IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
Extreme Ultra Wide Character Cinema Lens The Sigma 14mm T3.2 FF Classic Art Prime is an extreme ultra-wide full-frame cinema lens designed for expressive, character-driven imaging with a distinctly cinematic aesthetic. As part of Sigma’s Classic Art Prime philosophy, it prioritizes emotional rendering, atmospheric texture, and controlled optical imperfections over clinical neutrality. The 14mm focal length delivers an expansive field of view ideal for immersive storytelling, architecture, landscapes, VFX plates, and stylized commercial production. It captures large spatial environments while maintaining a strong sense of depth and dimensionality. Unlike modern ultra-corrected optics, the Classic Art design introduces a controlled reduction in contrast and a more organic flare behavior. This results in a softer, more filmic image response with enhanced atmospheric perception, particularly in backlit or high-contrast environments. Despite its character-focused tuning, the lens maintains high-resolution performance suitable for modern full-frame cinema sensors. Edge-to-edge sharpness remains strong, while controlled aberrations contribute to its distinctive visual signature. Focus breathing is carefully managed, ensuring stable framing during focus pulls, even in dynamic wide-angle compositions. The lens integrates seamlessly into professional workflows requiring both VFX compatibility and stylized cinematography. Mechanically, it follows full cine standards with 0.8 MOD gearing, 95mm front diameter, and robust all-metal construction. It is fully compatible with professional rigs and maintains consistency within the Sigma Classic Art Prime lineup. Features – Sigma 14mm T3.2 FF Classic Art Prime • Full-frame extreme ultra wide cine prime • Classic Art optical rendering with organic character • Controlled reduced-contrast image response • Enhanced flare and atmospheric bloom • T3.2 constant aperture • High-resolution full-frame coverage • Cinematic distortion with controlled character • Minimal focus breathing • Standard 0.8 MOD cine gear system • Full metal professional cine housing • Consistent Sigma Classic Art look • VFX and narrative hybrid workflow compatible • Engraved precision focus scales • Lightweight ultra wide cine design Mounts • PL Mount (Cooke /i compatible) • EF Mount • Sony E-Mount Technical Specifications • Focal length: 14mm • Maximum aperture: T3.2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: controlled • Coating: Classic Art optical tuning • Housing: full metal cine body • Front diameter: 95mm • Image rendering: low contrast cinematic character Dimensions & Weight • Length: approx. 111.5 mm • Weight: approx. 1.4 kg • Front diameter: 95 mm
Long Tele Cinematic Prime The Sigma 135mm T2 FF Cine Prime is a long telephoto full-frame lens designed for extreme subject isolation, strong cinematic compression, and precise framing control. It is widely used in narrative filmmaking, sports-style cinematography, and controlled studio productions. The T2 aperture provides strong depth of field control while maintaining high optical performance across the frame. It enables expressive separation between subject and background with a pronounced cinematic look. Optically, the lens delivers high resolution, strong contrast, and controlled aberrations, even at long focal distances. Focus breathing is minimized to ensure stable framing during focus pulls. The lens integrates seamlessly into the Sigma FF High Speed Prime series, maintaining consistent color rendering and mechanical behavior across all focal lengths. Mechanically, it features full cine-standard construction with 0.8 MOD gearing, long focus throw for precise adjustments, and robust metal housing designed for professional use. Features – Sigma 135mm T2 FF • Full-frame long telephoto cine prime • T2 fast aperture • Strong cinematic compression • Extreme subject isolation • High optical resolution • Controlled aberrations • Minimal focus breathing • Standard cine 0.8 MOD gears • Very long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX compatible optics • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 135mm • Maximum aperture: T2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 1.2 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 130–160 mm • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm
Cinematic Portrait Prime The Sigma 85mm T1.5 FF Cine Prime is a classic telephoto portrait lens designed for strong subject isolation, emotional storytelling, and cinematic compression. It is widely used in narrative filmmaking, commercial production, and high-end interview setups. The T1.5 aperture enables extremely shallow depth of field and strong background separation, producing a highly cinematic visual style with smooth bokeh and natural falloff. Optically, the lens delivers high resolution, excellent contrast, and controlled aberrations across the full frame. Focus breathing is minimized, ensuring stable framing during focus pulls. The lens maintains consistent color and mechanical alignment with the Sigma FF cine series, ensuring seamless integration in multi-lens workflows. Mechanically, it features full cine-standard construction, including 0.8 MOD gearing, long focus throw for precision, and robust all-metal housing for demanding production environments. Features – Sigma 85mm T1.5 FF • Full-frame telephoto cine prime • T1.5 fast aperture • Strong subject isolation • Cinematic portrait rendering • High optical resolution • Smooth bokeh quality • Minimal focus breathing • Standard cine 0.8 MOD gears • Long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX optimized optics • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 85mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.85 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 110–140 mm • Weight: approx. 1.4–1.7 kg • Front diameter: 95 mm
Medium Telephoto Cinematic Expression Prime The Sigma 65mm T1.5 FF Cine Prime is a medium telephoto full-frame lens designed for controlled subject isolation and cinematic compression. It occupies a key position between standard and longer telephoto focal lengths, making it ideal for dialogue scenes, portraits, and emotional storytelling. The T1.5 aperture enables strong depth separation and excellent low-light performance, allowing cinematographers to maintain shallow depth of field even in controlled studio environments or night shoots. Optically, the lens delivers high resolution, smooth tonal transitions, and natural color reproduction. Focus breathing is minimized to ensure stable framing during focus pulls, which is critical in narrative cinematography. The lens maintains consistent rendering with the Sigma FF High Speed Prime series, ensuring seamless matching across focal lengths. Mechanically, it follows full cine standards with 0.8 MOD gearing, long focus throw, and robust metal construction designed for professional production environments. Features – Sigma 65mm T1.5 FF • Full-frame medium telephoto cine prime • T1.5 fast aperture • Strong subject separation • Cinematic compression rendering • High optical resolution • Smooth bokeh characteristics • Minimal focus breathing • Standard cine 0.8 MOD gears • Long focus rotation throw • Full metal housing • Consistent Sigma color science • VFX compatible optics • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 65mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.62 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 100–130 mm • Weight: approx. 1.3–1.6 kg • Front diameter: 95 mm
Standard Reference Cinematic Prime The Sigma 50mm T1.5 FF Cine Prime is a standard reference focal length in the FF High Speed Prime lineup, designed to replicate a natural human perspective with cinematic depth and clarity. It is one of the most commonly used lenses in narrative filmmaking, commercials, and studio productions. The T1.5 aperture delivers strong low-light capability and enables shallow depth of field with smooth bokeh, making it ideal for portrait-oriented cinematography and controlled lighting environments. Optically, the lens offers high sharpness, natural color rendering, and well-controlled distortion. It maintains consistent performance across the frame and matches seamlessly with the rest of the Sigma cine lineup. Focus breathing is minimized for stable composition during focus pulls, supporting precise narrative work. The lens is optimized for modern high-resolution cinema sensors up to 8K. Mechanically, the cine housing features standardized 0.8 MOD gears, long focus throw for precision work, and durable all-metal construction suitable for demanding production environments. Features – Sigma 50mm T1.5 FF • Full-frame standard cine prime • T1.5 fast aperture • Natural human-eye perspective • High optical sharpness • Smooth cinematic bokeh • Minimal focus breathing • Standard 0.8 MOD gears • Long focus rotation throw • Full metal construction • Consistent Sigma color science • VFX-ready optical performance • Lightweight cine design • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 50mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.40 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 94–128 mm (mount dependent) • Weight: approx. 1.2–1.4 kg • Front diameter: 95 mm
Natural Perspective Cinematic Workhorse Prime The Sigma 40mm T1.5 FF Cine Prime is a highly versatile full-frame lens positioned between standard and slightly compressed perspectives, making it one of the most balanced focal lengths in the FF High Speed Prime lineup. It is widely used for narrative filmmaking, commercial production, and documentary work where a natural but slightly cinematic field of view is required. The T1.5 aperture provides strong low-light performance and excellent control over depth of field, allowing cinematographers to isolate subjects while maintaining environmental context. This makes the 40mm a flexible “in-between” lens for both dialogue-driven scenes and dynamic handheld shooting. Optically, the lens delivers high resolution with excellent contrast and controlled aberrations across the full frame. Color reproduction is consistent with the entire Sigma FF cine series, ensuring seamless matching across focal lengths. Focus breathing is minimized, supporting stable framing during focus pulls. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, long and precise focus rotation, and robust all-metal construction. It integrates seamlessly into professional rigs, studio setups, and motorized lens control systems. Features – Sigma 40mm T1.5 FF • Full-frame standard cinematic prime • T1.5 fast aperture for low-light performance • Natural slightly compressed perspective • High optical resolution for 6K–8K workflows • Controlled distortion and aberration • Minimal focus breathing • Standard 0.8 MOD cine gearing • Long focus rotation throw • Smooth manual focus control • Full metal cine housing • Consistent Sigma FF color science • Lightweight cine design • VFX-friendly optical performance • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 40mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.40 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 123–157 mm (mount dependent) • Weight: approx. 1.5–1.9 kg • Front diameter: 95 mm
Classic Cinematic Storytelling Prime The Sigma 35mm T1.5 FF Cine Prime is one of the most essential storytelling focal lengths in modern cinematography. It offers a natural yet immersive perspective, making it a standard tool for narrative film, commercial production, and documentary work. The T1.5 aperture enables strong low-light capability and cinematic depth separation. Optically, the lens delivers high sharpness, neutral color rendering, and controlled distortion. Focus breathing is minimized for stable framing during focus pulls. Mechanically, it features full cine-standard construction with 0.8 MOD gearing and robust metal housing for professional workflows. Features – Sigma 35mm T1.5 FF • Full-frame standard cine prime • T1.5 fast aperture • Natural cinematic perspective • High optical sharpness • Controlled distortion • Minimal focus breathing • Cine 0.8 MOD gears • Smooth focus control • Full metal construction • Consistent color science • Lightweight design • VFX optimized • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 35mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.3 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 100–120 mm • Weight: approx. 0.9–1.2 kg • Front diameter: 95 mm
Versatile Cinematic Wide Prime The Sigma 28mm T1.5 FF Cine Prime offers a slightly tighter wide-angle perspective, making it one of the most versatile storytelling lenses in the full-frame cine lineup. It is widely used for dialogue scenes, handheld cinematography, and immersive environmental storytelling. The fast T1.5 aperture enables strong low-light performance and controlled depth of field, supporting cinematic separation between subject and environment. Optically, the lens delivers balanced sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized for stable cinematic focus transitions. The cine housing is fully standardized with 0.8 MOD gearing and robust metal construction, ensuring compatibility with professional rigs and lens control systems. Features – Sigma 28mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Versatile storytelling focal length • Natural perspective rendering • High optical sharpness • Minimal focus breathing • Cine 0.8 MOD gears • Smooth focus control • Full metal construction • Consistent color science • Lightweight design • VFX compatible • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 28mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 105–125 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm
Natural Wide Cinematic Standard Prime The Sigma 24mm T1.5 FF Cine Prime is a natural wide-angle full-frame cinema lens designed for balanced perspective rendering and versatile production use. It is a core focal length for narrative filmmaking, commercials, and documentary production. The T1.5 aperture enables strong low-light performance and cinematic depth control, making it suitable for both controlled studio environments and available-light shooting. Optically, the lens provides high resolution, neutral color reproduction, and controlled distortion. Focus breathing is minimized for consistent cinematic focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, smooth manual focus rotation, and robust all-metal construction. Features – Sigma 24mm T1.5 FF • Full-frame standard wide cine prime • T1.5 fast aperture • Natural perspective rendering • High optical sharpness • Controlled distortion • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth focus mechanics • Full metal housing • Consistent color science • Lightweight cine design • VFX optimized • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 24mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 110–130 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm
Fast Wide-Angle Cinematic Prime The Sigma 20mm T1.5 FF Cine Prime is a fast ultra-wide full-frame lens designed for immersive storytelling with strong environmental context and expressive spatial depth. It is widely used in narrative filmmaking, commercials, and documentary production. The T1.5 aperture provides exceptional low-light capability and shallow depth of field for a wide-angle lens class, enabling cinematic separation even in complex environments. Optically, the lens delivers high sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized, ensuring stable framing during focus pulls. The cine housing is fully standardized with 0.8 MOD gearing, smooth manual controls, and robust metal construction for professional use. Features – Sigma 20mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Strong low-light performance • Controlled distortion design • High sharpness optics • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth manual focus • Full metal construction • Consistent color rendering • VFX optimized optics • Lightweight cine design • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 20mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 115–135 mm • Weight: approx. 1.1–1.4 kg • Front diameter: 95 mm
Extreme Ultra Wide Cinematic Perspective The Sigma 14mm T2 FF Cine Prime delivers an extreme ultra-wide full-frame perspective designed for immersive cinematic environments, architectural imaging, VFX-heavy productions, and stylized storytelling. It captures vast spatial information while maintaining controlled optical performance. Despite its extreme field of view, the lens maintains strong edge-to-edge sharpness and controlled distortion, ensuring professional image integrity even in demanding digital cinema workflows. The T2 aperture enables low-light shooting and creative depth control, which is uncommon in ultra-wide focal lengths. This makes it highly valuable for night scenes, interior environments, and dynamic action setups. Optically, chromatic aberration is tightly controlled, and contrast remains stable across the frame. Focus breathing is minimized to ensure consistent composition during focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, robust metal construction, and smooth manual focus operation. It integrates seamlessly into professional rigs, stabilizers, and VFX pipelines. Features – Sigma 14mm T2 FF • Full-frame ultra wide cine prime • Extreme 14mm field of view • T2 fast aperture • Controlled distortion optics • High edge-to-edge sharpness • Minimal focus breathing • Standard 0.8 MOD cine gears • Smooth manual focus control • Full metal cine housing • Consistent color science • Optimized for VFX workflows • High resolution sensor compatibility • Lightweight cine design • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 14mm • Maximum aperture: T2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 120–140 mm • Weight: approx. 1.1–1.3 kg • Front diameter: 95 mm
Ultimate Telephoto Cinematic Depth Control The Sigma 105mm T1.5 FF Cine Prime is a high-speed full-frame telephoto lens designed for maximum subject isolation, controlled compression, and expressive cinematic depth. It is a key tool for narrative filmmaking, commercial productions, and controlled studio environments where precise framing and emotional focus are essential. With its fast T1.5 aperture, the lens enables strong separation between subject and background, creating a highly cinematic look with smooth bokeh and natural falloff. It is particularly effective for portrait-oriented cinematography, dialogue scenes, and close-up storytelling. Optically, the lens delivers high resolution across the frame with excellent contrast and minimal chromatic aberration. The telephoto compression is rendered naturally, avoiding harsh rendering while maintaining clarity and detail even at wide open apertures. Focus breathing is tightly controlled, ensuring stable framing during focus pulls. This is critical for narrative productions where precision and continuity are required. The lens maintains consistent color reproduction and optical character aligned with the Sigma FF High Speed Prime series. Mechanically, the cine housing follows full industry standards with 0.8 MOD gearing, long focus rotation for precision pulling, and robust all-metal construction. It integrates seamlessly into professional rigs, studio setups, and motorized lens control systems. Features – Sigma 105mm T1.5 FF • Full-frame telephoto cine prime • Fast T1.5 aperture for shallow depth of field • Strong subject isolation and compression • High optical resolution across frame • Minimal chromatic aberration • Controlled focus breathing • Standard 0.8 MOD cine gears • Long focus rotation throw • Smooth manual focus control • Full metal cine construction • Consistent Sigma FF color science • Optimized for portrait cinematography • High contrast rendering • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 105mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.95 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 150–170 mm • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm
Fast Mid-Range Cinematic Zoom The Sigma 28-45mm T2 Cine Zoom is a fast, mid-range Super 35 cinema zoom designed for productions requiring high optical performance and maximum flexibility in a compact form factor. It covers the most frequently used framing range in narrative filmmaking, making it a core tool for handheld, studio, and gimbal-based workflows. With its constant T2 aperture, the lens delivers strong low-light performance and consistent exposure across the zoom range. This allows cinematographers to work confidently in changing lighting environments without adjustments during zoom transitions. The optical design prioritizes sharpness, contrast, and natural color reproduction while minimizing distortion and chromatic aberration. Focus breathing is carefully controlled to maintain cinematic consistency during focus pulls. Mechanically, the lens features full cine-standard construction with 0.8 MOD gears, smooth manual focus rotation, and durable all-metal housing. It integrates seamlessly into professional production environments and supports both manual and motorized lens control systems. As part of Sigma’s cine lineup, the 28-45mm T2 maintains consistent color rendering and mechanical layout across the system, ensuring fast and efficient lens changes in multi-lens workflows. Its combination of speed, compactness, and optical quality makes it particularly suitable for high-end commercial, narrative, and broadcast production environments. Features – Sigma 28-45mm T2 Cine Zoom • Super 35 mid-range cine zoom (28–45mm) • Fast constant T2 aperture • Optimized for low-light cinematography • Parfocal optical design for stable focus • High-resolution optical performance • Minimal focus breathing • Standard 0.8 MOD cine gearing • Smooth manual focus and iris control • Compact cine zoom design • Full metal professional construction • Multi-layer anti-reflective coatings • Consistent Sigma cine color science • Ideal for handheld and gimbal use • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-45mm T2 Cine Zoom • Focal length: 28–45mm • Maximum aperture: T2 constant • Format coverage: Super 35 • Optical design: high-speed cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.3 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 180–200 mm • Weight: approx. 1.3–1.6 kg • Front diameter: 95 mm
Extended Range Cinematic Workhorse The Sigma 28-105mm T3 Cine Zoom is designed as a highly versatile all-round production lens for Super 35 cinematography. Covering a broad focal range from wide-angle to medium telephoto, it is engineered to reduce lens changes and streamline on-set workflows, making it ideal for documentary, broadcast, and commercial productions. The T3 aperture provides a balance between optical performance, size, and flexibility, ensuring consistent exposure control across the zoom range. This makes it particularly effective for productions where lighting conditions vary and adaptability is critical. Optically, the lens delivers strong resolution and natural color rendering with controlled distortion throughout the zoom range. Focus breathing is minimized to support cinematic focus pulls, while maintaining stable framing during focus transitions. The cine housing follows industry standards with robust mechanical construction, precise 0.8 MOD gearing, and smooth manual controls for focus, iris, and zoom. It integrates seamlessly with professional cine rigs, shoulder setups, and studio configurations. As part of Sigma’s cine ecosystem, the 28-105mm T3 maintains consistent color science and mechanical alignment with other lenses in the lineup, ensuring fast lens swaps without recalibration. This lens is particularly suited for productions that require a single-lens solution covering a wide range of shooting scenarios without sacrificing image quality or operational precision. Features – Sigma 28-105mm T3 Cine Zoom • Super 35 extended-range cine zoom (28–105mm) • Constant T3 aperture across zoom range • Wide-to-telephoto all-in-one production lens • Parfocal optical design for stable focus • Controlled focus breathing for cinematic use • High-resolution optical performance • Standard 0.8 MOD cine gear system • Smooth manual focus and iris operation • Robust full-metal cine construction • Multi-layer optical coatings • Consistent Sigma cine color science • Optimized for documentary and broadcast use • Reduced need for lens changes on set • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-105mm T3 Cine Zoom • Focal length: 28–105mm • Maximum aperture: T3 constant • Format coverage: Super 35 • Optical design: extended-range cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.6 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 240–260 mm • Weight: approx. 1.8–2.2 kg • Front diameter: 95 mm
Versatile Wide-to-Standard Cinematic Precision The Sigma 24-35mm T2.2 Cine Zoom is a compact wide-to-standard zoom designed for Super 35 cinematic productions that require flexibility without compromising optical quality. Based on Sigma’s acclaimed optical design philosophy, this lens delivers consistent sharpness, natural color reproduction, and controlled optical characteristics across the entire zoom range. Covering the most commonly used wide-to-medium framing range in narrative and commercial filmmaking, the lens reduces the need for frequent lens changes on set. This increases workflow efficiency, especially in dynamic shooting environments such as handheld, documentary, and multi-camera productions. The constant T2.2 aperture ensures reliable exposure control across the zoom range, enabling cinematographers to maintain consistent lighting setups without adjustment. Combined with a parfocal optical design, focus remains stable during zooming, supporting precise and repeatable camera work. Optically, the lens provides high resolution imaging with excellent contrast and controlled distortion. Chromatic aberration is minimized, ensuring clean edges and natural rendering even in high-resolution workflows. Mechanically, the cine housing follows industry standards with 0.8 MOD gears, smooth manual focus rotation, and robust all-metal construction. It integrates seamlessly into professional rigs, follow focus systems, and motorized lens control setups. As part of Sigma’s cine lens ecosystem, the 24-35mm T2.2 matches color science and mechanical positioning across the lineup, enabling fast lens swaps without recalibration of accessories. Features – Sigma 24-35mm T2.2 Cine Zoom • Super 35 wide-to-standard cine zoom (24–35mm) • Constant T2.2 aperture across zoom range • Parfocal optical design for stable focus during zoom • High-resolution optical performance for 4K+ workflows • Low chromatic aberration and controlled distortion • Minimal focus breathing for cinematic transitions • Standard 0.8 MOD cine gear system • Smooth manual focus and iris control • Full metal professional cine housing • Multi-layer anti-reflective coatings • Consistent Sigma cine color reproduction • Optimized for handheld and rig-based shooting • Lightweight compact cine zoom design • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount (depending configuration) Technical Specifications – Sigma 24-35mm T2.2 Cine Zoom • Focal length: 24–35mm • Maximum aperture: T2.2 constant • Format coverage: Super 35 • Optical design: cine-optimized zoom system • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.28 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 170–190 mm • Weight: approx. 1.2–1.4 kg • Front diameter: 95 mm
The Sigma 50-100mm T2 Cine Zoom extends Super 35 cinematography into a controlled telephoto range, offering strong subject separation, natural compression, and precise framing control. It is designed for productions requiring emotional depth, controlled perspective, and cinematic focus on subjects. Covering 50-100mm, the lens is particularly suited for interviews, dialogue scenes, portrait-style framing, and controlled studio or location setups. The focal range enables consistent medium-to-telephoto coverage without the need for frequent lens changes, improving workflow efficiency on set. The constant T2 aperture ensures exposure consistency throughout the zoom range, enabling seamless integration into multi-camera setups and controlled lighting environments. Combined with its parfocal design, focus remains stable during zoom adjustments, ensuring predictable and reliable operation. Optically, the lens delivers high contrast and strong resolution performance with carefully controlled distortion and minimized breathing. This ensures natural-looking focus transitions and a cinematic rendering style that supports narrative storytelling. The lens follows full cine standards, including standardized gear positions, robust all-metal construction, and smooth manual control interfaces. It integrates seamlessly with professional rigs, motorized systems, and studio setups. As part of Sigma’s cine lens family, it matches color science and mechanical layout across the lineup, enabling fast lens changes without workflow interruption. The 50-100mm T2 Cine Zoom is a dedicated telephoto tool for cinematographers who require precision, consistency, and cinematic image quality in controlled production environments. Features – Sigma 50-100mm T2 Cine Zoom • Super 35 telephoto cine zoom (50-100mm) • Constant T2 aperture across full zoom range • Designed for cinematic subject isolation • High-resolution optical performance • Minimal focus breathing • Parfocal zoom design (no focus shift) • Standard 0.8 MOD cine gearing • Smooth manual focus control • Long focus rotation throw • De-clicked iris mechanism • Consistent Sigma cine color matching • Full metal cine housing construction • Multi-layer optical coatings • Optimized for Super 35 sensors • Ideal for interviews and narrative work • Compatible with cine rigs and motors • Engraved precision focus scales • Stable mechanical balance for rigs • Controlled distortion and high contrast imaging Technical Specifications – Sigma 50-100mm T2 Cine Zoom • Focal length: 50-100mm • Maximum aperture: T2 constant • Format coverage: Super 35 / APS-C • Mount options: PL / EF / Sony E-Mount • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal: yes • Minimum focus distance: approx. 0.95 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Breathing: minimized optical breathing • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Front diameter: 95mm cine standard • Scale markings: engraved cine scales • Image circle: Super 35 optimized • Compatibility: cinema cameras & rigs Dimensions & Weight • Length: approx. 250–280 mm (mount dependent) • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm
The Sigma 18-35mm T2 Cine Zoom is widely regarded as one of the most flexible and high-performing wide-to-standard zoom lenses in the Super 35 cinema segment. Built on the optical foundation of Sigma’s renowned still photography zoom, this cine-optimized version delivers true cinematic performance with consistent T2 aperture, precise mechanics, and exceptional optical clarity. Designed for modern film production workflows, the lens covers a highly practical focal range from wide-angle to normal perspective, making it ideal for narrative filmmaking, commercials, documentaries, and broadcast environments. Its constant T2 aperture ensures reliable exposure control across the entire zoom range, even in challenging lighting conditions. Optically, the lens delivers sharpness across the frame with controlled chromatic aberration and minimal distortion, even when shooting wide open. The cine housing features industry-standard gearing for focus, iris, and zoom, enabling seamless integration with professional rigs, follow focus systems, and motorized control units. The 18-35mm T2 Cine Zoom is also designed for consistency in multi-lens setups, matching Sigma’s cine line in color science and mechanical layout. This allows for fast lens changes without recalibration of accessories, saving valuable production time on set. With its compact form factor, robust construction, and exceptional optical performance, this lens has become a staple in indie filmmaking, high-end commercial work, and studio productions where flexibility and image quality are equally critical. Features – Sigma 18-35mm T2 Cine Zoom • Super 35 cinema zoom lens with 18-35mm focal range • Constant T2 aperture across the entire zoom range • High optical sharpness optimized for 4K, 6K, and beyond • Minimal focus breathing for cinematic focus pulls • Designed for professional cine housing and accessories • Standard 0.8 mod gear pitch for focus, iris, and zoom • Parfocal design maintains focus throughout zoom range • Consistent color rendition across Sigma cine lens lineup • Robust all-metal housing for professional production use • Smooth manual focus with long rotation throw • De-clicked, smooth iris control for precise exposure • Multi-layer coating for flare and ghosting control • Compatible with PL and EF mount systems (depending version) • Optimized for gimbal, handheld, and studio setups • High resolution center-to-edge performance • Low chromatic aberration and distortion control • Lightweight design for portable cine setups • Ideal for narrative, documentary, and commercial production Technical Specifications – Sigma 18-35mm T2 Cine Zoom • Focal length: 18-35mm • Maximum aperture: T2 constant • Lens coverage: Super 35 / APS-C • Mount options: PL / EF (depending configuration) • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Coating: multi-layer anti-reflective • Minimum focus distance: approx. 0.28 m • Focus type: manual cine focus • Zoom type: manual cine zoom • Image circle: optimized for Super 35 sensors • Housing material: metal cine construction • Breathing control: optimized low breathing design • Scale markings: engraved and luminous markings • Front diameter: standard cine diameter (95mm class) • Compatibility: cinema cameras, adapters, rigs Dimensions & Weight • Length: approx. 220–250 mm (depending mount) • Weight: approx. 1.4–1.7 kg • Front diameter: 95 mm
The Master 30 fluid head covers a wide range of broadcast applications with a payload capacity from 3 kg to 40 kg The Cartoni Master 30 OB is a professional fluid head specifically configured for outside broadcast applications, delivering precise camera control and reliable performance under demanding production conditions. Designed to support heavy broadcast camera setups, it provides smooth and consistent pan and tilt movement essential for live television, sports, and event coverage. The fluid damping system offers continuous drag adjustment on both pan and tilt axes, allowing operators to fine-tune movement resistance according to shooting requirements. This ensures controlled starts and stops, enabling accurate framing even with long focal lengths and large camera rigs. The continuously adjustable counterbalance system allows precise balancing of different payloads, maintaining stability throughout the tilt range. Built for OB environments, the Master 30 OB features a flat base design compatible with a wide range of pedestals, tripods, and broadcast support systems. Its robust construction is engineered for reliability and durability in intensive field use. The head supports payloads of up to 30 kg, making it suitable for fully equipped broadcast cameras and accessories. Operational features include a sliding quick release camera plate for fast setup and adjustment, illuminated spirit level for accurate leveling in low-light conditions, and ergonomic controls designed for efficient handling during live production. The Master 30 OB meets the requirements of professional operators working in outside broadcast, studio production, and high-end video environments. Features Cartoni Master 30 OB • Professional fluid head for outside broadcast applications • Maximum payload capacity up to 30 kg • Continuous fluid drag system on pan and tilt • Smooth and precise camera movement • Continuously adjustable counterbalance system • Designed for heavy broadcast camera setups • Flat base design for pedestal and tripod compatibility • Sliding quick release camera plate • Fast and secure camera mounting • Illuminated spirit level for precise leveling • Ergonomic control knobs • Robust construction for field use • Reliable performance in OB environments • Accurate pan and tilt control • Compatible with broadcast support systems • Maintenance-free fluid system • Designed for intensive professional use • Stable operation with long lens setups Technical Specifications • Maximum payload: 30 kg / 66 lbs • Counterbalance: Continuous adjustment • Pan drag: Continuous fluid damping • Tilt drag: Continuous fluid damping • Tilt range: +90° / -60° • Base type: Flat base • Compatibility: Pedestals and tripods • Camera plate: Sliding quick release plate • Plate travel: approx. 120 mm • Pan bar: Included • Spirit level: Illuminated • Operating temperature: -40°C to +60°C • Material: Aluminum and composite materials • Weight: approx. 7.5 kg • Height: approx. 190 mm • Mounting interface: Flat base with fixing screw Dimensions and Weight Height: approx. 190 mm Weight: approx. 7.5 kg Camera plate travel: approx. 120 mm
Motorized Dual Column for High Payload PTZ Elevation The Cartoni Lifto Twin HP is a motorized dual-column elevation system engineered for PTZ camera applications requiring both synchronized vertical movement and increased payload capacity. By combining two high-performance motorized columns, the system enables stable lifting and precise positioning of heavier camera setups in professional broadcast and studio environments. The system provides smooth and controlled vertical motion across its full operating range, extending the creative possibilities of PTZ systems beyond pan, tilt, and zoom. It is operated via a wired hand control unit, allowing synchronized movement of both columns. The controller supports continuous motion as well as programmable preset positions, enabling repeatable and accurate camera repositioning during live production workflows. Designed for stability and reliability, the Lifto Twin HP ensures balanced load distribution across both columns. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live productions, corporate environments, and house of worship installations. The Lifto Twin HP integrates with Cartoni’s Smart Deployment Series tripod and spreader system, delivering high torsional rigidity and operational safety. Its modular architecture supports compatibility with additional accessories such as dollies and transport solutions, allowing flexible deployment and efficient handling across a wide range of production scenarios. Features Cartoni Lifto Twin HP • Dual motorized elevation column system • Designed for high payload PTZ camera setups • Synchronized movement of both columns • Increased payload capacity for heavier configurations • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration performance for broadcast use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and balanced lifting performance • Suitable for professional studio and live environments • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in continuous production workflows Technical Specifications • System type: Dual motorized elevation column • Maximum payload: up to 60 kg / 132 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 22–28 kg (depending on configuration) Transport dimensions: system-dependent
Motorized Elevation Column for High Payload PTZ Applications The Cartoni Lifto HP is a motorized elevation column designed for PTZ camera systems that require higher payload capacity and stable vertical movement in professional broadcast environments. It extends the Lifto range by supporting heavier camera configurations while maintaining precise and controlled elevation across its full operating range. The system delivers smooth and repeatable vertical motion, enabling an additional axis of control alongside pan, tilt, and zoom. It is operated via a wired hand controller, allowing continuous movement and accurate positioning. The controller supports programmable preset positions, enabling fast and consistent camera repositioning during live production workflows. With a wide height range, the Lifto HP provides flexibility for different shooting angles and framing requirements. The motorized column operates with low noise and minimal vibration, ensuring suitability for on-air studio use. Its design supports stable lifting of heavier PTZ cameras and accessories, making it suitable for broadcast studios, live events, corporate production, and house of worship installations. The Lifto HP integrates with Cartoni’s Smart Deployment Series tripod system, providing high torsional rigidity and operational stability. Its modular architecture allows compatibility with additional accessories such as dollies and transport solutions, supporting flexible deployment and efficient handling across different production environments. Features Cartoni Lifto HP • Motorized elevation column for high payload PTZ systems • Designed for professional broadcast and studio environments • Increased payload capacity for heavier camera setups • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration design for on-air use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and controlled elevation performance • Compatible with PTZ cameras and accessories • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in live production workflows Technical Specifications • Maximum payload: up to 30 kg / 66 lbs • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Elevation type: Motorized column • Control interface: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor operation: Electric, low noise • Vibration: Minimal vibration performance • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 12–15 kg (depending on configuration) Transport dimensions: system-dependent
Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feet The Cartoni Lifto Twin is a motorized dual-column elevation system designed for professional PTZ camera applications requiring synchronized vertical movement. By combining two motorized columns into a single system, it enables stable and precise elevation of heavier or dual-camera setups while maintaining smooth motion control for broadcast and studio environments. The system is engineered to deliver consistent and repeatable vertical positioning across its full operating range. It is controlled via a wired hand control unit and supports synchronized movement of both columns, ensuring balanced lifting and lowering. The controller allows continuous motion and includes programmable preset positions for fast and accurate repositioning during live production workflows. With an extended height range and increased payload capacity compared to single-column systems, the Lifto Twin is suitable for applications where additional stability and load support are required. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live event production, corporate environments, and houses of worship. The system is based on Cartoni’s modular PTZ support architecture and integrates with the Smart Deployment Series tripod and spreader system. This ensures high torsional rigidity and operational safety. The modular design also allows compatibility with accessories such as dollies and transport solutions, supporting flexible deployment and mobility across different production environments. Features Cartoni Lifto Twin • Dual motorized elevation column system • Designed for synchronized PTZ camera movement • Increased payload capacity compared to single-column systems • Smooth and precise vertical motion control • Extremely silent motor operation • Low vibration performance for broadcast environments • Wired remote control unit included • Synchronized control of both columns • Continuous movement across full height range • Programmable preset positions for repeatable shots • Suitable for heavier or dual-camera setups • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Safe and stable lifting operation • Modular system architecture • Expandable with accessories such as dollies • Designed for fast setup and deployment • Suitable for studio and live production use Technical Specifications • System type: Dual motorized elevation column • Maximum payload: 50 kg / 110 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and support accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 20–24 kg (depending on configuration) Transport dimensions: system-dependent
Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feetThe Cartoni Lifto 25/S Motorized Elevation Column is specifically engineered for PTZ camera applications, delivering smooth and precise vertical movement designed for broadcast environments. It enhances traditional pan, tilt and zoom control by adding a controlled elevation axis, enabling more dynamic and creative shot composition in live and studio productions. The system is designed for fast deployment and operational reliability. It can be set up within minutes and is operated via a wired hand control unit or optional Bluetooth connection. The controller supports continuous movement across the full height range and includes three programmable preset positions for quick and repeatable camera repositioning during production workflows. With a height range from 60 cm up to 254 cm, the Lifto 25/S provides significant vertical flexibility while maintaining stability. The integrated motorized column operates with extremely low noise and minimal vibration, ensuring on-air suitability. The system supports a maximum payload of 25 kg, making it compatible with a wide range of professional PTZ cameras used in broadcast, live events, education and house of worship environments. The included Smart Deployment Series tripod with Smart-Stop mid-level spreader ensures high torsional rigidity and stability. The modular design allows for system expansion, including conversion to Twin or Pro configurations via additional components. Optional accessories such as a dolly or transport case further extend mobility and usability in different production scenarios. Features Cartoni Lifto 25/S • Motorized elevation column designed for PTZ cameras • Broadcast-quality vertical camera movement • Extremely silent motor operation • Smooth and vibration-free elevation movement • Height range from 60 cm to 254 cm • Maximum payload capacity of 25 kg • Wired remote control unit included • Optional Bluetooth control capability • Three programmable position presets • Continuous motion across full height range • Smart Deployment Series tripod included • Smart-Stop mid-level spreader for stability • High torsional rigidity construction • Safe release camera attachment system • Camera safety ring integration • XLR connector interface • Compatible with additional column upgrades • Convertible to Twin and Pro configurations • Optional dolly support for studio mobility • Compact transport case available as accessory Technical Specifications • Maximum payload: 25 kg / 55 lbs • Minimum height: 60 cm / 23.6 in • Maximum height: 254 cm / 100 in • Maximum height on feet: 240 cm / 94.5 in • Maximum height on dolly: 254 cm / 100 in • Weight: 11.8 kg / 26.0 lbs • Material: Aluminum • Column stroke: 660 mm / 25.98 in • Elevation speed: 38 mm/s • Footprint diameter (min height): 1306 mm / 51.4 in • Input voltage: 24 V • Power supply: 100–240 V, 50/60 Hz • Maximum current consumption: 9 A • Operational temperature: -10°C to +40°C • Control interface: Wired hand controller • Optional control: Bluetooth remote • Camera mounting: Safe release camera plate • Connector type: XLR Dimensions and Weight Height range: 60 cm to 254 cm Storage dimensions: approx. Ø 276 x 861 mm Weight: 11.8 kg
The Cartoni JIBO is a compact, encoded 3-section jib system engineered for productions that require mobility, speed, and precise motion control. Designed with versatility in mind, it enables operators to achieve dynamic camera moves without the complexity and footprint of traditional jib systems. Its modular three-section design allows for rapid assembly and disassembly, making it an ideal solution for fast-paced environments such as live productions, broadcast setups, and on-location shoots. Whether used in tight studio spaces or outdoor locations, the JIBO adapts quickly to changing production demands. A key differentiator is its integrated encoding system, which makes the JIBO fully compatible with virtual production workflows and remote operation systems. This enables accurate tracking of camera position and movement, allowing seamless integration into augmented reality and virtual studio environments. The jib is engineered for smooth and stable motion, ensuring consistent and repeatable camera moves. Its lightweight construction does not compromise on rigidity, offering a reliable platform for professional camera setups. Combined with Cartoni’s expertise in precision engineering, the e-JibO delivers high-end performance in a highly portable format. Overall, the Cartoni JIBO bridges the gap between traditional jib systems and modern virtual production requirements, offering a cost-effective and future-proof solution for professionals who demand both flexibility and technical precision. Features and Cartoni JIBO • 3-section modular jib design for flexible configurations • Fast assembly and disassembly in under minutes • Integrated encoding system for virtual production workflows • Compatible with AR and VR camera tracking systems • Lightweight construction for easy transport • High rigidity for stable and precise camera movement • Smooth and controlled jib operation • Designed for studio and on-location use • Supports remote head integration • Optimized for live broadcast environments • Compact footprint for tight production spaces • Cost-effective alternative to large jib systems • Professional-grade materials and build quality • Seamless integration with encoded heads • Repeatable and accurate motion control • Suitable for single-operator setups • Reduced setup time compared to traditional jibs • Engineered for reliability in demanding environments Technical Specifications • Jib type: 3-section portable encoded jib • Encoding system: Integrated position encoding • Compatibility: Virtual production and tracking systems • Construction: Lightweight high-strength materials • Assembly: Tool-less or minimal tools required • Operation: Manual or remote-assisted • Mounting: Compatible with professional tripods and pedestals • Payload capacity: Suitable for broadcast and cinema cameras • Sections: Three detachable arm segments • Transport: Compact breakdown for easy logistics • Balance system: Adjustable counterweight configuration • Motion control: Smooth manual operation with encoding feedback • Integration: Works with encoded heads and remote systems • Application: Studio, broadcast, live events, virtual production • Setup time: Optimized for rapid deployment • Stability: High torsional rigidity • Control interface: Dependent on connected remote systems Dimensions, Weights • Number of sections: 3 • Total length: Variable depending on configuration • Transport length: Reduced due to modular design • Weight: Lightweight for single-person handling • Payload: Dependent on configuration and counterbalance setup • Counterweight: Adjustable based on camera package
Portable Elevation and Rock-Solid Stability The Cartoni Ragno Pod is a professional portable tripod riser and operator platform engineered to deliver reliable elevation, stability, and speed on demanding productions. Designed and manufactured by Cartoni, the Ragno Pod elevates your camera setup by over 62 cm, providing a clear, unobstructed viewpoint above crowds, obstacles, or barriers. This makes it an ideal solution for live events, broadcast, sports, houses of worship, news gathering, and performances where visibility and stability are critical. Crafted from aviation-grade aluminum, the Ragno Pod combines lightweight portability with exceptional structural strength. Its wide tripod footpath accommodates all popular professional tripods equipped with floor spreaders or built-in spreaders and rubber feet, ensuring broad compatibility across existing setups. A single adjustable leg allows precise leveling on uneven surfaces, while the patented locking mechanism securely fixes all three legs in position for confident, vibration-free operation. The optional foldable operator platform enhances comfort and control during extended shoots. By keeping the operator platform structurally separate from the tripod base, the Ragno Pod minimizes vibration transfer, resulting in steadier shots even in dynamic environments. Quick to deploy and easy to transport, the Ragno Pod and platform pack neatly into the included padded carrying case, making it a practical choice for mobile crews who need performance without compromise. Features – Cartoni Ragno Pod • Elevates camera systems by 62.9 cm for improved sightlines • Portable tripod riser and operator platform for professional use • Aviation-grade aluminum construction for strength and low weight • Wide footpath compatible with tripods using floor or built-in spreaders • Single adjustable leg for precise leveling on uneven ground • Patented locking mechanism for maximum stability during operation • Optional foldable operator platform with anti-slip surface • Reduced vibration transfer thanks to separated platform design • Fast setup in minutes for efficient on-location workflows Technical Specifications • Maximum payload capacity: 100 kg / 220.46 lbs • Maximum height: 62.9 cm / 24.76 in • Stroke: 220 mm / 8.66 in • Footprint diameter at minimum height: 1343 mm / 52.87 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs Dimensions and Weights • Overall dimensions: 727.5 x 705 x 91 mm / 28.64 x 27.76 x 3.58 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs