mounting options, the Rudy Arm provides broad compatibility with a wide range of equipment. Its intelligent design and high-quality construction make it a reliable tool for demanding productions. With two independent locking pivot points, the 8″ Rudy Arm allows for precise positioning and secure locking of mounted accessories. The 8″ length 15mm rod provides ample reach and flexibility, while the included Arri and SmallHD pin-loc 15mm mounting spuds ensure a solid and stable connection. The ability to pair the Arri 3/8″ pin-loc spud with Arri patterned Wedgie2 and LNKCINE accessories further expands mounting possibilities and enables quick release setups. The arm's unique O-ring design allows for easy addition or removal of arm sections, providing customizable length and configuration. Constructed from premium 6061 aircraft aluminum with Mil-Spec anodizing and stainless steel hardware, the Single 8″ Rudy Arm is built for durability and long-lasting performance. Supporting up to 9kg/20lbs, it can handle a wide range of professional accessories. The arm’s modular design, combined with its strong construction, makes it an essential tool for any camera rig. Manufactured in Canada and NAFTA/CETA qualified, the Rudy Arm represents a commitment to quality and craftsmanship. Features of the Upgrade Innovations Single 8″ Rudy Arm Industry-standard Arri 3/8″, Arri 1/4″, and SmallHD 1/4″ pin-loc mounting options Two independent locking pivot points for precise positioning 8″ length 15mm rod for ample reach Includes Arri and SmallHD pin-loc 15mm mounting spuds Compatible with Arri patterned Wedgie2 and LNKCINE for quick release mounting Unique O-ring design for customizable arm length and configuration Supports up to 9kg/20lbs Technical Specifications Total Reach: 25cm / 10″ Rod Length: 8″ Mounting Options: Arri 3/8″ pin-loc, Arri 1/4″ pin-loc, SmallHD 1/4″ pin-loc Material: 6061 aircraft aluminum Finish: Mil-Spec anodizing Hardware: Stainless steel Weight Capacity: 9kg / 20lbs Dimensions and Weight Weight: 0.3kg / 0.66 lbs In the Box 1x 15mm 3/8 Threaded Rod – 8″ Length 1x 15mm Pivot Clamp Ball-Loc with Adjustable Lever 1x 15mm Pivot Clamp Friction-Loc with Adjustable Lever 1x Arri 3/8″ Pin-Loc 15mm Spud – 2.9″ 1x Arri 1/4″ Pin-Loc 15mm Spud – 2.5″ 1x SmallHD 1/4″ Pin-Loc 15mm Spud – 2.5″ O-Ring Kit
About the OCONNOR Ultimate 2575E Platinum Edition Celebrating 75 years of innovation, OConnor presents the Ultimate 2575E Platinum Edition, an evolution of the industry-standard fluid head. This edition builds upon the legacy of the original 2575E, renowned for its reliability and performance in cinematic productions. The Platinum Edition enhances this classic with modern features and design elements, ensuring it remains the top choice for demanding professionals. It offers unparalleled control and stability for a wide range of camera setups and shooting styles. The 2575E Platinum Edition incorporates OConnor’s patented sinusoidal counterbalance system, providing true and accurate balance throughout the entire tilt range. This system works in conjunction with OConnor’s signature stepless, ultra-smooth pan and tilt fluid drag, granting operators ultimate control and stability for capturing smooth, cinematic movements. The fluid head allows for seamless transitions from rapid whip pans to delicate long lens framing, ensuring every shot is executed with precision. The Platinum Edition introduces enhancements like a stainless steel center lock and a new platform release mechanism for improved ease of use and security. Beyond its core functionality, the Platinum Edition boasts several key upgrades that enhance the user experience. A lightweight carbon fiber cover replaces the traditional plastic component, contributing to the head's overall lightweight design. Improved level bubble illumination ensures easy viewing in any lighting condition, while a clear Mitchell key position marker streamlines setup times. With a fresh gray colorway and black detailing, the 2575E Platinum Edition not only performs exceptionally but also looks the part. Its robust magnesium housing ensures best-in-class performance, power-to-weight ratio, and long-term reliability. Features of the OCONNOR Ultimate 2575E Platinum Edition Patented sinusoidal counterbalance system Stepless, ultra-smooth pan and tilt fluid drag Stainless steel center lock New platform release mechanism for single-handed operation Lightweight carbon fiber cover Improved level bubble illumination Clear Mitchell key position marker Fresh gray colorway with black detailing Technical Specifications Payload Range: 0 – 105 lbs (0 – 47.7 kg) at 6” center of gravity Capacity @ 4 in. (102 mm): 133 lbs. (60.5 kg) Capacity @ 8 in. (203 mm): 87 lbs. (39.5 kg) Tilt: +90° / -90° Platform options: OConnor Plate, 120mm Euro Plate, Arri style Dovetail Plate (Quick release with 120mm Euro Plate included in package C1275-0001) Handle options: 30˚, large 30˚, front (30° with extension included in package C1275-0001) Dimensions and Weight Height: 8.4 in. (21.3 cm) Width: 12.4 in. (31.5 cm) Depth: 8.6 in. (21.8 cm) Weight: 24 lb. (10.9 kg) (Head only) / 30 lb. (13.6 kg) (Package) In the Box (C1275-0001 Package) 1x OCONNOR Ultimate 2575E Platinum Edition Fluid Head Quick release with 120mm Euro Plate 30° Handle with extension Mitchell and 150mm bases with tiedown
About the Cartoni Red Lock 100 Tripod The Cartoni Red Lock 100 Tripod redefines entry-level professional camera support, offering exceptional performance and reliability at an accessible price point. Designed for the demands of today's dynamic camera operators, whether in photography or videography, this tripod provides a smooth, fast, and versatile solution for capturing stable and professional-grade footage and images. It's the perfect companion for those seeking a balance of quality, durability, and affordability. Stability is paramount in any shooting scenario, and the Red Lock 100 delivers precisely that. Constructed with high-quality telescopic aluminum tubes, this tripod offers a robust foundation for your camera setup. The two-stage leg design, coupled with two positive position locks, allows for superfast deployment and secure height adjustments. This ensures quick setup times on location and prevents unwanted slippage or movement during critical shots. The available 100mm bowl provides compatibility with a wide range of professional video heads. Built with Cartoni's renowned commitment to quality, the Red Lock 100 is designed for long-lasting performance. The combination of rugged materials and a versatile design makes it suitable for various shooting environments. Its superior quality-to-price ratio positions it as the best affordable support option for professionals and aspiring filmmakers alike. For added stability and adaptability, the tripod can be further enhanced with a built-in smart spreader and pivoting rubber feet, making it suitable for both indoor and outdoor use on uneven terrain. Features of the Cartoni Red Lock 100 Tripod Professional-grade performance at an entry-level price Designed for photo and video professionals Smooth, fast, and versatile support solution High-quality telescopic aluminum tubes for robust stability Two-stage superfast deployment with two positive position locks for quick setup Rugged and versatile design suitable for various shooting environments Excellent quality-to-price ratio for exceptional value Available with a 100mm bowl for compatibility with various video heads Technical Specifications Bowl Diameter: 100mm Capacity: 60 kg / 132 lbs Minimum Height: 52 cm / 20" Maximum Height: 153 cm / 60" Folded Height: 76 cm / 30" Material: Aluminum Number of stages: 2 Dimensions and Weight Weight: 3.0 kg / 7 lbs In the Box 1x Cartoni Red Lock 100 Tripod
Sony Rack Mounting Bracket for PVM-X2400 Rack-mounting bracket for PVM-X2400 24-inch 4K HDR TRIMASTER high-grade picture monitor The PVMK-RX24 is a rack-mounting bracket specifically designed for mounting the PVM-X2400 high-grade picture monitor directly onto a 19-inch EIA-standard rack. Secure mounting in 19-inch EIA standard rack 9U-height design* for easy monitoring in operations rooms and machine rooms. *The maximum width of the PVM-X2400 is 22.36 in. When you install multiple racks in parallel, more than 22.44 in of width is required as an installation space for each rack. The PVMK-RX24 has a function to project the monitor forward from the left and right mounting surfaces of a rack, as there are various cosmetic designs of 19" EIA-standard racks on the market. The depths of the projection are selectable from 0.39 in, 0.91 in, 1.42 in and 2.72 in.
Sachtler Cine 20 Fluid Head The Sachtler Cine 20 fluid head is perfect for cinematographers working with lighter Cine camera rigs. Featuring a payload range of 2-22 kg (4-48 lb), this head supports both compact and medium-sized Cine cameras, adapting seamlessly to your on-set needs. The Sideload platform simplifies the mounting and dismounting of accessorised cameras, while SpeedBalance technology allows for fast balancing of the wide payload range. Seven-step drag settings give the freedom to move creatively or with smooth precision, and a rosette allows the use of a front pan bar to deliver extra control. With a 100mm bowl, the compact Cine 20 can be combined with a choice of Sachtler carbon fibre tripods, including the award-winning flowtech100. Elevate your cinematography with precision and agility. FeaturesSmallest fluid head in the Sachtler Cine SeriesSupports camera setups from 2 – 22 kg (4 – 48 lb)SpeedBalance: 16 steps with boost button7 steps of pan and tilt dragSideload platformFront pan bar rosette In The BoxCine 20 fluid head including 1 telescopic pan bar HD, right (3370) Specs
Sachtler Cine 30 Fluid Head The Sachtler Cine 30 is the reliable and flexible solution for daily Cine use. Its Sideload platform allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. With a payload range that spans from 3 kg to 32 kg (7 to 71 lb), the Cine 30 offers optimal versatility for diverse shooting scenarios. SpeedBalance technology with 18 counterbalance steps ensures your camera is quickly balanced and consistently supported at any angle. The frictionless fluid drag with seven levels of drag guarantees smooth and seamless pans, and a rosette allows the use of a front pan bar to deliver extra control. Crafted with precision engineering and robust materials, the lightweight Cine 30 is built to withstand the rigours of Cine production. Customise your camera position with an ARRI compatible camera plate and front box mounting points. Take your daily set life to the next level with a fluid head that seamlessly combines reliability and adaptability. FeaturesVersatile fluid head in the Sachtler Cine SeriesSupports camera setups from 3 – 32 kg (7 – 71 lb)SpeedBalance: 18 steps with boost button7 steps of pan and tilt dragSideload platformFront pan bar rosette In The BoxCine 30 fluid head including 1 telescopic pan bar HD, right (3370) Specs
Sachtler Cine 50 Fluid Head When super smooth movements are non-negotiable, the Sachtler Cine 50 rises to the occasion. The smallest and lightest in its class with an operating temperature range of -40˚C to +60˚C (-40° to 140°F), this fluid head supports up to an impressive 50 kg payload, making it the go-to choice for cinematographers facing the toughest conditions. Counterbalance with 18-steps ensures your camera is quickly balanced and consistently supported at any angle, while the Sideload platform ensures simple and secure setup for accessorised Cine cameras. Customise your camera position with an ARRI compatible camera plate and front box mounting points. Crafted with precision engineering and robust materials, the Cine 50 is built to withstand the rigours of Cine production. The frictionless fluid drag with nine levels of drag guarantees smooth and seamless pans, and a rosette allows the use of a front pan bar to deliver extra control. Unleash unparalleled smoothness in every shot, regardless of the size of your rig. FeaturesLargest fluid head in the Sachtler Cine SeriesSupports camera setups from 10 – 50 kg (22 – 110 lb)18 steps of counterbalance9 steps of pan and tilt dragSideload platformFront pan bar rosette In The BoxCine 50 fluid head including 1 telescopic pan bar Movie, right (3170) Specs
Cartoni Focus 12 SDS Carbon Tripod SystemThe Focus 12 SDS Carbon System Tripod system includes: Focus 12 fluid head, SDS Carbon Fiber tripod, Smart Lock mid-level spreader, set of rubber feet & carrying bagExtremely lightweight, compact, and fast to deploy the Focus 12 SDS System supports camera set-ups of up to 12 kg / 26 lbs.Ideally suited for run-and-gun shooters using midweight digital cinema and news cameras with very few accessories, seeking premium supports at a fair price point.The Focus 12 fluid head features patented technology in both counterbalance and fluid drag systems, the tilt angle is +/- 90 °, the bowl diameter 100mm, the temperature range is -40°/+60° Celsius, an illuminated bubble level and the fixing camera sliding plate is equipped with a Euro-style quick release system.The SDS tripod is the fastest one-lever two-stage tripod on the market. Covered by three patents the SDS tripod offers an unprecedented ease of deployment and versatility. The smart lock spreader with the innovative “no-bind” design allows super low angles with uncompromised stability. Features Weight: 6.9 kg Capacity: 12 kg Minimum Height: 65 cm Maximum Height: 176 cm Material: Carbon Fiber Number of stages: 2 Spreader: Smart Lock Mid-level
FEATURES Needed to put the Hudson Spider Slider to Monitor Stands Need two stand (vor example MSE or Kupo) to support the Slider TECH SPECS Length: 4" / 10,16 cm Diameter: 1.125" / 2,85 cm (Junio Pin) Thread - Female 3/8” 16tpi
Bowl Adapters for Slider - 75mm, 100mm and 150mm ball head. FEATURES G-SSBA75: Bowl Adapter for 75mm ball head G-SSBA100: Bowl Adapter for 100mm ball head G-SSBA150: Bowl Adapter for 150mm ball head
Keep all your cables clearf of the Slider´s moving parts.
2' and 4' slider combined in one Slider - unlimited and free your camera movements!Also with U-Bangi function! FEATURES No need for end supports in 4'-Slider mode, freeing up you dolly to do dolly thinks, like move 1/2 the size of other 4' sliders. Both upper and lower slides fitted with independent bearings, compunding overall slide length. Replaces 2', 2' and 4' sliders Use to use as an U-Bangi Slider Built for full size camera packages Rotating base with cross roller bearings, eliminating the need for clunky rotating offsets. Ultra quiet movement TECH SPECS Heigh: 6" / 15,24cm Length: 29" / 73,66cm Width: 9.5" / 24,13cm Weight: 46.4lbs / 21,05kg Capacity: 15 - 100lbs / 6.8 - 45,4kg Mitchell mount (for now!) Ball Mount 150mm and 100mm coming soon In the Box: Slider Waterproof road case with custom high-density foam insert Toolset Low mode accessoriesOutrigger x2Leveling bipod x2 Choose Mitchell or Euro Mount as base *Solid base required for use without outrigger support.**Junior To 3/8 Thereaded Adapter to mount on slider stands not included / sold seperately* #G-SSEUM Euro Mount Adapter for Slider available to purchase seperately.
The Focus 18 SDS Carbon System includes: Focus 18 fluid head, SDS Carbon Fiber tripod, Smart Lock mid-level spreader, set of rubber feet and carrying bag.Extremely lightweight, compact, and fast to deploy the Focus 18 SDS System supports camera set-ups of up to 18 kg / 40 lbs.Ideally suited for documentary and broadcast professionals using midweight digital cinema and broadcast cameras with fully equipped accessories, seeking premium supports at a fair price point.The Focus 18 fluid head features patented technology in both counterbalance and fluid drag systems, the tilt angle is +/- 90 °, the bowl diameter 100mm, the temperature range is -40°/+60° Celsius, an illuminated bubble level and the fixing camera sliding plate is equipped with a Euro-style quick release system.The SDS tripod is the fastest one-lever two-stage tripod on the market. Covered by three patents the SDS tripod offers an unprecedented ease of deployment and versatility. The Smart Lock spreader with the innovative “no-bind” design allows super low angles with uncompromised stability.
The Maxima 30 is the ultimate Cartoni fluid head for Digital Cinematography with mid-weight camera packages.The Maxima series is designed by and for cinematographers. Patented drag and balance systems provide a feel that has raised the industry standard on what is expected in a fluid head.User controls located and designed for total comfort allow operators to rapidly fine tune head performance by feel. The patented continuous fluid drag system performs from almost freewheeling to an exceptionally consistent drag for maximum versatility and flawless diagonal shots. The large sliding camera plate is compatible with Arri, Sony and O’Connor slides.The fluid movements in both Pan & Tilt are exceptionally smooth with that progression going from almost freewheeling to an extremely consistent maximum drag, the starts and stops are extraordinarily precise. The famed “wing” counterbalance will assists any Camera payload from 3 (7 lbs) to 30 kg (66 lbs) with a perfect response throughout the entire +/- 90 ° range and can reach up to 40 kg (88 lbs) at 100mm CG. The Maxima 30 includes all the advantages of the famed Cartoni Maxima Fluid Head line, but in a more compact size at a reduced weight of 10,5 kg (23 lbs). For ease of use a digital read out indicates counterbalance, Pan & Tilt fluid settings at a glance and the bubble level is illuminated. To make the Maxima 30 completely user friendly, the Pan & Tilt brakes are conveniently placed on the left side of the head as the camera plate latch, which can be activated with one hand both to disengage the new safety lock and free the camera plate completely. The camera plate stage accepts all industry standard plates as ARRI, RED, etc. with a sliding run of 140mm clearly referenced by a scale; It also features 4 rosettes attachment for Pan bars and the standard configuration comes with right telescopic pan bar and a left front pan handle. Front box attachment and eyepiece extension holders are optional. The head comes with a telescopic pan bar and a short front pan bar. With the classic Mitchell base the Maxima 30 interfaces with all flat base Mitchel tripods and platforms.
This Studio Minibaby Carbon Tripod with 150 mm bowl base is for Studio cameras.Using a bowl base converter from 150 mm to flat base, it is possible to mount on this Tripod Studio also C40S, Lambda, C60S, Spinhead (all versions) Master MK2 and Maxima Fluid Heads.C20S 150 mm can be mounted straight on the Tripod.Technical Data Weight: 3.5 kg Capacity: 150 kg Maximum Height: 45 cm Folded Height: 35 cm Material: Carbon Fiber Number of stages: 1
The totally new Sport 200 Black Tripod is a new entry in the Cartoni tripod family, the ideal for videographers shooting sports in all possible large camera/lens configuration.The SPORT 200 offers an outstanding torsional rigidity and its innovative and new design aluminum profile angled and shaped to ensure maximum strength, holding up to 200 Kg (441 lbs) load while weighing only 10,5 kg (23 lbs).A special attention has been devoted to materials of this HDT, enduring harsh weather conditions, rain, dust, moisture and extreme temperatures.The center brace drives a telescopic mid-level spreader for a truss structure stable in any environment.Set up is fast and comfortable, each leg has an engraved second stage, positive rotary locking knobs and safety pins while the bubble level is located on the side of the platform.The upper stage accepts classic Mitchell flat base heads and the 4 standard Vinten bolts.The feet incorporate a stainless steel spike for soft terrains and a pivoting rubber pad for flat surfaces.The SPORT 200 HDT tripod is compatible with the Cartoni HD Dolly and HD floor spreader.Technical Data Weight: 10.5 kg Capacity: 200 kg Minimum Height: 57 cm Maximum Height: 115 cm Folded Height: 72 cm Material: Aluminum Number of stages: 1
The Master 25 fluid head is designed to support the latest cameras complete with long lens, viewfinders, prompters and pan bar controls for new studio production as well as OB/ENG/EFP applications, robust yet lightweight with a payload capacity of up to 30 kg (66 lbs).A lightweight fluid head at 4.4 kg (11 lbs) the Master 25 features a tilt range of +/-90° and easy to use rings which allow the camera operator or grip to preselect the continuously adjustable fluid drag and counterbalance on a numerical scale from 0 to 10. Both the pan and tilt brake levers are easy to reach, and the Head features a convenient horizontal lock for setup. With a 150 mm bowl, it offers a wide and stable base on tripods or hi-hats. The Head base includes 4 bolt threads for direct interface to most of the Pedestals. Additionally, the Camera platform is equipped with a sliding Camera plate, compatible with competitor gear as the Vinten Vision 250, with standard 11 cm plate or 22 cm extra-long plate for balancing off-set Camera configurations. The Master 25 is the ultimate premium do-it-all competitively priced Head, with a combination of perfect balance and a super-smooth, continuously variable patented fluid drag on pan and tilt modes, perfectly suited for the camera operators needs. That means the Head can precisely track slow moving objects and whip pan in an instant.It comes with a single telescopic pan bar, while the second is optional. The new base interfaces directly with 150mm tripods and to Pedestals via the standard Vinten 4 bolts. The tie down shaft can be easily removed with 14mm wrench from the 3/8” thread to interface with many popular pedestals and sliders, ideal for rental houses and broadcast production environments that employ a variety of camera and support systems.