Elevate your photographic and cinematographic work with the Tiffen Linear Polarizer Filter 4x5.6, a high-quality filter designed to enhance image clarity, contrast, and color saturation. This filter, developed by the renowned Tiffen Company, is essential for controlling reflections and glare from non-metallic surfaces such as water, glass, and foliage. Ideal for both professional photographers and filmmakers, the Tiffen Linear Polarizer provides unparalleled control over the quality of light entering your lens. Key Features: Polarization: Effectively reduces reflections and glare, allowing you to capture scenes with enhanced clarity and vivid color saturation. High-Quality Optics: Made with Tiffen’s superior optical glass, ensuring exceptional image sharpness and minimal distortion. Contrast Enhancement: Improves overall contrast in your images, making skies appear deeper blue and landscapes more defined. Durable Construction: Designed for rigorous professional use, offering long-lasting durability and reliable performance. Versatile Use: Perfect for a wide range of applications including landscape photography, architectural shots, and any scenario involving reflective surfaces. Specifications: Size: 4x5.6 inches Type: Linear Polarizer Material: Premium optical glass Frame: Sturdy and reliable design for easy handling and integration with matte boxes Applications: The Tiffen Linear Polarizer Filter 4x5.6 is a must-have for photographers and filmmakers looking to achieve superior image quality in challenging lighting conditions. It is especially useful for outdoor shoots where reflections and glare can detract from the overall image quality. Whether capturing the vibrant colors of a landscape, the intricate details of architecture, or any scene with reflective elements, this polarizer filter ensures your images are crisp, clear, and free from unwanted reflections. Maximize the potential of your visuals with the Tiffen Linear Polarizer Filter 4x5.6. This essential tool not only enhances the aesthetic quality of your shots but also provides the technical precision required for professional-grade photography and cinematography. Experience the difference in every frame and bring your creative vision to life with Tiffen’s trusted optical excellence.

Ensure optimal image clarity and protection for your lenses with the Tiffen Clear Coated Filter. Designed by the industry-leading Tiffen Company, this filter is an essential accessory for photographers and cinematographers who demand the highest quality in their visual productions. The clear coated filter provides a layer of protection for your lens without altering the color balance or adding any special effects, making it perfect for general use in various shooting environments. Key Features: Uncompromised Clarity: Maintains the original clarity and sharpness of your lens, ensuring high-quality images without any color shifts or distortions. Protective Coating: Shields your lens from dust, dirt, scratches, and fingerprints, extending the life of your valuable equipment. Anti-Reflective Surface: Reduces reflections and flare, improving image contrast and overall quality, particularly in bright lighting conditions. High-Quality Construction: Made with Tiffen’s renowned optical glass, offering superior durability and performance. Versatile Use: Ideal for both photography and videography, providing protection and clarity in any shooting scenario. Specifications: Type: Clear Coated Filter Material: Premium optical glass with protective coating Compatibility: Available in various sizes to fit a wide range of lenses Effect: No alteration to color balance or image quality Applications: The Tiffen Clear Coated Filter is a must-have for photographers and cinematographers who want to protect their lenses while maintaining the highest image quality. Whether you’re shooting in harsh environments, dealing with unpredictable weather conditions, or simply want to keep your lens safe during everyday use, this filter provides reliable protection without compromising your work. It’s perfect for all types of photography and videography, from landscapes and portraits to commercial shoots and film production. Experience the peace of mind and enhanced image quality with the Tiffen Clear Coated Filter. Invest in this essential accessory to safeguard your lenses and ensure your creative vision is captured with the utmost clarity and precision.

Elevate your visual storytelling with the Tiffen Black Fog Filters, meticulously crafted to add a cinematic atmosphere and nuanced depth to your images and footage. These innovative lens filters infuse your scenes with a delicate fog effect, subtly enhancing highlights while maintaining rich, detailed shadows for a balanced, filmic look. Key Features: Black Fog Effect: The Black Fog Filters introduce a subtle fog effect that diffuses light sources, creating a soft glow around highlights and enhancing the overall mood of your scenes. Contrast Maintenance: Unlike traditional fog filters, the Black Fog Filters preserve shadow details, ensuring that your images retain depth and dimension without becoming overly flat. Enhanced Atmosphere: Ideal for both photography and videography, these filters are perfect for adding a touch of drama and ambiance to urban nightscapes, portraits, and cinematic sequences. Versatility: Available in a range of strengths, the Tiffen Black Fog Filters allow you to fine-tune the effect to match your creative vision and the specific requirements of your project. Quality Craftsmanship: Backed by Tiffen’s reputation for excellence, these filters are constructed to provide outstanding performance and durability, making them a reliable addition to any professional toolkit. Discover the transformative power of the Tiffen Black Fog Filters and bring your artistic vision to life with their unique ability to balance atmosphere and detail. Whether you’re shooting a moody nighttime scene or a stylized portrait, these filters offer a versatile solution to achieving a captivating, cinematic aesthetic. Density 1/8 1/4 1/2 1 2 Available in other sizes upon request 6.6x6.6 4x4

Transform your nighttime photography and videography with the Tiffen Night Fog Filters, designed to enhance the atmosphere and ambiance of your nocturnal scenes. These high-quality lens filters introduce a subtle fog effect, softening light sources and reducing contrast, resulting in dreamy, mystical visuals. Key Features: Fog Effect: The Night Fog Filters create a gentle to moderate fog effect that diffuses light sources and highlights, giving your scenes a soft, ethereal appearance. Contrast Reduction: By lowering the contrast, these filters ensure that shadows are less intense and highlights are less harsh, providing a more balanced image. Ideal for Night Photography: Perfect for night shots, these filters effectively tone down the often harsh and glaring light sources in urban environments, enhancing the overall mood. Versatility: Available in various strengths, allowing photographers and filmmakers to precisely control the desired effect for their specific needs. High Quality: Manufactured by Tiffen, a trusted name in the photography and film industry, these filters guarantee durability and top-notch performance. Whether you’re capturing the quiet elegance of a foggy night street or the surreal glow of city lights, the Tiffen Night Fog Filters are an essential tool for adding depth and atmosphere to your nighttime scenes. Elevate your creative vision with these indispensable filters and bring a touch of magic to your nocturnal artistry. Yields a natural fog effect with overall atmospheric softening and wide flare Contrast reduction technology that reduces highlights without darketing shadows In light grades, it provides a beautiful new look In strong grades, it flattens the contrast and desaturates color so it is useful for day-for-night Made with ColorCore Technology® 10-Year Warranty Proudly Made in the USA Density 1/8 1/4 1/2 1 2 Available in other sizes upon request 6.6x6.6 4x4

Responding to the demands of cinematographers, Tiffen’s new Black Glimmerglass® filters aid cinematographers in taking the hard crisp edge off the images that modern digital lenses and cameras can produce, especially with 4K sensors, and are designed to enhance the natural beauty of the shot with minimal signs of filtration. Black Glimmerglass filters offer all of the benefits of the original Glimmerglass filters, PLUS, they subtly remove harsh sharpness from modern lenses, adding a pleasing overall blending to contrast levels. Additionally, these filters maintain a clear, overall in-focus image, offering a filmic aura to digital acquisition. Subtly Lowers Detail Resolution Adds Low Contrast, Muted Look Smooths Out Blemishes and Wrinkles ColorCore Technology Water White Glass Construction Density 1/8 1/4 1/2 3/4 1 2 Available in other sizes upon request 6x6 6.6x6.6 5x5 4x4

The Tiffen 4 x 5.65" Black Satin Filter can be applied to purposely reduce the appearance of blemishes and wrinkles while providing an intentional warming effect with granularity over an entire image. This can be useful for creating a more flattering result of a subject while highlights are softened, contrast is reduced, and textures are given a smoother appearance. Additionally, halations around highlights are created which can further enhance a subject’s appearance or produce a desired effect while overall sharpness is maintained. Grades of 1/8, 1/4, 1/2, 2, 3, 4, and 5 are also available where this filter type’s effect becomes approximately twice as strong with each grade number increase. This filter is constructed from water white glass for increased clarity as well as color fidelity. It is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. Softens contrast and highlights Reduces the appearance of blemishes and wrinkles Provides a smoother appearance of textures while maintaining overall sharpness Creates halation effect around highlights Intentional warming effect with granularity over an entire image Constructed from water white glass for optical clarity Padded pouch included for storage and transport Density 1/8 1/4 1/2 3/4 1 2 Available in other sizes upon request 6x6 6.6x6.6 5x5 4x4

Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look. Even at heavier densities, the filter never becomes overly powerful in its spread of halation. The Glimmerglass series of filters also has a benefit of sparkling when viewed, which can add reassurance to your talent when shooting beauty; that way you can fully concentrate on the look of your shot. Creates Glowing Highlights Softens Wrinkles and Blemishes Sparkle Appearance for Added Confidence ColorCore® Technology Made in the U.S.A Density 1/8 1/4 1/2 3/4 1 2 Available in other sizes upon request 6x6 6.6x6.6 5x5 4x4

The LPLx2 VV optical expander doubles the focal length of Vista Vision Format LPL mount lenses. It’s compact optical and mechanical design makes it compatible with a wide range of lenses. High-index, low-dispersion glass ensures the highest possible resolution and contrast with minimal optical degradation. The expander transmits light over 4 times the area with a decrease in brightness by two f-stops. Recommended maximum input T-Stop is 1.9. The LPLx2 VV mounts directly to native LPL mount lenses and LPL cameras. Technical Data Max. Image Diameter (mm): 46.4 Magnification: x2 Max. Input T-Stop: 1.9 Light Drop (Stops): 2.0 Lens Mount: LPL Standard Camera Mount: LPL Standard Diameter (mm): 87.0 Length (mm) LPL to LPL: 34.8 Weight (kg): 0.5Download Data Sheet

The PLx2VV optical expander doubles the focal length of Vista Vision Format PL mount lenses. The extender is the sequel to our successful PLx2 adapter. Thanks to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses. The PLx2VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over 4 times the area, decreasing the brightness by two f-stops. To create an optical design that is optimized for modern lenses and digital cameras, the maximum input T-Stop is 1.9. The PLx2VV is designed to mount to any digital cinema camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E or others without re-shimming. Technical Data Max. Image Diameter (mm): 46.4 Magnification: x2 Max. Input T-Stop: 1.9 Light Drop (Stops): 2.0 Lens Mount: PL Standard Camera Mount: PL UMS Mount* Diameter (mm): 78.0 Length (mm) PL to PL: 34.8 Weight (kg): 0.5 ** without F and MFT Mount and E Mount with assembled inner ring*Download Data Sheet

The PLx1.6VV increases the focal length by a factor of 1.66x and allows the use of S35 lenses on large-format cameras up to 46.5 mm sensor diameter and supports a max. aperture of T-Stop 2.0. The PLx1.6VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminium as well as decorative surface outside and flair minimized surfaces inside. The PLx1.6VV is incompatible with mirror cameras but can be used with most S35 PL lenses. Technical Data Max. image diameter (mm): 46.5 Focal length extension: 1.66x Max. input T-Stop: 2.0 Light drop (stops): 1.46 Lens Mount: PL Standard Camera Mount: PL UMS Mount* Diameter (mm): 77.0 Length (mm) PL to PL: 22.9 Weight (kg): 0.3 *without F and MFT Mount. UMS E without cover ringDownload Data Sheet

Format PL mount lenses by a factor of 1.4x. It allows the use on large cameras up to 47 mm sensor diameter and supports a maximum aperture of T-Stop 2.0. The PLx1.4VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum as well as a decorative surface outside and flair minimized surfaces inside. It features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The adapter is designed to mount to most digital cameras with a native PL mount. The UMS system is not usable with this expander. The PLx1.4VV is incompatible with mirror cameras but can be used with most of the S35 PL lenses. Technical Data Max. Image Diameter (mm): 47 Magnification: 1.4 Max. Input T-Stop: 2.0 Light Drop (Stops): 1.0 Lens Mount: PL Standard Camera Mount: PL Mount Diameter (mm): 77.0 Length (mm) PL to PL: 16.4 Weight (kg): 0.5Download Data Sheet

Available from October 2024 The PLx1.3VV-E optical expander increases the focal length and the projected image diameter of the lens by a factor of 1.3x. Then, it allows the use of the lens on large sensor cameras up to 47 mm. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. This expander features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The PLx1.3VV-E is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminium. Inside, it carries flair minimized surfaces to keep the original lens character. The PLx1.3VV-E expander is designed to use most of the S35 PL lenses on almost all the digital cameras with a native PL mount. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 47mm image diameter (VistaVision) High-index, low-dispersion glass Robust Mechanical Design Extended Color Correction (APO) Small & lightweight Technical Data Max. Image Diameter: (mm) 47 mm / 1.85'' Magnification: 1.3x Electronic Data: Pass-through Light Drop: 0.75 stop Camera Mount: PL Lens Mount: PL Max. Input: T-Stop 2.0 Weight: 0,5 kg / 1.1 lbsData Sheet Download

Sony Rack Mounting Bracket for PVM-X2400 Rack-mounting bracket for PVM-X2400 24-inch 4K HDR TRIMASTER high-grade picture monitor The PVMK-RX24 is a rack-mounting bracket specifically designed for mounting the PVM-X2400 high-grade picture monitor directly onto a 19-inch EIA-standard rack. Secure mounting in 19-inch EIA standard rack 9U-height design* for easy monitoring in operations rooms and machine rooms. *The maximum width of the PVM-X2400 is 22.36 in. When you install multiple racks in parallel, more than 22.44 in of width is required as an installation space for each rack. The PVMK-RX24 has a function to project the monitor forward from the left and right mounting surfaces of a rack, as there are various cosmetic designs of 19" EIA-standard racks on the market. The depths of the projection are selectable from 0.39 in, 0.91 in, 1.42 in and 2.72 in.

Cable Management Post Clamps provide a tool-less solution for organizing cables on round posts of various diameters. The Post Clamp features an open channel that accommodates multiple cables, creating a streamlined group of cables for simplified management and security. Available in 1.50 in, 1.75 in, and a 3-Clamp Kit for AXIS Stands, these clamps offer versatile solutions for any setup. ComponentsCable Management Post Clamp Kit For AXIS Stands The Cable Management Post Clamp Kit For AXIS Stands, includes 3 Cable Management Post Clamps, one or each stage of the AXIS Stand (1.385, 1.585, 1.785).1.50 Cable Management Post ClampThe 1.50 Cable Management Post Clamp is compatible with workstation leg posts as well as the posts included in the Monitor Arm Systems.1.75 Cable Management Post ClampThe 1.75 Cable Management Post Clamp is compatible with various mast-based INOVATIV accessories like the Camera Mount System, Tripod System, Steadicam System, and Mast Riser System.   KEY FEATURES• Tool-less Design• Streamlined Cable Management• Durable 6061 T6 Aluminum Construction

Bright Tangerine Mini Axl (Sony FX6) The Mini Axl kit (Sony FX6) contains everything you need to replace the original mount for your Sony FX6 monitor, adding flexible positioning, drag adjustment and sag-free support for the FX9 Loupe. This kit includes the Folding NATO Rail, Monitor Holder, 15mm Rod Mount & the NATO Rotating Bar & cable hook. Adds an articulating NATO rail onto the Sony FX6 Top Handle Flexible monitor positioning with drag adjustment Replaces the original Sony FX6 monitor bracket Supports the weight of the FX9 Loupe and maintains horizon level Monitor can be folded & stowed away for transport This kit comes complete with everything you need to use your Sony FX6 monitor with the Mini Axl. It is designed to be compact while adding flexibility in how you want to position the monitor. The NATO rail can be attached to the front or rear Sony 8T point on the handle.VERSATILE MONITOR MOUNTThe extension rail mounts to the 15mm rod clamp, allowing it to pivot 360-degrees. The arm can then be rotated for extra height or reach, and can be folded flat when not in use. The removable orange threaded cap prevents the rail from falling out, while a removable stud provides a safety stop for attached accessories.ADJUST ON THE FLYYou can adjust the amount of drag on the tilt-axis by using the locking screw, capable of supporting the weight of the FX9 loupe.The monitor holder is custom matched to the FX6 monitor, with a 3/8” thread for attaching to the included 15mm rod mount or other accessories, and the included cable hook prevents snags.When transporting the camera, the monitor can be folded into the stowed position.CABLE HOOK INSTALLATIONTo install the cable hook, you will require a small Philips screwdriver. First, remove the original cover by undoing the screw on the side. Place the cable hook onto the monitor and secure with the longer M2 screw provided.NO COMPROMISESMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability.Weight: 0,150 kgDimensions: 14 × 10 × 4 cm  

Bright Tangerine Sony FX6 Portrait Adapter 15mm LWS SpacerSet up your Sony FX6 with the correct spacing for 15mm LWS accessories when filming in vertical orientation.It combines with the Portrait Plate Adaptor and LeftField Sony FX6 Baseplate. Sets camera to correct height for 15mm LWS accessories Combines with LeftField Sony FX6 15mm LWS Baseplate and Sony FX6 Portrait Adapter Plate (B4004.1016) Securely interlocks with riser, eliminating any play or movement Includes captive ¼” & 3/8” mounting screws Set up your Sony FX6 with the correct spacing for 15mm LWS accessories like a matte box, lens supports and more when filming in vertical orientation.15mm LWS SpacingThe spacer interlocks with the Sony FX6 riser, eliminating any play or movement in the plate. The two captive screws are used to secure the Sony FX6 in portrait orientation using the portrait plate adapter.British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter 15mm LWS Spacer comes with our famous Bright Tangerine Support and the addition of a 5 year warranty.Weight: 0,130 kgDimensions: 3,3 × 8,8 × 1,5 cm  

Bright Tangerine Sony FX6 CheeseplateCreate a clean build using a NATO based Cheeseplate on your Sony FX6 to mount your wireless transmitters, audio equipment, cables & more. Multiple 3/8″ & 1/4″ threads for mounting accessories Integrated NATO clamp for fast set up & removal Added cable management with wide slots for bongo ties Plate can be configured in portrait or landscape orientation Lightweight & low profile Keep your camera build clean & simple with the Sony FX6 Cheeseplate. Using the integrated NATO clamp, mount it to the top rail on the top plate to speed up your build time on set.Portrait or Landscape OrientationsThe NATO clamp attaches to the cheeseplate using a 3/8″ Anti-Twist mount. The cheeseplate can be mounted using any of the outer mounting points as required in either landscape or portrait orientation.Easy Accessory MountingWith multiple anti-twist 3/8″ & 1/4″ mounting points, you can attach any type of accessory you like from wireless video transmitters, audio receivers, FIZ controllers & more.The NATO clamp is secured in place using a 4mm Hex key.Extra care comes standardMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. Every Cheeseplate comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.  

Bright Tangerine LeftField 3 Sony FX6 – Expert KitTake your Sony FX6 to the next level with the LeftField 3 Sony FX6 – Expert Kit. It provides everything you need to rig the camera for different configurations, allowing you to move between setups quickly and easily. Whether you’re shooting documentaries, corporate videos, or anything in between, the Sony FX6 Expert Kit will help you get the most out of your camera. Mini Axl for FX6 monitor with drag adjustment & sag-free support Articulating NATO rail adds extra reach & height placement for monitor Rigid top plate with 1/4”, 3/8”, NATO & QD sockets Helicoil reinforced threads to prevent stripping and loosening over time Patented Open•UP baseplate lets you easily lift off the camera from the dovetail Sets the camera to 15mm LWS standards with support for rods & accessories With the Sony FX6 – Expert Kit, you can take your Sony FX6 to new heights with everything needed for any situation.Ready for RiggingRig up accessories to the rigid top plate with options for NATO, 1/4″& 3/8″ mounted accessories. Two Quick Detach (QD) sockets are also ready for attaching a carrying strap or tethers.15mm LWS PlatformThe LeftField 15mm LWS baseplate is perfect for fast transitions on set, using the patented Open•Up system. With two industry-standard 15mm rod mounts to support other camera accessories like a matte box or focus motors.Flexible Monitor MountThe Mini Axl is a versatile bracket that replaces your stock monitor mount on the FX6. The screen can be adjusted on the fly to any angle or locked into place. When you're operating handheld with the Sony FX9 loupe, the Mini Axl will keep it from sagging from the weight. When it's time to change locations, simply stow away the monitor, keeping the screen protected. The included cable hook also helps with cable management and snags.Sony FX6 SystemThe included filler piece adds an additional central NATO rail for handles and gimbal plates, as well a support brace to completely remove all physical stress from the stock handle.Each Expert kit comes with the Top Plate, Filler Piece, Top Handle Brace, Mini Axl (Sony FX6), LeftField 3 15mm LWS Baseplate & a set of 15mm Drumstix (12"/30.4cm)You can expand the kit further with options for lens adaptor supports when using PL lenses, KASBAH Shoulder support & more.LeftField 3Customise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories.No CompromisesMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.

Bright Tangerine Sony FX6 Portrait Adapter PlateEasily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate.It also adds an extra layer of convenience as a cheeseplate for mounting accessories like wireless video transmitters and more. Right side cheeseplate for your Sony FX6 for secure mounting in vertical orientation. Connects to the Sony FX6 Top Plate Mk II & handgrip mount Provides ¼”, 3/8”, QD socket & ARRI rosette for accessory mounting with helicoiled threads for dovetails & quick release plates. Compatible with B4004.1019 spacer for proper 15mm LWS height Easily rig up your Sony FX6 for vertical filming with the Portrait Adapter Plate. It also adds an extra layer of convenience with its double function as a cheeseplate for mounting accessories like wireless video transmitters and more.Accessory MountingThe plate provides a number of threaded ¼” & 3/8” holes on the side and top for mounting accessories. It also features an ARRI standard rosette for hand grips.Two helicoil reinforced threads provide a balanced point for mounting dovetails & quick release plates.Gimbal CompatibleWhen working with gimbals, combine it with the LeftField risers and dovetails for the DJI Ronin 2, RS 3 or Freefly Movi for a seamless quick release system, letting you switch between platforms in seconds.InstallationThe Portrait Adapter Plate attaches to the Sony FX6 Top Plate Mk II (B4004.1018) and is secured to the side using the hand grip mount. This creates a robust connection, keeping the camera secure and steady. The plate is also compatible with Sony FX6 Top Plate Mk I (B4004.1005).15mm LWS SpacingTo achieve proper 15mm LWS height spacing when in portrait mode, combine with the 15mm LWS Spacer (B4004.1019).British WorkmanshipMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Sony FX6 Portrait Adapter Plate comes with our famous Bright Tangerine Support and the addition of a 2 year warranty.Weight: 0,197 kgDimensions: 13,5 × 8,5 × 4 cm  

Bright Tangerine LeftField 3 KASBAH Shoulder Pad + 15mm LWS/19mm Handle KitDesigned for all day comfort, the KASBAH System provides a versatile support when operating on the shoulder or handheld. Designed for the LeftField 15mm Universal Baseplate and ARRI standard dovetails for fast & secure transitions between tripod & shoulder operating. This kit consists of the shoulder pad, 15mm bracket, riser, 15mm LWS/19mm Studio bridge, two sets of shoulder connectors, hand grip arms and hand grips. Variable density zones using KASBAH for optimal cushioning & pressure relief Open structure for air flow & allows for heat dissipation & evaporation of sweat Hand grip system for 15mm LWS & 19mm Studio configurations Upper flange encourages a relaxed grip and reduces tension 3/8″ Anti-twist & 1/4″ threads on Grip Arm for mounting accessories Milled rosettes offers positive engagement using ARRI standard for maximum compatibility Symmetrical design allows for use on left or right sides Glove-friendly knob for easy adjustments in fast paced settings Precision cut from high-grade aluminium & stainless steel The hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS & 19mm Studio setups.Next Level Comfort & AirflowThe shoulder pad & hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics & programmable liquid resins to form a unique matrix structure with an infinite number of density zones. The open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort & freedom to move. Extremely durable & sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant The included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.Tripod to Handheld in SecondsThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally. Unlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge & receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera. Alternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.Battery Plates & CounterbalanceAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds. The arms feature 3x 3/8″ anti-twist & 5x 1/4″ threaded points which can be used to mount articulating arms for monitors & other accessories.Precision Milled, Not StampedEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement & maximum compatibility that won’t slip.LeftField 3 SystemCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.This kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. Weight: 1,150 kgDimensions: 25 × 10 × 7 cm  

Freelensing Cine® Full Set is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Full Set includes• Freelensing Cine® Frame  • Transport case (e.g., Pelicase with foam insert)  • Mount: PL mount (standard) or LPL mount (optional)  • Gas springs (2 pieces each): 2kg (blue), 3kg (red), 4kg (black • Extra weights (~250g each)  • Tool set: Allen keys, screwdriver, wrenches  • U-Frame (position “0” fixation)  • Gears: Shift, Swing, Tilt (0.8 MOD, motor-compatible)  • 15mm rods & clamps  • Support handle  • Z-extensions & reducer bushings (19mm ->15mm)  • Lens-test / rear-measure tool  • Gear reduction kitsCAMERA MOUNTS FOR: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

  Inovativ Insight Monitor Mounting System for DeployThe Insight is a monitor mounting system that integrates perfectly with all INOVATIV workstations. It is designed to hold multiple monitors at a time, and offers a wide variety of mounting options. The dual cross tubes deliver stability and strength, maximizing the systems ability to hold multiple monitors and withstand the demands of set life.  The Insight System packs up easily for transportation. Designed and Manufactured in California, USA and includes a 5 year warranty.The Insight System is designed to work with INOVATIV’s proprietary Pro Ultra Monitor Arms.  Our Pro Ultra Monitor Arms allow one to adjust the monitor to the ideal height for your viewing while standing or sitting.  Capable of mounting any monitor with a VESA mounting pattern, the Pro Ultra Arm has 10 In. of extendable reach along with 60 points of adjustable swing.  The fully lockable articulator arm prevents monitor swinging or rattling when moving your cart during filming or during transportation.Kit Includes Pro Ultra Monitor Arms (2 or 3) Crossbars Pro Vesa Plate Vesa Pin mounting hardware Consider adding an Insight Baby Pin Attachment onto each Pro Ultra Arm.  The Insight Baby Pin Attachment is for attaching wireless receivers, wireless transmitters, antennas and other accessories.   Features Allows you to fit 2 monitors in landscape positions 360° Monitor Rotation:  Allows landscape and portrait viewing (hard lock every 90 degrees). Height Adjustable: Via the Insight Riser Tubes and Pro Ultra Arm Vesa Plate. Locking Pan: Rosette mounts allow 60 points of locked panning positions. Screen Tilt: Adjustable screen tilt 90° down and 90° up (limited by the size of the monitor). Monitor Extension: 10 inches of extendable reach. Max Weight Capacity: Supports monitors weighing up to 40 lbs. Vesa Plate: Combines 75mm and 100mm vesa plate into one plate. Adjust your Vesa Plate height in 5 different positions located on the Vesa Plate Pin (each adjustment is 1 inch apart). Multiple ⅜ threaded holes on Insight Mast Assembly’s and System Brackets for mounting antennas and other accessories Extremely strong, stable and rigid design. Packs easily for transportation. Precision machined “Dry” bearings allow for smooth movement along cross tubes. Constructed of premium 5052 and 6061 aluminum and stainless steel hardware. Anodized Black and Orange  –  Type II and III anodizing on all uprights and machined parts. Durable finish and seal for long term use and smooth operation. Designed and Manufactured in California, USA. 5 Year Limited Manufacturer’s Warranty.   Insight Monitor Mounting System (without Pro Ultra Arm or Insight’s Baby Pin Attachment) Weight: 16.5 – 18.5 lb Lowest position from ground: 58.5 inches (to center of monitor) Highest position from ground: 66.5 inches (to center of monitor) Max Weight Capacity: Supports monitors weighing up to 40 lbs. Vesa Plate: Compatible with 75 mm and 100mm. Adjust your Vesa Plate height in 5 different positions. Integrates easily with Deploy workstations.   Pro Ultra Monitor Arm · Product Weight: 4 lbs. · Max Weight Capacity: Supports monitors weighing up to 40 lbs. · Material: Machined 6061 Aluminum and anodized black · Product Dimensions Collapsed: 8.4 In. L x 4.75 In. W x 6 In. H · Product Dimensions Extended: 12 In. L x 5.5 In. W x 6 In. H  

IB/E Optics PL-LPL Mechanical AdapterThe PL - LPL Mechanical Adapter connects native PL mount lenses to LPL mount systems, namely, the ARRI LF Camera.The IB/E Optics PL-LPL Mechanical Adapter is a high-quality mechanical adapter designed for use in professional motion picture and television production. It allows you to use PL mount lenses on cameras or other equipment that have an LPL mount. The adapter is made from aircraft-grade aluminum that is precision machined to tight tolerances, ensuring a perfect fit between the lens and camera mount. The adapter is also hard anodized for added durability, making it resistant to wear and tear in demanding on-set environments. The positive lock mechanism built into the adapter provides a secure connection between the lens and the camera, preventing any unwanted movement or play. The adapter also features an engraved scale that allows you to accurately align the lens to the camera mount, ensuring that the lens is centered and parallel to the sensor. The IB/E Optics PL-LPL Mechanical Adapter is also designed to be lightweight and compact, making it easy to use on set or on location. It is also designed to be easy to install and remove, allowing you to quickly switch between lenses. This can be especially beneficial when working on a fast-paced production where time is of the essence. The adapter is compatible with a wide range of PL mount lenses and LPL mount cameras, including popular models from Arri, RED and other manufacturers. It is also compatible with a wide range of third-party accessories, such as follow focus units and matte boxes, allowing you to use it with your existing equipment. It's worth noting that the IB/E Optics PL-LPL Mechanical Adapter is a mechanical adapter and it does not change the optics of the lens or affect the image quality in any way. It simply enables you to use PL mount lenses on cameras or other equipment that have an LPL mount. Key Features Adapts Any PL-Mount Lens to LPL Mount Compatible with ALEXA LF Camera Bayonet Attaches without Tools Included in box 1x PL-LPL Mechanical Adapter    

  Integrated Optical Palette (IOP) Easy exchange of internal optical elements The Angénieux Optimo Prime Series includes unique creative possibilities for cinematographers, based on a new technology by Angénieux called Integrated Optical Palette (IOP). Integrated Optical Palette (IOP) lets cinematographers create unique looks by combining IOP permutations the way a painter blends textures and hues. The IOP technology, just like the IRO technology for the zooms, is the result of well-known Angénieux’s innovation capabilities.The effects generated by the different irises and internal elements will be the same for all focal lengths. The actual intensity of those effects will depend on picture content, lightning conditions and lens settings. The Optimo Primes come with interchangable special pins, in order to indentify which element of the palette is integrated in a lens.The palette includes customizable elements:     Creative Options   IRIS3-Blade Iris Such an iris with 3 triangular blades gives a strong bokeh. The desired effect is a perfect equilateral triangle. This iris will generate a particular effect on the bokeh and particularly on the highlights. The bokeh will take the shape of the lens pupil which appears in the highlights. The triangular effect appears only from T2.8. At T1.8 full aperture, the bokeh remains perfectly standard, a round one. Three blade irises were used traditionally on some lenses in the 60s, to give a very unique look to the image and bring new creativity to the cinematographer. This IOP element will be perfect to generate a certain atmosphere in a commercial or a feature film. To be noted that for this iris, three types of subassemblies are proposed to cover the whole Optimo Prime range of lenses.   9-Blade Iris (already integrated to your Prime) As original equipment, our Optimo Prime Lenses are equipped with properly balanced nine blades irises. An equiponderant round diaphragm designed by Angénieux Opticians and Engineers expertise. Paired with the excellent image resolution of our Optimo Prime lenses, the 9 blades iris will guarantee a symmetrical bokeh look from the center of the image up to the edges and the corners. The ability to observe such harmonious bokeh over the entire scene will allow you to achieve consistency over the whole range of Optimo Prime Lenses, no matter the focal length.   Oval Iris This IOP element provides a mimic of the oval bokeh of the front anamorphic lenses. For instance, if this oval iris is cumulated with a bluestreak effect element, the anamorphic is recreated on the basis of a spherical lens. This way, images shot with anamorphic lenses can easily be matched with images made with a spherical Optimo prime. Some horizontal flares, which are typical from the anamorphic format appear. For instance, such an iris allows to obtain effects that make the glimmers more attractive. A uniform blue light line is generated for appealing and really authentic images.     REAR FILTER Rear Vintage Filter Easy to screw and unscrew in a matter of a few seconds, our internally processed rear filter will provide a very unique vintage look to your image to help you create all kind of old fashioned atmospheres. Our Vintage filters glass went through a very specific and controlled process of polishing and tuning accuracy in order to reproduce the mighty Angénieux 25x250 HR zoom look. The rear Vintage filter will help you to escape this crisp digital world by achieving soft and magical dreamy effect.     INTERNAL FILTER Clear Filter The Clear Optic is the most customizable support to express your full creativity. It is made out of optic glass for you to have a free access to custom effects. The main idea is for you to own this glass and alter it or tweak it the way you feel. Express yourself using all kind of products to generate special artistic effects. Any spray, glue or shims would provide very specific and unique looks. A cracked clear filter will give a special ray effect, introducing flares. This product has to be considered as a consumable part, craft and go run your trials!   Uncoated Filter Just imagine our Clear Optic filter on which the anti-reflective coating has been removed. Basically, a transparent piece of glass that allows reflections. The intention is to create a subtle flare effect on the image’s brightness maintaining the intrinsic quality level of the prime lens. To be noted that with a strong luminosity, the effect of the filter is quite soft, but with a low luminosity, with strong contrast, the effect becomes major on the illuminances.   Blue Streak Filter This IOP element allows to materialize the flare effects in reference to the cylindrical elements of front anamorphic lenses. The orientation is defined when the product is installed. It provides a unique blue line on the image which is so characteristic of anamorphic lenses.If an image or footage is made with an anamorphic lens for the primary purpose of getting a greater aspect ratio than what is possible when only using spherical lenses on a 35mm format, the direct result will appear compressed and distorted. A complementary effect of this process after it is completed is the creation of elongated, blue-colored, horizontally symmetrical highlights from point light sources that can extend through the frame. This filter is most effective for pictures where the light source used to generate the streak effect is a highlight with a significant degree of contrast from the rest of the image.   Net Optic Filter Angénieux Net Optics has been designed to specifically create a net diffusion effect homogeneously within an image. A black colored frame is integrated inside this filter's glass in order to soften focus and ease the image. The idea behind this filter is to recreate the ‘’Chanel stocking’’ technique well known in the industry. Available in black, the Net Optics filter will allow you to recreate a soft vintage look within your shot while maintaining a contrast level. Installed within the lens in between optical groups, the Net Optics filter will offer you consistency over any of the Optimo Prime lenses Focal length. You do not need to worry about filter strengths anymore in order to match your sequence; the same filter does it all!   Glimmer Glass 1/8 Filter Glimmerglass is a line of diffusion filters that produces a soft clean halation around practical and specular light sources, while keeping an apparent sharpness on the overall image. On close ups, the apparent sharpness and fine detail is kept as the effect of the filter lowers contrast while softly rolling into the shadow area. This low contrast affect moderately mutes bright colors. This makes the lower end of the glimmer glass diffusion line produce a non-destructive or invasive look. Even at heavier densities, the filter never becomes overly powerful in its spread of halation. The Glimmerglass series of filters also has a benefit of sparkling when viewed, which can add reassurance to your talent when shooting beauty; that way you can fully concentrate on the look of your shot.   Black Satin 1/8 Filter This filter helps maintaining a clear focus and realizes a more filmic look than purely digital capture can otherwise record. The Black Satin Filter helps to reduce the overall contrast of an image and better control the highlights within a scene. In addition to rendering highlights with a grittier, more grainy appearance, this filter also helps to subtly soften facial blemishes and wrinkles for a natural, refined look.   Black Pro Mist 1/8 Filter It is easy to see why the Black Pro-Mists have been such a success for over the past 30 or so years. Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective and increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values. These characteristics will become more apparent when you use densities of 1 quarter and above. In the heavier densities, the spill is quite aggressive from the practical light, with the warm tone becoming more apparent. Yet the subtle but effective look still continues to make the pro mist filter a staple filter for many cinematographers in the digital world.   Low Contrast 1/8 Filter The Low Contrast Filter works to lessen contrast across the image by creating a small amount of controlled flare near highlight areas. This enables greater detail to be attained in shadow regions, while unaffecting the highlights values, in order to produce lower apparent contrast. This filter is ideal for use during midday and other high contrast lighting situations when it is difficult to control both overexposed highlights and underexposed shadows.