Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
OR-504 is recommended for transporting and protecting cameras like: Sony ALPHA DSLR (all models), HXR-NX80, HXR-NX100, Canon XA & XF (all models), Panasonic HC-X2000, AG-CX350, AG-AC30, JVC GY-HM170 4K and similarly sized camera models. Orca´s new Classic Line Bags are expertly designed to carry and protect your video camera and all related items, from studio to location and anywhere else you choose to shoot.The bags are well-protected with layers of foam and EVA. They are also extremely light, versatile, and easy to carry. They come with three external pockets, a padded shoulder strap, and a flexible internal dividing system that can be configured according to the user´s needs. FEATURES Bright blue brushed polyester interior for easy equipment viewing Wide top opening for easy equipment viewing and operation Flexible internal dividing system that can be configured according to user´s needs 3 large external pockets Padded shoulder strap for comfortable transport Internal Dimensions: Length: 39cm Width: 17cm Height: 21cm External Dimensions: Length: 50cm Width: 28cm Height: 27cm Weight 1,4kg
The Orca Audio Mixer Bag OR-330 is compatible for Zaxcom NOVA, Sound Device 833, 888 & 633 or similar sized mixers.It´s thoughtfully desinged with an external aluminum frame and internal honeycomb frame for maximum gear protection and 6-direction equipment access. FEATURES Inside lining made from bright blue brushed polyester for easy equipment viewing Unique battery pocket with extra space Detachable front pocket for up to 6 wireless receivers 2 detachable external pouches and 3 internal rubber bands to hold a wireless receiver 2 detachable carrying handles and padded shoulder strap 2 extra padded sponges to position wireless receivers inside the bag Orca "lifts" that can be used to adjust mixer height within the bag Transparent TPU top cover for easy equipment viewing Optically available flat covers* in 3 different colors: black, blue and grey can be combined with OR-330 and replaces the big original front pouch.(*OSP-1030-20/21/22 sold separately) Internal Dimensions: Length: 27cm Width: 13cm Height: 19cm External Dimensions: Length: 33cm Width: 27cm Height: 24cm Weight 2,2kg
The Orca OR-534 is a simple low-profile on-board backpack for small cameras. Designed for travelling, storage and as a working solution for DSLR or mirrorless camera bodies with 2 to 4 lenses, flash and other photographic accessories. The OR-534 provides protection and full access to your equipment and the internal removable pouch. It has a front pocket that can be used as a holder for small tripod or personal items compartment. Two mesh pockets on each side can e.g. carry water bottles. FEATURES • Integrated backpack system • 5 removable, fully adjustable internal dividers • 1 Internal padded laptop compartment • 2 External mesh pouches for water bottles • External pouch to hold a small tripod or monopod • Carrying handles Internal Dimensions: Length:41 cm Width: 25 cm Height: 12 cm External Dimensions: Length: 44cm Width: 27cm Height: 17cm Weight: 1,2 kg
The OR-128 is a rectangular and universal accessory case to carry and protect many types of sensitive equipment: lenses, recording devices, chargers, batteries, small lights, small cameras, matte boxes, and small monitors. FEATURES Internal mesh pockets Back external connection for a trolley bag 5 removable internal dividers External side pocket for key, pans, etc Padded shoulder strap and carrying handle Business card holder Internal Dimensions: Length: 50cm Width: 22cm Height: 20cm External Dimensions: Length: 57cm Width: 27cm Height: 23cm Weight 1,5kg
The Orca Trolley Video bag OR-510 is recommended for transporting and protecting cameras such as: Sony PXW-Z190, PXW-Z280, Panasonic AG-DVX200, Blackmagic URSA mini (all models), Canon XF705, JVC GY-HC500, and similarly size cameras. Orca´s new Classic Line Bags are expertly designed to carry and protect your video camera and all related items, from studio to location and anywhere else you choose to shoot.The bags are well-protected with layers of foam and EVA. They are also extremely light, versatile, and easy to carry. They come with three external pockets, a padded shoulder strap, and a flexible internal dividing system that can be configured according to the user´s needs. FEATURES Bright blue brushed polyester interior for easy equipment viewing Wide top opening for easy equipment viewing and operation Flexible internal dividing system that can be configured according to user´s needs 3 large external pockets Padded shoulder strap for comfortable transport Integrated trolley system with roller skate wheels Internal Dimensions: Length: 47cm Width: 25cm Height: 30cm External Dimensions: Length: 53cm Width: 29cm Height: 37cm Weight 4,9kg
Carry-on baggage for your personal belongings or further equipment in comfortable cabin size.With integrated USB port and compartment for laptop up to 17". For travel and general purpose.Internal dimensions (L X W X H):20.5 X14.5 X 8.5" / 52 X 37 X 22 cm
The OR-5 Orca Shoulder Camera Bag is expertly designed to carry and protect your video camera and all its related items, from studio to location and anywhere else you choose to shoot. Orca Video Bags are highly protective, with their external aluminum frame, internal honeycomb frame and layers of foam and EVA. The bags are extremely light, versatile and easy to carry. Orca Video Bags come in different sizes, each with external pockets, padded shoulder strap and a flexible internal dividing system that can be configured according to the user’s needs. OR-5 Orca Shoulder Camera Bag with Large External Pockets iscompatibel with: Sony: HXR-NX30E, PXW-X70-4K, PXW-Z90V 4K, Panasonic: AC-90 ,AC-30. Canon: XF-400,XA-11,XF-405& similar sized cameras. Internal dimensions (L x W x H) : 15 x 9.4 x 9.8" / 38 x 24 x 25 cm
Soft but well padded and durable bag for use with tripod or light stands with maximum length 105cm / 40".Depending on the size the soft bag can carry up to approx. 3 - 6 light stands.The OR-732 is made from high-quality material and strong YKK zippers. The bottom of the bag has an extra protection layer to reduce wear and tear.Inside the bag, two velcro straps and a tripod head mark helps to secure the tripod in place. The bag has an external zip pocket for tripod and camera plates, comes with a shoulder strap and can be carried by two well balanced handles with extra padding. Dimensions: Internal:cm/inchLength: 105cm / 40"Width: 23cm / 9"Height: 23cm / 9"External:cm/inchLength: 107cm / 41"Width: 25cm / 10"Height: 25cm / 10"
Much more than just a monitor Bag!The OR-140 Hard Shell Monitor Bag was designed to carry transport and protect most of the 5″ field productions LCD monitors, which are available on the market.The special design of the OR-140 enables any user to operate the monitor right from the bag and offers all the needed features such as an integrated hood, table mounting option and on-camera mounting option via 1/4″ cold shoe. The all in one ORCA bags monitor solution is a unique development that offers a full solution for your field monitor. The Thermoforming technology structure of the OR-140 ensures full protection of LCD monitors on the field. Dimensions: Internal:cm/inchLength: 18cm / 7"Width: 12,5cm / 5"Height: 9cm / 3.5"External:cm/inchLength: 20cm / 8"Width: 15cm / 6"Height: 10cm / 4"
Orca OR-16 Equipment Trolley (+ BackPack) The Orca OR-16 Rolling Camera Bag is ideal for carrying a camera and accessories while traveling. The bag is compatible with DSLR/video cameras such as the Sony PXW-FS7, PXW-FS5, PXW-X200, and PXW-Z150; the Panasonic AG-DVX200, AG-AC160A, and AJ-PX270; and the Blackmagic 2K, 4K, and URSA Mini. Alternatively, it can fit two Sony a7S Mirrorless cameras (or similarly sized cameras) plus lenses and accessories. It is also compatible with field recording sound gear such as microphone windshields, wireless microphones, cables, connectors, and additional items. Main Features: Internal honeycomb frame for maximum gear protection Aluminum Trolley System with durable rollerblade wheels Integrated hidden backpack system 13 removable, fully adjustable internal dividers Two large internal mesh pockets for extra accessories Two external pockets for smartphone and passport External USB port and padded compartment for up to 17″ laptop Elastic slots for SD memory cards Two padded carrying handles Two external straps to hold a small tripod or monopod Waterproof zippers Internal dimensions: L50xW33xH18cmExternal dimensions: L55xW40xH25cmWeight: 5,2 kg
The OR-142 Hard Shell Monitor Bag was designed to carry, transport and protect most of the 7″ field productionsLCD monitors, which are on the market.The special design of the OR-140 enables any user to operate the monitor right from the bag and offers all the needed features such as an integrated hood, table mounting option and on-camera mounting option via 1/4″ cold shoe.The all in one ORCA bags monitor solution is a unique development that offers a full solution for your field monitor. The Thermoforming technology structure of the OR-140 ensures full protection of LCD monitors on the field. Dimensions: Internal:cm/inchLength: 23cm / 9"Width: 18cm / 7"Height: 12 cm / 5"External:cm/inchLength: 25cm / 10"Width: 22cm / 8.5"Height: 15 cm / 6"
The OR-334 Audio Mixer Bag has been specially designed to hold the SCORPIO field mixer from Sound Devices and DEVA24 by ZAXCOM. The fully rigid and protective bag offers an external aluminum frame and a special internal honeycomb frame. The bag is equipped with a detachable pouch for up to 6 wireless receivers and additional accessories. FEATURES • Easy access from all sides• Rigid internal frame consisting of 4 aluminum rods and honeycomb frame• Front detachable pouch with transparent TPU top cover• Four detachable external wireless pouches• Profile adjustable lift system to fix and secure the mixer’s position inside the bag• Battery compartment• Internal size: L37xW19xH22cm• Outer dimensions: L43xW35xH23cm
The OR-332 Audio mixer bag was designed to hold different models of audio mixers such as: Sound Devices SCORPIO, SD-888, SD-688 & similar sizes. The fully rigid, protective bag with an internal honeycomb frame & external aluminum frame offers maximum protection to the gear inside. The bag features full access to the included equipment from all sides, a padded shoulder strap, a detachable front pocket that can hold up to 6 wireless receivers and additional accessories with a top transparent TPU cover for maximum visibility. The bag comes with 2 outside detachable external wireless pouches. FEATURES • Easy access from all 6 sides• Rigid internal frame consisting of 4 aluminum rods and honeycomb frame• Front detachable pouch with transparent TPU top cover• Two detachable external wireless pouches• Special “X” sliding system to secure and position the mixer inside the bag• Battery compartment Internal:• L: 33cm / 12.99" • W: 19cm / 7.4" • H: 17cm / 6.6"External: External:• L: 45cm / 17.7" • W: 32cm / 12.5" • H: 29cm / 11.4" Weight:• 3,3kg / 7,2Lb
The Protective Case is made of hard plastic and can hold up to 4 SD, 4 CF and 4 micro SD cards. It is a foam fitted, shock resistant case that comes with inner padding.FEATURES Hard Shell Plastic Case Fits up to 4 SD, 4 CF and 4 micro SD cards Custom cut for exact fitting Shock resistant
The OR-156 Paddy ARC is designed to assist Field Sound Operators on long days of recording. The Paddy ARC offers an additional layer of comfort via a special memory foam material which creates a soft touch against the solid structure. The Paddy ARC takes the bag away from the body for better mixer viewing and operation. It can be mounted onto various compatible ORCA sound bags.FEATURES Memory foam for maximum comfort Easy to mount and use Solid stucture Lightweight (only 0.150kg) Compatible with OR-30, OR-34, OR-41, OR-49 and the new OR-334.
The OR-157 Top Tray for the OR-26 Trolley Backpack enables the placement of any Orca audio bags on top of the OR-26 for easy access and utilization. The OR-157 offers a steady surface with a security buckle system. Will fit any 15"-17" laptops. FEATURES Sturdy, flat surface Secure fastening buckle to prevent movement during transport Fits any sound / mixer bag & 15"-17" laptops
The Or-165, Orca Audio Duffle Backpack was designed to carry audio operator gear for easy transportation. The bag can accommodate any of the Orca audio bags, together with Sound Zeppelin, Cables, Boom Pole, wireless systems and additional accessories. The bag comes with padded backpack straps that are stored inside a back pocket, 3 external giant pockets; one on each side and one at the top. Inside, a hook and loop sytem allows you to hold any Orca mixer bag mesh pockets for small accessories and rubber webbing enable you to secure accessories. The bag can also be used as a shoulder bag (shoulder strap sold seperately). FEATURES Soft bag design for maximum storage capacity 3 giant external pockets (2 on the side, on at the top) Lightweight, flexible, foldable Weather/rain resistance Fold-and-stow padded backpack system Special boom pole pocket The OR-444 Harness can be attached to the OR-165
The OR-268 Orca Audio Bag is ideal for use with the ZOOM F6 while using the mixer as a field recording mixer. The OR-268 features a compact and lightweight design, rigid frame, access from all side, front and back pockets foor wireless system and batteries. The OR-268 Audio Bag comes with a shoulder strap and a transparent top cover. FEATURES Compact and low-profile design Easy access form all sides Rigid internal frame consisting of 4 aluminum rods and PE Board Front and back pockets for wireless systems and batteries Comes with top transparent cover and shoulder strap
The OR-111 Small Production Umbrella is ideal for protecting your camera from rain or shine. The OR-111 Small Production Umbrella is made from high quality materials, including a UV waterproof canopy, fiberglass rods and special 1/4" female thread that can be mounted to Cold Shoe mount with 1/4" male screw. FEATURES UV and waterproof material Flexible and durable fiberglass rods 1/4" female tread Compact and lightweight 20" diameter
The Orca Bags OR-13 Shoulder Video Cameras Bag was designed to fit Video productions pros looking for a better solution for their daily on-set needs. The bag is expertly designed to comfortably carry and protect the gear. The bag is highly protected via external aluminum frame, internal honeycomb frame and multi layers of foam and Eva material. FEATURES Padded shoulder strap for full comfortability during massive transport 3 External Large Capacity Pockets Flexible and adjustable dividers system enabling personal customization Internal bungee cords to secure the gear inside the bag Internal LED light system Internal orca blue mesh coating Aluminum handle and external frame
The new backpack was designed to hold small cameras such as: Sony PXW -X280, FS-7, FS7K, Panasonic: EVA 1 fully equipped, Mini Alexa fully equipped, URSA, JVC-AG-HM -850U and similar size cameras. The bag has 5 giant external pockets to store more accessories. The backpack system is well ventilated and padded to hold high weight. Outside- padded carrying handle, and two buckles to allow connection of a shoulder strap if needed (shoulder strap is not included). Bungee cord system to secure a small tripod. Inside, divider sets to help the user to set the equipment in the way he wants. Laptop padded pouch for 17″ laptops.
The OR- 73, small Tripod Bag, was designed to carry ENG and EFP Small Video and DSLR productions. The Orca Tripod Bag line is protected from all sides with Orca Bag’s Honeycomb frame + plastic injection bottom protections. The Orca Tripod Bag line features strong skate wheels, carrying handles, large external pocket for accessories and two external buckles to attach an optional shoulder carrying strap (sells separately). Inside the bag, there is a head mark for positioning the tripod in the correct side, webbing straps to secure the tripod in place, a pocket with zipper for an extra tripod handle or camera plate and special “anti-friction” material to protect the inside of the bag from sharp edges on tripods. Available at the End of July
The Orca OR-272 is a basic, lightweight bag, ideal for recording jobs that don’t require a lot of wireless system or accessories. The bag has front and back pockets to hold a small battery or a few wireless receivers and comes with a shoulder strap. The OR-272 has a sturdy internal frame structure for maximum protection for your equipment while still accessible from all sides. * The front detachable panel sells separately. FEATURES Lightweight Easy access from all sides Front and back pockets to store small accessories or battery or wireless recovers. Low profile bag, ideal to work in tight locations Great protection for the gear inside the bag. Available at the End of July
The OR-444, ORCA Spinal Support System, OR 3S, is a patented design to help protect and support the audio operators while working outdoors. The 3S Harness comes in one size that fits most. The OR-444 also comes with two back pockets and a USB portal with built-in cable. FEATURES Modular – Can be used with just the waist belt, the top vest, the waist belt with a top vest or all combined with the patented Spinal Support System. Ventilated – The Harness is built with a special 3D EVA sponge and mesh system for maximum airflow and ventilation. Roller buckles – The S3 waist belt, has two unique “rollers buckles ” that help tighten the waist belt on the user’s hips for perfect fit and weight distribution. The waist belt thigh system is one of a kind, unique design for ORCA Bags. Adjustable Spinal Support System – The unique patented Spinal Support System has a special pneumatic and spring system that helps the users adjust the height of the harness spine as needed. Available at the end of July.