RF-X Auto-Switcher for Bolt 4K/6 and Ranger RXs Teradek RF-X is an intelligent RF auto-switcher designed to guarantee uninterrupted, zero-delay wireless video in the most demanding production environments. Built specifically for Bolt 4K, Bolt 6, and Ranger receivers, RF-X automatically manages redundant signal paths and always delivers the strongest available feed as a single, clean 12G-SDI output. RF-X (Radio Frequency Matrix) continuously monitors up to six connected Bolt or Ranger receivers over hardline SDI connections. As RF conditions change, the system seamlessly switches between inputs without dropped frames, visible hits, or added latency. The result is a rock-solid wireless video signal that remains stable even in heavily congested RF environments, where manual switching or single-receiver setups often fail. Designed for broadcast, live events, and high-end cine production, RF-X operates fully automatically and requires no operator intervention. Whether cameras are moving through complex locations, talent blocks line of sight, or interference levels fluctuate, RF-X intelligently selects the best signal in real time. This eliminates the need for costly manual switchers, reduces crew workload, and protects critical video feeds when every second counts. RF-X excels in environments such as stadiums, concerts, motorsports, and challenging film locations including hospitals, airports, and military facilities. For extended workflows, multiple RF-X units can be linked via single-mode fiber using the integrated SFP port. Fiber connectivity adds another layer of reliability by avoiding RF noise, ground loops, and electrical interference, while enabling long-distance transmission to DIT carts, video village, or downstream routing infrastructure. Fully plug-and-play, RF-X integrates effortlessly into existing Bolt or Ranger systems. Simply connect your redundant receivers to the SDI inputs and route the output to your monitor, recorder, or switcher. Optional web and app-based tools provide visibility into signal quality and system status, but the core switching logic works automatically in the background. RF-X is not a radio system itself—it is a professional video switcher that ensures the highest possible video quality by always selecting the best available wireless input. Workflows Versatile. Indispensable. Reliable. From stadiums and racetracks to concert venues and on set, RF-X thrives in chaotic RF environments with unpredictable conditions and long-range camera movement. Live Sports Secure uninterrupted sideline-to-sideline coverage in high interference arenas. Concerts Deliver an uninterrupted show for the crowd and production pit using RF-X. Cine Production From long tracking shots with multiple physical obstacles to locations with extreme radio frequency congestion. Motorsports Maintain a seamless 12G-SDI feed across high-speed circuits using RF-X. Features – Teradek RF-X Intelligent auto-switcher for wireless video redundancy Seamless hit-less failover between up to six receivers Single uninterrupted clean 12G-SDI output Configurable 12G-SDI multi-view output Zero added latency switching Designed for Bolt 4K, Bolt 6, and Ranger RXs Continuous real-time signal quality monitoring Optimized for high-RF-congestion environments Eliminates manual switching and reduces operator workload Supports 4K 10-bit 4:2:2 wireless video workflows Integrated SFP port for SDI fiber connectivity Extend coverage via single-mode fiber links Full SDI ancillary data pass-through Plug-and-play operation with no configuration required Web UI for monitoring and firmware updates Mobile and desktop app support Compact, rack-friendly aluminum chassis Built for broadcast, live events, and cine production Technical Specifications Video inputs: 6x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber input: 1x 12G-SDI over optical fiber (SFP, module sold separately) Video outputs: 2x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber output: 1x 12G-SDI over optical fiber (SFP, module sold separately) Supported resolutions: up to 4Kp60 and HD formats Color sampling: YCbCr 4:2:2, 10-bit SDI ancillary data: full metadata pass-through Audio input: embedded SDI audio Audio output: embedded SDI audio Delay TX to RX: < 0.001 seconds Output processing: configurable multi-view Ethernet: 1x Gigabit Ethernet (10/100/1000) USB interface: USB-C for firmware upgrades Bluetooth: supported Configuration: OLED front panel with joystick navigation Web interface: local device management and monitoring Construction, Dimensions and Weight Dimensions: 8.7 x 6.9 x 1.7 in (221 x 175 x 44 mm), including connectors Weight: approx. 1.9 lbs (855 g) Construction: aluminum chassis with temperature-controlled low-noise fan Mounting: 1/2-width 1U rack compatible, dual-unit mounting supportedIn the Box RF-X 36W 2pin to AC Power PSU (Additional RXs and SDI cables not included)

Professional Handheld Control for Bitbox The Bit Part Bitbox iPad Plate is a fully native mounting solution engineered to transform the Apple iPad Mini into a robust, professional handheld control surface for bitbox systems. Designed specifically for the Apple iPad Mini (6th generation and newer), this plate creates a compact, balanced, and production-ready camera control unit suitable for on-set operation, carts, desks, and mobile workflows. Developed in close collaboration with Possum Solutions, the Bitbox iPad Plate focuses on real-world usability for camera assistants, DITs, and technicians. The design allows a bitbox radio to be directly hard-mounted to the plate, ensuring a secure mechanical connection and eliminating unnecessary adapters. For alternative workflows, an additional 1/4-20 mounting point behind the bitbox supports third-party quick-release systems such as Wedgie, Lnkcine, or Cinelock. Power management is fully integrated. The plate ships with a genuine bebob AMMicro battery plate and also supports compatible Anton Bauer Gold Mount or V-Mount micro plates, depending on the selected version. The battery plate can be mounted in multiple orientations, allowing the iPad to rest at a comfortable viewing angle on a cart or desk, or to support horizontal battery placement for alternative docking and handheld configurations. Machined from high-grade aluminum and finished with a durable anodized coating, the Bitbox iPad Plate is built for daily professional use. Extensive mounting points, support for Wooden Camera mini rails, and integrated cable routing ensure a clean, secure, and modular setup. Thoughtful details such as corner loops designed for Peak Design Anchor Links further enhance portability and safety on set. Available in Space Gray, Black, and high-visibility Signal Orange, the Bitbox iPad Plate combines functional engineering with a distinctive professional aesthetic. Features – Bit Part Bitbox iPad Plate Native mounting plate for bitbox and iPad Mini (6th gen and newer) Designed as a dedicated handheld bitbox control unit Precision-machined aluminum construction Direct hard-mount screw pattern for bitbox radios Additional 1/4-20 mounting point behind the bitbox Supports Wedgie, Lnkcine, Cinelock and similar mounts Genuine bebob AMMicro battery plate included (variant-dependent) Supports Gold Mount or V-Mount micro battery plates Battery plate mountable in multiple orientations Comfortable viewing angle for cart and desk operation Horizontal battery option for alternative docking workflows Ample 1/4-20 and 3/8-16 threaded mounting holes Outer screw pattern compatible with Wooden Camera mini rails Integrated internal cable routing for clean builds Corner loops compatible with Peak Design Anchor Links Balanced design for extended handheld use Available in Space Gray, Black, and Signal Orange (RAL2010) Built for professional cinema and broadcast environments Technical Specifications Compatibility: Apple iPad Mini 6th generation and newer Primary material: CNC-machined aluminum Aluminum grade: Plate assembly in 6061 T6, mounting interfaces optimized for rigidity Finish: Anodized (color variant dependent) bitbox mounting: Dedicated screw mounting pattern Alternative mounting: 1/4-20 threaded interface Battery support: Gold Mount or V-Mount micro (variant dependent) Included battery plate: bebob AMMicro Gold Mount (GM versions) Power cable: Genuine LEMO FGG.0B 2-pin cable included USB-C cable: Bit Part custom USB-C ribbon cable included Rail support: Wooden Camera mini rail pattern Thread standards: 1/4-20 and 3/8-16 Cable management: Internal routing through plate Use cases: Handheld, cart-based, desk-based control Color options: Space Gray, Black, Signal Orange Shipping status: First production wave shipping May 2025 Dimensions & Weight Dimensions: 212 mm × 150 mm × 29 mm Weight: approx. 500 g Form factor: Compact, balanced handheld plate Optimized for portability without compromising rigidity Available Versions & SKUs Bitbox iPad Plate Space Gray / Gold Mount – SKU: BP.AKS.IPM.SG.G Bitbox iPad Plate Space Gray / V-Mount – SKU: BP.AKS.IPM.SG.V Bitbox iPad Plate Black / Gold Mount – SKU: BP.AKS.IPM.B.G Bitbox iPad Plate Black / V-Mount – SKU: BP.AKS.IPM.B.V Bitbox iPad Plate Signal Orange / Gold Mount – SKU: BP.AKS.IPM.O.G Bitbox iPad Plate Signal Orange / V-Mount – SKU: BP.AKS.IPM.O.V

Precision Mounting for Professional Rigs The Bit Part Bitbox Mounting Plate is a purpose-built mounting solution designed to integrate the bitbox cleanly and securely into professional camera rigs. Engineered for reliability on set, it provides a flexible and robust interface between the bitbox and industry-standard mounting hardware, ensuring stable operation even in demanding production environments. Machined from aerospace-grade 7075 T6 aluminum, the mounting plate offers exceptional strength while remaining lightweight. This material choice ensures long-term durability, resistance to deformation, and consistent performance under mechanical stress, making it suitable for daily use in rental and production workflows. The rotatable and variable-offset design allows precise positioning of the bitbox, enabling optimal cable routing, antenna clearance, and ergonomic placement on compact or complex camera builds. Multiple threaded mounting options support seamless integration with cages, rods, arms, and accessories commonly used in cinema production. With ARRI anti-rotation compatibility and both horizontal and vertical mounting slots, the Bitbox Mounting Plate delivers maximum flexibility while preventing unwanted movement. It is the ideal solution for camera assistants, DITs, and technicians who require a secure, adaptable, and professional mounting interface for their bitbox systems. Features – Bit Part Bitbox Mounting Plate Precision-machined from aerospace-grade 7075 T6 aluminum Rotatable design for flexible orientation Variable offset for optimal positioning on any rig 1/4-20 and 3/8-16 threaded holes ARRI anti-rotation hole pattern for secure mounting Horizontal 1/4-20 mounting slots Vertical 1/4-20 mounting slots Designed specifically for Bit Part bitbox devices Technical Specifications Material: 7075 T6 aerospace-grade aluminum Manufacturing process: CNC milled Thread types: 1/4-20 and 3/8-16 Anti-rotation standard: ARRI-compatible Mounting orientation: Horizontal and vertical Design: Rotatable with variable offset Intended use: Professional cinema camera rigs Dimensions & Weight Compact, low-profile design for tight rig configurations Lightweight aluminum construction for minimal added mass Optimized thickness for strength without bulk

Antenna (868 MHz) – Compact Certified RF for Tight Rigs The Bit Part Bitbox Short Antenna (868 MHz) is a compact, purpose-built RF antenna designed for Bit Part bitbox and bitbox mini devices operating in Europe. Tuned specifically for the 868 MHz band, it delivers stable and compliant wireless performance while minimizing physical footprint on camera rigs, carts, and handheld setups. This short antenna is ideal for applications where space is limited or where a low-profile configuration is preferred, such as gimbals, drones, compact builds, or densely populated rigs. Despite its reduced length, the antenna is electrically matched to bitbox radios to maintain reliable signal quality and consistent operation in professional environments. For regulatory compliance, Bit Part uses RP-SMA connectors as part of its certified RF system design. This antenna features an RP-SMA interface and is intended exclusively for use with certified Bit Part devices. It will not function with uncertified, modified, or homemade equipment that typically uses standard SMA connectors. Using the correct antenna is essential not only for performance, but also for maintaining legal RF operation within European regulations. Built for daily professional use, the Bitbox Short Antenna combines durability with practical design. It is an essential accessory for users who need a discreet, compliant, and dependable antenna solution without compromising the integrity of their wireless bitbox workflow. Features – Bit Part Bitbox Short Antenna (868 MHz) Designed specifically for bitbox and bitbox mini devices Tuned for the European 868 MHz frequency band Short, low-profile design for compact rigs RP-SMA connector for certified RF compliance Ideal for tight spaces and minimal setups Optimized for stable wireless performance Maintains regulatory conformity in Europe Durable construction for professional use Lightweight design to reduce strain on RF ports Technical Specifications Frequency band: 868 MHz Connector type: RP-SMA Antenna type: Short monopole Intended devices: Certified Bit Part bitbox systems Regulatory region: Europe Polarization: Linear Application: Wireless camera control Compatibility note: Not compatible with SMA connectors Designed exclusively for certified RF devices Dimensions & Weight Short, compact antenna form factor Lightweight construction for minimal added bulk Optimized length for discreet mounting on camera rigs

Antenna (868 MHz) – Certified RF Performance for Europe The Bit Part Bitbox Antenna (868 MHz) is a purpose-built, articulating RF antenna designed specifically for Bit Part bitbox devices operating in European regulatory domains. Tuned precisely for the 868 MHz band, this antenna ensures optimal signal integrity, range, and reliability in professional wireless camera control environments. Unlike generic or uncertified antennas, this model is engineered to meet strict regulatory requirements. Bit Part uses RP-SMA connectors as part of its certified RF design, which is a critical distinction in professional and legally compliant wireless systems. As a result, this antenna is fully compatible only with certified bitbox devices and will not function with uncertified, modified, or homemade RF hardware. The articulating joint allows flexible positioning of the antenna, making it easy to optimize orientation for best signal performance while accommodating tight rig layouts, carts, or fixed installations. This is particularly important on set, where antenna placement can significantly impact wireless reliability due to interference, obstructions, or changing camera positions. Designed for daily professional use, the Bitbox Antenna combines robust mechanical construction with electrically optimized performance. It is an essential accessory for maintaining compliance, consistency, and dependable wireless operation when using bitbox systems in Europe. Features – Bit Part Bitbox Antenna (868 MHz) Designed specifically for Bit Part bitbox devices Tuned for the European 868 MHz frequency band Articulating joint for flexible antenna positioning RP-SMA connector for certified RF compliance Optimized for reliable wireless camera control Maintains regulatory conformity in Europe Compact form factor for professional rigs Durable construction for on-set use Stable performance in challenging RF environments Technical Specifications Frequency band: 868 MHz Connector type: RP-SMA Antenna type: Articulating monopole Intended devices: Certified Bit Part bitbox systems Regulatory region: Europe Polarization: Linear Application: Wireless camera control and data transmission Compatibility note: Not compatible with SMA connectors Designed for certified RF systems only Dimensions & Weight Compact, low-profile antenna design Lightweight construction to minimize strain on RF ports Optimized length for 868 MHz operation

Gives you full camera menu control - wired or wireless Semote is the perfect remote camera controller for ARRI, RED, Panavision, Phantom and Sony cameras. Semote's compact design and intuitive controls are an ideal tool for 3D/multiple camera shooting via a network hub, crane operation, remote head, aerial shoots, car trailer shoots, and much more.The Semote Controller provides full camera menu control (wired or wireless) for select cine cameras. It's the preferred remote controller among professional DITs, DPs, and Camera Operators. With its compact design and intuitive interface, it offers an ideal solution for controlling cameras during aerial shoots, crane operations, car shoots, and long-distance shooting. Multiple camera control and camera arrays Camera rigging and crane shotsUnderwater or aerial filming The Semote controller gives you full camera menu control on the following camerasSony: Venice 1, Venice 2, Burano Arri: Alexa XT, Alexa SXT, Alexa LF, Alexa Mini, Alexa Mini LF, Alexa 35, Alexa 65, Amira Red: All DSMC2, Raptor and Komodo Panavision: DXL, DXL2 Phantom: All phantom cameras ever produced Arriflex: 416, 235, 435, 535 Special aviation model for Shotover F1/K1/G1 The new Semote comes with a micro SD card to allow easy and quick internal firmware change / update within seconds Infinite saved presets Infinite saved cameras 9-15V power input Ideal for multiple camera control camera arrays camera rigging aerial filming underwater/splash housings crane shots and much more Features network cable and radio control (range is 100-300 feet depending on line of sight) change/set and store 10 profiles for FPS, EI, WB and Shutter check all information on your own screen start/stop camera switch 2K/HD toggle SxS 1 and 2 turn Highspeed on/off change codec set Look set RecOut output set MonOut output set Framelines turn REC OUT fps sets on/off playback with scrub forward/backward production ingest for scene and take load camera setups from sd card intervalometer store up to 10 camera IP addresses in remote uniteasy firmware update via network cableDownloadsDownload Semote Item Compatibility List here 

Reliable Ethernet Connectivity for RED Cameras The Bit Part RED GigE Cable is a professional-grade Ethernet cable designed specifically for RED cameras equipped with a GigE port. Engineered for reliable data communication in demanding production environments, this cable enables stable, high-speed Ethernet connectivity between RED cameras and external control, monitoring, or networking systems such as bitbox-based workflows. Built with a genuine LEMO 9-pin OB connector on the camera side, the RED GigE Cable ensures a secure, locking connection that withstands frequent handling and rig reconfigurations on set. The Ethernet termination provides seamless integration with standard network infrastructure, allowing for dependable camera control, data exchange, and IP-based workflows commonly used in modern cinema production. With a practical cable length of 18 inches, the RED GigE Cable is optimized for clean and efficient rig layouts. It minimizes excess cable while allowing sufficient flexibility for handheld builds, studio configurations, or cart-based setups. This thoughtful length helps reduce strain on connectors and supports tidy cable management, which is critical in professional camera environments. As a custom-order product, each cable is assembled and tested to meet Bit Part’s quality standards before shipping. Designed for use with RED Digital Cinema cameras, the RED GigE Cable is a dependable solution for camera assistants, DITs, and technicians who require robust Ethernet connectivity without compromise. Typical lead time is approximately 14 days, reflecting the care and precision involved in its production. Features – Bit Part RED GigE Cable Designed specifically for RED cameras with GigE port Genuine LEMO 9-pin OB connector for secure camera connection Ethernet termination for standard network integration 18-inch cable length optimized for camera rigs Reliable Ethernet data transmission Locking LEMO connector prevents accidental disconnection Clean and compact solution for professional setups Custom-assembled for consistent quality Suitable for handheld, cart, and studio workflows Technical Specifications Camera connector: LEMO 9-pin OB Network connector: Ethernet (RJ45) Cable length: 18 inches (approx. 46 cm) Compatibility: RED cameras with GigE port Signal type: Gigabit Ethernet data Connector quality: Genuine LEMO Assembly: Custom-built to order Intended use: Professional cinema production Robust construction for on-set reliability Dimensions & Weight Cable length: 18 inches (46 cm) Lightweight and flexible design Compact form factor for tight camera rigs Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

Reliable Power and Ethernet Integration The Bit Part Anglissimo Alexa Y Cable is a professional-grade interface cable designed to connect ARRI ALEXA cameras to Bit Part bitbox systems, delivering both power and Ethernet data through a single, streamlined solution. Built for demanding production environments, this cable simplifies rig setup while maintaining the reliability and safety required for high-end cinematography. Equipped with genuine LEMO connectors and enhanced with the precision Anglissimo alignment system, the cable ensures secure, long-lasting connections even under repeated use on busy film sets. The 18-inch length provides optimal flexibility for clean cable management, enabling tidy routing on handheld rigs, carts, or stationary setups. The ALEXA Ethernet port outputs 24 volts, which the Y cable delivers directly via the 2-pin LEMO connector. This voltage falls safely within the bitbox’s 11–36V input range, allowing direct camera-powered operation without additional regulators or adapters. By consolidating power and data transmission in a single cable, the Anglissimo Alexa Y Cable reduces clutter, streamlines setup, and minimizes potential failure points. As a custom-order product, each cable is carefully assembled and tested to meet Bit Part’s strict quality standards. Its robust design ensures reliable power delivery, clean data transmission, and consistent performance in professional cinema applications. The Anglissimo integration further enhances connector longevity and alignment precision, making this cable a dependable choice for camera assistants, DITs, and technical crews. Features – Bit Part Anglissimo Alexa Y Cable Designed for ARRI ALEXA cameras Combined power and Ethernet Y cable in one solution Genuine LEMO connectors with Anglissimo precision alignment 18-inch cable length for flexible rig integration Delivers 24V directly from the ALEXA Ethernet port Compatible with bitbox input voltage range of 11–36V Reduces cable clutter on handheld or cart setups Custom-assembled to meet professional production standards Durable, reliable construction for repeated on-set use Optimized for clean and efficient camera-powered operation Technical Specifications Connector type: Genuine LEMO with Anglissimo integration Cable length: 18 inches (46 cm) Power output: 24V via 2-pin LEMO connector bitbox compatibility: 11–36V input range Signal type: Ethernet data transmission Application: Camera-powered bitbox operation Assembly: Custom-built and quality-tested Use case: Professional cinematography and film production Robust locking mechanism with Anglissimo alignment Suitable for handheld, cart, and studio rig configurations Dimensions & Weight Cable length: 18 inches (46 cm) Lightweight and flexible for minimal connector strain Compact design suitable for tight camera rigs Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

Reliable Power and Ethernet Integration for Arri ALEXA The Bit Part Alexa Y Cable is a purpose-built interface cable designed to integrate bitbox systems cleanly and safely with ARRI ALEXA cameras. It combines Ethernet connectivity and power distribution into a single, robust solution, reducing cable clutter while maintaining the reliability required for professional cinema production environments. Built using genuine LEMO connectors, the Alexa Y Cable ensures secure locking connections and long-term durability under continuous on-set use. The 18-inch cable length is optimized for tidy rig layouts, making it ideal for camera builds where space management, strain relief, and signal integrity are critical. The ALEXA Ethernet port outputs 24 volts, and this cable is engineered accordingly. The integrated 2-pin LEMO output delivers 24V, which falls safely within the bitbox input voltage range of 11–36V. This allows the bitbox to be powered directly from the camera without additional regulators or power accessories, simplifying setup and minimizing potential failure points. As a custom-order product, each Alexa Y Cable is assembled with precision and tested to meet Bit Part’s electrical and mechanical standards. This makes it a dependable solution for camera assistants, DITs, and technicians who require a clean, camera-powered connection between ALEXA systems and bitbox hardware. Features – Bit Part Alexa Y Cable Designed specifically for ARRI ALEXA camera systems Combined Ethernet and power breakout in a single Y cable Genuine LEMO connectors for secure locking connections Optimized 18-inch cable length for clean camera rigs Provides direct power to bitbox from the camera Delivers 24V via 2-pin LEMO output Fully compatible with bitbox input range of 11–36V Reduces cable clutter and setup complexity Built for professional cinema production environments Technical Specifications Cable type: Ethernet and power Y cable Camera compatibility: ARRI ALEXA Ethernet port Connector type: Genuine LEMO connectors Power output voltage: 24V bitbox input compatibility: 11–36V Cable length: 18 inches Signal type: Ethernet data Use case: Camera-powered bitbox operation Manufacturing: Custom-assembled to order Dimensions & Weight Cable length: 18 inches (approx. 46 cm) Compact, flexible cable design for tight rigs Lightweight construction for minimal strain on connectors Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

The TVLogic SVM-130P is a professional 13.9" field monitor designed for cinematographers, broadcasters, and on-set video professionals who demand precision and reliability. With a stunning 1500nits high brightness display, this monitor ensures crystal-clear visibility even in challenging outdoor lighting conditions, allowing you to accurately judge exposure, color, and contrast in real time. Its lightweight yet rugged design makes it an ideal companion for both studio and field productions. Equipped with dual 12G-SDI inputs and loopouts, the SVM-130P supports 4K UHD signals at up to 60p, providing flexible integration with modern production workflows. The monitor also features a 12G-SDI to 3G-SDI downscale output, enabling compatibility with a wider range of devices while maintaining signal integrity. HDR support (PQ, HLG, S-LOG3) and the ability to import custom 3D LUTs via USB allow for accurate color grading and consistent monitoring across multiple devices. Operators benefit from advanced tools like waveform, vectorscope, histogram, audio level and phase meters, focus assist, and marker overlays, all presented in an intuitive interface. Picture-by-picture display, image capture, and overlay functions further enhance on-set decision-making, while remote control and firmware updates via Ethernet provide seamless integration into complex broadcast setups. With dual battery brackets supporting both V-Mount and G-Mount, and versatile mounting options including cheese plates and C-stand compatibility, the SVM-130P adapts to any shooting environment with ease. Whether you are managing high-end film productions or live broadcast events, the TVLogic SVM-130P delivers exceptional clarity, accurate monitoring, and unmatched reliability, making it a must-have tool for professionals who refuse to compromise on quality. Features – TVLogic SVM-130P 13.9" high brightness LCD display, 1500nits Dual 12G-SDI input and loopout 12G-SDI input to 3G-SDI downscale output Processed monitor output for flexible signal routing HDR support: PQ, HLG, S-LOG3 Custom 3D LUT import via USB flash drive Auto-detection of SDI payload ID Picture-by-picture display mode Image capture and overlay functionality Waveform (YCbCr, RGB), vectorscope, histogram Audio level meter and audio phase meter Focus assist and marker overlays Blue/Mono Only display mode Timecode display Fast mode for high frame rate monitoring H flip and V flip options Dual battery brackets: V-Mount and G-Mount Cheese plate and C-stand mountable Remote control and firmware updates via Ethernet Technical Specifications LCD Panel Size: 13.9” Resolution: 1920 x 1080 (16:9) Pixel Pitch: 0.1605(H) x 0.1605(V) mm Color Depth: 16.7M Colors Viewing Angle: 178° horizontal / 178° vertical Contrast Ratio: 1200:1 Display Area: 308.16(H) x 173.34(V) mm SDI Input Signal Formats: SMPTE ST 2082, ST 2081, ST 2036-1, ST 425M-A/B, ST 274M, ST 296M, ST 260M, ST 125M, ITU-R BT.656, ST 2048-2 HDMI Input: HDMI 1.4 Reference Input: BNC Audio In/Out: Analog Stereo (Phone Jack) Power: DC 12V/24V Operating Temperature: 0°C to 35°C Storage Temperature: -20°C to 60°C Remote Control: RJ-45 Ethernet, GPI, RS-422, USB A Optional Accessories: G-Mount, Acrylic Protector, Carrying Case, Sun Hood Basic Accessories Included: Stand, Handle, V-Mount, Cheese Plate, Screen Protection Film Dimensions & Weight Main Body: 372.8 × 296.0 × 54.0 mm / 14.68 × 11.65 × 2.13 in With Stand: 372.8 × 302.5 × 100.0 mm / 14.68 × 11.91 × 3.94 in Shipping Box: 550 × 460 × 300 mm / 21.65 × 18.11 × 11.81 in Weight (with stand): 5.34 kg / 11.77 lbs

Atomos Ninja TX – 5″ HDMI/12G-SDI & Wi-Fi Monitor-Recorder for Professional Camera Control & Cloud Workflows The Atomos Ninja TX 5″ Monitor-Recorder is the ultimate companion for professional filmmakers, combining compact size with unparalleled performance and connectivity. Designed to meet the demands of modern production, it offers a super-bright 1500-nit touchscreen, full 12G-SDI and HDMI 2.0 support, and Wi-Fi 6E for seamless camera-to-cloud workflows. Whether you are on a bustling set, outdoors in bright sunlight, or in a studio environment, the Ninja TX ensures precise monitoring and recording in stunning detail. Equipped with intuitive camera control, you can adjust aperture, shutter speed, ISO, and white balance directly from the touchscreen. The revolutionary touch-to-focus feature allows effortless subject tracking, keeping your shots razor-sharp on compatible cameras. Ninja TX supports most Canon, Fujifilm/Fujinon, Nikon, Panasonic, and Sony cameras over USB-C, as well as all Z CAM E2 models with LANC control. Recording options are versatile and future-proof, with Apple ProRes, Avid DNx, and H.265 codecs preloaded for high-quality capture to CFexpress Type B or external USB-C media. With HDMI input supporting 8K30, 4K60, and 1080p120, combined with loop-through and cross-conversion, Ninja TX integrates smoothly into any workflow. Metadata recording ensures every technical detail of your camera settings is preserved for post-production. Powered by AtomOS Linux, Ninja TX offers a fast, responsive interface, quiet and cool operation, and professional monitoring tools including focus peaking, false color, waveforms, vectorscope, and anamorphic de-squeeze. Built-in wireless features allow direct uploads to ATOMOSphere, Frame.io, or Dropbox, and NDI 6 streaming enables real-time live production. Over-the-air firmware updates keep your device current and ready for the next project. With multiple power options, including NP-F batteries, USB-C PD, and AC adapter support, Ninja TX adapts to your shooting environment. Its robust cable locking system and tally light make it ideal for both studio and live production, ensuring a reliable, professional setup wherever you go. Ninja TX isn’t just a monitor-recorder—it’s a complete production hub in the palm of your hand. Firmware Update – FUJIFILM ETERNA Support (12/25)Open Gate 48P RAW support for FUJIFILM GFX ETERNA 55 filmmaking camera Atomos is excited to announce the new firmware update version 12.2.1 for the Ninja TX and Ninja TX GO, unlocking Open Gate 48P RAW recording with the FUJIFILM GFX ETERNA 55 camera. This update allows filmmakers to capture the full sensor readout in 4:3 Open Gate, preserving native dynamic range and color science for maximum cinematic flexibility. The firmware also supports 4K RAW at up to 48fps, enabling professional-quality external recording and broader creative possibilities. This update is available free of charge via over-the-air (OTA) installation, reinforcing Ninja TX’s commitment to professional filmmakers seeking advanced control and ultimate image fidelity. Features – Ninja TX 5″ 1500-nit IPS touchscreen display HDMI 2.0 and 12G-SDI input/output Wi-Fi 6E connectivity for camera-to-cloud and live streaming Record in Apple ProRes, Avid DNx, or H.265 CFexpress Type B and USB-C external media recording Touch-to-focus for compatible cameras Full camera control over supported Canon, Nikon, Sony, Fujifilm, Panasonic, and Z CAM E2 cameras NDI 6 streaming support Timecode sync via RF or Bluetooth (AirGlu) OTA firmware updates HDR support with Rec. 709 color gamut and 8/10-bit processing Comprehensive monitoring tools: focus peaking, zebras, false color, frame guides, waveforms, vectorscope Anamorphic de-squeeze support Cross conversion between HDMI and 12G-SDI Metadata recording for camera settings Quiet, cool operation with AtomOS Linux Free 20GB ATOMOSphere cloud storage Camera-to-cloud direct uploads to Frame.io and Dropbox Robust cable locking system for HDMI and USB-C Tally light for live/on-air indication Technical Specifications – Ninja TX Display: 5.2″ IPS touchscreen, 1500-nit brightness Color depth: 8/10-bit Inputs: HDMI 2.0, 12G-SDI Outputs: HDMI 2.0, 12G-SDI Wireless: Wi-Fi 6E Supported codecs: Apple ProRes, Avid DNx, H.265, NDI 6 HX3 TX/RX Recording media: CFexpress Type B, USB-C external drives Max HDMI input resolution: 8K30, 4K60, 1080p120 Camera control: USB-C and LANC (Z CAM E2) Metadata capture: WB, ISO, shutter speed/angle, gamma, LUT Timecode sync: RF or Bluetooth via AirGlu HDR support: Rec. 709, HLG, PQ, Dolby Vision LUT support: 3D LUT uploads and profile presets Monitoring tools: focus peaking, zebras, false color, waveforms, RGB parade, vectorscope, grids, SMPTE guides Power options: NP-F battery, USB-C PD 30W, AC adapter Tally light: Red/Green indicator for live and standby Operating system: AtomOS Linux Dimensions & Weight Dimensions: 141mm x 82mm x 29mmWeight: 460g

Discreet & Comfortable Mounting for THEOS Transmitters The Deity THEOS DBTX Pouch is a sleek, low-profile solution designed to securely hold your Deity THEOS BPTX transmitter while keeping it discreet and comfortable for on-set use. Built from high-quality suede, this pouch is soft against the skin and ideal for long shooting days, ensuring both durability and comfort. It’s designed to adapt perfectly to the needs of sound and wardrobe departments. You can wear it horizontally or vertically, clip it to clothing, attach it to a belt, or even sew it directly into a costume. Its flexible mounting options make it a go-to accessory for film, TV, and live performance environments where transmitters need to stay hidden yet accessible. The removable metal locking snap-clip keeps the pouch securely in place, even during dynamic movement. With its 57mm opening, it fits the Deity THEOS BPTX transmitter snugly and prevents unwanted shifting or noise. Available in black and beige, the DBTX Pouch blends seamlessly with different wardrobe styles and skin tones, making it easy to conceal under various outfits. Lightweight, durable, and practical—the Deity THEOS DBTX Pouch is the perfect blend of performance and comfort for professional sound teams. Features – Deity THEOS DBTX Pouch: • Designed specifically for Deity THEOS BPTX transmitter • Soft suede construction for comfort and durability • Wearable horizontally or vertically • Includes removable metal locking snap-clip • Can be clipped to clothing, worn on a belt, or sewn into wardrobe • Discreet design minimizes visibility on camera • Available in black and beige Technical Specifications: • Compatible Device: Deity THEOS BPTX transmitter • Material: Suede fabric • Mounting Options: Belt clip, clothing clip, or sew-in • Opening Width: 57 mm • Clip Type: Metal locking snap-clip (removable) • Orientation: Horizontal or vertical wear • Colors: Black, Beige • Weight: Approx. 30 g Dimensions & Weight: • Width: 57 mm / 2.24 in • Height: 90 mm / 3.54 in • Depth: 25 mm / 0.98 in • Weight: 30 g / 0.07 lbs

Discreet & Comfortable Mounting for THEOS Transmitters The Deity THEOS DBTX Pouch is a sleek, low-profile solution designed to securely hold your Deity THEOS BPTX transmitter while keeping it discreet and comfortable for on-set use. Built from high-quality suede, this pouch is soft against the skin and ideal for long shooting days, ensuring both durability and comfort. It’s designed to adapt perfectly to the needs of sound and wardrobe departments. You can wear it horizontally or vertically, clip it to clothing, attach it to a belt, or even sew it directly into a costume. Its flexible mounting options make it a go-to accessory for film, TV, and live performance environments where transmitters need to stay hidden yet accessible. The removable metal locking snap-clip keeps the pouch securely in place, even during dynamic movement. With its 57mm opening, it fits the Deity THEOS BPTX transmitter snugly and prevents unwanted shifting or noise. Available in black and beige, the DBTX Pouch blends seamlessly with different wardrobe styles and skin tones, making it easy to conceal under various outfits. Lightweight, durable, and practical—the Deity THEOS DBTX Pouch is the perfect blend of performance and comfort for professional sound teams. Features – Deity THEOS DBTX Pouch: • Designed specifically for Deity THEOS BPTX transmitter • Soft suede construction for comfort and durability • Wearable horizontally or vertically • Includes removable metal locking snap-clip • Can be clipped to clothing, worn on a belt, or sewn into wardrobe • Discreet design minimizes visibility on camera • Available in black and beige Technical Specifications: • Compatible Device: Deity THEOS BPTX transmitter • Material: Suede fabric • Mounting Options: Belt clip, clothing clip, or sew-in • Opening Width: 57 mm • Clip Type: Metal locking snap-clip (removable) • Orientation: Horizontal or vertical wear • Colors: Black, Beige • Weight: Approx. 30 g Dimensions & Weight: • Width: 57 mm / 2.24 in • Height: 90 mm / 3.54 in • Depth: 25 mm / 0.98 in • Weight: 30 g / 0.07 lbs

Ultimate On-Set Power Management The Deity SPD-1 Power Distribution Box is designed for professional location sound mixers who demand reliable, efficient, and safe power management on set. Whether you are using a sound bag or a sound cart, the SPD-1 delivers seamless power distribution, allowing multiple devices to operate simultaneously without compromise. Featuring a robust metal housing and a 1.1” color screen, the SPD-1 displays comprehensive battery telemetry, including voltage, temperature, cycle count, and remaining battery life. This visibility ensures you always know your power status and can prevent unexpected shutdowns that could disrupt production. The SPD-1 supports both smart and non-smart batteries via triple DC inputs, all hot-swappable for uninterrupted operation. It adapts to your battery type and displays relevant data, making it a versatile companion for modern sound workflows. Additionally, over-voltage protection safeguards your equipment from battery spikes above 18V, providing peace of mind on any shoot. With dual power circuits and six unregulated Hirose-compatible outputs, the SPD-1 enables independent control of primary and auxiliary devices. Locking toggle switches prevent accidental power-downs, and multiple mounting options—including dual 1/4” threaded mounts and a reversible clip—offer ultimate flexibility in your setup. An easy-access 5V/2A USB Type-A port further expands its utility, allowing you to charge additional devices on the go. Trusted by sound professionals like Ethan Lee from Los Angeles, the SPD-1 is intuitive, efficient, and engineered to simplify your workflow. Its wide compatibility with major sound devices and battery brands makes it an indispensable tool for film, TV, and live production environments. Features – Deity SPD-1 Power Distribution Box: • Triple DC inputs, hot-swappable • Supports smart and non-smart batteries • Displays battery telemetry data • Measures total power consumption • Locking toggle switches for safety • Metal housing for durability • 1.1” color screen • Dual 1/4” threaded mounts • Reversible mounting clip • Suggested operating range: 12V-18V • Easy-access 5V/2A USB Type-A port • Six unregulated Hirose-compatible outputs • Dual power circuit groups for independent device control • Over-voltage protection for safe operation • Compatible with major sound devices (Sound Devices, Zoom, Zaxcom, etc.) • Compatible with various smart battery cups • Hot-swappable functionality for uninterrupted workflow • Adaptable display depending on battery type • Compact, portable design for sound bags and carts Technical Specifications: • Input Voltage: 12V-18V DC • Output Voltage: Unregulated • Number of Outputs: 6 Hirose-compatible • Output Groups: 2 independent circuits • USB Output: 5V/2A Type-A • Battery Types Supported: Smart and non-smart • Telemetry Display: Voltage, temperature, cycle count, battery life • Screen Size: 1.1” color LCD • Over-Voltage Cutoff: Above 18V • Housing Material: Metal • Mounting Options: Dual 1/4” threaded mounts, reversible clip • Weight: Lightweight for portability • Operating Temperature: Standard professional equipment range • Hot-Swappable Inputs: Yes • Locking Switches: Yes • Suggested Use: Sound bags, sound carts, film and TV sets • Compatible Brands: Audio Root, Inspire Energy, Remote Audio, RRC, Deity, Sound Devices • Compatible Devices: Lectrosonics, MiPro, Sony UWP-D, Zoom F4/F8, Zaxcom, and others • Display Adaptability: Smart vs non-smart battery detection • Power Monitoring: Total power consumption measured in real time Dimensions & Weight: • Length: 8.5 cm / 3.35 in • Width: 6.2 cm / 2.44 in • Height: 2.8 cm / 1.10 in • Weight: 350 g / 0.77 lbs

The Canon EOS C50 Cinema Camera is the smallest and lightest Cinema EOS camera to date, yet it delivers uncompromising image quality and professional-grade performance. Designed for filmmakers, content creators, and production teams who demand cinematic results in a compact form, the C50 combines the flexibility of a full-frame 7K sensor with advanced features for video and stills. Its block-style design makes it a versatile tool for handheld shooting, rigs, gimbals, drones, or tripod setups, adapting seamlessly to different production environments. Image: Canon At the heart of the EOS C50 lies a 7K full-frame CMOS sensor paired with Canon’s powerful DIGIC DV7 image processor. This combination enables breathtaking Cinema RAW Light recording in 12-bit, oversampled 4K video with extraordinary detail, and high frame rate recording up to 120fps in 4K or 180fps in 2K, without cropping. Open Gate recording offers maximum flexibility for post-production, supporting horizontal, vertical, and anamorphic workflows. With more than 15 stops of dynamic range, Dual Base ISO (800 / 6400), and Canon Log 2/3, the C50 ensures true-to-life color and outstanding performance in challenging lighting conditions. Image: Canon Canon’s renowned Dual Pixel CMOS AF II brings fast, accurate, and reliable autofocus with advanced subject tracking. Combined with EOS iTR AF X and intelligent recognition for eyes, faces, and even animals, the EOS C50 ensures sharp focus across the entire frame. For handheld and on-the-move shooting, the built-in electronic Movie IS stabilization works in sync with optical IS from supported lenses, delivering smooth and steady footage. Image: Canon The EOS C50 is built for professional audio and connectivity. It supports up to 4-channel 24-bit audio with dual XLR inputs, a stereo mini-jack, built-in stereo mic, and headphone monitoring. The multifunction accessory shoe further expands options with Canon and third-party audio interfaces. With CFexpress and SD dual slots, simultaneous or relay recording in multiple formats is possible, streamlining professional workflows. Connectivity includes HDMI Type-A, USB-C, Timecode (DIN), remote input, Wi-Fi, and LAN via adapter, supporting live streaming, remote shooting, and fast data transfer. Image: Canon In addition to its cinema-grade video capabilities, the EOS C50 also captures 32.5 MP still images with continuous shooting up to 40 fps. This makes it a powerful hybrid solution for creators who need both outstanding motion and still performance in a single, portable device. Image: Canon With its compact yet robust design, advanced thermal management with active cooling, and professional interface layout, the Canon EOS C50 is engineered for reliability and endurance in demanding production environments. It is the perfect choice for solo shooters, small crews, and production companies looking for a versatile, future-proof tool that grows with their creativity. Features – Canon Cinema EOS C50 Compact and lightweight Cinema EOS design – smallest in the lineup 7K full-frame CMOS sensor with DIGIC DV7 processor Internal 12-bit Cinema RAW Light recording up to 7K 60p Oversampled 4K from 7K sensor for superior detail and color High frame rates: 4K up to 120fps, 2K up to 180fps (no crop) Open Gate recording (3:2, 7K) for versatile post-production Dual Base ISO (800 / 6400) for flexible low-light performance Dynamic range exceeding 15 stops with Canon Log 2/3 Dual Pixel CMOS AF II with EOS iTR AF X Advanced subject detection: eyes, faces, animals, vehicles Electronic Movie IS with optical IS lens support Support for anamorphic lenses (x2.0, x1.8, x1.5, x1.3) Professional audio: 4-channel, 24-bit recording Dual media slots: CFexpress Type B and SD UHS-II Multifunction accessory shoe for audio and expansion units HDMI Type-A, USB-C, Timecode DIN, remote input Integrated Wi-Fi (2.4 / 5 GHz) and Ethernet via adapter 14 customizable buttons for personalized operation 32.5 MP still photo capture, up to 40 fps bursts Active cooling system for unlimited recording durations Technical Specifications Sensor: Full-frame CMOS, 35.9 x 23.9 mm Effective pixels: approx. 32.3 MP (video), 32.5 MP (photo) Processor: Canon DIGIC DV7 Lens mount: Canon RF mount (EF and PL supported via adapters) Supported recording formats: Cinema RAW Light, XF-AVC, XF-HEVC S, XF-AVC S Cinema RAW Light recording: up to 7K 60p, 12-bit 4K oversampling from 7K, 10-bit 4:2:2 High frame rates: 4K 120fps, 2K 180fps, 5K Super35 up to 60fps Audio: 2x XLR (via top handle), 3.5mm stereo input, internal stereo mic, headphone out Still image capture: RAW / C-RAW / JPEG / HEIF, Dual Pixel RAW support ISO range: 100 – 25,600 (expandable up to 102,400 in video) Autofocus: Dual Pixel CMOS AF II, 100% frame coverage Stabilization: 5-axis electronic Movie IS with optical IS lens support Connectivity: HDMI Type-A, USB-C (3.2 Gen 2), Timecode DIN, remote (E3) Wireless: Wi-Fi (2.4 GHz / 5 GHz), Ethernet via USB-C adapter Storage: 1x CFexpress Type B, 1x SD UHS-II Power: LP-E6P battery, DC via DR-E6P Dimensions and Weight Dimensions (W x H x D): approx. 142 x 101 x 111 mm (body only) Weight: approx. 750 g (body only), 1,050 g (with handle, battery, and card) In the Box Camera body Detachable top handle with dual XLR inputs Microphone holder LP-E6P battery pack LC-E6E battery charger Shoulder strap Power cable

Ultra-Wide 8K Cine-Servo Lens for Broadcast and CinemaThe Canon CN5x11 IAS T R1/P1 Cine Servo Lens redefines ultra-wide cinematography with an 11–55 mm focal range, offering an impressive 100° field of view. Designed for demanding broadcast, live, and cinematic productions, this lens provides exceptional edge-to-edge sharpness and natural color reproduction across 8K resolution. Lightweight at approximately 3 kg, it excels in mobile setups, including gimbals, cranes, robotic systems, and shoulder-mounted rigs, without compromising stability or handling. Its balanced design makes it equally effective in tight studio spaces or expansive live event environments, capturing both subjects and surroundings in stunning detail. Advanced Servo Control and Flexible OperationEquipped with Canon’s next-generation e-Xs V Digital Drive Unit, the CN5x11 IAS T R1/P1 offers precise servo control, high-resolution 16-bit encoding, focus breathing correction, and enhanced ergonomic operation. The detachable servo unit ensures quick adaptation between live event coverage and cinema-style productions. Available with RF or PL mount options, the lens supports real-time metadata output, making it fully compatible with virtual production pipelines, VFX workflows, and advanced post-production needs. The RF version further supports Canon Dual Pixel CMOS AF and lens distortion correction, while the PL variant integrates Cooke /i Technology™ and ZEISS eXtended Data™ for seamless metadata capture. Versatility and Image QualityThis Cine Servo lens features an integrated 1.5× extender, enabling compatibility with Super 35mm or full-frame cameras. Its 11-blade iris provides smooth highlights and attractive background blur, creating a cinematic depth-of-field effect even in live productions or documentaries. The lens delivers consistent color balance and natural skin tones, minimizing post-production correction. Whether filming dynamic sports events, high-paced news, or cinematic dramas, the CN5x11 IAS T R1/P1 combines premium optics, lightweight mobility, and versatile control options to meet the exacting standards of professional cinematographers and broadcast specialists. Features – Canon CN5x11 IAS T R1/P1 Ultra-wide 11–55 mm focal length, 100° field of view 8K HDR optical quality from center to edge Lightweight design (~3 kg) for gimbal, crane, and shoulder use Available with RF or PL mount Detachable e-Xs V Digital Drive Unit High-resolution 16-bit encoder for precise lens data Focus breathing correction for smooth zoom and focus 11-blade iris for soft highlights and cinematic bokeh Integrated 1.5× extender for full-frame or Super 35mm use RF mount supports Dual Pixel CMOS AF and lens distortion correction PL mount supports Cooke /i Technology™ and ZEISS eXtended Data™ USB-C connectivity for remote control and configuration Optimized servo control with enhanced ergonomics Versatile zoom for tight studio or live event setups High color fidelity with natural skin tones Ideal for broadcast, live, multi-cam, virtual, and cinema productions Minimal weight for portable and mobile applications Compatible with virtual production and VFX workflows Fast servo response for live and dynamic shooting Balanced construction for easy handheld operation Technical Specifications Mount: RF or PL Zoom ratio: 5× Focal length: 11–55 mm (16.5–82.5 mm with 1.5× extender) Maximum aperture: T2.95 (11–41 mm) / T3.95 (55 mm) Aperture blades: 11 Image circle: Ø29.6 mm (Super 35) / Ø43.3 mm (Full Frame) Minimum focus distance: 0.6 m / 2.0 ft Near-field coverage (11 mm): 69.7 × 39.1 cm Near-field coverage (55 mm): 13.3 × 7.5 cm Field of view: 96.4° × 64.2° (11 mm) / 25.2° × 14.3° (55 mm) Aspect ratio: 1.78:1, 1.9:1 optional Supported resolution: up to 8K Lens design: aspherical + anomalous dispersion elements Servo drive: e-Xs V Digital Drive Unit, detachable Control interface: USB-C, 3× 20-pin connectors Metadata support: Dual Pixel CMOS AF, Cooke /i, ZEISS eXtended Data Compatible with full-frame and Super 35 cameras High dynamic range (HDR) imaging Focus breathing correction enabled Optimized for virtual production systems Dimensions & Weight Dimensions: 186.6 × 129.9 × 301.0 mm (RF) / 186.6 × 129.9 × 269.0 mm (PL) Front diameter: Ø114 mm Weight: ~3.01 kg (RF) / ~2.92 kg (PL)

Expand Your Creative Field of View The Angenieux WA 0.75 Wide Angle Adapter is designed specifically for Optimo Prime lenses (Optimo Prime 18mm and 21mm only), providing cinematographers and filmmakers with a simple yet powerful way to expand their creative possibilities. By reducing the focal length by a factor of 0.75, the adapter widens the field of view without any loss of T-stop, ensuring consistent exposure while capturing more immersive shots. When mounted on Optimo Prime 18mm and 21mm lenses, the WA 0.75 Adapter transforms the 18mm into a 13.5mm and the 21mm into a 15.7mm, allowing filmmakers to explore new perspectives and elegant distortion effects. Its optical design preserves image sharpness from 2m (6’6”) to infinity, maintaining Angenieux’s renowned cinematic quality while adding a subtle creative twist. Engineered with high-quality optical glass, the adapter weighs only 450g, making it easy to integrate into professional workflows without adding unnecessary bulk. The WA 0.75 Adapter opens a new world of visual storytelling, enabling directors of photography to push the boundaries of composition, create dramatic wide-angle shots, and experiment with creative distortion effects, all while keeping focus and exposure consistent. For any production using Optimo Prime lenses, the Angenieux WA 0.75 Adapter becomes an indispensable accessory for achieving wider shots and distinctive cinematic visuals. Its lightweight, durable construction and precise optical design make it a reliable choice for on-set and location shooting alike. Features – Angenieux WA 0.75 Adapter Technical Specifications For Optimo Prime 18mm & 21mm Expands field of view by 0.75x factor No T-stop loss for consistent exposure Transforms 18mm into 13.5mm Transforms 21mm into 15.7mm Elegant wide-angle distortion effects Sharp image from 2m (6’6”) to infinity Lightweight, only 450g High-quality Angenieux optical glass Enhances creative composition possibilities Ratio: 0.75x Minimum Object Distance (MOD): 0.46m / 1’6” Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with included adaptor ring) Weight: 1 lb / 450g Maintains original T-stop Compatible with Optimo Prime 18mm Compatible with Optimo Prime 21mm Sharpness guaranteed from 2m to infinity Designed for professional cinema applications Dimensions & Weight Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with adaptor) Weight: 1 lb / 450g @media (max-width: 800px) { table, thead, tbody, th, td, tr { display: block; width: 100%; } th { font-weight: bold; } }

Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!

Extra Support and Comfort for Your Vest The Easyrig Padded Belt Extender is designed to provide additional support and comfort for operators using Minimax, Minimax Flex, Cinema, and Cinema Flex vests. This accessory not only extends the range of the vest straps, but also delivers extra stability around the stomach area, making long shooting days more comfortable and reducing fatigue. If you’ve ever felt that your existing vest could use more support, the Padded Belt Extender is the perfect solution. Easy to attach and fully compatible with the mentioned vests, it enhances your workflow without compromising mobility. Lightweight yet durable, this extender is an essential accessory for operators seeking added comfort and stability on set. Features – Easyrig Padded Belt Extender Extends strap range for Minimax, Minimax Flex, Cinema, and Cinema Flex vests Provides extra support around the stomach Lightweight and comfortable design Easy to attach and remove Durable materials for long-term use Enhances operator stability on set Reduces fatigue during long shooting sessions Compatible with multiple Easyrig vests Technical Specifications – Easyrig Padded Belt Extender Compatibility: Minimax, Minimax Flex, Cinema, Cinema Flex vests Material: Durable, professional-grade padding Weight: Lightweight for ease of use Function: Strap extension and added support Installation: Quick and intuitive attachment Comfort: Ergonomic design for improved stability Durability: Built for long-term professional use Flexibility: Works with multiple vest sizes

Easier Handling for Heavy Quick Release Setups The Easyrig Spacer is designed to make using the Quick Release simpler, especially when handling heavy camera setups. Developed in collaboration with ambassador Niklas Johansson, FSF, this spacer allows operators to easily pull down and manipulate the Quick Release, even when access to the housing is limited. With the Easyrig Spacer, you gain smoother control and improved ergonomics on set, reducing strain and making your workflow more efficient. It’s a compact, lightweight accessory that integrates seamlessly with your existing Easyrig Quick Release, enhancing usability without altering your setup. Ideal for professional operators working with heavy cameras, the Easyrig Spacer ensures comfort, speed, and reliability for all Quick Release operations. Features – Easyrig Spacer Facilitates easier handling of the Quick Release Developed with input from ambassador Niklas Johansson, FSF Optimized for heavy camera setups Lightweight and compact design Improves ergonomics and reduces strain Easy to attach to existing Quick Release Enhances speed and workflow efficiency Durable construction for professional use Technical Specifications – Easyrig Spacer Compatibility: Standard Easyrig Quick Release Material: Durable, professional-grade components Weight: Lightweight for easy handling Dimensions: Compact and unobtrusive Operation: Facilitates smooth pull-down of Quick Release Ergonomics: Improves grip and usability Installation: Quick and simple attachment Durability: Built for repeated professional use

Sleeker, Faster, and Easier to Use The 2025 Easyrig Quick Release brings a modern upgrade to one of Easyrig’s most essential accessories. Designed to solve previous usability issues, this new version allows boom operators and camera assistants to attach and detach their rigs more quickly and effortlessly from the ball stud on the camera. With its sleek and intuitive design, the Quick Release ensures smoother workflow on set. It has been redesigned to reduce friction and improve ergonomics, making it easier than ever to connect or remove your Easyrig rig. Despite these enhancements, the cost remains the same as the original Quick Release, delivering an upgraded experience without additional expense. This Quick Release is ideal for professional operators who need speed, precision, and reliability in their gear. Whether you’re moving between setups, swapping cameras, or working in tight shooting environments, the NEW 2025 Easyrig Quick Release ensures your rig stays secure while giving you the flexibility to work efficiently. Features – Easyrig Quick Release Redesigned for easier attachment and detachment from the ball stud Sleeker and more intuitive design Same cost as the original Quick Release Faster workflow on set Smooth operation under professional use Compatible with all standard Easyrig setups Ergonomic design for comfortable handling Reduces friction and wear on components Lightweight yet durable construction Optimized for boom operators and camera assistants Reliable locking mechanism Quick and secure connection Professional-grade materials Compact design for easy transport Tested under real production conditions Easy to clean and maintain Enhances flexibility between camera setups Supports long-term, everyday use Works with multiple Easyrig rigs Technical Specifications Compatibility: Standard Easyrig ball stud systems Material: Durable, professional-grade metal and components Weight: Lightweight design Operation: Smooth attachment and detachment Ergonomics: Redesigned for comfort and efficiency Locking mechanism: Reliable and secure Dimensions: Compact and portable Use: Professional filmmaking and boom operation Maintenance: Easy to clean and maintain Durability: Built for long-term use Flexibility: Works with multiple rigs and setups Travel-friendly: Fits standard carrying cases Reliability: Tested by professional operators Performance: Smooth and consistent under load Installation: Quick and intuitive Stability: Secure connection without wobble Build quality: High-end materials for longevity Usability: Optimized for fast on-set changes Efficiency: Reduces time for camera swaps

Power and Balance for Boom Pole Lights The Easyrig Battery Plate is the perfect accessory for boom operators who use a light instead of a microphone on their boom pole. Designed to enhance both functionality and balance, this plate allows you to attach a V-mount and a V-mount battery, providing a reliable power source for your lighting equipment on set. Beyond powering your light, the Easyrig Battery Plate also serves as a counterweight, helping to stabilize your boom pole and reduce operator fatigue. Its robust design ensures that it can handle professional V-mount batteries and withstand the rigors of daily production use. Compatible with all standard Boom Rig setups, this battery plate is easy to attach and remove, making it a flexible solution for dynamic shooting environments. Whether you’re lighting a scene in tight spaces or following action, the Easyrig Battery Plate ensures that your boom pole remains perfectly balanced and your workflow uninterrupted. Its lightweight, durable construction and intuitive design make it a must-have accessory for any professional boom operator looking to expand the versatility of their Boom Rig. Features – Easyrig Battery Plate Designed for Boom Rig users attaching a light to a boom pole Allows attachment of V-mount and V-mount battery Functions as a counterweight for better balance Compatible with standard Boom Rig setups Easy to attach and remove Lightweight but durable construction Enhances stability during long shoots Supports professional V-mount batteries Reduces operator fatigue Ideal for dynamic and action-packed shooting Quick installation on boom pole Optimized for professional film and video production Reliable performance under daily use Compact design for travel and storage Professional-grade materials for longevity Ergonomic design for comfortable use Compatible with additional boom pole accessories Tested by professional boom operators Flexible and versatile accessory Enhances control and precision on set Technical Specifications Compatibility: Standard Boom Rig boom poles Weight: Lightweight, portable design Material: Durable, professional-grade construction Battery type: Supports V-mount batteries Functions: Power supply and counterweight Installation: Easy to mount and remove Ergonomics: Improves balance and reduces fatigue Dimensions: Compact for flexible use Use: Professional film and video production Durability: Built for long-term use Flexibility: Works with various boom setups Maintenance: Easy to clean Travel-friendly: Fits standard carrying cases Stability: Optimized for boom pole balance Power delivery: Reliable for on-set lighting

Enhanced Comfort and Support for Boom Operators The Easyrig Boom Rig Flex Vest is the latest evolution in professional boom operator support. Designed to provide superior comfort and stability, it ensures long days on set are less physically demanding. Whether you're working on dialogue-heavy scenes or dynamic shoots, the Boom Rig Flex helps you maintain control and precision without fatigue. Image: Easyrig This vest can be ordered on its own or as part of the complete Boom Rig (BF100) setup, giving you flexibility in how you equip your team. The Boom Rig Flex is based on the original Boom Rig vest but features enhanced support and adjustability around the chest area, making it ideal for operators of all body types. Originally developed with female operators in mind, its ergonomic design benefits anyone who wears it. Despite its added features, the Boom Rig Flex maintains the same cost as the original Boom Rig, providing a high-quality, professional solution without additional expense. With this vest, operators gain improved comfort, better weight distribution, and greater freedom of movement, allowing for more accurate and consistent microphone placement throughout any production. /* Responsive table columns */ @media (max-width: 800px) { .responsive-table td { display: block; width: 100% !important; box-sizing: border-box; margin-bottom: 20px; } } Features – Boom Rig Flex Vest Enhanced chest support for better weight distribution Adjustable design for a customized fit Developed with female operators in mind, suitable for all Same cost as the original Boom Rig vest Can be ordered individually or as part of Boom Rig (BF100) Ergonomic design for long-duration comfort Lightweight yet durable construction Easy to put on and adjust on set Provides stability for precise microphone placement Compatible with standard boom poles Professional-grade materials for longevity Breathable fabric for increased comfort Flexible for dynamic shooting environments Tested for reliability on professional sets Supports long shooting days with reduced fatigue Technical Specifications Vest type: Adjustable boom operator support vest Weight: Lightweight construction Fit: Adjustable chest and torso Materials: Durable, professional-grade fabric Compatibility: Fits standard boom poles and BF100 system Gender: Unisex, designed for female ergonomics Use: Professional film and video production Assembly: Ready to wear, minimal setup required Comfort: Enhanced padding and support Breathability: Optimized for extended wear Flexibility: Supports full range of motion Durability: Designed for long-term use Adjustments: Multiple points for chest and torso Maintenance: Easy to clean and maintain Included: Vest only or complete BF100 Boom Rig

Lightweight Camera Support for Maximum Agility The Easyrig Vario 6 is the next evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Building on the legacy of the Vario 5, the Vario 6 is 20% lighter while maintaining the durability and reliability professionals demand. Designed for cameras weighing between 4–14 kg (9–31 lbs), it allows operators to move freely and focus on capturing perfect shots without fatigue. Images by Easyrig The Easyrig Vario 6 is the latest evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Ten years after the launch of the popular Vario 5, Easyrig has developed a lighter, more nimble version to meet the demands of today’s filmmaking environments. The Vario 6 is 20% lighter than the Vario 5, while still maintaining the durability and reliability that professionals expect. Designed for cameras weighing between 4–14 kg (9–31 lbs), it is perfectly suited for modern setups, from compact digital cinema cameras to fully rigged handheld systems. For reference, an ARRI ALEXA 35 Xtreme weighs about 5 kg with a prime lens, battery, and accessories, while a Sony VENICE 2 in a similar configuration comes in at around 6 kg. With its sleek new design and a completely redesigned power pack mechanism, the Vario 6 allows users to adjust the tension of the suspension line themselves — even while wearing the rig. Simply turn the knob on the back to perfectly match the support to your camera package, ensuring comfort and control without assistance. The Easyrig Vario 6 is fully compatible with all previous Easyrig vests, making it easy to upgrade an existing system. Operators only need to purchase the support bar to retrofit, and any Easyrig upper arm can also be attached. Despite these upgrades, the Vario 6 does not replace the Easyrig Vario 5, as both serve different purposes within the Easyrig lineup. Whether you’re shooting handheld, tracking fast action, or working in tight spaces, the Vario 6 provides smooth, balanced support throughout your production day. Each standard package includes a support bar, camera hook or quick release, breathable vest, height adjustment, power pack, tension knob, adjustable vest stabilizer, manual, and transport bag — everything required for immediate professional use. Handmade in Sweden using high-quality local components, the Easyrig Vario 6 has been rigorously stress-tested by professionals to withstand the toughest conditions. Available worldwide from October 2025, it is engineered to last your entire filmmaking career. Versatile, durable, and built for comfort, the Easyrig Vario 6 is the ideal solution for filmmakers seeking a lightweight yet robust support system for medium-sized camera setups. Features – Easyrig Vario 6 Lightweight support system, 20% lighter than Vario 5 Adjustable tension for 4–14 kg (9–31 lbs) camera setups Ergonomic, sleek design for maximum comfort Retrofits onto all previous Easyrig vests Easy-to-use tension adjustment knob Compatible with all cameras featuring a handle Quick release option available without extra charge Handmade in Sweden High-quality local components Support bar included Camera hook included Vest with breathable material Height adjustment system Adjustable vest stabilizer Durable power pack mechanism Transport bag included Easy assembly and setup Tested by professional ambassadors Designed for long-term durability Smooth weight distribution reduces fatigue Technical Specifications Load range: 4–14 kg (9–31 lbs) Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable tension knob Height adjustment: integrated Vest stabilizer: adjustable Camera hook / Quick release included Handmade assembly Power pack with new mechanism Compatible with all previous Easyrig vests Breathable vest material Ergonomic support bar design Retrofits to existing setups Smooth operation under load Tested for professional use Durable and lightweight materials Easy to clean and maintain Transport bag dimensions: compact and travel-friendly Supports medium-sized cameras Dimensions and Weight Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable vest and support bar: fits a wide range of body sizes Compact transport dimensions