65mm Format
FUJIFILM GFX ETERNA 55 Cinema Camera
* Available from October 2025. Pre-order now at CBM!The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)
IB/E K70 Series for 65mm Format Cameras
IB/E K70 Series – Precision Large Format Cine Lenses for Stunning 65mm ImageryExpected to be available in Spring/Summer 2026 The IB/E 70 Series represent the pinnacle of optical engineering designed specifically for 65mm format cameras, including the ARRI ALEXA 265, Blackmagic URSA 17K, and Fujifilm GFX ETERNA. Crafted in Germany with premium materials and expert craftsmanship, these lenses deliver extraordinary image quality characterized by a perfect harmony of razor-sharp detail and beautifully smooth bokeh. Cinematographers can expect exceptional color fidelity and minimal chromatic aberration thanks to the advanced apochromatic color correction and aspheric elements incorporated in the optical design. Designed to meet the demands of the new generation of large-format digital sensors, the IB/E 70 lenses combine cutting-edge technology with practical features that support demanding shoots. Each lens maintains a constant length during focusing due to internal focusing mechanics, ensuring stability and balance on any rig. With an aperture of T1.7 and industry-standard M0.8 gear wheels for iris and focus control, the set offers creative flexibility and precision. Lightweight and compact, these lenses are ideal for challenging production environments where portability and optical excellence must go hand in hand. The IB/E 70 Series also supports advanced metadata integration through Cooke /i technology, providing seamless data capture on set. Available in both PL and LPL mounts, the lenses offer tuning options including customized flares, iris behavior, and color temperature adjustments. Built by a dedicated team in Bavaria, this lens series is a powerful tool for filmmakers aiming to achieve stunning cinematic visuals with a natural depth of field and perspective unique to the 65mm format. Technical SpecificationsImportant note: Technical specifications and focal lengths are preliminary and subject to change. /* Container für die beiden Spalten */ .responsive-table-container { display: flex; gap: 40px; flex-wrap: wrap; justify-content: center; max-width: 1200px; margin: 0 auto; } /* Jede Spalte */ .responsive-table-column { flex: 1 1 400px; box-sizing: border-box; } /* Überschriften */ .responsive-table-column h3 { margin-bottom: 12px; font-size: 1.1em; text-align: left; } /* Listen */ .responsive-table-column ul { padding-left: 20px; margin: 0; line-height: 1.4em; font-size: 0.95em; } /* Responsive */ @media (max-width: 800px) { .responsive-table-container { flex-direction: column; gap: 20px; } } /* Product Sheet Bereich */ .product-sheet-download { max-width: 1200px; margin: 30px auto 0 auto; text-align: left; } .product-sheet-download h3 { font-size: 1.1em; margin-bottom: 8px; } .product-sheet-download a { font-size: 0.95em; color: #0066cc; text-decoration: none; } .product-sheet-download a:hover { text-decoration: underline; } Features Ultra-fast T1.7 maximum aperture for exceptional low-light performance Internal focusing with constant lens length for stable rig setup Large 104 mm front diameter supports extensive filter options Available in PL and LPL mounts for versatile camera compatibility M0.8 standard gear wheels for smooth focus and iris control High-performance apochromatic color correction with minimal lateral color Lightweight and compact design for ease of handling on set Optional tuning for flares, iris characteristics, and color temperature Technical Specifications Image circle diameter: 65mm format coverage Aperture: T1.7 maximum, 9-blade iris (varies by focal length) Minimum focus distance: ranges from 17 cm (24mm) to 88 cm (135mm) Lens length: approximately 12.8 to 14 cm depending on focal length Weight: 1.6 to 1.9 kg per lens Optical design: aspheric elements with apochromatic correction Metadata compatibility: Cooke /i Technology integrated via mount contacts Breathing: minimal, between 3% and 5% Current Product Sheet PDF Download – IB/E K70 Series for 65mm Format Cameras (Data is subject to change)
Cooke Panchro 65/i Series
Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!
IB/E PLx1.4 65-E Asph Expander
The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet