Precision Control for Lightweight and Professional Rigs The Cartoni Mixo 21 Fluid Head is engineered for real-world shooting, combining Cartoni’s patented continuous counterbalance system from the Focus and Master lines with a newly developed 7-step fluid drag for both pan and tilt, including a zero-setting. This allows operators to fine-tune resistance to match their desired motion style, from feather-light pans to cinematic, precise camera movements. Adjustments are intuitive and seamless, enabling operators to achieve the perfect balance instantly. With a weight of just 3.6 kg (8 lbs), the Mixo 21 supports payloads from 0 to 21 kg (46 lbs), making it versatile enough for lightweight DSLR rigs as well as fully equipped ENG cameras. Its tilt range of +/- 90° adapts to a wide variety of shooting setups. The fluid head is available with a 100 mm bowl or as a flat-base version, offering compatibility with a broad range of tripods and mounting systems. The Mixo 21 excels in dynamic production environments such as live sports coverage, breaking news, or documentary filmmaking, where speed, reliability, and precision are crucial. Smooth tilts, ergonomic controls, and instant adaptability make it a trusted tool for professional operators who demand consistent performance under pressure. By addressing the growing demand for lightweight, mobile fluid heads with professional payload capacity, the Mixo 21 positions Cartoni as a solution provider for operators seeking both mobility and precision. Engineered and made in Italy, it combines durability, premium technology, and ergonomic design. With a five-year free warranty, it guarantees dependable performance for every production scenario. Features – Cartoni Mixo 21 Fluid Head • Patented continuous counterbalance from Focus & Master lines • 7-step fluid drag for pan and tilt with zero-setting • Supports payloads from 0 to 21 kg / 46 lbs • Tilt range: +/- 90° • Pan range: 360° • Compact, lightweight design at 3.6 kg / 8 lbs • Available with 100 mm bowl or flat-base version • Smooth feather-light or cinematic resistance • Ideal for DSLR rigs, ENG cameras, and fully accessorized setups • Ergonomic controls for intuitive operation • Quick and seamless balance adjustments • Travel-ready and rugged construction • Reliable performance in live, fast-paced, and field production • Streamlined hybrid design combining proven Cartoni technology • Field-tested in professional shooting environments • Designed for precise handling in dynamic scenarios • Premium performance at accessible value • Engineered and made in Italy • 5-year free warranty • Suitable for mobile and studio production workflowsTechnical Specifications – Cartoni Mixo 21 Fluid Head • Weight: 3.6 kg / 8 lbs • Minimum payload: 0 kg / 0 lbs • Maximum payload: 21 kg / 46 lbs • Tilt range: +/- 90° • Pan range: 360° • Bowl diameter: 100 mm / Flat-base version optional • Fluid drag: 7 steps + 0 • Counterbalance: Continuous • Operational temperature: -40° / +60° Celsius • Material: High-strength aluminum alloy • Finish: Anodized for durability • Pan lock: Yes • Tilt lock: Yes • Quick-release plate compatible • Tripod mounting: 100 mm bowl or flat-base mount • Integrated leveling bubble • Smooth and silent operation • Ergonomic pan and tilt handles • Field-proven reliability • Compatible with mobile and studio setupsDimensions and Weight • Weight: 3.6 kg / 8 lbs • Height: 230 mm / 9.1 in • Width: 120 mm / 4.7 in • Depth: 200 mm / 7.9 in • Bowl diameter: 100 mm / 3.94 in

The Cartoni PTZ Pedestal Plate for Lifto 25 is a professional-grade support plate designed to securely mount PTZ cameras with a precise, aligned pattern. Its construction ensures reliable performance in studio and broadcast environments, providing a stable base for smooth and accurate camera operation. The plate is compatible with all pedestals and Mitchell-based tripods, making it a versatile solution for a wide range of production setups. For added convenience, PTZ cameras can be mounted using the optional AH921 quick-release sliding plate. This feature allows for fast attachment and detachment while providing enhanced centring capabilities, ensuring cameras are perfectly positioned for each shot. This makes the pedestal plate particularly useful for live productions or multi-camera workflows where speed and precision are critical. Constructed from lightweight yet durable aluminium, the PTZ Pedestal Plate weighs only 0.4 kg (0.88 lbs) while supporting up to 15 kg (33.07 lbs) of camera payload. Its combination of portability, strength, and stability makes it an ideal accessory for Lifto 25 columns and other professional PTZ setups. Operators can confidently mount cameras knowing that the plate provides a secure and rigid connection, even during dynamic movements or adjustments. The Cartoni PTZ Pedestal Plate is an essential accessory for studios, broadcast facilities, and mobile production environments. It simplifies setup, ensures consistent camera alignment, and supports efficient workflows for operators managing multiple cameras or fast-paced productions. By integrating this plate into a Lifto 25 setup, professionals gain a reliable foundation for precise PTZ control and enhanced creative flexibility. Features of the Cartoni PTZ Pedestal Plate for Lifto 25 • Secure mounting platform for PTZ cameras with aligned pattern • Compatible with all pedestals and Mitchell-based tripods • Optional AH921 quick-release sliding plate for fast attachment • Enhanced centring ability for precise camera positioning • Lightweight aluminium construction for easy handling • Supports up to 15 kg / 33.07 lbs of camera payload • Provides stable and reliable support for professional productions • Ideal for studio, broadcast, and mobile production setups • Simplifies multi-camera workflows and rapid reconfiguration Technical Specifications • Weight: 0.4 kg / 0.88 lbs • Maximum payload capacity: 15 kg / 33.07 lbs • Material: Aluminium • Mounting pattern: Aligned for PTZ cameras • Compatibility: Pedestals and Mitchell-based tripods • Optional accessory: AH921 quick-release sliding plate • Application: Professional studio and broadcast environments • Stability: Ensures rigid and secure camera mounting Dimensions and Weight Weight: 0.4 kg / 0.88 lbs Material: Aluminium Maximum payload: 15 kg / 33.07 lbs

The Cartoni PTZ TBar Multiple Support for Lifto 25 is a versatile solution designed to hold up to three PTZ cameras in a single, aligned configuration. Engineered for professional studio and broadcast environments, the TBar ensures stability, precise alignment, and easy integration with existing camera supports. Its compatible mounting pattern works seamlessly with all pedestals, Mitchell base tripods, and Cartoni PTZ supports, making it highly adaptable for different production setups. This support bar provides a robust platform for multi-camera operations, allowing operators to coordinate simultaneous shots or achieve complex camera angles without compromising stability. The TBar design ensures that each camera remains securely mounted, even during rapid movements or adjustments, giving operators full confidence in live production scenarios. To further enhance usability, PTZ cameras can be mounted using the optional AH921 quick-release sliding plate. This plate allows fast attachment and detachment of cameras while providing precise centring capability. It enables production teams to quickly reconfigure camera setups and maintain optimal alignment, saving valuable time during live or multi-camera shoots. Constructed from high-quality aluminium, the Cartoni PTZ TBar is lightweight yet strong, with a total weight of only 2.3 kg while supporting up to 30 kg of camera payload. This makes it ideal for use with the Lifto 25 column or other professional PTZ support systems, combining portability with robust performance. The TBar is an essential accessory for studios, broadcast trucks, and multi-camera production environments where flexibility, speed, and reliability are critical. With the Cartoni PTZ TBar Multiple Support, operators can efficiently manage multi-camera setups, ensure precise alignment, and maintain professional stability across all PTZ camera operations. Its combination of lightweight construction, high payload capacity, and optional quick-release integration makes it a practical and dependable solution for modern production workflows. Features of the Cartoni PTZ TBar Multiple Support for Lifto 25 • Holds up to three PTZ cameras with aligned mounting pattern • Compatible with all pedestals, Mitchell base tripods, and Cartoni PTZ supports • Optional AH921 quick-release sliding plate for fast attachment and precise centring • Provides robust stability for multi-camera setups • Lightweight aluminium construction for easy handling • Supports professional studio, broadcast, and live production environments • Enables coordinated multi-camera operation • Ideal for use with Lifto 25 columns and other PTZ systems • Simplifies camera reconfiguration and setup adjustments Technical Specifications • Weight: 2.3 kg / 5.07 lbs • Maximum payload capacity: 30 kg / 66.14 lbs • Material: Aluminium • Mounting pattern: Aligned for up to three PTZ cameras • Compatibility: Pedestals, Mitchell base tripods, Cartoni PTZ supports • Optional accessory: AH921 quick-release sliding plate • Application: Multi-camera studio and broadcast setups Dimensions and Weight Weight: 2.3 kg / 5.07 lbs Material: Aluminium Designed to support up to 30 kg / 66.14 lbs of camera equipment

The Cartoni Lifto 25 Control Module is a cutting-edge electronic control unit designed to elevate the functionality of the Lifto 25 column to a fully automated, professional level. By offering precise control over movement and speed ratios, this module transforms the Lifto 25 into an intelligent, programmable solution suitable for broadcast, live production, and studio environments. It allows operators to execute smooth, controlled elevation adjustments with accuracy, enhancing both workflow efficiency and creative possibilities. The module enables the memorization of positions, start and stop points, and even repeatable movements. Operators can configure single actions or loops, allowing complex shot sequences to be executed consistently without manual intervention. This functionality is especially valuable for multi-camera setups, automated productions, and any environment where repeatability and precision are essential. By integrating the module into your system, repetitive tasks are minimized, and operators can focus on creative shot composition and timing. Compatibility is a key strength of the Lifto 25 Control Module. It interfaces seamlessly with high-end PTZ cameras from Panasonic, Canon, and Sony, as well as with major PTZ controllers such as Panasonic and Skaarhoj units. This makes it a versatile solution for studios and production facilities already relying on professional PTZ workflows. The module ensures that elevation movements are synchronized with camera controls, enabling dynamic shots that would otherwise require multiple operators or complex rigging. Designed for professional applications, the Cartoni Lifto 25 Control Module combines reliability, programmability, and precision. Its intuitive interface allows easy setup and operation while providing full control over movement parameters. Whether for live events, automated studio shoots, or broadcast environments, the module expands the capabilities of the Lifto 25 column, delivering repeatable, smooth, and highly controlled elevation performance. By adding the Lifto 25 Control Module to your production toolkit, you gain a powerful device that integrates with existing PTZ systems, automates complex elevation tasks, and elevates the overall creative and operational potential of your studio setup. Features of the Cartoni Lifto 25 Control Module • Advanced electronic control for professional Lifto 25 automation • Adjustable speed ratios for smooth elevation movement • Memorizes positions, start and stop points, and repeatable actions • Supports looped movements for automated sequences • Compatible with Panasonic, Canon, and Sony high-end PTZ cameras • Interfaces with major PTZ controllers including Panasonic and Skaarhoj • Enables synchronized elevation with PTZ camera workflows • Ideal for live production, broadcast, and multi-camera setups • Enhances creative flexibility and operational efficiency Technical Specifications • Control type: Electronic automation module • Speed control: Variable speed ratios for elevation • Position memory: Stores start, stop, and repeat points • Movement modes: Single action or looped sequences • PTZ compatibility: Panasonic, Canon, Sony • PTZ controller integration: Panasonic, Skaarhoj • Application: Professional studio, broadcast, and automated setups • Repeatability: High precision for consistent shot execution

The TRIBE7 BLACKWING7 Cine Primes are designed for cinematographers who want to move beyond purely technical image reproduction and instead actively shape the visual identity of their work in-camera. Rather than pursuing clinical sharpness or neutral rendering, this lens system is built around controlled optical character—where imperfection is not a flaw, but a creative parameter. At the core of BLACKWING7 lies a fundamentally different design philosophy: the lens is not just a capture tool, but an expressive instrument. Contrast behavior, flare response, halation, and focus falloff are not fixed characteristics, but elements that can be intentionally influenced. This approach allows filmmakers to establish a consistent yet highly individual visual language directly on set, reducing dependency on post-production manipulation. What sets the system apart in practical production use is its ability to integrate this level of optical control without sacrificing workflow efficiency. Despite its expressive nature, BLACKWING7 maintains consistent mechanics across the full focal length range, ensuring predictable handling for focus pullers, camera assistants, and operators. This balance between creative unpredictability in the image and operational consistency on set is a key reason why the system is increasingly adopted in high-end narrative and commercial productions. The system is built for large format cinematography and covers a comprehensive focal length range suitable for narrative, commercial, and high-end branded content production. All lenses share a consistent mechanical design, ensuring operational reliability and intuitive handling across the entire set, even in demanding production environments. A defining feature of the BLACKWING7 system is its tunable optical architecture. Each lens can be configured through distinct tuning profiles that alter its rendering behavior, enabling precise control over image mood and texture. In addition, interchangeable front elements further extend creative flexibility by modifying flare characteristics and tonal response. This combination of optical tuning and modular design results in a lens system that functions less like a traditional prime set and more like a creative imaging platform. The outcome is a highly cinematic, expressive image that retains technical precision while offering significant artistic latitude at the point of capture. Focal Lengths Focal Length Image Circle (mm) Close Focus (cm) Weight (kg) 17mm5622.01.75 20.7mm5623.01.5 23.7mm5626.01.5 27mm5634.01.7 37mm6745.71.6 47mm6044.51.5 57mm6748.31.6 77mm6766.01.4 107mm6768.51.4 137mm6781.31.5 Tuning Options Tuning Image Character Contrast Flare & Halation Use Case S Tuned Controlled, closest to neutral Balanced Subtle and controlled Commercial, mixed workflows, consistency T Tuned Organic, vintage leaning Softer roll off Noticeable glow and halation Narrative, cinematic storytelling X Tuned Highly expressive and stylized Lower, more variable Strong flares and pronounced halation Music videos, fashion, experimental visuals Features TRIBE7 BLACKWING7 Cine Primes • Tunable optical design for creative image control • Available in S Tuned, T Tuned, and X Tuned variants • Large format coverage for modern cinema cameras • Designed in collaboration with Bradford Young • Controlled spherical aberration for organic rendering • Customizable flare characteristics • Smooth contrast roll off for cinematic highlights • Interchangeable front elements for look variation • Consistent mechanical design across all focal lengths • High speed aperture for low light performance • Pleasing and structured bokeh rendering • Enhanced highlight halation depending on tuning • Reduced clinical sharpness for natural image feel • Engineered for narrative and commercial filmmaking • Robust housing for professional production environments • Precise focus mechanics with long focus throw • Optimized for modern digital sensors • Unique visual identity directly from the lens Technical Specifications • Lens series: BLACKWING7 Cine Primes • Available focal lengths: 17mm – 137mm • Maximum aperture: approx. T1.9 (varies by focal length) • Lens mount: PL mount • Sensor coverage: Large format (up to 67 mm image circle) • Tuning options: S Tuned, T Tuned, X Tuned • Interchangeable front elements supported • Iris design: 14 blade aperture • Focus rotation: approx. 270 degrees • Front diameter: standardized across set • Color rendering: tuned per optical profile • Flare behavior: controlled and adjustable • Contrast characteristics: profile dependent • Close focus distance: 22.0 cm – 81.3 cm • Housing material: high precision metal construction • Scale markings: dual side, engraved • Compatibility: industry standard cine accessories • Designed for high end digital cinema workflows Dimensions and Weight Dimensions vary depending on focal length. Front diameter is standardized across the set for seamless matte box compatibility. Each lens is optimized for balanced handling across handheld and studio configurations. Weight ranges from 1.4 kg to 1.75 kg depending on focal length.

Ethernet Based Automation for PTZ Camera Systems The Lifto 25 Control Software is a dedicated automation solution designed to integrate the Lifto 25 telescopic column into professional PTZ camera environments. By utilizing standard Ethernet infrastructure already present in most studios, the system enables reliable and scalable control without the distance limitations typically associated with traditional control solutions. Installed on any Windows-based computer connected to the studio network, the software communicates directly with the Lifto 25 Control Module. This architecture allows the Lifto 25 to become a fully integrated component within automated PTZ production workflows, enabling synchronized camera positioning and height adjustments during live productions, broadcast environments, and automated studio setups. Through Ethernet-based communication, the Lifto 25 Control Software connects the column system directly with compatible PTZ controllers and cameras. The result is seamless integration into existing camera control systems from leading manufacturers such as Panasonic, Sony, Canon, and JVC. This makes it possible to coordinate camera movement and vertical positioning with precision and without additional cabling complexity. Operators can control the Lifto 25 directly via supported PTZ controllers, including Panasonic and Skaarhoj units, providing a familiar workflow for broadcast technicians and camera operators. For additional flexibility, commands can also be triggered through USB devices such as footswitches or gamepads, allowing hands-free operation during live productions. The software supports the operation of up to five Lifto 25 columns simultaneously when used with the dedicated Lifto 25 Control Module. This capability enables multi-camera studio configurations where multiple PTZ cameras can be vertically positioned and automated in synchronization, expanding creative possibilities for dynamic framing and automated shot transitions. Designed for professional studio environments, the Lifto 25 Control Software transforms the Lifto 25 into a fully automated camera positioning system, delivering precise control, reliable network-based communication, and seamless compatibility with leading PTZ ecosystems. Features of the Lifto 25 Control Software • Ethernet based control system for professional PTZ studio environments • Seamless integration of Lifto 25 columns into automated PTZ workflows • Compatible with major PTZ camera brands including Panasonic, Sony, Canon, and JVC • Works with professional PTZ controllers such as Panasonic and Skaarhoj • Software installation on any Windows based computer within the studio network • Enables synchronized vertical positioning of PTZ cameras • Supports control via USB footswitch or gamepad for flexible operation • Operates up to five Lifto 25 units when used with the Lifto 25 Control Module • No distance limitation thanks to Ethernet network communication • Designed for broadcast studios, live production environments, and automated camera setups Technical Specifications • Communication protocol: Ethernet based control • Software platform: Windows operating system • Control interface: PTZ controller, USB footswitch, or USB gamepad • Maximum supported units: Up to 5 Lifto 25 columns per system • Integration with dedicated Lifto 25 Control Module • Compatible PTZ brands: Panasonic, Sony, Canon, JVC • Supported PTZ controllers: Panasonic AW-RP series and Skaarhoj controllers • Network infrastructure: Standard studio Ethernet network • Automation capability: Integration into PTZ automation workflows

Compact Professional PTZ Camera Controller for Multi-Camera Production The Canon RC-IP300 is a compact yet powerful professional PTZ camera controller designed to deliver precise control of multi-camera productions in broadcast, live events, education and corporate environments. Built for reliability and efficiency, the controller allows a single operator to manage complex camera setups with speed and accuracy. Designed with workflow efficiency in mind, the RC-IP300 features an intuitive layout with a responsive joystick, dedicated camera buttons and a high-resolution 3.5-inch touchscreen preview display. This interface enables operators to monitor live video feeds, adjust settings quickly and maintain precise camera movements during live productions. The controller supports IP-based camera control and integrates seamlessly into modern networked production environments. Using Canon’s XC protocol, the RC-IP300 enables unified control across multiple Canon imaging products including PTZ cameras, Cinema EOS cameras and professional camcorders. This ensures smooth integration into mixed production setups and simplifies system management. A key advantage of the RC-IP300 is its scalability. Operators can control up to 200 cameras across up to 20 groups, making the controller suitable for anything from small studio setups to large-scale live productions. Each camera can store up to 100 presets, allowing instant recall of precise camera positions and repeatable shots. The compact form factor makes the controller ideal for control rooms, studios, auditoriums and event venues where space is limited but professional performance is required. Flexible power options, including Power over Ethernet (PoE) or a 12-volt power supply, simplify installation and reduce cabling complexity. The RC-IP300 also integrates with Canon PTZ applications and Stream Deck, providing customizable workflows and fast access to frequently used controls. With its combination of intuitive operation, advanced connectivity and reliable performance, the Canon RC-IP300 is a versatile solution for modern IP-based multi-camera production environments. Features Canon RC-IP300 • Professional PTZ camera controller for IP-based multi-camera productions • Control up to 200 cameras within a single system • Manage cameras across up to 20 groups • Store and recall up to 100 presets per camera • High-resolution 3.5-inch touchscreen preview display • Live video monitoring via IP video input • Ergonomic joystick for precise PTZ control • Intuitive button layout for fast camera selection and adjustments • Designed for single-operator workflows • Supports Canon XC protocol for unified device control • Compatible with Canon PTZ cameras, Cinema EOS and camcorders • Integration with Canon PTZ applications • Stream Deck compatibility for customizable control setups • Compact design suitable for studios, control rooms and auditoriums • Power via PoE or included 12 V power supply • GPIO connectivity via 9-pin D-Sub for tally signal integration • Ideal for live events, concerts, studios and educational environments • Reliable performance for professional broadcast applications Technical Specifications • Controller type: Professional PTZ camera controller • Display: 3.5-inch touchscreen preview monitor • Video input: IP video input • Camera connectivity: LAN and RS-422 • RS-422 ports: 1 • Maximum number of controllable cameras: up to 200 • Maximum camera groups: up to 20 • Presets per camera: up to 100 • Control protocol: Canon XC protocol • Network control: IP-based operation • GPIO interface: 9-pin D-Sub • Tally signal support: Yes • Power supply: PoE or DC 12 V power adapter • Compatible with Canon PTZ applications • Stream Deck integration supported • Designed for single-operator camera control • Supports multi-camera live production workflows Dimensions and Weight Compact tabletop controller design suitable for control rooms and studios Power supply options: PoE or 12 V DC Designed for space-efficient installations in broadcast environments

The Canon CN30x40 IAS J R1/P1 is a high-performance ultra-telephoto Cine Servo lens designed for demanding broadcast, documentary and live production environments. Combining cinematic optical performance with a powerful 30x zoom range, this lens enables filmmakers to capture distant subjects with exceptional clarity and precision. With a focal length range of 40–1200 mm, the lens delivers extraordinary reach for wildlife filmmaking, sports broadcasting and large-scale live productions. The integrated 1.5x extender expands the focal length to an impressive 60–1800 mm while maintaining excellent optical performance and enabling full-frame coverage. This versatility allows operators to seamlessly adapt to rapidly changing shooting conditions without sacrificing image quality. Canon’s renowned cinema optics ensure outstanding image reproduction suitable for modern 4K and 8K production. The lens provides natural color rendering, reduced flare and ghosting, and consistent sharpness throughout the entire zoom range. Even at extreme telephoto settings, the optical design preserves detail and contrast for visually striking footage. The CN30x40 IAS J R1/P1 is built for professional broadcast workflows. A high-precision servo drive enables smooth and accurate zoom control, making it ideal for live sports coverage and wildlife observation where precise framing and responsiveness are essential. Despite its impressive optical capabilities, the lens remains relatively lightweight for its class and is engineered for mobility in outdoor shooting environments. Its robust construction ensures reliability during demanding field operations, allowing production teams to move quickly between locations while maintaining professional image quality. Advanced lens metadata support further enhances compatibility with modern production pipelines. When used with RF or PL mount cameras, the lens can transmit detailed metadata that supports virtual production, VFX integration and real-time image correction such as distortion and vignetting adjustments. For cinematographers who require extreme reach, cinematic image quality and reliable broadcast functionality, the Canon CN30x40 IAS J R1/P1 provides a powerful solution for capturing spectacular moments from a distance. Features Canon CN30x40 IAS J R1/P1 • Ultra-telephoto Cine Servo lens designed for broadcast and cinema production • Massive 40–1200 mm focal length range • Integrated 1.5x extender expanding focal length to 60–1800 mm • 30x optical zoom range for flexible framing • Designed for professional wildlife and sports cinematography • Cinematic optical performance optimized for 4K and 8K capture • Native Super 35 coverage with full-frame compatibility using the extender • Natural color reproduction with minimal flare and ghosting • Consistent sharpness across the entire zoom range • High-precision servo drive for smooth zoom control • Ideal for live broadcast and remote shooting situations • Compact and relatively lightweight design for its class • Durable construction suitable for outdoor production environments • RF or PL mount options for flexible camera integration • Advanced lens metadata support for virtual production workflows • Supports real-time correction of distortion and vignetting • Professional iris design with 11 blades for cinematic rendering • Large front diameter suitable for professional accessories Technical Specifications • Lens mount: RF (R1) or PL (P1) interchangeable options • Focal length: 40–1200 mm • Focal length with extender: 60–1800 mm • Zoom ratio: 30x • Image coverage: Super 35 native • Maximum aperture: T5.0 (40–560 mm) • Maximum aperture at telephoto: T10.8 (1200 mm) • Maximum aperture with extender: T7.5 (60–840 mm) • Maximum aperture with extender at telephoto: T16.2 (1800 mm) • Iris blades: 11 • Minimum object distance: 3.5 m • Front diameter: 136 mm • Aspect ratio support: 1.78:1 and 1.9:1 imaging formats • Focus / Zoom / Iris gear pitch: Focus 0.8 / 0.5, Zoom 0.5, Iris 0.5 • Angle of view (1.78:1): 34.2° × 19.6° to 1.17° × 0.66° • Angle of view with extender: 23.2° × 13.1° to 0.78° × 0.44° • Integrated servo drive system included • Supports lens metadata transmission for modern workflows Dimensions and Weight Width: approx. 174.9 mm Height: approx. 170.6 mm Length: approx. 437.2 mm (RF mount version) Length: approx. 405.2 mm (PL mount version) Weight: approx. 6.7 kg (RF mount) Weight: approx. 6.6 kg (PL mount) Front diameter: 136 mm

Professional Multi‑Camera Video Assist System with 3G‑SDI and High‑Performance Processing The Ovide Smart M400 LT is a versatile video assist and monitoring system engineered for professional film and television productions. Combining robust hardware with flexible workflows, it supports multi‑camera recording, real‑time monitoring, and integrated storage. The system is designed to be compact and travel friendly while still offering high‑quality video paths and reliable on‑set performance. Featuring 3G‑SDI connectivity, powerful GPU‑based processing and removable SSD recording, the Smart M400 LT delivers efficient operation for HD and Single 4K camera workflows. Key Features 3G‑SDI Connectivity Reliable 3G‑SDI interfaces for high‑quality video input/output. High‑Performance Processing Multi‑core GPU architecture providing powerful video processing for demanding workflows. Quad HD / 4K Support Record four HD camera feeds simultaneously or one 4K camera feed. Compact Integrated Design Portable video assist solution with integrated monitor, processing and recording. 21.5″ LCD Touchscreen Accurate monitoring with DCI‑P3 color coverage. Portable and Rig‑Ready Integrated C‑stand receptacle, U‑bracket stand with cheeseplates and rugged connectors. IOS Streaming Stream live or playback video to iPad and iPhone devices. Technical Specifications Display 21.5″ LCD DCI‑P3 touchscreen Capacitive multi‑touch for intuitive on‑set control Video I/O 3G‑SDI video inputs and outputs Supports Quad HD or single 4K camera workflows Processing High‑performance GPU‑based processing Recording Two bays for removable SSD recording media Designed for production‑level recording workflows Connectivity 3G‑SDI video I/O LAN with PoE USB‑C 3.0 Audio input/output 12V auxiliary outputs Networking & Streaming Network‑based workflows Streaming video to iOS devices (iPad / iPhone) Mechanical & Physical Weight: 11.8 kg / 26 lbs Dimensions (with stand): approx. 54.6 × 41.5 × 13.4 cm Integrated C‑stand receptacle U‑bracket stand with built‑in cheeseplates Rugged high‑end connectors Power DC power input Hot‑swappable battery support Integrated UPS for short power interruptions

High-Performance Quad-4K Video Assist System with HDR OLED Monitoring The Ovide Smart M400 Pro is a professional video assist and multi-camera recording system designed for demanding film and television productions. Built around Apple’s M-series processing architecture and optimized for QTAKE workflows, the system combines a high-quality HDR OLED touchscreen with powerful GPU-based video processing. Supporting up to four simultaneous 4K camera feeds, ultra-low latency monitoring and removable SSD recording, the Smart M400 Pro offers a compact all-in-one solution for video assist operators, DITs and on-set monitoring environments. Key Features OLED Display – Superior Image Quality 21.5″ HDR OLED touchscreen with accurate color reproduction in the DCI-P3 color space. 12G-SDI Connectivity Supports high-bandwidth 12G-SDI signals for modern cinema camera workflows. Ultra-Low Latency Monitoring Minimal delay between camera signal and monitor output for real-time on-set monitoring. Quad 4K Recording Simultaneous recording of up to four independent 4K camera feeds. High-Performance Processing Eight GPU processors provide independent video pipelines for monitoring and recording. Compact Integrated Design All-in-one workstation combining monitor, processing and recording in a portable system. Optimized for Professional Workflows Designed for seamless integration with QTAKE video assist environments. Technical Specifications Display Screen size: 21.5″ Panel type: HDR OLED touchscreen Color space: DCI-P3 Touch interface: Capacitive multi-touch Processing Processor: Apple M4 Pro GPU architecture: 8 GPU processors Multi-pipeline video processing Approx. 25% performance increase vs. previous generation Ultra-low latency signal processing Video I/O Video standard: 12G-SDI Supports up to 4× simultaneous 4K camera inputs Integrated video router Independent video paths for multi-camera workflows Recording Simultaneous recording of up to 4× 4K streams Recording media: 2× removable SSD bays Designed for high-performance production workflows Connectivity 12G-SDI video inputs / outputs Optical fiber connectivity Ethernet / LAN with PoE USB-C 4.0 Audio input / output Headset / microphone interface 12V auxiliary power outputs Networking & Streaming Network-based monitoring workflows Streaming to iOS devices (iPad / iPhone) Integration with QTAKE monitoring applications Power AC power supply Block batteries Camera batteries Hot-swappable power system Integrated UPS Approx. 3 hours runtime with a single camera battery Mechanical Weight: 10.6 kg / 23.4 lb Dimensions: 53.7 × 39 × 12.3 cm Mounting Integrated C-stand pin U-bracket stand Multiple cheese plate mounting points Cooling Quiet active cooling with software-controlled fans

Maximum Versatility in a Compact 22x Wide-Angle Solution The FUJINON UA22x4.8BERD is a highly versatile 4K broadcast zoom lens engineered for modern production environments that demand both mobility and optical precision. Designed for 2/3-inch sensor broadcast cameras, it delivers an extended focal range from an ultra-wide 4.8mm to 106mm telephoto, enabling seamless coverage of everything from wide establishing shots to tight close-ups with a single lens. Its compact and lightweight construction, measuring approximately 251mm and weighing around 2.17kg, significantly reduces operator fatigue during long shooting sessions. This makes it particularly suitable for shoulder-mounted operation in dynamic scenarios such as news gathering, live sports coverage, and studio productions where agility and speed are critical. Building on the legacy of the widely adopted UA18x5.5BERD, this next-generation lens expands both the zoom ratio and wide-angle capability, offering enhanced creative flexibility. The improved wide-angle performance allows broader scene capture, making it ideal for confined indoor spaces, large venues, and immersive live event production. Advanced optical engineering ensures consistent 4K resolution across the entire zoom range. Fujifilm’s proprietary HT-EBC coating enhances light transmission and color fidelity, supporting HDR workflows with smooth tonal gradation and reduced flare or ghosting. This results in high-contrast images with accurate color reproduction, even in challenging lighting conditions such as stadium environments at dusk. Additionally, the lens integrates features tailored for modern broadcast workflows, including high-precision 16-bit encoders for zoom and focus position data, enabling seamless integration into virtual production and remote operation systems. With a minimum object distance of just 0.4m across the entire zoom range, it also supports flexible close-up shooting in tight spaces. Features – FUJINON UA22x4.8BERD • 22x optical zoom covering 4.8mm to 106mm • Ultra-wide 4.8mm focal length for immersive shots • Compatible with 2/3-inch broadcast cameras • Compact and lightweight design at approx. 2.17kg • Short overall length of approx. 251mm • Designed for high mobility and shoulder-mounted use • 4K optical performance across entire zoom range • Advanced aberration control for sharp image quality • HT-EBC coating for high light transmission • Accurate color reproduction for broadcast standards • Optimized for HDR shooting environments • Reduced flare and ghosting in high-contrast scenes • Minimum object distance of 0.4m • Close-up shooting capability across full zoom range • Integrated 16-bit encoders for zoom and focus • Ideal for virtual and remote production workflows • Suitable for news, studio, and sports broadcasting • Expanded wide-angle coverage vs. previous generation Technical Specifications • Lens type: 4K broadcast zoom lens • Sensor compatibility: 2/3-inch broadcast cameras • Zoom ratio: 22x • Focal length: 4.8mm – 106mm • Minimum object distance: 0.4m • Optical performance: 4K across full zoom range • Coating: HT-EBC (High Transmittance Electron Beam Coating) • Encoder resolution: 16-bit • Zoom control: Manual / servo compatible • Focus control: Manual / servo compatible • Iris control: Standard broadcast interface • Mount type: B4 mount • HDR compatibility: Yes • Color reproduction: Broadcast-grade accuracy • Aberration correction: Advanced optical design • Application: ENG, studio, sports, live production Dimensions and Weight • Length: 251 mm • Weight: 2.17 kg

Professional 1.4x optical expansion for Full Frame and VistaVision lenses on 65mm digital cinema cameras The IBE Optics LPLx1.4 65-E Asph is a high-precision optical expander engineered to enable the use of most Full Frame and VistaVision lenses on modern 65mm digital cinema cameras. By increasing the projected image circle and focal length by a factor of 1.4, this expander allows cinematographers to leverage existing lens investments while covering larger 65mm sensors with confidence. Designed for uncompromising cinema applications, the LPLx1.4 65-E Asph delivers a maximum image diameter of 60 mm, making it suitable for 65mm sensor formats that demand extended coverage. The optical design ensures high resolution and consistent contrast across the entire image field, maintaining the integrity and character of the original lens. The sophisticated optical construction incorporates high-index, low-dispersion glass elements and precision-engineered aspherical surfaces. This combination minimizes chromatic aberrations and maximizes sharpness while preserving color fidelity. Extended color correction with apochromatic performance supports demanding HDR and large format workflows. Mechanically, the expander features a robust housing made from anodized aluminum combined with stainless steel mounts. This ensures long-term stability, precise flange depth accuracy, and reliability in professional production environments. The compact and lightweight form factor makes it practical for handheld, Steadicam, and crane setups. An integrated electronic pass-through system transfers lens metadata directly to the camera body, ensuring accurate recording of lens information in postproduction workflows. This functionality supports modern data-driven production pipelines without compromising mechanical robustness.Features IBE Optics LPLx1.4 65-E Asph • Electronic pass-through for lens metadata • 60 mm image diameter for 65 mm sensors • High-index, low-dispersion glass elements • Aspherical optical design for maximum resolution • Extended color correction with apochromatic performance • Robust mechanical construction with stainless steel mounts • Compact and lightweight form factor Technical Specifications * • Maximum image diameter: 60 mm / 2.36'' • Mount configuration: LPL to LPL • Magnification factor: 1.4x • Light transmission loss: 1 stop • Optical design: 2 lenses, 2 aspheres, 3 groups • Electronic data: metadata pass-through • Maximum T-stop transmission: 1.4 • Maximum recommended T-stop: 1.9* Please note that the IBE Optics LPLx1.4 65-E Asph is not compatible with mirror cameras or the UMS system.* Subject to change. Dimensions and Weight Weight: 370 g / 0.82 lbs

Compact High-Performance Power The bebob VmicroC micro batteries combine uncompromising performance with a compact and lightweight design, setting a new benchmark for portable power solutions in professional production environments. Designed for filmmakers, content creators, and broadcast teams, these batteries provide reliable energy delivery while keeping size and weight to a minimum. With full USB-C PD3 support for both input and output, the VmicroC batteries eliminate the need for proprietary chargers. Users can charge their batteries or power compatible devices directly via USB-C, ensuring flexibility and convenience during shoots, on location, or while traveling. The batteries feature an advanced auto communication system that seamlessly adapts to major camera brands including Sony, Arri, Blackmagic Design, Red, and Fuji. Integrated SM-Bus communication and a five-step LED display give users accurate information on the battery’s State of Charge and State of Health at all times, reducing downtime and uncertainty on set. Practical operational features extend beyond power delivery. An integrated flashlight provides quick illumination in dark environments, while the optimized stackable storage design allows production teams to safely transport and organize multiple batteries efficiently. Safety and compliance are at the core of the VmicroC design. All models meet international certifications including IEC 62133-2, UN38.3, FCC, and CE, as well as CE and UKCA directives, ensuring secure, reliable, and globally compatible operation. Sustainability and serviceability are central to the new VmicroC lineup. Each battery is fully serviceable, repairable, and features a cell refresh option that extends its life cycle, reduces waste, and lowers long-term costs. The two-year warranty covers all components (except cells), while the cells themselves are guaranteed for one year with a minimum of 80% capacity retention. bebob VmicroC Micro Batteries Overview V45microC • Capacity: 14.4V / 3.0Ah / 43Wh • Weight: 330g • Dimensions (WxHxD): 75 x 101 x 32mm • MSRP: €278 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols: Sony, Arri, Blackmagic, Red, Fuji, … • 5-step LED display for State of Charge and State of Health • Integrated flashlight • Stackable and serviceable design V98microC • Capacity: 14.4V / 6.6Ah / 95Wh • Weight: 580g • Dimensions (WxHxD): 75 x 101 x 54mm • MSRP: €298 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols: Sony, Arri, Blackmagic, Red, Fuji, … • 5-step LED display • Integrated flashlight • Stackable and serviceable design V150microC • Capacity: 14.4V / 9.9Ah / 143Wh • Weight: 850g • Dimensions (WxHxD): 75 x 101 x 77mm • MSRP: €348 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable design V200microC • Capacity: 14.4V / 13.2Ah / 190Wh • Weight: 1040g • Dimensions (WxHxD): 75 x 101 x 91mm • MSRP: €398 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable design V240microC • Capacity: 14.4V / 16.5Ah / 238Wh • Weight: 1180g • Dimensions (WxHxD): 75 x 101 x 97mm • MSRP: €458 • USB-C PD3 Output: max 45W • D-Tap Output: 14.4V / 5A • Input (charge): 16.8V / 5A, USB-C up to 40W • Auto communication protocols • 5-step LED display • Integrated flashlight • Stackable and serviceable designFeatures – bebob VmicroC Micro Batteries with USB-C• Ultra-compact, lightweight design for mobile production • USB-C PD3 input/output support (up to 45W) • Twist D-Tap interface for flexible power delivery • 5-step LED display: State of Charge and State of Health • Auto communication setup for Sony, Arri, Blackmagic, Red, Fuji, and more • Continuous output up to 16A / 200W • Safe and stackable storage design • Integrated flashlight for quick use in dark environments • Re-cellable and serviceable for sustainable operation • Certified to IEC 62133-2, UN38.3, FCC, and CE standards • Complies with CE, UKCA, and other international directives • Lightweight from 330g to 1180g depending on model • Supports fast charging via USB-C and V-Mount/D-Tap • Optimized for professional field and studio use • Warranty: 2 years on components, 1 year on cells Technical Specifications • Capacity: 43Wh – 238Wh (depending on model) • Voltage: 14.4V • Mount: micro V-Mount • Output: 16A max, 200W continuous • USB-C Output (PD3): max 45W • D-Tap Output: 14.4V unregulated / 5A • Input (charge): 16.8V / 5A (up to 80W) • USB-C Charge: up to 40W • V-Mount/D-Tap Charge: 16.8V / 5A • Communication protocols: Sony, Arri, Blackmagic, Red, Fuji, auto detection • LED Display: 5-stage SOC & SOH • Integrated operational flashlight • Stackable storage optimized • Fully serviceable and repairable • Sustainable cell refresh capability • Safety certifications: IEC 62133-2, UN38.3, FCC, CE, UKCA Dimensions and Weight • Dimensions (WxHxD): 75 x 101 x 32mm – 75 x 101 x 97mm • Weight: 330g – 1180g depending on capacity

Compact Wireless Camera Control with Full Certified Range The Bitbox Mini delivers industry-grade wireless camera and lighting control in the smallest and lightest form factor available today. Designed to integrate seamlessly with existing bitbox ecosystems, the Mini is engineered for professional cinematographers, camera assistants, and tech crews who require dependable remote control performance on set without unnecessary bulk or complexity. Weighing under 50 g and roughly the size of a typical AirPods Pro case, this unit fits comfortably on compact rigs, gimbals, drones, or any camera build where space and weight matter most without sacrificing operational reliability. Unlike larger control radios, the Bitbox Mini is optimized specifically as a remote node, with a focus on delivering secure, interference-managed sub-GHz wireless communications. When paired with a full-featured bitbox base station, it enables robust control of camera parameters from a distance of up to 1 km line-of-sight, enabling crews to operate remotely while maintaining full access to menu systems, exposure settings, recording controls, and lighting devices. Its design adheres to FCC, ISED, and CE compliance standards, making it suitable for use in the most tightly regulated RF environments across North America and Europe—a critical consideration for professional productions where spectrum coordination and certification are prerequisites. Constructed from durable, RoHS-compliant materials with an injection-molded housing composed of 60 % post-consumer recycled plastic and a machined aluminum mounting plate, the Bitbox Mini is built for repeated use in demanding production environments. It offers a straightforward connection via 100 Mbps Ethernet and includes an omnidirectional quarter-wave antenna, providing reliable radio performance and easy integration with existing cable workflows. While it omits USB-C and internal expansion capabilities to maintain its compact footprint, its core functionality ensures that smaller setups and lightweight rigs can still benefit from professional remote control without compromise.  Features — Bitbox Mini (English) Ultra-compact wireless camera and lighting control module Weighs under 50 g, ideal for lightweight rigs and portable setups Designed as a remote-only node (requires bitbox base station) Up to 1 km line-of-sight range Sub-GHz radio protocol for robust signal penetration FCC, ISED, and CE compliance for regulated environments Engineered for professional cinema production workflows Industrial-grade electronics and components Injection-molded enclosure with aluminum mounting plate RoHS-compliant manufacturing process Easy Ethernet connection (100 Mbps) Omnidirectional quarter-wave antenna included Compatible with major camera control systems over Ethernet Low-profile form factor for tight spaces Designed to expand existing bitbox networks Reliable performance on compact production rigs Technical Specifications (English) Device Type: Remote wireless camera control radio Radio Module: Bit Part BP.BBR.V1.915 Range: Up to 1 km line-of-sight Compliance: FCC, ISED, CE Connection: 100 Mbps Ethernet Ports: LEMO 2-Pin Power, Ethernet Power Requirement: Industry standard 2-pin LEMO power input Antenna: Omnidirectional quarter-wave included USB-C: Not included Internal Expansion: None Internal Ethernet Switch: None Operating Temperature: Professional equipment range (typical) Mounting: Integrated aluminum mounting plate Control Mode: Remote only LED Indicators: Signal and status indicators Firmware: Field-upgradeable Compatibility: Works with bitbox ecosystems Certification: CE, FCC, ISED Dimensions & Weight (English) Dimensions (approximate): 58.9 mm × 42 mm × 19.75 mm Weight: ~48 g Housing Material: 60 % post-consumer recycled plastic Mounting Plate Material: Machined aluminum 

Professional Long-Range Wireless Ethernet BridgeThe Bit Part Bitbox is a purpose built long range wireless Ethernet bridge engineered for professional film and broadcast environments. Instead of relying on congested 2.4 GHz and 5 GHz WiFi bands, the Bitbox operates in the 915 MHz spectrum, creating a stable and interference resistant point to point data link for camera control and network integration. In high density RF environments such as soundstages, studios, OB trucks, and urban locations, conventional WiFi networks are frequently compromised by wireless video systems, lens control, and consumer devices. The Bitbox eliminates these bottlenecks by establishing a transparent Layer 2 bridge that behaves like an invisible Ethernet cable between camera and control device. The lower frequency architecture provides superior signal penetration through concrete, steel, and structural obstacles. This results in reliable connectivity over multiple city blocks in interference heavy areas and several miles in clear line of sight conditions. The ultra low latency design ensures real time camera parameter adjustments without perceptible delay. Designed for seamless integration into professional camera builds and DIT carts, the Bitbox features direct USB C to tablet connectivity through its integrated Ethernet chipset. There is no SSID management, no web interface, and no complex configuration. A dedicated hardware pairing button enables secure device matching in seconds. With a polarity agnostic 2 pin Lemo 0B input supporting 11 to 36 volts, the Bitbox protects against wiring errors common in rental environments. When powered via Lemo, it actively supplies up to 1.5 amps over USB C, capable of maintaining charge on an iPad Mini during full brightness operation. Consuming only 1.8 watts on average, it minimizes load on camera batteries while delivering maximum network stability. The CNC machined aluminum chassis ensures durability under demanding production conditions. Compact, lightweight, and built for reliability, the Bitbox is the definitive wireless Ethernet solution for remote camera control where failure is not an option. Features Bitbox • 915 MHz wireless architecture for interference free operation • Transparent Layer 2 Ethernet bridge • No SSID, no web GUI, zero configuration workflow • Ultra low latency for real time camera control • Validated long range performance in dense urban RF environments • Multi mile range in line of sight conditions • Gigabit Ethernet RJ45 port • Direct USB C to tablet connectivity without external dongles • Integrated USB Ethernet chipset • Sub five second boot time • Secure hardware pairing button • Base and Remote hardware role switch • High visibility LED status indicators • Polarity agnostic 2 pin Lemo 0B power input • Wide voltage input range 11 to 36 volts DC • USB C power passthrough up to 1.5A when powered via Lemo • Average power consumption of 1.8 watts • CNC machined high grade aluminum chassis • Multiple professional mounting patterns Technical Specifications • Frequency range 915 MHz North America • Regional variants available for EU and UK CE UKCA • Network interface 1x Gigabit Ethernet RJ45 • Wireless architecture point to point bridge • Latency optimized for real time control protocols • Secure hardware based pairing system • Field replaceable SMA antenna • Primary power input 2 pin Lemo 0B 11 to 36V DC • Polarity independent power design • Secondary power input 5V via USB C • USB C output power up to 5V 1.5A when powered by Lemo • Integrated USB C Ethernet bridge chipset • Boot time under 5 seconds • Average power draw 1.8W • Chassis material 6061 and 7075 aluminum • Black anodized surface finish • 1/4 20 threaded mounting hole with ARRI and SmallHD anti rotation geometry • 15mm grid with 10x M4 mounting points • 20mm grid with 7x M2.5 mounting points compatible with Wooden Camera mini rail Dimensions • Dimensions 81.1 mm x 51.2 mm x 21.8 mm (3.19 inch x 2.01 inch x 0.86 inch)

RF-X Auto-Switcher for Bolt 4K/6 and Ranger RXs Teradek RF-X is an intelligent RF auto-switcher designed to guarantee uninterrupted, zero-delay wireless video in the most demanding production environments. Built specifically for Bolt 4K, Bolt 6, and Ranger receivers, RF-X automatically manages redundant signal paths and always delivers the strongest available feed as a single, clean 12G-SDI output. RF-X (Radio Frequency Matrix) continuously monitors up to six connected Bolt or Ranger receivers over hardline SDI connections. As RF conditions change, the system seamlessly switches between inputs without dropped frames, visible hits, or added latency. The result is a rock-solid wireless video signal that remains stable even in heavily congested RF environments, where manual switching or single-receiver setups often fail. Designed for broadcast, live events, and high-end cine production, RF-X operates fully automatically and requires no operator intervention. Whether cameras are moving through complex locations, talent blocks line of sight, or interference levels fluctuate, RF-X intelligently selects the best signal in real time. This eliminates the need for costly manual switchers, reduces crew workload, and protects critical video feeds when every second counts. RF-X excels in environments such as stadiums, concerts, motorsports, and challenging film locations including hospitals, airports, and military facilities. For extended workflows, multiple RF-X units can be linked via single-mode fiber using the integrated SFP port. Fiber connectivity adds another layer of reliability by avoiding RF noise, ground loops, and electrical interference, while enabling long-distance transmission to DIT carts, video village, or downstream routing infrastructure. Fully plug-and-play, RF-X integrates effortlessly into existing Bolt or Ranger systems. Simply connect your redundant receivers to the SDI inputs and route the output to your monitor, recorder, or switcher. Optional web and app-based tools provide visibility into signal quality and system status, but the core switching logic works automatically in the background. RF-X is not a radio system itself—it is a professional video switcher that ensures the highest possible video quality by always selecting the best available wireless input. Workflows Versatile. Indispensable. Reliable. From stadiums and racetracks to concert venues and on set, RF-X thrives in chaotic RF environments with unpredictable conditions and long-range camera movement. Live Sports Secure uninterrupted sideline-to-sideline coverage in high interference arenas. Concerts Deliver an uninterrupted show for the crowd and production pit using RF-X. Cine Production From long tracking shots with multiple physical obstacles to locations with extreme radio frequency congestion. Motorsports Maintain a seamless 12G-SDI feed across high-speed circuits using RF-X. Features – Teradek RF-X Intelligent auto-switcher for wireless video redundancy Seamless hit-less failover between up to six receivers Single uninterrupted clean 12G-SDI output Configurable 12G-SDI multi-view output Zero added latency switching Designed for Bolt 4K, Bolt 6, and Ranger RXs Continuous real-time signal quality monitoring Optimized for high-RF-congestion environments Eliminates manual switching and reduces operator workload Supports 4K 10-bit 4:2:2 wireless video workflows Integrated SFP port for SDI fiber connectivity Extend coverage via single-mode fiber links Full SDI ancillary data pass-through Plug-and-play operation with no configuration required Web UI for monitoring and firmware updates Mobile and desktop app support Compact, rack-friendly aluminum chassis Built for broadcast, live events, and cine production Technical Specifications Video inputs: 6x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber input: 1x 12G-SDI over optical fiber (SFP, module sold separately) Video outputs: 2x 12G-SDI (SMPTE 2082-1, 75 Ω) Fiber output: 1x 12G-SDI over optical fiber (SFP, module sold separately) Supported resolutions: up to 4Kp60 and HD formats Color sampling: YCbCr 4:2:2, 10-bit SDI ancillary data: full metadata pass-through Audio input: embedded SDI audio Audio output: embedded SDI audio Delay TX to RX: < 0.001 seconds Output processing: configurable multi-view Ethernet: 1x Gigabit Ethernet (10/100/1000) USB interface: USB-C for firmware upgrades Bluetooth: supported Configuration: OLED front panel with joystick navigation Web interface: local device management and monitoring Construction, Dimensions and Weight Dimensions: 8.7 x 6.9 x 1.7 in (221 x 175 x 44 mm), including connectors Weight: approx. 1.9 lbs (855 g) Construction: aluminum chassis with temperature-controlled low-noise fan Mounting: 1/2-width 1U rack compatible, dual-unit mounting supportedIn the Box RF-X 36W 2pin to AC Power PSU (Additional RXs and SDI cables not included)

Professional Handheld Control for Bitbox The Bit Part Bitbox iPad Plate is a fully native mounting solution engineered to transform the Apple iPad Mini into a robust, professional handheld control surface for bitbox systems. Designed specifically for the Apple iPad Mini (6th generation and newer), this plate creates a compact, balanced, and production-ready camera control unit suitable for on-set operation, carts, desks, and mobile workflows. Developed in close collaboration with Possum Solutions, the Bitbox iPad Plate focuses on real-world usability for camera assistants, DITs, and technicians. The design allows a bitbox radio to be directly hard-mounted to the plate, ensuring a secure mechanical connection and eliminating unnecessary adapters. For alternative workflows, an additional 1/4-20 mounting point behind the bitbox supports third-party quick-release systems such as Wedgie, Lnkcine, or Cinelock. Power management is fully integrated. The plate ships with a genuine bebob AMMicro battery plate and also supports compatible Anton Bauer Gold Mount or V-Mount micro plates, depending on the selected version. The battery plate can be mounted in multiple orientations, allowing the iPad to rest at a comfortable viewing angle on a cart or desk, or to support horizontal battery placement for alternative docking and handheld configurations. Machined from high-grade aluminum and finished with a durable anodized coating, the Bitbox iPad Plate is built for daily professional use. Extensive mounting points, support for Wooden Camera mini rails, and integrated cable routing ensure a clean, secure, and modular setup. Thoughtful details such as corner loops designed for Peak Design Anchor Links further enhance portability and safety on set. Available in Space Gray, Black, and high-visibility Signal Orange, the Bitbox iPad Plate combines functional engineering with a distinctive professional aesthetic. Features – Bit Part Bitbox iPad Plate Native mounting plate for bitbox and iPad Mini (6th gen and newer) Designed as a dedicated handheld bitbox control unit Precision-machined aluminum construction Direct hard-mount screw pattern for bitbox radios Additional 1/4-20 mounting point behind the bitbox Supports Wedgie, Lnkcine, Cinelock and similar mounts Genuine bebob AMMicro battery plate included (variant-dependent) Supports Gold Mount or V-Mount micro battery plates Battery plate mountable in multiple orientations Comfortable viewing angle for cart and desk operation Horizontal battery option for alternative docking workflows Ample 1/4-20 and 3/8-16 threaded mounting holes Outer screw pattern compatible with Wooden Camera mini rails Integrated internal cable routing for clean builds Corner loops compatible with Peak Design Anchor Links Balanced design for extended handheld use Available in Space Gray, Black, and Signal Orange (RAL2010) Built for professional cinema and broadcast environments Technical Specifications Compatibility: Apple iPad Mini 6th generation and newer Primary material: CNC-machined aluminum Aluminum grade: Plate assembly in 6061 T6, mounting interfaces optimized for rigidity Finish: Anodized (color variant dependent) bitbox mounting: Dedicated screw mounting pattern Alternative mounting: 1/4-20 threaded interface Battery support: Gold Mount or V-Mount micro (variant dependent) Included battery plate: bebob AMMicro Gold Mount (GM versions) Power cable: Genuine LEMO FGG.0B 2-pin cable included USB-C cable: Bit Part custom USB-C ribbon cable included Rail support: Wooden Camera mini rail pattern Thread standards: 1/4-20 and 3/8-16 Cable management: Internal routing through plate Use cases: Handheld, cart-based, desk-based control Color options: Space Gray, Black, Signal Orange Shipping status: First production wave shipping May 2025 Dimensions & Weight Dimensions: 212 mm × 150 mm × 29 mm Weight: approx. 500 g Form factor: Compact, balanced handheld plate Optimized for portability without compromising rigidity Available Versions & SKUs Bitbox iPad Plate Space Gray / Gold Mount – SKU: BP.AKS.IPM.SG.G Bitbox iPad Plate Space Gray / V-Mount – SKU: BP.AKS.IPM.SG.V Bitbox iPad Plate Black / Gold Mount – SKU: BP.AKS.IPM.B.G Bitbox iPad Plate Black / V-Mount – SKU: BP.AKS.IPM.B.V Bitbox iPad Plate Signal Orange / Gold Mount – SKU: BP.AKS.IPM.O.G Bitbox iPad Plate Signal Orange / V-Mount – SKU: BP.AKS.IPM.O.V

Precision Mounting for Professional Rigs The Bit Part Bitbox Mounting Plate is a purpose-built mounting solution designed to integrate the bitbox cleanly and securely into professional camera rigs. Engineered for reliability on set, it provides a flexible and robust interface between the bitbox and industry-standard mounting hardware, ensuring stable operation even in demanding production environments. Machined from aerospace-grade 7075 T6 aluminum, the mounting plate offers exceptional strength while remaining lightweight. This material choice ensures long-term durability, resistance to deformation, and consistent performance under mechanical stress, making it suitable for daily use in rental and production workflows. The rotatable and variable-offset design allows precise positioning of the bitbox, enabling optimal cable routing, antenna clearance, and ergonomic placement on compact or complex camera builds. Multiple threaded mounting options support seamless integration with cages, rods, arms, and accessories commonly used in cinema production. With ARRI anti-rotation compatibility and both horizontal and vertical mounting slots, the Bitbox Mounting Plate delivers maximum flexibility while preventing unwanted movement. It is the ideal solution for camera assistants, DITs, and technicians who require a secure, adaptable, and professional mounting interface for their bitbox systems. Features – Bit Part Bitbox Mounting Plate Precision-machined from aerospace-grade 7075 T6 aluminum Rotatable design for flexible orientation Variable offset for optimal positioning on any rig 1/4-20 and 3/8-16 threaded holes ARRI anti-rotation hole pattern for secure mounting Horizontal 1/4-20 mounting slots Vertical 1/4-20 mounting slots Designed specifically for Bit Part bitbox devices Technical Specifications Material: 7075 T6 aerospace-grade aluminum Manufacturing process: CNC milled Thread types: 1/4-20 and 3/8-16 Anti-rotation standard: ARRI-compatible Mounting orientation: Horizontal and vertical Design: Rotatable with variable offset Intended use: Professional cinema camera rigs Dimensions & Weight Compact, low-profile design for tight rig configurations Lightweight aluminum construction for minimal added mass Optimized thickness for strength without bulk

Antenna (868 MHz) – Compact Certified RF for Tight Rigs The Bit Part Bitbox Short Antenna (868 MHz) is a compact, purpose-built RF antenna designed for Bit Part bitbox and bitbox mini devices operating in Europe. Tuned specifically for the 868 MHz band, it delivers stable and compliant wireless performance while minimizing physical footprint on camera rigs, carts, and handheld setups. This short antenna is ideal for applications where space is limited or where a low-profile configuration is preferred, such as gimbals, drones, compact builds, or densely populated rigs. Despite its reduced length, the antenna is electrically matched to bitbox radios to maintain reliable signal quality and consistent operation in professional environments. For regulatory compliance, Bit Part uses RP-SMA connectors as part of its certified RF system design. This antenna features an RP-SMA interface and is intended exclusively for use with certified Bit Part devices. It will not function with uncertified, modified, or homemade equipment that typically uses standard SMA connectors. Using the correct antenna is essential not only for performance, but also for maintaining legal RF operation within European regulations. Built for daily professional use, the Bitbox Short Antenna combines durability with practical design. It is an essential accessory for users who need a discreet, compliant, and dependable antenna solution without compromising the integrity of their wireless bitbox workflow. Features – Bit Part Bitbox Short Antenna (868 MHz) Designed specifically for bitbox and bitbox mini devices Tuned for the European 868 MHz frequency band Short, low-profile design for compact rigs RP-SMA connector for certified RF compliance Ideal for tight spaces and minimal setups Optimized for stable wireless performance Maintains regulatory conformity in Europe Durable construction for professional use Lightweight design to reduce strain on RF ports Technical Specifications Frequency band: 868 MHz Connector type: RP-SMA Antenna type: Short monopole Intended devices: Certified Bit Part bitbox systems Regulatory region: Europe Polarization: Linear Application: Wireless camera control Compatibility note: Not compatible with SMA connectors Designed exclusively for certified RF devices Dimensions & Weight Short, compact antenna form factor Lightweight construction for minimal added bulk Optimized length for discreet mounting on camera rigs

Antenna (868 MHz) – Certified RF Performance for Europe The Bit Part Bitbox Antenna (868 MHz) is a purpose-built, articulating RF antenna designed specifically for Bit Part bitbox devices operating in European regulatory domains. Tuned precisely for the 868 MHz band, this antenna ensures optimal signal integrity, range, and reliability in professional wireless camera control environments. Unlike generic or uncertified antennas, this model is engineered to meet strict regulatory requirements. Bit Part uses RP-SMA connectors as part of its certified RF design, which is a critical distinction in professional and legally compliant wireless systems. As a result, this antenna is fully compatible only with certified bitbox devices and will not function with uncertified, modified, or homemade RF hardware. The articulating joint allows flexible positioning of the antenna, making it easy to optimize orientation for best signal performance while accommodating tight rig layouts, carts, or fixed installations. This is particularly important on set, where antenna placement can significantly impact wireless reliability due to interference, obstructions, or changing camera positions. Designed for daily professional use, the Bitbox Antenna combines robust mechanical construction with electrically optimized performance. It is an essential accessory for maintaining compliance, consistency, and dependable wireless operation when using bitbox systems in Europe. Features – Bit Part Bitbox Antenna (868 MHz) Designed specifically for Bit Part bitbox devices Tuned for the European 868 MHz frequency band Articulating joint for flexible antenna positioning RP-SMA connector for certified RF compliance Optimized for reliable wireless camera control Maintains regulatory conformity in Europe Compact form factor for professional rigs Durable construction for on-set use Stable performance in challenging RF environments Technical Specifications Frequency band: 868 MHz Connector type: RP-SMA Antenna type: Articulating monopole Intended devices: Certified Bit Part bitbox systems Regulatory region: Europe Polarization: Linear Application: Wireless camera control and data transmission Compatibility note: Not compatible with SMA connectors Designed for certified RF systems only Dimensions & Weight Compact, low-profile antenna design Lightweight construction to minimize strain on RF ports Optimized length for 868 MHz operation

Reliable Ethernet Connectivity for RED Cameras The Bit Part RED GigE Cable is a professional-grade Ethernet cable designed specifically for RED cameras equipped with a GigE port. Engineered for reliable data communication in demanding production environments, this cable enables stable, high-speed Ethernet connectivity between RED cameras and external control, monitoring, or networking systems such as bitbox-based workflows. Built with a genuine LEMO 9-pin OB connector on the camera side, the RED GigE Cable ensures a secure, locking connection that withstands frequent handling and rig reconfigurations on set. The Ethernet termination provides seamless integration with standard network infrastructure, allowing for dependable camera control, data exchange, and IP-based workflows commonly used in modern cinema production. With a practical cable length of 18 inches, the RED GigE Cable is optimized for clean and efficient rig layouts. It minimizes excess cable while allowing sufficient flexibility for handheld builds, studio configurations, or cart-based setups. This thoughtful length helps reduce strain on connectors and supports tidy cable management, which is critical in professional camera environments. As a custom-order product, each cable is assembled and tested to meet Bit Part’s quality standards before shipping. Designed for use with RED Digital Cinema cameras, the RED GigE Cable is a dependable solution for camera assistants, DITs, and technicians who require robust Ethernet connectivity without compromise. Typical lead time is approximately 14 days, reflecting the care and precision involved in its production. Features – Bit Part RED GigE Cable Designed specifically for RED cameras with GigE port Genuine LEMO 9-pin OB connector for secure camera connection Ethernet termination for standard network integration 18-inch cable length optimized for camera rigs Reliable Ethernet data transmission Locking LEMO connector prevents accidental disconnection Clean and compact solution for professional setups Custom-assembled for consistent quality Suitable for handheld, cart, and studio workflows Technical Specifications Camera connector: LEMO 9-pin OB Network connector: Ethernet (RJ45) Cable length: 18 inches (approx. 46 cm) Compatibility: RED cameras with GigE port Signal type: Gigabit Ethernet data Connector quality: Genuine LEMO Assembly: Custom-built to order Intended use: Professional cinema production Robust construction for on-set reliability Dimensions & Weight Cable length: 18 inches (46 cm) Lightweight and flexible design Compact form factor for tight camera rigs Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

Reliable Power and Ethernet Integration The Bit Part Anglissimo Alexa Y Cable is a professional-grade interface cable designed to connect ARRI ALEXA cameras to Bit Part bitbox systems, delivering both power and Ethernet data through a single, streamlined solution. Built for demanding production environments, this cable simplifies rig setup while maintaining the reliability and safety required for high-end cinematography. Equipped with genuine LEMO connectors and enhanced with the precision Anglissimo alignment system, the cable ensures secure, long-lasting connections even under repeated use on busy film sets. The 18-inch length provides optimal flexibility for clean cable management, enabling tidy routing on handheld rigs, carts, or stationary setups. The ALEXA Ethernet port outputs 24 volts, which the Y cable delivers directly via the 2-pin LEMO connector. This voltage falls safely within the bitbox’s 11–36V input range, allowing direct camera-powered operation without additional regulators or adapters. By consolidating power and data transmission in a single cable, the Anglissimo Alexa Y Cable reduces clutter, streamlines setup, and minimizes potential failure points. As a custom-order product, each cable is carefully assembled and tested to meet Bit Part’s strict quality standards. Its robust design ensures reliable power delivery, clean data transmission, and consistent performance in professional cinema applications. The Anglissimo integration further enhances connector longevity and alignment precision, making this cable a dependable choice for camera assistants, DITs, and technical crews. Features – Bit Part Anglissimo Alexa Y Cable Designed for ARRI ALEXA cameras Combined power and Ethernet Y cable in one solution Genuine LEMO connectors with Anglissimo precision alignment 18-inch cable length for flexible rig integration Delivers 24V directly from the ALEXA Ethernet port Compatible with bitbox input voltage range of 11–36V Reduces cable clutter on handheld or cart setups Custom-assembled to meet professional production standards Durable, reliable construction for repeated on-set use Optimized for clean and efficient camera-powered operation Technical Specifications Connector type: Genuine LEMO with Anglissimo integration Cable length: 18 inches (46 cm) Power output: 24V via 2-pin LEMO connector bitbox compatibility: 11–36V input range Signal type: Ethernet data transmission Application: Camera-powered bitbox operation Assembly: Custom-built and quality-tested Use case: Professional cinematography and film production Robust locking mechanism with Anglissimo alignment Suitable for handheld, cart, and studio rig configurations Dimensions & Weight Cable length: 18 inches (46 cm) Lightweight and flexible for minimal connector strain Compact design suitable for tight camera rigs Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

Reliable Power and Ethernet Integration for Arri ALEXA The Bit Part Alexa Y Cable is a purpose-built interface cable designed to integrate bitbox systems cleanly and safely with ARRI ALEXA cameras. It combines Ethernet connectivity and power distribution into a single, robust solution, reducing cable clutter while maintaining the reliability required for professional cinema production environments. Built using genuine LEMO connectors, the Alexa Y Cable ensures secure locking connections and long-term durability under continuous on-set use. The 18-inch cable length is optimized for tidy rig layouts, making it ideal for camera builds where space management, strain relief, and signal integrity are critical. The ALEXA Ethernet port outputs 24 volts, and this cable is engineered accordingly. The integrated 2-pin LEMO output delivers 24V, which falls safely within the bitbox input voltage range of 11–36V. This allows the bitbox to be powered directly from the camera without additional regulators or power accessories, simplifying setup and minimizing potential failure points. As a custom-order product, each Alexa Y Cable is assembled with precision and tested to meet Bit Part’s electrical and mechanical standards. This makes it a dependable solution for camera assistants, DITs, and technicians who require a clean, camera-powered connection between ALEXA systems and bitbox hardware. Features – Bit Part Alexa Y Cable Designed specifically for ARRI ALEXA camera systems Combined Ethernet and power breakout in a single Y cable Genuine LEMO connectors for secure locking connections Optimized 18-inch cable length for clean camera rigs Provides direct power to bitbox from the camera Delivers 24V via 2-pin LEMO output Fully compatible with bitbox input range of 11–36V Reduces cable clutter and setup complexity Built for professional cinema production environments Technical Specifications Cable type: Ethernet and power Y cable Camera compatibility: ARRI ALEXA Ethernet port Connector type: Genuine LEMO connectors Power output voltage: 24V bitbox input compatibility: 11–36V Cable length: 18 inches Signal type: Ethernet data Use case: Camera-powered bitbox operation Manufacturing: Custom-assembled to order Dimensions & Weight Cable length: 18 inches (approx. 46 cm) Compact, flexible cable design for tight rigs Lightweight construction for minimal strain on connectors Bitbox Cable Guide All ARRI ALEXA Cameras Alexa Y CableAnglissimo Alexa Y Cable (Right Angle – preferred for Alexa MINI and MINI LF) Red V-Raptor XL RED GigE Cable 9-pin LEMO OB Red Komodo USB-C Red V-Raptor USB-C Sony Venice 1 & 2 Ethernet / RJ45 Cable Sony Burano Ethernet / RJ45 Cable Freefly Ember Ethernet / RJ45 Cable Phantom Flex 4K 8-pin Fischer to RJ45 Cable (Phantom owners usually have these already) Pixboom Spark USB-C Canon C80 Ethernet / RJ45 Cable Canon C400 Ethernet / RJ45 Cable * All cameras with Ethernet/RJ 45 Connection

The TVLogic SVM-130P is a professional 13.9" field monitor designed for cinematographers, broadcasters, and on-set video professionals who demand precision and reliability. With a stunning 1500nits high brightness display, this monitor ensures crystal-clear visibility even in challenging outdoor lighting conditions, allowing you to accurately judge exposure, color, and contrast in real time. Its lightweight yet rugged design makes it an ideal companion for both studio and field productions. Equipped with dual 12G-SDI inputs and loopouts, the SVM-130P supports 4K UHD signals at up to 60p, providing flexible integration with modern production workflows. The monitor also features a 12G-SDI to 3G-SDI downscale output, enabling compatibility with a wider range of devices while maintaining signal integrity. HDR support (PQ, HLG, S-LOG3) and the ability to import custom 3D LUTs via USB allow for accurate color grading and consistent monitoring across multiple devices. Operators benefit from advanced tools like waveform, vectorscope, histogram, audio level and phase meters, focus assist, and marker overlays, all presented in an intuitive interface. Picture-by-picture display, image capture, and overlay functions further enhance on-set decision-making, while remote control and firmware updates via Ethernet provide seamless integration into complex broadcast setups. With dual battery brackets supporting both V-Mount and G-Mount, and versatile mounting options including cheese plates and C-stand compatibility, the SVM-130P adapts to any shooting environment with ease. Whether you are managing high-end film productions or live broadcast events, the TVLogic SVM-130P delivers exceptional clarity, accurate monitoring, and unmatched reliability, making it a must-have tool for professionals who refuse to compromise on quality. Features – TVLogic SVM-130P 13.9" high brightness LCD display, 1500nits Dual 12G-SDI input and loopout 12G-SDI input to 3G-SDI downscale output Processed monitor output for flexible signal routing HDR support: PQ, HLG, S-LOG3 Custom 3D LUT import via USB flash drive Auto-detection of SDI payload ID Picture-by-picture display mode Image capture and overlay functionality Waveform (YCbCr, RGB), vectorscope, histogram Audio level meter and audio phase meter Focus assist and marker overlays Blue/Mono Only display mode Timecode display Fast mode for high frame rate monitoring H flip and V flip options Dual battery brackets: V-Mount and G-Mount Cheese plate and C-stand mountable Remote control and firmware updates via Ethernet Technical Specifications LCD Panel Size: 13.9” Resolution: 1920 x 1080 (16:9) Pixel Pitch: 0.1605(H) x 0.1605(V) mm Color Depth: 16.7M Colors Viewing Angle: 178° horizontal / 178° vertical Contrast Ratio: 1200:1 Display Area: 308.16(H) x 173.34(V) mm SDI Input Signal Formats: SMPTE ST 2082, ST 2081, ST 2036-1, ST 425M-A/B, ST 274M, ST 296M, ST 260M, ST 125M, ITU-R BT.656, ST 2048-2 HDMI Input: HDMI 1.4 Reference Input: BNC Audio In/Out: Analog Stereo (Phone Jack) Power: DC 12V/24V Operating Temperature: 0°C to 35°C Storage Temperature: -20°C to 60°C Remote Control: RJ-45 Ethernet, GPI, RS-422, USB A Optional Accessories: G-Mount, Acrylic Protector, Carrying Case, Sun Hood Basic Accessories Included: Stand, Handle, V-Mount, Cheese Plate, Screen Protection Film Dimensions & Weight Main Body: 372.8 × 296.0 × 54.0 mm / 14.68 × 11.65 × 2.13 in With Stand: 372.8 × 302.5 × 100.0 mm / 14.68 × 11.91 × 3.94 in Shipping Box: 550 × 460 × 300 mm / 21.65 × 18.11 × 11.81 in Weight (with stand): 5.34 kg / 11.77 lbs