Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
ORCA OR-554G Laptop Backpack for Daily Use GrayThe Orca OR-554 Laptop Backpack for Daily Use is a padded and lightweight laptop backpack. The backpack is designed to store, protect, and carry up to a 17-inch laptop and your personal belonging while working or traveling. The OR-554 comes in 2 colors, yellow and gray.Main Features• 17-inch padded laptop compartment• 3 large padded front pouches• Padded backpack system• Extended, external pocket with zippers and mesh for water bottles or accessories• Top aluminum carrying handle• Extra bottom protectionInternal cm / InchLength: 30cm/11.8” Width:8cm/3.1”Height: 44cm/17.3”Exteral : cm / inchLength: 32cm/12.5” Width: 17cm/6.7”Height: 45 cm/17.7”Weight: Kg / Lb0.97 kg2.1 lb
ORCA OR-542G DSLR Accessories Cart GrayThe OR-542 accessories cart was designed to allow a one-man production crew the ability to carry heavy equipment all day such as small lights, light stands, boom poles, cables and more! The backpack style that is attached to the cart can be easily detached from the cart, allowing the user to take the equipment with the backpack system when needed. The bag has a special pocket for a laptop and internal straps to secure the equipment inside. The front of the bag also has a wide opening ap to allow easy access to the inside and the cart can also be folded for easy storage. Lastly the bag is super light weight and is made from durable 600D material.Main Features• Integrated backpack system.• Heavy Duty collapsible cart.• 2 fully adjustable internal straps to hold stands.• Internal padded laptop compartment.• External top pocket for small items.• External pouch for flat objectsInternal cm / InchLength 53cm / 20.8"Width 37cm / 14.5"Height: 25 cm 10"Exteral : cm / inchLength 53cm / 20.8"Width 37cm / 14.5"Height: 25 cm 10"Weight: Kg / Lb3.30kg/6.6Lb
ORCA DSLR OR-531Y Any Day Laptop-Backpack Yellow The new ORCA DSLR “Super Lite” Backpack was designed to carry a laptop and many personal items inside. The bag has a special side pocket to store up to a 17“ laptop. The fabric is super lightweight, made from 600D polyester, and is PVC-free. The laptop compartment is padded for increased protection while the front compartment is designed to hold laptop accessories, a cell phone, and other essentials.The front top zipper pocket can hold sunglasses or a cell phone. Lastly the mesh side pockets are ideal for storing cables or a water bottle.Main Features• 1 Internal padded laptop compartment.• External top pocket for small items.• External pouch for flat objects.• Lite weight backpack system.• 2 external mesh pockets.• Back sleeve for attaching to trolley.Internal cm / InchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11cm 4.3"Exteral : cm / inchLength 44cm / 17.3"Width 32cm / 12.5"Height: 11cm 4.3"Weight: Kg / Lb0.60kg/1.2Lb
ORCA OR-599 Transparent Accessories Pouch SetThe new Orca Bags Transparent Accessories Pouch set was designed to help organize the user’s accessories inside a bag.This set of pouches includes one large pouch, one medium pouch and one small pouch. The pouches can safely secure: headsets, connectors, small wireless systems, microphones, camera adaptors, batteries, cables, CF/SxS or any media cards, on-camera lights, small monitors and more!Length cm / InchLarge 18cm / 7"Medium 21cm / 8.2"Small: 24 cm 10"Width : cm / inchLarge 15cm / 6"Medium 13cm / 5.1"Small: 20 cm 7.8"Weight: Kg / Lb0.22kg/0.48Lb
ORCA OR-554Y Laptop Backpack for Daily Use YellowThe Orca OR-554 Laptop Backpack for Daily Use is a padded and lightweight laptop backpack. The backpack is designed to store, protect, and carry up to a 17-inch laptop and your personal belonging while working or traveling. The OR-554 comes in 2 colors, yellow and gray.Main Features• 17-inch padded laptop compartment• 3 large padded front pouches• Padded backpack system• Extended, external pocket with zippers and mesh for water bottles or accessories• Top aluminum carrying handle• Extra bottom protectionInternal cm / InchLength: 30cm/11.8” Width:8cm/3.1”Height: 44cm/17.3”Exteral : cm / inchLength: 32cm/12.5” Width: 17cm/6.7”Height: 45 cm/17.7”Weight: Kg / Lb0.97 kg2.1 lb
ORCA OR-550G DSLR Laptop Briefcase GrayThe Orca OR-550 Laptop Briefcase is a super lightweight laptop case that is designed for travel and to transport your personal belonging together with up to a 17-inch laptop. The OR-550 comes in 2 colors, yellow and gray.Main Features• 17-inch padded laptop compartment• 2 large padded front pouches• Padded shoulder strap• Top aluminum carrying handle• Extra bottom protectionInternal cm / InchLength: 40cm/15.7” Width:6 cm/2.3”Height: 32cm/12.6”Exteral : cm / inchLength: 41cm/16.1” Width: 17cm/6.6”Height: 33 cm/13”Weight: Kg / Lb0.85 kg1.8 lb
ORCA OR-550Y DSLR Laptop Briefcase YellowThe Orca OR-550 Laptop Briefcase is a super lightweight laptop case that is designed for travel and to transport your personal belonging together with up to a 17-inch laptop. The OR-550 comes in 2 colors, yellow and gray.Main Features• 17-inch padded laptop compartment• 2 large padded front pouches• Padded shoulder strap• Top aluminum carrying handle• Extra bottom protectionInternal cm / InchLength: 40cm/15.7” Width:6 cm/2.3”Height: 32cm/12.6”Exteral : cm / inchLength: 41cm/16.1” Width: 17cm/6.6”Height: 33 cm/13”Weight: Kg / Lb0.85 kg1.8 lb
ORCA OR-590 Small Outdoor Umbrella with Hot Shoe to 1/4″-20 Adapter YellowThe Orca OR-590 Small Outdoor Umbrella is a must have accessory for all of your outdoor shoots. The OR-590 is compact, lightweight, and will protect your DSLR/Video Camera during rain or shine.Main Features• Waterproof, UV-resistant material• Flexible, durable fiberglass rods• Hot Shoe to 1/4″-20 Adapter (can be attached to a hot shoe mount)• 20″ diameterDiameter: cm / Inch50cm / 19.7"Hight : cm / inch30cm/11.8"Weight: Kg / Lb0.120kg/0.264Lb
Power the Prodigy Air Deflector with this 2-pin Lemo to 3-pin XLR cable.24V RATEDThe 1.5m (4.9ft) cable made from high-quality materials rated for 24V offers minimal voltage drop. They are flexible and reliable for the most demanding conditions.WIRING SPECIFICATIONSThe Prodigy power cable uses the US standard. For both the 2-pin LEMO & XLR connector, Pin 1 is wired for Power (+), and Pin 2 for Ground (-). EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Power Cable comes with our famous Bright Tangerine Support and the addition of a 12-month warranty. Product Highlights Hand-built and tested for a reliable connection for the Prodigy Air Deflector High-quality 2-Pin 2B Lemo & XLR connectors Rated for 24V output with low voltage drop Flexible 1.5m (4.9ft) long cable
The Prodigy Top Flag is a great way to protect your frame from the elements and maintain contrast by blocking out flares. No tools are required, so you can install it quickly on the go. The flag provides additional protection for your Prodigy glass, with its 165 degree range of movement. It can close flush for transport and open up to block out flares and provide coverage from rain.QUICK AND EASYTo install the flag, line up the guide posts and insert the thumbscrew through the mounting point. You can now use the thumbscrew to set the tension. When fully tightened, the flag will be secured in position. Slightly loosen to adjust the flag on the fly. This is great when working in fast paced environments when constantly changing angles.EXTRA CARE COMES STANDARDMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Prodigy Top Flag comes with our famous Bright Tangerine Support and the addition of a 2-year warranty.Product Highlights Quick and easy installation, no tools required Adjustable tension - lock it off or adjust it on the fly Lightweight carbon fiber construction for easy transport Closes flat for complete protection for your Prodigy Glass
Clear lens with the Prodigy Air Deflector The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition. Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection. Product Highlights Easily deflects rain and other debris for a clear lens 50cm (20") long hose allows for flexible compressor placement Rugged and tough construction for use in any weather conditions Includes all necessary cables, accessories and spares Set up for three stages, with 15mm LWS support using Black Hole In the box B5000.1001 - Prodigy Air Deflector Compressor B5000.1002 - Prodigy Air Head 2x B5000.1004 - Prodigy Power Cable 2x B5000.1007 - Prodigy Hose B5000.1009 - Prodigy Top Flag 3x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick) B5000.1006 - Prodigy Spare Glass B1235.1017 - Frame Safe Clamp Adapter (143mm) B1250.1076 - Black Hole Rubber Donut (143mm) B1235.1002 - 15mm LWS Support Bracket (Misfit Kick)
The Prodigy Air Head takes pressurised air from the Compressor through the connected hose and creates barrier over a specially treated piece of glass for a clear lens. With advanced processes, we can make a glass that is optically clear with no effect on image quality or exposure, and it has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating. Spare glass is accessible if it gets damaged or breaks, and replacing it takes only a few minutes.BUILT ON THE MISFIT KICKThe Air Head can also be used as a standalone matte box. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clipon configuration or with rod supports on a 15mm LWS or 15/19 Studio setup.Compared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed from high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates.EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Air Head comes with our famous Bright Tangerine Support and the addition of a 24-month warranty. Product Highlights Keep your lens clear to shoot through rain, dust and debris Low maintenance with no moving parts Flat surfaces make it easy to bag your camera No vignetting with wide angle lenses on large format sensors Can be set up for clip-on or rod mounted with full range of Frame Safe clamp adapters
The Prodigy Air Deflector Compressor filters and compresses air, accelerating it to 300+ mph through the connected hose to the Air Head. It is extremely durable, rugged, and waterproof, and can endure any harsh conditions in either hot or cold climates. BUILT FOR PROFESSIONALS The Compressor can be placed up to 50cm (20") away from the Air Head and has a variety of rigging possibilities. When in high risk situations, connect a safety wire to the tether point for added peace of mind. Powered by industry-standard 24V for high efficiency and ability to use larger batteries for longer run times. The 2-pin LEMO port has built-in automatic polarity switching to prevent any short circuits and potential damage. The 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes. USER-FRIENDLY The large buttons on the control panel are easy to operate with gloves on, and future firmware updates can be done by the user using the Type-C USB port. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. The air filter is a drop-in replacement with no special tools required that can be done in the field. EXTRA CARE COMES STANDARD Hand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Compressor comes with our famous Bright Tangerine Support and the addition of a 24-month warranty Product Highlights Easy to rig using arms, rod brackets and clamps Simple interface for operation with R/S connectivity Automatic Polarity Detection (2-pin LEMO for US or ARRI Standard) Rugged housing and military-grade filtration Self-serviceable in the field or on location
Clear lens with the Prodigy Air Deflector The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition. Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection. Product Highlights Easily deflects rain and other debris for a clear lens 50cm (20") long hose allows for flexible compressor placement Rugged and tough construction for use in any weather conditions Reveal Stage expands for a third filter stage Requires Frame Safe clamp adapter - available in 11 sizes In the box B5000.1001 - Prodigy Air Deflector Compressor B5000.1002 - Prodigy Air Head B5000.1004 - Prodigy Power Cable B5000.1007 - Prodigy Hose B5000.1009 - Prodigy Top Flag 2x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)
The Prodigy accelerates air to over 300 miles per hour. The high airflow filter purifies to 1 micron blocking out dust particles and debris from entering the compressor.It is robust, waterproof, and designed to operate in a wide temperature range (-40 to +50°C) so you can use the Prodigy in any type of environment.EASY INSTALLATIONThe filter in the Prodigy Compressor needs to be replaced every 12 months or sooner, so that you can maintain the highest possible level of performance. To replace it is simple: remove four mounting screws on the bottom and remove the housing. Remove the old filter and drop in the new filter. Reattach the housing and you’re ready to go.Product Highlights Prevents particles from entering the compressor Military-grade filtration designed for high airflow Filters out any particle larger than 1 micron Waterproof and operates in a wide temperature range
The Prodigy Glass has been through a nummer of manufacturing processes to create a piece of glass with special properties.The air flow from the compressor attaches to the glass to deflect water and particles out of view.IMPACT-RESISTANTThe Prodigy Glass is neutral and impact resistant, free of unwanted color shifts while protecting expensive front elements and filters. It provides a barrier for any debris or particles which would otherwise damage the lens during stunts or action scenes.WATER REPELLANTThe glass has also been treated with a superhydrophobic coating that prevents water from beading on the surface. Combined with the Prodigy air flow, any water is cleared almost instantly.EASY INSTALLATIONThe replacement of the glass is a simple process that can be done in minutes. Using a 4mm Hex key, undo the screw to remove the access panel. Slide out the old glass and insert the new glass. Reattach the access panel and fixing screw and you’re ready to go.Product Highlights Impact-resistant against chips and scratches Superhydrophobic coating to repel water and particles Optically clear to maintain lens characteristics Easy to replace and install in a few minutes
A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.QUICK RELEASE CONNECTORSAttaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.DESIGNED FOR HIGH PRESSUREThe Prodigy Hose is 50cm (20") in length, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.Product Highlights Purpose-built to handle high pressure and large volume of air 50cm (20") long hose allows for flexible compressor placement Kink resistant and durable to provide high air flow One-piece quick release bayonet fittings for no leaks
The OR-23 Medium Backpack completes the ORCA backpack line. The OR-23, was designed to carry and protect Medium sized video cameras and their accessories. The bag can carry cameras such as the: Sony PXW-FX6, PMW-F5, Z290, Panasonic AU-EVA1, Z280, BLACKMAGIC URSA 4K, ARRI Alexa Mini fully equipped, RED KOMODO, and similarly sized cameras with all related accessories. The bag is well padded, has lots of storage pockets and a padded backpack system. Lastly the OR-23 comes with an integrated rain cover. FEATURES • Seven large external pockets for storing accessories• Padded, ventilated, and durable backpack system• Padded waist belt• Internal bungee cord to secure gear• External bungee cord system to secure a small tripod, monopod, or boom pole• Removable and fully adjustable internal divider set• Two padded carrying handles• Padded internal pouch for up to a 17″ laptopInternal: cm/Inch L: 48cm / 18.8" W: 30cm / 11.8" H: 20cm / 7.8"External: cm/Inch L: 55cm / 21.6" W: 42cm / 16.5" H: 30cm / 11.8"Weight: Kg/ Lb 4.2kg / 8.4Lb
The Orca OR-525 Shoulder Bag is designed to hold and protect mirrorless or DSLR cameras in addition to lenses, flash, and other accessories. The top drawer offers additional storage space while the inner compartment allows you to organize different sized gear accordingly. FEATURES • Interior lining made from bright yellow brushed polyester for easy equipment viewing • 4 fully adjustable, removable internal dividers • 3 external pockets for smartphone and personal accessories • Padded shoulder strap • Top accessories drawer Internal Dimensions: Length: 39cm Width: 17cm Height: 21cm External Dimensions: Length: 35cm Width: 28cm Height: 27cm Weight 1,4kg
The Orca OR-520 waist belt is designed to hold and protect your compact mirrorless or DSLR camera, with a mid-range zoom lens attached. It can also carry two additional lenses and extra accessories. The belt’s opening allows for easy access to the main compartment, which positions your camera for swift retrieval. FEATURES – Main compartment with 4 dividers – Shoulder strap – Padded mesh back – Clear front pocket for easy access to smartphone – 2 large side pockets for lenses, flash, or water bottle – 2 external pockets for memory cards and other small accessories – Internal sleeve for stick or gimbal stabilizer Internal Dimensions: Length: 21cm Width: 8cm Height: 21cm External Dimensions: Length: 30cm Width: 15cm Height: 23cm Weight 0,64kg
The Orca OR-580 is a protective rain cover for a mirrorless or DSLR camera with an attached lens of up to 70-200 mm. The simple design allows you to easily view and access all camera and lens controls. The quick-mount cover enables to continue shooting in rainy or dusty conThe Orca OR-580 is a protective rain cover for a mirrorless or DSLR camera with an attached lens of up to 70-200 mm. The simple design allows you to easily view and access all camera and lens controls. The quick-mount cover enables to continue shooting in rainy or dusty conditions. FEATURES • Easy monitor viewing through transparent TPU • Front opening for easy installation over tripod • Velcro bottom opening, which allows for easy installation and transfer from tripod to handheld position • Extra sleeve for longer lens extensions • 2 hand sleeves for easy equipment operation Dimensions: Length: 55cm Height: 22cm for maximal lens length: 27cm Weight 0,11kg
The Orca OR-16 DSLR Trolley Case is ideal for travelling and fl ying with a camera and accessories.The case comes with Orca Bags’ Aluminum Trolley System, which features durable rollerblade wheels. It also has an integrated hidden backpack system and an internal honeycomb frame, which provides maximum protection for the gear inside.Multiple dividers separate and protect your sensitive equipment.This case is compatible with mirrorless or DSLR video cameras. FEATURES• Padded external pocket for up to 17” laptop• Waterproof zippers• Two padded carrying handles• External USB port• Internal mesh pockets for accessory storage• External pockets for smartphone and passport• Two external straps to hold small tripod or monopod• 13 removable, fully adjustable internal dividers Internal Dimensions: Length: 50cm Width: 33cm Height: 18cm External Dimensions: Length: 55cm Width: 40cm Height: 25cm Weight 5,2kg
OR-508 is recommended for transporting and protecting cameras such as: Sony PXW-Z90, PXW-Z150, Canon XA10, XA20, XA25, Panasonic AG-UX90, AG-UX180, Blackmagic URSA mini (all models), and similarly sized camera models. Orca´s new Classic Line Bags are expertly designed to carry and protect your video camera and all related items, from studio to location and anywhere else you choose to shoot.The bags are well-protected with layers of foam and EVA. They are also extremely light, versatile, and easy to carry. They come with three external pockets, a padded shoulder strap, and a flexible internal dividing system that can be configured according to the user´s needs. FEATURES Bright blue brushed polyester interior for easy equipment viewing Wide top opening for easy equipment viewing and operation Flexible internal dividing system that can be configured according to user´s needs 3 large external pockets Padded shoulder strap for comfortable transport Back sleeves to combine with a trolley system (OR-70, sold separately) Internal Dimensions: Length: 44cm Width: 24cm Height: 26cm External Dimensions: Length: 56cm Width: 34cm Height: 27cm Weight 2,5kg
The rectangular cover protects your camera equipment during the break in filming or after show hours at the exhibition stand or outdoors. FEATURES Made of waterproof nylon material Easy to put on Locking at the bottom side wiht eyelets and rope Dimensions: Length: 100cmWidth: 40cmHeight: 80cmWeight: 0,5kg