Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame  • Mount: PL mount (standard) or LPL mount (optional)  • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2   MARRIAGE BETWEEN CAMERA and FREELENSING CINE®     Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc)     WHAT MOVEMENTS DOES FREELENSING CINE® OFFER?   Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements        

Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contactDownload SeeU BrochureSeeU-Brochure

The FUJINON GF 32-90mm T3.5 PZ OIS WR is a groundbreaking addition to the GF lens lineup, marking the first power zoom lens designed for the GFX Series of large-format mirrorless cameras. Covering a versatile focal length of 32-90mm (equivalent to 25-71mm in 35mm format), this lens brings cinema-grade video quality to a compact and lightweight form factor, weighing just 2.1kg. Its design draws inspiration from the acclaimed FUJINON Premista Series, widely recognized in professional video production for exceptional operability and optical performance. Engineered to meet the demands of modern video production, the GF 32-90mm T3.5 PZ OIS WR reduces the need for frequent lens changes by spanning wide-angle to standard focal lengths in a single lens. This efficiency is ideal for small-crew or solo productions, enabling high-quality shooting with minimal setup. The lens maintains a bright T3.5 aperture throughout the zoom range, ensuring consistent exposure control and smooth depth-of-field transitions, allowing filmmakers to capture the subtleties of light and texture with precision. Optical excellence is at the core of this lens, featuring 25 elements in 19 groups, including three ED and three aspherical elements. Advanced Nano GI coating minimizes flare and ghosting, delivering crystal-clear images even in challenging lighting conditions. Breathing is effectively suppressed for stable compositions during focus pulls, while the 13-blade nearly circular aperture produces beautiful, creamy bokeh that enhances cinematic expression. Video professionals will appreciate the intuitive power zoom mechanism, combined with precise electronic control for focus, zoom, and aperture rings. The lens incorporates smooth, high-precision autofocus and image stabilization, ensuring reliable performance during handheld or dynamic shooting scenarios.  Its compact dimensions and ergonomic design make long shooting sessions more manageable without compromising optical quality. When paired with the FUJIFILM GFX ETERNA 55 camera, this lens unlocks new creative possibilities, offering filmmakers unprecedented flexibility, speed, and image fidelityFeatures – FUJINON GF 32-90mm T3.5 PZ OIS WR First power zoom lens in the GF lineup for cinematic video Focal length: 32-90mm (equivalent to 25-71mm in 35mm format) Constant T3.5 aperture across entire zoom range 25 elements in 19 groups, including 3 ED and 3 aspherical lenses Nano GI coating reduces flare and ghosting Cinema lens-inspired operability and ergonomic design Lightweight body: approximately 2.1kg Compact length: 222mm Rear focus system for precise focus control 200-degree focus rotation for accurate manual focusing Three independent manual rings: focus, zoom, iris (aperture) 13-blade rounded diaphragm for smooth bokeh Power zoom control via camera (GFX ETERNA 55) High-speed, high-precision autofocus Advanced image stabilization for handheld shooting Minimal focus breathing for stable compositions Supports standard cinema accessories like follow focus and lens motors Durable weather-resistant construction Technical Specifications – FUJINON GF 32-90mm T3.5 PZ OIS WR Type: Power Zoom Large Format Lens Lens Configuration: 25 elements in 19 groups (3 aspherical, 3 ED) Focal Length: 32-90mm (35mm equivalent: 25-71mm) Angle of View: 81.0°-33.8° Maximum Aperture: T3.5 Minimum Aperture: T32 Aperture Blades: 13 (rounded diaphragm) Minimum Focus Distance: 0.8m (both wide and tele) Maximum Magnification: 0.06x Filter Size: 111mm Image Stabilization: Yes, optical Autofocus: High-speed, precise Lens Mount: FUJIFILM G Mount Lens Type: Power Zoom Cine Lens Weather Resistant: Yes Accessories Included: Front/Rear lens caps, support foot, zoom lever, lens case Dimensions & Weight Diameter: 123.5mm (114mm effective) Length: 222.5mm Weight: 2,150g

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

The FUJINON LA30x7.8BRM sets a new standard in the broadcast lens category, offering a class-leading 30x zoom in a remarkably compact and lightweight design. With a focal range of 7.8mm wide-angle to 234mm telephoto, it provides outstanding versatility for broadcast professionals who need to capture everything from expansive stadium shots to close-up details. Weighing just 1.7kg and measuring only 190mm in length, this lens ensures excellent mobility and reduced operator fatigue, making it ideal for ENG-style shooting and live event coverage. Designed for today’s fast-evolving broadcast and production environments, the LA30x7.8 integrates a newly developed drive unit with high-resolution 16-bit encoders. This enables precise position detection for zoom, focus, and iris, ensuring seamless integration with virtual and remote production workflows. Whether you are working on live sports, music performances, or news coverage, the lens provides the speed, accuracy, and flexibility required for both creative and technical excellence. The advanced optical design delivers true 4K performance across the entire zoom range. Fujifilm’s proprietary HT-EBC multi-layer coating enhances light transmittance and color accuracy, ensuring crisp, vibrant images with minimal aberrations. Additional features such as a macro function for extreme close-ups, electronic flange back adjustment, autofocus command support, and a rear-focus mechanism for reduced breathing make the LA30x7.8 a powerful tool for broadcasters seeking both reliability and cutting-edge image quality. Features – FUJINON LA30x7.8BRM Highest-in-class 30x zoom covering 7.8mm–234mm range Compact and lightweight: 190mm length, 1.7kg weight Newly developed drive unit with 16-bit encoders for virtual/remote production Ultra-fast zooming from wide to tele in 1.0 sec or ultra-slow in 120 sec Rear-focus mechanism to minimize focus breathing Fujifilm HT-EBC multi-layer coating for high transmittance and true color reproduction Macro function for extreme close-ups up to 5cm Supports autofocus control commands from the camera Technical Specifications Format: 2/3-inch sensor broadcast cameras Zoom ratio: 30x (7.8mm–234mm) Drive unit: Newly developed with high-resolution 16-bit encoders Optical performance: 4K resolution across entire zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) Flange back: Electronic adjustment function Zoom speed: Max. 1.0 sec / Min. 120 sec (wide–tele) Mechanism: Rear-focus system for minimized breathing Dimensions & Weight Length: 190mm Weight: Approx. 1.7kg

The Leitz Cine HUGO 40 mm T1.5 is the long-awaited expansion to the HUGO series, delivering the most requested focal length in professional cinematography. Designed in close collaboration with Leica Camera engineers, this prime lens captures the emotional, organic character of Leica glass while being optimized for demanding film productions. Filling the gap between 35 mm and 50 mm, the 40 mm prime offers a unique balance of intimacy and perspective, making it one of the most versatile focal lengths for narrative and commercial filmmaking. Its rendering is unmistakably cinematic: soft fall-off, creamy bokeh, rich color transitions, and sharpness in the center without appearing overly clinical. The result is a natural, tactile image that resonates with audiences and enhances storytelling. Compact, lightweight, and mechanically precise, the HUGO 40 mm is ideal for handheld work, gimbals, drones, and compact rigs, while still maintaining full professional cinema functionality. With a fast T1.5 aperture, consistent housing design across the HUGO line, and multiple mount options, it is a reliable and creative tool for filmmakers who demand exceptional optical performance with Leica’s legendary signature. Features – Leitz Cine HUGO 40 mm T1.5 Cinematic 40 mm focal length, perfect balance between 35 mm and 50 mm Maximum aperture of T1.5 for exceptional low-light performance and shallow depth of field Signature Leica rendering with soft fall-off, creamy bokeh, and rich colors Co-developed with Leica Camera engineers for unique optical character Compact and lightweight design, optimized for handheld and gimbal use Standardized housing with matched focus and iris positions across the HUGO series 0.8 MOD cine gearing for seamless integration into professional rigs Technical Specifications Focal length: 40 mm Maximum aperture: T1.5 Image circle: 43.3 mm (full-frame / VistaVision coverage) Minimum focus: approx. 0.36 m (14 in) Iris: 11 rounded blades Focus rotation: 270° Iris rotation: approx. 70.5° Mount options: LPL, L, M Dimensions & Weight Length: 68 mm Front diameter: 95 mm Filter thread: 92 mm screw-in Weight: approx. 810–870 g

The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet

The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

  Teradek Bolt 6 XT MAX Set with 10K RX V-MountBolt 6 XT is a wireless video transmission system that supports up to 4K60 10-bit 422 HDR video over 12G-SDI. Bolt 6 uses Teradek’s patented Zero-Delay silicon chip to send wireless video over 5GHz and 6GHz radio frequencies. This kit includes a Bolt 6 XT TX and a Bolt 6 XT 10K RX. Bolt 6 XT 10K RX is a zero-delay video receiver, offering a remarkable wireless range of up to 10,000 feet (3 kilometers). Its enhanced directional antenna is specifically designed for superior RF performance, minimizing interference by focusing signal reception and benefiting from robust internal shielding. Its all-in-one enclosure design not only boosts range and reliability in challenging RF environments, but it also eliminates the hassle of external antenna cables. This results in a much cleaner setup, expediting deployment from its case onto a c-stand. Control your setup with ease using the Bolt App, which simplifies device pairing, allows fine-tuned frequency adjustments, and includes a built-in spectrum analyzer for advanced RF diagnostics. This kit is compatible with additional Bolt 6 and Bolt 4K receivers.Features Complete Bolt Set with Bolt 6 XT TX and 10K RX Up to 10,000ft (3km) range with Zero-DelayUp to 4K30 10-bit 422 HDR Video5GHz and 6GHz Auto or Manual Frequency Selection6GHz is available in the US, EU, Canada, Japan and Australia/New ZealandInputs: 12G-SDI, HDMI 2.0 Outputs: 2x12G-SDI, HDMI 2.0 on Panel Antenna with built-in RX Purchase with Gold or V-Mount Battery Plates Bolt 6GHz HIGHLIGHTS Powered by our BB3 chipset Pairs with up to 6 receivers, or unlimited receivers when used in Broadcast mode with the MAX models 12 new 40MHz wide channels from 5.925 to 6.425GHz Enhanced long-range image quality feature New SDI pattern tool to monitor SDI signal quality Universal compatibility with all Bolt 6 and Bolt 4K Series Ultra fast pairing and intuitive setup with Bolt Manager App AES-256 encryption and RSA 1024 key pairing prevents unauthorized access   Technical Specs Range: 10,000ft/ 3km LOS Video Inputs: 1x 12G-SDI SMPTE 2082-1 standard/75 Ω, 1x HDMI 2.0 Type-A receptacle* 1x Loop-out 12G-SDI on TransmitterVideo Outputs @ RX: 2x 12G-SDI SMPTE 2082-1 standard/75 Ω, 1x HDMI 2.0 Type-A receptacleDelay: <0.001sec Video Compression: visually losslessPower Input: 2-pin Connector 10-28 VDC Power Consuption: TX: 18 Watts; RX: 18 WattsRF Channel Selection: Auto, Manual (Manual available for Non-DFS Channels)Configuration Interface: OSD with Menu Joystick Navigation Desktop App (Bolt Manager for OSX & Windows), Bolt APP Support Resolutions:  4Kp23.98/24/25/29.97/30/50/59.94/60 1080p 23.98/24/25/29.97/30/50/59.94/60 1080psf23.98/24/25/29.97/30 1080i50/59.94/60 720p50/59.94/60 480p59.94/576p50 480i(NTSC)/576i(PAL) Wireless Non-DFS Frequencies: 5.190 ~ 5.230 GHz 5.755 ~ 5.795 GHz 5.945 ~ 6.425 GHz Wireless DFS Frequencies: 5.270 ~ 5.670 GHz  What's In The Box? 1 x Bolt 6 XT 10,000ft TX with V-Mount Plates1 x Antenna Array with built-in Bolt 6 XT 10K RX with V-Mount1x Hot Shoe Adapter1 x 2pin Conn. to PowerTap - 18in/46cm Cable1x 2pin Conn. to 2pin Conn 18in/46cm Cable 2 x SDI 12G BNC to BNC 18in/46cm Cable 1 x Teradek Case XL - Bolt XT TX/4RX 1 x PSU 2pin Conn. to 30W AC Adapter (Int) - 6ft Cable 4 x Antenna 2dBi Rigid V 4.9-7.3Ghz RP-SMA (TX)2x 6G Flexible H Antenna "Mushroom" (2dBi 4.9-7.3Ghz RP-SMA) 1 x USB 2.0 Type A Male to USB Type C Male - 1m Cable 1 x Wooden Camera - Universal Ultra Arm Monitor Mount (Combo 1/4-20 & 3/8-16, 5") 4x Bolt 6 XT TX Color Bands (Red, Blue, Yellow, Green)    

  Bolt 6 XT 10K RX is a zero-delay video receiver, offering a remarkable wireless range of up to 10,000 feet (3 kilometers) over 5 or 6GHz frequencies. Fully compatible with both Bolt 6 and Bolt 4K transmitters, it integrates seamlessly into any existing Bolt 4K or Bolt 6 system. Delivering visually lossless 4K60 4:2:2 video via two 12G-SDI outputs, the Bolt 6 XT 10K RX ensures professional-grade image quality. Its enhanced directional antenna is specifically designed for superior RF performance, minimizing interference by focusing signal reception and benefiting from robust internal shielding. Its all-in-one enclosure design not only boosts range and reliability in challenging RF environments but it also eliminates the hassle of external antenna cables. This results in a much cleaner setup, expediting deployment from its case onto a c-stand. Control your setup with ease using the Bolt App, which simplifies device pairing, allows fine-tuned frequency adjustments, and includes a built-in spectrum analyzer for advanced RF diagnostics. Features Super long range (10,000ft/3km) receiver for Bolt 4K and Bolt 6Supports up to 4K60 10-bit 4:2:2 HDRFully integrated, directional panel antennaBuilt-in Gold or V-Mount battery plate2x 12G-SDI and 1x HDMI outputsLCD Display and Joystick Technical SpecsRange: 10,000ft/ 3km LOSDelay: <0.001secVideo Compression: visually lossless Support Resolutions:  4Kp23.98/24/25/29.97/30/50/59.94/60 1080p 23.98/24/25/29.97/30/50/59.94/60 1080psf23.98/24/25/29.97/30 1080i50/59.94/60 720p50/59.94/60 480p59.94/576p50 480i(NTSC)/576i(PAL) Wireless Non-DFS Frequencies: 5.190 ~ 5.230 GHz 5.755 ~ 5.795 GHz 5.945 ~ 6.425 GHz Wireless DFS Frequencies: 5.270 ~ 5.670 GHz  Fully compatible with both Bolt 6 and Bolt 4K transmitters, it integrates seamlessly into any existing Bolt 4K or Bolt 6 system. What's In The Box?  1 x Antenna Array with built-in  Bolt 6 XT 10K RX with V-Mount Plate 1 x PSU 2pin Conn. to 30W AC Adapter (Int) - 6ft Cable1 x USB 2.0 Type A Male to USB Type C Male - 1m Cable  

Ultra-Reliable Long-Range Wireless Video The SWIT Crew System is a new generation of professional wireless video transmission solutions designed for filmmakers, broadcasters, and live production teams. Powered by the advanced KUWI 2.0 Pro chipset, it ensures maximum stability, long-range performance, and ultra-low latency. Operating in the 5.1–5.9 GHz DFS-compliant frequency band with proprietary anti-interference RF technology, the system automatically scans and selects the optimal channel, providing robust performance even in crowded environments. With latency as low as 32 ms, visual lossless H.265 encoding up to 26.8 Mbps, and support for 3G-SDI, HDMI® and USB-C capture, the Crew System delivers reliable high-quality HD video for PC and Mac workflows. It supports 1T→4R multicast, ensuring one transmitter can seamlessly feed multiple receivers without signal loss. Embedded metadata and timecode trigger transmission, combined with AES-256 dual encryption protection, guarantee both professional workflow integration and maximum security. Each unit features a high-bright OLED display for intuitive configuration, while multiple power supply options (NP-F, V-Mount, 2-pin LEMO, USB-C) make the system highly versatile. The Crew family consists of four models—Crew, Crew V, Crew Max, and Crew V-Max—tailored to different on-set needs while remaining fully cross-compatible.Designed for Professional Film and Broadcast Work The SWIT Crew System is designed for professional film and broadcast environments, providing reliable wireless video transmission for every stage of production. It ensures that directors, camera assistants, DITs, and other crew members can monitor high-quality video feeds with minimal latency, even in complex shooting scenarios. Whether used on feature films, commercials, live events, or studio productions, the Crew System delivers consistent performance across multiple receivers simultaneously, thanks to its advanced multicast capabilities. Its robust anti-interference RF technology and long-range transmission make it ideal for both indoor and outdoor sets, allowing crews to maintain clear, uninterrupted communication and real-time decision-making. By combining flexibility, ultra-low latency, and professional-grade encryption, the SWIT Crew System enhances collaboration on set and ensures that every member of the production team has access to the same high-quality video signal at all times. SWIT Crew Versions • CrewThe base model Crew offers a compact form factor with NP-F battery support and 1.2 km / 4 000 ft line-of-sight transmission distance. Ideal for mobile productions and lightweight camera setups. • Crew V The Crew V includes the same transmission performance as the Crew but adds a dual-sided V-Mount design, allowing direct installation on V-Mount powered cameras and rigs with passthrough power. • Crew Max The Crew Max extends the range to 3 km / 10 000 ft line-of-sight with a built-in high-gain panel antenna on the receiver, combining NP-F power on the transmitter with V-Mount on the receiver for maximum flexibility. • Crew V-Max The flagship Crew V-Max combines 3 km range with dual-sided V-Mount transmitter and receiver design, making it the most powerful choice for demanding professional workflows and large-scale productions. Features – SWIT Crew System KUWI 2.0 Pro wireless technology (not Wi-Fi) Proprietary anti-interference RF system 5.1–5.9 GHz license-free DFS compliant Auto scan and channel selection 3G-SDI, HDMI® and USB-C HD video output H.265 codec up to 26.8 Mbps, visual lossless Consistent ultra-low 32 ms latency 1T→4R multicast capability Metadata and timecode trigger transmission High-bright OLED display for setup and monitoring AES-256 dual encryption protection Flexible power options: NP-F, V-Mount, 2-pin LEMO, USB-CTechnical Specifications – SWIT Crew System Transmission Distance: up to 3 km / 10 000 ft (depending on model) Video Interfaces: 3G-SDI, HDMI®, USB-C capture for PC/Mac Codec: H.265 up to 26.8 Mbps Latency: ~32 ms Multicast: 1T→4R Frequency: 5.1–5.9 GHz, DFS compliant RF Technology: KUWI 2.0 Pro with proprietary anti-interference Encryption: AES-256 dual encryptionBrochure DownloadDownload the Crew Brochure here

The Chrosziel Top-Plate for the Sony ILME-FX6 is a precision-engineered U-shaped mounting plate that slides over the camera’s handle and secures with four screws. It provides versatile mounting options for accessories such as monitors, microphones, lights, or 15mm rods. Key Features Versatile Mounting Options: Equipped with multiple 1/4"-20 and 3/8"-16 threaded holes on the top and bottom for secure attachment of accessories. Sony Tape Measure Pin Compatibility: Allows mounting of the Sony Tape Measure Pin on either side of the top-plate. Cable Clamp Mounting Points: Six attachment points for Sony cable clamps ensure neat cable management. Handle Remains Mounted: The original FX6 top handle can stay in place after mounting the top-plate, which is particularly useful when using gimbals. Technical Specifications Material: High-quality aluminum for durability and light weight Weight: 145 g Mounting: Secured with four included screws Compatibility: Specifically designed for the Sony ILME-FX6

The Chrosziel Kit for the Sony ILME-FX6 provides a complete professional camera rig solution, combining ergonomic support, modularity, and versatile mounting options. It includes the Light Weight Support (LWS) with integrated shoulder pad, Top Plate, Handgrip Extender, and Rear Rods, offering a fully customizable setup for handheld, gimbal, or tripod-based shooting. Key Features Light Weight Support (LWS): Includes an integrated shoulder pad, two Hirth rosettes, V-Lock plate, and the 401-FS7/5-03 tripod adapter for stable and comfortable shooting. Top Plate: Equipped with integrated 1/4" and 3/8" mounting points for monitors, lights, microphones, or other accessories. Handgrip Extender: Features a bayonet lock, extendable from 175 mm to 250 mm. Comes with a 300 mm extension cable, Hirth-Rosette, and screws for secure attachment. Rear Rod Clamp: Compatible with the Light Weight Support, includes two 15 mm rods (205 mm) for follow-focus systems, matte boxes, or other 15 mm rod accessories. Technical Specifications Material: High-quality aluminum for durability and light weight Components Included: Light Weight Support with integrated shoulder pad, 2 rosettes, V-Lock plate, tripod adapter Top Plate with integrated 1/4" and 3/8" mounting points Handgrip Extender with bayonet lock, extension cable (300 mm), Hirth-Rosette with screws Rear Rod Clamp with two 15 mm rods (205 mm) Compatibility: Sony ILME-FX6

Discover our most advanced 4K display technology to date. Designed for critical on-set monitoring applications, Quantum 32 utilizes Nobel Prize winning quantum dot nanoparticles in a unique OLED panel design that directly emits narrow spectrum RGB light evenly in all directions, provides uniform luminance up to 1000nits, and extends color gamut coverage to over 80% of BT.2020, enabling pristine images with exceptionally wide color volume and viewing angle.Quantum 32 boasts a resolution of 3840 x 2160 (UHD), 10-Bit color processing, 1,500,000:1 contrast ratio, four 12G/6G/3G/HD-SDI inputs and outputs, and much more. The Unibody Smart Chassis offers multiple, interchangeable mounting points, DC power IN and 2-pin power OUT, 100mm VESA Mount, Dovetail mounting rail for batteries and other accessories, and new WiFi support. Quantum 32 ships ready for color-critical studio and broadcast desktop use and includes optional top handle and cheese plate inserts for mobile field production configurations.Quantum 32 features a new, more powerful central processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system. PageOS is an intuitive and highly customizable page-based monitoring interface with extensive tools for video engineering workflows, and numerous third-party software integrations. Features of Quantum  32 True Reference Quantum Dot OLED with 1000nits brightnessScreen Size: 31.5” Quantum Dot OLED DisplayInput/Output: 4x 12G/6G/3G/HD-SDI Resolution: 3840 x 2160 (UHD) Brightness: Up to 1000nits Color: 98% DCI-P3/80% Rec.2020 Contrast Ratio: 1,500,000:1 Bit Depth: 10-Bit  Technical Specifications Panel: Quantum Dot OLEDDiagonal Size: 31.5"Resolution: 3840 x 2160Max. Brightness: up to 1000NitsViewing Angle: 180 degreeBacklight Type: QD-OLEDIn-/Output BNC: YCC 4:2:2 @ 10bits up to DCI-4Kp30In-/Output HDMI: YCC 4:2:2 @ 12bit, RGB & YCC 4:4:4 @ 8bits up to DCI-4Kp60Power Input:1x 3pin XLR (142W max, 25V-34V, 12A max)Power Output: 2x 2pin (12V / 2A combined), 1x USB-A (2.4A) Front, 1x USB-A (1.5A) Rear, 1x USB-C (5V / 1.5A) RearConsumption: 186w (monitor only) 267w (w/max access. power draw)Power-in: 1x 3pin XLR (321W max, 27V-34V, 12A-9.4A)1x Dual-GM/VM Battery Plate (26V) sold seperatelyPower-out:2x 2pin (12V/2A combined)2x USB (5V/2.4A) (Front/Rear)1x USB-C (5V/1.5A)Data I/O:1x SD Card Slot1x RJ45 Ethernet1x RJ45 GPI1x WiFi antenna port Dimensions & WeightDimensions (HxWxL): 77,3 x 49,5 x 7,0 cmWeight: 12,6Kg Included in the Package Quantum 32 MonitorPower Supply Unit (#17-3044)32 Transport Screen Protector (#17-1072)Combination Cheese Stick (3/8 & 1/4-20)1/4-20 Cheese StickFeet x2Handle

***PRE-ORDER NOW*** Quantum 27 utilizes Nobel Prize-winning quantum dot nanoparticles in a unique OLED panel design that directly emits narrow-spectrum RGB light evenly in all directions, providing peak luminance of up to 1000 nits and extending color gamut coverage to over 99% of DCI-P3, offering pristine images with an exceptionally wide color volume and viewing angle. Quantum 27 boasts a resolution of 3840 x 2160 (UHD), 10-bit color processing, 1,500,000:1 contrast ratio, four 12G/6G/3G/HD-SDI inputs and outputs. The Unibody Smart Chassis offers multiple interchangeable mounting points, DC power input and 2-pin power output, 100mm VESA Mount, Dovetail mounting rail for batteries and other accessories, and new built-in WiFi support for wireless remote monitor control. Quantum 27 ships ready for color-critical studio and broadcast desktop use and includes optional top handle and cheese plate inserts for on-set mobility and accessory attachments. Quantum 27 features a new, more powerful central processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system. PageOS is an intuitive and highly customizable page-based monitoring interface with extensive tools for video engineering workflows, and numerous third-party software integrations. The Quantum 27 also includes haptic dial control functionality, making it even easier to control and navigate PageOS. These tactile dials offer touch-activated illumination to identify programmed functions with long-push, short-push, rotary, and capacitive-touch features, letting you change different tools, settings, and functions on the fly and giving you more ways than ever to customize your workflow. Features of Quantum  27 True Reference Quantum Dot OLED with 1000nits brightnessScreen Size: 26.5” Quantum Dot OLED DisplayInput/Output: 4x 12G/6G/3G/HD-SDI Resolution: 3840 x 2160 (UHD) Brightness: Up to 1000nits Color: 99% DCI-P3/80% Rec.2020 Contrast Ratio: 1,500,000:1 Bit Depth: 10-Bit  Technical Specifications Panel: Quantum Dot OLEDDiagonal Size: 26.5"Resolution: 3840 x 2160Max. Brightness: up to 1000NitsViewing Angle: 180 degreeBacklight Type: QD-OLEDIn-/Output BNC: YCC 4:2:2 @ 10bits up to DCI-4Kp30In-/Output HDMI: YCC 4:2:2 @ 12bit, RGB & YCC 4:4:4 @ 8bits up to DCI-4Kp60Power Input:1x 3pin XLR (142W max, 25V-34V, 12A max)Power Output: 2x 2pin (12V / 2A combined), 1x USB-A (2.4A) Front, 1x USB-A (1.5A) Rear, 1x USB-C (5V / 1.5A) RearConsumption: 186w (monitor only) 267w (w/max access. power draw)Power-in: 1x 3pin XLR (321W max, 27V-34V, 12A-9.4A)1x Dual-GM/VM Battery Plate (26V) sold seperatelyPower-out:2x 2pin (12V/2A combined)2x USB (5V/2.4A) (Front/Rear)1x USB-C (5V/1.5A)Data I/O:1x SD Card Slot1x RJ45 Ethernet1x RJ45 GPI1x WiFi antenna port Dimensions & WeightDimensionsHxWxL): 66,8 x 43,3 x 3,5 cmWeight: 9,6Kg Included in the Package TBA

Unleashing the Power of Slo-Motion Unlock a new era of cinematic slow motion with the Pixboom Spark, a cutting edge high speed camera designed with creators in mind. Engineered for uncompromising performance, the Spark captures breathtaking footage at up to 1000 frames per second in 4K and an impressive 1800 frames per second in 2K, empowering filmmakers to explore moments previously invisible to the eye. At its core lies a Super 35mm BSI (backside illuminated) global shutter sensor that delivers stunning image quality with virtually no motion distortion and exceptional low light performance. Whether you are shooting fast paced action or artistic slow motion, the Spark ensures every frame is crisp and cinematic. Built for creative freedom, the Spark features unlimited recording time thanks to Pixboom’s custom lossless RAW format (pxbl), giving you full post production flexibility with zero compromise in quality. A prerecording buffer of 2000 frames ensures you never miss the perfect moment. An upcoming firmware update will also add ProRes support for even greater workflow compatibility. Footage is stored on exchangeable onboard SSD media with up to 2.4 terabytes capacity and a direct USB C connection. No additional card reader is required. This plug and play design simplifies data handling and saves valuable time on set. The Spark’s durable aluminum housing and active cooling system are engineered for consistent reliability, even in demanding environments. A 3.5 inch high brightness touchscreen provides intuitive camera control, while Wi Fi connectivity and a dedicated mobile app allow remote operation. External monitoring is supported via 12G SDI and HDMI 2.0 outputs, both capable of up to 4K at 60 frames per second. Perfect for Aerial Cinematography Thanks to its compact and lightweight design combined with a global shutter sensor, the Pixboom Spark is ideal for drone based cinematography. Whether you are capturing high speed sports, wildlife, or overhead perspectives, the Spark delivers stable and artifact free imagery, even during fast movement or vibrations. Its low weight also makes it easier to stay within drone payload limits, offering more flexibility and extended flight times. What truly sets the Pixboom Spark apart is its community driven development. Created in collaboration with filmmakers, VFX professionals, and content creators, the Spark embodies a new standard of camera design that puts real world needs first.Detailed information about the Picboom Spark can also be found on the CBM blog. Technical Highlights High frame rates  • 1000 fps at 4K resolution  • 1800 fps at 2K resolution • Sensor: Super 35mm BSI (backside illuminated) • Shutter: Global shutter, free of motion artifacts • Display: 3.5 inch high brightness touchscreen • Recording format: Pixboom lossless RAW (pxbl), future ProRes support• Pre recording buffer: Up to 2000 frames • Remote operation: via Wi Fi and mobile app Storage  • Exchangeable internal SSD  • USB C direct connection, no external reader needed  • Up to 2.4 terabytes capacity Monitoring outputs  • 12G SDI up to 4K 60p  • HDMI 2.0 Anamorphic support  • Custom resolutions  • De squeeze preview option Build quality  • Machined aluminum housing  • Active cooling systemTechnical Specifications  Sensor Sensor Type14.2MP Super 35mm Global Shutter CMOS Sensor Size4608 × 3072 | 25.34 × 16.90 mm (30.46 mm diagonal) Dynamic Range13 Stops Lens Mount Mount TypeInterchangeable locking mount (E / EF / PL) Electronic CommunicationSupported Recording & Media Max Data RateUp to 10 GB/s (Pixboom Pro Card) Media TypeRemovable Pixboom Pro Card Media ExportUSB-C, no card reader required Export Speed20 Gbps (USB 3.2 Gen2x2) Body & Power ConstructionAluminum Alloy ColorSilver / Black Dimensions (H × W × L)108 × 110 × 130 mm Weight< 1.1 kg (without mount & card) Power Input15–24 V via 5-Pin DC-IN / V-Lock Connectivity & I/O Video Outputs12G-SDI (4K), HDMI 2.0 (4K) Remote ControlWi-Fi (2.4 / 5 GHz), USB-C, 9-Pin EXT Additional I/OGenlock, LTC, GPIO (9-Pin EXT) Software Pixboom ControlMobile control & live preview Pixboom CineRAW processing software Resolutions and Frame Rates .spark-table { width:100%; min-width:1000px; border-collapse:collapse; font-size:14px; } .spark-table thead th { background:#f2f2f2; text-align:left; padding:10px; font-weight:600; border-bottom:2px solid #ddd; } .spark-table tbody tr:nth-child(even) { background:#fafafa; } .spark-table tbody td { padding:8px 10px; border-bottom:1px solid #e5e5e5; } .spark-table tbody tr:hover { background:#f0f0f0; } Recording Resolution Width Height Max FPS Sensor Width (mm) Sensor Height (mm) 4.6K 3:2 Open Gate4608307267025.3416.90 4.6K 16:94608259278125.3414.26 4.6K 2:14608230488725.3412.67 4.6K 2.37:146081944102525.3410.69 4.6K 4:146081152172425.346.34 4K 16:94096230488722.5312.67 4K 2:14096204899422.5311.26 4K 2.37:140961728117122.539.50 4K 4:140961024192622.535.63 2K 16:920481152172411.266.34 2K 2.37:12048864218211.264.75 2K 4:12048512362511.262.82

Streamlined Power Distribution and Mounting Flexibility The D-Box™ System for Blackmagic URSA Cine 12K/17K offers professional users a compact and robust solution for powering essential on-board accessories while enhancing mounting options. Designed specifically for use with 26V Gold Mount Plus batteries, this power distribution system integrates seamlessly into your URSA Cine camera build. With the included Wedge mount, the D-Box attaches directly to the camera's rear, positioning the battery perpendicular for improved balance and accessibility. Integrated Connectivity for Demanding Setups Equipped with a comprehensive set of power outputs, the D-Box features two 12V 2-pin connectors (5.8A shared), two 3-pin 24V outputs (3.8A shared), and two D-Tap ports—offering everything you need to run monitors, wireless systems, and other accessories simultaneously. The system supports hot-swappable power when paired with an 8-pin DC-In via a compatible power cable, ensuring continuous operation during battery swaps. An internal Molex connector enables a clean and secure connection to the camera's power input. Engineered for the URSA Cine Ecosystem The custom-designed Wedge component aligns perfectly with the URSA Cine’s body, ensuring a snug and secure mount. It also provides additional ¼”-20 and ⅜”-16 mounting points on top for attaching more accessories without cluttering your rig. The D-Box includes a built-in self-resetting electronic fuse for added protection and peace of mind during demanding shoots. This is the ultimate power hub for users who require reliability, performance, and versatility on set. Features – D-Box™ System for Blackmagic URSA Cine 12K/17K Power distribution system optimized for URSA Cine 12K/17K Compatible with 26V Gold Mount Plus batteries (e.g. Anton Bauer) Two 12V 2-pin, two 24V 3-pin, and two D-Tap outputs Supports hot-swapping with 8-pin DC-In input Integrated Molex connector for direct camera connection Self-resetting electronic fuse built into the plate Perpendicular battery placement for balanced rigging Additional ¼”-20 and ⅜”-16 accessory mounting points Technical Specifications Voltage Outputs: 2x 12V (2-pin), 2x 24V (3-pin), 2x D-Tap Max 12V Output: 5.8A (shared) Max 24V Output: 3.8A (shared) Compatible with 26V Gold Mount Plus batteries Input via 8-pin DC-In for hot-swappable power Back-plate Molex connection to camera Self-resetting fuse protection Custom wedge mount for URSA Cine Dimensions & Weight Weight: 603.3 g / 1.33 lbs Dimensions: 156 x 127.6 x 41.1 mm Material: CNC-machined aluminum Finish: Black anodized In the Box 1x D-Box™ Gold Mount Plus for Blackmagic URSA Cine 12K/17K 1x Wedge for Blackmagic URSA Cine 12K/17K

Essential Rigging for Cinematic Precision The Core Accessory System for Blackmagic URSA Cine 12K/17K provides filmmakers with a reliable, professional-grade foundation for building out their camera systems. Designed to deliver essential connectivity and mounting capabilities, this streamlined kit enhances the native functionality of the URSA Cine while keeping weight and complexity to a minimum. Whether you're building for tripod, handheld, or Steadicam operation, this system supports efficient workflow transitions without obstructing airflow or ports. Top Plate with Expandability in Mind At the heart of the system is a precisely engineered Top Plate that fastens securely to the camera using three ¼"-20 screws along the top centerline. The plate is designed with airflow in mind and includes a removable 15mm Dual Rod Clamp at the front, perfect for mounting an EVF or third-party accessories. The Top Plate is fully compatible with the stock Blackmagic URSA handle, making it a seamless upgrade. Ready for Cinema-Standard Workflows The Core System also includes a Riser Plate and ARCA Base Plate, positioning the camera at ARRI Standard height. This ensures compatibility with traditional bridge plates and other professional-grade accessories. The ARCA Base enables rapid mounting and unmounting from tripods, shoulder rigs, or gimbals using Wooden Camera ARCA ecosystem components, making it an ideal setup for production teams that require flexibility and speed. Features – Core Accessory System for Blackmagic URSA Cine 12K/17K Essential three-piece rigging kit for URSA Cine 12K/17K Maintains ARRI Standard height for universal accessory compatibility Top Plate supports airflow and includes 15mm Dual Rod Clamp Compatible with the original Blackmagic URSA handle Built-in ARCA Base Plate for fast transitions across support systems Lightweight and durable aluminum alloy construction Designed for efficient heat dissipation and unobstructed port access Technical Specifications ARCA-compatible base plate with quick release support 15mm Dual Rod Clamp (removable, front-mounted) Three-point ¼”-20 Top Plate attachment Optimized top plate layout for cooling and expandability Compatible with industry-standard cinema accessories Precision CNC-machined components Lightweight design optimized for mobile and tripod workflows Dimensions & Weight Weight: 1007 g / 2.22 lbs Dimensions: 161 x 135 x 96 mm Material: CNC-machined aluminum Finish: Black anodized In the Box 1x Riser Plate for Blackmagic URSA Cine 12K/17K 1x ARCA Base Plate 1x Top Plate for Blackmagic URSA Cine 12K/17K

Professional Rigging Made Easy The Elite Accessory System for Blackmagic URSA Cine 12K/17K is engineered to provide filmmakers with a high-performance, modular rigging solution that maintains the camera’s original ergonomics while enhancing its versatility. Designed specifically for the URSA Cine line, this accessory set enables efficient camera builds without blocking ports or compromising airflow — ideal for demanding production environments. Cinematic Workflow Optimization The system begins with a precisely machined Riser Plate and ARCA Base Plate that align the camera to ARRI Standard height, ensuring compatibility with common cinema accessories. The open design of the Riser Plate promotes proper heat dissipation, while the built-in ARCA mechanism allows fast switching between tripod, shoulder, or Steadicam setups. Expandable and Ergonomic A lightweight yet robust Top Plate attaches via three ¼"-20 mounting points, offering enhanced airflow and mounting flexibility. It includes a removable 15mm Dual Rod Clamp and rear extension, making it easy to connect EVFs, monitors, or other critical accessories. The included Ultra Handle offers a secure grip and even more mounting options, rounding out a system built for performance and adaptability on set. Features – Elite Accessory System for Blackmagic URSA Cine 12K/17K Modular rig designed specifically for the Blackmagic URSA Cine 12K/17K Maintains ARRI Standard height for compatibility with industry-standard bridge plates Integrated ARCA system for quick workflow transitions Riser Plate and ARCA Base Plate allow for optimized airflow Top Plate with multiple mounting points and rod clamp support Removable rear extension on the Top Plate for added connectivity Compatible with the original Blackmagic URSA handle Ultra Handle provides secure grip and additional mounting surfaces Technical Specifications ARCA-compatible base plate system 15mm Dual Rod Clamp (removable, front-mounted) Three ¼”-20 mounting screws for secure top plate attachment Rear extension block with threaded mounting points Compatible with Wooden Camera accessories Lightweight aluminum alloy construction Optimized for thermal management and cable access Dimensions & Weight Weight: 1579 g / 3.48 lbs Dimensions: 161 x 135 x 96 mm Material: Precision-machined aluminum Color: Black anodized finish In the Box 1x Riser Plate for Blackmagic URSA Cine 12K/17K 1x ARCA Base Plate 1x Top Plate for Blackmagic URSA Cine 12K/17K 1x Top Plate Extension Block 1x Top Plate Dual Rod Clamp – Front 1x Ultra Handle (3/8"-16) Standard Kit

Compact Powerhouse for High-End Cinematic ProductionsThe Sony VENICE 2 Extension System Mini CBK-3621XS is a revolutionary addition to the Sony VENICE 2 ecosystem, designed for filmmakers who require maximum flexibility without compromising image quality. This ultra-compact extension system integrates seamlessly with the VENICE 2 8K and 6K models, allowing for versatile camera configurations in confined spaces or complex rig setups. Weighing just 0.54 kg (1.2 lbs) with an E-mount and 1.05 kg (2.3 lbs) with a PL mount adapter, the Extension System Mini is approximately 70% smaller than the existing VENICE Extension System 2. Despite its reduced size, it maintains the same high-performance image quality, making it ideal for handheld, gimbal, and POV shooting, as well as Steadicam, VR, and stereoscopic applications.A key feature of the system is its innovative drop-in ND cartridge system, which includes nine high-quality glass Neutral Density filters, ensuring precise exposure control in various lighting conditions. Additionally, the system introduces an improved, detachable 4.5m (14.8 ft) connection cable that is 3.3mm thinner than its predecessor, allowing for easier rigging and more flexible camera placement. For extended setups, an optional 12m (39.4 ft) cable is also available. These features enable filmmakers to achieve dynamic and immersive shots while maintaining the renowned cinematic quality of the VENICE 2.Beyond its compact design, the VENICE 2 Extension System Mini opens new creative possibilities, particularly in immersive media production. With an E-mount configuration, two units placed side by side replicate the human interpupillary distance of 64mm (2.5 in), making it a valuable tool for stereoscopic imaging and VR content creation. Its lightweight build and modularity also make it an excellent choice for Steadicam applications, where precise movement and weight balance are critical. Whether used for traditional filmmaking, virtual production, aerial cinematography, or experimental visual storytelling, the Sony VENICE 2 Extension System Mini sets a new standard for compact, high-end cinema capture.Features – Sony VENICE 2 Extension System MiniUltra-Compact Design: 70% smaller than the VENICE Extension System 2, perfect for handheld, gimbal, and tight-space shooting.8.6K Full-Frame CMOS Sensor: Delivers the same exceptional image quality as the VENICE 2 in a compact form.Detachable, Thin Connection Cable: 4.5m (14.8 ft) standard cable, with an optional 12m (39.4 ft) version available.Drop-In ND Filter System: Includes nine ND filters (clear to 2.4) for optimal exposure control.PL Mount Adapter Support: Enables compatibility with a wide range of professional cine lenses.Stereoscopic & VR Capabilities: Sensor spacing aligns with human interpupillary distance for immersive content creation.Steadicam Optimized: Lightweight and modular for stabilized camera operation.Integrated Mounting Points: 15 mounting holes for versatile rigging options.Durable & Lightweight: Robust build with dust, moisture, and shock resistance for professional use.Technical SpecificationsSensor Compatibility: VENICE 2 8K and Venice 2 6K (8K capture requires firmware update for 6K model)Filter System: 9-stage drop-in ND filter (Clear, 0.3-2.4)Cable Options: 4.5m (14.8 ft) standard, 12m (39.4 ft) optionalMount Options: E-mount and PL mount adapterGyro Sensor: Integrated for real-time tilt and positioning dataMetadata Support: Cooke/i Lens Metadata through PL mount adapterDimensions & WeightDimensions: 63.9 × 103.2 × 60.2 mm (2.5 × 4.06 × 2.37 in)Weight: 0.54 kg (1.2 lbs) with E-mount, 1.05 kg (2.3 lbs) with PL mount adapterIn the BoxSony VENICE 2 Extension System Mini Head Unit4.5m (14.8 ft) Detachable CablePL Mount AdapterDrop-In ND Filter Set (Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4)Mounting HardwareUser ManualAvailabilityPlanned to be released by August 2025 (TBD)

The SWIT K21 21.5" FHD 1500nit Field Monitor is a professional-grade monitoring solution designed to meet the demands of today’s dynamic field production environments. Equipped with a large 21.5-inch Full HD IPS panel and an ultra-bright 1500nit backlight, the K21 ensures excellent visibility even in direct sunlight. This makes it a perfect choice for outdoor shoots, live productions, or on-location work where clear image monitoring is crucial. The robust all-metal housing with reinforced rubber corner guards and a quick-release screen protector ensures the monitor is ready for challenging environments without compromising image clarity or usability. At the heart of the K21 is SWIT’s intuitive Scene OS, which allows users to build up to 8 customizable “Scenes,” each with 8 shortcut tools. These can include waveform, vector scope, peaking, false color, zebras, and more, enabling instant access to essential tools and functions during shooting. The K21 supports advanced video and audio analysis tools, anamorphic de-squeeze (up to 2x), and delog/HDR LUTs from major camera manufacturers like ARRI, RED, Sony, and Canon. You can also load up to 10 custom 3D LUTs via USB-A for personalized color workflows. Calibration is fast and precise thanks to SWIT’s support for X-Rite’s i1Display Pro HL probe via the monitor’s USB-C port—no PC connection required. The K21 also delivers versatile power and mounting solutions: AC input, 4-pin XLR, or V-mount battery power, plus interchangeable cheese plates and a VESA-to-C-stand adaptor for flexible mounting. Whether mounted in a flight case for a director’s monitor or set up on a light stand, the K21 is a rugged, reliable, and color-accurate field monitor tailored for professional cinematographers and production crews. Features – SWIT K21 21.5" FHD 1500nit Field Monitor 21.5" 1920×1080 Full HD IPS display 1500nits high brightness, sunlight-readable Rugged aluminum housing with rubber corner protection Quick-release screen protective glass Scene OS with up to 8 customizable pages and shortcuts Built-in waveform, vectorscope, histogram HDR and SDR monitoring with camera log LUTs Up to 10 user 3D LUTs uploadable via USB-A Auto 3D LUT calibration via USB-C (X-Rite i1Display Pro HL) Anamorphic de-squeeze (1.33x to 2x) Custom false color and zebra settings Focus assist, peaking, safe area markers Custom aspect ratio overlays 2K/3G/HD/SD-SDI and 4K HDMI 1.4 input SDI audio meters and timecode display AC, 4-pin XLR, and V-mount battery power support Dual interchangeable cheese plates for accessories C-stand VESA adaptor included Optional flight case version available Firmware updates via USB Intuitive menu and button interface Technical Specifications – SWIT K21 Display: 21.5-inch IPS, 1920×1080 resolution Brightness: 1500nits Color Processing: 10-bit Video Inputs: 2× 3G-SDI, 1× 4K HDMI 1.4 Video Outputs: 2× 3G-SDI loop outputs USB-A: Firmware updates and LUT upload USB-C: Auto calibration with X-Rite i1Display Pro HL Monitoring Tools: Waveform, vector scope, histogram, peaking, focus assist HDR Support: HLG, PQ, SDR Gamma 2.2/2.4/2.6 LUT Support: Built-in and 10× user 3D LUTs (CUBE) Audio Monitoring: SDI audio meter display Power Input: AC 100–240V DC Input: 11–17V 4-pin XLR Battery Mount: Integrated V-mount plate Mounting: VESA, C-stand adaptor, cheese plates Scene OS: 8 scenes with 8 customizable function keys each False Color & Zebra: Fully adjustable thresholds Aspect Ratio Overlays: Customizable Dimensions & Weight Monitor Dimensions (without accessories): approx. 510 × 312 × 48 mm Weight (monitor only): approx. 5.2 kg Weight (with cheese plates and C-stand adaptor): approx. 6.5 kg Flight case version available (dimensions and weight vary) In the Box SWIT K21 21.5" Field Monitor 2× Interchangeable Cheese Plates VESA-to-C-stand Adaptor AC Power Cable Screen Protective Glass (pre-installed) User Manual Optional: Flight Case Kit (K21-FC, if ordered)

The SWIT K15 15.4" FHD 1500nit Field Monitor is engineered for professional filmmakers and production crews who demand exceptional clarity and durability in any shooting environment. Featuring a vibrant 15.4-inch 1920×1200 IPS panel with an impressive 1500 nits brightness, this monitor offers superb visibility even in direct sunlight, making it ideal for outdoor shoots. The near-OLED level high contrast delivers deep blacks and outstanding image detail, ensuring your footage is accurately represented on set. Built to withstand the rigors of field production, the K15 is housed in a robust all-aluminum frame with rubber corner guards and a quick-release protective glass screen. Its compact design with narrow bezels allows for easy handling and transport, perfect for directors, DPs, and focus pullers who require reliable monitoring in tight or challenging locations. The monitor supports flexible mounting options including interchangeable cheese plates and a VESA-to-C-stand adaptor, enhancing usability on any rig or stand. The K15’s advanced Scene OS provides customizable workflows by allowing up to 8 different scenes with individually assignable shortcuts, making tool access faster and more intuitive. Professional video and audio monitoring tools like anamorphic de-squeeze, false color, zebra stripes, waveforms, and focus peaking empower users to achieve precise image control. Seamless 3DLUT calibration using the X-rite CC Display Pro HL probe guarantees color accuracy on every shoot, elevating the K15 to a must-have field monitor for modern production demands. Features – SWIT K15 15.4" FHD 1500nit Field Monitor 15.4-inch 1920×1200 Full HD IPS panel with 10-bit color depth Ultra-bright 1500 nits display for sunlight readability Near OLED-level high contrast with deep black reproduction Durable aluminum housing with rubber corner anti-crash protection Quick release, high-transparency protective glass 2× interchangeable cheese plates for accessory mounting VESA to C-stand mounting adaptor included Supports 2× 3G-SDI inputs and loop outputs 1× 4K HDMI 1.4 input Built-in Scene OS with 8 customizable Scenes and tool shortcuts 10× User-uploadable 3D LUTs via USB-A Automatic 3D LUT calibration with X-rite CC Display Pro HL probe via USB-C Built-in camera manufacturer delog LUTs for ARRI, RED, Sony, Canon, and more Anamorphic lens de-squeeze support (1.33x to 2x) Adjustable false color and zebra exposure tools Waveform, vectorscope, histogram, and audio meters Focus assist, peaking, crosshatch, and safe area markers Timecode display Power input options: AC 100-240V, 4-pin XLR DC 11-17V, and V-mount battery plate Includes a rugged engineering carrying case for transport Technical Specifications Display Size: 15.4 inches Resolution: 1920×1200 pixels (Full HD+) Panel Type: IPS, 10-bit processing Brightness: 1500 nits (sunlight readable) Contrast Ratio: Near OLED-level deep blacks Viewing Angles: Wide IPS angles, >160° Protective Glass: High-transparency, quick-release, screw-mounted Inputs: 2× 3G-SDI, 1× 4K HDMI 1.4 Outputs: 2× 3G-SDI loop-through USB Ports: USB-A for firmware & LUT uploads, USB-C for calibration probe LUT Support: 10 user 3DLUT uploads, built-in camera manufacturer LUTs Calibration: Automatic 3DLUT via X-rite CC Display Pro HL probe Operating System: Scene OS with 8 customizable Scenes Video Tools: False color, adjustable zebras, waveform, vectorscope, histogram Audio Tools: SDI audio meters Aspect Ratio: Customizable guides on 16:9 screen Anamorphic De-squeeze: Supports 1.33x to 2x Power Input: AC 100-240V, DC 11-17V via 4-pin XLR, V-mount battery Mounting: 2× interchangeable cheese plates, VESA-to-C-stand adaptor Dimensions (approx.): See below Weight (approx.): See below Dimensions & Weight Dimensions (W×H×D): Approx. 349 × 228 × 38 mm (13.7 × 9.0 × 1.5 inches) Weight: Approx. 1.7 kg (3.75 lbs) including protective glass and housing In the Box SWIT K15 15.4" FHD 1500nit Field Monitor 2× Interchangeable cheese plates VESA to C-stand mounting adaptor Quick release protective glass (pre-installed) Rugged engineering carrying case Power cables and adapters (AC power, 4-pin XLR power cable) User manual and warranty card

The Sony FR7 PTZ Camera + Sony FE PZ 16-35mm f/4 G Lens Bundle is the ultimate solution for filmmakers and content creators looking to capture cinematic footage from multiple angles in live events, broadcasting, or studio productions. The Sony FR7 PTZ Camera offers a full-frame Exmor R™ CMOS sensor, ensuring exceptional image quality with over 15 stops of dynamic range. Combined with the Sony FE PZ 16-35mm f/4 G Lens, this bundle provides the flexibility of a wide-angle zoom lens with superb clarity, sharpness, and a constant f/4 aperture, making it ideal for capturing everything from expansive landscapes to tight, dynamic shots with smooth focus transitions. The Sony FR7 PTZ Camera opens up new creative possibilities with its remote pan/tilt/zoom controls, perfect for live event productions, broadcasts, and other scenarios requiring seamless remote camera control. Paired with the Sony FE PZ 16-35mm f/4 G Lens, you can achieve stunning wide-angle shots with excellent edge-to-edge resolution and smooth autofocus, all while enjoying the versatility of Sony's E-mount lens system. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera is the first full-frame PTZ camera in Sony's lineup, offering a unique combination of cinematic image quality and remote control functionality. It is designed for versatility, with smooth pan/tilt/zoom operation, making it perfect for both indoor and outdoor events, multi-camera setups, and high-quality live broadcast productions. The Exmor R™ CMOS sensor provides incredible low-light sensitivity and a broad dynamic range, ensuring optimal performance in a variety of lighting conditions. Key Features: Full-frame Exmor R™ CMOS sensor for high-quality image capture. 15+ stops of dynamic range for smooth highlights and shadows. 4K (QFHD) at 120fps for high-frame-rate video and slow-motion capture. Real-time Eye AF & Fast Hybrid AF for accurate subject tracking. Remote pan/tilt/zoom/focus control for smooth operation. Dual media slots supporting CFexpress Type A and SDXC cards. Sony FE PZ 16-35mm f/4 G Lens Overview The Sony FE PZ 16-35mm f/4 G Lens is a wide-to-standard zoom lens with a constant f/4 aperture, making it ideal for low-light environments and providing smooth depth of field for both wide-angle and portrait shots. The G Lens series ensures excellent resolution and sharpness across the entire frame, with minimal chromatic aberration, distortion, and ghosting. With its versatile zoom range and high-quality optics, the 16-35mm f/4 G Lens offers superb performance for filmmakers who require high precision and reliability in varied shooting conditions. Whether you're capturing scenic wide shots or tight close-ups, this lens will deliver outstanding results. Key Features: Focal Length: 16-35mm, ideal for wide-angle to standard shots. Constant f/4 aperture for consistent brightness and depth of field control. Advanced optical design for exceptional sharpness and clarity. Fast autofocus for smooth subject tracking and precision. Dust and moisture-resistant construction for durability in various conditions. Perfect for Live Events and Broadcast Production: This bundle is designed with live event production, broadcasting, and cinema in mind. The Sony FR7 PTZ Camera's remote control capabilities and the Sony FE PZ 16-35mm f/4 G Lens's versatility in focal length give you all the tools you need to cover any situation with exceptional image quality. Whether you're filming a dynamic sports event, a live concert, or a studio production, the combination of these two powerful Sony products ensures smooth, cinematic footage from every angle.