Sony

  Sony CEA-G Series CFexpress Type A Memory Card 160GB Ultra-high-speed storage for innovative creators The new CFexpress Type A standard was developed to provide compact cameras with the ultra-high-speed performance required for cutting-edge video creation. It maximises the capabilities of α-series cameras and the latest image-processing engines. For creators seeking higher levels of performance and expression, this compact card is a must-have.CFexpress Type A – A new standard for compact storageSuper-charge your professional video and photography workflows with Sony’s CFexpress Type A memory cards – ideal for advanced cameras like the α7S III. The world’s firstCFexpress Type A cards, they deliver extraordinary speed, around twice that of the best SDXC cards, in a similarly compact body. With write speeds up to 700MB/s and professional-level durability, Sony CFexpress Type A cards open up a wide range of new imaging possibilities.Extraordinary response speedDramatically expand your photographic possibilities, with uncompressed continuous RAW shooting for fast-moving action such as motor sports and wildlife. Writing speeds of up to 700MB/s far outperform even the best SDXC cards, ensuring ultra-fast camera buffer clearance for responsive continuous shooting.Dependable videographySony CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture on cameras like the α7S III, where dependability is critical. For extra reassurance and video recording stability they also carry the VPG (Video Performance Guarantee) 400.Ultra-efficient workflowDramatically accelerate your workflow with the optimised MRW-G2 card reader and ultra-fast read speeds of up to 800MB/s for data transfer and backup. Work seamlessly with high-resolution photos and high-bitrate video, to turn projects around at the speed of your imagination.Rugged. Reliable. Ready.Partnered with professional equipment like the α7S III, CFexpress Type A memory cards are perfect for the unpredictability of sport and location shoots or the hazards of outdoor expeditions. They are designed for extended professional use in the most challenging environments – from snow-covered mountains to sand-blown deserts – so you can shoot, swap and store with total confidence.For the roughest placesThanks to Sony’s unique TOUGH card design, our CFexpress Type A cards offer over 10x greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during  drops from up to 7.5 metres – 5 times that mandated by the CFexpress Type A standard.For the toughest conditionsYou can rely on CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments and intense UV light or X rays. With IP57 dust and moisture ingress protection your data is safe even from a drop at the beach or an accidental cycle through the washing machine.   SPECIFICATIONS    

  Sony CEA-G Series CFexpress Type A Memory Card 80GB Ultra-high-speed storage for innovative creators The new CFexpress Type A standard was developed to provide compact cameras with the ultra-high-speed performance required for cutting-edge video creation. It maximises the capabilities of α-series cameras and the latest image-processing engines. For creators seeking higher levels of performance and expression, this compact card is a must-have.CFexpress Type A – A new standard for compact storageSuper-charge your professional video and photography workflows with Sony’s CFexpress Type A memory cards – ideal for advanced cameras like the α7S III. The world’s firstCFexpress Type A cards, they deliver extraordinary speed, around twice that of the best SDXC cards, in a similarly compact body. With write speeds up to 700MB/s and professional-level durability, Sony CFexpress Type A cards open up a wide range of new imaging possibilities.Extraordinary response speedDramatically expand your photographic possibilities, with uncompressed continuous RAW shooting for fast-moving action such as motor sports and wildlife. Writing speeds of up to 700MB/s far outperform even the best SDXC cards, ensuring ultra-fast camera buffer clearance for responsive continuous shooting.Dependable videographySony CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture on cameras like the α7S III, where dependability is critical. For extra reassurance and video recording stability they also carry the VPG (Video Performance Guarantee) 400.Ultra-efficient workflowDramatically accelerate your workflow with the optimised MRW-G2 card reader and ultra-fast read speeds of up to 800MB/s for data transfer and backup. Work seamlessly with high-resolution photos and high-bitrate video, to turn projects around at the speed of your imagination.Rugged. Reliable. Ready.Partnered with professional equipment like the α7S III, CFexpress Type A memory cards are perfect for the unpredictability of sport and location shoots or the hazards of outdoor expeditions. They are designed for extended professional use in the most challenging environments – from snow-covered mountains to sand-blown deserts – so you can shoot, swap and store with total confidence.For the roughest placesThanks to Sony’s unique TOUGH card design, our CFexpress Type A cards offer over 10x greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during  drops from up to 7.5 metres – 5 times that mandated by the CFexpress Type A standard.For the toughest conditionsYou can rely on CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments and intense UV light or X rays. With IP57 dust and moisture ingress protection your data is safe even from a drop at the beach or an accidental cycle through the washing machine.   SPECIFICATIONS      

Sony FX3 Full-Frame Camera for Cinematic Look and Enhanced Operability for CreatorsFX3 Product Highlights     Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work     Multiple 1/4-20 UNC threaded mounting points to easily attach compatible accessories     Detachable XLR handle unit with two XLR/TRS audio inputs and one 3.5mm stereo jack     S-Cinetone™ look – inspired by the color science of the digital cinema camera VENICE – which is also used in FX9 and FX6 Cinema Line cameras     Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recordingi     Records up to 4K 120pii     10.2 megapixeliii full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine     Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic rangeiv     Fast Hybrid AF (Autofocus), Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras     5-axis in-body image stabilization with "Active Mode"v supports handheld movie shooting The Sony FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active modev, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.Cinematic LookThe FX3 boasts Sony's industry-leading image sensor technology to achieve high processing speeds and outstanding image quality. The full-frame, back-illuminated Exmor R CMOS sensor (approximately 10.2 effective megapixel count for video recording and approximately 12.1 effective megapixels count for stills) and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The standard ISO range is 80 to 102,400 (expandable to 409,600when shooting video), and dynamic range is an impressively wide 15+ stopsiv.In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using the S-Cinetone color matrix. Inspired by the color science used in Sony's flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and smooth highlights that are essential to create a cinematic look.Creators can record in 4K at up to 120 frames per secondii. Extraordinarily smooth slow-motion imageryvi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.Designed for Comfortable Solo-ShootingSony's most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 1.58 lbs. (715 g), including the battery and memory cards, and the body is only 5.11 in x 3.33 in x 3.06 in (77.8 mm x 129.7 mm x 84.5 mm). The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots.Designed for mobility and efficiency, the FX3's body features five 1/4-20 UNC threaded mounting points to easily attach compatible accessories while remaining light enough for handheld shooting and making it easy to set up and carry. The supplied XLR handle securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional threaded mounting points for accessories. Optional accessories such as external monitors, recorders, wireless microphones, or other add-ons can be securely attached.To enable 4-channel 24-bit audio recording, the supplied XLR handle includes two balanced XLR/TRS audio inputs and an additional 3.5mm stereo 2-channel jack. With an optional XLR or TRS microphone connected, the XLR adaptor on the handle takes care of the A/D (Analogue to Digital) conversion and DSP (Digital Signal Processing), and transfers the digital audio data directly to the camera for outstanding audio quality.  Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers easy set up. If the handle is not being used, the FX3 includes a 3.5mm stereo mic input on the camera body.The FX3 provides Fast Hybrid autofocus (AF) by using the 627 pointsvii focal plane phase-detection system during movie recording. The camera is further enhanced with Touch Tracking (Real-Time tracking) where simply touching the desired subject on the monitor screen initiates auto focus and tracking on that subject. Precise and smooth focus is maintained with Real-time Eye AF – technology that pinpoints the eye even when subjects are looking down or up at steep angles. Additionally, other AF features have been included and refined in response to feedback from professional users, including AF Transition Speed, AF Subject Shift Sensitivity, intuitive control and AF support when focusing manually. These AF features have been implemented in the FX3 to ensure stable, flexible and precise focusing in any situation and are easy to operate for solo shoots.The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Modev that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.Expandability and Operability for Content CreatorsOperabilityFX3 was designed to optimize professional operability. The controls frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body for easy access. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency.The zoom lever located on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control.Recording lamps (tally) are provided on the top, front and back of the camera, so that the operator and talent can easily confirm recording.  A side-opening vari-angle touch-panel LCD monitor allows for easy operation and is suitable for gimbal-mounted shots, complicated angles, handheld operation and more. Flexible Exposure Mode allows the FX3 to have a similar Auto/Manual switch operation as other FX series cameras for iris, shutter speed and ISO, which can be set independently.ReliabilityCreators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdowni. The newly developed fan provides high-efficiency cooling by drawing air into the camera via the bottom panel and exhausts via the side.The new camera also features a dust and moisture resistant designix and durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast chargingx for uninterrupted recording.ExpandabilityThe FX3 is compatible with several recording functions including S-Log3 gamma and S-Gamut3.cine, which record in a high dynamic range and wide color gamut. It also supports internal recording in XAVC S™ (MPEG-4 AVC/H.264 Long GOP) and XAVC S-I (MPEG-4 AVC/H.264 Intra) formats in 4K (QFHD) and FHD, and XAVC HS™ (MPEG-H HEVC/H.265, 4K only) format. 4K 60p video in 10-bit 4:2:2 or 16-bit RAW formatxi can be output to an external device via the FX3 full-size HDMI Type-A jack.The FX3 also offers two fast, future-oriented media slots that contribute to unprecedented shooting freedom by being compatible with either CFexpress Type A or SDXC cards. The same data can be simultaneously recorded to both cards for backup and a "relay" mode will automatically switch to the second media card when the first media card becomes full during recording.The new camera has been developed with advanced connectivity features to better assist professional creators with high-speed wireless LAN functionality (2.4 GHz or 5 GHz bandxii) and wired LAN connection via a compatible USB-to-Ethernet adaptor. The FX3 supports video and still file transfers to a specified remote FTP server.  This FX3 also allows for remote shooting from a PC using the Imaging Edge Desktop™ application's "Remote" function via Wi-Fi, or Superspeed USB 5Gbps connection over USB Type-C® terminal.FEATURESImage sensor with blazingly fast readout speedThe back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.High performance image-processing engine The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production. Acclaimed cinematic colour with S-Cinetone™The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.All-Intra internal recordingIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 4K High Frame Rate 120fps recordingYou can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.16-bit RAW data outputFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4Kworkflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).HEVC codec with high compression efficiencyXAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes. Proxy recording for more efficient editing workflow Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720). Expand your vision with Creative LookLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.Flexible exposure modeFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.Fast, easy touch focus controlTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology. Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.Flexible camera positioning with vari-angle monitorThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity. Power for professional lengthFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast chargingor continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery. Reliable durability and weather resistance in tough situationsIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.   SPECIFICATIONS        

 Cinema Line Full-frame PTZ Interchangeable Lens camera with 15+ stop dynamic range, 4K (QFHD) high-frame-rate 120fps, Fast Hybrid & Real-time Eye AF, and S-Cinetone™ colour science.Sony’s New Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers. A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support. Uncompromised Image Quality in a PTZ Form FactorThe FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light. The FR7 features Sony's E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including: The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light. A 15+ stop latitude*3 allows smooth highlights and low noise levels. A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony's original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces. Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look. Easy Operation for Storytelling from New Angles With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony's RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation.The supplied infrared remote controller will also support the FR7's simple operation Variable PTZ Movements for Smooth Camera WorkPan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.Up to 100 Preset Camera PositionsThe FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button. The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony's Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update.Real-time Eye AF and Real-time TrackingFast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used. The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7's web application, with Real-time Eye AF if an eye is detected.Sony's Built-in Electronically Controlled Variable ND FilterThe built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.Versatile Interfaces for Various Production WorkflowsThe FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.Internal XAVC Recording and External RAW OutputA rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications. CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately). Professional Video and Audio InterfaceHDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.Ethernet ConnectivityCamera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements. The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment. The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.Multicamera Production SynchronizationThe Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups. Additionally, red/green tally lights are provided on the camera's side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location.  

  Sony CBK-3620XS Realto VENICE Extension System 2 The [CBK-3620XS] is increasing the flexibility compared with [CBK-3610XS] as customers are now able to use both sensors with even more distance between the sensor and the body. This will add the possible usage also on cranes which have been limited before. This model is able to support all features of VENICE 2 and will expand the creativity of DoPs. Shooting a scene handheld with an impossible sense of freedom comparable to a stills camera. Revolutionizing aerial photography with an array of three cameras inside a jet fighter’s cockpit. The original VENICE Extension was created out of a partnership with a director demanding impossible flexibility for a 3D shoot where there could be no compromise in image quality. The innovative cabled separation of the image sensor and camera body meant cinematographers no longer needed to compromise their vision. Its compact size allowed DoPs to fit truly cinematic lenses and achieve their preferred look in every scene. Key features Supports VENICE2 8K high quality images (Compatible with VENICE2-8K/VENICE2-6K/VENICE) 2 new cable lengths, 12m & 3m no repeater necessary (both cables are included in the CBK-3620XS) Tilt/Roll sensor built-in 3 more assign buttons (4 in total for VENICE2) Unique technology Second Generation EnhancementsIncorporating customer feedback and developed alongside VENICE 2, the VENICE Extension System 2 (CBK-3620XS) offers a wider bandwidth to support the VENICE 2 with an 8K sensor, over twice as much cable distance (up to 12 m) without a repeater box, additional control buttons and a built-in gyro sensor. It once again expands the realms of possibility for cinematography. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors, while also supporting the original VENICE camera with extended 12-m cable length. The Extension System also has an HD-SDI output and a 24-V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to accessorize and fit on to a wide variety of rigs while the main weight of the camera can be supported elsewhere. There’s no need for a smaller, lighter B-camera for extreme shooting scenarios. You can shoot everything with one modular camera system.   DetailsIdeal for shooting in tight spaces and with gimbalsThe Extension System camera head measures 158 × 147 × 126 mm (H × W × D)*, weighing around 2.2 kg* with a PL mount adapter and 1.7 kg* with E mount when used with the VENICE 2 8K sensor block. The separated sensor block with lens is so small and light it allows for an easy handheld mode, enabling you to locate it in tiny spaces, keeps stabilization systems lightweight, allows use of larger lenses while maintaining a smaller profile, facilitates faster operation for motion-control rigs, use of body mounts, and other situations that you wouldn’t expect possible for a full-frame cinema camera. The creative freedom without any image compromise is boundless.Extends up to 12 meters without a repeaterThe original VENICE Extension System could reach a maximum extension of 5.5 m between the camera head and body. The VENICE Extension System 2 more than doubles that with transmission distance up to 12 m. The original also needed a repeater to connect the middle of the cable between the head and body to reach 5.5 m. The CBK-3620XS extends to 12 m without a repeater. This enables greater freedom of movement and expands the range of shooting possibilities, particularly when used with a crane. The CBK-3620XS also offers both 3-m and 12-m cables. Simply choose the best one for your needs.Gyroscopic support with recording to metadataWhile shooting with the original Extension System did not accommodate use of a spirit level indicator (gyroscope sensor), the CBK-3620XS is equipped with a sensor on the camera head side that detects horizontal and vertical tilt. This allows use of a spirit level indicator and spirit level gauge graphical indicator on the camera's main monitor, even when shooting with the CBK-3620XS. Camera head tilt information can be checked when shooting at different head and tilt angles – ideal for VFX applications. Naturally, the horizontal and vertical tilt are also recorded in the metadata and output through the camera’s SDI.4 assignable (ASSIGN) buttons on camera head for easy operationThe camera head has four ASSIGN buttons that can be set to functions such as change ND filter settings, REC Start/Stop and more for easier operation with VENICE 2. Choose a custom set-up that suits your preference for any scene. Please note the original VENICE is limited to one button operation with CBK-3620XS.Compatible with VENICE* and VENICE 2**The CBK-3620XS was developed alongside VENICE 2 to support both 8K and 6K sensors. It is also compatible with the original VENICE using the latest firmware, however, due that camera’s existing functionality, some CBK-3620XS features may not be available. VENICE does not support spirit level display and recording to metadata, while only one assignable button is functional rather than four. However, VENICE fully benefits from greater cabling length.* VENICE requires the latest firmware.** VENICE 2 requires the latest firmware. Specifications Power consumptionApprox. 3.0 W (with 3-m extension)Approx. 3.0 W (with 12-m extension)Operating Temperature0 °C to 40 °C (32 °F to 104 °F)Storage Temperature–20 °C to +60 °C (–4 °F to +140 °F)MassImager Block Adapter 3 m: 1.8 kg (3 lb 16 oz)Imager Block Adapter 12 m: 3.2 kg (7 lb 1 oz)Camera Body Adapter: 0.4 kg (14 oz)CBK-3620XSApprox. 5.4 kg (11 lb 15 oz)(excluding supplied accessories)Input/Output Connectors24 V IN connector (Fischer 3-pin) (1)24 V OUT connector (Fischer 3-pin) (1)MONITOR IN connector (BNC type) (1)MONITOR OUT connector (BNC type) (1)  

Sony VENICE 2 6K – Redefining the Art of Cinematic Imaging Unmatched Resolution and Sensor Performance The Sony VENICE 2 6K Cinema Camera represents the next evolution in digital cinematography, featuring a full-frame 6K CMOS sensor (6048 x 4032) capable of capturing exquisite detail in every frame. With dual base ISO of 500 / 2500 and over 15 stops of dynamic range, cinematographers can achieve pristine results in both high-light and low-light scenarios. Shadows retain subtle detail and highlights roll off smoothly, ensuring a natural, cinematic depth even in challenging lighting. Whether shooting sweeping landscapes, intricate interior scenes, or dimly lit narratives, the VENICE 2 6K provides unmatched control over exposure and tonal gradation, enabling filmmakers to capture every nuance of a scene without compromise. Modular Design for Maximum Flexibility The VENICE 2 6K features a modular architecture designed for adaptability on set. The sensor block, core, and extension units can be separated, allowing it to be rigged for gimbals, drones, handheld setups, or fully equipped studio mounts. The lightweight magnesium alloy body combines durability with portability, ensuring reliable performance during extended shoots. Lens versatility is enhanced with interchangeable PL and E-mount options, allowing a wide array of prime, zoom, and anamorphic lenses to achieve signature cinematic looks. This modularity ensures the VENICE 2 6K fits seamlessly into complex productions without limiting creative choices. Advanced Color Science and Cinematic LookSony’s renowned 6K Recording and Versatile Workflow Options The VENICE 2 6K supports full-frame 6K recording at up to 60 fps, enabling slow-motion capture, high-resolution reframing, and precise VFX integration. For productions requiring compositing, the camera offers 4K crop modes, maintaining creative flexibility without sacrificing quality. Professional post-production is supported through 16-bit RAW output and codecs such as X-OCN XT and ProRes HQ, preserving every nuance of the captured image. This combination of high-resolution capture and robust codec support enables cinematographers and post-production teams to handle complex workflows efficiently while retaining maximum image fidelity. Practical Advantages on Set Open in new window The VENICE 2 6K is designed for professional production demands. Its dual base ISO reduces the need for extensive lighting setups, while the robust construction ensures uninterrupted operation in extreme environments. Modular design allows rapid reconfiguration to meet changing shot requirements. Whether used for feature films, commercials, episodic content, or VFX-heavy productions, the combination of flexibility, reliability, and unmatched image quality makes the VENICE 2 6K a trusted tool for cinematographers worldwide. Why Filmmakers Choose the VENICE 2 6K Sony Venice 2 mit Extension System Mini Every aspect of the VENICE 2 6K—from sensor design and dual base ISO to modularity and color science—is engineered to empower filmmakers to tell stories without compromise. Its combination of resolution, dynamic range, color fidelity, and adaptability ensures every project achieves its full visual potential. For storytellers seeking more than a digital camera, the VENICE 2 6K becomes a partner in cinematic expression, capturing imagery that is richly detailed, emotionally compelling, and visually transformative. Key Features of the Sony VENICE 2 6K Full-frame 6K CMOS sensor (6048 x 4032) Dual Base ISO: 500 / 2500 Over 15 stops dynamic range 16-bit RAW output, X-OCN XT/ST/LT, ProRes HQ/422 Full-frame 6K recording up to 60 fps 4K crop modes for VFX and reframing S-Gamut3.Cine and S-Log3 workflow Real-time LUT preview on set Modular construction with separable sensor, core, and extension units Interchangeable PL and E-mount lenses (supports anamorphic optics) Lightweight magnesium alloy body with integrated cooling Rialto Extension System compatible Technical Specifications and Workflow Advantages Sensor: Full-frame 6K CMOS (6048 x 4032) Frame Rates: up to 60fps in 6K Dual Base ISO: 500 / 2500 Dynamic Range: over 15 stops Recording: 16-bit RAW, X-OCN XT/ST/LT, ProRes 4444/422HQ Crop Modes: 4K for VFX/reframing Lens Mount: Interchangeable PL and E-mount Modular Body: separable sensor, core, and extension units Media: AXS Cards Cooling: Integrated system for long shoots Comparison Table: VENICE 2 6K vs VENICE 2 8K Feature VENICE 2 6K VENICE 2 8K Sensor Full-frame 6K (6048 x 4032) Full-frame 8.6K (8640 x 5760) Dynamic Range Over 15 stops Over 16 stops Dual Base ISO 500 / 2500 500 / 2500 Max Frame Rate 60 fps at 6K 60 fps at 8K Recording Formats X-OCN, ProRes 4444/422HQ X-OCN, ProRes 4444/422HQ Crop Modes 4K 6K / 4K Lens Mounts PL / E-mount PL / E-mount Rialto Extension System Compatible Compatible Download: Recording Format Poster For a detailed overview of supported recording formats, download the PDF here: VENICE 2 6K Recording Format Poster Chart and images courtesy of Sony.

Sony Venice 2 8K – Redefining the Art of Cinematic Imaging Unmatched Resolution and Sensor Performance The Sony Venice 2 8K represents a pinnacle in digital cinematography, offering a full-frame 8.6K CMOS sensor capable of capturing extraordinary detail across every frame. Unlike cameras that chase resolution as a mere number, the Venice 2 integrates its sensor with advanced imaging technology and dual base ISO (500 / 2500), allowing cinematographers to achieve pristine results in both high-light and low-light scenarios. Its 16+ stops of dynamic range preserve subtle shadow detail and smooth highlight roll-off, ensuring images maintain a natural, cinematic depth even in challenging lighting. Whether filming sweeping landscapes, intricate interior scenes, or dimly lit narratives, the Venice 2 provides unmatched control over exposure and tonal gradation. This makes it a versatile choice for productions where lighting is dynamic or unpredictable, enabling filmmakers to capture every nuance of the scene without compromise. Modular Design for Maximum Flexibility One of the Venice 2’s defining features is its modular architecture, designed for adaptability on set. The camera’s sensor, core, and extension units can be separated, allowing it to be rigged for gimbals, drones, handheld setups, or fully equipped studio mounts. Its lightweight magnesium alloy body combines durability with portability, ensuring reliable performance during extended shoots, whether on location or in controlled studio environments. Lens versatility further enhances creative freedom. With interchangeable PL and E-mount options, filmmakers can pair the camera with a wide array of high-end prime and zoom lenses, including anamorphic optics, to achieve signature cinematic looks. This modular approach ensures the Venice 2 fits seamlessly into complex productions without limiting artistic choices. Advanced Color Science and Cinematic Look Sony’s Venice Color Science is central to the Venice 2, offering filmmakers an authentic, filmic image quality. Skin tones appear natural, highlights roll off smoothly, and shadows retain rich texture, making the camera ideal for character-driven narratives. Its S-Gamut3.Cine color space and S-Log3 workflow support HDR production and provide extensive grading latitude in post-production. The camera also supports real-time LUT previews, allowing directors and DPs to evaluate the intended look on set. This immediate feedback is invaluable for high-budget productions where visual consistency and creative intent are critical. By combining sensor performance with advanced color science, Venice 2 ensures every frame can be graded precisely to meet the director’s vision. 8K Recording and Versatile Workflow Options The Venice 2 doesn’t just excel in resolution—it integrates flexible shooting formats for modern production demands. 8K full-frame recording at up to 60fps enables slow-motion capture, high-resolution reframing, and precise VFX integration. For productions requiring compositing, the camera offers 6K and 4K crop modes, providing creative flexibility without sacrificing quality. Professional post-production is supported through 16-bit RAW output and codecs such as X-OCN XT and ProRes HQ, ensuring that every nuance captured by the sensor is preserved. This combination of high-resolution capture and robust codec support allows cinematographers and post-production teams to handle complex workflows efficiently while retaining maximum image fidelity.Sony Venice 2 8K - Menu Simulator Practical Advantages on Set The Venice 2 is built not only for image quality but also for practical, day-to-day production demands. Its dual base ISO enables faster setup and reduces dependency on extensive lighting equipment. Its robust construction ensures uninterrupted operation in extreme environments, while modularity allows rapid reconfiguration to meet changing shot requirements. Whether used for feature films, commercials, high-end episodic content, or VFX-heavy productions, the Venice 2’s combination of flexibility, reliability, and unmatched image quality makes it a trusted tool for professional cinematographers around the world. Why Filmmakers Choose the Venice 2 Open in new window In a market crowded with high-resolution cinema cameras, the Sony Venice 2 8K stands out not only for its specifications but for its ability to translate technical excellence into creative freedom. Every aspect of the camera—from sensor design and dual base ISO to modularity and color science—has been engineered to empower filmmakers to tell stories without compromise. Its combination of resolution, dynamic range, color fidelity, and adaptability ensures that every project can achieve its full visual potential. For storytellers seeking more than a digital camera, the Venice 2 becomes a partner in cinematic expression, capturing imagery that is richly detailed, emotionally compelling, and visually transformative. From the quietest character moments to epic cinematic sequences, it delivers a consistent, filmic quality that elevates every frame.Key Features of the Sony Venice 2 8K Sony Venice 2 mit Extension System Mini The Sony Venice 2 8K offers an impressive array of features designed for professional filmmakers who require precision, flexibility, and high-end image quality. At the forefront is the camera’s full-frame 8.6K sensor, which provides a level of detail that is unmatched in digital cinematography. This sensor captures subtle textures and fine details, making it ideal for large-format productions and high-end visual effects workflows. The dual base ISO of 500 and 2500 ensures that the camera can handle both brightly lit exteriors and low-light interiors with minimal noise, giving cinematographers greater creative freedom and reliability on set. The camera supports 8K full-frame recording at up to 60 frames per second, which allows for smooth slow-motion and provides the flexibility to reframe or crop in post-production without compromising image quality. For productions with heavy VFX requirements, the Venice 2 offers 6K and 4K crop modes, simplifying compositing workflows while maintaining the sensor’s full dynamic range. Recording is supported through 16-bit RAW output and professional codecs such as X-OCN XT and ProRes HQ, ensuring that every subtle nuance of the captured image is preserved and ready for post-production. Sony’s renowned Venice Color Science is central to the camera’s appeal. The combination of S-Gamut3.Cine color space and S-Log3 log workflow provides filmmakers with an expansive dynamic range and a broad color palette for grading in post. Skin tones remain natural and lifelike, highlights roll off smoothly, and shadows retain rich detail, making it easier to achieve cinematic results directly from the camera. Real-time LUT previews further enhance on-set workflow, allowing directors and cinematographers to evaluate color grading in real time and make creative decisions confidently. The Venice 2’s modular design is another standout feature, offering flexibility to configure the camera for different shooting scenarios. Its separable sensor, core, and extension units can be mounted on handheld rigs, gimbals, drones, or traditional studio setups. Lens compatibility includes interchangeable PL and E-mount options, allowing the use of a wide variety of primes, zooms, and anamorphic lenses. Combined with its lightweight magnesium alloy body and integrated cooling system, the Venice 2 can endure long shooting days while remaining adaptable to complex production environments.Technical Specifications and Workflow Advantages The technical specifications of the Sony Venice 2 8K reflect its positioning as a top-tier digital cinema camera. The camera supports full-frame 8.6K resolution (8640 x 5760), with frame rates up to 60fps and an extended ISO range for diverse lighting conditions. Its dual base ISO allows filmmakers to choose optimal sensitivity without compromising dynamic range, which exceeds 16 stops for outstanding highlight and shadow detail. Recording options include professional-grade X-OCN, ProRes, and 16-bit RAW formats, ensuring compatibility with high-end post-production workflows. The Venice 2 is designed for practical use in demanding production environments. Its modularity allows quick reconfiguration for studio, location, or aerial work, and its durable construction ensures consistent performance in extreme conditions. Multiple lens mounts provide the creative freedom to pair the camera with virtually any professional optics, supporting both standard spherical and anamorphic lenses. Real-time LUT preview, high dynamic range support, and flexible recording modes make it a versatile tool for directors and cinematographers who need creative control from set to post. In addition, the Venice 2 supports multi-camera setups, with synchronized recording and SDI output for monitoring and live previews. This makes it ideal for complex productions such as commercials, episodic content, and feature films, where multiple cameras are often used simultaneously. By combining high-resolution capture, advanced color science, flexible workflow options, and practical usability, the Venice 2 ensures that filmmakers can focus on creative storytelling rather than technical limitations. Applications and Creative Potential The Sony Venice 2 8K is suitable for a wide range of cinematic applications, from narrative features and commercials to high-end episodic content and virtual production. Its ability to capture ultra-detailed 8K imagery makes it ideal for large-format projection and VFX-heavy sequences, while its dual base ISO and modular design enable filmmakers to adapt quickly to changing lighting and production environments. In practice, cinematographers have used the Venice 2 for complex tracking shots with gimbals or drones, high-speed slow-motion sequences, and intimate dialogue-driven scenes that require natural skin tones and nuanced shadows. The camera’s color science and dynamic range allow for consistent results across diverse lighting conditions, reducing the need for extensive color correction in post. Whether shooting a controlled studio environment or unpredictable real-world locations, the Venice 2 provides the technical reliability and creative freedom necessary for high-end productions. Sony Venice 2 8K – Technical Specifications Sensor & Image Quality Full-frame 8.6K CMOS sensor (36 x 24 mm) Maximum resolution: 8640 x 5760 pixels Frame rates: up to 60fps in 8K Dual base ISO: 500 / 2500 for optimal low- and high-light performance Dynamic range: over 16 stops for shadows and highlights High sensitivity with minimal noise Wide latitude for post-production grading Recording & Formats 16-bit RAW output for maximum image fidelity X-OCN XT and X-OCN recording for efficient post workflows ProRes HQ, ProRes 422 support Flexible crop modes: 6K and 4K for VFX and reframing High frame rate recording options for slow-motion sequences Color & Log Profiles Venice Color Science for natural, cinematic skin tones S-Gamut3 / S-Gamut3.Cine wide color gamut S-Log3 log gamma for extended dynamic range HDR support: HLG and S-Log3 workflows Real-time LUT preview on set for accurate creative monitoring Modular Design & Body Modular construction: separable sensor, core, and extension units Lightweight magnesium alloy body for durability Integrated cooling system for extended shooting sessions Rugged and reliable for extreme shooting conditions Compact design suitable for handheld, gimbal, drone, or studio rigs Lens & Optics Interchangeable PL and E-mount options Supports spherical and anamorphic lenses Full-frame coverage for cinematic lenses Optimized for both high-resolution primes and zooms Workflow & Monitoring Multi-camera synchronization for complex shoots SDI output for monitoring and live previews HDMI 2.1 for external displays and grading reference Flexible LUT application on set for creative decision-making Supports on-set color grading and immediate review Media & Connectivity Media options: Codex Capture Drives High-speed data transfer for RAW and ProRes files Network and remote control compatible File management optimized for post-production pipelines Additional Features Versatile for feature films, commercials, episodic content, and virtual production Ideal for high-end VFX workflows and large-format projections Reliable in unpredictable lighting and location conditions Smooth highlight roll-off and preserved shadow detail Enables precise creative control from set to post-production Comparison: Sony Venice 2 8K vs Sony Venice 2 6K Feature Sony Venice 2 8K Sony Venice 2 6K Sensor Full-frame 8.6K CMOS Full-frame 6K CMOS Maximum Resolution 8640 x 5760 6048 x 4032 Frame Rates Up to 60fps in 8K Up to 60fps in 6K Dual Base ISO 500 / 2500 500 / 2500 Dynamic Range 16+ stops 16+ stops Recording Formats X-OCN XT, X-OCN, ProRes HQ, 16-bit RAW X-OCN, ProRes HQ, 16-bit RAW Lens Mount PL / E-mount interchangeable PL / E-mount interchangeable Color Science Venice Color Science, S-Gamut3.Cine, S-Log3 Venice Color Science, S-Gamut3.Cine, S-Log3 HDR Support S-Log3, HLG S-Log3, HLG Weight (Body Only) 2.3 kg 2.2 kg Media Codex Capture Drives, SDI Output, HDMI 2.1 Codex Capture Drives, SDI Output, HDMI 2.0 Modular Design Separable sensor, core, and extension units Separable sensor and core unit Cooling System Integrated cooling for extended shoots Integrated cooling Crop Modes 6K / 4K crop modes for VFX 4K crop mode for VFX Multi-camera Support Yes, synchronized recording Yes, synchronized recording Workflow Optimization Real-time LUT preview, post-production ready Real-time LUT preview, post-production ready Ideal Applications Feature films, commercials, episodic content, VFX-heavy productions Feature films, commercials, episodic content

 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions The PVM-X1800 is an 24-inch 4K HDR high grade picture, 4K premium LCD (3840x2160) monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc.   Input for 12G-SDI and Quad-Lin 3G-SDI to HD-SDI as well as HDMI The PVM-X2400 provides 12G-SDI inputs and can accept quad-link 3G-SDI and a single HD-SDI from traditional devices. The monitor also supports an HDMI connection for display of inputs with signal formats ranging from 640x480/60P PC up to 4096x2160/60P 4:2:2 YCBC.   TECHNICAL SPECS Size: 24" / 610 mm Panel: α-SI TFT Active Matrix LCD Resolution: 3840 x 2160 (UHD) Brightness: 1000 nits Viewing angle: 89°/89°/89°/89° Display colors: Approx. 1.07 billion Color Depth: 10-bit Color Gamut: ITU-R BT.2020*3, ITU-R BT.709, DCI-P3*3, S-GAMUT3*3, S-GAMUT3.Cine*3 Video Inputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI, 1x HDMI (1.4) Video Outputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI Power Inputs:1x  XLR-type 3pin (m), 22V-32V DC Data I/O: 1x RJ45 8pin (Parallel Remote), 1x Ethernet 10BASE-T/1000BASE-TX RJ45 (Serial Remote LAN) LUTs: 33 grid point or 17 grid point .cube files are supported, User 3D LUT, Audio: 1x 3.5mm 3-pin Stereo Headphone Jack Power Requirements: AC 100V - 240V, 21A - 0.8A / DC 22V - 32V, 8.2A - 5.1A Power Consumption: approx. 180W (max at AC) / approx. 165W (max at DC) / 0.3W in power off-mode Dimensions with handle and with stand (HxWxD): 56,8x 39,8x 17,9 cm Dimensions with handle and without stand (HxWxD): 56,8x 39,8x 15,9 cm Weight: 10.5 Kg *3 The PVM-X2400 does not cover selected colour space in full.   FEATURES 4K/UHD 24” 10-bit LCD monitor 1000Nits Brightness 12G-SDI Video input HDR-SDR conversion support  

 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions The PVM-X1800 is an 18.4-inch 4K HDR high grade picture, 4K premium LCD (3840x2160) monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc.   Input for 12G-SDI and Quad-Lin 3G-SDI to HD-SDI as well as HDMI The PVM-X1800 provides 12G-SDI inputs and can accept quad-link 3G-SDI and a single HD-SDI from traditional devices. The monitor also supports an HDMI connection for display of inputs with signal formats ranging from 640x480/60P PC up to 4096x2160/60P 4:2:2 YCBC.   TECHNICAL SPECS Size: 18.4" / 469.2 mm Panel: α-SI TFT Active Matrix LCD Resolution: 3840 x 2160 (UHD) Brightness: 1000 nits Viewing angle: 89°/89°/89°/89° Display colors: Approx. 1.07 billion Color Depth: 10-bit Color Gamut: ITU-R BT.2020*3, ITU-R BT.709, DCI-P3*3, S-GAMUT3*3, S-GAMUT3.Cine*3 Video Inputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI, 1x HDMI (1.4) Video Outputs: 2x 12G/6G/3G/HD-SDI, 2x 3G/HD-SDI Power Inputs:1x  XLR-type 3pin (m), 22V-32V DC Data I/O: 1x RJ45 8pin (Parallel Remote), 1x Ethernet 10BASE-T/1000BASE-TX RJ45 (Serial Remote LAN) LUTs: 33 grid point or 17 grid point .cube files are supported, User 3D LUT, Audio: 1x 3.5mm 3-pin Stereo Headphone Jack Power Requirements: AC 100V - 240V, 21A - 0.8A / DC 22V - 32V, 8.2A - 5.1A Power Consumption: approx. 180W (max at AC) / approx. 165W (max at DC) / 0.3W in power off-mode Dimensions with handle and with stand (HxWxD): 44,4x 36,3x 16,9 cm Dimensions with handle and without stand (HxWxD): 44,4x 31,0x 14,9 cm Dimensions without handle and without stand (HxWxD): 32,6x 31,0x 14,9 cm Weight: 8.2 Kg *3 The PVM-X1800 does not cover selected colour space in full.   FEATURES 4K/UHD 18.4” 10-bit LCD monitor 1000Nits Brightness 12G-SDI Video input HDR-SDR conversion support  

World-leading handheld 4K HDR performanceAn all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.The complete package for professionalsUnpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimize training requirements.World's first 1/2-type 3CMOS Sensor for broadcast 4KThe Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction and enhanced detail reproduction) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.17x professional HD zoom lens with three independent rings with end-stop and large focal lengthThe PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3 mm to 515 mm (35 mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom, and iris, making for better and faster adjustment.The image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution, thanks to digital extender.Spectacular HDR performanceDemand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.S-Log3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in gradingInstant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of contentAmazingly fast precision auto focusThe PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and, however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.Built-in electronic Variable ND FiltersSony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.12G-SDI accelerated workflowRevolutionize your workflow with 12 Gbps content transfer—four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.Accurate OLED viewfinderAn expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast, and high resolution (2.36M dot) enables precise manual focus and eliminates any color-breaking phenomenon.Dual Multi-Interface (MI) ShoeMI Shoe provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximize operational flexibility.*Accessories sold separately. HVL-LBPC light does not draw power from PXW-Z280.Dual XLR and 4 Channel AudioThe PXW-Z280 offers superior professional audio capabilities with independent volume dials, enabling precision control of external audio inputs, including an MI-shoe attached microphone.Dual SxS media slotsThe camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay, or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode.**Simul and back-up recording are limited to HD operationNetworked for high mobilityThe PXW-Z280 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features: Dual Link Cellular—use two cellular networks in combination to provide an even more reliable network connection. The PXW-Z280 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.) High-quality Sony QoS Streaming to Network RX station (sold separately) and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location. FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature and other content files shot in XAVC (QFHD/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection is restored Trimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking. Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile™** allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0–10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity Wired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP *5 GHz support dependent on country/regional regulation. Only PXW-Z280V supports 5 GHz. **The Content Browser Mobile™ application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.High-quality XAVC Intra and XAVC Long GOP recordingsXAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high-definition recording with rich tonal expression.Broadcast-standard MPEG HD422 and MPEG HDHigh-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.DVCAM at 25 Mbps in MXF file formatMany broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.   SxS-1 Memory Card: Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacityRead speed up to 440MB/sSupports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation.Enhanced media management with Memory Media Utility:Memory Media Utility dedicated PC software for Sony memory media products (available from download) provides enhanced media management. Specifications Interface: ExpressCard/34, PCI Express Gen2 Read speed: 3.5Gbps (=440MB/s)* Write Speed: 1.6Gbps (=200MB/s)* : SBS-64G1C, SBS-128G1C 110MB/s* : SBS-32G1C Capacity: 32GB**: SBS-32G1C 64GB**: SBS-64G1C 128GB**: SBS-128G1C Model Name: SBS-32G1C, SBS-64G1C, SBS-128G1C Operating Temperature: -25℃-65℃ Storage Temperature: -40℃-85℃ Weight: Approx.27g Dimension (W x H x D): Approx.34 x 5 x 75 mm (excluding the projecting parts)  

The BP-U70 is a 72 Wh capacity lithium ion battery that offers an ideal balance of capacity and weight for many professional video applications.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U70 offers significantly higher capacity while having the same charging time than the previous generation BP-U60.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 84.5 x 69.7 mm; (1 11/16 x 3 3/8 x 2 3/4 inches) Mass: Approx. 450 g (15.9 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 72 Wh Charging time (using the BC-U1): Approx. 150 min. Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

PRE ORDER NOW! Sony FE C 16-35mm T3.1 G Cinema Lens Series full-frame wide angle zoom with advanced optical performance, operability and intelligent shooting functions.Cinematic images with beautiful bokehExperience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects.Responsive manual control for content creatorsAdjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE.Shoot with extra intelligenceEnjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.**Requires compatible cameras, remote controllers, smartphones and mobile apps.Unlimited expression for content creatorsExplore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE.Advanced optical designTwo XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance.Smooth, natural bokehAn ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects.Precise, responsive manual focusLinear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly.More options for content creatorsThe SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems.Detachable servo zoomThe included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable.Fast, accurate AF and AEThe SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field.SPECIFICATIONS Mount: Sony E-mount Format: Full Frame Focal-Length (mm): 16-35 Lens Type: Wide Zoom Aperture: T3.1 (F2.8), consistently superb resolution Detachalbe Servo Zoom De-clickable Iris ring What's in the Box: Hood Lens Front Cap Lens Rear Cap Soft Case Tripod Mount Lens Support Adapter  

The BP-U60 (56 Wh) Lithium-ion Battery effectively supports professional video shooting in both the field and the studio. The battery is are equipped with the professional INFO function that intelligently communicates battery status data to the PMW-EX1 camcorder.The remaining capacity of the battery is displayed on the LCD monitor and viewfinder when the camcorder is powered on. This intelligent battery-management function allows operators to monitor the battery status easily and accurately.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 82.5 x 69.7 mm; (1 11/16 x 3 1/4 x 2 3/4 inches) Mass: 350 g (15 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 56 Wh Charging time (using the BC-U1): Approx. 170 min Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

Charges two BP-U90/U60/U60T/U30 batteriesThe BC-U2A battery charger can simultaneously charge two compact BP-U90, BP-U60 / 60T or BP-U30 Lithium-ion batteries at high speed Built-in AC adaptor provides 12 V DC power output while charging one batteryThe BC-U2A also has 12 V DC power output cable to power a camcorder directly, while charging one battery simultaneously. Portable design for ease of useThe BC-U2A has a mass of 620 g (1 lb 6 oz) and dimensions (W x H x D) of 177 x 53.2 x 137 mm (7 x 8 1/8 x 5 1/2 inches).NOTE: BC-U2A is compliant with safety standard IEC62368-1.SPECIFICATIONS Power Requirements: AC100V～240V 50/60Hz Power consumption: 89W DC supply: [36W] 12V / 3.0A Charging Voltage: 16.4V Dimensions (W x H x D): 177x53.2x137 (mm) Mass: 620 (g) +DC out cable Operating Temperature: [DC supply]-5 ℃～+45℃; [Charge] 0℃～+45℃ Charge times: BP-U90: 190 minutes BP-U60 / 60T: 150 minutes BP-U30: 130 minutes  

Compact battery provides high power for XDCAM handy camcordersThe BP-U90 (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. The battery provides power for up to six hours, depending on the camcorder.** BP-U90 battery provides 85 Wh energy to power the PMW-200, PMW-150, PMW-100 or PMW-EX1R camcorder for up to 360 minutes. For full range of capacities and camcorder running times, see features. Intelligent INFO function displays battery status in camcorderThe BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.FEATURES Powers XDCAM handy camcorders up to six hours The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. Intelligent INFO function displays battery status in camcorder The BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders. Compact design for ease of use The BP-U90 has a mass of 630 g (1 lb 6oz) and dimensions (W x H x D) of 41.5 x 120.7 x 69.7 mm (1 11/16 x 4 7/8 x 2 3/4 inches).  

The BP-U30 (28 Wh) Lithium-ion Battery effectively supports professional video shooting in both the field and the studio. The battery is are equipped with the professional INFO function that intelligently communicates battery status data to the PMW-EX1 camcorder.The remaining capacity of the battery is displayed on the LCD monitor and viewfinder when the camcorder is powered on. This intelligent battery-management function allows operators to monitor the battery status easily and accurately.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 45.1 x 69.7 mm; (1 11/16 x 1 13/16 x 2 3/4 inches) Mass: 220 g ( 8 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 28 Wh Charging time (using the BC-U1): Approx. 130 min. Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

Charges one BP-U90/U60/U60T/U30 batteryThe BC-U1A battery charger charges one compact BP-U90, BP-U60/U60T, BP-U30 Lithium-ion battery at high speed. Built-in AC adaptor provides 12 V DC power outputThe BC-U1A also has 12 V DC power output cable to power a camcorder directly. Compact design for ease of useThe BC-U1A has a mass of only 340 g (12 oz) and dimensions (W x H x D) of 128 x 45 x 98 mm (5 1/8 x 1 13/16 x 3 7/8 inches). NOTE: BC-U1A is compliant with safety standard IEC62368-1.SPECIFICATIONS Power Requirements: AC100V～240V 50/60Hz Power consumption: 46W DC supply: [36W] 12V / 3.0A Charging Voltage: 16.4V Dimensions (W x H x D): 128x45x98 (mm) Mass: 340 (g) Operating Temperature: [DC supply]-5 ℃～+45℃; [Charge] 0℃～+45℃ Charge times BP-U90: 190 minutes BP-U60: 150 minutes BP-U30: 130 minutes  

The BP-U35 is a 35 Wh capacity lithium ion battery optimised for professional video shooting. Its compact size and low weight make the BP-U35 ideal for high-mobility applications such as gimbal mounting.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U35 offers higher capacity and faster charging time than the previous generation BP-U30.SPECIFICATIONS Dimensions (W x H x D): 41.5 x 46.1 x 69.7 mm; (1 11/16 x 1 7/8 x 2 3/4 inches) Mass: Approx. 235 g (8.3 oz) Maximum/nominal voltage: 16.4 V DC/14.4 V DC Capacity: 35 Wh Charging time (using the BC-U1): Approx. 90 minutes Operating temperature: -20 to +45 °C (-4 to +113 °F) Remaining capacity display: Four LED (20, 40, 60, and 80%)  

Connecting directly to the PXW-FX9 camera with no cables needed, the XDCAFX9 extension unit provides convenient additional features to enhance shooting convenience and flexibility. The XDCA-FX9 allows easy fitting of BP-GL and BPFL series batteries, extending camera operating times during the most demanding shoots. Attaching quickly and easily to the rear of the PXW-FX9 via a multi pin connector, the XDCA-FX9 provides advanced networking capabilities for streaming or file transfer via Ethernet or dual link cellular connection. It also allows the easy addition of high quality wireless audio† via a wireless receiver slot. Additional output connectors including timecode, and D-tap are also provided. 16-bit RAW signals can be recorded via XDCA-FX9 RAW output† via XDA-FX9 RAW output by using a thirdparty external recorder. FEATURES    Add Additional I/O to PXW-FX9 Camera Compatible with XDCAM Air Streaming Wired, LAN, 2 x USB Live Stream Outputs Adds ENG Shoulder Mount Capability SPECIFICATIONS Camera Interface: Not Specified by Manufacturer Supported Video Formats: Not Specified by Manufacturer DC Input: Not Specified by Manufactuer Battery Connector: 1 x V-Mount Power Input : 1 x 4-Pin XLR DC Output: 1 x 4-PIN Hirose, 1 x D-Tap Other Connectors: 1 x Timecode Output, 1 x Reference Output Dimensions: Not Specified by Manufacturer Weight: Not Specified by Manufacturer        

FEATURES 4K 10.2 megapixel full-frame back-illumination CMOS Exmor R TM sensor 15+ stop dynamic range ISO expandable to 409,600 for low light conditions S-Cinematone highly regarded look profile also used in FX9 and inspired by VENICE colorimetry Compact and approx. 0.89kg (body only) lightweight body suitable for grab-and-shoot-styling 627 points phase-detection AF, Real-time Eye AF 4K (QFHD) high-frame-rate 120fps recording XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI BIONZ XR TM image processing engine optimized for mobile movie shooting style S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility Built-in electroic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto Magnesium body and frame for high durability with light weight   TECH SPECSCamera: Lens Mount: E-Mount Imaging Sensor: 4K Full-Frame / Exmor R FF4K Full-Frame: DCI 4K 60p Super35mm: FHD 60p Number of pixels (total): Approx: 12.9 Megapixels Number of pixels (effective): Approx. 10.2 Megapixels Built-in Optical Filters: Clear, linear variable ND (1/4 ND to 1/128 ND) Base ISO: 800-12800 ISO: 320 - 409600 Shutter Speed: 64F to 1/8000 sec Slow and Quick Motion Function: XAVC-I 4096x2160: 1 to 60 frames (59.94/50/29.97/25/23.98)XAVC-I/L 3840x1080: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)XAVC-I/L 1920x1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output White Balance: Preset, Memory A, Memory B (2000K-15000K)/ATW Gain: -3 to 30dB (every 1dB), AGC Gamma Curve: SRD Mode: S-Cinetone, Standard, Still, ITU709; HDR mode: HLG_Live, HLG_Neutral Latitude: 15+ stop LCD: 8.8cm (3.5 type) approx. 2.76M dots Fast Hybrid AF In/Output SDI Output: BNC: 12G/6G/3G-SDI (Leven A/B) Audio Input: 2x XLR-type 3-pin (female), line/mic/mic +48V selectableMic referance -30 to -80 dBu General Recording Format (Video): (I= Intra; L= Long)XAVC-I DCI4K 59.94/50/29.97/25/24/23.98pXAVC-I QFHD 59.94/50/29.97/25/23.98pXAVC-I HD 59.94/50/29.97/25/23.98pXAVC-L QFHD 29.97/25/23.98/59.94/50pXAVC-L HD 23.97/25/29.97/50.59.94p Recording Format (Audio): LPCM 24bits, 48kHz, 4 channels Recording Frame Rate: (I= Intra; L= Long)XAVC-I DCI4K (4096x21609) 59.94/50/29.97/23.98/25/24pXAVC-I QF HD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-I HD (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L QFHD (3840x2160) 59.94/50/29.97/23.98/25pXAVC-L HD 50 (1920x1080) 59.94/50/29.97/23.98/25pXAVC-L HD 35 (1920x1080) 59.94/50/29.97/23.98/25p Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels Media Type: CFexpress Type A and 2x SD card Power Requirements: DC 19.5V Power Consumption: Approx. 18.0 W (while recording XAVC-I QF HD 59.94) Battery Operating Time: Approx. 105min with BP-U35 battery (while recording XAVC-I QF HD 59.94p)Approx. 215min with BP-U70 battery (while recording XAVC-I QF HD 59.94p) Dimensions (WxHxD): 114x 116x 153mm (body without protrusions) Weight: Approx. 890g (body only) and 2.59Kg (with Viewfinder, Grip Remote Control BP-U35 battery, SEL24105G Lens, Lens Hood, Handle, Mic holder) Wi-FI/NFC: Supported Format: IEEE 802.11 a/b/g/n/ac Frequency Band [[F_WI0007]]: 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth Security: WEP/WPA-PSK / WPA2-PSK NFC: NFC Forum Type 3 Tag compliant Supplied Accessories: Handle LCD Monitor LCD Hood Grip remote control AC Adaptor Power Cord USB-C Cable Cold Shoe Kit Lens Mount Cap Handle Connector Cap

Full-frame creativityRealize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. Capturing the impossibleMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required. 6K Full-Frame "Exmor R" sensor for stunning picture qualityThe camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.  *DCI 4K (4096 x 2160 at 17:9 recording)  requires Ver.2.0 or higher firmware. Dual Base ISO for stunning images in any lightThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.  *ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.  Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended. Cine EI mode: Set EI gain lower and exposure level higher instead Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)  · *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired frame rate is available.   FEATURES: 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HLG Mode Dual XQD Card Slots, 2K Imager Scan Mode 12G/6G/3G-SDI & HDMI Output up to 4K  TECH SPECS Mount: E-Mount Image Sensor: 6K Full-Frame Full-Frame: DCI 4K 60p (V2.0) Super35mm: DCI 4K 60p (V2.0) Latitude: 15+ stops Base ISO: Dual Base ISO (800/4000) ISO: 320 - 102400 (V2.0) Variable ND: 1/4 - 1/128 Gamma Curve: S-Cinetone, S-log3, HLG HFR: FHD 180p (V2.0) Codec @Max bit rate: XAVC-I 422 10bit RAW: 16-bit RAW output (V2.0) Fast Hybrid AF TC, Genlock Recording Format: Mpeg HD322 Proxy Recording: Yes Weight: Approx. 2.0 (Body only) Software Features and Improvements:  Full-frame 4K 60p/50p recording with oversampling (image sensor scan size is around 5K) FHD 180fps shooting DCI 4K recording 16 bit RAW output (with XDCA-FX9) Support DWX digital wireless audio receiver (with XDCA-FX9) Eye-AF capability Support 6G-SDI Adds User 3D Look-Up-Table function Adds HDR shooting function with Hybrid Log Gamma Supports touch-screen operation (regarding some status screens and some settings) Increased upper limit of Gain setting Supports XLR-K3M with digital I/F Image quality improvement at S35 2K mode    Be up to date with the Software & Firmware!  

Optimized large 55-inch (diag.) screen for 4K color grading, with close color matching to the reference BVM-X300The PVM-X550 55-inch 4K OLED picture monitor offers a large 3840 x 2160 pixels high grade picture for critical monitoring performance. This high performance TRIMASTER EL™ OLED monitor provides professional quality black performance, color reproduction, quick pixel response and accurate signal processing. Quad view display allows individual settings for each display. In addition, the PVM-X550 features High Dynamic Range display and a wide color gamut supporting DCI-P3 and most of the ITU-R BT.2020 standard. The monitor’s thin bezel edges and light weight make it ideal for wall mounting and as a companion client monitor to the BVM-X300 for color grading and quality control. FEATURES 4K 55” 10-bit OLED monitor HDMI- & 2x 3G/HD-SDI Quad BNC input 2x SDI Quad BNC output HDR Mode: EOTFs of S-Log3/2, SMPTE ST2084, HLG SG and more  

Sony 256GB SxS Pro+ Media Card. The Sony SBP-256E is part of the SxS Pro+ unique media technology enabling efficient higher speed data writing, dependable recording of 4K video while avoiding speed degradation.Ideal for post production houses, broadcasters and other professional applications where high read and write speeds are important. Capacity: 256GB FEATURES 2nd Gen PCIe Interface & New Controller 2K the transfer speeds of B Series Cards 50% more optimized for HFR 4K Content Factory preformatted in exFAT Read speed up to 440MBs Write speed up to 410MBs Data refreshing, Data Error Correct Supports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation. Clip Recreation in case of power loss Wear-Levelling Data Defect Minimization Enhanced media management with Memory Media Utility 10 year warranty

High-speed 4K RAW recording with AXS-R7 Portable Memory RecorderThe AXS-A512S48 AXS Memory (AXSM™) A Series card is an ultra high speed, high capacity, and high reliability flash memory media, for demanding 4K and 2K 16-bit linear RAW format, including High Frame Rate (HFR) recording up to 120fps in 4K resolution* and 240fps in 2K resolution. The AXS-A512S48 has a capacity of 512 GB and guaranteed write speed of 4.8 Gbps. The card works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K RAW recorder - and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. * HFR up to 120 fps in 4K resolution is only supported by AXS-R7 Portable Memory Recorder with PMW-F55. Slim and small design35 x 75 x 8 mm size using less power and more effective ventilation compared to previous AXS Memory cards. Ideal for PMW-F55, PMW-F5, PXW-FS7 and NEX-FS700 2K/4K RAW workflowsAXS Memory has a unique combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. Works with AXS-R7, AXS-R5 and AXS-CR1The AXS-A512S48 works with the AXS-R7 4K Portable Memory Recorder and AXS-R5 2K / 4K RAW recorder and AXS-CR1 USB 3.0 AXS Memory card reader, using the AXS Memory card adapter. Records 4K RAW and 2K RAWHigh capacity recordings of, for example, 60 min 4K RAW and 235 min 2K RAW at 23.98PsF, 23 min 4K RAW and 94 min 2K RAW at 60p, and 24 min 2K RAW at 240fps (frames per second), and 11 min 4K RAW at 120fps.