The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
The Fiddlehead / BackFocus Pattern & Resolution Chart from DSC Labs is a chart designed for calibrating the focus on your video camera. Many video professionals consider calibration charts a necessity for optimizing camera performance and the production value of images. FEATURES FiddleHeads features a unique double spiral designed with help and testing from Steve Lucas at VER in LA. FiddleHeads produces what has been described as a visual “pop” at the precise point of optimum focus Includes framing lines for 2.35, 1.85 and 90% of 1,85. with corner resolution wedges up to 1600 TV LPPH AVAILABLE IN FOLLOWING SIZESSRW Senior(24×14.7"), XW Maxi(40×24"), SXW Super Maxi(51.5×30.5")
The CamAlign Chip Chart ColorBar/GrayScale with Resolution from DSC Labs is a chart designed for calibrating the color on your video camera. Many video professionals consider calibration charts a necessity for optimizing camera performance and the production value of images. FEATURES Video Camera Color Calibration Chart Use with Engineering or Production Work Color & Grayscale References Hyperbolic Resolution Trumpets Dimensions (HxW):13 x 21.3" (33 x 54cm)
The Toni Grayscale Chart from DSC Labs is a chart designed to provide a superior level of precision in grayscale calibration with your camera, particularly in the toe (dark gray to black) and knee (light gray to white) areas of grayscale dynamic range. The chart features (6) closely spaced chips from true black to dark gray, (6) from light gray to white, and (2) gamma-step gray bars. The darkest step is DSC Labs' 3-D CaviBlack black reference swatch.FEATURES DSC 11-step crossed grayscales The darkest step is DSC’s popular 3-D CaviBlack 16:9 (1.78) framing bowties and 90% of 1.85. CaviBlack included AVAILABLE IN FOLLOWING SIZESSW Standard(21.3×13"), XW Maxi(40×24")
The Noga MG9038 is composed of three-joints that can be quickly and efficiently locked or released using a kip lever-based central mechanism. All three-joints can be simultaneously locked using the single central locking knob. While supporting camera lights and monitors, you can move the arm horizontally or vertically, as well as achieve tilt adjustments to obtain the best possible view. With equal length on both sides, the arm offers increased strength and holding resistance. FEATURES Three-joint mounting arm Provides quick and efficient locking or release of arms using a kip lever-based central mechanism Offers simultaneous locking of all three joints via single central locking knob Provides horizontal, vertical as well as tilt adjustments allowing you to obtain the best possible view Equal length on both sides of the arms for increased strength and holding resistance Supports camera lights and monitors
The MultiBurst Pattern Chart with Resolution from DSC Labs is a chart designed for calibrating the focus and resolution on your video camera. Many video professionals consider calibration charts a necessity for optimizing camera performance and the production value of images.FEATURES Central horizontal and vertical resolution gratings. Continuous resolution sweeps from 50 to 1200 with identifier every 100 TV LPPH Spaces every 200 TV LPPH – simplify analysis when using a waveform monitor Corner gratings – useful for checking lens performance. Zone plates – helpful in identifying aliasing. AVAILABLE IN FOLLOWING SIZES JW Junior (17×10") SW Standard (21.3×13") SRW Senior (24×14.7") XW Maxi (40×24") SXW Super Maxi (51.5×30.5")
The Cine Arm DG Hold-It Arm from Noga is a 3-joint mounting arm with 1/4"-20 screws on both ends that allows you to attach an accessory such as a monitor or light on a camera with a 1/4"-20 slot. This flexible arm can be easily adjusted as per your requirement. FEATURES Central locking ratchet lever 1/4"-20 screws on both ends Rugged metal design Load capacity of up to 10 lb Anodized black oxide finish
This chart is designed for examining chrominance resolution. The Wringer reveals diagonal resolution and aliasing artefacts that are not typically seen using vertical and horizontal wedges. Since diagonal distortions are likely to be mirrored in both scanned dimensions, and to conserve space,. The 18 zone plate quadrants have spatial frequency sweeps from 200 to 1000 TV LPPH – framing to half the chart’s width yields 100 to 500 TV LPPHFEATURES Used to examine chrominance resolution Segmented zone plates reveal diagonal resolution and aliasing artifacts Each zone plate is divided into four quadrants, containing vertical, horizontal and diagonal components AVAILABLE IN FOLLOWING SIZESSW Standard(21.3×13"), SRW Senior(24×14.7"), XW Maxi(40×24"), SXW Super Maxi(51.5×30.5")
The Backfocus Pattern Chart from DSC Labs is a chart designed for calibrating the focus on your video camera. Many video professionals consider calibration charts a necessity for optimizing camera performance and the production value of images.FEATURES Exceedingly high dynamic range, brilliant white and dense black unique “bow-tie” stars Plus semi-stars for setting critical focus in center and edges AVAILABLE IN FOLLOWING SIZES JW Junior (17×10") SW Standard (21.3×13") SRW Senior (24×14.7") XW Maxi (40×24") SXW Super Maxi (51.5×30.5")
The GrayScale Maxi CamAlign Chip Chart from DSC Labs is a chart designed for calibrating the grayscale values on your video camera. Many video professionals consider calibration charts a necessity for optimizing camera performance and the production value of images. This chart has been designed with that philosophy in mind and works equally well in engineering or production work. This model includes 11-step crossed grayscales and true black assist to attain optimal tonal reproduction and richer looking images. It also features center true black with adjacent 100 IRE white chips. AVAILABLE IN FOLLOWING SIZES JW Junior (17×10") SW Standard (21.3×13") SRW Senior (24×14.7") XW Maxi (40×24") SXW Super Maxi (51.5×30.5")
The DSC Labs Front Box One Shot provides an easy color and dynamic-range reference for on-set Digital Imaging Technicians (DITs) and colorists. This matte-finished chart features RGB and CMY color swatches in addition to a range of skin tones as well as black, 18% gray, and white exposure chips. This chart standard is incorporated into DaVinci Resolve for quick color correction with the built-in utility. FEATURES Invaluable Basic chart for use as an on-the-set reference in high pressure and time sensitive shooting environments. Provides a colorist with the full dynamic range of a scene, plus DSC Precision colors and skin tones Original OneShot is printed with a matte surface to reduce obvious reflections SIZE 11 × 9.5 in
You are provided with resolution gratings of up to 1200 TV LPPH for camera frequency response test and zone plates up to 1200 TV LPPH for resolution characteristics and anti-aliasing tests.FEATURES Central horizontal and vertical resolution gratings. Resolution blocks from 50 to 1200 TV LPPH Corner gratings – useful for checking lens performance. Zone plates – helpful in identifying aliasing. AVAILABLE IN FOLLOWING SIZES JW Junior (17×10") SW Standard (21.3×13") SRW Senior (24×14.7") XW Maxi (40×24") SXW Super Maxi (51.5×30.5")
FEATURES The core bridge has a small footprint of 18mm to give you more flexibility on the rods and compatible with the Revolvr 15mm and 19mm studio bridges to give you more mounting options. Both modes provide for a quick release feature with a built-in safety mechanism. The core bridge is compatible with the Revolvr and Revolvr Atom handwheels which can be mounted on either side along with a 3″ handwheel extension when required. It can also be operated by the extension whip and speed crank which can be connected through the handwheels or directly into the core bridge in tighter spaces.
The DSC Labs Front Box One Shot provides an easy color and dynamic-range reference for on-set Digital Imaging Technicians (DITs) and colorists. FEATURES The DSC Labs OneShot chart is designed to capture as much camera and scene lighting information in one shot as possible so that dailies look as close to the DP’s intent as possible. Provides a colorist with the full dynamic range of a scene, plus DSC Precision colors and skin tones DSC’s “AcuFlect” wide dynamic range, washable gloss surface, eliminates unreliable matte chart flare. Film-style production schedules don’t generally allow much time to shoot a glossy chart and eliminate reflections, but matte surface can be too delicate for field production