The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

  Teradek Bolt 6 XT MAX Set with 10K RX V-MountBolt 6 XT is a wireless video transmission system that supports up to 4K60 10-bit 422 HDR video over 12G-SDI. Bolt 6 uses Teradek’s patented Zero-Delay silicon chip to send wireless video over 5GHz and 6GHz radio frequencies. This kit includes a Bolt 6 XT TX and a Bolt 6 XT 10K RX. Bolt 6 XT 10K RX is a zero-delay video receiver, offering a remarkable wireless range of up to 10,000 feet (3 kilometers). Its enhanced directional antenna is specifically designed for superior RF performance, minimizing interference by focusing signal reception and benefiting from robust internal shielding. Its all-in-one enclosure design not only boosts range and reliability in challenging RF environments, but it also eliminates the hassle of external antenna cables. This results in a much cleaner setup, expediting deployment from its case onto a c-stand. Control your setup with ease using the Bolt App, which simplifies device pairing, allows fine-tuned frequency adjustments, and includes a built-in spectrum analyzer for advanced RF diagnostics. This kit is compatible with additional Bolt 6 and Bolt 4K receivers.Features Complete Bolt Set with Bolt 6 XT TX and 10K RX Up to 10,000ft (3km) range with Zero-DelayUp to 4K30 10-bit 422 HDR Video5GHz and 6GHz Auto or Manual Frequency Selection6GHz is available in the US, EU, Canada, Japan and Australia/New ZealandInputs: 12G-SDI, HDMI 2.0 Outputs: 2x12G-SDI, HDMI 2.0 on Panel Antenna with built-in RX Purchase with Gold or V-Mount Battery Plates Bolt 6GHz HIGHLIGHTS Powered by our BB3 chipset Pairs with up to 6 receivers, or unlimited receivers when used in Broadcast mode with the MAX models 12 new 40MHz wide channels from 5.925 to 6.425GHz Enhanced long-range image quality feature New SDI pattern tool to monitor SDI signal quality Universal compatibility with all Bolt 6 and Bolt 4K Series Ultra fast pairing and intuitive setup with Bolt Manager App AES-256 encryption and RSA 1024 key pairing prevents unauthorized access   Technical Specs Range: 10,000ft/ 3km LOS Video Inputs: 1x 12G-SDI SMPTE 2082-1 standard/75 Ω, 1x HDMI 2.0 Type-A receptacle* 1x Loop-out 12G-SDI on TransmitterVideo Outputs @ RX: 2x 12G-SDI SMPTE 2082-1 standard/75 Ω, 1x HDMI 2.0 Type-A receptacleDelay: <0.001sec Video Compression: visually losslessPower Input: 2-pin Connector 10-28 VDC Power Consuption: TX: 18 Watts; RX: 18 WattsRF Channel Selection: Auto, Manual (Manual available for Non-DFS Channels)Configuration Interface: OSD with Menu Joystick Navigation Desktop App (Bolt Manager for OSX & Windows), Bolt APP Support Resolutions:  4Kp23.98/24/25/29.97/30/50/59.94/60 1080p 23.98/24/25/29.97/30/50/59.94/60 1080psf23.98/24/25/29.97/30 1080i50/59.94/60 720p50/59.94/60 480p59.94/576p50 480i(NTSC)/576i(PAL) Wireless Non-DFS Frequencies: 5.190 ~ 5.230 GHz 5.755 ~ 5.795 GHz 5.945 ~ 6.425 GHz Wireless DFS Frequencies: 5.270 ~ 5.670 GHz  What's In The Box? 1 x Bolt 6 XT 10,000ft TX with V-Mount Plates1 x Antenna Array with built-in Bolt 6 XT 10K RX with V-Mount1x Hot Shoe Adapter1 x 2pin Conn. to PowerTap - 18in/46cm Cable1x 2pin Conn. to 2pin Conn 18in/46cm Cable 2 x SDI 12G BNC to BNC 18in/46cm Cable 1 x Teradek Case XL - Bolt XT TX/4RX 1 x PSU 2pin Conn. to 30W AC Adapter (Int) - 6ft Cable 4 x Antenna 2dBi Rigid V 4.9-7.3Ghz RP-SMA (TX)2x 6G Flexible H Antenna "Mushroom" (2dBi 4.9-7.3Ghz RP-SMA) 1 x USB 2.0 Type A Male to USB Type C Male - 1m Cable 1 x Wooden Camera - Universal Ultra Arm Monitor Mount (Combo 1/4-20 & 3/8-16, 5") 4x Bolt 6 XT TX Color Bands (Red, Blue, Yellow, Green)    

  Bolt 6 XT 10K RX is a zero-delay video receiver, offering a remarkable wireless range of up to 10,000 feet (3 kilometers) over 5 or 6GHz frequencies. Fully compatible with both Bolt 6 and Bolt 4K transmitters, it integrates seamlessly into any existing Bolt 4K or Bolt 6 system. Delivering visually lossless 4K60 4:2:2 video via two 12G-SDI outputs, the Bolt 6 XT 10K RX ensures professional-grade image quality. Its enhanced directional antenna is specifically designed for superior RF performance, minimizing interference by focusing signal reception and benefiting from robust internal shielding. Its all-in-one enclosure design not only boosts range and reliability in challenging RF environments but it also eliminates the hassle of external antenna cables. This results in a much cleaner setup, expediting deployment from its case onto a c-stand. Control your setup with ease using the Bolt App, which simplifies device pairing, allows fine-tuned frequency adjustments, and includes a built-in spectrum analyzer for advanced RF diagnostics. Features Super long range (10,000ft/3km) receiver for Bolt 4K and Bolt 6Supports up to 4K60 10-bit 4:2:2 HDRFully integrated, directional panel antennaBuilt-in Gold or V-Mount battery plate2x 12G-SDI and 1x HDMI outputsLCD Display and Joystick Technical SpecsRange: 10,000ft/ 3km LOSDelay: <0.001secVideo Compression: visually lossless Support Resolutions:  4Kp23.98/24/25/29.97/30/50/59.94/60 1080p 23.98/24/25/29.97/30/50/59.94/60 1080psf23.98/24/25/29.97/30 1080i50/59.94/60 720p50/59.94/60 480p59.94/576p50 480i(NTSC)/576i(PAL) Wireless Non-DFS Frequencies: 5.190 ~ 5.230 GHz 5.755 ~ 5.795 GHz 5.945 ~ 6.425 GHz Wireless DFS Frequencies: 5.270 ~ 5.670 GHz  Fully compatible with both Bolt 6 and Bolt 4K transmitters, it integrates seamlessly into any existing Bolt 4K or Bolt 6 system. What's In The Box?  1 x Antenna Array with built-in  Bolt 6 XT 10K RX with V-Mount Plate 1 x PSU 2pin Conn. to 30W AC Adapter (Int) - 6ft Cable1 x USB 2.0 Type A Male to USB Type C Male - 1m Cable  

Ultra-Reliable Long-Range Wireless Video The SWIT Crew System is a new generation of professional wireless video transmission solutions designed for filmmakers, broadcasters, and live production teams. Powered by the advanced KUWI 2.0 Pro chipset, it ensures maximum stability, long-range performance, and ultra-low latency. Operating in the 5.1–5.9 GHz DFS-compliant frequency band with proprietary anti-interference RF technology, the system automatically scans and selects the optimal channel, providing robust performance even in crowded environments. With latency as low as 32 ms, visual lossless H.265 encoding up to 26.8 Mbps, and support for 3G-SDI, HDMI® and USB-C capture, the Crew System delivers reliable high-quality HD video for PC and Mac workflows. It supports 1T→4R multicast, ensuring one transmitter can seamlessly feed multiple receivers without signal loss. Embedded metadata and timecode trigger transmission, combined with AES-256 dual encryption protection, guarantee both professional workflow integration and maximum security. Each unit features a high-bright OLED display for intuitive configuration, while multiple power supply options (NP-F, V-Mount, 2-pin LEMO, USB-C) make the system highly versatile. The Crew family consists of four models—Crew, Crew V, Crew Max, and Crew V-Max—tailored to different on-set needs while remaining fully cross-compatible.Designed for Professional Film and Broadcast Work The SWIT Crew System is designed for professional film and broadcast environments, providing reliable wireless video transmission for every stage of production. It ensures that directors, camera assistants, DITs, and other crew members can monitor high-quality video feeds with minimal latency, even in complex shooting scenarios. Whether used on feature films, commercials, live events, or studio productions, the Crew System delivers consistent performance across multiple receivers simultaneously, thanks to its advanced multicast capabilities. Its robust anti-interference RF technology and long-range transmission make it ideal for both indoor and outdoor sets, allowing crews to maintain clear, uninterrupted communication and real-time decision-making. By combining flexibility, ultra-low latency, and professional-grade encryption, the SWIT Crew System enhances collaboration on set and ensures that every member of the production team has access to the same high-quality video signal at all times. SWIT Crew Versions • CrewThe base model Crew offers a compact form factor with NP-F battery support and 1.2 km / 4 000 ft line-of-sight transmission distance. Ideal for mobile productions and lightweight camera setups. • Crew V The Crew V includes the same transmission performance as the Crew but adds a dual-sided V-Mount design, allowing direct installation on V-Mount powered cameras and rigs with passthrough power. • Crew Max The Crew Max extends the range to 3 km / 10 000 ft line-of-sight with a built-in high-gain panel antenna on the receiver, combining NP-F power on the transmitter with V-Mount on the receiver for maximum flexibility. • Crew V-Max The flagship Crew V-Max combines 3 km range with dual-sided V-Mount transmitter and receiver design, making it the most powerful choice for demanding professional workflows and large-scale productions. Features – SWIT Crew System KUWI 2.0 Pro wireless technology (not Wi-Fi) Proprietary anti-interference RF system 5.1–5.9 GHz license-free DFS compliant Auto scan and channel selection 3G-SDI, HDMI® and USB-C HD video output H.265 codec up to 26.8 Mbps, visual lossless Consistent ultra-low 32 ms latency 1T→4R multicast capability Metadata and timecode trigger transmission High-bright OLED display for setup and monitoring AES-256 dual encryption protection Flexible power options: NP-F, V-Mount, 2-pin LEMO, USB-CTechnical Specifications – SWIT Crew System Transmission Distance: up to 3 km / 10 000 ft (depending on model) Video Interfaces: 3G-SDI, HDMI®, USB-C capture for PC/Mac Codec: H.265 up to 26.8 Mbps Latency: ~32 ms Multicast: 1T→4R Frequency: 5.1–5.9 GHz, DFS compliant RF Technology: KUWI 2.0 Pro with proprietary anti-interference Encryption: AES-256 dual encryptionBrochure DownloadDownload the Crew Brochure here

The Chrosziel Top-Plate for the Sony ILME-FX6 is a precision-engineered U-shaped mounting plate that slides over the camera’s handle and secures with four screws. It provides versatile mounting options for accessories such as monitors, microphones, lights, or 15mm rods. Key Features Versatile Mounting Options: Equipped with multiple 1/4"-20 and 3/8"-16 threaded holes on the top and bottom for secure attachment of accessories. Sony Tape Measure Pin Compatibility: Allows mounting of the Sony Tape Measure Pin on either side of the top-plate. Cable Clamp Mounting Points: Six attachment points for Sony cable clamps ensure neat cable management. Handle Remains Mounted: The original FX6 top handle can stay in place after mounting the top-plate, which is particularly useful when using gimbals. Technical Specifications Material: High-quality aluminum for durability and light weight Weight: 145 g Mounting: Secured with four included screws Compatibility: Specifically designed for the Sony ILME-FX6

The Chrosziel Kit for the Sony ILME-FX6 provides a complete professional camera rig solution, combining ergonomic support, modularity, and versatile mounting options. It includes the Light Weight Support (LWS) with integrated shoulder pad, Top Plate, Handgrip Extender, and Rear Rods, offering a fully customizable setup for handheld, gimbal, or tripod-based shooting. Key Features Light Weight Support (LWS): Includes an integrated shoulder pad, two Hirth rosettes, V-Lock plate, and the 401-FS7/5-03 tripod adapter for stable and comfortable shooting. Top Plate: Equipped with integrated 1/4" and 3/8" mounting points for monitors, lights, microphones, or other accessories. Handgrip Extender: Features a bayonet lock, extendable from 175 mm to 250 mm. Comes with a 300 mm extension cable, Hirth-Rosette, and screws for secure attachment. Rear Rod Clamp: Compatible with the Light Weight Support, includes two 15 mm rods (205 mm) for follow-focus systems, matte boxes, or other 15 mm rod accessories. Technical Specifications Material: High-quality aluminum for durability and light weight Components Included: Light Weight Support with integrated shoulder pad, 2 rosettes, V-Lock plate, tripod adapter Top Plate with integrated 1/4" and 3/8" mounting points Handgrip Extender with bayonet lock, extension cable (300 mm), Hirth-Rosette with screws Rear Rod Clamp with two 15 mm rods (205 mm) Compatibility: Sony ILME-FX6

Discover our most advanced 4K display technology to date. Designed for critical on-set monitoring applications, Quantum 32 utilizes Nobel Prize winning quantum dot nanoparticles in a unique OLED panel design that directly emits narrow spectrum RGB light evenly in all directions, provides uniform luminance up to 1000nits, and extends color gamut coverage to over 80% of BT.2020, enabling pristine images with exceptionally wide color volume and viewing angle.Quantum 32 boasts a resolution of 3840 x 2160 (UHD), 10-Bit color processing, 1,500,000:1 contrast ratio, four 12G/6G/3G/HD-SDI inputs and outputs, and much more. The Unibody Smart Chassis offers multiple, interchangeable mounting points, DC power IN and 2-pin power OUT, 100mm VESA Mount, Dovetail mounting rail for batteries and other accessories, and new WiFi support. Quantum 32 ships ready for color-critical studio and broadcast desktop use and includes optional top handle and cheese plate inserts for mobile field production configurations.Quantum 32 features a new, more powerful central processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system. PageOS is an intuitive and highly customizable page-based monitoring interface with extensive tools for video engineering workflows, and numerous third-party software integrations. Features of Quantum  32 True Reference Quantum Dot OLED with 1000nits brightnessScreen Size: 31.5” Quantum Dot OLED DisplayInput/Output: 4x 12G/6G/3G/HD-SDI Resolution: 3840 x 2160 (UHD) Brightness: Up to 1000nits Color: 98% DCI-P3/80% Rec.2020 Contrast Ratio: 1,500,000:1 Bit Depth: 10-Bit  Technical Specifications Panel: Quantum Dot OLEDDiagonal Size: 31.5"Resolution: 3840 x 2160Max. Brightness: up to 1000NitsViewing Angle: 180 degreeBacklight Type: QD-OLEDIn-/Output BNC: YCC 4:2:2 @ 10bits up to DCI-4Kp30In-/Output HDMI: YCC 4:2:2 @ 12bit, RGB & YCC 4:4:4 @ 8bits up to DCI-4Kp60Power Input:1x 3pin XLR (142W max, 25V-34V, 12A max)Power Output: 2x 2pin (12V / 2A combined), 1x USB-A (2.4A) Front, 1x USB-A (1.5A) Rear, 1x USB-C (5V / 1.5A) RearConsumption: 186w (monitor only) 267w (w/max access. power draw)Power-in: 1x 3pin XLR (321W max, 27V-34V, 12A-9.4A)1x Dual-GM/VM Battery Plate (26V) sold seperatelyPower-out:2x 2pin (12V/2A combined)2x USB (5V/2.4A) (Front/Rear)1x USB-C (5V/1.5A)Data I/O:1x SD Card Slot1x RJ45 Ethernet1x RJ45 GPI1x WiFi antenna port Dimensions & WeightDimensions (HxWxL): 77,3 x 49,5 x 7,0 cmWeight: 12,6Kg Included in the Package Quantum 32 MonitorPower Supply Unit (#17-3044)32 Transport Screen Protector (#17-1072)Combination Cheese Stick (3/8 & 1/4-20)1/4-20 Cheese StickFeet x2Handle

***PRE-ORDER NOW*** Quantum 27 utilizes Nobel Prize-winning quantum dot nanoparticles in a unique OLED panel design that directly emits narrow-spectrum RGB light evenly in all directions, providing peak luminance of up to 1000 nits and extending color gamut coverage to over 99% of DCI-P3, offering pristine images with an exceptionally wide color volume and viewing angle. Quantum 27 boasts a resolution of 3840 x 2160 (UHD), 10-bit color processing, 1,500,000:1 contrast ratio, four 12G/6G/3G/HD-SDI inputs and outputs. The Unibody Smart Chassis offers multiple interchangeable mounting points, DC power input and 2-pin power output, 100mm VESA Mount, Dovetail mounting rail for batteries and other accessories, and new built-in WiFi support for wireless remote monitor control. Quantum 27 ships ready for color-critical studio and broadcast desktop use and includes optional top handle and cheese plate inserts for on-set mobility and accessory attachments. Quantum 27 features a new, more powerful central processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system. PageOS is an intuitive and highly customizable page-based monitoring interface with extensive tools for video engineering workflows, and numerous third-party software integrations. The Quantum 27 also includes haptic dial control functionality, making it even easier to control and navigate PageOS. These tactile dials offer touch-activated illumination to identify programmed functions with long-push, short-push, rotary, and capacitive-touch features, letting you change different tools, settings, and functions on the fly and giving you more ways than ever to customize your workflow. Features of Quantum  27 True Reference Quantum Dot OLED with 1000nits brightnessScreen Size: 26.5” Quantum Dot OLED DisplayInput/Output: 4x 12G/6G/3G/HD-SDI Resolution: 3840 x 2160 (UHD) Brightness: Up to 1000nits Color: 99% DCI-P3/80% Rec.2020 Contrast Ratio: 1,500,000:1 Bit Depth: 10-Bit  Technical Specifications Panel: Quantum Dot OLEDDiagonal Size: 26.5"Resolution: 3840 x 2160Max. Brightness: up to 1000NitsViewing Angle: 180 degreeBacklight Type: QD-OLEDIn-/Output BNC: YCC 4:2:2 @ 10bits up to DCI-4Kp30In-/Output HDMI: YCC 4:2:2 @ 12bit, RGB & YCC 4:4:4 @ 8bits up to DCI-4Kp60Power Input:1x 3pin XLR (142W max, 25V-34V, 12A max)Power Output: 2x 2pin (12V / 2A combined), 1x USB-A (2.4A) Front, 1x USB-A (1.5A) Rear, 1x USB-C (5V / 1.5A) RearConsumption: 186w (monitor only) 267w (w/max access. power draw)Power-in: 1x 3pin XLR (321W max, 27V-34V, 12A-9.4A)1x Dual-GM/VM Battery Plate (26V) sold seperatelyPower-out:2x 2pin (12V/2A combined)2x USB (5V/2.4A) (Front/Rear)1x USB-C (5V/1.5A)Data I/O:1x SD Card Slot1x RJ45 Ethernet1x RJ45 GPI1x WiFi antenna port Dimensions & WeightDimensionsHxWxL): 66,8 x 43,3 x 3,5 cmWeight: 9,6Kg Included in the Package TBA

Unleashing the Power of Slo-Motion* COMING SOON * Unlock a new era of cinematic slow motion with the Pixboom Spark, a cutting edge high speed camera designed with creators in mind. Engineered for uncompromising performance, the Spark captures breathtaking footage at up to 1000 frames per second in 4K and an impressive 1800 frames per second in 2K, empowering filmmakers to explore moments previously invisible to the eye. At its core lies a Super 35mm BSI (backside illuminated) global shutter sensor that delivers stunning image quality with virtually no motion distortion and exceptional low light performance. Whether you are shooting fast paced action or artistic slow motion, the Spark ensures every frame is crisp and cinematic. Built for creative freedom, the Spark features unlimited recording time thanks to Pixboom’s custom lossless RAW format (pxbl), giving you full post production flexibility with zero compromise in quality. A prerecording buffer of 2000 frames ensures you never miss the perfect moment. An upcoming firmware update will also add ProRes support for even greater workflow compatibility. Footage is stored on exchangeable onboard SSD media with up to 2.4 terabytes capacity and a direct USB C connection. No additional card reader is required. This plug and play design simplifies data handling and saves valuable time on set. The Spark’s durable aluminum housing and active cooling system are engineered for consistent reliability, even in demanding environments. A 3.5 inch high brightness touchscreen provides intuitive camera control, while Wi Fi connectivity and a dedicated mobile app allow remote operation. External monitoring is supported via 12G SDI and HDMI 2.0 outputs, both capable of up to 4K at 60 frames per second. Perfect for Aerial Cinematography Thanks to its compact and lightweight design combined with a global shutter sensor, the Pixboom Spark is ideal for drone based cinematography. Whether you are capturing high speed sports, wildlife, or overhead perspectives, the Spark delivers stable and artifact free imagery, even during fast movement or vibrations. Its low weight also makes it easier to stay within drone payload limits, offering more flexibility and extended flight times. What truly sets the Pixboom Spark apart is its community driven development. Created in collaboration with filmmakers, VFX professionals, and content creators, the Spark embodies a new standard of camera design that puts real world needs first. Technical Highlights • High frame rates  • 1000 fps at 4K resolution  • 1800 fps at 2K resolution • Sensor: Super 35mm BSI (backside illuminated) • Shutter: Global shutter, free of motion artifacts • Display: 3.5 inch high brightness touchscreen • Recording format: Pixboom lossless RAW (pxbl), future ProRes support • Pre recording buffer: Up to 2000 frames • Storage  • Exchangeable internal SSD  • USB C direct connection, no external reader needed  • Up to 2.4 terabytes capacity • Monitoring outputs  • 12G SDI up to 4K 60p  • HDMI 2.0 • Anamorphic support  • Custom resolutions  • De squeeze preview option • Build quality  • Machined aluminum housing  • Active cooling system • Remote operation via Wi Fi and mobile app

Streamlined Power Distribution and Mounting Flexibility The D-Box™ System for Blackmagic URSA Cine 12K/17K offers professional users a compact and robust solution for powering essential on-board accessories while enhancing mounting options. Designed specifically for use with 26V Gold Mount Plus batteries, this power distribution system integrates seamlessly into your URSA Cine camera build. With the included Wedge mount, the D-Box attaches directly to the camera's rear, positioning the battery perpendicular for improved balance and accessibility. Integrated Connectivity for Demanding Setups Equipped with a comprehensive set of power outputs, the D-Box features two 12V 2-pin connectors (5.8A shared), two 3-pin 24V outputs (3.8A shared), and two D-Tap ports—offering everything you need to run monitors, wireless systems, and other accessories simultaneously. The system supports hot-swappable power when paired with an 8-pin DC-In via a compatible power cable, ensuring continuous operation during battery swaps. An internal Molex connector enables a clean and secure connection to the camera's power input. Engineered for the URSA Cine Ecosystem The custom-designed Wedge component aligns perfectly with the URSA Cine’s body, ensuring a snug and secure mount. It also provides additional ¼”-20 and ⅜”-16 mounting points on top for attaching more accessories without cluttering your rig. The D-Box includes a built-in self-resetting electronic fuse for added protection and peace of mind during demanding shoots. This is the ultimate power hub for users who require reliability, performance, and versatility on set. Features – D-Box™ System for Blackmagic URSA Cine 12K/17K Power distribution system optimized for URSA Cine 12K/17K Compatible with 26V Gold Mount Plus batteries (e.g. Anton Bauer) Two 12V 2-pin, two 24V 3-pin, and two D-Tap outputs Supports hot-swapping with 8-pin DC-In input Integrated Molex connector for direct camera connection Self-resetting electronic fuse built into the plate Perpendicular battery placement for balanced rigging Additional ¼”-20 and ⅜”-16 accessory mounting points Technical Specifications Voltage Outputs: 2x 12V (2-pin), 2x 24V (3-pin), 2x D-Tap Max 12V Output: 5.8A (shared) Max 24V Output: 3.8A (shared) Compatible with 26V Gold Mount Plus batteries Input via 8-pin DC-In for hot-swappable power Back-plate Molex connection to camera Self-resetting fuse protection Custom wedge mount for URSA Cine Dimensions & Weight Weight: 603.3 g / 1.33 lbs Dimensions: 156 x 127.6 x 41.1 mm Material: CNC-machined aluminum Finish: Black anodized In the Box 1x D-Box™ Gold Mount Plus for Blackmagic URSA Cine 12K/17K 1x Wedge for Blackmagic URSA Cine 12K/17K

Essential Rigging for Cinematic Precision The Core Accessory System for Blackmagic URSA Cine 12K/17K provides filmmakers with a reliable, professional-grade foundation for building out their camera systems. Designed to deliver essential connectivity and mounting capabilities, this streamlined kit enhances the native functionality of the URSA Cine while keeping weight and complexity to a minimum. Whether you're building for tripod, handheld, or Steadicam operation, this system supports efficient workflow transitions without obstructing airflow or ports. Top Plate with Expandability in Mind At the heart of the system is a precisely engineered Top Plate that fastens securely to the camera using three ¼"-20 screws along the top centerline. The plate is designed with airflow in mind and includes a removable 15mm Dual Rod Clamp at the front, perfect for mounting an EVF or third-party accessories. The Top Plate is fully compatible with the stock Blackmagic URSA handle, making it a seamless upgrade. Ready for Cinema-Standard Workflows The Core System also includes a Riser Plate and ARCA Base Plate, positioning the camera at ARRI Standard height. This ensures compatibility with traditional bridge plates and other professional-grade accessories. The ARCA Base enables rapid mounting and unmounting from tripods, shoulder rigs, or gimbals using Wooden Camera ARCA ecosystem components, making it an ideal setup for production teams that require flexibility and speed. Features – Core Accessory System for Blackmagic URSA Cine 12K/17K Essential three-piece rigging kit for URSA Cine 12K/17K Maintains ARRI Standard height for universal accessory compatibility Top Plate supports airflow and includes 15mm Dual Rod Clamp Compatible with the original Blackmagic URSA handle Built-in ARCA Base Plate for fast transitions across support systems Lightweight and durable aluminum alloy construction Designed for efficient heat dissipation and unobstructed port access Technical Specifications ARCA-compatible base plate with quick release support 15mm Dual Rod Clamp (removable, front-mounted) Three-point ¼”-20 Top Plate attachment Optimized top plate layout for cooling and expandability Compatible with industry-standard cinema accessories Precision CNC-machined components Lightweight design optimized for mobile and tripod workflows Dimensions & Weight Weight: 1007 g / 2.22 lbs Dimensions: 161 x 135 x 96 mm Material: CNC-machined aluminum Finish: Black anodized In the Box 1x Riser Plate for Blackmagic URSA Cine 12K/17K 1x ARCA Base Plate 1x Top Plate for Blackmagic URSA Cine 12K/17K

Professional Rigging Made Easy The Elite Accessory System for Blackmagic URSA Cine 12K/17K is engineered to provide filmmakers with a high-performance, modular rigging solution that maintains the camera’s original ergonomics while enhancing its versatility. Designed specifically for the URSA Cine line, this accessory set enables efficient camera builds without blocking ports or compromising airflow — ideal for demanding production environments. Cinematic Workflow Optimization The system begins with a precisely machined Riser Plate and ARCA Base Plate that align the camera to ARRI Standard height, ensuring compatibility with common cinema accessories. The open design of the Riser Plate promotes proper heat dissipation, while the built-in ARCA mechanism allows fast switching between tripod, shoulder, or Steadicam setups. Expandable and Ergonomic A lightweight yet robust Top Plate attaches via three ¼"-20 mounting points, offering enhanced airflow and mounting flexibility. It includes a removable 15mm Dual Rod Clamp and rear extension, making it easy to connect EVFs, monitors, or other critical accessories. The included Ultra Handle offers a secure grip and even more mounting options, rounding out a system built for performance and adaptability on set. Features – Elite Accessory System for Blackmagic URSA Cine 12K/17K Modular rig designed specifically for the Blackmagic URSA Cine 12K/17K Maintains ARRI Standard height for compatibility with industry-standard bridge plates Integrated ARCA system for quick workflow transitions Riser Plate and ARCA Base Plate allow for optimized airflow Top Plate with multiple mounting points and rod clamp support Removable rear extension on the Top Plate for added connectivity Compatible with the original Blackmagic URSA handle Ultra Handle provides secure grip and additional mounting surfaces Technical Specifications ARCA-compatible base plate system 15mm Dual Rod Clamp (removable, front-mounted) Three ¼”-20 mounting screws for secure top plate attachment Rear extension block with threaded mounting points Compatible with Wooden Camera accessories Lightweight aluminum alloy construction Optimized for thermal management and cable access Dimensions & Weight Weight: 1579 g / 3.48 lbs Dimensions: 161 x 135 x 96 mm Material: Precision-machined aluminum Color: Black anodized finish In the Box 1x Riser Plate for Blackmagic URSA Cine 12K/17K 1x ARCA Base Plate 1x Top Plate for Blackmagic URSA Cine 12K/17K 1x Top Plate Extension Block 1x Top Plate Dual Rod Clamp – Front 1x Ultra Handle (3/8"-16) Standard Kit

Compact Powerhouse for High-End Cinematic ProductionsThe Sony VENICE 2 Extension System Mini CBK-3621XS is a revolutionary addition to the Sony VENICE 2 ecosystem, designed for filmmakers who require maximum flexibility without compromising image quality. This ultra-compact extension system integrates seamlessly with the VENICE 2 8K and 6K models, allowing for versatile camera configurations in confined spaces or complex rig setups. Weighing just 0.54 kg (1.2 lbs) with an E-mount and 1.05 kg (2.3 lbs) with a PL mount adapter, the Extension System Mini is approximately 70% smaller than the existing VENICE Extension System 2. Despite its reduced size, it maintains the same high-performance image quality, making it ideal for handheld, gimbal, and POV shooting, as well as Steadicam, VR, and stereoscopic applications.A key feature of the system is its innovative drop-in ND cartridge system, which includes nine high-quality glass Neutral Density filters, ensuring precise exposure control in various lighting conditions. Additionally, the system introduces an improved, detachable 4.5m (14.8 ft) connection cable that is 3.3mm thinner than its predecessor, allowing for easier rigging and more flexible camera placement. For extended setups, an optional 12m (39.4 ft) cable is also available. These features enable filmmakers to achieve dynamic and immersive shots while maintaining the renowned cinematic quality of the VENICE 2.Beyond its compact design, the VENICE 2 Extension System Mini opens new creative possibilities, particularly in immersive media production. With an E-mount configuration, two units placed side by side replicate the human interpupillary distance of 64mm (2.5 in), making it a valuable tool for stereoscopic imaging and VR content creation. Its lightweight build and modularity also make it an excellent choice for Steadicam applications, where precise movement and weight balance are critical. Whether used for traditional filmmaking, virtual production, aerial cinematography, or experimental visual storytelling, the Sony VENICE 2 Extension System Mini sets a new standard for compact, high-end cinema capture.Features – Sony VENICE 2 Extension System MiniUltra-Compact Design: 70% smaller than the VENICE Extension System 2, perfect for handheld, gimbal, and tight-space shooting.8.6K Full-Frame CMOS Sensor: Delivers the same exceptional image quality as the VENICE 2 in a compact form.Detachable, Thin Connection Cable: 4.5m (14.8 ft) standard cable, with an optional 12m (39.4 ft) version available.Drop-In ND Filter System: Includes nine ND filters (clear to 2.4) for optimal exposure control.PL Mount Adapter Support: Enables compatibility with a wide range of professional cine lenses.Stereoscopic & VR Capabilities: Sensor spacing aligns with human interpupillary distance for immersive content creation.Steadicam Optimized: Lightweight and modular for stabilized camera operation.Integrated Mounting Points: 15 mounting holes for versatile rigging options.Durable & Lightweight: Robust build with dust, moisture, and shock resistance for professional use.Technical SpecificationsSensor Compatibility: VENICE 2 8K and Venice 2 6K (8K capture requires firmware update for 6K model)Filter System: 9-stage drop-in ND filter (Clear, 0.3-2.4)Cable Options: 4.5m (14.8 ft) standard, 12m (39.4 ft) optionalMount Options: E-mount and PL mount adapterGyro Sensor: Integrated for real-time tilt and positioning dataMetadata Support: Cooke/i Lens Metadata through PL mount adapterDimensions & WeightDimensions: 63.9 × 103.2 × 60.2 mm (2.5 × 4.06 × 2.37 in)Weight: 0.54 kg (1.2 lbs) with E-mount, 1.05 kg (2.3 lbs) with PL mount adapterIn the BoxSony VENICE 2 Extension System Mini Head Unit4.5m (14.8 ft) Detachable CablePL Mount AdapterDrop-In ND Filter Set (Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4)Mounting HardwareUser ManualAvailabilityPlanned to be released by August 2025 (TBD)

The SWIT K21 21.5" FHD 1500nit Field Monitor is a professional-grade monitoring solution designed to meet the demands of today’s dynamic field production environments. Equipped with a large 21.5-inch Full HD IPS panel and an ultra-bright 1500nit backlight, the K21 ensures excellent visibility even in direct sunlight. This makes it a perfect choice for outdoor shoots, live productions, or on-location work where clear image monitoring is crucial. The robust all-metal housing with reinforced rubber corner guards and a quick-release screen protector ensures the monitor is ready for challenging environments without compromising image clarity or usability. At the heart of the K21 is SWIT’s intuitive Scene OS, which allows users to build up to 8 customizable “Scenes,” each with 8 shortcut tools. These can include waveform, vector scope, peaking, false color, zebras, and more, enabling instant access to essential tools and functions during shooting. The K21 supports advanced video and audio analysis tools, anamorphic de-squeeze (up to 2x), and delog/HDR LUTs from major camera manufacturers like ARRI, RED, Sony, and Canon. You can also load up to 10 custom 3D LUTs via USB-A for personalized color workflows. Calibration is fast and precise thanks to SWIT’s support for X-Rite’s i1Display Pro HL probe via the monitor’s USB-C port—no PC connection required. The K21 also delivers versatile power and mounting solutions: AC input, 4-pin XLR, or V-mount battery power, plus interchangeable cheese plates and a VESA-to-C-stand adaptor for flexible mounting. Whether mounted in a flight case for a director’s monitor or set up on a light stand, the K21 is a rugged, reliable, and color-accurate field monitor tailored for professional cinematographers and production crews. Features – SWIT K21 21.5" FHD 1500nit Field Monitor 21.5" 1920×1080 Full HD IPS display 1500nits high brightness, sunlight-readable Rugged aluminum housing with rubber corner protection Quick-release screen protective glass Scene OS with up to 8 customizable pages and shortcuts Built-in waveform, vectorscope, histogram HDR and SDR monitoring with camera log LUTs Up to 10 user 3D LUTs uploadable via USB-A Auto 3D LUT calibration via USB-C (X-Rite i1Display Pro HL) Anamorphic de-squeeze (1.33x to 2x) Custom false color and zebra settings Focus assist, peaking, safe area markers Custom aspect ratio overlays 2K/3G/HD/SD-SDI and 4K HDMI 1.4 input SDI audio meters and timecode display AC, 4-pin XLR, and V-mount battery power support Dual interchangeable cheese plates for accessories C-stand VESA adaptor included Optional flight case version available Firmware updates via USB Intuitive menu and button interface Technical Specifications – SWIT K21 Display: 21.5-inch IPS, 1920×1080 resolution Brightness: 1500nits Color Processing: 10-bit Video Inputs: 2× 3G-SDI, 1× 4K HDMI 1.4 Video Outputs: 2× 3G-SDI loop outputs USB-A: Firmware updates and LUT upload USB-C: Auto calibration with X-Rite i1Display Pro HL Monitoring Tools: Waveform, vector scope, histogram, peaking, focus assist HDR Support: HLG, PQ, SDR Gamma 2.2/2.4/2.6 LUT Support: Built-in and 10× user 3D LUTs (CUBE) Audio Monitoring: SDI audio meter display Power Input: AC 100–240V DC Input: 11–17V 4-pin XLR Battery Mount: Integrated V-mount plate Mounting: VESA, C-stand adaptor, cheese plates Scene OS: 8 scenes with 8 customizable function keys each False Color & Zebra: Fully adjustable thresholds Aspect Ratio Overlays: Customizable Dimensions & Weight Monitor Dimensions (without accessories): approx. 510 × 312 × 48 mm Weight (monitor only): approx. 5.2 kg Weight (with cheese plates and C-stand adaptor): approx. 6.5 kg Flight case version available (dimensions and weight vary) In the Box SWIT K21 21.5" Field Monitor 2× Interchangeable Cheese Plates VESA-to-C-stand Adaptor AC Power Cable Screen Protective Glass (pre-installed) User Manual Optional: Flight Case Kit (K21-FC, if ordered)

The SWIT K15 15.4" FHD 1500nit Field Monitor is engineered for professional filmmakers and production crews who demand exceptional clarity and durability in any shooting environment. Featuring a vibrant 15.4-inch 1920×1200 IPS panel with an impressive 1500 nits brightness, this monitor offers superb visibility even in direct sunlight, making it ideal for outdoor shoots. The near-OLED level high contrast delivers deep blacks and outstanding image detail, ensuring your footage is accurately represented on set. Built to withstand the rigors of field production, the K15 is housed in a robust all-aluminum frame with rubber corner guards and a quick-release protective glass screen. Its compact design with narrow bezels allows for easy handling and transport, perfect for directors, DPs, and focus pullers who require reliable monitoring in tight or challenging locations. The monitor supports flexible mounting options including interchangeable cheese plates and a VESA-to-C-stand adaptor, enhancing usability on any rig or stand. The K15’s advanced Scene OS provides customizable workflows by allowing up to 8 different scenes with individually assignable shortcuts, making tool access faster and more intuitive. Professional video and audio monitoring tools like anamorphic de-squeeze, false color, zebra stripes, waveforms, and focus peaking empower users to achieve precise image control. Seamless 3DLUT calibration using the X-rite CC Display Pro HL probe guarantees color accuracy on every shoot, elevating the K15 to a must-have field monitor for modern production demands. Features – SWIT K15 15.4" FHD 1500nit Field Monitor 15.4-inch 1920×1200 Full HD IPS panel with 10-bit color depth Ultra-bright 1500 nits display for sunlight readability Near OLED-level high contrast with deep black reproduction Durable aluminum housing with rubber corner anti-crash protection Quick release, high-transparency protective glass 2× interchangeable cheese plates for accessory mounting VESA to C-stand mounting adaptor included Supports 2× 3G-SDI inputs and loop outputs 1× 4K HDMI 1.4 input Built-in Scene OS with 8 customizable Scenes and tool shortcuts 10× User-uploadable 3D LUTs via USB-A Automatic 3D LUT calibration with X-rite CC Display Pro HL probe via USB-C Built-in camera manufacturer delog LUTs for ARRI, RED, Sony, Canon, and more Anamorphic lens de-squeeze support (1.33x to 2x) Adjustable false color and zebra exposure tools Waveform, vectorscope, histogram, and audio meters Focus assist, peaking, crosshatch, and safe area markers Timecode display Power input options: AC 100-240V, 4-pin XLR DC 11-17V, and V-mount battery plate Includes a rugged engineering carrying case for transport Technical Specifications Display Size: 15.4 inches Resolution: 1920×1200 pixels (Full HD+) Panel Type: IPS, 10-bit processing Brightness: 1500 nits (sunlight readable) Contrast Ratio: Near OLED-level deep blacks Viewing Angles: Wide IPS angles, >160° Protective Glass: High-transparency, quick-release, screw-mounted Inputs: 2× 3G-SDI, 1× 4K HDMI 1.4 Outputs: 2× 3G-SDI loop-through USB Ports: USB-A for firmware & LUT uploads, USB-C for calibration probe LUT Support: 10 user 3DLUT uploads, built-in camera manufacturer LUTs Calibration: Automatic 3DLUT via X-rite CC Display Pro HL probe Operating System: Scene OS with 8 customizable Scenes Video Tools: False color, adjustable zebras, waveform, vectorscope, histogram Audio Tools: SDI audio meters Aspect Ratio: Customizable guides on 16:9 screen Anamorphic De-squeeze: Supports 1.33x to 2x Power Input: AC 100-240V, DC 11-17V via 4-pin XLR, V-mount battery Mounting: 2× interchangeable cheese plates, VESA-to-C-stand adaptor Dimensions (approx.): See below Weight (approx.): See below Dimensions & Weight Dimensions (W×H×D): Approx. 349 × 228 × 38 mm (13.7 × 9.0 × 1.5 inches) Weight: Approx. 1.7 kg (3.75 lbs) including protective glass and housing In the Box SWIT K15 15.4" FHD 1500nit Field Monitor 2× Interchangeable cheese plates VESA to C-stand mounting adaptor Quick release protective glass (pre-installed) Rugged engineering carrying case Power cables and adapters (AC power, 4-pin XLR power cable) User manual and warranty card

The Sony FR7 PTZ Camera + Sony FE PZ 16-35mm f/4 G Lens Bundle is the ultimate solution for filmmakers and content creators looking to capture cinematic footage from multiple angles in live events, broadcasting, or studio productions. The Sony FR7 PTZ Camera offers a full-frame Exmor R™ CMOS sensor, ensuring exceptional image quality with over 15 stops of dynamic range. Combined with the Sony FE PZ 16-35mm f/4 G Lens, this bundle provides the flexibility of a wide-angle zoom lens with superb clarity, sharpness, and a constant f/4 aperture, making it ideal for capturing everything from expansive landscapes to tight, dynamic shots with smooth focus transitions. The Sony FR7 PTZ Camera opens up new creative possibilities with its remote pan/tilt/zoom controls, perfect for live event productions, broadcasts, and other scenarios requiring seamless remote camera control. Paired with the Sony FE PZ 16-35mm f/4 G Lens, you can achieve stunning wide-angle shots with excellent edge-to-edge resolution and smooth autofocus, all while enjoying the versatility of Sony's E-mount lens system. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera is the first full-frame PTZ camera in Sony's lineup, offering a unique combination of cinematic image quality and remote control functionality. It is designed for versatility, with smooth pan/tilt/zoom operation, making it perfect for both indoor and outdoor events, multi-camera setups, and high-quality live broadcast productions. The Exmor R™ CMOS sensor provides incredible low-light sensitivity and a broad dynamic range, ensuring optimal performance in a variety of lighting conditions. Key Features: Full-frame Exmor R™ CMOS sensor for high-quality image capture. 15+ stops of dynamic range for smooth highlights and shadows. 4K (QFHD) at 120fps for high-frame-rate video and slow-motion capture. Real-time Eye AF & Fast Hybrid AF for accurate subject tracking. Remote pan/tilt/zoom/focus control for smooth operation. Dual media slots supporting CFexpress Type A and SDXC cards. Sony FE PZ 16-35mm f/4 G Lens Overview The Sony FE PZ 16-35mm f/4 G Lens is a wide-to-standard zoom lens with a constant f/4 aperture, making it ideal for low-light environments and providing smooth depth of field for both wide-angle and portrait shots. The G Lens series ensures excellent resolution and sharpness across the entire frame, with minimal chromatic aberration, distortion, and ghosting. With its versatile zoom range and high-quality optics, the 16-35mm f/4 G Lens offers superb performance for filmmakers who require high precision and reliability in varied shooting conditions. Whether you're capturing scenic wide shots or tight close-ups, this lens will deliver outstanding results. Key Features: Focal Length: 16-35mm, ideal for wide-angle to standard shots. Constant f/4 aperture for consistent brightness and depth of field control. Advanced optical design for exceptional sharpness and clarity. Fast autofocus for smooth subject tracking and precision. Dust and moisture-resistant construction for durability in various conditions. Perfect for Live Events and Broadcast Production: This bundle is designed with live event production, broadcasting, and cinema in mind. The Sony FR7 PTZ Camera's remote control capabilities and the Sony FE PZ 16-35mm f/4 G Lens's versatility in focal length give you all the tools you need to cover any situation with exceptional image quality. Whether you're filming a dynamic sports event, a live concert, or a studio production, the combination of these two powerful Sony products ensures smooth, cinematic footage from every angle.

The Sony FR7 PTZ Camera + Sony FE 70-200mm f/2.8 GM OSS Lens Bundle is an ideal combination for those seeking high-performance, remote-controlled PTZ shooting with superior image quality and versatility. The Sony FR7 PTZ Camera delivers full-frame, cinematic visuals, while the Sony FE 70-200mm f/2.8 GM OSS Lens adds an incredible zoom range perfect for capturing distant subjects in high resolution. This bundle is perfect for live events, sports broadcasts, and high-end cinematic productions that require long-range zoom, smooth operation, and premium image quality. Equipped with a 35mm full-frame Exmor R™ CMOS sensor and Sony’s E-mount system, the Sony FR7 offers more than 15 stops of dynamic range, ensuring that every shot is rich in detail, even in challenging lighting conditions. Paired with the Sony FE 70-200mm f/2.8 GM OSS Lens, you get a powerful tool for capturing close-ups from a distance, ideal for sports, concerts, and other fast-paced environments. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera offers cinematic full-frame image quality and the flexibility of remote pan, tilt, zoom, and focus control. Designed for professional filmmakers, broadcasters, and live event producers, the FR7 delivers exceptional 4K video quality (QFHD) at 120fps, allowing for ultra-smooth slow-motion footage. With an advanced Exmor R™ CMOS sensor, the camera provides superior low-light performance and a broad dynamic range for natural-looking highlights and shadows. The Sony FR7 is compatible with Sony’s extensive E-mount lens lineup, allowing for maximum flexibility with lens options, including the Sony FE 70-200mm f/2.8 GM OSS Lens. This camera’s remote-control capabilities make it perfect for situations where the camera cannot be manually operated, such as live broadcasts or multi-camera setups. Key Features: 15+ stops of dynamic range for enhanced highlights and shadows. 4K (QFHD) 120fps for slow-motion and high-resolution video. Real-time Eye AF & Fast Hybrid AF for pinpoint focus on fast-moving subjects. Remote control pan/tilt/zoom/focus with precise, smooth movements. Built-in ND filters for exposure control in changing light conditions. Dual media slots for CFexpress Type A and SDXC cards, offering versatile recording options. Sony FE 70-200mm f/2.8 GM OSS Lens Overview The Sony FE 70-200mm f/2.8 GM OSS Lens is a telephoto zoom lens that combines professional-grade performance with versatility. Its f/2.8 constant aperture allows it to excel in low-light environments, producing beautiful bokeh and crisp detail. Whether shooting close-ups or distant action, the lens provides consistent sharpness and clarity, making it ideal for high-demand productions such as sports, wildlife filming, or live events. With optical image stabilization (OSS), the lens ensures stable shots, even in handheld shooting conditions, and is compatible with the Sony FR7 for smooth zooming and focusing remotely. Key Features: Focal Length: 70-200mm, perfect for telephoto shots. Constant f/2.8 aperture for excellent low-light performance and shallow depth of field. Optical SteadyShot™ (OSS) for smooth handheld shooting. G Master™ lens quality for superior sharpness and beautiful bokeh. Fast, precise autofocus for quick subject tracking. Dust- and moisture-resistant design for rugged shooting conditions. Ideal for Live Event and Broadcast Productions: The Sony FR7 PTZ Camera and Sony FE 70-200mm f/2.8 GM OSS Lens bundle is designed for live event productions, broadcast environments, and multi-camera setups. The FR7’s remote-control PTZ capabilities provide seamless integration with event setups where flexibility and precision are paramount. The Sony FE 70-200mm f/2.8 GM OSS Lens allows operators to capture high-quality shots from a distance, making it the perfect solution for large events or action scenes that require zooming in on subjects without sacrificing image clarity.

The Sony FR7 PTZ Camera + Sony FE 24-70mm f/2.8 GM Lens Bundle is an exceptional combination designed for live event productions, broadcasting, and cinematic workflows that require high performance and flexibility. The FR7 is Sony’s groundbreaking PTZ (Pan-Tilt-Zoom) camera, offering full-frame image quality, cinematic imaging, and remote control capabilities, making it perfect for multi-camera productions in dynamic environments. Paired with the Sony FE 24-70mm f/2.8 GM Lens, this bundle allows for wide to medium telephoto shots with incredible sharpness and bokeh, making it ideal for close-ups and expansive scene compositions. Whether you are capturing a live event, broadcast production, or cinematic content, the Sony FR7 PTZ Camera offers unparalleled flexibility in positioning and zoom control remotely, while the Sony FE 24-70mm f/2.8 GM Lens provides the optical performance required for professional storytelling. Sony FR7 PTZ Camera Overview: The Sony FR7 PTZ Camera brings a new level of flexibility and cinematic image quality for professional content creation. This full-frame PTZ camera delivers outstanding 4K resolution (QFHD) at 120 fps, making it perfect for capturing smooth, detailed slow-motion footage, ideal for live events, sports broadcasts, and more. Featuring a back-illuminated 35mm Full-Frame Exmor R™ CMOS Sensor and Sony’s E-Mount lens system, the FR7 provides more than 15 stops of dynamic range, excellent low-light performance, and beautiful, creamy background bokeh. Optimized for remote control, this camera is perfect for studio and event environments where space is limited or when you need to adjust camera settings without physically moving the camera. The Sony FR7 integrates seamlessly with the Sony RM-IP500 Remote Controller and can store up to 100 camera positions, making it an incredibly flexible choice for multi-camera setups. Key Features: 15+ stops of dynamic range for stunning image quality. 4K (QFHD) 120fps for high-resolution slow-motion shots. Real-time Eye AF & Fast Hybrid AF for flawless autofocus performance. Remote control of Pan, Tilt, Zoom, Focus, and Recording for flexible, hands-free operation. Built-in ND filters with Auto ND mode for consistent exposure. Dual media slots for CFexpress Type A and SDXC cards for efficient recording workflows. Sony FE 24-70mm f/2.8 GM Lens Overview: The Sony FE 24-70mm f/2.8 GM Lens is a professional zoom lens designed for mirrorless full-frame cameras, providing a flexible zoom range and exceptional optical performance. This lens perfectly complements the Sony FR7, delivering outstanding image quality across the entire zoom range. The f/2.8 constant aperture ensures the lens performs brilliantly in low light, creating a smooth background blur (bokeh) to emphasize your subjects and deliver a cinematic look. The lens is renowned for its high resolution and contrast, making it suitable for both wide-angle landscape shots and intimate close-up portraits. Whether capturing a sprawling event scene or focusing on a specific subject, the Sony FE 24-70mm f/2.8 GM Lens ensures exceptional clarity and sharpness. Key Features: Focal Length: 24-70mm, offering versatility for a wide range of scenes. Constant f/2.8 aperture for low-light performance and shallow depth of field. G Master™ optics for exceptional sharpness, resolution, and beautiful bokeh. Nano AR coating to reduce ghosting and flare for clear, high-contrast images. Fast, precise autofocus for quick subject tracking and smooth focus transitions. Ideal for Live Event and Broadcast Productions: The Sony FR7 PTZ Camera with the Sony FE 24-70mm f/2.8 GM Lens is the ultimate solution for live event productions, broadcast, and film. The ability to remotely control pan, tilt, zoom, and focus with precision makes this bundle perfect for capturing dynamic actions, from sports broadcasts to concert performances. The high-quality imaging features ensure that each shot delivers cinematic excellence, making it the perfect choice for productions requiring versatility and top-notch performance.

The Sony FR7 PTZ Camera + Sony 28-135mm f/4 G OSS Lens Bundle offers the ideal combination for filmmakers and content creators who need a powerful, versatile, and remote-controlled camera system. The Sony FR7 PTZ Camera delivers cinematic-quality footage with its full-frame Exmor R™ CMOS sensor, boasting over 15 stops of dynamic range, and 4K (QFHD) video at 120fps. This is paired perfectly with the Sony 28-135mm f/4 G OSS Lens, a high-performance lens designed for video professionals. The lens offers a constant f/4 aperture, making it ideal for shooting in varying lighting conditions, while its optical steady shot (OSS) ensures smooth footage even during handheld or remote zooming. The Sony FR7 PTZ Camera provides flexibility with its remote pan/tilt/zoom control, perfect for live event productions, broadcast applications, or any situation where camera placement is limited. Together with the Sony 28-135mm f/4 G OSS Lens, this bundle offers everything you need to capture wide-angle shots, tight close-ups, and everything in between, all with stunning clarity and smooth operation. Sony FR7 PTZ Camera Overview The Sony FR7 PTZ Camera is the first full-frame PTZ camera in Sony's lineup, setting a new standard for cinematic production with remote-controlled pan, tilt, and zoom functionalities. It features the powerful Exmor R™ CMOS sensor, providing incredible low-light sensitivity, wide dynamic range, and exceptional detail, ensuring your content stands out in any production environment. Key Features: Full-frame Exmor R™ CMOS sensor for superior image quality. 15+ stops of dynamic range for vibrant highlights and deep shadows. 4K (QFHD) at 120fps for smooth high-frame-rate video and slow-motion capture. Real-time Eye AF and Fast Hybrid AF for precision tracking. Remote control pan/tilt/zoom/focus for smooth, versatile operation. Dual media slots supporting CFexpress Type A and SDXC cards for versatile recording options. Sony 28-135mm f/4 G OSS Lens Overview The Sony 28-135mm f/4 G OSS Lens is a zoom lens designed for professional video production. It offers an optical steady shot (OSS) for smooth, shake-free footage, even when using the lens remotely. The constant f/4 aperture provides consistent performance across the entire zoom range, while the lens’s focus and zoom rings are designed with filmmakers in mind, allowing for smooth, precise adjustments. Key Features: Focal Length: 28-135mm, covering a wide range from standard to telephoto shots. Constant f/4 aperture for consistent brightness and depth of field control. Optical SteadyShot™ (OSS) for effective image stabilization, ensuring smooth footage. Smooth zoom and focus rings for seamless, cinematic video production. Ideal for remote control setups in studio or on-location shooting. High optical performance with minimal chromatic aberration and distortion. Perfect for Live Events and Broadcast Production The Sony FR7 PTZ Camera combined with the Sony 28-135mm f/4 G OSS Lens offers unmatched flexibility and precision for high-end video productions. Whether you’re shooting a live broadcast, a corporate event, or a documentary, the Sony FR7 gives you full control over the camera movement, while the 28-135mm f/4 G OSS Lens ensures you capture sharp, clear footage across a variety of scenes. With both products working seamlessly together, you can easily create cinematic shots from multiple angles with incredible detail and color accuracy.

Leitz Cine has introduced a new LPL Mount for the Sony VENICE Extension System Mini. In combination with the Leitz LPL to PL Adapter, this mount provides rental houses and productions with a solution that eliminates the need to change mounts when using professional cine lenses. Designed to accommodate all LPL and PL lenses, including rehoused vintage rangefinder lenses and lenses with rear filters, this mount ensures seamless integration without the need for frequent mount changes. Whether working with native LPL lenses or PL-mount lenses via the Leitz LPL to PL Adapter, this system delivers maximum compatibility, stability, and efficiency for high-end productions.Unlike the LPL mounts designed for VENICE/BURANO, this mount features a unique system that attaches directly to the Sony VENICE Extension System Mini with four screws, providing a rigid and stable connection while protecting the underlying E mount. The LPL to PL Adapter securely locks into the LPL mount, ensuring rock-solid support for PL-mount lenses. Both the mount and adapter incorporate metadata contacts, allowing seamless transfer of /i lens metadata to the camera for accurate focus, iris, and zoom data.Built from high-grade aluminum with a stainless steel mount, the Leitz LPL Mount for Sony VENICE Extension System Mini is engineered for durability and long-term use. By offering a complete, versatile mounting solution, Leitz eliminates the need to swap mounts between productions, making it an essential tool for filmmakers and rental houses seeking efficiency and reliability in every shoot.Features of Leitz LPL Mount for Sony VENICE Extension System MiniUniversal Lens Compatibility – Supports all LPL lenses, including vintage rangefinders and lenses with rear filters.LPL to PL Adapter – Provides secure and stable support for PL-mount lenses without the need for frequent mount changes.Direct Attachment – Mounts directly to the Sony VENICE Extension System Mini with four screws, ensuring stability and protecting the E mount.Metadata Integration – Features /i contacts for seamless lens metadata transfer to the camera.High-Quality Construction – Made from high-grade aluminum with a stainless steel lens mount for durability and longevity.Rigid and Reliable Design – Engineered to handle larger cine lenses with a secure and stable connection.Effortless Workflow – Eliminates the need to switch mounts between productions, saving time and reducing wear on equipment.Technical SpecificationsMaterial: High-grade aluminum with stainless steel mountCompatibility: All LPL lenses, PL lenses via adapterMount Type: Direct attachment with four screwsMetadata Support: /i lens metadata pass-throughAdapter: Integrated LPL to PL AdapterDesign: Engineered for rigid, stable lens support

Deity TC-1 Timecode Generator Double Kit – Precision Timecode for Your ProductionsGet professional SMPTE timecode sync with the Deity TC-1 Double Kit. Wireless Bluetooth control, 28h battery, and ultra-low drift - perfect for filmmakers. Reliable Timecode Synchronization for Filmmakers The Deity TC-1 Timecode Generator Double Kit delivers professional-grade timecode synchronization for filmmakers, broadcasters, and video producers. With minimal drift of less than 1 frame per 72 hours, the TC-1 ensures flawless audio and video alignment, even on extended shoots. Designed for seamless integration into any workflow, the TC-1 is compatible with all SMPTE timecode formats and works with leading camera brands, including ARRI, Canon, and Sony. The Double Kit includes two TC-1 units, making it an ideal solution for multi-camera setups or productions requiring synchronized timecode across multiple devices. Featuring wireless Bluetooth control (75m range) via the Sidus Audio app and 2.4 GHz inter-device sync (10m range), the TC-1 offers ultimate flexibility. Its lockable 3.5mm output, OLED display, and onboard microphone ensure a user-friendly experience. With an impressive 28-hour battery life, this compact device keeps your workflow running smoothly. Features – Deity TC-1 Timecode Generator Double Kit Professional SMPTE Timecode – Minimal drift (<1 frame per 72 hours) Wireless Control – Bluetooth (75m range) & 2.4 GHz sync between TC-1 units (10m range) Locking 3.5mm TRS Output – Secure timecode connection to cameras & recorders OLED Display & Onboard Mic – Easy monitoring & scratch audio recording Long Battery Life – Up to 28 hours on a single charge Sidus Audio App Integration – Intuitive control via smartphone Compact & Durable – Lightweight build for effortless mounting Multi-Camera Ready – Perfect for production teams & dual-camera setups Technical Specifications Timecode formats: All SMPTE TC formats supported Drift accuracy: <1 frame per 72 hours Wireless control: Bluetooth (75m range) & 2.4 GHz sync (10m range) Output: Locking 3.5mm TRS Display: Bright OLED screen Battery life: Up to 28 hours Charging: USB-C fast charging Compatibility: ARRI ALEXA Mini, Canon R5 C/C400, Sony FX30/FX3, and more Dimensions & Weight Unit Dimensions: 58mm x 42mm x 16mm Weight: 50g per unit In the Box 2x TC-1 Timecode Generators 2x C12 Locking 3.5mm TRS Cables 2x Cold Shoe Mounts 4x Hook & Loop Adhesive Pads User Documentation & Warranty Info

Sony Crystal LED VERONA – Next-Generation LED Video Wall for Virtual Production Elevate your visual storytelling with the Sony Crystal LED VERONA, the latest evolution in modular LED video wall technology, designed to meet the demanding needs of virtual production and beyond. Engineered with cutting-edge innovations, VERONA delivers breathtaking image quality, exceptional brightness, and unparalleled clarity, making it the ultimate choice for content creators aiming to craft immersive, lifelike digital experiences on any scale. Key Features Exceptional Brightness: Up to 1,500 cd/m² for vivid visuals in any lighting condition. Deep Black Technology: Superior contrast with low-reflection Anti-Reflection Surface Technology, perfect for virtual production. Wide Color Gamut: Covers over 97% of DCI-P3 for rich, accurate color reproduction. High Refresh Rate: Up to 7,680 Hz ensures flicker-free performance for high-frame-rate filming. Energy Efficient: Up to 38% less power per brightness unit and 50% lower standby consumption with LED module power-off mode. Modular Design: Self-stacking 1:1 square panels (approx. 500 mm x 500 mm) for flexible, seamless configurations. Tool-Free Installation: Rapid setup with fine Z-axis adjustments and no visible joins between panels. Industry Compatibility: Supports Brompton (Tessera SX40) and Megapixel (HELIOS) controllers for easy integration. Durable and Serviceable: Protective mechanisms and front/back panel access for minimal downtime during maintenance. Unmatched Visual Performance The Crystal LED VERONA redefines what’s possible in large-scale displays. With a maximum brightness of 1,500 cd/m², it ensures vivid, eye-catching visuals even in brightly lit environments. Paired with an industry-leading wide color gamut covering over 97% of the DCI-P3 spectrum, VERONA reproduces colors with stunning accuracy and richness. Its extraordinary black levels, achieved through Sony’s proprietary Deep Black Technology, and low-reflection Anti-Reflection Surface Technology minimize glare and contrast loss, delivering deep, realistic blacks that seamlessly blend real and virtual elements—perfect for eliminating the need for green screens in virtual production workflows. The high-performance LED driver ICs enable an impressive refresh rate of up to 7,680 Hz, eliminating flickering and scanline artifacts that can plague high-frame-rate shoots. Whether you’re filming with today’s advanced cameras or creating expansive digital backdrops, VERONA ensures smooth, artifact-free visuals every time. Designed for Virtual Production Excellence Tailored specifically for virtual production, VERONA empowers filmmakers and content creators to bring their boldest visions to life. Its modular design allows for rapid assembly into flat or curved configurations, with self-stacking cabinets featuring a practical 1:1 square proportion (approximately 500 mm x 500 mm per panel). This flexibility, combined with tool-free locking mechanisms and fine Z-axis adjustments, ensures seamless panel alignment without visible joins, creating a flawless canvas for immersive storytelling. Sony’s expertise as a global leader in motion picture production shines through in VERONA’s development. Collaborating closely with industry professionals and creative pioneers, Sony has addressed the technical challenges of virtual production head-on, delivering a solution that simplifies complex multi-element shots directly in-camera. The result? Reduced reliance on costly post-production corrections and a more efficient workflow from set to screen. Energy Efficiency Meets Cost Savings Sustainability and operational efficiency are at the core of VERONA’s design. Featuring super-fine LED circuits and advanced Sony power control technology, it reduces power consumption by up to 38% per unit of brightness compared to conventional LED walls. When idle, VERONA shifts to a unique LED module power-off mode, cutting standby power usage by approximately 50% (available on ZRD-VP15EM/VP23EM Megapixel models), significantly lowering operating costs and environmental impact—a win for both your budget and the planet. Seamless Integration and Installation VERONA fits effortlessly into modern production ecosystems. Available in versions compatible with industry-leading LED wall controllers from Brompton (Tessera SX40 processor) and Megapixel (HELIOS processor), it integrates smoothly with existing setups, minimizing training requirements and maximizing compatibility. Installation is a breeze thanks to its lightweight, modular panels, which require no special skills or complex jigs. System integrators and rental specialists will appreciate the exceptional freedom this affords, whether building temporary stages or permanent installations. Built for Durability and Ease of Use Designed with the rigors of production in mind, VERONA includes three protective mechanisms to safeguard panels during use. Should maintenance be required, individual panels can be swapped out from the front or back without disrupting the entire wall, ensuring minimal downtime. This durability and serviceability make VERONA a reliable partner for high-stakes projects. Why Choose Crystal LED VERONA? Breathtaking Visuals: High brightness, wide color gamut, and deep blacks for stunning realism Virtual Production Ready: High refresh rate and low reflection eliminate post-production hassles Energy Efficient: Up to 50% less power in standby mode, reducing costs and carbon footprint Flexible Installation: Modular, tool-free design for rapid setup in any configuration Industry Compatibility: Works with Brompton and Megapixel controllers for seamless integration

Sony introduces its first camera tracking system, OCELLUS (ASR-CT1), designed to enhance augmented reality (AR) and virtual production workflows in broadcast and cinema. Utilizing marker-free camera tracking with multiple sensors, OCELLUS simplifies and accelerates setup and operation. It is camera-agnostic, making it compatible with both cinema and broadcast cameras. Markerless Tracking System for effortless and fast setup Multiple camera and IR sensors ensure precise and stable tracking results Versatile application support for Virtual Production, Green Screen shooting, AR, On-Set Preview, and Post-Production Complete system including Sensor Unit, Processing Box, and Lens Encoders Compatible with Sony Cinema Line, HDC cameras, and third-party cameras Optimized for use indoors, outdoors, and in low-light conditions Tracking data can be recorded as FBX files on SD cards Advanced Tracking for Virtual Production & AR OCELLUS is ideal for virtual production scenarios, such as In-Camera VFX and AR, transmitting real-time camera position and orientation data while filming. The system consists of a sensor unit, a processing box, and three lens encoders, ensuring broad compatibility with Sony Cinema Line cameras, system cameras, and non-Sony cameras. With its five image sensors and Sony’s Visual SLAM (Simultaneous Localization and Mapping) technology, OCELLUS generates a reference map, enabling stable, marker-free tracking both indoors and outdoors. When used with Sony cameras, focus, iris, and zoom metadata can be extracted via SDI output and transmitted in real-time to external devices via Ethernet. If a lens lacks direct metadata support, lens encoders can be attached to capture this data, ensuring seamless integration into virtual production and AR workflows. Additionally, the system records tracking data, camera/lens metadata, timecode, and filenames, supporting post-production processes. Sony continues to empower creators in virtual production and AR, offering solutions from acquisition to display, including the Crystal LED VERONA and software-based tools such as the Virtual Production Tool Set. Applications Virtual Production Perfectly suited for LED volume and green screen workflows, OCELLUS eliminates the need for tracking cameras or IR markers. This removes reflections and reduces the need for corrections in post-production. Augmented Reality Deliver an immersive visual experience with real-time AR overlays. The system can transform any studio into a virtual studio, enabling everything from data visualizations to graphical overlays—without needing to reposition equipment or apply new markers. On-Set Preview Instantly review composited footage on-set or outdoors, with tracking data recorded as FBX files onto an SDXC memory card (UHS-II/UHS-I). This allows for real-time adjustments and streamlines post-production matching and finishing. Post-Production Record tracking and lens metadata during shooting, along with camera motion data obtained through match-moving, to support precise editing in post-production. System Components (1) Sensor Unit The compact, lightweight Sensor Unit can be mounted in any position or orientation, thanks to its multi-eye image sensor. It attaches easily with the included NATO rail and can be adjusted without tools. Synchronization across multi-camera productions is seamless, as the system gathers camera metadata in real time. Dimensions: Approx. 86 mm × 60 mm × 43 mm (W × H × D) Weight: Approx. 250 g (2) Processing Box With a single SDI cable, metadata and sync information can be acquired from the camera (when using a Sony camera that supports lens metadata). The Processing Box features: Flexible mounting options with screw holes on the front and rear surfaces OLED display for real-time monitoring of camera tracking, lens data, and system status Genlock input, Timecode input, SDI input/output, and Lens Encoder connectors (3) Lens Encoder If a camera's SDI output does not support lens metadata, the Lens Encoder extracts data directly from the lens. A rotary mechanism precisely detects the rotation angles of the zoom, focus, and iris rings, transmitting this information to the Processing Box via LEMO 7-pin cable. Key Features Marker-free tracking with five image sensors ensures stable, accurate data capture Infrared LEDs enhance tracking performance in low-light conditions Visible Light Cut Unit maintains stability in environments with flashing lights or rapid lighting changes Single USB Type-C® connection to the Processing Box with a secure lock mechanism Tracking data can be recorded as FBX files, synchronizing with video files for streamlined post-production Real-time transmission of tracking and lens metadata to CG rendering software (e.g., Unreal Engine) Availability Sony OCELLUS will be available from Oct. 25.