The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
The IB/E Optics Universal Mounting System (UMS) allows the reassembly of the IB/E Adapter to other mounts besides the PL, expanding their use considerably. Easy change in the field without re-shimming. Compatibility: HDX1.4 HDX2 Mark II HDX35 Mark III PLX1.4 Mark II PLX x2 PLX2 VV VVx2 UMS S35XFF Raptors
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
SUMMICRON-C - the premium prime lenses designed for larger sensors on film and television productions. The SUMMICRON-C set of prime lenses are comprised of 11 focal length from 15mm to 135mm. All the lenses are T2.0 and with consistent 95mm front diameters and a compact size that is expected of modern cine lenses. FEATURES Focal Length: 75 mm Aperture: T2.0 - T22 full close Format: 36 mm (Enlarged "Super 35) Mount: PL Front Diameter: 95 mm Weight: 1,2 kg CAMERA COMPATIBILITY Sony VENICE Super 35 anamorphic 4K SONY F5 and F55 Canon EOS C300 Mark II ARRI Alexa (Open Gate and 16:9 mode) RED Helium 8K S35 RED GEMINI 5K S35 and many more
The Echo 48 workstation cart from Innovativ is an ideal cart to use on-set, in the studio, or on location to carry and have the equipment within arm's reach, and can also function as a mobile workstation for data management operators. The workstation can be configured to hold several monitors, a laptop, and even mount a camera. This allows the operator on-set to help the cinema photographer manage data more efficiently. The top shelf has 10" of height adjustment in 2" increments. A 2.5" port located on the cart helps to pass through computer and power cables. Also, the Echo's wheels roll easily and are quiet because of the 100% sealed bearings, and the wheels secure by stepping on the manual locking brakes. Should you wish to have an easier and smoother stop for your cart, hydraulic brakes are available separately. Echo 48 Cart Size: Collapsed: 22.75″H x 24″W x 48″L Assembled: 39″H x 24″W x 48″L Weight: 115lbs Standard Equipment Top & Bottom Shelf 1 Set Quick Grips 2 Accessory Channel Blocks 2 Accessory Crossbars 2.5 in Cable hole (Echo 36/48 only) Top combo locking drawer w/ soft drawer slides Bottom combo locking drawer w/ soft drawer slides Rolled front lip of top shelf Foot Brake System Hydraulic Brake Systems can be added at time of order but are not standard equipment FEATURE Made in the USA Completely tools free design Constructed of premium 5052 and 6061 aluminum and stainless steel hardware 30% lighter than other carts currently serving the marketplace Upright posts lock in place and will not loosen over time 10″ of top shelf height adjustment in 2″ increments 100% sealed bearing wheels that are extremely quiet and easy to roll Equipped with INOVATIV’s Foot Brake System Type II and III anodizing on all uprights and machined parts Durable texture black powder coat on top and bottom shelfs 5 year limited warranty
Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters.+0.5 and +0.8 diopters uses single filter slot and +2 diopters uses double filter slots. The Standard Diopter Set consists of three diopters with magnification strengths of +0.5, +0.8 and +2.0. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass PDF DOWNLOADSDioper Data Sheet
The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length: 120 mm Max. Aperture: f/2.6 Format: 60 mm (ARRI ALEXA 65) Mount: PL, LPL, XPL-with Cooke/i Front Diameter: 95mm Iris Shape: Circular through all stops Weight: 1,66 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more
The new Orca Hard Shell Accessories Bag - Large, was designed to carry and protect sensitive equipment to and from location. The top and the bottom of the bag are made from thick plastic thermoforming boards, which provides ultimate protection for the equipment stored inside. All the sides come with a honeycomb frame, giving your equipment 360 degrees of protection. The bag comes with a soft carrying handle and a padded shoulder strap. Ideal to store: Wireless audio systems, Wireless Video systems, hard drives, headphones, small mirror less cameras, microphones, small charges and batteries, lenses, matte boxes, follow focuses, monitors (7“ or 9”) or any other sensitive gear. FEATURES: Holds audio & photo accessories 3 touch-fastening, padded dividers Removable organizational panel Offers 360° impact protection Internal: cm/Inch L:45cm/17.7" W:32cm/12.6" H:17cm/6.7" External: cm/Inch L:48cm/18.9" W:37cm/14.6" H:21cm/8.3" Weight: Kg/Lb 2.860KG/6.3Lb
IB/E Optics Universal Mounting System UMS LPL Mount. The IB/E Optics Universal Mounting System (UMS) allows the reassembly of the IB/E Adapter to other mounts besides the PL, expanding their use considerably. It works with IB/E Raptor lenses and PLx II Vista Vision. Easy change in the field without re-shimming.
The HDx2 Mark II was specifically designed to give cinematographers the ability to use all HD ENG 3D CCD lenses on high speed Phantom cameras and MFT format cameras (22 mm). This converter is best suited for scenarios when our HDx35 Mark III adapter‘s magnification is too strong or when light loss has to be restricted.
For Sony PMW-300,EX-3, NEX-FS-100, PMW-F5,PMW-F55 Panasonic : AG-AC8,AG-HPX-250,AG-HMC-80, and similar size cameras. The Orca shoulder video bag , is expertly designed to carry and protect your video camera and all its related items, from studio to location and anywhere else you choose to shoot. Orca Video Bags are highly protective, with their external aluminum frame, internal honeycomb frame and layers of foam and EVA. The bags are extremely light, versatile and easy to carry. Orca Video Bags come in 4 different sizes, each with four external pockets, padded shoulder strap and a flexible internal dividing system that can be configured according to the users needs. FEATURES The world's first video bag with a combination of an aluminum frame and honeycomb frame for maximum protection of sensitive equipment. Wide top opening for easy operating and viewing of contents. Internal LED lighting system for better viewing in dark locations. Smart dividing system to hold camera in place inside the bag. Inside lining made from bright blue brushed polyester for easy viewing of equipment. Four outside pockets to hold extra accessories. Special Hi-Frequency padded carrying strap. Unique internal pouch for storing essential accessories such as batteries, light, wireless microphone, dynamic microphone, memory cards, etc. Bag can be attached to the Orca Trolley system for easy transportation. Two side-handles for pulling the bag from storage. Internal: cm/Inch L: 52cm / 20.4" W: 29cm / 11.41" H: 26cm / 10.23" External: cm/Inch L: 58cm / 22.83" W: 32cm / 12.6" H: 32cm / 12.6" Weight: Kg/ Lb 3.19kg / 7.0Lb
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length: 25 mm Aperture: T1.4 - T22 - full close Format: 33 mm Mount: PL - Titanium Front Diameter: 95 mm Weight: 1,8 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more
The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length: 30 mm Max. Aperture: f/2.9 Format: 60 mm (ARRI ALEXA 65) Mount: PL, LPL, XPL-with Cooke/i Front Diameter: 95mm Iris Shape: Circular through all stops Weight: 1,50 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 21 mm Max. Aperture: f/1.4 Format: Full Frame (24mm, 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 515g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length: 21 mm Aperture: T1.4 - T22 - full close Format: 33 mm Mount: PL - Titanium Front Diameter: 95 mm Weight: 1,6 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more
The lightweight and ventilated Orca Harness can be connected to any Orca Audio Bag to help distribute the weight better and relieve the weight while shooting. FEATURES The world’s first power harness with internal cable and special pouch for battery or power bank. Harness is easily adapted to suit any user. Extremely lightweight and ventilated using EVA skeleton with mesh fabric. Special strong aluminum buckles for extra strength and easy connection to any Orca Audio Bag. Unique sliding system to fit any operator of any size. Detachable pouch for holding a boom pole when in use. Internal: cm/Inch L: 74cm / 29.1" W: 67cm / 26.37" External: cm/Inch L: 74cm / 29.1" W: 67cm / 26.37" Weight: Kg/ Lb 0.67kg / 1.47Lb
SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length: 40mm Aperture: T1.4 - T22 - full close Format: 33 mm Mount: PL - Titanium Front Diameter: 95 mm Weight: 1,6 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more
The Orca OR-34 Audio Bag / Mixer bag is the first in the world to offer maximum protection for the sensitive gear inside, thanks to their durable external aluminum frame, internal honeycomb frame, and layers of foam and EVA. They are all meticulously designed by photographers and audio experts to carry, protect and enable operation of all audio mixers, in any location. FEATURES The world's first audio bag with an aluminum frame, and the first that provides access to the gear inside from 6 directions. “ORCA Lift”, the first solution in the world to help audio operators position the mixer from any size to any level. Special sliding system to secure any mixer inside the bag. Top Clear TPU for easy viewing. Unique battery pocket with extra rubber battery fittings. Detachable carrying handles & shoulder strap. Two giant pockets for storing any audio accessories. Four external detachable pouches and 9 rubber bands to hold any size of wireless system Front bungee cords to hold boom pole or cables. Can be connected to the Orca Harness, to ease the load off user. Inside lining made from bright blue brushed polyester for easy viewing of equipment. Internal: cm/Inch L: 33cm / 12.99" W: 19cm / 7.48" H: 23cm / 9.05" External: cm/Inch L: 39cm / 15.35" W: 33cm / 12.99" H: 24cm / 9.45" Weight: Kg/ Lb 2.78kg / 6.11Lb
IB/E Optics Rectangular Diopter Drop-In Filter - 0.5dpt Professional optical tools are one of core competencies, and IB/E Optics have taken great lengths to provide cinematographers with a complete set of high quality diopters housed in standard 4 x 5.65" frames that slide quickly and easily into any top-loaded and side-loaded matte box (Arri, Chrosziel, etc.) since the handle can be mounted either on top or sideways. IB/E Optics understand how important time is on the set, and working with tradition round diopters and donuts can be time consuming, and they believe our solution not only saves time on the set, but it also provides Directors of Photography with new creative opportunities. They used expensive, high-end glass to create these thin, rectangular diopters. +0.5 and +0.8 diopters uses single filter slot and +2 diopters uses double filter slots. Features Slide quickly and easily into any top-loaded and side-loaded matte box Handle can be mounted on either top or side High-end glass
SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length: 29 mm Aperture: T1.4 - T22 - full close Format: 33 mm Mount: PL - Titanium Front Diameter: 95 mm Weight: 1,7 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more
The OR-30 Audio / Mixer Bag from ORCA is designed to carry, protect, and enable access to your audio mixer. The bag's aluminum frame allows for access to the gear from six directions, and its bright blue polyester lining provides easy viewing of the equipment. The top clear TPU allows you to see your gear without opening the bag. The bag features two pockets for accessory storage, front bungee cords to hold a boom pole or cables, 2 external detachable pouches, and 9 rubber bands to support your wireless system. The rubber battery fittings secure your battery in place while the interior sliding system secures your gear. The bag also features detachable carrying handles and a shoulder strap and can be connected to the ORCA Harness for easier carrying. FEATURES The world’s first audio bag with an aluminum frame, and the first that provides access to the gear inside from 6 directions. “ORCA Lift”, the first solution in the world to help audio operators position the mixer from any size to any level. A special sliding system to secure any mixer inside the bag. Top Clear TPU for easy viewing. Unique battery pocket with extra rubber battery fittings. Detachable carrying handles & shoulder strap. Two giant pockets for storing any audio accessories. Two external detachable pouches and 9 rubber bands to hold any size of a wireless system. Front bungee cords to hold boom pole or cables. Can be connected to the Orca Harness, to ease the load off a user. Inside lining made from bright blue brushed polyester for easy viewing of equipment. Internal: L: 26cm / 10.2" W: 12cm / 4.72" H: 17.5cm / 6.89" External: L: 31cm / 12.2" W: 26cm / 10.23" H: 19.5cm / 7.68" Weight: 1.78kg / 3.91Lb
SUMMILUX-C - the high-speed lenses for super 35 cinomatography. The SUMMILUX-C set of prime cine lenses are comprised of 12 focal length from 16 to 135mm. All lenses are T1.4 and have a consistent front diameter of 95mm, with the exception of the larger 135mm. Highly recommended in the cinematographic world for their uncompromising natural images, fast, compact and lightweight. The unique iris design of the SUMMILUX-C lenses combined with custom coatings gives the out of focus elements a character and a feel that adds depth and texture to the image. Additionally, the blacks and shadows retain a deep, pure saturation that further creates the sense of dimensionality in the image. FEATURES Focal Length: 65 mm Aperture: T1.4 - T22 - full close Format: 33 mm Mount: PL - Titanium Front Diameter: 95 mm Weight: 1,7 kg CAMERA COMPATIBILITY Sony VENICE Super35 anamorphic 4K Sony F5 and F55 Canon EOS C300 Mark II ARRI Alexa Mini and many more
The Leitz THALIA prime lenses provide outstanding matched look spherical lenses for Full Frame, VistaVision and Super 35 cinematography. Consistently cinematic look and feel throughout the range of 9 lenses from 24mm to 180mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. They are clear without being overly sharp and focus is smooth and forgiving whithout looking soft. Skin tones are natural and smooth with accurate color rendition. FEATURES Focal Length: 45 mm Max. Aperture: f/2.9 Format: 60 mm (ARRI ALEXA 65) Mount: PL, LPL, XPL-with Cooke/i Front Diameter: 95mm Iris Shape: Circular through all stops Weight: 1,46 kg CAMERA COMPATIBILITY Sony VENICE ARRI ALEXA 65 ARRI Alexa Mini LF Canon EOS C300 and many more
SET of RAPTOR UMS PL Shims (0,01mm, 0,02mm, 0,03mm, 0,04mm, 0,05mm, 0,08mm 0,10mm, 0,12mm) Included in box 1x 0.01mm shim 1x 0.02mm shim 1x 0.03mm shim 1x 0.04mm shim 1x 0.05mm shim 1x 0.08mm shim 1x 0.10mm shim 1x 0.12mm shim