Balanced Cinematic Mid Perspective Lens The Sigma 40mm T2.5 FF Classic Art Prime is a highly versatile mid-range focal length designed to bridge the gap between wide and standard perspectives. It delivers a natural yet slightly compressed cinematic look, making it one of the most adaptable lenses in the lineup. The 40mm field of view is widely favored for dialogue-heavy scenes, handheld cinematography, and controlled narrative staging, where spatial realism and subject focus must coexist. The Classic Art optical design introduces reduced contrast, enhanced flare response, and subtle halation, producing a more atmospheric and emotionally expressive image compared to modern high-contrast cine lenses. The fast T2.5 aperture enables strong low-light performance and shallow depth of field, while maintaining excellent subject separation without excessive compression. Optically, the lens delivers high resolution across the full frame with controlled aberrations and consistent color reproduction across the Sigma Classic Art Prime series. Focus breathing is minimized for stable focus transitions. Mechanically, it follows full cine standards with 0.8 MOD gearing, robust metal construction, and precise long-throw focus mechanics for professional use. Features – Sigma 40mm T2.5 FF Classic Art Prime • Full-frame mid-range cinematic prime • Classic Art organic rendering style • Reduced contrast optical tuning • Enhanced flare and atmospheric bloom • T2.5 fast aperture • Natural-compressed perspective balance • High-resolution full-frame performance • Controlled distortion character • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • VFX-ready optical behavior • Engraved precision scales Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 40mm • Maximum aperture: T2.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.40 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Image circle: full-frame optimized Dimensions & Weight • Length: approx. 123–160 mm • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm

Classic Natural Storytelling Lens The Sigma 35mm T2.5 FF Classic Art Prime is a core storytelling focal length designed for natural, immersive cinematography with a distinctly organic rendering character. It represents one of the most versatile lenses in the Classic Art Prime lineup, widely used in narrative filmmaking, commercials, and documentary production. The 35mm field of view delivers a balanced perspective between subject intimacy and environmental context, making it a primary choice for dialogue scenes and handheld cinematography. The Classic Art optical tuning introduces reduced contrast, enhanced flare behavior, and subtle halation, resulting in a more atmospheric and filmic image response compared to modern clinically corrected cine optics. Despite its character-driven design, the lens maintains high-resolution performance suitable for modern full-frame cinema sensors and high-end VFX workflows. Focus breathing is carefully controlled for stable framing during focus pulls. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, long focus rotation, and robust all-metal construction. It integrates seamlessly into professional production environments and maintains consistency across the Sigma Classic Art Prime series. Features – Sigma 35mm T2.5 FF Classic Art Prime • Full-frame standard cinematic prime • Classic Art organic rendering profile • Reduced contrast optical tuning • Enhanced flare and halation characteristics •  T2.5 fast aperture • Natural storytelling perspective • High-resolution 6K–8K imaging • Controlled distortion character • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • VFX-compatible optical design • Engraved precision focus scales Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 35mm • Maximum aperture: T2.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.30 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Image circle: full-frame optimized Dimensions & Weight • Length: approx. 87–121 mm • Weight: approx. 1.0–1.2 kg • Front diameter: 95 mm

Versatile Cinematic Character Wide Lens The Sigma 28mm T2.5 FF Classic Art Prime is a versatile wide-angle full-frame cinema lens designed for immersive storytelling with a strong organic character profile. It is one of the most flexible focal lengths in the Classic Art lineup. The optical tuning introduces reduced contrast, enhanced flare behavior, and subtle halation, producing a distinctly cinematic and emotionally expressive image. The T2.5 aperture enables strong low-light performance and shallow depth of field even in wide-angle compositions, allowing controlled subject separation. Optically, the lens maintains high resolution while emphasizing character over clinical neutrality. Focus breathing is minimized for stable cinematic operation. Mechanically, it follows full cine standards with 0.8 MOD gearing, metal construction, and 95mm front diameter for consistent rig integration. Features – Sigma 28mm T2.5 FF Classic Art Prime • Full-frame wide cinematic prime • Classic Art rendering style • Reduced contrast optical tuning • Enhanced flare characteristics • T2.5 fast aperture • Versatile storytelling focal length • Controlled distortion character • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • High-resolution imaging • VFX-compatible optics • Engraved focus scales Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 28mm • Maximum aperture: T2.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Rendering: cinematic low contrast Dimensions & Weight • Length: approx. 105–125 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Natural Wide Cinematic Character Lens The Sigma 24mm T2.5 FF Classic Art Prime is a natural wide-angle full-frame cinema lens designed for organic, emotionally expressive cinematography. It combines a natural perspective with a subtle analog-inspired rendering character. The Classic Art tuning introduces reduced contrast, enhanced flare behavior, and gentle halation, creating a softer and more filmic image response. This makes it highly suitable for narrative storytelling, commercials, and artistic filmmaking. The T2.5 aperture allows strong low-light performance and shallow depth of field control, even in wide-angle compositions, enabling cinematic separation of subject and environment. Optically, the lens maintains high resolution while prioritizing character over clinical precision. Focus breathing is controlled for stable framing during focus pulls. Mechanically, it follows full cine standards with 0.8 MOD gearing, robust metal housing, and a 95mm front diameter for professional rig compatibility. Features – Sigma 24mm T2.5 FF Classic Art Prime • Full-frame wide cinematic prime • Classic Art organic rendering profile • Reduced contrast image tuning • Enhanced flare and halation • T2.5 fast aperture • Natural wide perspective • Controlled optical character design • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • High-resolution imaging • VFX-friendly optical behavior • Engraved focus scales Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 24mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Rendering: low contrast cinematic look Dimensions & Weight • Length: approx. 110–130 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Wide Atmospheric Character Lens The Sigma 20mm T2.5 FF Classic Art Prime is a wide-angle full-frame cinema lens designed for expressive, atmospheric imaging with a distinctly analog-inspired character. It belongs to Sigma’s Classic Art Prime philosophy, which prioritizes emotional rendering, organic texture, and controlled optical imperfections over clinical precision. The 20mm focal length provides a wide but controlled field of view, making it ideal for narrative filmmaking, immersive environments, night scenes, and stylized commercial work. It retains spatial depth while allowing strong subject separation through its fast T2.5 aperture. The optical design introduces a deliberate reduction in contrast and a refined flare behavior, producing a softer, more cinematic image response. This enhances mood and atmosphere, especially in backlit or high-contrast scenes. Despite its character-driven tuning, the lens maintains high-resolution performance suitable for modern full-frame cinema sensors. Edge-to-edge sharpness remains strong, while controlled aberrations contribute to its signature look. Mechanically, it follows full cine standards with 0.8 MOD gearing, 95mm front diameter, and robust all-metal construction. It integrates seamlessly into professional production environments and maintains consistency within the Classic Art Prime series. Features – Sigma 20mm T2.5 FF Classic Art Prime • Full-frame wide cinematic prime • Classic Art organic rendering style • Reduced contrast optical tuning • Enhanced flare and bloom characteristics • T2.5 fast aperture • High-resolution full-frame performance • Controlled cinematic distortion character • Minimal focus breathing • Standard 0.8 MOD cine gears • Full metal cine housing • Consistent Classic Art look • VFX-friendly wide-angle imaging • Engraved focus scales • Atmospheric cinematic rendering Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 20mm • Maximum aperture: T2.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Rendering: low contrast cinematic character Dimensions & Weight • Length: approx. 120–135 mm • Weight: approx. 1.1–1.4 kg • Front diameter: 95 mm

Extreme Ultra Wide Character Cinema Lens The Sigma 14mm T3.2 FF Classic Art Prime is an extreme ultra-wide full-frame cinema lens designed for expressive, character-driven imaging with a distinctly cinematic aesthetic. As part of Sigma’s Classic Art Prime philosophy, it prioritizes emotional rendering, atmospheric texture, and controlled optical imperfections over clinical neutrality. The 14mm focal length delivers an expansive field of view ideal for immersive storytelling, architecture, landscapes, VFX plates, and stylized commercial production. It captures large spatial environments while maintaining a strong sense of depth and dimensionality. Unlike modern ultra-corrected optics, the Classic Art design introduces a controlled reduction in contrast and a more organic flare behavior. This results in a softer, more filmic image response with enhanced atmospheric perception, particularly in backlit or high-contrast environments. Despite its character-focused tuning, the lens maintains high-resolution performance suitable for modern full-frame cinema sensors. Edge-to-edge sharpness remains strong, while controlled aberrations contribute to its distinctive visual signature. Focus breathing is carefully managed, ensuring stable framing during focus pulls, even in dynamic wide-angle compositions. The lens integrates seamlessly into professional workflows requiring both VFX compatibility and stylized cinematography. Mechanically, it follows full cine standards with 0.8 MOD gearing, 95mm front diameter, and robust all-metal construction. It is fully compatible with professional rigs and maintains consistency within the Sigma Classic Art Prime lineup. Features – Sigma 14mm T3.2 FF Classic Art Prime • Full-frame extreme ultra wide cine prime • Classic Art optical rendering with organic character • Controlled reduced-contrast image response • Enhanced flare and atmospheric bloom • T3.2 constant aperture • High-resolution full-frame coverage • Cinematic distortion with controlled character • Minimal focus breathing • Standard 0.8 MOD cine gear system • Full metal professional cine housing • Consistent Sigma Classic Art look • VFX and narrative hybrid workflow compatible • Engraved precision focus scales • Lightweight ultra wide cine design Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 14mm • Maximum aperture: T3.2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Image rendering: low contrast cinematic character Dimensions & Weight • Length: approx. 111.5 mm • Weight: approx. 1.4 kg • Front diameter: 95 mm

Long Tele Cinematic Prime The Sigma 135mm T2 FF Cine Prime is a long telephoto full-frame lens designed for extreme subject isolation, strong cinematic compression, and precise framing control. It is widely used in narrative filmmaking, sports-style cinematography, and controlled studio productions. The T2 aperture provides strong depth of field control while maintaining high optical performance across the frame. It enables expressive separation between subject and background with a pronounced cinematic look. Optically, the lens delivers high resolution, strong contrast, and controlled aberrations, even at long focal distances. Focus breathing is minimized to ensure stable framing during focus pulls. The lens integrates seamlessly into the Sigma FF High Speed Prime series, maintaining consistent color rendering and mechanical behavior across all focal lengths. Mechanically, it features full cine-standard construction with 0.8 MOD gearing, long focus throw for precise adjustments, and robust metal housing designed for professional use. Features – Sigma 135mm T2 FF • Full-frame long telephoto cine prime • T2 fast aperture • Strong cinematic compression • Extreme subject isolation • High optical resolution • Controlled aberrations • Minimal focus breathing • Standard cine 0.8 MOD gears • Very long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX compatible optics • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 135mm • Maximum aperture: T2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 1.2 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 130–160 mm • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm

Cinematic Portrait Prime The Sigma 85mm T1.5 FF Cine Prime is a classic telephoto portrait lens designed for strong subject isolation, emotional storytelling, and cinematic compression. It is widely used in narrative filmmaking, commercial production, and high-end interview setups. The T1.5 aperture enables extremely shallow depth of field and strong background separation, producing a highly cinematic visual style with smooth bokeh and natural falloff. Optically, the lens delivers high resolution, excellent contrast, and controlled aberrations across the full frame. Focus breathing is minimized, ensuring stable framing during focus pulls. The lens maintains consistent color and mechanical alignment with the Sigma FF cine series, ensuring seamless integration in multi-lens workflows. Mechanically, it features full cine-standard construction, including 0.8 MOD gearing, long focus throw for precision, and robust all-metal housing for demanding production environments. Features – Sigma 85mm T1.5 FF • Full-frame telephoto cine prime • T1.5 fast aperture • Strong subject isolation • Cinematic portrait rendering • High optical resolution • Smooth bokeh quality • Minimal focus breathing • Standard cine 0.8 MOD gears • Long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX optimized optics • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 85mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.85 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 110–140 mm • Weight: approx. 1.4–1.7 kg • Front diameter: 95 mm

Medium Telephoto Cinematic Expression Prime The Sigma 65mm T1.5 FF Cine Prime is a medium telephoto full-frame lens designed for controlled subject isolation and cinematic compression. It occupies a key position between standard and longer telephoto focal lengths, making it ideal for dialogue scenes, portraits, and emotional storytelling. The T1.5 aperture enables strong depth separation and excellent low-light performance, allowing cinematographers to maintain shallow depth of field even in controlled studio environments or night shoots. Optically, the lens delivers high resolution, smooth tonal transitions, and natural color reproduction. Focus breathing is minimized to ensure stable framing during focus pulls, which is critical in narrative cinematography. The lens maintains consistent rendering with the Sigma FF High Speed Prime series, ensuring seamless matching across focal lengths. Mechanically, it follows full cine standards with 0.8 MOD gearing, long focus throw, and robust metal construction designed for professional production environments. Features – Sigma 65mm T1.5 FF • Full-frame medium telephoto cine prime • T1.5 fast aperture • Strong subject separation • Cinematic compression rendering • High optical resolution • Smooth bokeh characteristics • Minimal focus breathing • Standard cine 0.8 MOD gears • Long focus rotation throw • Full metal housing • Consistent Sigma color science • VFX compatible optics • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 65mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.62 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 100–130 mm • Weight: approx. 1.3–1.6 kg • Front diameter: 95 mm

Standard Reference Cinematic Prime The Sigma 50mm T1.5 FF Cine Prime is a standard reference focal length in the FF High Speed Prime lineup, designed to replicate a natural human perspective with cinematic depth and clarity. It is one of the most commonly used lenses in narrative filmmaking, commercials, and studio productions. The T1.5 aperture delivers strong low-light capability and enables shallow depth of field with smooth bokeh, making it ideal for portrait-oriented cinematography and controlled lighting environments. Optically, the lens offers high sharpness, natural color rendering, and well-controlled distortion. It maintains consistent performance across the frame and matches seamlessly with the rest of the Sigma cine lineup. Focus breathing is minimized for stable composition during focus pulls, supporting precise narrative work. The lens is optimized for modern high-resolution cinema sensors up to 8K. Mechanically, the cine housing features standardized 0.8 MOD gears, long focus throw for precision work, and durable all-metal construction suitable for demanding production environments. Features – Sigma 50mm T1.5 FF • Full-frame standard cine prime • T1.5 fast aperture • Natural human-eye perspective • High optical sharpness • Smooth cinematic bokeh • Minimal focus breathing • Standard 0.8 MOD gears • Long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX-ready optical performance • Lightweight cine design • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 50mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.40 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 94–128 mm (mount dependent) • Weight: approx. 1.2–1.4 kg • Front diameter: 95 mm

Natural Perspective Cinematic Workhorse Prime The Sigma 40mm T1.5 FF Cine Prime is a highly versatile full-frame lens positioned between standard and slightly compressed perspectives, making it one of the most balanced focal lengths in the FF High Speed Prime lineup. It is widely used for narrative filmmaking, commercial production, and documentary work where a natural but slightly cinematic field of view is required. The T1.5 aperture provides strong low-light performance and excellent control over depth of field, allowing cinematographers to isolate subjects while maintaining environmental context. This makes the 40mm a flexible “in-between” lens for both dialogue-driven scenes and dynamic handheld shooting. Optically, the lens delivers high resolution with excellent contrast and controlled aberrations across the full frame. Color reproduction is consistent with the entire Sigma FF cine series, ensuring seamless matching across focal lengths. Focus breathing is minimized, supporting stable framing during focus pulls. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, long and precise focus rotation, and robust all-metal construction. It integrates seamlessly into professional rigs, studio setups, and motorized lens control systems. Features – Sigma 40mm T1.5 FF • Full-frame standard cinematic prime • T1.5 fast aperture for low-light performance • Natural slightly compressed perspective • High optical resolution for 6K–8K workflows • Controlled distortion and aberration • Minimal focus breathing • Standard 0.8 MOD cine gearing • Long focus rotation throw • Smooth manual focus control • Full metal cine housing • Consistent Sigma FF color science • Lightweight cine design • VFX-friendly optical performance • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 40mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.40 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 123–157 mm (mount dependent) • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm

Classic Cinematic Storytelling Prime The Sigma 35mm T1.5 FF Cine Prime is one of the most essential storytelling focal lengths in modern cinematography. It offers a natural yet immersive perspective, making it a standard tool for narrative film, commercial production, and documentary work. The T1.5 aperture enables strong low-light capability and cinematic depth separation. Optically, the lens delivers high sharpness, neutral color rendering, and controlled distortion. Focus breathing is minimized for stable framing during focus pulls. Mechanically, it features full cine-standard construction with 0.8 MOD gearing and robust metal housing for professional workflows. Features – Sigma 35mm T1.5 FF • Full-frame standard cine prime • T1.5 fast aperture • Natural cinematic perspective • High optical sharpness • Controlled distortion • Minimal focus breathing • Cine 0.8 MOD gears • Smooth focus control • Full metal construction • Consistent color science • Lightweight design • VFX optimized • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 35mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.3 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 100–120 mm • Weight: approx. 0.9–1.2 kg • Front diameter: 95 mm

Versatile Cinematic Wide Prime The Sigma 28mm T1.5 FF Cine Prime offers a slightly tighter wide-angle perspective, making it one of the most versatile storytelling lenses in the full-frame cine lineup. It is widely used for dialogue scenes, handheld cinematography, and immersive environmental storytelling. The fast T1.5 aperture enables strong low-light performance and controlled depth of field, supporting cinematic separation between subject and environment. Optically, the lens delivers balanced sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized for stable cinematic focus transitions. The cine housing is fully standardized with 0.8 MOD gearing and robust metal construction, ensuring compatibility with professional rigs and lens control systems. Features – Sigma 28mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Versatile storytelling focal length • Natural perspective rendering • High optical sharpness • Minimal focus breathing • Cine 0.8 MOD gears • Smooth focus control • Full metal construction • Consistent color science • Lightweight design • VFX compatible • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 28mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 105–125 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Natural Wide Cinematic Standard Prime The Sigma 24mm T1.5 FF Cine Prime is a natural wide-angle full-frame cinema lens designed for balanced perspective rendering and versatile production use. It is a core focal length for narrative filmmaking, commercials, and documentary production. The T1.5 aperture enables strong low-light performance and cinematic depth control, making it suitable for both controlled studio environments and available-light shooting. Optically, the lens provides high resolution, neutral color reproduction, and controlled distortion. Focus breathing is minimized for consistent cinematic focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, smooth manual focus rotation, and robust all-metal construction. Features – Sigma 24mm T1.5 FF • Full-frame standard wide cine prime • T1.5 fast aperture • Natural perspective rendering • High optical sharpness • Controlled distortion • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth focus mechanics • Full metal housing • Consistent color science • Lightweight cine design • VFX optimized • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 24mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 110–130 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Fast Wide-Angle Cinematic Prime The Sigma 20mm T1.5 FF Cine Prime is a fast ultra-wide full-frame lens designed for immersive storytelling with strong environmental context and expressive spatial depth. It is widely used in narrative filmmaking, commercials, and documentary production. The T1.5 aperture provides exceptional low-light capability and shallow depth of field for a wide-angle lens class, enabling cinematic separation even in complex environments. Optically, the lens delivers high sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized, ensuring stable framing during focus pulls. The cine housing is fully standardized with 0.8 MOD gearing, smooth manual controls, and robust metal construction for professional use. Features – Sigma 20mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Strong low-light performance • Controlled distortion design • High sharpness optics • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth manual focus • Full metal construction • Consistent color rendering • VFX optimized optics • Lightweight cine design • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 20mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 115–135 mm • Weight: approx. 1.1–1.4 kg • Front diameter: 95 mm

Extreme Ultra Wide Cinematic Perspective The Sigma 14mm T2 FF Cine Prime delivers an extreme ultra-wide full-frame perspective designed for immersive cinematic environments, architectural imaging, VFX-heavy productions, and stylized storytelling. It captures vast spatial information while maintaining controlled optical performance. Despite its extreme field of view, the lens maintains strong edge-to-edge sharpness and controlled distortion, ensuring professional image integrity even in demanding digital cinema workflows. The T2 aperture enables low-light shooting and creative depth control, which is uncommon in ultra-wide focal lengths. This makes it highly valuable for night scenes, interior environments, and dynamic action setups. Optically, chromatic aberration is tightly controlled, and contrast remains stable across the frame. Focus breathing is minimized to ensure consistent composition during focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, robust metal construction, and smooth manual focus operation. It integrates seamlessly into professional rigs, stabilizers, and VFX pipelines. Features – Sigma 14mm T2 FF • Full-frame ultra wide cine prime • Extreme 14mm field of view • T2 fast aperture • Controlled distortion optics • High edge-to-edge sharpness • Minimal focus breathing • Standard 0.8 MOD cine gears • Smooth manual focus control • Full metal cine housing • Consistent color science • Optimized for VFX workflows • High resolution sensor compatibility • Lightweight cine design • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 14mm • Maximum aperture: T2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 120–140 mm • Weight: approx. 1.1–1.3 kg • Front diameter: 95 mm

Ultimate Telephoto Cinematic Depth Control The Sigma 105mm T1.5 FF Cine Prime is a high-speed full-frame telephoto lens designed for maximum subject isolation, controlled compression, and expressive cinematic depth. It is a key tool for narrative filmmaking, commercial productions, and controlled studio environments where precise framing and emotional focus are essential. With its fast T1.5 aperture, the lens enables strong separation between subject and background, creating a highly cinematic look with smooth bokeh and natural falloff. It is particularly effective for portrait-oriented cinematography, dialogue scenes, and close-up storytelling. Optically, the lens delivers high resolution across the frame with excellent contrast and minimal chromatic aberration. The telephoto compression is rendered naturally, avoiding harsh rendering while maintaining clarity and detail even at wide open apertures. Focus breathing is tightly controlled, ensuring stable framing during focus pulls. This is critical for narrative productions where precision and continuity are required. The lens maintains consistent color reproduction and optical character aligned with the Sigma FF High Speed Prime series. Mechanically, the cine housing follows full industry standards with 0.8 MOD gearing, long focus rotation for precision pulling, and robust all-metal construction. It integrates seamlessly into professional rigs, studio setups, and motorized lens control systems. Features – Sigma 105mm T1.5 FF • Full-frame telephoto cine prime • Fast T1.5 aperture for shallow depth of field • Strong subject isolation and compression • High optical resolution across frame • Minimal chromatic aberration • Controlled focus breathing • Standard 0.8 MOD cine gears • Long focus rotation throw • Smooth manual focus control • Full metal cine construction • Consistent Sigma FF color science • Optimized for portrait cinematography • High contrast rendering • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 105mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.95 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 150–170 mm • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm

Fast Mid-Range Cinematic Zoom The Sigma 28-45mm T2 Cine Zoom is a fast, mid-range Super 35 cinema zoom designed for productions requiring high optical performance and maximum flexibility in a compact form factor. It covers the most frequently used framing range in narrative filmmaking, making it a core tool for handheld, studio, and gimbal-based workflows. With its constant T2 aperture, the lens delivers strong low-light performance and consistent exposure across the zoom range. This allows cinematographers to work confidently in changing lighting environments without adjustments during zoom transitions. The optical design prioritizes sharpness, contrast, and natural color reproduction while minimizing distortion and chromatic aberration. Focus breathing is carefully controlled to maintain cinematic consistency during focus pulls. Mechanically, the lens features full cine-standard construction with 0.8 MOD gears, smooth manual focus rotation, and durable all-metal housing. It integrates seamlessly into professional production environments and supports both manual and motorized lens control systems. As part of Sigma’s cine lineup, the 28-45mm T2 maintains consistent color rendering and mechanical layout across the system, ensuring fast and efficient lens changes in multi-lens workflows. Its combination of speed, compactness, and optical quality makes it particularly suitable for high-end commercial, narrative, and broadcast production environments. Features – Sigma 28-45mm T2 Cine Zoom • Super 35 mid-range cine zoom (28–45mm) • Fast constant T2 aperture • Optimized for low-light cinematography • Parfocal optical design for stable focus • High-resolution optical performance • Minimal focus breathing • Standard 0.8 MOD cine gearing • Smooth manual focus and iris control • Compact cine zoom design • Full metal professional construction • Multi-layer anti-reflective coatings • Consistent Sigma cine color science • Ideal for handheld and gimbal use • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-45mm T2 Cine Zoom • Focal length: 28–45mm • Maximum aperture: T2 constant • Format coverage: Super 35 • Optical design: high-speed cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.3 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 180–200 mm • Weight: approx. 1.3–1.6 kg • Front diameter: 95 mm

Extended Range Cinematic Workhorse The Sigma 28-105mm T3 Cine Zoom is designed as a highly versatile all-round production lens for Super 35 cinematography. Covering a broad focal range from wide-angle to medium telephoto, it is engineered to reduce lens changes and streamline on-set workflows, making it ideal for documentary, broadcast, and commercial productions. The T3 aperture provides a balance between optical performance, size, and flexibility, ensuring consistent exposure control across the zoom range. This makes it particularly effective for productions where lighting conditions vary and adaptability is critical. Optically, the lens delivers strong resolution and natural color rendering with controlled distortion throughout the zoom range. Focus breathing is minimized to support cinematic focus pulls, while maintaining stable framing during focus transitions. The cine housing follows industry standards with robust mechanical construction, precise 0.8 MOD gearing, and smooth manual controls for focus, iris, and zoom. It integrates seamlessly with professional cine rigs, shoulder setups, and studio configurations. As part of Sigma’s cine ecosystem, the 28-105mm T3 maintains consistent color science and mechanical alignment with other lenses in the lineup, ensuring fast lens swaps without recalibration. This lens is particularly suited for productions that require a single-lens solution covering a wide range of shooting scenarios without sacrificing image quality or operational precision. Features – Sigma 28-105mm T3 Cine Zoom • Super 35 extended-range cine zoom (28–105mm) • Constant T3 aperture across zoom range • Wide-to-telephoto all-in-one production lens • Parfocal optical design for stable focus • Controlled focus breathing for cinematic use • High-resolution optical performance • Standard 0.8 MOD cine gear system • Smooth manual focus and iris operation • Robust full-metal cine construction • Multi-layer optical coatings • Consistent Sigma cine color science • Optimized for documentary and broadcast use • Reduced need for lens changes on set • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-105mm T3 Cine Zoom • Focal length: 28–105mm • Maximum aperture: T3 constant • Format coverage: Super 35 • Optical design: extended-range cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.6 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 240–260 mm • Weight: approx. 1.8–2.2 kg • Front diameter: 95 mm

Versatile Wide-to-Standard Cinematic Precision The Sigma 24-35mm T2.2 Cine Zoom is a compact wide-to-standard zoom designed for Super 35 cinematic productions that require flexibility without compromising optical quality. Based on Sigma’s acclaimed optical design philosophy, this lens delivers consistent sharpness, natural color reproduction, and controlled optical characteristics across the entire zoom range. Covering the most commonly used wide-to-medium framing range in narrative and commercial filmmaking, the lens reduces the need for frequent lens changes on set. This increases workflow efficiency, especially in dynamic shooting environments such as handheld, documentary, and multi-camera productions. The constant T2.2 aperture ensures reliable exposure control across the zoom range, enabling cinematographers to maintain consistent lighting setups without adjustment. Combined with a parfocal optical design, focus remains stable during zooming, supporting precise and repeatable camera work. Optically, the lens provides high resolution imaging with excellent contrast and controlled distortion. Chromatic aberration is minimized, ensuring clean edges and natural rendering even in high-resolution workflows. Mechanically, the cine housing follows industry standards with 0.8 MOD gears, smooth manual focus rotation, and robust all-metal construction. It integrates seamlessly into professional rigs, follow focus systems, and motorized lens control setups. As part of Sigma’s cine lens ecosystem, the 24-35mm T2.2 matches color science and mechanical positioning across the lineup, enabling fast lens swaps without recalibration of accessories. Features – Sigma 24-35mm T2.2 Cine Zoom • Super 35 wide-to-standard cine zoom (24–35mm) • Constant T2.2 aperture across zoom range • Parfocal optical design for stable focus during zoom • High-resolution optical performance for 4K+ workflows • Low chromatic aberration and controlled distortion • Minimal focus breathing for cinematic transitions • Standard 0.8 MOD cine gear system • Smooth manual focus and iris control • Full metal professional cine housing • Multi-layer anti-reflective coatings • Consistent Sigma cine color reproduction • Optimized for handheld and rig-based shooting • Lightweight compact cine zoom design • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount (depending configuration) Technical Specifications – Sigma 24-35mm T2.2 Cine Zoom • Focal length: 24–35mm • Maximum aperture: T2.2 constant • Format coverage: Super 35 • Optical design: cine-optimized zoom system • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.28 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 170–190 mm • Weight: approx. 1.2–1.4 kg • Front diameter: 95 mm

The Sigma 50-100mm T2 Cine Zoom extends Super 35 cinematography into a controlled telephoto range, offering strong subject separation, natural compression, and precise framing control. It is designed for productions requiring emotional depth, controlled perspective, and cinematic focus on subjects. Covering 50-100mm, the lens is particularly suited for interviews, dialogue scenes, portrait-style framing, and controlled studio or location setups. The focal range enables consistent medium-to-telephoto coverage without the need for frequent lens changes, improving workflow efficiency on set. The constant T2 aperture ensures exposure consistency throughout the zoom range, enabling seamless integration into multi-camera setups and controlled lighting environments. Combined with its parfocal design, focus remains stable during zoom adjustments, ensuring predictable and reliable operation. Optically, the lens delivers high contrast and strong resolution performance with carefully controlled distortion and minimized breathing. This ensures natural-looking focus transitions and a cinematic rendering style that supports narrative storytelling. The lens follows full cine standards, including standardized gear positions, robust all-metal construction, and smooth manual control interfaces. It integrates seamlessly with professional rigs, motorized systems, and studio setups. As part of Sigma’s cine lens family, it matches color science and mechanical layout across the lineup, enabling fast lens changes without workflow interruption. The 50-100mm T2 Cine Zoom is a dedicated telephoto tool for cinematographers who require precision, consistency, and cinematic image quality in controlled production environments. Features – Sigma 50-100mm T2 Cine Zoom • Super 35 telephoto cine zoom (50-100mm) • Constant T2 aperture across full zoom range • Designed for cinematic subject isolation • High-resolution optical performance • Minimal focus breathing • Parfocal zoom design (no focus shift) • Standard 0.8 MOD cine gearing • Smooth manual focus control • Long focus rotation throw • De-clicked iris mechanism • Consistent Sigma cine color matching • Full metal cine housing construction • Multi-layer optical coatings • Optimized for Super 35 sensors • Ideal for interviews and narrative work • Compatible with cine rigs and motors • Engraved precision focus scales • Stable mechanical balance for rigs • Controlled distortion and high contrast imaging Technical Specifications – Sigma 50-100mm T2 Cine Zoom • Focal length: 50-100mm • Maximum aperture: T2 constant • Format coverage: Super 35 / APS-C • Mount options: PL / EF /  Sony E-Mount • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal: yes • Minimum focus distance: approx. 0.95 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Breathing: minimized optical breathing • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Front diameter: 95mm cine standard • Scale markings: engraved cine scales • Image circle: Super 35 optimized • Compatibility: cinema cameras & rigs Dimensions & Weight • Length: approx. 250–280 mm (mount dependent) • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm

The Sigma 18-35mm T2 Cine Zoom is widely regarded as one of the most flexible and high-performing wide-to-standard zoom lenses in the Super 35 cinema segment. Built on the optical foundation of Sigma’s renowned still photography zoom, this cine-optimized version delivers true cinematic performance with consistent T2 aperture, precise mechanics, and exceptional optical clarity. Designed for modern film production workflows, the lens covers a highly practical focal range from wide-angle to normal perspective, making it ideal for narrative filmmaking, commercials, documentaries, and broadcast environments. Its constant T2 aperture ensures reliable exposure control across the entire zoom range, even in challenging lighting conditions. Optically, the lens delivers sharpness across the frame with controlled chromatic aberration and minimal distortion, even when shooting wide open. The cine housing features industry-standard gearing for focus, iris, and zoom, enabling seamless integration with professional rigs, follow focus systems, and motorized control units. The 18-35mm T2 Cine Zoom is also designed for consistency in multi-lens setups, matching Sigma’s cine line in color science and mechanical layout. This allows for fast lens changes without recalibration of accessories, saving valuable production time on set. With its compact form factor, robust construction, and exceptional optical performance, this lens has become a staple in indie filmmaking, high-end commercial work, and studio productions where flexibility and image quality are equally critical. Features – Sigma 18-35mm T2 Cine Zoom • Super 35 cinema zoom lens with 18-35mm focal range • Constant T2 aperture across the entire zoom range • High optical sharpness optimized for 4K, 6K, and beyond • Minimal focus breathing for cinematic focus pulls • Designed for professional cine housing and accessories • Standard 0.8 mod gear pitch for focus, iris, and zoom • Parfocal design maintains focus throughout zoom range • Consistent color rendition across Sigma cine lens lineup • Robust all-metal housing for professional production use • Smooth manual focus with long rotation throw • De-clicked, smooth iris control for precise exposure • Multi-layer coating for flare and ghosting control • Compatible with PL and EF mount systems (depending version) • Optimized for gimbal, handheld, and studio setups • High resolution center-to-edge performance • Low chromatic aberration and distortion control • Lightweight design for portable cine setups • Ideal for narrative, documentary, and commercial production Technical Specifications – Sigma 18-35mm T2 Cine Zoom • Focal length: 18-35mm • Maximum aperture: T2 constant • Lens coverage: Super 35 / APS-C • Mount options: PL / EF (depending configuration) • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Coating: multi-layer anti-reflective • Minimum focus distance: approx. 0.28 m • Focus type: manual cine focus • Zoom type: manual cine zoom • Image circle: optimized for Super 35 sensors • Housing material: metal cine construction • Breathing control: optimized low breathing design • Scale markings: engraved and luminous markings • Front diameter: standard cine diameter (95mm class) • Compatibility: cinema cameras, adapters, rigs Dimensions & Weight • Length: approx. 220–250 mm (depending mount) • Weight: approx. 1.4–1.7 kg • Front diameter: 95 mm

The ZEISS Nano Prime 18 mm T1.5 Lens offers filmmakers a high-quality, ultra-wide perspective, capturing scenes with stunning sharpness and clarity. This lens combines ZEISS’s acclaimed optical engineering with a fast T1.5 aperture, providing superior performance in low-light situations while enabling beautiful, shallow depth of field for impactful, cinematic compositions. The 18 mm focal length is ideal for capturing expansive scenes and adds depth to landscapes, establishing shots, and immersive close-ups, making it a versatile tool in any filmmaker’s kit.With advanced coatings and optimized optics, the ZEISS Nano Prime 18 mm controls flares and maintains consistent contrast, ensuring clean, vibrant images across a wide dynamic range. This lens minimizes chromatic aberrations and delivers impressive edge-to-edge sharpness, allowing filmmakers to achieve professional-grade footage at any resolution, from HD to 8K. Color consistency across the Nano Prime series further enhances production quality, as filmmakers can seamlessly switch between focal lengths without needing to adjust color grading.The compact, durable build of the ZEISS Nano Prime 18 mm lens allows for ease of use, whether on handheld rigs or stabilized platforms. Its lightweight design does not compromise on build quality, making it suitable for rigorous on-set conditions. Ergonomically designed focus and aperture rings provide precise, smooth control, enabling cinematographers to capture the finest details with ease.Features of ZEISS Nano Prime 18 mm T1.5 LensUltra-wide 18 mm focal length for expansive scenesT1.5 aperture for superior low-light performance and bokehEdge-to-edge sharpness with minimized chromatic aberrationZEISS T* anti-reflective coating reduces flare and ghostingColor consistency with other Nano Prime lensesLightweight and compact for versatile setupsSmooth, precise control with ergonomic ringsSupports high-resolution formats, including 8KTechnical SpecificationsFocal Length: 18 mmAperture: T1.5Image Circle: 46.3 mmMount Type: PL mount (interchangeable with EF)Focus Rotation: 300 degreesLens Coating: ZEISS T* anti-reflective coatingResolution Support: HD to 8KWeight: Approx. 1 kgDimensions & WeightLength: 115 mmDiameter: 95 mmWeight: Approx. 1 kgIncluded in the PackageZEISS Nano Prime 18 mm T1.5 LensFront and rear lens capsLens support bracketProtective lens pouchUser manual

 ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras – initially available for Sone E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount. Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries, or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down. ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All. Product Features Comprehensive Focal Range Featuring focal lengths of 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm, Nano Primes offer a comprehensive range, delivering versatile angles of view from wide-angle to telephoto. This makes them the preferred choice for a broad spectrum of cinematic requirements. Covering Cinematic Full-Frame Leveraging full-frame sensors enhances visual depth and character. Nano Primes are designed to accommodate these larger sensors, providing cinematographers of all levels – from aspiring to seasoned professionals – the ability to create images abundant in volume and personality. Cinematic Look in Every Shot The high speed of the Nano Primes, coupled with their close focus capability, achieves a mesmerizing shallow depth-of-field, even in wide-angle shots. With a maximum aperture of T1.5 and a rounded 12-blade iris, these lenses produce an exquisite bokeh, allowing the creation of authentic cinematic visuals. Providing a versatile and subtle sharpness reminiscent of Supreme Primes, they serve as an excellent choice for B-Cam and C-Cam, or as a cost-effective alternative. Full Cine Ergonomics in a Small Package Nano Primes showcase exceptional precision and durability. With a compact design housing a 95mm compendium ring and an 86mm screw-in filter thread, these lenses seamlessly integrate with gimbals and drones. The uniform positioning of focus and iris rings simplifies lens changes, complemented by easy-to-read calibrated scales, a fluid 280° focus rotation, and a precise 90° iris ring rotation for meticulous control. Tested for Harsh Conditions Made for challenging conditions such as cold and rain, Nano Primes undergo rigorous testing to guarantee unparalleled durability in the most demanding filming environments. Nano Primes stand as the reliable choice for everyday lenses. Interchangeable Mount The Nano Primes are equipped for seamless mount exchange, facilitated by the trusted ZEISS IMS (Interchangeable Mount System). Featuring user-adjustable back focus through shims, these lenses guarantee precise scales, even with entry-level cameras that typically exhibit higher mount mechanics tolerances. Electronic Interface for Real-Time Lens Data The Nano Primes come with an integrated electronic interface on the mount, enabling real-time transmission of metadata, including focal length, focus distance, and aperture, directly to the camera. Additional lens data, covering distortion and vignetting, is accessible within the ZEISS CinCraft ecosystem. This information proves valuable for post-production (CinCraft Mapper) and is compatible with the newly introduced CinCraft Scenario camera tracking system. Used and Maintained Around the Globe Hand-assembled and meticulously engraved with individually calibrated scales, ZEISS Nano Prime lenses prioritize serviceability from the early stages of development. ZEISS has established a robust global service network in recent years, with authorized service stations providing maintenance to factory standards in the US, Europe, and Asia. ZEISS Nano Prime 24 mm T1.5 Art-Nr 2509-142 (Meter) / 2509-143 (Feed) - Aperture: T1.5 to T16 - Close Focus: 0.35 m / 13.8‘‘ - Length: 89 mm / 3.5 - Front Diameter: 95 mm / 3.7‘‘ - Weight: 0.88 kg / 1.93 lbs - Rotation Angle of Focus Scale: 280° - Horizontal Angle of View: 74.2°