IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
The Kickstand for CTRL.5 was designed to allow your CTRL.5 to sit upright on any surface when not in use. This symmetrical in design plate allows the user to attach to the top or bottom mounting points on the CTRL.5 without running into any antenna. Because of its unique design users can mount the stand to the controller using a 3/16” hex wrench at a 90º or 45º position. Removable anti-twist pins are included to prevent movement of the stand while attached to the CTRL.5. This Kickstand also includes numerous mounting points for additional accessories like baby pins, monitor mounts and more. This unique design feature makes this Kickstand lightweight and versatile– it’s the controller accessory you never knew you needed. Technical Specificatios Allows the CTRL.5 to sit freely on surfaces Variable seating positions between 45º and 90º Additional mounting points provided to a CTRL.5 Lightweight, but durable design aesthetic Symmetrical in design to attach to the top or bottom of the CTRL.5 without hitting antenna
The Bolt-On Monitor Hinge Cube was designed to securely mount monitors to the CTRL.5 controller via ¼”-20 mounting points. This cube was specifically designed so that anything mounted to the controller clears the antennas on the controller itself. Using the dual Rosettes design, the user can easily adjust the positioning of the monitor without questioning the security of the connection to the CTRL.5. The cube features ⅜”-16 mounting points for additional accessories. Removable anti-twist pins are compatible with SmallHD monitor mounting points or other 3rd party monitors. The cube is securely attached to the CTRL.5 via a ¼”-20 screw with anti-twist pins. Technical Specificatios Adjustable hinge positions via a rosette attachment Removable mounting pins for 3rd party monitors Able to mount to a CTRL.5 or other camera accessories like handles Mounting points around the cube for additional accessory mounting ¼”-20 mounting point for the cube to fit onto the CTRL.5
Teradek RT systems combine premium lens-control technology with smart design, allowing you to view and adjust critical lens data and functions directly on your CTRL.5 screen for unparalleled accuracy and dependability on set.The FIZ Kit includes: 1 x CTRL.5 Handset 1 x MDR.X Lens Control Receiver 1 x MOTR.S MAX Lens MotorCTRL.5CTRL.5 raises the bar for wireless FIZ lens-control handsets with a 5-inch SmallHD Ultra-bright touchscreen powered by CTRL.OS, a task-specific evolution of SmallHD’s PageOS. View critical lens data overlays while pulling focus without taking your eyes off the video feed. Calibrate lenses to pre-marked focus rings and access configurations at any time via the touchscreen or one of eleven programmable function buttons. The hand unit includes a multitude of mounting points for accessories. CTRL.5 is fully cross-compatible across the Teradek RT Lens Control Ecosystem. MDR.X Teradek RT receivers are easy to mount and can connect to iOS devices via Bluetooth for configuration, control, and support for up to three motors. This FIZ kit comes with the ultra-lightweight MDR.S receiver which suits extremely compact setups for smaller cameras, drones, and handheld configurations to optimize speed, size, and weight. The Teradek TOF.1 rangefinder works with both MDR.S and MDR.XMOTR.S MAXTeradek RT motors offer generous power and speed for driving even the heaviest lenses, giving you responsiveness & precision with every pull. MOTR.S MAX offers 1.2Nm of peak torque and operates nearly silently even at the highest speeds thanks to its brushless design. The optional MOTR.S is a more compact version of the MAX; it offers high speed while being almost 20% lighter. MOTR.S is sold separatelyNote: While three RT Motor Cables are included in the RT FIZ Wireless Lens Control Kit (ST-ST 0.2m, ST-ST 0.4m, and ST-ST 0.6m), additional RT Motor Cables are available in specific lengths for additional motors (20cm, 30cm, or 60cm). FIZ kit includes the essentials to pull focus with confidenceIn the Box 1x CTRL.51 x MDR.X 1 x MOTR.S MAX with Standard Bracket 1 x Compact Bracket for MOTR.S/MAX 1 x Blank Rings 1 x Pre-Marked Iris Ring 1 x Set of Pre-Marked Focus Rings - Imperial 1 x Set of Pre-Marked Focus Rings - Metric 1 x Thumb Screw for mounting MDR.X 1 x 5pin to 5pin USB Cable, Straight to Right Angle (12in / 0.3m) 1 x 2pin to P-Tap cable, 18in / 0.46m 1 x 2pin to 2pin cable, 18in / 0.46m 1 x USB-A to USB-Mini for MDR.X FW Updates 1 x Motor Cable 7.8 in / 0.2m 1 x Motor Cable 15.75 in / 0.4m 1 x Motor Cable 23.6 in / 0.6m 1 x 6pin CAM to 3pin R/S Cable for MDR.S/X 1 x Hinged Monitor Mount for CTRL.5 1 x Hand Strap for CTRL.5 1 x Neck Strap for CTRL.5 1 x Screen Protector for CTRL.5 (Matte) 1 x Palm Grip for CTRL.5 (Wood) 1 x Thumb Grip for CTRL.5 (Wood) 1 x Knob Guard for CTRL.5 (Wood) 1 x SKB Case with Custom Foam for CTRL.5 3 x 2.4 GHz Antenna (28.4mm length 0.56db rp-sma) 1 x Silicone Knob Grip - Black Useful Accessories:11-1591 Screen Protector for CTRL.5 11-1138 SKB Case for CTRL.5 11-1139 2.4GHz 28.4mm Antenna for CTRL.5 / MDR.S 11-1134 NP-F976 L-Series 7.2V, 6600 MAh Li-Ion Battery for CTRL.5 11-1588 Bolt-On Monitor Hinge Cube11-1593 Kickstand for CTRL.511-1592 Hand Grip for CTRL.5
Teradek RT systems combine premium lens-control technology with smart design, allowing you to view and adjust critical lens data and functions directly on your CTRL.5 screen for unparalleled accuracy and dependability on set.The FIZ Kit includes: 1 x CTRL.5 Handset 1 x MDR.S Lens Control Receiver 1 x MOTR.S MAX Lens MotorCTRL.5CTRL.5 raises the bar for wireless FIZ lens-control handsets with a 5-inch SmallHD Ultra-bright touchscreen powered by CTRL.OS, a task-specific evolution of SmallHD’s PageOS. View critical lens data overlays while pulling focus without taking your eyes off the video feed. Calibrate lenses to pre-marked focus rings and access configurations at any time via the touchscreen or one of eleven programmable function buttons. The hand unit includes a multitude of mounting points for accessories. CTRL.5 is fully cross-compatible across the Teradek RT Lens Control Ecosystem. MDR.S Teradek RT receivers are easy to mount and can connect to iOS devices via Bluetooth for configuration, control, and support for up to three motors. This FIZ kit comes with the ultra-lightweight MDR.S receiver which suits extremely compact setups for smaller cameras, drones, and handheld configurations to optimize speed, size, and weight. The Teradek TOF.1 rangefinder works with both MDR.S and MDR.XMOTR.S MAXTeradek RT motors offer generous power and speed for driving even the heaviest lenses, giving you responsiveness & precision with every pull. MOTR.S MAX offers 1.2Nm of peak torque and operates nearly silently even at the highest speeds thanks to its brushless design. The optional MOTR.S is a more compact version of the MAX; it offers high speed while being almost 20% lighter. MOTR.S is sold separatelyNote: While three RT Motor Cables are included in the RT FIZ Wireless Lens Control Kit (ST-ST 0.2m, ST-ST 0.4m, and ST-ST 0.6m), additional RT Motor Cables are available in specific lengths for additional motors (20cm, 30cm, or 60cm). FIZ kit includes the essentials to pull focus with confidenceIn the Box 1 x CTRL.51 x MDR.S 1 x MOTR.S MAX with Standard Bracket 1 x Compact Bracket for MOTR.S/MAX 1 x Blank Rings 1 x Pre-Marked Iris Ring 1 x Set of Pre-Marked Focus Rings - Imperial 1 x Set of Pre-Marked Focus Rings - Metric 1 x MRD.S Mounting Bracket 1 x 5pin to 5pin USB Cable, Straight to Right Angle (12in / 0.3m) 1 x 3pin to 2pin cable, 16in / 0.4m 1 x 3pin to P-Tap cable, 16in / 0.4m 1 x USB-A to USB-C for MDR.S FW Updates 1 x Motor Cable 7.8 in / 0.2m 1 x Motor Cable 15.75 in / 0.4m 1 x Motor Cable 23.6 in / 0.6m 1 x 3pin to 3pin R/S Cable for MDR.S 1 x Hinged Monitor Mount for CTRL.5 1 x Hand Strap for CTRL.5 1 x Neck Strap for CTRL.5 1 x Screen Protector for CTRL.5 (Matte) 1 x Palm Grip for CTRL.5 (Wood) 1 x Thumb Grip for CTRL.5 (Wood) 1 x Knob Guard for CTRL.5 (Wood) 1 x SKB Case with Custom Foam for CTRL.5 3 x 2.4 GHz Antenna (28.4mm length 0.56db rp-sma) 1 x Silicone Knob Grip - Black Useful Accessories:11-1591 Screen Protector for CTRL.5 11-1138 SKB Case for CTRL.5 11-1139 2.4GHz 28.4mm Antenna for CTRL.5 / MDR.S 11-1134 NP-F976 L-Series 7.2V, 6600 MAh Li-Ion Battery for CTRL.5 11-1588 Bolt-On Monitor Hinge Cube11-1593 Kickstand for CTRL.511-1592 Hand Grip for CTRL.5
CTRL.5 raises the bar for wireless FIZ lens-control handsets with a 5-inch SmallHD Ultra-bright touchscreen powered by CTRL.OS, a task-specific evolution of SmallHD’s PageOS. View critical lens data overlays while pulling focus without taking your eyes off the video feed. Calibrate lenses to pre-marked focus rings and access configurations at any time via the touchscreen or one of eleven programmable function buttons. The hand unit includes a multitude of mounting points for accessories. CTRL.5 is fully cross-compatible across the Teradek RT Lens Control Ecosystem. The CTRL.5 is not compatible with the older RT overlay cables. You will need either the 5-pin to USB A (#11-1146) or the 5-pin to 5-pin cable (#11-0401) and depending on your monitor, the dual 5-pin USB Adapter (#11-0895) to convert your USB connection. The Teradek RT CTRL.5 is a state-of-the-art wireless lens control system designed for filmmakers seeking precision and reliability. This compact controller features a high-resolution touchscreen interface that allows for seamless focus, iris, and zoom adjustments. With a range of connectivity options, the CTRL.5 can integrate effortlessly with various lens types, providing filmmakers the flexibility to adapt to different shooting environments and requirements.Built to withstand the rigors of professional filmmaking, the CTRL.5 is lightweight yet robust, making it ideal for on-location shoots. Its intuitive design and responsive controls enable users to make real-time adjustments, ensuring every shot is executed with pinpoint accuracy. Whether you're working with high-end cinema cameras or versatile DSLR setups, the Teradek CTRL.5 enhances your workflow, enabling creative possibilities that elevate your storytelling.The CTRL.5’s advanced wireless capabilities eliminate the constraints of physical cables, giving you the freedom to move around the set while maintaining complete control over your lens functions. With a long battery life and reliable connectivity, this product is a must-have tool for cinematographers, camera operators, and production teams aiming to achieve cinematic excellence.Features of Teradek RT CTRL.55-inch Ultra-bright TouchscreenCTRL.OS - page-based operating system 11 programmable function buttonsVisual Lens LibraryCross-compatible with full Teradek RT Ecosystem Seamless focus, iris, and zoom control Compatible with various lens types Technical Specifications Power Input: NP-F Wireless Range: 5000 feetTouchscreen size: 5 inchesCompatibility: Teradek RT motor systemsMaterial: Aluminum and plasticDimensions and WeightsWeight: 1.83 lbs (830 g)Dimensions: 6.6 x 6.6 x 3.3 inches (16,8 x 16,8 x 8,3 cm)InterfacesConnectors: 5pin USB port and 4pin AUX portRunstop Control: RED (Epic, Scarlet, Weapon, Raven etc.)ARRI (Alexa, Amira etc.)Phantom, Sony F55LANC (Blackmagic, Canonc C100/300/500 Sony FS7)Axes: 4 total: Knob / Slider / Rocker / WheelBluetooth: Bolt Pairing and Control (coming soon)Display: 5" Highbright SmallHDIn the Box1x CTRL.51x Blank Ring2x 2.54GHz 28.4mm Antenna1x Black Silicone Knob GripUseful Accessories:11-1591 Screen Protector for CTRL.5 11-1138 SKB Case for CTRL.5 11-1139 2.4GHz 28.4mm Antenna for CTRL.5 / MDR.S 11-1134 NP-F976 L-Series 7.2V, 6600 MAh Li-Ion Battery for CTRL.5 11-1588 Bolt-On Monitor Hinge Cube11-1593 Kickstand for CTRL.511-1592 Hand Grip for CTRL.5 How to Update Your CTRL.5 Firmware (CTRL.OS Firmware Update)
Shogun Ultra is everything you’d expect from a Shogun: perfect for larger HDMI mirrorless and SDI cinematic cameras and with network connectivity built-in. It’s also your gateway to amazingly fast and productive cloud workflows. Shogun Ultra is Peak Shogun. Opening up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with popular cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand new OS - New AtomOS 11 - faster, cleaner, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony cameras.RemoteView - Share live camera views from your Shogun´s screen over the internetPremium Options - NDI 4K TXMore Codecs Included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording* - Record & upload high bitrate 4K files to the Cloud*Available when subscribing to Classic and Premium Atomos Cloud ServicesWi-Fi 6E - Fast, stable connection to the internetImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications 7-inch 2000nits monitor-recorderCapture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!SRT streaming ensures reliable video transmission even over unreliable networks, allowing for seamless live simultaneouslySDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon RED and Sony SDI camerasNew AtomOS 11 improves memory management, boosts responsiveness, and unleashes new featuresPublish directly from the cloud with 4K h.265 Camera to Cloud modeFast and stronger connectivity with Wi-Fi 6EShare what´s on your Atomos screen with other AtomOS11 users, as well as iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone System, ARRI False color added in combination with other monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.12G SDI IN and OUT and HDMI IN and OUTBi-directional HDMI <=> SDI input conversion with simultaneous SDI & HDMI outputsLong range ATOMOS AirGlu sync technology for wireless timecode via RF and Bluetooth LE1GbE Ethernet for high-speed robust hardwired network connectionConnectivity to Atomos Cloud Studio gateway of servicesIn the Package1x Shogun Ultra1x USB-C PD to 2.1mm DC power lead1x Master Caddy III2x Wi-Fi antennas1x AirGlu antennas1x Antenna tips1x 3.5mm to 3.5mm audio sync cable1x QuickStart Guide
Shinobi II has been redesigned with a new, slimline case and a 50% brighter screen, yet still manages to pack in all of Atomos’ renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control. Features - What´s new:Slimmer body & portable design1500nits peak brightness HDR touchscreenCamera control via USB-C and LANCPowered via USB-C PDPower/charge your camera via USB-C PDHDMI & USB-C locking adapterThe latest Atomos monitoring toolsTechnical Specifications Much slimmer body and low-profile design - weighs just 210gms.50% brighter - 1500nits peak brightness, 5inch, high-resolution touchscreen.Camera control via USB-C for Canon, Panasonic and Sony cameras, plus Z CAM cameras via optional USB-C to Serial cable.Use the Camera Status indicator to check the camera´s internal record settings, battery status & remaining record time.New AtomOS 11 user interface has a more modern look, more responsive operation and easy access to all the most-used monitoring tools.Powered by NP-F style batteries, or via USB-C PD (10W input).Charge/power the camera via USB-C PD (13W output), all while using the Shinobi II´s camera control features.Unique Analysis Mode can deploy the waveform, histogram & vectorscope tools simultaneously.Frame Guides and 9 Grid help get perfect framing and compositing.Low power consumption - Shinobi II can run all day off a single batter charge.In the Package1x Shinobi II1x USB-C 2.0 cable1x HDMI + USB-C locking cable adapter1x QuickStart Guide
Ninja Ultra is a leap forward in filmaking technology. You get all of Ninja’s monitoring/recording tools and capabilities, but in conjunction with the Atomos Connect, it opens up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Ninja works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. FeaturesBrand New OS - New AtomOS 11 - faster, with more featuresDual Record - Dual 4Kp60 ProRes RAW & proxy recording for offline or CloudSDI Cine - Auto matches filenames from ARRI, Canon, RED & Sony camerasRemoteView - Share live views from your screen over the internetMore Codecs included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free4K H.265 Recording - Record & upload high bitrate 4K files to the CloudWi-Fi 6E - The best. Faster, lower latency, more stable connectionImproved Monitoring - With EL ZONE System exposure and ARRI false colorTechnical Specifications Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features. Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120PFlexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!Dual RAW record for Camera to Cloud workflow - capture 4Kp60 ProRes RAW & H.265 simultaneously*SDI Cine new features for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI camerasAtomOS 11 offering a redesigned interface, new features, and performance improvements.SRT streaming ensures reliable video transmission even over unrealiable networks, allowing for seamless live content delivery.Publish directly from the cloud with 4K H.265 Camer ato Cloud mode*Faster and stronger connectivity with Wi-Fi 6E*Share what´s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.Additional advanced industry leading suite of monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.Same form factor as NinjaV, all Accessories are compatible with the new Ninja Series (Ninja & Ninja Ultra)*requires Atomos ConnectIn the Package1x Ninja Ultra1x Battery eliminator1x USB C PD to 2.1mm DC power lead1x QuickStart Guide
Ranger’s best-in-class performance allows broadcasters, live production companies, churches, and government entities to implement real-time wireless workflows over licensed and unlicensed bands, from 4.9 GHz up to 6.4 GHz. And new for 2023, Ranger now includes 24 additional 20mhz RF channels over 6 GHz (U-NII 5), providing access to wireless spectrum rarely usedby other electronics. Features Up to 2160p60 Resolution 10-bit 4:2:2 Image Quality Transmitter: 12G-SDI & HDMI 2.0 Input, Looping 12G-SDI Output Receiver: 2x 12G-SDI, 1x HDMI 2.0Zero-Delay - go from TX to RX in .001 seconds Technical Specifications SDI / HDMI up to 1080p6010-bit HDRInput Output ScalingBroadcast Mode: 5000ft Models OnlyRanges: 750ft, 2500ft, 5000ftFrequencies Supported:Licensed:4.900 - 5.150 GHz5.350-5.470 GHz5.850-5.925 GHzUnlicensed:5.150-5.250 GHz (Non-DFS)5.250-5.350 GHz (DFS)5.470-5.725 GHz (DFS)5.725-5.850 GHz (Non-DFS)5.925-6.425 GHz (UNII-5)AES-256 EncryptionRF Power: 21 dbm EIRPMulticast: 1:6 (unlimited RX on 5000ft models when set to "Broadcast" mode)Suggested Form Factor: Camera-backBattery Mount Option: Gold Mount / Gold Mount 26V (TX/RX) and V-Lock Mount (TX/RX) Ranger AppManage Ranger from your device with the Ranger Manager app for iOS and Android.Pair and unpair transmitters and receivers with the touch of a buttonMeasure and analyze the frequency and amplitude of a signalView live channel strength for licensed/unlicensed bandsMonitor your live RF spectrum bandwith Item Codes: 10-2580-V: Ranger Mk II 750ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount10-2590-V: Ranger Mk II 2500ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount 10-2595-V: Ranger Mk II 5000ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount
Ranger’s best-in-class performance allows broadcasters, live production companies, churches, and government entities to implement real-time wireless workflows over licensed and unlicensed bands, from 4.9 GHz up to 6.4 GHz. And new for 2023, Ranger now includes 24 additional 20mhz RF channels over 6 GHz (U-NII 5), providing access to wireless spectrum rarely usedby other electronics. Features Up to 2160p60 Resolution 10-bit 4:2:2 Image Quality Transmitter: 12G-SDI & HDMI 2.0 Input, Looping 12G-SDI Output Receiver: 2x 12G-SDI, 1x HDMI 2.0Zero-Delay - go from TX to RX in .001 seconds Technical Specifications SDI / HDMI up to 1080p6010-bit HDRInput Output ScalingBroadcast Mode: 5000ft Models OnlyRanges: 750ft, 2500ft, 5000ftFrequencies Supported:Licensed:4.900 - 5.150 GHz5.350-5.470 GHz5.850-5.925 GHzUnlicensed:5.150-5.250 GHz (Non-DFS)5.250-5.350 GHz (DFS)5.470-5.725 GHz (DFS)5.725-5.850 GHz (Non-DFS)5.925-6.425 GHz (UNII-5)AES-256 EncryptionRF Power: 21 dbm EIRPMulticast: 1:6 (unlimited RX on 5000ft models when set to "Broadcast" mode)Suggested Form Factor: Prosumer Cameras, Flycam, Rigging, DronesBattery Mount Option: Gold Mount / Gold Mount 26V (RX only) and V-Lock Mount (RX only) Ranger AppManage Ranger from your device with the Ranger Manager app for iOS and Android.Pair and unpair transmitters and receivers with the touch of a buttonMeasure and analyze the frequency and amplitude of a signalView live channel strength for licensed/unlicensed bandsMonitor your live RF spectrum bandwith Item Codes: 10-2530-V: Ranger Micro 750ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount10-2540-V: Ranger Micro 2500ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount 10-2555-V: Ranger Micro 5000ft 3G-SDI/HDMI - Wireless TX/RX Set V-Mount
The Sony BVM-HX3110 is a cutting-edge 4K HDR reference monitor designed for the most demanding post-production, color grading, and broadcasting applications. Building on Sony’s legacy of precision and high-performance in the BVM series, the BVM-HX3110 introduces advanced capabilities for HDR workflows, enhanced color accuracy, and expanded input/output options to meet the evolving needs of modern production environments. Key Features 31.1-inch 4K HDR Display (4096 x 2160 Resolution): The BVM-HX3110 provides a true 4K resolution at 4096 x 2160 pixels, ensuring that every detail is captured with precision. It supports both DCI 4K (4096 x 2160) and UHD (3840 x 2160) formats, making it suitable for film, TV, and digital content production. The large 31.1-inch screen delivers an expansive and clear visual field for detailed work on high-resolution content. Ultra-High Peak Brightness and Contrast: The monitor offers up to 1000 nits of peak brightness, enabling it to display bright highlights accurately in HDR content. Combined with excellent black levels and a high contrast ratio, the BVM-HX3110 excels at displaying the full dynamic range from the darkest shadows to the brightest highlights, making it perfect for mastering both HDR and SDR content. Advanced HDR Support: This monitor is designed with HDR workflows in mind, supporting both PQ (SMPTE ST 2084) and HLG (Hybrid Log-Gamma) standards. It offers the ability to display both HDR and SDR signals simultaneously using its dual-view mode, which is highly beneficial for colorists and editors working with mixed content. Wide Color Gamut: The BVM-HX3110 covers a wide color spectrum, supporting DCI-P3, Rec.2020, Rec.709, and other professional color gamuts with precision. This ensures that the colors you see on the screen are accurate and faithful to the source material, critical for color grading and mastering work. The monitor’s ability to display these color spaces with consistent accuracy makes it ideal for high-end cinematic workflows. 12-bit Processing for Precise Grayscale: The BVM-HX3110’s internal 12-bit digital signal processing allows for smooth gradation and superior grayscale accuracy. This is crucial in post-production environments, especially for tasks that require meticulous control over shadow details and mid-tones. True Black Reproduction: The BVM-HX3110 is optimized to reproduce deep blacks, approaching the performance of OLED monitors while using an advanced LCD panel. This makes it ideal for dark scene reproduction, preserving subtle details in shadows and low-light environments without compromising clarity. Improved Viewing Angles: One of the challenges in reference monitors is maintaining color accuracy and contrast from different viewing angles. The BVM-HX3110 significantly improves on this aspect, ensuring consistent image quality whether viewed directly or at an angle, which is essential for collaborative work environments like grading suites. Flexible I/O Options for Modern Workflows: The BVM-HX3110 supports 12G-SDI, 3G-SDI, HDMI, and DisplayPort inputs, ensuring compatibility with a wide range of production equipment and simplifying integration into various workflows. Its 12G-SDI capability allows for the transmission of 4K content over a single cable, making it ideal for simplifying setups in complex production environments. Enhanced User Interface and Calibration Tools: Sony has improved the user experience with an intuitive interface that allows quick access to essential settings, making calibration and operation straightforward. The monitor supports user-loadable LUTs (Look-Up Tables), giving colorists and DITs more control over how images are displayed. The built-in calibration tool ensures that the monitor remains accurate over time with minimal effort. Built for Reliability and Durability: Designed for professional environments, the BVM-HX3110 is built with robust materials and components, ensuring long-term reliability. Its solid construction is made to withstand the rigors of daily use in studios, production trucks, or on-set environments, making it suitable for both fixed installations and mobile productions. Applications Film and Television Post-Production: The BVM-HX3110 excels in color grading, finishing, and VFX work where absolute image fidelity is required. Broadcasting: Broadcasters can rely on the BVM-HX3110 to accurately display both live and pre-recorded content, with exceptional HDR and SDR mastering capabilities. High-End Digital Content Creation: Content creators working on platforms like streaming services or cinematic productions will benefit from the monitor’s precise color representation and high dynamic range support. On-Set Monitoring: The BVM-HX3110 can be used on set for real-time monitoring during production, ensuring that what is captured on camera will translate perfectly into post-production. Summary The Sony BVM-HX3110 is a top-tier professional monitor, offering unparalleled image quality for color grading, mastering, and broadcasting. With its 4K HDR capabilities, outstanding color accuracy, and broad support for modern production workflows, it is designed to meet the highest standards of today’s content creators. Whether used in film, TV, or digital media production, the BVM-HX3110 guarantees that the final image remains true to the creative vision, making it an indispensable tool for any high-end production environment.
The Sony BVM-HX310 is a flagship professional reference monitor designed for high-end post-production, color grading, and broadcast environments where precise color accuracy and consistent image quality are paramount. This 31.1-inch 4K HDR master monitor is part of Sony’s renowned BVM series, which is trusted in critical applications by production studios and broadcasters worldwide. Key Features: 4K HDR Display (4096 x 2160): The BVM-HX310 delivers true 4K resolution with 4096 x 2160 pixels, making it ideal for cinematic production workflows that require high-resolution content review and editing. It supports both DCI 4K (4096 x 2160) and UHD (3840 x 2160) resolutions. 10-bit Panel and 12G-SDI Support: The monitor features a true 10-bit panel, allowing for accurate color representation and smooth gradients, which is critical for HDR content. Its 12G-SDI interface supports 4K 60p signals over a single SDI cable, simplifying the workflow and reducing cable clutter. Exceptional Color Accuracy: The BVM-HX310 provides nearly perfect color reproduction and can display DCI-P3, Rec.709, Rec.2020, and other color gamuts with high precision. The monitor is meticulously calibrated for mastering SDR and HDR content with industry-standard EOTF curves, including SMPTE ST 2084 (PQ) and Hybrid Log-Gamma (HLG). High Dynamic Range (HDR) Capabilities: This monitor supports both PQ and HLG HDR formats, enabling accurate mastering and previewing of HDR content. With its ultra-high contrast ratio and support for up to 1000 nits of peak brightness, it delivers stunning clarity in highlights while maintaining deep blacks and shadow details. True Black Performance: Unlike many other LCD monitors, the BVM-HX310 offers near-OLED black performance. This allows for exceptional clarity and detail in dark scenes, which is crucial for cinematic content, especially in genres like drama and thriller, where shadow detail is often significant. Accurate Grayscale Reproduction: Thanks to its 12-bit digital signal processing, the monitor ensures precise grayscale rendering, making it suitable for color grading in both SDR and HDR workflows. User-Friendly Calibration and Flexibility: Sony’s advanced calibration tool allows users to fine-tune the display to their exact specifications, ensuring consistent performance throughout its lifecycle. The monitor also supports user-defined LUTs (Look-Up Tables) for greater creative control. Robust Build and Ergonomics: Built for professional environments, the BVM-HX310 is rugged and durable, with multiple mounting options and an intuitive interface for easy use in demanding production studios. Various Input/Output Options: In addition to 12G/3G/6G-SDI inputs, the monitor includes DisplayPort, HDMI, and more, providing flexibility for integration into any production environment. Applications: Film and TV Production: Ideal for directors and colorists who need the most accurate representation of what will be shown on the big screen. Broadcasting: Essential for live broadcast productions where precise and reliable color accuracy is critical. Post-Production and VFX: Used in color grading and visual effects workflows where detail, color consistency, and contrast must be finely controlled. Summary: The Sony BVM-HX310 is a top-tier reference monitor built for professionals who demand the highest standard in image fidelity. Its combination of 4K HDR capabilities, superior color accuracy, and robust build make it a go-to choice for critical production and post-production work. Whether you are creating HDR content for streaming platforms, cinema, or television, this monitor ensures your visuals are accurate, detailed, and stunningly true to life.
Advanced 4K HDR Monitoring with IP Integration – Building on the BVM-HX1710 for Future-Proof Workflows The Sony BVM-HX1710N is a 16.5-inch 4K TRIMASTER HX professional monitor designed for live production and critical image evaluation in advanced IP-based workflows. Supporting SMPTE ST 2110, it seamlessly integrates into modern IP-networked production environments. This monitor offers exceptional color accuracy, True Black Reproduction, and High Dynamic Range (HDR), making it an ideal solution for studios and OB vans requiring top-tier image quality and versatile connectivity options. Key Features: The Sony BVM-HX1710N is a highly advanced monitor, particularly suited for IP-based workflows and future-proof production environments. IP Compatibility with SMPTE ST 2110: Enables seamless integration into IP-based broadcast environments for video and audio over networks. JPEG XS Decoder: Optional license for handling compressed video streams over IP, ideal for live production. 4K TRIMASTER HX Technology: Provides precise color reproduction, deep blacks, and high contrast for professional grading and monitoring. High Dynamic Range (HDR): Ensures exceptional brightness and detailed contrast with a peak luminance of up to 3,000 cd/m². Fast Response: Optional license for improved response times. Wide Viewing Angle: Superior performance with wide viewing angles. True Black & High Dynamic Range: Higher contrast ratio than 3,000,000:1 for deeper blacks. Enhanced Anti-Reflection Treatment: Improved reflection management for clearer image display. 12-Bit Output Accuracy & Precise Gamma Control: For accurate image representation. Support for Most Functions of BVM-HX3110: Includes many features from the predecessor model. Real-Time Onboard Scopes: For in-depth monitoring and analysis. 6U Rack Mounting: Standard 6U height, designed for easy integration into studio or mobile setups. Specifications: Screen Size: 16.5 inches Resolution: 3840 x 2160 (4K) Peak Luminance: 3,000 cd/m² Connectivity: SDI (2x 12G-SDI, 2x 3G-SDI), HDMI, and IP support via SMPTE ST 2110 Optional Licenses: JPEG XS Decoder, HDR-SDR Conversion, Fast Response, Signal Conversion Output, 3D LUT Conversion Output Dimensions: Standard 6U height for rack mounting Accessories: Handle, AC cord, free Auto White Adjustment software Optional Control Unit: BVMK-R10, optional 2m Extension Cable BVMK-C1020 Optional Mounting: Mounting Bracket BVMK-M1710, Stand Kit BVMK-S1710, Protection Panel BVMK-P1710 Applications Shading Online Editing Shooting Rack QC Program & Preview
Precision 4K HDR Monitoring for Traditional Broadcast and Live Production Workflows The Sony BVM-HX1710 is a 16.5-inch professional 4K TRIMASTER HX monitor. It is designed for live production and critical image evaluation. This monitor features True Black Reproduction, High Dynamic Range (HDR), and a peak luminance of 3,000 nits. These advanced features make it ideal for environments that require precise color accuracy and deep blacks, such as broadcast studios, post-production facilities, and quality control settings. The BVM-HX1710 integrates seamlessly with Sony’s professional monitor ecosystem. This makes it an excellent choice for users who are already familiar with Sony’s color grading tools. Key Features: 4K TRIMASTER HX Technology: Delivers precise color reproduction and deep blacks, ideal for shading and live production. High Dynamic Range (HDR): Ensures bright highlights and excellent contrast, enhancing image quality. Peak Luminance: Up to 3,000 nits, providing high visibility even in bright environments. True Black Reproduction: Perfect for accurate color grading and evaluation. Fast Response: Available via optional license for improved response times. Wide Viewing Angle Performance: Consistent picture quality from various angles. Enhanced Anti-Reflection Treatment: Better management of reflections for a clearer view. 12-Bit Output Accuracy & Precise Gamma Control: For detailed and accurate image representation. SMPTE ST 2110 IP Interface: Available on the BVM-HX1710N model for networked live production environments. Connectivity: Includes 2x 12G-SDI, 2x 3G-SDI, and HDMI interfaces for both BVM-HX1710 and BVM-HX1710N models. Multi-Screen Modes & Real-Time Onboard Scopes: Advanced features for complex live setups. Rack Mounting: Standard 6U height, suitable for both studio and mobile use. Support for BVM-HX3110 Functions: Many functions from the BVM-HX3110 are included. Free Auto White Adjustment Software: Included for ease of calibration. Specifications: Screen Size: 16.5 inches Resolution: 3840 x 2160 (4K) Brightness: 3,000 nits peak luminance Connectivity: SDI (2x 12G-SDI, 2x 3G-SDI), HDMI; IP support for BVM-HX1710N model Dimensions: Standard 6U height for rack mounting Accessories: Handle, AC cord Optional Licenses: Fast Response BVML-F10, HDR-SDR Conversion BVML-H10, Signal Conversion Output BVML-S10, 3D LUT Conversion Output BVML-T10, JPEG XS BVML-JD10 (for BVM-HX1710N), SNMP BVML-SN10 (for BVM-HX1710N) Optional Control Unit: BVMK-R10, optional 2m Extension Cable BVMK-C1020 Optional Mounting: Mounting Bracket BVMK-M1710, Stand Kit BVMK-S1710 Optional Protection Panel: BVMK-P1710 Applications Shading Online Editing Shooting Rack QC Program & Preview The Sony BVM-HX1710 is a powerful and versatile monitor tailored for professionals needing reliable performance in critical image monitoring, particularly in demanding live production environments.
Prism Mobile is the most compact bonded cellular video encoder in its class, delivering reliable 4K HDR streaming from the most challenging locations for live coverage on the go and camera-to-cloud workflows. Mission-Critical Network Bonding: Get exceptional worldwide internet connectivity virtually anywhere with two internal high-throughput Node modems with high-gain antennas uniquely designed for video applications. For maximum redundancy, Prism Mobile can bond* up to 9 network connections across cell phone Hotspots (4x), Ethernet (2x), and Cellular Modems (3x) – ensuring your stream never misses a beat. Achieve Prism’s true potential with Core, Teradek’s streaming media orchestration platform. Core allows you to securely monitor, manage, route, distribute, and archive your live video feeds from anywhere in the world. Features Two built-in 5G or LTE modems with high-gain antennasCBRS & Private Mobile Network readyBuilt-in Network BondingHEVC / AVC Compression12G-SDI & HDMI i/oUp to 4Kp60 10-bit HDR video8 CH. Audio | 5.1 & 7.1 Surround soundLicenses for return video and multi-outputLow-SWaP Design: 864g with battery platesGold / V-Mount: 3hr Runtime (tested in ideal conditions with a 90Wh battery)On-Board Recording, Store and Forward and Camera-To-Cloud Ready (Core, Fram.io, Sony C3 Portal, Sony Ci, PIX, AVID)Multiple Protocols: SRT, MPEG-TS, RTMP(S), RT, RIST, RTSP, TRT, HLS, DASH, WHIPPrism app for iOS and AndroidCore Cloud compatible, Local Control SDK available Available Models:10-2857-5SV Prism 857-5SV Mobile dual 5G SW V-Mount 10-2857-5SG2 Prism 857-5SG2 Mobile dual 5G SW 26V Gold Mount 10-2857-5SG Prism 857-5SG Mobile dual 5G SW Gold Mount 10-2857-5S Prism 857-5S Mobile dual 5G SW No Mount 10-2857-CV Prism 857-C Mobile Mk II HEVC/AVC Encoder V Mount10-2857-CG26 Prism 857-CG26 Mobile Mk II HEVC/AVC Encoder Gold Mount 26V 10-2857-CG Prism 857-CG Mobile Mk II HEVC/AVC Encoder Gold Mount 10-2857-C Prism 857-C Mobile Mk II HEVC/AVC Encoder
The Ovide Smart Assist M200 is a powerful all-in-one video assist system designed exclusively for professional film and TV productions using QTAKE. Combining a 22” 4K touchscreen (4096x2304, 10-bit, 500 nits), integrated high-end CPU/GPU, and QTAKE software, the M200 lets you record, monitor, process, edit, stream, and manage footage—all from a single, transportable unit. Whether you're handling a multi-camera shoot or real-time chroma keying and CG overlays, the M200 ensures seamless performance without external peripherals. Built for both on-set and remote workflows, the Smart Assist M200 supports dual 2K/HD recording and offers flexible I/O configurations. With support for up to 4x 6G-SDI inputs and 12x 12G-SDI outputs in the Quad version, it’s ideal for multi-camera environments. It features an internal UPS that provides two minutes of emergency backup power, hot-swappable SSDs, and dual battery mount options (V-Mount or Gold Mount). Its quiet, software-adjustable fan and rugged construction make it equally suited for sound stages, outdoor locations, or mobile production units. Features – Ovide Smart Assist M200 22" 4K touchscreen (4096x2304, 10-bit, 500 nits) with touch control Built-in QTAKE software with full feature support Dual hot-swappable video SSDs (via Thunderbolt) Adjustable silent fan operation for quiet sets Real-time video processing: chroma key, CG, alphas, editing, metadata Remote collaboration: stream live or playback to up to 160 devices WiFi and Bluetooth connectivity for accessories Smart power: UPS with 2-minute backup + hot swap between AC/DC/batteries Technical Specifications Dual 6G-SDI in / 6× 12G-SDI out (Dual) Quad: 4× 6G-SDI in / 12× 12G-SDI out Audio I/O: 2× XLR in, 2× XLR out 8 GPU processors for 8 fully processed video paths Power input: 18–30V DC (2-pin Fischer) Dual battery mounts (V-Mount or AB Gold Mount) Female C-stand mount (Ø3×5 cm) UPS built-in (2 minutes runtime) Dimensions & Weight Screen: 22″ (4096x2304) touchscreen Mounting: Female C-stand pin Ø3×5 cm Cabin-friendly: built to be checked as luggage Rugged construction for transport and on-set durability In the Box Ovide Smart Assist M200 main unit 2x removable SSD drives Power supply and AC cable Touchscreen stylus (optional) Quick start guide and documentation
Take your Smart 7 monitor to the next level with intuitive camera-control software. This kit includes a software license download card and control cables that enable real-time configuration of RED® DSMC2™ cameras. Quickly access essential RED camera settings with intuitive, user-friendly controls on the Cine 7, Indie 7 or 702 Touch monitors from SmallHD Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor. In the Box: RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CNTRL-18)Camera Control for DSMC2 (Software only)Micro USB to 5pin Adapter (ACC-C7T-USB-ADP)
Software license and control cables that enable real-time configuration of RED RCP2 cameras (KOMODO, DSMC3 and V-RAPTOR). Upgrade your filmmaking game with our intuitive camera-control software kit designed to take your Indie 5 monitor to the next level. This kit includes a software license download card and control cables that enable real-time configuration of RED® RCP2™ cameras such as KOMODO-X, KOMODO®, DSMC3™, and V-RAPTOR™.With our user-friendly controls, you can quickly access essential RED camera settings and take full control of your camera from your Indie 5 monitor by SmallHD. Transform your touchscreen into the central command hub of your camera and gain unfettered access to project settings such as Start/Stop Record, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Clip Playback, and more.Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor. In the Box: Camera Control for RED RCP2 Software Only (KOMODO-X, KOMODO, DSMC3) RED EXT 9pin to SmallHD 5pin USB Camera Control Cable 18in/45cm (#17-4305)RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CTRL-18)Locking Micro-USB to locking 5pin Adapter (f) 3.3in / 8.5cm (#17-4308)
Take your Cine 5 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony BURANO, FX6, VENICE, AND VENICE 2. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony Software Only (#18-1002) Slim Ethernet Cable (#CBL-ETH-36)5pin to Ethernet Adapter (#17-4306)
Take your Cine 5 to the next level with intuitive camera-control software*. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony FX6. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony FX6 Software Only (#18-1003) Slim Ethernet Cable 36in (#CBL-ETH-36)5pin to Ethernet Adapter (#17-4306)
ake your Ultra 5, Ultra 7, Ultra 10 or Cine 7 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony FX6. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Ultra 5, Ultra 7 Ultra 10 or Cine 7 monitors from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony FX6 Software Only (#18-1003) Slim Ethernet Cable 36in (#CBL-ETH-36)
Take your Cine 5 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of Alexa Cinema Cameras, including the ALEXA 35. Quickly access essential ARRI camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:RecordStart, RecordStop, Playback Control, Set & Read TC, Set & Read Project Rate, Read & Set System Date/Time, Read Clip List from Medium, Camera Type, Camera Serial, Camera State, Look Filename, Color Temperature, Tint Variable, Exposure Index, Sensor FPS List, Sensor FPS, Shutter Angle List, Shutter Angle, Exposure Time List, Exposure Time, Exposure Index List, ND Filter List, ND Filter, White, Balance List, Media Status, Recording Mode, Clip Scene, Clip Take, Medium Type, Model, Name, Serial Number, Clip Count, Current Reel, Medium Size, Medium Status, Write Protection, Clip, Count, Current Reel, Free Capacity, Clip Filename, Clip UUID, Clip Project Rate, Clip Start TC, Clip Duration TC Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor In the Box: Camera Control for ARRI Software Only (#SW-ARRI-CONTROL) Locking 10pin ARRI ALEXA (m) to Ethernet (m) Camera Control Cable 36"/90cm (17-4311) ARRI Alexa Cable Control Cable -right angle (#CBL-ETH-ARRI-R-ANGLE-39in/1m) 5pin to Ethernet Adapter (17-4306)Slim Ethernet Cable - 36in (#CBL-ETH-36)
Teradek is committed to designing and manufacturing the highest quality RF antennas, prioritizing both performance and reliability. When engineering antennas, two key factors are essential: frequency coverage and gain. Frequency coverage ensures that the antennas can support the entire range of frequencies on which the Bolt system operates, while consistent antenna gain allows the antennas to generate a stable and consistent signal across all distance ranges and power output levels. Unfortunately, not all antennas are created equal. Many third-party antennas do not cover Bolt’s full frequency range, nor do they output the appropriate gain levels, resulting in poor signal performance and limited frequency (channel) options. Teradek takes great care in certifying and tuning each antenna individually during the manufacturing process. This rigorous attention to detail ensures that Teradek antennas deliver exceptional performance in the most demanding RF environments. The new flexible V-Antennas perform as well as their predecessors but feature a flexible base that enhances durability and resilience; ideal for even more challenging production conditions. These 2Bi antennas are fully compatible with all Bolt 4K and Bolt 6 models, in both V+V and V+H antenna configurations. The antennas cover the same 4.9 - 7.3 GHz frequencies and utilize the standard RP-SMA connector. Specifications: Flexible design prevents breakageWorks with Bolt 4K and Bolt 6RP-SMA ConnectorOutput: 2dBi 4.9-7.3Ghz#11-1147: Single Antenna (1 piece)#11-1148: Antenna pack (7 pieces)
SmallHD ULTRA 10 with built-in Bolt 6 Receiver with 1500ft range and V-Mount Plate. Ultra 10 strikes the perfect balance between screen size and lightweight portability with a feature-packed 10-inch Ultra-Bright Monitor designed to adapt to any production scenario. Key features include 2000nits of brightness, 6G-SDI architecture, an impact-resistant IP54-certified form factor, and more ways than ever to customize your PageOS workflow via touchscreen, joystick, large tactile buttons, and new multi-function rotary encoder knobs for maximum control in all conditions. The Ultra 10 Bolt 6 RX features an integrated Teradek Bolt 6 Receiver, allowing you to receive zero-delay wireless video from your camera via the new internal V-Antenna at ranges up to 750 or 1500 feet. It is available as a Gold Mount or V-Mount option. Ultra 10 is our first IP54-certified monitor, which is defined as resistant to water spray from any direction and protection against dust and dirt in extreme environments while operating in variable temperatures ranging from 0ºC to 40ºC. The chassis features raised edges protecting the front glass of the display and user-replaceable shock-absorbing bumpers to mitigate drops, tumbles, and impacts Ultra 10 comes with 5-pin locking USB and Ethernet ports for optional ARRI, Sony VENICE, BURANO and FX6, and RED® Camera Control (license and cable sold separately). FeaturesQD-LED Edge-Lit LCD Panel TechnologyUltra Protected - Rain, Sun, or SnowBuilt into a rugged, shockec-resistant chassis designed to withstand production and environmental rigors alike, designed with an IP54 rating. Defined as protected against harmful dust and water spray from all directiosn.Knob FunctionsFour Knobs, many applications - fly with capacitive-touch, long-push, short-push and rotary functionality.Multi-View HandheldPowerful Multi-View (feature coming soon) tools from SmallHDs 4K Production Monitors are available on the Ultra 10. View two camera feeds and use multibple tools pages all on screen at the same time, side-by-side.Product Highlights 10" QD-LED Edge-Lit LCD Touchscreen PanelBrightness: Up to 2000nits Resolution: 1920 x 1200 HDMI: 1x HDMI 2.0 input and 1x HDMI 2.0 output SDI: 1x 6G-SDI input and 1x 3G-SDI output Power Input: 2-Pin Locking Connector Control Ports: Ethernet, 5-Pin locking USBBuilt-in WiFi ReceiverBuilt-in Bolt 6 Receiver with 1500ft/457m range with internal AntennasBackwards compatible with Bolt 4K and Bolt 6 devices User Interface: Joystick with Rotary DialUI Lock Switch4x Custom-Function Buttons4x Multi-Function KnobsPageOS Features:Look-Around camera control interfaceTeradek RT Integration - Lens Control Overlay Useful Accessories available (sold separately)SunhoodARCA RailCamera ID & Tally LightCamera Control Licenses for RED, ARRI and SONY VENICEUltra QR Monitor MountUltra 10 also available (soon) with built-in Teradek Bolt 6 RX 750ft version.