The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
This case is ideal for professionals who need reliable and mobile lighting equipment protection. The Orca OR-64 Medium Light Case is designed to offer ultimate protection for lighting equipment in a portable, durable design. Made with an internal aluminum frame, the case ensures stability and strength, while lightweight materials keep it manageable for travel. The OR-64 features customizable internal dividers to safely store lights, accessories, and power supplies. Its robust rollerblade wheels and heavy-duty trolley system ensure smooth transportation, even in rough environments. With a top removable tray, two handles for easy lifting, and an external pocket for quick access, this case is perfect for professional filmmakers and photographers who require mobility and secure storage for their gear. Product Features: Customizable Dividers: Adjustable internal dividers to securely fit lighting gear, accessories, and power supplies. Removable Top Tray: Offers extra storage and protection for smaller items. Durable Build: Constructed with an internal aluminum frame for added strength. Heavy-Duty Trolley System: Robust handle and smooth-rolling rollerblade wheels for easy transport. External Pocket: Convenient pocket for quick access to essential items. Two Handles: Easy lifting from multiple angles. Dimensions & Weight: Internal Dimensions: 55 cm x 32 cm x 27 cm (21.7" x 12.6" x 10.6") External Dimensions: 64 cm x 41 cm x 34 cm (25.2" x 16.1" x 13.4") Weight: 6.1 kg (13.4 lbs)
The Sony BVM-HX310 is a flagship professional reference monitor designed for high-end post-production, color grading, and broadcast environments where precise color accuracy and consistent image quality are paramount. This 31.1-inch 4K HDR master monitor is part of Sony’s renowned BVM series, which is trusted in critical applications by production studios and broadcasters worldwide. Key Features: 4K HDR Display (4096 x 2160): The BVM-HX310 delivers true 4K resolution with 4096 x 2160 pixels, making it ideal for cinematic production workflows that require high-resolution content review and editing. It supports both DCI 4K (4096 x 2160) and UHD (3840 x 2160) resolutions. 10-bit Panel and 12G-SDI Support: The monitor features a true 10-bit panel, allowing for accurate color representation and smooth gradients, which is critical for HDR content. Its 12G-SDI interface supports 4K 60p signals over a single SDI cable, simplifying the workflow and reducing cable clutter. Exceptional Color Accuracy: The BVM-HX310 provides nearly perfect color reproduction and can display DCI-P3, Rec.709, Rec.2020, and other color gamuts with high precision. The monitor is meticulously calibrated for mastering SDR and HDR content with industry-standard EOTF curves, including SMPTE ST 2084 (PQ) and Hybrid Log-Gamma (HLG). High Dynamic Range (HDR) Capabilities: This monitor supports both PQ and HLG HDR formats, enabling accurate mastering and previewing of HDR content. With its ultra-high contrast ratio and support for up to 1000 nits of peak brightness, it delivers stunning clarity in highlights while maintaining deep blacks and shadow details. True Black Performance: Unlike many other LCD monitors, the BVM-HX310 offers near-OLED black performance. This allows for exceptional clarity and detail in dark scenes, which is crucial for cinematic content, especially in genres like drama and thriller, where shadow detail is often significant. Accurate Grayscale Reproduction: Thanks to its 12-bit digital signal processing, the monitor ensures precise grayscale rendering, making it suitable for color grading in both SDR and HDR workflows. User-Friendly Calibration and Flexibility: Sony’s advanced calibration tool allows users to fine-tune the display to their exact specifications, ensuring consistent performance throughout its lifecycle. The monitor also supports user-defined LUTs (Look-Up Tables) for greater creative control. Robust Build and Ergonomics: Built for professional environments, the BVM-HX310 is rugged and durable, with multiple mounting options and an intuitive interface for easy use in demanding production studios. Various Input/Output Options: In addition to 12G/3G/6G-SDI inputs, the monitor includes DisplayPort, HDMI, and more, providing flexibility for integration into any production environment. Applications: Film and TV Production: Ideal for directors and colorists who need the most accurate representation of what will be shown on the big screen. Broadcasting: Essential for live broadcast productions where precise and reliable color accuracy is critical. Post-Production and VFX: Used in color grading and visual effects workflows where detail, color consistency, and contrast must be finely controlled. Summary: The Sony BVM-HX310 is a top-tier reference monitor built for professionals who demand the highest standard in image fidelity. Its combination of 4K HDR capabilities, superior color accuracy, and robust build make it a go-to choice for critical production and post-production work. Whether you are creating HDR content for streaming platforms, cinema, or television, this monitor ensures your visuals are accurate, detailed, and stunningly true to life.
Advanced 4K HDR Monitoring with IP Integration – Building on the BVM-HX1710 for Future-Proof Workflows The Sony BVM-HX1710N is a 16.5-inch 4K TRIMASTER HX professional monitor designed for live production and critical image evaluation in advanced IP-based workflows. Supporting SMPTE ST 2110, it seamlessly integrates into modern IP-networked production environments. This monitor offers exceptional color accuracy, True Black Reproduction, and High Dynamic Range (HDR), making it an ideal solution for studios and OB vans requiring top-tier image quality and versatile connectivity options. Key Features: The Sony BVM-HX1710N is a highly advanced monitor, particularly suited for IP-based workflows and future-proof production environments. IP Compatibility with SMPTE ST 2110: Enables seamless integration into IP-based broadcast environments for video and audio over networks. JPEG XS Decoder: Optional license for handling compressed video streams over IP, ideal for live production. 4K TRIMASTER HX Technology: Provides precise color reproduction, deep blacks, and high contrast for professional grading and monitoring. High Dynamic Range (HDR): Ensures exceptional brightness and detailed contrast with a peak luminance of up to 3,000 cd/m². Fast Response: Optional license for improved response times. Wide Viewing Angle: Superior performance with wide viewing angles. True Black & High Dynamic Range: Higher contrast ratio than 3,000,000:1 for deeper blacks. Enhanced Anti-Reflection Treatment: Improved reflection management for clearer image display. 12-Bit Output Accuracy & Precise Gamma Control: For accurate image representation. Support for Most Functions of BVM-HX3110: Includes many features from the predecessor model. Real-Time Onboard Scopes: For in-depth monitoring and analysis. 6U Rack Mounting: Standard 6U height, designed for easy integration into studio or mobile setups. Specifications: Screen Size: 16.5 inches Resolution: 3840 x 2160 (4K) Peak Luminance: 3,000 cd/m² Connectivity: SDI (2x 12G-SDI, 2x 3G-SDI), HDMI, and IP support via SMPTE ST 2110 Optional Licenses: JPEG XS Decoder, HDR-SDR Conversion, Fast Response, Signal Conversion Output, 3D LUT Conversion Output Dimensions: Standard 6U height for rack mounting Accessories: Handle, AC cord, free Auto White Adjustment software Optional Control Unit: BVMK-R10, optional 2m Extension Cable BVMK-C1020 Optional Mounting: Mounting Bracket BVMK-M1710, Stand Kit BVMK-S1710, Protection Panel BVMK-P1710 Applications Shading Online Editing Shooting Rack QC Program & Preview
Precision 4K HDR Monitoring for Traditional Broadcast and Live Production Workflows The Sony BVM-HX1710 is a 16.5-inch professional 4K TRIMASTER HX monitor. It is designed for live production and critical image evaluation. This monitor features True Black Reproduction, High Dynamic Range (HDR), and a peak luminance of 3,000 nits. These advanced features make it ideal for environments that require precise color accuracy and deep blacks, such as broadcast studios, post-production facilities, and quality control settings. The BVM-HX1710 integrates seamlessly with Sony’s professional monitor ecosystem. This makes it an excellent choice for users who are already familiar with Sony’s color grading tools. Key Features: 4K TRIMASTER HX Technology: Delivers precise color reproduction and deep blacks, ideal for shading and live production. High Dynamic Range (HDR): Ensures bright highlights and excellent contrast, enhancing image quality. Peak Luminance: Up to 3,000 nits, providing high visibility even in bright environments. True Black Reproduction: Perfect for accurate color grading and evaluation. Fast Response: Available via optional license for improved response times. Wide Viewing Angle Performance: Consistent picture quality from various angles. Enhanced Anti-Reflection Treatment: Better management of reflections for a clearer view. 12-Bit Output Accuracy & Precise Gamma Control: For detailed and accurate image representation. SMPTE ST 2110 IP Interface: Available on the BVM-HX1710N model for networked live production environments. Connectivity: Includes 2x 12G-SDI, 2x 3G-SDI, and HDMI interfaces for both BVM-HX1710 and BVM-HX1710N models. Multi-Screen Modes & Real-Time Onboard Scopes: Advanced features for complex live setups. Rack Mounting: Standard 6U height, suitable for both studio and mobile use. Support for BVM-HX3110 Functions: Many functions from the BVM-HX3110 are included. Free Auto White Adjustment Software: Included for ease of calibration. Specifications: Screen Size: 16.5 inches Resolution: 3840 x 2160 (4K) Brightness: 3,000 nits peak luminance Connectivity: SDI (2x 12G-SDI, 2x 3G-SDI), HDMI; IP support for BVM-HX1710N model Dimensions: Standard 6U height for rack mounting Accessories: Handle, AC cord Optional Licenses: Fast Response BVML-F10, HDR-SDR Conversion BVML-H10, Signal Conversion Output BVML-S10, 3D LUT Conversion Output BVML-T10, JPEG XS BVML-JD10 (for BVM-HX1710N), SNMP BVML-SN10 (for BVM-HX1710N) Optional Control Unit: BVMK-R10, optional 2m Extension Cable BVMK-C1020 Optional Mounting: Mounting Bracket BVMK-M1710, Stand Kit BVMK-S1710 Optional Protection Panel: BVMK-P1710 Applications Shading Online Editing Shooting Rack QC Program & Preview The Sony BVM-HX1710 is a powerful and versatile monitor tailored for professionals needing reliable performance in critical image monitoring, particularly in demanding live production environments.
The Orca OR-117 is a specialized magnetic boompole holder designed for sound professionals working in the field. It allows for quick attachment and detachment of the boompole from a harness or stand, improving workflow efficiency. The OR-117 features a durable, lightweight design with soft neoprene padding to prevent friction. Its innovative magnetic mechanism ensures a secure hold, enabling hands-free operation for sound operators. Product Features: This boompole holder is perfect for professionals needing quick, reliable access during audio capture. Magnetic Mechanism: Ensures quick attachment and secure holding. Soft Neoprene Padding: Protects the boompole from wear and tear. Hands-Free Operation: Ideal for professional sound operators in demanding environments. Lightweight Design: Easy to transport and use in various field conditions. Dimensions & Weight: Weight: 0.12 kg (0.26 lbs)
The Chrosziel 35 cm (13.7 inch) Extension Cable is designed specifically for the Sony ILME-FX6 handgrip. It ensures reliable electronic connectivity between the handgrip and the camera, even when using additional accessories or extended setups. Key Features Perfect Fit for FX6: Designed to maintain seamless functionality with the Sony ILME-FX6 handgrip. Reliable Signal Transmission: Guarantees stable electronic communication between the handgrip and camera. Flexible Length: 35 cm (13.7 inch) provides enough room for rig adjustments without strain on connectors. Durable Construction: Built to withstand frequent use on professional sets. Technical Specifications Length: 35 cm / 13.7 inch Compatibility: Sony ILME-FX6 handgrip Connection Type: Compatible with standard FX6 handgrip connectors
A portable-type wide zoom lens, supporting two types of cinema large sensors Cinematic expression to the broadcast live production. Super long zoom coverage to the cinema world. The portable lens inherits FUJINON cinema lens' DNA. Fujifilm present the Duvo HZK14-10 mm, an advanced zoom lens designed to meet the high demands of professional broadcast and cinematic productions. Combining versatility with exceptional optical quality, this lens is engineered to deliver superior performance in a variety of shooting scenarios. Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts. Key Features: Versatile Focal Range: The Duvo HZK14-100mm offers a focal length range of 14-100mm, which can be extended to 21-150mm using the built-in 1.5x dual format expander. This extensive zoom range allows for a wide array of dynamic shots, from wide-angle perspectives to detailed close-ups. High Zoom Ratio: With a 7.1x zoom ratio, the lens provides a broad range of focal lengths, making it ideal for capturing diverse scenes and subjects without the need for multiple lenses. Exceptional Optical Performance: The lens features a T2.9 aperture at 14-75mm and T3.9 at 100mm, delivering bright, clear images with excellent low-light performance. Its advanced optical design minimizes distortions and aberrations, ensuring consistent image quality throughout the zoom range. Close Focus Capability: The Duvo HZK14-100mm has a minimum object distance (M.O.D.) of just 0.28 meters from the front lens, allowing for detailed close-up shots and enhanced versatility in various shooting environments. Robust and Lightweight Design: Measuring approximately 266.9mm in length and weighing 2.54kg, the lens is built for durability and reliability while remaining relatively lightweight for ease of use in field conditions. Wide Front Diameter: The 114mm front diameter accommodates a range of filters and accessories, enhancing the lens’s flexibility and adaptability for different shooting needs. Details: 7.1x zoom covering 14-100mm with compact and lightweight design Maximum aperture of T2.9 from the wide-end 14mm to 75mm Supporting cameras with Super 35mm sensor and sensors equivalent to full frame Cinematic visual expressions with beautiful bokeh Same drive unit as the portable-type broadcast zoom lens Connectable to a third party wireless lens controller Breathing Compensation Technology Remote Back Focus Cooke /i ZEISS eXtended Data system Technical Specifications: Model Name: HZK14-100mm Focal Length: 14-100mm (1x), 21-150mm (1.5x) Zoom Ratio: 7.1x Extender: 1.5x Dual format expander T-No: T2.9 (14-75mm) / T3.9 (100mm) Minimum Object Distance (M.O.D.): 0.28m Approximate Size: 266.9mm (Length) Weight: 2.54kg Front Diameter: 114mm Applications: The Fujifilm Duvo HZK14-100mm is ideal for a range of professional applications including live broadcast, high-end cinematic productions, and detailed wildlife filming. Its robust construction and high optical performance make it a valuable addition to any production setup. Conclusion: The Fujifilm Duvo HZK14-100mm lens stands out for its versatile focal range, high zoom ratio, and exceptional image quality. Designed for professional use, it offers the reliability and performance needed to meet the demanding requirements of broadcast and cinematic productions. Explore the full capabilities of the Duvo HZK14-100mm and elevate your creative projects with Fujifilm’s advanced optical technology.
Prism Mobile is the most compact bonded cellular video encoder in its class, delivering reliable 4K HDR streaming from the most challenging locations for live coverage on the go and camera-to-cloud workflows. Mission-Critical Network Bonding: Get exceptional worldwide internet connectivity virtually anywhere with two internal high-throughput Node modems with high-gain antennas uniquely designed for video applications. For maximum redundancy, Prism Mobile can bond* up to 9 network connections across cell phone Hotspots (4x), Ethernet (2x), and Cellular Modems (3x) – ensuring your stream never misses a beat. Achieve Prism’s true potential with Core, Teradek’s streaming media orchestration platform. Core allows you to securely monitor, manage, route, distribute, and archive your live video feeds from anywhere in the world. Features Two built-in 5G or LTE modems with high-gain antennasCBRS & Private Mobile Network readyBuilt-in Network BondingHEVC / AVC Compression12G-SDI & HDMI i/oUp to 4Kp60 10-bit HDR video8 CH. Audio | 5.1 & 7.1 Surround soundLicenses for return video and multi-outputLow-SWaP Design: 864g with battery platesGold / V-Mount: 3hr Runtime (tested in ideal conditions with a 90Wh battery)On-Board Recording, Store and Forward and Camera-To-Cloud Ready (Core, Fram.io, Sony C3 Portal, Sony Ci, PIX, AVID)Multiple Protocols: SRT, MPEG-TS, RTMP(S), RT, RIST, RTSP, TRT, HLS, DASH, WHIPPrism app for iOS and AndroidCore Cloud compatible, Local Control SDK available Available Models:10-2857-5SV Prism 857-5SV Mobile dual 5G SW V-Mount 10-2857-5SG2 Prism 857-5SG2 Mobile dual 5G SW 26V Gold Mount 10-2857-5SG Prism 857-5SG Mobile dual 5G SW Gold Mount 10-2857-5S Prism 857-5S Mobile dual 5G SW No Mount 10-2857-CV Prism 857-C Mobile Mk II HEVC/AVC Encoder V Mount10-2857-CG26 Prism 857-CG26 Mobile Mk II HEVC/AVC Encoder Gold Mount 26V 10-2857-CG Prism 857-CG Mobile Mk II HEVC/AVC Encoder Gold Mount 10-2857-C Prism 857-C Mobile Mk II HEVC/AVC Encoder
The Angénieux Type EZ-3 Pack (S35mm and FF) is the latest innovation in the acclaimed EZ series, offering a powerful telephoto zoom with exceptional versatility. With a focal range of 45–165mm (S35) and 68–250mm (Full Frame/VistaVision), this lens delivers precise and consistent imagery for filmmakers working across different formats. Whether you're capturing cinematic long shots or dynamic run-and-gun scenes, the EZ-3 adapts seamlessly. Featuring IRO Technology® (Interchangeable Rear Optics), the EZ-3 can be swiftly reconfigured between S35 and FF formats with minimal tools, providing maximum adaptability on set. A constant T-stop of T2.3/T3 in S35 and T3.5/T4.5 in FF ensures consistent exposure, allowing for uninterrupted shooting. The compact form factor—just 265mm in length and 2.6 kg in weight—makes this lens ideal for handheld, gimbal, or Steadicam work. With dual focus scales (feet and meters) and compatibility with existing EZ-1 and EZ-2 accessories, the EZ-3 is a reliable and efficient tool for professional filmmakers. Its long reach and crisp optical performance make it especially valuable for narrative, documentary, and commercial productions. Features – Angénieux Type EZ-3 Pack (S35mm and FF) 45-165mm T2.3/T3 | 68-250mm T3.5-4.5 Interchangeable format design: S35 and Full Frame New quick IRO Technology® for fast configuration Long telephoto reach with 3.7x zoom ratio Consistent T-stop: T2.3/T3 (S35), T3.5/T4.5 (FF) Compact & lightweight: 265mm length, 2.6 kg Dual focus scale (feet and meters) for international crews Full compatibility with EZ-1 and EZ-2 accessories Smooth focus rotation and user-friendly design Technical Specifications Focal Length: 45–165mm (S35) | 68–250mm (FF/VV) Zoom Ratio: 3.7x Aperture: T2.3/T3 (S35) | T3.5/T4.5 (FF) Minimum Object Distance: 1.2m / 4 ft Format Coverage: S35 (24 x 13.6mm) | FF (37.7 x 24.9mm) Mount: PL (interchangeable to EF, E, RF) Focus Rotation: 300° Front Diameter: 114mm Dimensions and Weight Length: 265mm (10.4 inches) Weight: 2.6 kg (4.4 lb) Front Diameter: 114 mm In the Box Angénieux Type EZ-3 Lens S35 Rear Optical Group (pre-installed) FF/VV Rear Optical Group Front Protective Glass EZ Hood Lens Caps (Front & Rear) Transport Case User Manual Warranty Documentation
Precision Machined for Maximum Agility The Gecko Cam LPL Mount for Sony Venice Extension System Mini is engineered for professionals seeking uncompromising lens performance in a compact and agile package. Designed specifically for the Venice Extension System Mini, this mount delivers rock solid lens support without adding unnecessary bulk, making it ideal for gimbal work, handheld shoots, or tight rig setups. Whether on location or in the studio, it offers a seamless integration into demanding production environments. Featherlight Build Professional Strength Crafted with a titanium LPL flange and locking ring, the mount combines superior material strength with extremely low weight. This ensures a secure lens connection while minimizing stress on the camera system. The build quality speaks to Gecko Cam’s reputation for high end engineering, offering long term durability even in the most demanding filming conditions. Maximum Compatibility Zero Compromises This mount supports the full range of LPL lenses and includes full lens data transmission, enabling accurate metadata capture for post production workflows. Its versatile design ensures smooth compatibility with diverse lens brands and shooting configurations. Whether you're operating with high end primes or specialty optics, this mount handles them all with precision and ease. Features – Gecko Cam LPL Mount for Sony Venice Extension System Mini Ultra lightweight design ideal for gimbal and handheld setups Titanium LPL flange and locking ring for ultimate durability Seamless integration with Sony Venice Extension System Mini Full LPL lens data connection support Rock solid mount stability for professional grade performance Quick and easy lens changes with intuitive handling Broad lens compatibility across LPL systems Designed and precision engineered in Germany Technical Specifications Mount type: LPL Large Positive Lock Material: Titanium flange and locking ring Compatibility: Sony Venice Extension System Mini Lens communication: Full support for LPL lens metadata Mechanical interface: Precision CNC machined components Mounting stability: Zero play lock system Weight tolerance: Optimized for lightweight rig setups Build standard: Gecko Cam professional engineering quality Dimensions and Weight Diameter outer: 85 mm Depth: 26 mm Flange depth: LPL standard Material composition: Titanium alloy and high grade aluminum Designed for balanced camera setups and weight sensitive rigs
The Ovide Smart Assist M200 is a powerful all-in-one video assist system designed exclusively for professional film and TV productions using QTAKE. Combining a 22” 4K touchscreen (4096x2304, 10-bit, 500 nits), integrated high-end CPU/GPU, and QTAKE software, the M200 lets you record, monitor, process, edit, stream, and manage footage—all from a single, transportable unit. Whether you're handling a multi-camera shoot or real-time chroma keying and CG overlays, the M200 ensures seamless performance without external peripherals. Built for both on-set and remote workflows, the Smart Assist M200 supports dual 2K/HD recording and offers flexible I/O configurations. With support for up to 4x 6G-SDI inputs and 12x 12G-SDI outputs in the Quad version, it’s ideal for multi-camera environments. It features an internal UPS that provides two minutes of emergency backup power, hot-swappable SSDs, and dual battery mount options (V-Mount or Gold Mount). Its quiet, software-adjustable fan and rugged construction make it equally suited for sound stages, outdoor locations, or mobile production units. Features – Ovide Smart Assist M200 22" 4K touchscreen (4096x2304, 10-bit, 500 nits) with touch control Built-in QTAKE software with full feature support Dual hot-swappable video SSDs (via Thunderbolt) Adjustable silent fan operation for quiet sets Real-time video processing: chroma key, CG, alphas, editing, metadata Remote collaboration: stream live or playback to up to 160 devices WiFi and Bluetooth connectivity for accessories Smart power: UPS with 2-minute backup + hot swap between AC/DC/batteries Technical Specifications Dual 6G-SDI in / 6× 12G-SDI out (Dual) Quad: 4× 6G-SDI in / 12× 12G-SDI out Audio I/O: 2× XLR in, 2× XLR out 8 GPU processors for 8 fully processed video paths Power input: 18–30V DC (2-pin Fischer) Dual battery mounts (V-Mount or AB Gold Mount) Female C-stand mount (Ø3×5 cm) UPS built-in (2 minutes runtime) Dimensions & Weight Screen: 22″ (4096x2304) touchscreen Mounting: Female C-stand pin Ø3×5 cm Cabin-friendly: built to be checked as luggage Rugged construction for transport and on-set durability In the Box Ovide Smart Assist M200 main unit 2x removable SSD drives Power supply and AC cable Touchscreen stylus (optional) Quick start guide and documentation
Take your Smart 7 monitor to the next level with intuitive camera-control software. This kit includes a software license download card and control cables that enable real-time configuration of RED® DSMC2™ cameras. Quickly access essential RED camera settings with intuitive, user-friendly controls on the Cine 7, Indie 7 or 702 Touch monitors from SmallHD Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor. In the Box: RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CNTRL-18)Camera Control for DSMC2 (Software only)Micro USB to 5pin Adapter (ACC-C7T-USB-ADP)
Software license and control cables that enable real-time configuration of RED RCP2 cameras (KOMODO, DSMC3 and V-RAPTOR). Upgrade your filmmaking game with our intuitive camera-control software kit designed to take your Indie 5 monitor to the next level. This kit includes a software license download card and control cables that enable real-time configuration of RED® RCP2™ cameras such as KOMODO-X, KOMODO®, DSMC3™, and V-RAPTOR™.With our user-friendly controls, you can quickly access essential RED camera settings and take full control of your camera from your Indie 5 monitor by SmallHD. Transform your touchscreen into the central command hub of your camera and gain unfettered access to project settings such as Start/Stop Record, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Clip Playback, and more.Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor. In the Box: Camera Control for RED RCP2 Software Only (KOMODO-X, KOMODO, DSMC3) RED EXT 9pin to SmallHD 5pin USB Camera Control Cable 18in/45cm (#17-4305)RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CTRL-18)Locking Micro-USB to locking 5pin Adapter (f) 3.3in / 8.5cm (#17-4308)
Take your Cine 5 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony BURANO, FX6, VENICE, AND VENICE 2. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony Software Only (#18-1002) Slim Ethernet Cable (#CBL-ETH-36)5pin to Ethernet Adapter (#17-4306)
Take your Cine 5 to the next level with intuitive camera-control software*. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony FX6. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony FX6 Software Only (#18-1003) Slim Ethernet Cable 36in (#CBL-ETH-36)5pin to Ethernet Adapter (#17-4306)
ake your Ultra 5, Ultra 7, Ultra 10 or Cine 7 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony FX6. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Ultra 5, Ultra 7 Ultra 10 or Cine 7 monitors from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording FormatDisclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony FX6 Software Only (#18-1003) Slim Ethernet Cable 36in (#CBL-ETH-36)
Take your Cine 5 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of Alexa Cinema Cameras, including the ALEXA 35. Quickly access essential ARRI camera settings with intuitive, user-friendly controls on the Cine 5 monitor from SmallHD. Camera Control Access:RecordStart, RecordStop, Playback Control, Set & Read TC, Set & Read Project Rate, Read & Set System Date/Time, Read Clip List from Medium, Camera Type, Camera Serial, Camera State, Look Filename, Color Temperature, Tint Variable, Exposure Index, Sensor FPS List, Sensor FPS, Shutter Angle List, Shutter Angle, Exposure Time List, Exposure Time, Exposure Index List, ND Filter List, ND Filter, White, Balance List, Media Status, Recording Mode, Clip Scene, Clip Take, Medium Type, Model, Name, Serial Number, Clip Count, Current Reel, Medium Size, Medium Status, Write Protection, Clip, Count, Current Reel, Free Capacity, Clip Filename, Clip UUID, Clip Project Rate, Clip Start TC, Clip Duration TC Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor In the Box: Camera Control for ARRI Software Only (#SW-ARRI-CONTROL) Locking 10pin ARRI ALEXA (m) to Ethernet (m) Camera Control Cable 36"/90cm (17-4311) ARRI Alexa Cable Control Cable -right angle (#CBL-ETH-ARRI-R-ANGLE-39in/1m) 5pin to Ethernet Adapter (17-4306)Slim Ethernet Cable - 36in (#CBL-ETH-36)
Teradek is committed to designing and manufacturing the highest quality RF antennas, prioritizing both performance and reliability. When engineering antennas, two key factors are essential: frequency coverage and gain. Frequency coverage ensures that the antennas can support the entire range of frequencies on which the Bolt system operates, while consistent antenna gain allows the antennas to generate a stable and consistent signal across all distance ranges and power output levels. Unfortunately, not all antennas are created equal. Many third-party antennas do not cover Bolt’s full frequency range, nor do they output the appropriate gain levels, resulting in poor signal performance and limited frequency (channel) options. Teradek takes great care in certifying and tuning each antenna individually during the manufacturing process. This rigorous attention to detail ensures that Teradek antennas deliver exceptional performance in the most demanding RF environments. The new flexible V-Antennas perform as well as their predecessors but feature a flexible base that enhances durability and resilience; ideal for even more challenging production conditions. These 2Bi antennas are fully compatible with all Bolt 4K and Bolt 6 models, in both V+V and V+H antenna configurations. The antennas cover the same 4.9 - 7.3 GHz frequencies and utilize the standard RP-SMA connector. Specifications: Flexible design prevents breakageWorks with Bolt 4K and Bolt 6RP-SMA ConnectorOutput: 2dBi 4.9-7.3Ghz#11-1147: Single Antenna (1 piece)#11-1148: Antenna pack (7 pieces)
SmallHD ULTRA 10 with built-in Bolt 6 Receiver with 1500ft range and V-Mount Plate. Ultra 10 strikes the perfect balance between screen size and lightweight portability with a feature-packed 10-inch Ultra-Bright Monitor designed to adapt to any production scenario. Key features include 2000nits of brightness, 6G-SDI architecture, an impact-resistant IP54-certified form factor, and more ways than ever to customize your PageOS workflow via touchscreen, joystick, large tactile buttons, and new multi-function rotary encoder knobs for maximum control in all conditions. The Ultra 10 Bolt 6 RX features an integrated Teradek Bolt 6 Receiver, allowing you to receive zero-delay wireless video from your camera via the new internal V-Antenna at ranges up to 750 or 1500 feet. It is available as a Gold Mount or V-Mount option. Ultra 10 is our first IP54-certified monitor, which is defined as resistant to water spray from any direction and protection against dust and dirt in extreme environments while operating in variable temperatures ranging from 0ºC to 40ºC. The chassis features raised edges protecting the front glass of the display and user-replaceable shock-absorbing bumpers to mitigate drops, tumbles, and impacts Ultra 10 comes with 5-pin locking USB and Ethernet ports for optional ARRI, Sony VENICE, BURANO and FX6, and RED® Camera Control (license and cable sold separately). FeaturesQD-LED Edge-Lit LCD Panel TechnologyUltra Protected - Rain, Sun, or SnowBuilt into a rugged, shockec-resistant chassis designed to withstand production and environmental rigors alike, designed with an IP54 rating. Defined as protected against harmful dust and water spray from all directiosn.Knob FunctionsFour Knobs, many applications - fly with capacitive-touch, long-push, short-push and rotary functionality.Multi-View HandheldPowerful Multi-View (feature coming soon) tools from SmallHDs 4K Production Monitors are available on the Ultra 10. View two camera feeds and use multibple tools pages all on screen at the same time, side-by-side.Product Highlights 10" QD-LED Edge-Lit LCD Touchscreen PanelBrightness: Up to 2000nits Resolution: 1920 x 1200 HDMI: 1x HDMI 2.0 input and 1x HDMI 2.0 output SDI: 1x 6G-SDI input and 1x 3G-SDI output Power Input: 2-Pin Locking Connector Control Ports: Ethernet, 5-Pin locking USBBuilt-in WiFi ReceiverBuilt-in Bolt 6 Receiver with 1500ft/457m range with internal AntennasBackwards compatible with Bolt 4K and Bolt 6 devices User Interface: Joystick with Rotary DialUI Lock Switch4x Custom-Function Buttons4x Multi-Function KnobsPageOS Features:Look-Around camera control interfaceTeradek RT Integration - Lens Control Overlay Useful Accessories available (sold separately)SunhoodARCA RailCamera ID & Tally LightCamera Control Licenses for RED, ARRI and SONY VENICEUltra QR Monitor MountUltra 10 also available (soon) with built-in Teradek Bolt 6 RX 750ft version.
SmallHD ULTRA 10 with built-in Bolt 6 Receiver with 750ft range and V-Mount Plate. Ultra 10 strikes the perfect balance between screen size and lightweight portability with a feature-packed 10-inch Ultra-Bright Monitor designed to adapt to any production scenario. Key features include 2000nits of brightness, 6G-SDI architecture, an impact-resistant IP54-certified form factor, and more ways than ever to customize your PageOS workflow via touchscreen, joystick, large tactile buttons, and new multi-function rotary encoder knobs for maximum control in all conditions. The Ultra 10 Bolt 6 RX features an integrated Teradek Bolt 6 Receiver, allowing you to receive zero-delay wireless video from your camera via the new internal V-Antenna at ranges up to 750 or 1500 feet. It is available as a Gold Mount or V-Mount option. Ultra 10 is our first IP54-certified monitor, which is defined as resistant to water spray from any direction and protection against dust and dirt in extreme environments while operating in variable temperatures ranging from 0ºC to 40ºC. The chassis features raised edges protecting the front glass of the display and user-replaceable shock-absorbing bumpers to mitigate drops, tumbles, and impacts Ultra 10 comes with 5-pin locking USB and Ethernet ports for optional ARRI, Sony VENICE, BURANO and FX6, and RED® Camera Control (license and cable sold separately). FeaturesQD-LED Edge-Lit LCD Panel TechnologyUltra Protected - Rain, Sun, or SnowBuilt into a rugged, shockec-resistant chassis designed to withstand production and environmental rigors alike, designed with an IP54 rating. Defined as protected against harmful dust and water spray from all directiosn.Knob FunctionsFour Knobs, many applications - fly with capacitive-touch, long-push, short-push and rotary functionality.Multi-View HandheldPowerful Multi-View (feature coming soon) tools from SmallHDs 4K Production Monitors are available on the Ultra 10. View two camera feeds and use multibple tools pages all on screen at the same time, side-by-side.Product Highlights 10" QD-LED Edge-Lit LCD Touchscreen PanelBrightness: Up to 2000nits Resolution: 1920 x 1200 HDMI: 1x HDMI 2.0 input and 1x HDMI 2.0 output SDI: 1x 6G-SDI input and 1x 3G-SDI output Power Input: 2-Pin Locking Connector Control Ports: Ethernet, 5-Pin locking USBBuilt-in WiFi ReceiverBuilt-in Bolt 6 Receiver with 750ft/228m range with internal AntennasBackwards compatible with Bolt 4K and Bolt 6 devices User Interface: Joystick with Rotary DialUI Lock Switch4x Custom-Function Buttons4x Multi-Function KnobsPageOS Features:Look-Around camera control interfaceTeradek RT Integration - Lens Control Overlay Useful Accessories available (sold separately)SunhoodARCA RailCamera ID & Tally LightCamera Control Licenses for RED, ARRI and SONY VENICEUltra QR Monitor MountUltra 10 also available (soon) with built-in Teradek Bolt 6 RX 1500ft version.
Professional 4K Signal Splitter with Reclocking, Dual Power Inputs, and Flexible Mounting.The 12G-SDI Distribution Amplifier (1x2) is a high-performance signal distribution device designed for broadcast, live production, and professional video environments. It accepts a single 12G-SDI input—electrically isolated from the outputs—and distributes the signal to two independent 12G-SDI outputs with no signal loss or degradation. Built-in reclocking and equalization ensure stable, low-jitter transmission over long cable runs.Supporting resolutions up to 2160p (4K UHD) at 60fps with 10-bit color depth and HDR metadata, this splitter delivers pristine video quality for demanding workflows.Power flexibility is a core feature. The unit includes:A 2-pin 10–32V DC input for direct connection to cinema batteries, power distribution systems, or AC-powered rigs.A USB-C 5V input for compatibility with compact cameras, monitors, or auxiliary power sources where traditional cinema power isn’t available.Designed for zero-latency, frame-accurate performance, this amplifier is ideal for use by directors, DITs, and video engineers who require flawless video feeds on set or in the field. Mounting is simple and versatile, with integrated 1/4"-20, 3/8"-16, and M2.5 threads supporting a wide range of rigging options. Customize your build with accessories like NATO brackets #A00676, Bolt-On Adapters #A00526, Mini Rails #A00437, and Universal Hinges #A00376 .Kit Option: Includes a high-powered 30W USB 3.0 Type-C AC adapter for plug-and-play power right out of the box. Specifications:#A00926 12G-SDI Splitter (1x2): Weight: 53.07 g (0.12 lbs) | Dimensions: 54 x 71.7 x 23 mm (2.13 x 2.82 x 2.82 in)#K10043 12G-SDI Splitter (1x2) Kit: Weight: 278.5 g (0.61 lbs) | Dimensions: 59 x 60.6 x 30.3 mm (2.3 x 2.4 x 1.2 in) incl. AC Adapter + USB-C cable
Whaley Rail - Monitor Mounting System The Upgrade Innovations Whaley Rail Monitor Mounting System is an adaptable and durable solution designed for professional filmmakers and production teams. Whether working on set, in the studio, or on location, the Whaley Rail system provides a robust and customizable mounting frame for production monitors and essential accessories. Constructed from lightweight yet high-strength materials, the system offers a modular design that seamlessly integrates with popular production carts, including Backstage Magliner and Inovativ models. Each frame is engineered for quick installation and removal, allowing professionals to configure their setups efficiently without compromising stability. Key features of the Whaley Rail system include the innovative Whaley 3/8" Pin-Loc Baby Pin, which prevents unwanted twisting and ensures a secure hold. The frame is fully compatible with Upgrade Innovations’ Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates, offering reliable and precise monitor positioning. Designed with both static and dynamic forces in mind, the system provides rock-solid support, making it ideal for demanding production environments. Whaley Rail Monitor Mounting FrameBackstage Magliner Jr - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Backstage Magliner cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Backstage Magliner, by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Backstage Magliner Jr Double Rail Weight: 4.53kg Whaley Rail Monitor Mounting FrameBackstage Magliner Jr - Single Rail The Whaley Rail Monitor Mounting Frame system integrates with the Backstage Magliner cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Backstage Magliner, by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Backstage Magliner Jr Single Rail Weight: 3.55kg Whaley Rail Monitor Mounting FrameBackstage Magliner Sr - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Backstage Magliner cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Backstage Magliner, by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Backstage Magliner Sr Double Rail Weight: 4.98kg Whaley Rail Monitor Mounting FrameBackstage Magliner Sr - Single Rail The Whaley Rail Monitor Mounting Frame system integrates with the Backstage Magliner cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Backstage Magliner, by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Backstage Magliner Sr Single Rail Weight: 3.78kg Whaley Rail Monitor Mounting FrameInovativ Apollo 52 - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Inovativ Apollo cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Inovativ Apollo, making use of the cart’s corner deck clamps on the top deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Apollo 52 Double Rail Weight: 3.24kg Whaley Rail Monitor Mounting FrameInovativ Echo 36 Studio - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Inovativ Echo cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Inovativ Echo, making use of existing through holes in the cart deck and leg post receivers. The Whaley Rail II – Inovativ Echo Studio frame system is designed for users looking to make full use of cart width and monitor frame size for building out their workstation. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. For Echo cart users that pack up their cart often, consider checking out the Whaley Rail II – Inovativ Echo Packed system, which with the smaller frame size offers added efficiency in packing up the Whaley Rail frame. Echo 36 Double Rail Weight: 4.53kg Whaley Rail Monitor Mounting FrameInovativ Echo 48 Studio - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Inovativ Echo cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Inovativ Echo, making use of existing through holes in the cart deck and leg post receivers. The Whaley Rail II – Inovativ Echo Studio frame system is designed for users looking to make full use of cart width and monitor frame size for building out their workstation. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. For Echo cart users that pack up their cart often, consider checking out the Whaley Rail II – Inovativ Echo Packed system, which with the smaller frame size offers added efficiency in packing up the Whaley Rail frame. Echo 48 Double Rail Weight: 4.94kg Whaley Rail Monitor Mounting FrameInovativ Voyager 42 - Double Rail The Whaley Rail Monitor Mounting Frame system integrates with the Inovativ Voyager/Scout cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Inovativ Voyager/Scout, by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Voyager 42 Double Rail Weight: 4.47kg Whaley Rail Monitor Mounting FrameInovativ Voyager 42 - Single Rail The Whaley Rail Monitor Mounting Frame system integrates with the Inovativ Voyager/Scout cart to provide a solid, lightweight, adaptable & removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Inovativ Voyager/Scout by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Voyager 42 Single Rail Weight: 3.96kg Whaley Rail Monitor Mounting FrameVertical Magliner The Whaley Rail Monitor Mounting Frame system integrates with the Vertical Magliner cart to provide a solid, lightweight, adaptable, and removable mounting frame to hold multiple production monitors and other accessories. Build the Whaley Rail frame system to the Vertical Magliner by installing deck cheese plates onto the cart deck. The Whaley Rail frame systems now include the Whaley 3/8 Pin-Loc Baby Pin, a non-twist baby pin designed for the Whaley Rail system. Whaley Pin-Loc uses the ARRI standard pin-loc spacing, with a longer 3/8" male thread to provide added anchor strength. The Whaley Rail II system is designed to integrate with Upgrade Innovations' popular Ball-Lock Monitor Spigot Mounts and Quick Release VESA Plates. The Ball-Lock system is a positive-lock system for rock-solid monitor support when static and dynamic forces are at play. Check out the MMS09 VESA Mount, MMS11-MC VESA Mount, and the Quick Release VESA Plate. Vertical Magliner Weight: 4.10kg
Wooden Camera - ARRI LPL Mount v2 for Sony VENICE, VENICE 2, BURANO Cameras The ARRI LPL Mount for Sony VENICE, VENICE 2, and BURANO allows seamless integration of ARRI Signature Lenses with Sony’s high-end cinema cameras, enabling direct lens pogo connections for full metadata pass-through. This premium mount transmits internal /i lens data from smart lenses or translated external lens data from remote focus motor drivers directly to the camera.For external data transmission, simply connect the LDT-R2 or LDT-V2 from DCS to record real-time lens values directly into the metadata headers of the camera footage, making any lens a smart lens. The mount features high-precision manufacturing and accurate flareage, with flocked aluminum construction to minimize unwanted reflections and flare artifacts. It is factory-calibrated to industry standards and includes a shimmable design for fine-tuning flange depth. By removing the six socket head screws around the collar, users can separate the flange from the mount and insert color-coded shims of various thicknesses: Silver – 0.0127mm (0.0005”) Amber – 0.0254mm (0.001”) Purple – 0.0381mm (0.0015”) Red – 0.0508mm (0.002”) Green – 0.0762mm (0.003”) Tan – 0.1016mm (0.004”) Blue – 0.127mm (0.005”) Back focus adjustment should be verified using collimation tools.For added versatility, the ARRI LPL to PL Adapter is fully compatible, allowing users to quickly switch from standard PL lenses to LPL lenses while maintaining full data pass-through.The included LPL port cap protects the camera sensor when no lens is mounted, ensuring optimal performance in any shooting environment.Works with:* ARRI LPL Lenses with Impression Filters* ARRI LPL to PL Adapter* Leitz Hugo Lenses* LDT systems from DCSSpecificationsWeight: 316gDimensions: 11,3 x 12,6 x 4,7 cm
Canon CN-R135mm T2.2 L F - Premium RF Cine Lens for Professional Telephoto Shots The Canon CN-R135mm T2.2 L F is a high-performance cine lens designed for filmmakers who demand precise control, exceptional image quality, and versatility for 4K, 8K, and HDR productions. With its RF mount, the CN-R135mm offers seamless integration with Canon RF-mount cameras, enabling fast communication and enhanced functionality for optimal performance. The lens features a T2.2 aperture, which strikes the perfect balance between allowing ample light in low-light situations and maintaining sharp, clear images. It also offers a beautiful shallow depth of field that enhances the cinematic look of your footage, allowing filmmakers to focus attention precisely where it’s needed.This 135mm lens excels in both portrait and telephoto shots, making it ideal for capturing stunning close-ups and expansive landscapes alike. The 300° focus rotation provides fine control over focus adjustments, ensuring accuracy and precision when setting up shots, even in fast-paced or dynamic filming environments. The 11-blade iris creates soft, natural bokeh that adds a professional touch to every shot, beautifully separating subjects from the background with smooth, pleasing transitions of light. In-camera electronic features, such as distortion and vignetting corrections, and Dual Pixel Focus Assistant, further streamline the filmmaking process, reducing the need for extensive post-production adjustments and ensuring the highest quality output.Designed to withstand the demands of professional cinematography, the CN-R135mm T2.2 L F is both durable and compact, making it suitable for use across a variety of filming scenarios. Its standard 114mm front diameter is compatible with matte boxes, and the 105mm filter thread accommodates a wide selection of filters, adding to its creative versatility. Whether you’re shooting a documentary, narrative film, or music video, this lens delivers extraordinary image quality and precision, allowing filmmakers to unlock their creative potential and elevate their work to the highest cinematic standards.Features: Canon CN-R135mm T2.2 L FRF mount for seamless integration with Canon RF-mount camerasHigh optical performance for 4K, 8K, and HDR productionsT2.2 aperture for balanced low-light performance and shallow depth of field11-blade iris for smooth, natural bokeh and beautiful light transitions300° focus rotation for precise and controlled focus adjustmentsBuilt-in electronic distortion and vignetting corrections for fewer post-production tasksDual Pixel Focus Assistant for easy focus tracking and enhanced functionalityCompact and robust design for use in professional filmmaking environmentsTechnical SpecificationsMount Type: RF mountAperture: T2.2Focus Rotation: 300° for accurate and smooth focus controlIris Blades: 11-blade aperture for cinematic bokehFilter Diameter: 105mm (front diameter 114mm)Lens Type: Cine prime lensMinimum Focusing Distance: 1.5mSupported Camera Systems: Canon RF-mount camerasBuilt-in Electronic Features: Dual Pixel Focus Assistant, Vignette Correction, Distortion CorrectionDimensions & WeightFront Diameter: 114mmFilter Diameter: 105mmLength: 174mmWeight: 1.9 kgIn the BoxCanon CN-R135mm T2.2 L F lensLens capRear lens capUser manual