Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
Discreet & Comfortable Mounting for THEOS Transmitters The Deity THEOS DBTX Pouch is a sleek, low-profile solution designed to securely hold your Deity THEOS BPTX transmitter while keeping it discreet and comfortable for on-set use. Built from high-quality suede, this pouch is soft against the skin and ideal for long shooting days, ensuring both durability and comfort. It’s designed to adapt perfectly to the needs of sound and wardrobe departments. You can wear it horizontally or vertically, clip it to clothing, attach it to a belt, or even sew it directly into a costume. Its flexible mounting options make it a go-to accessory for film, TV, and live performance environments where transmitters need to stay hidden yet accessible. The removable metal locking snap-clip keeps the pouch securely in place, even during dynamic movement. With its 57mm opening, it fits the Deity THEOS BPTX transmitter snugly and prevents unwanted shifting or noise. Available in black and beige, the DBTX Pouch blends seamlessly with different wardrobe styles and skin tones, making it easy to conceal under various outfits. Lightweight, durable, and practical—the Deity THEOS DBTX Pouch is the perfect blend of performance and comfort for professional sound teams. Features – Deity THEOS DBTX Pouch: • Designed specifically for Deity THEOS BPTX transmitter • Soft suede construction for comfort and durability • Wearable horizontally or vertically • Includes removable metal locking snap-clip • Can be clipped to clothing, worn on a belt, or sewn into wardrobe • Discreet design minimizes visibility on camera • Available in black and beige Technical Specifications: • Compatible Device: Deity THEOS BPTX transmitter • Material: Suede fabric • Mounting Options: Belt clip, clothing clip, or sew-in • Opening Width: 57 mm • Clip Type: Metal locking snap-clip (removable) • Orientation: Horizontal or vertical wear • Colors: Black, Beige • Weight: Approx. 30 g Dimensions & Weight: • Width: 57 mm / 2.24 in • Height: 90 mm / 3.54 in • Depth: 25 mm / 0.98 in • Weight: 30 g / 0.07 lbs
Discreet & Comfortable Mounting for THEOS Transmitters The Deity THEOS DBTX Pouch is a sleek, low-profile solution designed to securely hold your Deity THEOS BPTX transmitter while keeping it discreet and comfortable for on-set use. Built from high-quality suede, this pouch is soft against the skin and ideal for long shooting days, ensuring both durability and comfort. It’s designed to adapt perfectly to the needs of sound and wardrobe departments. You can wear it horizontally or vertically, clip it to clothing, attach it to a belt, or even sew it directly into a costume. Its flexible mounting options make it a go-to accessory for film, TV, and live performance environments where transmitters need to stay hidden yet accessible. The removable metal locking snap-clip keeps the pouch securely in place, even during dynamic movement. With its 57mm opening, it fits the Deity THEOS BPTX transmitter snugly and prevents unwanted shifting or noise. Available in black and beige, the DBTX Pouch blends seamlessly with different wardrobe styles and skin tones, making it easy to conceal under various outfits. Lightweight, durable, and practical—the Deity THEOS DBTX Pouch is the perfect blend of performance and comfort for professional sound teams. Features – Deity THEOS DBTX Pouch: • Designed specifically for Deity THEOS BPTX transmitter • Soft suede construction for comfort and durability • Wearable horizontally or vertically • Includes removable metal locking snap-clip • Can be clipped to clothing, worn on a belt, or sewn into wardrobe • Discreet design minimizes visibility on camera • Available in black and beige Technical Specifications: • Compatible Device: Deity THEOS BPTX transmitter • Material: Suede fabric • Mounting Options: Belt clip, clothing clip, or sew-in • Opening Width: 57 mm • Clip Type: Metal locking snap-clip (removable) • Orientation: Horizontal or vertical wear • Colors: Black, Beige • Weight: Approx. 30 g Dimensions & Weight: • Width: 57 mm / 2.24 in • Height: 90 mm / 3.54 in • Depth: 25 mm / 0.98 in • Weight: 30 g / 0.07 lbs
Ultimate On-Set Power Management The Deity SPD-1 Power Distribution Box is designed for professional location sound mixers who demand reliable, efficient, and safe power management on set. Whether you are using a sound bag or a sound cart, the SPD-1 delivers seamless power distribution, allowing multiple devices to operate simultaneously without compromise. Featuring a robust metal housing and a 1.1” color screen, the SPD-1 displays comprehensive battery telemetry, including voltage, temperature, cycle count, and remaining battery life. This visibility ensures you always know your power status and can prevent unexpected shutdowns that could disrupt production. The SPD-1 supports both smart and non-smart batteries via triple DC inputs, all hot-swappable for uninterrupted operation. It adapts to your battery type and displays relevant data, making it a versatile companion for modern sound workflows. Additionally, over-voltage protection safeguards your equipment from battery spikes above 18V, providing peace of mind on any shoot. With dual power circuits and six unregulated Hirose-compatible outputs, the SPD-1 enables independent control of primary and auxiliary devices. Locking toggle switches prevent accidental power-downs, and multiple mounting options—including dual 1/4” threaded mounts and a reversible clip—offer ultimate flexibility in your setup. An easy-access 5V/2A USB Type-A port further expands its utility, allowing you to charge additional devices on the go. Trusted by sound professionals like Ethan Lee from Los Angeles, the SPD-1 is intuitive, efficient, and engineered to simplify your workflow. Its wide compatibility with major sound devices and battery brands makes it an indispensable tool for film, TV, and live production environments. Features – Deity SPD-1 Power Distribution Box: • Triple DC inputs, hot-swappable • Supports smart and non-smart batteries • Displays battery telemetry data • Measures total power consumption • Locking toggle switches for safety • Metal housing for durability • 1.1” color screen • Dual 1/4” threaded mounts • Reversible mounting clip • Suggested operating range: 12V-18V • Easy-access 5V/2A USB Type-A port • Six unregulated Hirose-compatible outputs • Dual power circuit groups for independent device control • Over-voltage protection for safe operation • Compatible with major sound devices (Sound Devices, Zoom, Zaxcom, etc.) • Compatible with various smart battery cups • Hot-swappable functionality for uninterrupted workflow • Adaptable display depending on battery type • Compact, portable design for sound bags and carts Technical Specifications: • Input Voltage: 12V-18V DC • Output Voltage: Unregulated • Number of Outputs: 6 Hirose-compatible • Output Groups: 2 independent circuits • USB Output: 5V/2A Type-A • Battery Types Supported: Smart and non-smart • Telemetry Display: Voltage, temperature, cycle count, battery life • Screen Size: 1.1” color LCD • Over-Voltage Cutoff: Above 18V • Housing Material: Metal • Mounting Options: Dual 1/4” threaded mounts, reversible clip • Weight: Lightweight for portability • Operating Temperature: Standard professional equipment range • Hot-Swappable Inputs: Yes • Locking Switches: Yes • Suggested Use: Sound bags, sound carts, film and TV sets • Compatible Brands: Audio Root, Inspire Energy, Remote Audio, RRC, Deity, Sound Devices • Compatible Devices: Lectrosonics, MiPro, Sony UWP-D, Zoom F4/F8, Zaxcom, and others • Display Adaptability: Smart vs non-smart battery detection • Power Monitoring: Total power consumption measured in real time Dimensions & Weight: • Length: 8.5 cm / 3.35 in • Width: 6.2 cm / 2.44 in • Height: 2.8 cm / 1.10 in • Weight: 350 g / 0.77 lbs
* Available from October 2025. Pre-order now at CBM!The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)
IB/E K70 Series – Precision Large Format Cine Lenses for Stunning 65mm ImageryExpected to be available in Spring/Summer 2026 The IB/E 70 Series represent the pinnacle of optical engineering designed specifically for 65mm format cameras, including the ARRI ALEXA 265, Blackmagic URSA 17K, and Fujifilm GFX ETERNA. Crafted in Germany with premium materials and expert craftsmanship, these lenses deliver extraordinary image quality characterized by a perfect harmony of razor-sharp detail and beautifully smooth bokeh. Cinematographers can expect exceptional color fidelity and minimal chromatic aberration thanks to the advanced apochromatic color correction and aspheric elements incorporated in the optical design. Designed to meet the demands of the new generation of large-format digital sensors, the IB/E 70 lenses combine cutting-edge technology with practical features that support demanding shoots. Each lens maintains a constant length during focusing due to internal focusing mechanics, ensuring stability and balance on any rig. With an aperture of T1.7 and industry-standard M0.8 gear wheels for iris and focus control, the set offers creative flexibility and precision. Lightweight and compact, these lenses are ideal for challenging production environments where portability and optical excellence must go hand in hand. The IB/E 70 Series also supports advanced metadata integration through Cooke /i technology, providing seamless data capture on set. Available in both PL and LPL mounts, the lenses offer tuning options including customized flares, iris behavior, and color temperature adjustments. Built by a dedicated team in Bavaria, this lens series is a powerful tool for filmmakers aiming to achieve stunning cinematic visuals with a natural depth of field and perspective unique to the 65mm format. Technical SpecificationsImportant note: Technical specifications and focal lengths are preliminary and subject to change. /* Container für die beiden Spalten */ .responsive-table-container { display: flex; gap: 40px; flex-wrap: wrap; justify-content: center; max-width: 1200px; margin: 0 auto; } /* Jede Spalte */ .responsive-table-column { flex: 1 1 400px; box-sizing: border-box; } /* Überschriften */ .responsive-table-column h3 { margin-bottom: 12px; font-size: 1.1em; text-align: left; } /* Listen */ .responsive-table-column ul { padding-left: 20px; margin: 0; line-height: 1.4em; font-size: 0.95em; } /* Responsive */ @media (max-width: 800px) { .responsive-table-container { flex-direction: column; gap: 20px; } } /* Product Sheet Bereich */ .product-sheet-download { max-width: 1200px; margin: 30px auto 0 auto; text-align: left; } .product-sheet-download h3 { font-size: 1.1em; margin-bottom: 8px; } .product-sheet-download a { font-size: 0.95em; color: #0066cc; text-decoration: none; } .product-sheet-download a:hover { text-decoration: underline; } Features Ultra-fast T1.7 maximum aperture for exceptional low-light performance Internal focusing with constant lens length for stable rig setup Large 104 mm front diameter supports extensive filter options Available in PL and LPL mounts for versatile camera compatibility M0.8 standard gear wheels for smooth focus and iris control High-performance apochromatic color correction with minimal lateral color Lightweight and compact design for ease of handling on set Optional tuning for flares, iris characteristics, and color temperature Technical Specifications Image circle diameter: 65mm format coverage Aperture: T1.7 maximum, 9-blade iris (varies by focal length) Minimum focus distance: ranges from 17 cm (24mm) to 88 cm (135mm) Lens length: approximately 12.8 to 14 cm depending on focal length Weight: 1.6 to 1.9 kg per lens Optical design: aspheric elements with apochromatic correction Metadata compatibility: Cooke /i Technology integrated via mount contacts Breathing: minimal, between 3% and 5% Current Product Sheet PDF Download – IB/E K70 Series for 65mm Format Cameras (Data is subject to change)
The Canon EOS C50 Cinema Camera is the smallest and lightest Cinema EOS camera to date, yet it delivers uncompromising image quality and professional-grade performance. Designed for filmmakers, content creators, and production teams who demand cinematic results in a compact form, the C50 combines the flexibility of a full-frame 7K sensor with advanced features for video and stills. Its block-style design makes it a versatile tool for handheld shooting, rigs, gimbals, drones, or tripod setups, adapting seamlessly to different production environments. Image: Canon At the heart of the EOS C50 lies a 7K full-frame CMOS sensor paired with Canon’s powerful DIGIC DV7 image processor. This combination enables breathtaking Cinema RAW Light recording in 12-bit, oversampled 4K video with extraordinary detail, and high frame rate recording up to 120fps in 4K or 180fps in 2K, without cropping. Open Gate recording offers maximum flexibility for post-production, supporting horizontal, vertical, and anamorphic workflows. With more than 15 stops of dynamic range, Dual Base ISO (800 / 6400), and Canon Log 2/3, the C50 ensures true-to-life color and outstanding performance in challenging lighting conditions. Image: Canon Canon’s renowned Dual Pixel CMOS AF II brings fast, accurate, and reliable autofocus with advanced subject tracking. Combined with EOS iTR AF X and intelligent recognition for eyes, faces, and even animals, the EOS C50 ensures sharp focus across the entire frame. For handheld and on-the-move shooting, the built-in electronic Movie IS stabilization works in sync with optical IS from supported lenses, delivering smooth and steady footage. Image: Canon The EOS C50 is built for professional audio and connectivity. It supports up to 4-channel 24-bit audio with dual XLR inputs, a stereo mini-jack, built-in stereo mic, and headphone monitoring. The multifunction accessory shoe further expands options with Canon and third-party audio interfaces. With CFexpress and SD dual slots, simultaneous or relay recording in multiple formats is possible, streamlining professional workflows. Connectivity includes HDMI Type-A, USB-C, Timecode (DIN), remote input, Wi-Fi, and LAN via adapter, supporting live streaming, remote shooting, and fast data transfer. Image: Canon In addition to its cinema-grade video capabilities, the EOS C50 also captures 32.5 MP still images with continuous shooting up to 40 fps. This makes it a powerful hybrid solution for creators who need both outstanding motion and still performance in a single, portable device. Image: Canon With its compact yet robust design, advanced thermal management with active cooling, and professional interface layout, the Canon EOS C50 is engineered for reliability and endurance in demanding production environments. It is the perfect choice for solo shooters, small crews, and production companies looking for a versatile, future-proof tool that grows with their creativity. Features – Canon Cinema EOS C50 Compact and lightweight Cinema EOS design – smallest in the lineup 7K full-frame CMOS sensor with DIGIC DV7 processor Internal 12-bit Cinema RAW Light recording up to 7K 60p Oversampled 4K from 7K sensor for superior detail and color High frame rates: 4K up to 120fps, 2K up to 180fps (no crop) Open Gate recording (3:2, 7K) for versatile post-production Dual Base ISO (800 / 6400) for flexible low-light performance Dynamic range exceeding 15 stops with Canon Log 2/3 Dual Pixel CMOS AF II with EOS iTR AF X Advanced subject detection: eyes, faces, animals, vehicles Electronic Movie IS with optical IS lens support Support for anamorphic lenses (x2.0, x1.8, x1.5, x1.3) Professional audio: 4-channel, 24-bit recording Dual media slots: CFexpress Type B and SD UHS-II Multifunction accessory shoe for audio and expansion units HDMI Type-A, USB-C, Timecode DIN, remote input Integrated Wi-Fi (2.4 / 5 GHz) and Ethernet via adapter 14 customizable buttons for personalized operation 32.5 MP still photo capture, up to 40 fps bursts Active cooling system for unlimited recording durations Technical Specifications Sensor: Full-frame CMOS, 35.9 x 23.9 mm Effective pixels: approx. 32.3 MP (video), 32.5 MP (photo) Processor: Canon DIGIC DV7 Lens mount: Canon RF mount (EF and PL supported via adapters) Supported recording formats: Cinema RAW Light, XF-AVC, XF-HEVC S, XF-AVC S Cinema RAW Light recording: up to 7K 60p, 12-bit 4K oversampling from 7K, 10-bit 4:2:2 High frame rates: 4K 120fps, 2K 180fps, 5K Super35 up to 60fps Audio: 2x XLR (via top handle), 3.5mm stereo input, internal stereo mic, headphone out Still image capture: RAW / C-RAW / JPEG / HEIF, Dual Pixel RAW support ISO range: 100 – 25,600 (expandable up to 102,400 in video) Autofocus: Dual Pixel CMOS AF II, 100% frame coverage Stabilization: 5-axis electronic Movie IS with optical IS lens support Connectivity: HDMI Type-A, USB-C (3.2 Gen 2), Timecode DIN, remote (E3) Wireless: Wi-Fi (2.4 GHz / 5 GHz), Ethernet via USB-C adapter Storage: 1x CFexpress Type B, 1x SD UHS-II Power: LP-E6P battery, DC via DR-E6P Dimensions and Weight Dimensions (W x H x D): approx. 142 x 101 x 111 mm (body only) Weight: approx. 750 g (body only), 1,050 g (with handle, battery, and card) In the Box Camera body Detachable top handle with dual XLR inputs Microphone holder LP-E6P battery pack LC-E6E battery charger Shoulder strap Power cable
Ultra-Wide 8K Cine-Servo Lens for Broadcast and CinemaThe Canon CN5x11 IAS T R1/P1 Cine Servo Lens redefines ultra-wide cinematography with an 11–55 mm focal range, offering an impressive 100° field of view. Designed for demanding broadcast, live, and cinematic productions, this lens provides exceptional edge-to-edge sharpness and natural color reproduction across 8K resolution. Lightweight at approximately 3 kg, it excels in mobile setups, including gimbals, cranes, robotic systems, and shoulder-mounted rigs, without compromising stability or handling. Its balanced design makes it equally effective in tight studio spaces or expansive live event environments, capturing both subjects and surroundings in stunning detail. Advanced Servo Control and Flexible OperationEquipped with Canon’s next-generation e-Xs V Digital Drive Unit, the CN5x11 IAS T R1/P1 offers precise servo control, high-resolution 16-bit encoding, focus breathing correction, and enhanced ergonomic operation. The detachable servo unit ensures quick adaptation between live event coverage and cinema-style productions. Available with RF or PL mount options, the lens supports real-time metadata output, making it fully compatible with virtual production pipelines, VFX workflows, and advanced post-production needs. The RF version further supports Canon Dual Pixel CMOS AF and lens distortion correction, while the PL variant integrates Cooke /i Technology™ and ZEISS eXtended Data™ for seamless metadata capture. Versatility and Image QualityThis Cine Servo lens features an integrated 1.5× extender, enabling compatibility with Super 35mm or full-frame cameras. Its 11-blade iris provides smooth highlights and attractive background blur, creating a cinematic depth-of-field effect even in live productions or documentaries. The lens delivers consistent color balance and natural skin tones, minimizing post-production correction. Whether filming dynamic sports events, high-paced news, or cinematic dramas, the CN5x11 IAS T R1/P1 combines premium optics, lightweight mobility, and versatile control options to meet the exacting standards of professional cinematographers and broadcast specialists. Features – Canon CN5x11 IAS T R1/P1 Ultra-wide 11–55 mm focal length, 100° field of view 8K HDR optical quality from center to edge Lightweight design (~3 kg) for gimbal, crane, and shoulder use Available with RF or PL mount Detachable e-Xs V Digital Drive Unit High-resolution 16-bit encoder for precise lens data Focus breathing correction for smooth zoom and focus 11-blade iris for soft highlights and cinematic bokeh Integrated 1.5× extender for full-frame or Super 35mm use RF mount supports Dual Pixel CMOS AF and lens distortion correction PL mount supports Cooke /i Technology™ and ZEISS eXtended Data™ USB-C connectivity for remote control and configuration Optimized servo control with enhanced ergonomics Versatile zoom for tight studio or live event setups High color fidelity with natural skin tones Ideal for broadcast, live, multi-cam, virtual, and cinema productions Minimal weight for portable and mobile applications Compatible with virtual production and VFX workflows Fast servo response for live and dynamic shooting Balanced construction for easy handheld operation Technical Specifications Mount: RF or PL Zoom ratio: 5× Focal length: 11–55 mm (16.5–82.5 mm with 1.5× extender) Maximum aperture: T2.95 (11–41 mm) / T3.95 (55 mm) Aperture blades: 11 Image circle: Ø29.6 mm (Super 35) / Ø43.3 mm (Full Frame) Minimum focus distance: 0.6 m / 2.0 ft Near-field coverage (11 mm): 69.7 × 39.1 cm Near-field coverage (55 mm): 13.3 × 7.5 cm Field of view: 96.4° × 64.2° (11 mm) / 25.2° × 14.3° (55 mm) Aspect ratio: 1.78:1, 1.9:1 optional Supported resolution: up to 8K Lens design: aspherical + anomalous dispersion elements Servo drive: e-Xs V Digital Drive Unit, detachable Control interface: USB-C, 3× 20-pin connectors Metadata support: Dual Pixel CMOS AF, Cooke /i, ZEISS eXtended Data Compatible with full-frame and Super 35 cameras High dynamic range (HDR) imaging Focus breathing correction enabled Optimized for virtual production systems Dimensions & Weight Dimensions: 186.6 × 129.9 × 301.0 mm (RF) / 186.6 × 129.9 × 269.0 mm (PL) Front diameter: Ø114 mm Weight: ~3.01 kg (RF) / ~2.92 kg (PL)
Expand Your Creative Field of View The Angenieux WA 0.75 Wide Angle Adapter is designed specifically for Optimo Prime lenses (Optimo Prime 18mm and 21mm only), providing cinematographers and filmmakers with a simple yet powerful way to expand their creative possibilities. By reducing the focal length by a factor of 0.75, the adapter widens the field of view without any loss of T-stop, ensuring consistent exposure while capturing more immersive shots. When mounted on Optimo Prime 18mm and 21mm lenses, the WA 0.75 Adapter transforms the 18mm into a 13.5mm and the 21mm into a 15.7mm, allowing filmmakers to explore new perspectives and elegant distortion effects. Its optical design preserves image sharpness from 2m (6’6”) to infinity, maintaining Angenieux’s renowned cinematic quality while adding a subtle creative twist. Engineered with high-quality optical glass, the adapter weighs only 450g, making it easy to integrate into professional workflows without adding unnecessary bulk. The WA 0.75 Adapter opens a new world of visual storytelling, enabling directors of photography to push the boundaries of composition, create dramatic wide-angle shots, and experiment with creative distortion effects, all while keeping focus and exposure consistent. For any production using Optimo Prime lenses, the Angenieux WA 0.75 Adapter becomes an indispensable accessory for achieving wider shots and distinctive cinematic visuals. Its lightweight, durable construction and precise optical design make it a reliable choice for on-set and location shooting alike. Features – Angenieux WA 0.75 Adapter Technical Specifications For Optimo Prime 18mm & 21mm Expands field of view by 0.75x factor No T-stop loss for consistent exposure Transforms 18mm into 13.5mm Transforms 21mm into 15.7mm Elegant wide-angle distortion effects Sharp image from 2m (6’6”) to infinity Lightweight, only 450g High-quality Angenieux optical glass Enhances creative composition possibilities Ratio: 0.75x Minimum Object Distance (MOD): 0.46m / 1’6” Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with included adaptor ring) Weight: 1 lb / 450g Maintains original T-stop Compatible with Optimo Prime 18mm Compatible with Optimo Prime 21mm Sharpness guaranteed from 2m to infinity Designed for professional cinema applications Dimensions & Weight Front Diameter: 144mm Clamp Ring Diameter: 114mm (95mm with adaptor) Weight: 1 lb / 450g @media (max-width: 800px) { table, thead, tbody, th, td, tr { display: block; width: 100%; } th { font-weight: bold; } }
Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!
Extra Support and Comfort for Your Vest The Easyrig Padded Belt Extender is designed to provide additional support and comfort for operators using Minimax, Minimax Flex, Cinema, and Cinema Flex vests. This accessory not only extends the range of the vest straps, but also delivers extra stability around the stomach area, making long shooting days more comfortable and reducing fatigue. If you’ve ever felt that your existing vest could use more support, the Padded Belt Extender is the perfect solution. Easy to attach and fully compatible with the mentioned vests, it enhances your workflow without compromising mobility. Lightweight yet durable, this extender is an essential accessory for operators seeking added comfort and stability on set. Features – Easyrig Padded Belt Extender Extends strap range for Minimax, Minimax Flex, Cinema, and Cinema Flex vests Provides extra support around the stomach Lightweight and comfortable design Easy to attach and remove Durable materials for long-term use Enhances operator stability on set Reduces fatigue during long shooting sessions Compatible with multiple Easyrig vests Technical Specifications – Easyrig Padded Belt Extender Compatibility: Minimax, Minimax Flex, Cinema, Cinema Flex vests Material: Durable, professional-grade padding Weight: Lightweight for ease of use Function: Strap extension and added support Installation: Quick and intuitive attachment Comfort: Ergonomic design for improved stability Durability: Built for long-term professional use Flexibility: Works with multiple vest sizes
Easier Handling for Heavy Quick Release Setups The Easyrig Spacer is designed to make using the Quick Release simpler, especially when handling heavy camera setups. Developed in collaboration with ambassador Niklas Johansson, FSF, this spacer allows operators to easily pull down and manipulate the Quick Release, even when access to the housing is limited. With the Easyrig Spacer, you gain smoother control and improved ergonomics on set, reducing strain and making your workflow more efficient. It’s a compact, lightweight accessory that integrates seamlessly with your existing Easyrig Quick Release, enhancing usability without altering your setup. Ideal for professional operators working with heavy cameras, the Easyrig Spacer ensures comfort, speed, and reliability for all Quick Release operations. Features – Easyrig Spacer Facilitates easier handling of the Quick Release Developed with input from ambassador Niklas Johansson, FSF Optimized for heavy camera setups Lightweight and compact design Improves ergonomics and reduces strain Easy to attach to existing Quick Release Enhances speed and workflow efficiency Durable construction for professional use Technical Specifications – Easyrig Spacer Compatibility: Standard Easyrig Quick Release Material: Durable, professional-grade components Weight: Lightweight for easy handling Dimensions: Compact and unobtrusive Operation: Facilitates smooth pull-down of Quick Release Ergonomics: Improves grip and usability Installation: Quick and simple attachment Durability: Built for repeated professional use
Sleeker, Faster, and Easier to Use The 2025 Easyrig Quick Release brings a modern upgrade to one of Easyrig’s most essential accessories. Designed to solve previous usability issues, this new version allows boom operators and camera assistants to attach and detach their rigs more quickly and effortlessly from the ball stud on the camera. With its sleek and intuitive design, the Quick Release ensures smoother workflow on set. It has been redesigned to reduce friction and improve ergonomics, making it easier than ever to connect or remove your Easyrig rig. Despite these enhancements, the cost remains the same as the original Quick Release, delivering an upgraded experience without additional expense. This Quick Release is ideal for professional operators who need speed, precision, and reliability in their gear. Whether you’re moving between setups, swapping cameras, or working in tight shooting environments, the NEW 2025 Easyrig Quick Release ensures your rig stays secure while giving you the flexibility to work efficiently. Features – Easyrig Quick Release Redesigned for easier attachment and detachment from the ball stud Sleeker and more intuitive design Same cost as the original Quick Release Faster workflow on set Smooth operation under professional use Compatible with all standard Easyrig setups Ergonomic design for comfortable handling Reduces friction and wear on components Lightweight yet durable construction Optimized for boom operators and camera assistants Reliable locking mechanism Quick and secure connection Professional-grade materials Compact design for easy transport Tested under real production conditions Easy to clean and maintain Enhances flexibility between camera setups Supports long-term, everyday use Works with multiple Easyrig rigs Technical Specifications Compatibility: Standard Easyrig ball stud systems Material: Durable, professional-grade metal and components Weight: Lightweight design Operation: Smooth attachment and detachment Ergonomics: Redesigned for comfort and efficiency Locking mechanism: Reliable and secure Dimensions: Compact and portable Use: Professional filmmaking and boom operation Maintenance: Easy to clean and maintain Durability: Built for long-term use Flexibility: Works with multiple rigs and setups Travel-friendly: Fits standard carrying cases Reliability: Tested by professional operators Performance: Smooth and consistent under load Installation: Quick and intuitive Stability: Secure connection without wobble Build quality: High-end materials for longevity Usability: Optimized for fast on-set changes Efficiency: Reduces time for camera swaps
Power and Balance for Boom Pole Lights The Easyrig Battery Plate is the perfect accessory for boom operators who use a light instead of a microphone on their boom pole. Designed to enhance both functionality and balance, this plate allows you to attach a V-mount and a V-mount battery, providing a reliable power source for your lighting equipment on set. Beyond powering your light, the Easyrig Battery Plate also serves as a counterweight, helping to stabilize your boom pole and reduce operator fatigue. Its robust design ensures that it can handle professional V-mount batteries and withstand the rigors of daily production use. Compatible with all standard Boom Rig setups, this battery plate is easy to attach and remove, making it a flexible solution for dynamic shooting environments. Whether you’re lighting a scene in tight spaces or following action, the Easyrig Battery Plate ensures that your boom pole remains perfectly balanced and your workflow uninterrupted. Its lightweight, durable construction and intuitive design make it a must-have accessory for any professional boom operator looking to expand the versatility of their Boom Rig. Features – Easyrig Battery Plate Designed for Boom Rig users attaching a light to a boom pole Allows attachment of V-mount and V-mount battery Functions as a counterweight for better balance Compatible with standard Boom Rig setups Easy to attach and remove Lightweight but durable construction Enhances stability during long shoots Supports professional V-mount batteries Reduces operator fatigue Ideal for dynamic and action-packed shooting Quick installation on boom pole Optimized for professional film and video production Reliable performance under daily use Compact design for travel and storage Professional-grade materials for longevity Ergonomic design for comfortable use Compatible with additional boom pole accessories Tested by professional boom operators Flexible and versatile accessory Enhances control and precision on set Technical Specifications Compatibility: Standard Boom Rig boom poles Weight: Lightweight, portable design Material: Durable, professional-grade construction Battery type: Supports V-mount batteries Functions: Power supply and counterweight Installation: Easy to mount and remove Ergonomics: Improves balance and reduces fatigue Dimensions: Compact for flexible use Use: Professional film and video production Durability: Built for long-term use Flexibility: Works with various boom setups Maintenance: Easy to clean Travel-friendly: Fits standard carrying cases Stability: Optimized for boom pole balance Power delivery: Reliable for on-set lighting
Enhanced Comfort and Support for Boom Operators The Easyrig Boom Rig Flex Vest is the latest evolution in professional boom operator support. Designed to provide superior comfort and stability, it ensures long days on set are less physically demanding. Whether you're working on dialogue-heavy scenes or dynamic shoots, the Boom Rig Flex helps you maintain control and precision without fatigue. Image: Easyrig This vest can be ordered on its own or as part of the complete Boom Rig (BF100) setup, giving you flexibility in how you equip your team. The Boom Rig Flex is based on the original Boom Rig vest but features enhanced support and adjustability around the chest area, making it ideal for operators of all body types. Originally developed with female operators in mind, its ergonomic design benefits anyone who wears it. Despite its added features, the Boom Rig Flex maintains the same cost as the original Boom Rig, providing a high-quality, professional solution without additional expense. With this vest, operators gain improved comfort, better weight distribution, and greater freedom of movement, allowing for more accurate and consistent microphone placement throughout any production. /* Responsive table columns */ @media (max-width: 800px) { .responsive-table td { display: block; width: 100% !important; box-sizing: border-box; margin-bottom: 20px; } } Features – Boom Rig Flex Vest Enhanced chest support for better weight distribution Adjustable design for a customized fit Developed with female operators in mind, suitable for all Same cost as the original Boom Rig vest Can be ordered individually or as part of Boom Rig (BF100) Ergonomic design for long-duration comfort Lightweight yet durable construction Easy to put on and adjust on set Provides stability for precise microphone placement Compatible with standard boom poles Professional-grade materials for longevity Breathable fabric for increased comfort Flexible for dynamic shooting environments Tested for reliability on professional sets Supports long shooting days with reduced fatigue Technical Specifications Vest type: Adjustable boom operator support vest Weight: Lightweight construction Fit: Adjustable chest and torso Materials: Durable, professional-grade fabric Compatibility: Fits standard boom poles and BF100 system Gender: Unisex, designed for female ergonomics Use: Professional film and video production Assembly: Ready to wear, minimal setup required Comfort: Enhanced padding and support Breathability: Optimized for extended wear Flexibility: Supports full range of motion Durability: Designed for long-term use Adjustments: Multiple points for chest and torso Maintenance: Easy to clean and maintain Included: Vest only or complete BF100 Boom Rig
Lightweight Camera Support for Maximum Agility The Easyrig Vario 6 is the next evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Building on the legacy of the Vario 5, the Vario 6 is 20% lighter while maintaining the durability and reliability professionals demand. Designed for cameras weighing between 4–14 kg (9–31 lbs), it allows operators to move freely and focus on capturing perfect shots without fatigue. Images by Easyrig The Easyrig Vario 6 is the latest evolution in camera support systems, offering unmatched agility and comfort for cinematographers working with medium-sized cameras. Ten years after the launch of the popular Vario 5, Easyrig has developed a lighter, more nimble version to meet the demands of today’s filmmaking environments. The Vario 6 is 20% lighter than the Vario 5, while still maintaining the durability and reliability that professionals expect. Designed for cameras weighing between 4–14 kg (9–31 lbs), it is perfectly suited for modern setups, from compact digital cinema cameras to fully rigged handheld systems. For reference, an ARRI ALEXA 35 Xtreme weighs about 5 kg with a prime lens, battery, and accessories, while a Sony VENICE 2 in a similar configuration comes in at around 6 kg. With its sleek new design and a completely redesigned power pack mechanism, the Vario 6 allows users to adjust the tension of the suspension line themselves — even while wearing the rig. Simply turn the knob on the back to perfectly match the support to your camera package, ensuring comfort and control without assistance. The Easyrig Vario 6 is fully compatible with all previous Easyrig vests, making it easy to upgrade an existing system. Operators only need to purchase the support bar to retrofit, and any Easyrig upper arm can also be attached. Despite these upgrades, the Vario 6 does not replace the Easyrig Vario 5, as both serve different purposes within the Easyrig lineup. Whether you’re shooting handheld, tracking fast action, or working in tight spaces, the Vario 6 provides smooth, balanced support throughout your production day. Each standard package includes a support bar, camera hook or quick release, breathable vest, height adjustment, power pack, tension knob, adjustable vest stabilizer, manual, and transport bag — everything required for immediate professional use. Handmade in Sweden using high-quality local components, the Easyrig Vario 6 has been rigorously stress-tested by professionals to withstand the toughest conditions. Available worldwide from October 2025, it is engineered to last your entire filmmaking career. Versatile, durable, and built for comfort, the Easyrig Vario 6 is the ideal solution for filmmakers seeking a lightweight yet robust support system for medium-sized camera setups. Features – Easyrig Vario 6 Lightweight support system, 20% lighter than Vario 5 Adjustable tension for 4–14 kg (9–31 lbs) camera setups Ergonomic, sleek design for maximum comfort Retrofits onto all previous Easyrig vests Easy-to-use tension adjustment knob Compatible with all cameras featuring a handle Quick release option available without extra charge Handmade in Sweden High-quality local components Support bar included Camera hook included Vest with breathable material Height adjustment system Adjustable vest stabilizer Durable power pack mechanism Transport bag included Easy assembly and setup Tested by professional ambassadors Designed for long-term durability Smooth weight distribution reduces fatigue Technical Specifications Load range: 4–14 kg (9–31 lbs) Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable tension knob Height adjustment: integrated Vest stabilizer: adjustable Camera hook / Quick release included Handmade assembly Power pack with new mechanism Compatible with all previous Easyrig vests Breathable vest material Ergonomic support bar design Retrofits to existing setups Smooth operation under load Tested for professional use Durable and lightweight materials Easy to clean and maintain Transport bag dimensions: compact and travel-friendly Supports medium-sized cameras Dimensions and Weight Rig weight: 4.5 kg (10 lbs) Suspension line length: 90 cm (35”) fully stretched Adjustable vest and support bar: fits a wide range of body sizes Compact transport dimensions
Precision Control for Lightweight and Professional Rigs The Cartoni Mixo 21 Fluid Head is engineered for real-world shooting, combining Cartoni’s patented continuous counterbalance system from the Focus and Master lines with a newly developed 7-step fluid drag for both pan and tilt, including a zero-setting. This allows operators to fine-tune resistance to match their desired motion style, from feather-light pans to cinematic, precise camera movements. Adjustments are intuitive and seamless, enabling operators to achieve the perfect balance instantly. With a weight of just 3.6 kg (8 lbs), the Mixo 21 supports payloads from 0 to 21 kg (46 lbs), making it versatile enough for lightweight DSLR rigs as well as fully equipped ENG cameras. Its tilt range of +/- 90° adapts to a wide variety of shooting setups. The fluid head is available with a 100 mm bowl or as a flat-base version, offering compatibility with a broad range of tripods and mounting systems. The Mixo 21 excels in dynamic production environments such as live sports coverage, breaking news, or documentary filmmaking, where speed, reliability, and precision are crucial. Smooth tilts, ergonomic controls, and instant adaptability make it a trusted tool for professional operators who demand consistent performance under pressure. By addressing the growing demand for lightweight, mobile fluid heads with professional payload capacity, the Mixo 21 positions Cartoni as a solution provider for operators seeking both mobility and precision. Engineered and made in Italy, it combines durability, premium technology, and ergonomic design. With a five-year free warranty, it guarantees dependable performance for every production scenario. Features – Cartoni Mixo 21 Fluid Head Patented continuous counterbalance from Focus & Master lines 7-step fluid drag for pan and tilt with zero-setting Supports payloads from 0 to 21 kg / 46 lbs Tilt range: +/- 90° Pan range: 360° Compact, lightweight design at 3.6 kg / 8 lbs Available with 100 mm bowl or flat-base version Smooth feather-light or cinematic resistance Ideal for DSLR rigs, ENG cameras, and fully accessorized setups Ergonomic controls for intuitive operation Quick and seamless balance adjustments Travel-ready and rugged construction Reliable performance in live, fast-paced, and field production Streamlined hybrid design combining proven Cartoni technology Field-tested in professional shooting environments Designed for precise handling in dynamic scenarios Premium performance at accessible value Engineered and made in Italy 5-year free warranty Suitable for mobile and studio production workflows Technical Specifications – Cartoni Mixo 21 Fluid Head Weight: 3.6 kg / 8 lbs Minimum payload: 0 kg / 0 lbs Maximum payload: 21 kg / 46 lbs Tilt range: +/- 90° Pan range: 360° Bowl diameter: 100 mm / Flat-base version optional Fluid drag: 7 steps + 0 Counterbalance: Continuous Operational temperature: -40° / +60° Celsius Material: High-strength aluminum alloy Finish: Anodized for durability Pan lock: Yes Tilt lock: Yes Quick-release plate compatible Tripod mounting: 100 mm bowl or flat-base mount Integrated leveling bubble Smooth and silent operation Ergonomic pan and tilt handles Field-proven reliability Compatible with mobile and studio setups Dimensions and Weight Weight: 3.6 kg / 8 lbs Height: 230 mm / 9.1 in Width: 120 mm / 4.7 in Depth: 200 mm / 7.9 in Bowl diameter: 100 mm / 3.94 in
Freelensing Cine® is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement. It allows for shifts, parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. It allows to control the focal planes and to choose where to have them in the frame, both to increase the depth of field or to minimize it. Currently works with ARRI Alexa Mini, Mini LF, 35, Sony Venice 1 & 2, RED V-Raptor XL, V-Raptor and DSMC2, although each camera has its own characteristics.Freelensing Cine® Basic Set includes• Freelensing Cine® Frame • Mount: PL mount (standard) or LPL mount (optional) • A pair of gas springs (2 pieces)One Camera Adaptor included. The following options are available: ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 AND 2, RED V-RAPTOR XL, V-RAPTOR & DSMC2 MARRIAGE BETWEEN CAMERA and FREELENSING CINE® Choose the appropriate camera mount (ARRI ALEXA MINI, MINI LF, 35, SONY VENICE 1 & 2, RED V-RAPTOR XL, V-RAPTOR & RED DSMC2) Fix the corresponding camera mount to the bellows Prepare de camera at the standard 19mm height Remove the PL or LPL mount that is placed on the camera body Insert the camera into the Freelensing Cine® or the other way around Align the Freelensing Cine® to the sensor of the camera Place the camera mount (already installed in the bellows of the Freelensing Cine® Set all Freelensing Cine® settings to “0” (except Z-axis) Finish adjusting Fix all camera peripherals (rods, etc) WHAT MOVEMENTS DOES FREELENSING CINE® OFFER? Y-Axis Shift Offset X-Axis Shift Offset Y-Axis Rotation (Tilt-Y) X-Axis Rotation (Swing-X) Z-Axis Shift Offset “Collimation” Combination of all the movements
Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contactDownload SeeU BrochureSeeU-Brochure
The FUJINON GF 32-90mm T3.5 PZ OIS WR is a groundbreaking addition to the GF lens lineup, marking the first power zoom lens designed for the GFX Series of large-format mirrorless cameras. Covering a versatile focal length of 32-90mm (equivalent to 25-71mm in 35mm format), this lens brings cinema-grade video quality to a compact and lightweight form factor, weighing just 2.1kg. Its design draws inspiration from the acclaimed FUJINON Premista Series, widely recognized in professional video production for exceptional operability and optical performance. Engineered to meet the demands of modern video production, the GF 32-90mm T3.5 PZ OIS WR reduces the need for frequent lens changes by spanning wide-angle to standard focal lengths in a single lens. This efficiency is ideal for small-crew or solo productions, enabling high-quality shooting with minimal setup. The lens maintains a bright T3.5 aperture throughout the zoom range, ensuring consistent exposure control and smooth depth-of-field transitions, allowing filmmakers to capture the subtleties of light and texture with precision. Optical excellence is at the core of this lens, featuring 25 elements in 19 groups, including three ED and three aspherical elements. Advanced Nano GI coating minimizes flare and ghosting, delivering crystal-clear images even in challenging lighting conditions. Breathing is effectively suppressed for stable compositions during focus pulls, while the 13-blade nearly circular aperture produces beautiful, creamy bokeh that enhances cinematic expression. Video professionals will appreciate the intuitive power zoom mechanism, combined with precise electronic control for focus, zoom, and aperture rings. The lens incorporates smooth, high-precision autofocus and image stabilization, ensuring reliable performance during handheld or dynamic shooting scenarios. Its compact dimensions and ergonomic design make long shooting sessions more manageable without compromising optical quality. When paired with the FUJIFILM GFX ETERNA 55 camera, this lens unlocks new creative possibilities, offering filmmakers unprecedented flexibility, speed, and image fidelityFeatures – FUJINON GF 32-90mm T3.5 PZ OIS WR First power zoom lens in the GF lineup for cinematic video Focal length: 32-90mm (equivalent to 25-71mm in 35mm format) Constant T3.5 aperture across entire zoom range 25 elements in 19 groups, including 3 ED and 3 aspherical lenses Nano GI coating reduces flare and ghosting Cinema lens-inspired operability and ergonomic design Lightweight body: approximately 2.1kg Compact length: 222mm Rear focus system for precise focus control 200-degree focus rotation for accurate manual focusing Three independent manual rings: focus, zoom, iris (aperture) 13-blade rounded diaphragm for smooth bokeh Power zoom control via camera (GFX ETERNA 55) High-speed, high-precision autofocus Advanced image stabilization for handheld shooting Minimal focus breathing for stable compositions Supports standard cinema accessories like follow focus and lens motors Durable weather-resistant construction Technical Specifications – FUJINON GF 32-90mm T3.5 PZ OIS WR Type: Power Zoom Large Format Lens Lens Configuration: 25 elements in 19 groups (3 aspherical, 3 ED) Focal Length: 32-90mm (35mm equivalent: 25-71mm) Angle of View: 81.0°-33.8° Maximum Aperture: T3.5 Minimum Aperture: T32 Aperture Blades: 13 (rounded diaphragm) Minimum Focus Distance: 0.8m (both wide and tele) Maximum Magnification: 0.06x Filter Size: 111mm Image Stabilization: Yes, optical Autofocus: High-speed, precise Lens Mount: FUJIFILM G Mount Lens Type: Power Zoom Cine Lens Weather Resistant: Yes Accessories Included: Front/Rear lens caps, support foot, zoom lever, lens case Dimensions & Weight Diameter: 123.5mm (114mm effective) Length: 222.5mm Weight: 2,150g
The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length
* in Development *The FUJINON UA22×4.8BERD is a versatile 4K broadcast zoom lens that combines wide-angle capability with powerful zoom performance in a compact and lightweight body. Covering a focal range from 4.8mm wide-angle to 106mm telephoto, it offers outstanding flexibility for news coverage, studio productions, and live sports broadcasting. Its wide 4.8mm angle makes it especially useful in tight indoor environments, while the 22x zoom ensures detailed, immersive visuals even in large-scale arenas. Weighing only 2.2kg and measuring just 252mm in length, the UA22×4.8 is engineered for high mobility and reduced operator fatigue, particularly for handheld or shoulder-mounted shooting. Its lightweight construction ensures ease of operation during long shoots without compromising durability. Compared to its predecessor, the UA18x5.5, this model expands the focal range while maintaining the same portability, offering broadcast professionals a wider field of view and greater creative flexibility. With cutting-edge optical simulation technology and Fujifilm’s HT-EBC multi-layer coating, the UA22×4.8 delivers superb 4K image quality across the entire zoom range. High transmittance and precise color reproduction ensure HDR-ready shooting, capturing smooth tonal gradations and reducing issues like black crush or highlight blowout in high-contrast conditions. Equipped with 16-bit encoders for precise position detection, the lens also supports virtual and remote production workflows, making it a forward-looking choice for modern broadcasting environments. Features – FUJINON UA22×4.8BERD Wide-angle shooting at 4.8mm with 22x zoom up to 106mm Compact and lightweight design: 252mm length, 2.2kg weight Ideal for news, studio, and sports broadcasting applications 4K optical performance with minimized aberrations across zoom range HT-EBC multi-layer coating for high light transmittance and accurate color HDR-ready for smooth gradations and high-contrast shooting conditions Close focus capability: 0.4m across entire zoom range High-resolution 16-bit encoders for virtual/remote production workflows Technical Specifications Format: 2/3-inch sensor broadcast cameras Focal length: 4.8mm–106mm Zoom ratio: 22x Optical performance: 4K resolution across full zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) HDR support: Balanced exposure for high dynamic range shooting Encoders: High-resolution 16-bit for zoom/focus position detection Minimum object distance: 0.4m across zoom range Dimensions & Weight Length: 252mm Weight: Approx. 2.2kg
The FUJINON LA30x7.8BRM sets a new standard in the broadcast lens category, offering a class-leading 30x zoom in a remarkably compact and lightweight design. With a focal range of 7.8mm wide-angle to 234mm telephoto, it provides outstanding versatility for broadcast professionals who need to capture everything from expansive stadium shots to close-up details. Weighing just 1.7kg and measuring only 190mm in length, this lens ensures excellent mobility and reduced operator fatigue, making it ideal for ENG-style shooting and live event coverage. Designed for today’s fast-evolving broadcast and production environments, the LA30x7.8 integrates a newly developed drive unit with high-resolution 16-bit encoders. This enables precise position detection for zoom, focus, and iris, ensuring seamless integration with virtual and remote production workflows. Whether you are working on live sports, music performances, or news coverage, the lens provides the speed, accuracy, and flexibility required for both creative and technical excellence. The advanced optical design delivers true 4K performance across the entire zoom range. Fujifilm’s proprietary HT-EBC multi-layer coating enhances light transmittance and color accuracy, ensuring crisp, vibrant images with minimal aberrations. Additional features such as a macro function for extreme close-ups, electronic flange back adjustment, autofocus command support, and a rear-focus mechanism for reduced breathing make the LA30x7.8 a powerful tool for broadcasters seeking both reliability and cutting-edge image quality. Features – FUJINON LA30x7.8BRM Highest-in-class 30x zoom covering 7.8mm–234mm range Compact and lightweight: 190mm length, 1.7kg weight Newly developed drive unit with 16-bit encoders for virtual/remote production Ultra-fast zooming from wide to tele in 1.0 sec or ultra-slow in 120 sec Rear-focus mechanism to minimize focus breathing Fujifilm HT-EBC multi-layer coating for high transmittance and true color reproduction Macro function for extreme close-ups up to 5cm Supports autofocus control commands from the camera Technical Specifications Format: 2/3-inch sensor broadcast cameras Zoom ratio: 30x (7.8mm–234mm) Drive unit: Newly developed with high-resolution 16-bit encoders Optical performance: 4K resolution across entire zoom range Coating: HT-EBC (High Transmittance Electron Beam Coating) Flange back: Electronic adjustment function Zoom speed: Max. 1.0 sec / Min. 120 sec (wide–tele) Mechanism: Rear-focus system for minimized breathing Dimensions & Weight Length: 190mm Weight: Approx. 1.7kg
The Leitz Cine HUGO 40 mm T1.5 is the long-awaited expansion to the HUGO series, delivering the most requested focal length in professional cinematography. Designed in close collaboration with Leica Camera engineers, this prime lens captures the emotional, organic character of Leica glass while being optimized for demanding film productions. Filling the gap between 35 mm and 50 mm, the 40 mm prime offers a unique balance of intimacy and perspective, making it one of the most versatile focal lengths for narrative and commercial filmmaking. Its rendering is unmistakably cinematic: soft fall-off, creamy bokeh, rich color transitions, and sharpness in the center without appearing overly clinical. The result is a natural, tactile image that resonates with audiences and enhances storytelling. Compact, lightweight, and mechanically precise, the HUGO 40 mm is ideal for handheld work, gimbals, drones, and compact rigs, while still maintaining full professional cinema functionality. With a fast T1.5 aperture, consistent housing design across the HUGO line, and multiple mount options, it is a reliable and creative tool for filmmakers who demand exceptional optical performance with Leica’s legendary signature. Features – Leitz Cine HUGO 40 mm T1.5 Cinematic 40 mm focal length, perfect balance between 35 mm and 50 mm Maximum aperture of T1.5 for exceptional low-light performance and shallow depth of field Signature Leica rendering with soft fall-off, creamy bokeh, and rich colors Co-developed with Leica Camera engineers for unique optical character Compact and lightweight design, optimized for handheld and gimbal use Standardized housing with matched focus and iris positions across the HUGO series 0.8 MOD cine gearing for seamless integration into professional rigs Technical Specifications Focal length: 40 mm Maximum aperture: T1.5 Image circle: 43.3 mm (full-frame / VistaVision coverage) Minimum focus: approx. 0.36 m (14 in) Iris: 11 rounded blades Focus rotation: 270° Iris rotation: approx. 70.5° Mount options: LPL, L, M Dimensions & Weight Length: 68 mm Front diameter: 95 mm Filter thread: 92 mm screw-in Weight: approx. 810–870 g
The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet