Versatile Cinematic Wide Prime The Sigma 28mm T1.5 FF Cine Prime offers a slightly tighter wide-angle perspective, making it one of the most versatile storytelling lenses in the full-frame cine lineup. It is widely used for dialogue scenes, handheld cinematography, and immersive environmental storytelling. The fast T1.5 aperture enables strong low-light performance and controlled depth of field, supporting cinematic separation between subject and environment. Optically, the lens delivers balanced sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized for stable cinematic focus transitions. The cine housing is fully standardized with 0.8 MOD gearing and robust metal construction, ensuring compatibility with professional rigs and lens control systems. Features – Sigma 28mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Versatile storytelling focal length • Natural perspective rendering • High optical sharpness • Minimal focus breathing • Cine 0.8 MOD gears • Smooth focus control • Full metal construction • Consistent color science • Lightweight design • VFX compatible • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 28mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 105–125 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Natural Wide Cinematic Standard Prime The Sigma 24mm T1.5 FF Cine Prime is a natural wide-angle full-frame cinema lens designed for balanced perspective rendering and versatile production use. It is a core focal length for narrative filmmaking, commercials, and documentary production. The T1.5 aperture enables strong low-light performance and cinematic depth control, making it suitable for both controlled studio environments and available-light shooting. Optically, the lens provides high resolution, neutral color reproduction, and controlled distortion. Focus breathing is minimized for consistent cinematic focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, smooth manual focus rotation, and robust all-metal construction. Features – Sigma 24mm T1.5 FF • Full-frame standard wide cine prime • T1.5 fast aperture • Natural perspective rendering • High optical sharpness • Controlled distortion • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth focus mechanics • Full metal housing • Consistent color science • Lightweight cine design • VFX optimized • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 24mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.25 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 110–130 mm • Weight: approx. 1.0–1.3 kg • Front diameter: 95 mm

Fast Wide-Angle Cinematic Prime The Sigma 20mm T1.5 FF Cine Prime is a fast ultra-wide full-frame lens designed for immersive storytelling with strong environmental context and expressive spatial depth. It is widely used in narrative filmmaking, commercials, and documentary production. The T1.5 aperture provides exceptional low-light capability and shallow depth of field for a wide-angle lens class, enabling cinematic separation even in complex environments. Optically, the lens delivers high sharpness, controlled distortion, and natural color reproduction. Focus breathing is minimized, ensuring stable framing during focus pulls. The cine housing is fully standardized with 0.8 MOD gearing, smooth manual controls, and robust metal construction for professional use. Features – Sigma 20mm T1.5 FF • Full-frame wide cine prime • T1.5 fast aperture • Strong low-light performance • Controlled distortion design • High sharpness optics • Minimal focus breathing • Cine 0.8 MOD gearing • Smooth manual focus • Full metal construction • Consistent color rendering • VFX optimized optics • Lightweight cine design • Engraved scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 20mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 115–135 mm • Weight: approx. 1.1–1.4 kg • Front diameter: 95 mm

Extreme Ultra Wide Cinematic Perspective The Sigma 14mm T2 FF Cine Prime delivers an extreme ultra-wide full-frame perspective designed for immersive cinematic environments, architectural imaging, VFX-heavy productions, and stylized storytelling. It captures vast spatial information while maintaining controlled optical performance. Despite its extreme field of view, the lens maintains strong edge-to-edge sharpness and controlled distortion, ensuring professional image integrity even in demanding digital cinema workflows. The T2 aperture enables low-light shooting and creative depth control, which is uncommon in ultra-wide focal lengths. This makes it highly valuable for night scenes, interior environments, and dynamic action setups. Optically, chromatic aberration is tightly controlled, and contrast remains stable across the frame. Focus breathing is minimized to ensure consistent composition during focus transitions. Mechanically, the lens follows full cine standards with 0.8 MOD gearing, robust metal construction, and smooth manual focus operation. It integrates seamlessly into professional rigs, stabilizers, and VFX pipelines. Features – Sigma 14mm T2 FF • Full-frame ultra wide cine prime • Extreme 14mm field of view • T2 fast aperture • Controlled distortion optics • High edge-to-edge sharpness • Minimal focus breathing • Standard 0.8 MOD cine gears • Smooth manual focus control • Full metal cine housing • Consistent color science • Optimized for VFX workflows • High resolution sensor compatibility • Lightweight cine design • Engraved focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 14mm • Maximum aperture: T2 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 180° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.27 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 120–140 mm • Weight: approx. 1.1–1.3 kg • Front diameter: 95 mm

Ultimate Telephoto Cinematic Depth Control The Sigma 105mm T1.5 FF Cine Prime is a high-speed full-frame telephoto lens designed for maximum subject isolation, controlled compression, and expressive cinematic depth. It is a key tool for narrative filmmaking, commercial productions, and controlled studio environments where precise framing and emotional focus are essential. With its fast T1.5 aperture, the lens enables strong separation between subject and background, creating a highly cinematic look with smooth bokeh and natural falloff. It is particularly effective for portrait-oriented cinematography, dialogue scenes, and close-up storytelling. Optically, the lens delivers high resolution across the frame with excellent contrast and minimal chromatic aberration. The telephoto compression is rendered naturally, avoiding harsh rendering while maintaining clarity and detail even at wide open apertures. Focus breathing is tightly controlled, ensuring stable framing during focus pulls. This is critical for narrative productions where precision and continuity are required. The lens maintains consistent color reproduction and optical character aligned with the Sigma FF High Speed Prime series. Mechanically, the cine housing follows full industry standards with 0.8 MOD gearing, long focus rotation for precision pulling, and robust all-metal construction. It integrates seamlessly into professional rigs, studio setups, and motorized lens control systems. Features – Sigma 105mm T1.5 FF • Full-frame telephoto cine prime • Fast T1.5 aperture for shallow depth of field • Strong subject isolation and compression • High optical resolution across frame • Minimal chromatic aberration • Controlled focus breathing • Standard 0.8 MOD cine gears • Long focus rotation throw • Smooth manual focus control • Full metal cine construction • Consistent Sigma FF color science • Optimized for portrait cinematography • High contrast rendering • Engraved precision scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications • Focal length: 105mm • Maximum aperture: T1.5 • Format: Full Frame • Iris blades: 9 • Focus rotation: approx. 300° • Gear standard: 0.8 MOD • Minimum focus distance: approx. 0.95 m • Focus type: manual cine • Breathing: minimized • Coating: multi-layer AR • Housing: metal cine body • Front diameter: 95mm Dimensions & Weight • Length: approx. 150–170 mm • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm

Fast Mid-Range Cinematic Zoom The Sigma 28-45mm T2 Cine Zoom is a fast, mid-range Super 35 cinema zoom designed for productions requiring high optical performance and maximum flexibility in a compact form factor. It covers the most frequently used framing range in narrative filmmaking, making it a core tool for handheld, studio, and gimbal-based workflows. With its constant T2 aperture, the lens delivers strong low-light performance and consistent exposure across the zoom range. This allows cinematographers to work confidently in changing lighting environments without adjustments during zoom transitions. The optical design prioritizes sharpness, contrast, and natural color reproduction while minimizing distortion and chromatic aberration. Focus breathing is carefully controlled to maintain cinematic consistency during focus pulls. Mechanically, the lens features full cine-standard construction with 0.8 MOD gears, smooth manual focus rotation, and durable all-metal housing. It integrates seamlessly into professional production environments and supports both manual and motorized lens control systems. As part of Sigma’s cine lineup, the 28-45mm T2 maintains consistent color rendering and mechanical layout across the system, ensuring fast and efficient lens changes in multi-lens workflows. Its combination of speed, compactness, and optical quality makes it particularly suitable for high-end commercial, narrative, and broadcast production environments. Features – Sigma 28-45mm T2 Cine Zoom • Super 35 mid-range cine zoom (28–45mm) • Fast constant T2 aperture • Optimized for low-light cinematography • Parfocal optical design for stable focus • High-resolution optical performance • Minimal focus breathing • Standard 0.8 MOD cine gearing • Smooth manual focus and iris control • Compact cine zoom design • Full metal professional construction • Multi-layer anti-reflective coatings • Consistent Sigma cine color science • Ideal for handheld and gimbal use • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-45mm T2 Cine Zoom • Focal length: 28–45mm • Maximum aperture: T2 constant • Format coverage: Super 35 • Optical design: high-speed cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.3 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 180–200 mm • Weight: approx. 1.3–1.6 kg • Front diameter: 95 mm

Extended Range Cinematic Workhorse The Sigma 28-105mm T3 Cine Zoom is designed as a highly versatile all-round production lens for Super 35 cinematography. Covering a broad focal range from wide-angle to medium telephoto, it is engineered to reduce lens changes and streamline on-set workflows, making it ideal for documentary, broadcast, and commercial productions. The T3 aperture provides a balance between optical performance, size, and flexibility, ensuring consistent exposure control across the zoom range. This makes it particularly effective for productions where lighting conditions vary and adaptability is critical. Optically, the lens delivers strong resolution and natural color rendering with controlled distortion throughout the zoom range. Focus breathing is minimized to support cinematic focus pulls, while maintaining stable framing during focus transitions. The cine housing follows industry standards with robust mechanical construction, precise 0.8 MOD gearing, and smooth manual controls for focus, iris, and zoom. It integrates seamlessly with professional cine rigs, shoulder setups, and studio configurations. As part of Sigma’s cine ecosystem, the 28-105mm T3 maintains consistent color science and mechanical alignment with other lenses in the lineup, ensuring fast lens swaps without recalibration. This lens is particularly suited for productions that require a single-lens solution covering a wide range of shooting scenarios without sacrificing image quality or operational precision. Features – Sigma 28-105mm T3 Cine Zoom • Super 35 extended-range cine zoom (28–105mm) • Constant T3 aperture across zoom range • Wide-to-telephoto all-in-one production lens • Parfocal optical design for stable focus • Controlled focus breathing for cinematic use • High-resolution optical performance • Standard 0.8 MOD cine gear system • Smooth manual focus and iris operation • Robust full-metal cine construction • Multi-layer optical coatings • Consistent Sigma cine color science • Optimized for documentary and broadcast use • Reduced need for lens changes on set • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount Technical Specifications – Sigma 28-105mm T3 Cine Zoom • Focal length: 28–105mm • Maximum aperture: T3 constant • Format coverage: Super 35 • Optical design: extended-range cine zoom • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.6 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 240–260 mm • Weight: approx. 1.8–2.2 kg • Front diameter: 95 mm

Versatile Wide-to-Standard Cinematic Precision The Sigma 24-35mm T2.2 Cine Zoom is a compact wide-to-standard zoom designed for Super 35 cinematic productions that require flexibility without compromising optical quality. Based on Sigma’s acclaimed optical design philosophy, this lens delivers consistent sharpness, natural color reproduction, and controlled optical characteristics across the entire zoom range. Covering the most commonly used wide-to-medium framing range in narrative and commercial filmmaking, the lens reduces the need for frequent lens changes on set. This increases workflow efficiency, especially in dynamic shooting environments such as handheld, documentary, and multi-camera productions. The constant T2.2 aperture ensures reliable exposure control across the zoom range, enabling cinematographers to maintain consistent lighting setups without adjustment. Combined with a parfocal optical design, focus remains stable during zooming, supporting precise and repeatable camera work. Optically, the lens provides high resolution imaging with excellent contrast and controlled distortion. Chromatic aberration is minimized, ensuring clean edges and natural rendering even in high-resolution workflows. Mechanically, the cine housing follows industry standards with 0.8 MOD gears, smooth manual focus rotation, and robust all-metal construction. It integrates seamlessly into professional rigs, follow focus systems, and motorized lens control setups. As part of Sigma’s cine lens ecosystem, the 24-35mm T2.2 matches color science and mechanical positioning across the lineup, enabling fast lens swaps without recalibration of accessories. Features – Sigma 24-35mm T2.2 Cine Zoom • Super 35 wide-to-standard cine zoom (24–35mm) • Constant T2.2 aperture across zoom range • Parfocal optical design for stable focus during zoom • High-resolution optical performance for 4K+ workflows • Low chromatic aberration and controlled distortion • Minimal focus breathing for cinematic transitions • Standard 0.8 MOD cine gear system • Smooth manual focus and iris control • Full metal professional cine housing • Multi-layer anti-reflective coatings • Consistent Sigma cine color reproduction • Optimized for handheld and rig-based shooting • Lightweight compact cine zoom design • Engraved precision focus scales Mounts • PL Mount • EF Mount • Sony E-Mount (depending configuration) Technical Specifications – Sigma 24-35mm T2.2 Cine Zoom • Focal length: 24–35mm • Maximum aperture: T2.2 constant • Format coverage: Super 35 • Optical design: cine-optimized zoom system • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Minimum focus distance: approx. 0.28 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Breathing: minimized optical breathing • Front diameter: cine standard (95 mm class) Dimensions & Weight • Length: approx. 170–190 mm • Weight: approx. 1.2–1.4 kg • Front diameter: 95 mm

The Sigma 50-100mm T2 Cine Zoom extends Super 35 cinematography into a controlled telephoto range, offering strong subject separation, natural compression, and precise framing control. It is designed for productions requiring emotional depth, controlled perspective, and cinematic focus on subjects. Covering 50-100mm, the lens is particularly suited for interviews, dialogue scenes, portrait-style framing, and controlled studio or location setups. The focal range enables consistent medium-to-telephoto coverage without the need for frequent lens changes, improving workflow efficiency on set. The constant T2 aperture ensures exposure consistency throughout the zoom range, enabling seamless integration into multi-camera setups and controlled lighting environments. Combined with its parfocal design, focus remains stable during zoom adjustments, ensuring predictable and reliable operation. Optically, the lens delivers high contrast and strong resolution performance with carefully controlled distortion and minimized breathing. This ensures natural-looking focus transitions and a cinematic rendering style that supports narrative storytelling. The lens follows full cine standards, including standardized gear positions, robust all-metal construction, and smooth manual control interfaces. It integrates seamlessly with professional rigs, motorized systems, and studio setups. As part of Sigma’s cine lens family, it matches color science and mechanical layout across the lineup, enabling fast lens changes without workflow interruption. The 50-100mm T2 Cine Zoom is a dedicated telephoto tool for cinematographers who require precision, consistency, and cinematic image quality in controlled production environments. Features – Sigma 50-100mm T2 Cine Zoom • Super 35 telephoto cine zoom (50-100mm) • Constant T2 aperture across full zoom range • Designed for cinematic subject isolation • High-resolution optical performance • Minimal focus breathing • Parfocal zoom design (no focus shift) • Standard 0.8 MOD cine gearing • Smooth manual focus control • Long focus rotation throw • De-clicked iris mechanism • Consistent Sigma cine color matching • Full metal cine housing construction • Multi-layer optical coatings • Optimized for Super 35 sensors • Ideal for interviews and narrative work • Compatible with cine rigs and motors • Engraved precision focus scales • Stable mechanical balance for rigs • Controlled distortion and high contrast imaging Technical Specifications – Sigma 50-100mm T2 Cine Zoom • Focal length: 50-100mm • Maximum aperture: T2 constant • Format coverage: Super 35 / APS-C • Mount options: PL / EF /  Sony E-Mount • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal: yes • Minimum focus distance: approx. 0.95 m • Focus control: manual cine focus • Zoom control: manual cine zoom • Breathing: minimized optical breathing • Coating: multi-layer anti-reflective • Housing: full metal cine construction • Front diameter: 95mm cine standard • Scale markings: engraved cine scales • Image circle: Super 35 optimized • Compatibility: cinema cameras & rigs Dimensions & Weight • Length: approx. 250–280 mm (mount dependent) • Weight: approx. 1.5–1.8 kg • Front diameter: 95 mm

The Sigma 18-35mm T2 Cine Zoom is widely regarded as one of the most flexible and high-performing wide-to-standard zoom lenses in the Super 35 cinema segment. Built on the optical foundation of Sigma’s renowned still photography zoom, this cine-optimized version delivers true cinematic performance with consistent T2 aperture, precise mechanics, and exceptional optical clarity. Designed for modern film production workflows, the lens covers a highly practical focal range from wide-angle to normal perspective, making it ideal for narrative filmmaking, commercials, documentaries, and broadcast environments. Its constant T2 aperture ensures reliable exposure control across the entire zoom range, even in challenging lighting conditions. Optically, the lens delivers sharpness across the frame with controlled chromatic aberration and minimal distortion, even when shooting wide open. The cine housing features industry-standard gearing for focus, iris, and zoom, enabling seamless integration with professional rigs, follow focus systems, and motorized control units. The 18-35mm T2 Cine Zoom is also designed for consistency in multi-lens setups, matching Sigma’s cine line in color science and mechanical layout. This allows for fast lens changes without recalibration of accessories, saving valuable production time on set. With its compact form factor, robust construction, and exceptional optical performance, this lens has become a staple in indie filmmaking, high-end commercial work, and studio productions where flexibility and image quality are equally critical. Features – Sigma 18-35mm T2 Cine Zoom • Super 35 cinema zoom lens with 18-35mm focal range • Constant T2 aperture across the entire zoom range • High optical sharpness optimized for 4K, 6K, and beyond • Minimal focus breathing for cinematic focus pulls • Designed for professional cine housing and accessories • Standard 0.8 mod gear pitch for focus, iris, and zoom • Parfocal design maintains focus throughout zoom range • Consistent color rendition across Sigma cine lens lineup • Robust all-metal housing for professional production use • Smooth manual focus with long rotation throw • De-clicked, smooth iris control for precise exposure • Multi-layer coating for flare and ghosting control • Compatible with PL and EF mount systems (depending version) • Optimized for gimbal, handheld, and studio setups • High resolution center-to-edge performance • Low chromatic aberration and distortion control • Lightweight design for portable cine setups • Ideal for narrative, documentary, and commercial production Technical Specifications – Sigma 18-35mm T2 Cine Zoom • Focal length: 18-35mm • Maximum aperture: T2 constant • Lens coverage: Super 35 / APS-C • Mount options: PL / EF (depending configuration) • Iris blades: 9 rounded blades • Focus rotation: approx. 180° • Gear standard: 0.8 MOD cine pitch • Parfocal design: yes • Coating: multi-layer anti-reflective • Minimum focus distance: approx. 0.28 m • Focus type: manual cine focus • Zoom type: manual cine zoom • Image circle: optimized for Super 35 sensors • Housing material: metal cine construction • Breathing control: optimized low breathing design • Scale markings: engraved and luminous markings • Front diameter: standard cine diameter (95mm class) • Compatibility: cinema cameras, adapters, rigs Dimensions & Weight • Length: approx. 220–250 mm (depending mount) • Weight: approx. 1.4–1.7 kg • Front diameter: 95 mm

The Master 30 fluid head covers a wide range of broadcast applications with a payload capacity from 3 kg to 40 kg The Cartoni Master 30 OB is a professional fluid head specifically configured for outside broadcast applications, delivering precise camera control and reliable performance under demanding production conditions. Designed to support heavy broadcast camera setups, it provides smooth and consistent pan and tilt movement essential for live television, sports, and event coverage. The fluid damping system offers continuous drag adjustment on both pan and tilt axes, allowing operators to fine-tune movement resistance according to shooting requirements. This ensures controlled starts and stops, enabling accurate framing even with long focal lengths and large camera rigs. The continuously adjustable counterbalance system allows precise balancing of different payloads, maintaining stability throughout the tilt range. Built for OB environments, the Master 30 OB features a flat base design compatible with a wide range of pedestals, tripods, and broadcast support systems. Its robust construction is engineered for reliability and durability in intensive field use. The head supports payloads of up to 30 kg, making it suitable for fully equipped broadcast cameras and accessories. Operational features include a sliding quick release camera plate for fast setup and adjustment, illuminated spirit level for accurate leveling in low-light conditions, and ergonomic controls designed for efficient handling during live production. The Master 30 OB meets the requirements of professional operators working in outside broadcast, studio production, and high-end video environments. Features Cartoni Master 30 OB • Professional fluid head for outside broadcast applications • Maximum payload capacity up to 30 kg • Continuous fluid drag system on pan and tilt • Smooth and precise camera movement • Continuously adjustable counterbalance system • Designed for heavy broadcast camera setups • Flat base design for pedestal and tripod compatibility • Sliding quick release camera plate • Fast and secure camera mounting • Illuminated spirit level for precise leveling • Ergonomic control knobs • Robust construction for field use • Reliable performance in OB environments • Accurate pan and tilt control • Compatible with broadcast support systems • Maintenance-free fluid system • Designed for intensive professional use • Stable operation with long lens setups Technical Specifications • Maximum payload: 30 kg / 66 lbs • Counterbalance: Continuous adjustment • Pan drag: Continuous fluid damping • Tilt drag: Continuous fluid damping • Tilt range: +90° / -60° • Base type: Flat base • Compatibility: Pedestals and tripods • Camera plate: Sliding quick release plate • Plate travel: approx. 120 mm • Pan bar: Included • Spirit level: Illuminated • Operating temperature: -40°C to +60°C • Material: Aluminum and composite materials • Weight: approx. 7.5 kg • Height: approx. 190 mm • Mounting interface: Flat base with fixing screw Dimensions and Weight Height: approx. 190 mm Weight: approx. 7.5 kg Camera plate travel: approx. 120 mm

Fluid Head for Precise Control and High Payload Performance The Cartoni Master 30 is a professional fluid head designed for demanding broadcast and cinema applications requiring precise camera control and high payload capacity. It is engineered to support a wide range of camera configurations while maintaining smooth and consistent pan and tilt movement across its entire operating range. The fluid damping system provides continuous drag control, allowing operators to fine-tune resistance for both pan and tilt movements. This ensures smooth starts and stops, enabling accurate framing and reliable camera operation in studio and field production environments. The counterbalance system is continuously adjustable, allowing precise balancing of the camera payload for optimal performance. The Master 30 features a flat base design, making it compatible with a wide range of tripods, sliders, and support systems. Its robust construction is designed to withstand intensive professional use while maintaining consistent performance over time. The head supports a maximum payload of up to 30 kg, making it suitable for broadcast cameras, digital cinema cameras, and fully rigged setups. Additional operational features include a sliding quick release camera plate for fast setup and adjustment, illuminated spirit level for accurate leveling in low-light conditions, and ergonomic controls for efficient operation. The Master 30 is built to meet the requirements of professional camera operators working in broadcast studios, live production, and high-end video production environments. Features Cartoni Master 30 • Professional fluid head for broadcast and cinema applications • Maximum payload capacity up to 30 kg • Continuous fluid drag system on pan and tilt • Smooth and consistent camera movement • Continuously adjustable counterbalance system • Flat base design for versatile mounting • Compatible with tripods, sliders, and support systems • Sliding quick release camera plate • Fast and secure camera mounting • Illuminated spirit level for precise leveling • Ergonomic control knobs • Robust and durable construction • Designed for intensive professional use • Accurate pan and tilt control • Wide compatibility with camera configurations • Reliable performance in studio and field environments • Maintenance-free fluid system • Compact and balanced design Technical Specifications • Maximum payload: 30 kg / 66 lbs • Counterbalance: Continuous adjustment • Pan drag: Continuous fluid damping • Tilt drag: Continuous fluid damping • Tilt range: +90° / -60° • Base type: Flat base • Bowl compatibility: Requires flat base adapter • Camera plate: Sliding quick release plate • Plate travel: approx. 120 mm • Pan bar: Included • Spirit level: Illuminated • Operating temperature: -40°C to +60°C • Material: Aluminum and composite materials • Weight: approx. 7.5 kg • Height: approx. 190 mm • Mounting interface: Flat base with fixing screw Dimensions and Weight Height: approx. 190 mm Weight: approx. 7.5 kg Camera plate travel: approx. 120 mm

Motorized Dual Column for High Payload PTZ Elevation The Cartoni Lifto Twin HP is a motorized dual-column elevation system engineered for PTZ camera applications requiring both synchronized vertical movement and increased payload capacity. By combining two high-performance motorized columns, the system enables stable lifting and precise positioning of heavier camera setups in professional broadcast and studio environments. The system provides smooth and controlled vertical motion across its full operating range, extending the creative possibilities of PTZ systems beyond pan, tilt, and zoom. It is operated via a wired hand control unit, allowing synchronized movement of both columns. The controller supports continuous motion as well as programmable preset positions, enabling repeatable and accurate camera repositioning during live production workflows. Designed for stability and reliability, the Lifto Twin HP ensures balanced load distribution across both columns. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live productions, corporate environments, and house of worship installations. The Lifto Twin HP integrates with Cartoni’s Smart Deployment Series tripod and spreader system, delivering high torsional rigidity and operational safety. Its modular architecture supports compatibility with additional accessories such as dollies and transport solutions, allowing flexible deployment and efficient handling across a wide range of production scenarios. Features Cartoni Lifto Twin HP • Dual motorized elevation column system • Designed for high payload PTZ camera setups • Synchronized movement of both columns • Increased payload capacity for heavier configurations • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration performance for broadcast use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and balanced lifting performance • Suitable for professional studio and live environments • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in continuous production workflows Technical Specifications • System type: Dual motorized elevation column • Maximum payload: up to 60 kg / 132 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 22–28 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column for High Payload PTZ Applications The Cartoni Lifto HP is a motorized elevation column designed for PTZ camera systems that require higher payload capacity and stable vertical movement in professional broadcast environments. It extends the Lifto range by supporting heavier camera configurations while maintaining precise and controlled elevation across its full operating range. The system delivers smooth and repeatable vertical motion, enabling an additional axis of control alongside pan, tilt, and zoom. It is operated via a wired hand controller, allowing continuous movement and accurate positioning. The controller supports programmable preset positions, enabling fast and consistent camera repositioning during live production workflows. With a wide height range, the Lifto HP provides flexibility for different shooting angles and framing requirements. The motorized column operates with low noise and minimal vibration, ensuring suitability for on-air studio use. Its design supports stable lifting of heavier PTZ cameras and accessories, making it suitable for broadcast studios, live events, corporate production, and house of worship installations. The Lifto HP integrates with Cartoni’s Smart Deployment Series tripod system, providing high torsional rigidity and operational stability. Its modular architecture allows compatibility with additional accessories such as dollies and transport solutions, supporting flexible deployment and efficient handling across different production environments. Features Cartoni Lifto HP • Motorized elevation column for high payload PTZ systems • Designed for professional broadcast and studio environments • Increased payload capacity for heavier camera setups • Smooth and precise vertical motion control • Continuous movement across full height range • Extremely silent motor operation • Low vibration design for on-air use • Wired remote control unit included • Programmable preset positions for repeatable shots • Stable and controlled elevation performance • Compatible with PTZ cameras and accessories • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Modular system architecture • Expandable with optional accessories such as dollies • Designed for fast setup and deployment • Reliable operation in live production workflows Technical Specifications • Maximum payload: up to 30 kg / 66 lbs • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Elevation type: Motorized column • Control interface: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor operation: Electric, low noise • Vibration: Minimal vibration performance • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and broadcast accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 12–15 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feet The Cartoni Lifto Twin is a motorized dual-column elevation system designed for professional PTZ camera applications requiring synchronized vertical movement. By combining two motorized columns into a single system, it enables stable and precise elevation of heavier or dual-camera setups while maintaining smooth motion control for broadcast and studio environments. The system is engineered to deliver consistent and repeatable vertical positioning across its full operating range. It is controlled via a wired hand control unit and supports synchronized movement of both columns, ensuring balanced lifting and lowering. The controller allows continuous motion and includes programmable preset positions for fast and accurate repositioning during live production workflows. With an extended height range and increased payload capacity compared to single-column systems, the Lifto Twin is suitable for applications where additional stability and load support are required. The motorized operation is optimized for low noise and minimal vibration, making it suitable for on-air use in broadcast studios, live event production, corporate environments, and houses of worship. The system is based on Cartoni’s modular PTZ support architecture and integrates with the Smart Deployment Series tripod and spreader system. This ensures high torsional rigidity and operational safety. The modular design also allows compatibility with accessories such as dollies and transport solutions, supporting flexible deployment and mobility across different production environments. Features Cartoni Lifto Twin • Dual motorized elevation column system • Designed for synchronized PTZ camera movement • Increased payload capacity compared to single-column systems • Smooth and precise vertical motion control • Extremely silent motor operation • Low vibration performance for broadcast environments • Wired remote control unit included • Synchronized control of both columns • Continuous movement across full height range • Programmable preset positions for repeatable shots • Suitable for heavier or dual-camera setups • Smart Deployment Series tripod compatibility • Smart-Stop spreader integration • High torsional rigidity construction • Safe and stable lifting operation • Modular system architecture • Expandable with accessories such as dollies • Designed for fast setup and deployment • Suitable for studio and live production use Technical Specifications • System type: Dual motorized elevation column • Maximum payload: 50 kg / 110 lbs (combined system) • Minimum height: approx. 60 cm / 23.6 in • Maximum height: approx. 254 cm / 100 in • Column synchronization: Electronic • Elevation control: Wired hand controller • Preset positions: Yes • Motion type: Continuous vertical movement • Motor type: Integrated electric motor • Noise level: Low noise operation • Vibration: Minimal vibration design • Power input: 100–240 V, 50/60 Hz • Operating voltage: 24 V • Maximum current consumption: approx. 9 A • Material: Aluminum construction • Compatibility: PTZ cameras and support accessories • Mounting system: Safe camera attachment interface • Expandability: Compatible with dolly and transport systems Dimensions and Weight Height range: approx. 60 cm to 254 cm System weight: approx. 20–24 kg (depending on configuration) Transport dimensions: system-dependent

Motorized Elevation Column with remote control unit, SDS tripod, smart lock spreader & rubber feetThe Cartoni Lifto 25/S Motorized Elevation Column is specifically engineered for PTZ camera applications, delivering smooth and precise vertical movement designed for broadcast environments. It enhances traditional pan, tilt and zoom control by adding a controlled elevation axis, enabling more dynamic and creative shot composition in live and studio productions. The system is designed for fast deployment and operational reliability. It can be set up within minutes and is operated via a wired hand control unit or optional Bluetooth connection. The controller supports continuous movement across the full height range and includes three programmable preset positions for quick and repeatable camera repositioning during production workflows. With a height range from 60 cm up to 254 cm, the Lifto 25/S provides significant vertical flexibility while maintaining stability. The integrated motorized column operates with extremely low noise and minimal vibration, ensuring on-air suitability. The system supports a maximum payload of 25 kg, making it compatible with a wide range of professional PTZ cameras used in broadcast, live events, education and house of worship environments. The included Smart Deployment Series tripod with Smart-Stop mid-level spreader ensures high torsional rigidity and stability. The modular design allows for system expansion, including conversion to Twin or Pro configurations via additional components. Optional accessories such as a dolly or transport case further extend mobility and usability in different production scenarios. Features Cartoni Lifto 25/S • Motorized elevation column designed for PTZ cameras • Broadcast-quality vertical camera movement • Extremely silent motor operation • Smooth and vibration-free elevation movement • Height range from 60 cm to 254 cm • Maximum payload capacity of 25 kg • Wired remote control unit included • Optional Bluetooth control capability • Three programmable position presets • Continuous motion across full height range • Smart Deployment Series tripod included • Smart-Stop mid-level spreader for stability • High torsional rigidity construction • Safe release camera attachment system • Camera safety ring integration • XLR connector interface • Compatible with additional column upgrades • Convertible to Twin and Pro configurations • Optional dolly support for studio mobility • Compact transport case available as accessory Technical Specifications • Maximum payload: 25 kg / 55 lbs • Minimum height: 60 cm / 23.6 in • Maximum height: 254 cm / 100 in • Maximum height on feet: 240 cm / 94.5 in • Maximum height on dolly: 254 cm / 100 in • Weight: 11.8 kg / 26.0 lbs • Material: Aluminum • Column stroke: 660 mm / 25.98 in • Elevation speed: 38 mm/s • Footprint diameter (min height): 1306 mm / 51.4 in • Input voltage: 24 V • Power supply: 100–240 V, 50/60 Hz • Maximum current consumption: 9 A • Operational temperature: -10°C to +40°C • Control interface: Wired hand controller • Optional control: Bluetooth remote • Camera mounting: Safe release camera plate • Connector type: XLR Dimensions and Weight Height range: 60 cm to 254 cm Storage dimensions: approx. Ø 276 x 861 mm Weight: 11.8 kg

The Cartoni JIBO is a compact, encoded 3-section jib system engineered for productions that require mobility, speed, and precise motion control. Designed with versatility in mind, it enables operators to achieve dynamic camera moves without the complexity and footprint of traditional jib systems. Its modular three-section design allows for rapid assembly and disassembly, making it an ideal solution for fast-paced environments such as live productions, broadcast setups, and on-location shoots. Whether used in tight studio spaces or outdoor locations, the JIBO adapts quickly to changing production demands. A key differentiator is its integrated encoding system, which makes the JIBO fully compatible with virtual production workflows and remote operation systems. This enables accurate tracking of camera position and movement, allowing seamless integration into augmented reality and virtual studio environments. The jib is engineered for smooth and stable motion, ensuring consistent and repeatable camera moves. Its lightweight construction does not compromise on rigidity, offering a reliable platform for professional camera setups. Combined with Cartoni’s expertise in precision engineering, the e-JibO delivers high-end performance in a highly portable format. Overall, the Cartoni JIBO bridges the gap between traditional jib systems and modern virtual production requirements, offering a cost-effective and future-proof solution for professionals who demand both flexibility and technical precision. Features and Cartoni JIBO • 3-section modular jib design for flexible configurations • Fast assembly and disassembly in under minutes • Integrated encoding system for virtual production workflows • Compatible with AR and VR camera tracking systems • Lightweight construction for easy transport • High rigidity for stable and precise camera movement • Smooth and controlled jib operation • Designed for studio and on-location use • Supports remote head integration • Optimized for live broadcast environments • Compact footprint for tight production spaces • Cost-effective alternative to large jib systems • Professional-grade materials and build quality • Seamless integration with encoded heads • Repeatable and accurate motion control • Suitable for single-operator setups • Reduced setup time compared to traditional jibs • Engineered for reliability in demanding environments Technical Specifications • Jib type: 3-section portable encoded jib • Encoding system: Integrated position encoding • Compatibility: Virtual production and tracking systems • Construction: Lightweight high-strength materials • Assembly: Tool-less or minimal tools required • Operation: Manual or remote-assisted • Mounting: Compatible with professional tripods and pedestals • Payload capacity: Suitable for broadcast and cinema cameras • Sections: Three detachable arm segments • Transport: Compact breakdown for easy logistics • Balance system: Adjustable counterweight configuration • Motion control: Smooth manual operation with encoding feedback • Integration: Works with encoded heads and remote systems • Application: Studio, broadcast, live events, virtual production • Setup time: Optimized for rapid deployment • Stability: High torsional rigidity • Control interface: Dependent on connected remote systems Dimensions, Weights • Number of sections: 3 • Total length: Variable depending on configuration • Transport length: Reduced due to modular design • Weight: Lightweight for single-person handling • Payload: Dependent on configuration and counterbalance setup • Counterweight: Adjustable based on camera package

Portable Elevation and Rock-Solid Stability The Cartoni Ragno Pod is a professional portable tripod riser and operator platform engineered to deliver reliable elevation, stability, and speed on demanding productions. Designed and manufactured by Cartoni, the Ragno Pod elevates your camera setup by over 62 cm, providing a clear, unobstructed viewpoint above crowds, obstacles, or barriers. This makes it an ideal solution for live events, broadcast, sports, houses of worship, news gathering, and performances where visibility and stability are critical. Crafted from aviation-grade aluminum, the Ragno Pod combines lightweight portability with exceptional structural strength. Its wide tripod footpath accommodates all popular professional tripods equipped with floor spreaders or built-in spreaders and rubber feet, ensuring broad compatibility across existing setups. A single adjustable leg allows precise leveling on uneven surfaces, while the patented locking mechanism securely fixes all three legs in position for confident, vibration-free operation. The optional foldable operator platform enhances comfort and control during extended shoots. By keeping the operator platform structurally separate from the tripod base, the Ragno Pod minimizes vibration transfer, resulting in steadier shots even in dynamic environments. Quick to deploy and easy to transport, the Ragno Pod and platform pack neatly into the included padded carrying case, making it a practical choice for mobile crews who need performance without compromise. Features – Cartoni Ragno Pod • Elevates camera systems by 62.9 cm for improved sightlines • Portable tripod riser and operator platform for professional use • Aviation-grade aluminum construction for strength and low weight • Wide footpath compatible with tripods using floor or built-in spreaders • Single adjustable leg for precise leveling on uneven ground • Patented locking mechanism for maximum stability during operation • Optional foldable operator platform with anti-slip surface • Reduced vibration transfer thanks to separated platform design • Fast setup in minutes for efficient on-location workflows Technical Specifications • Maximum payload capacity: 100 kg / 220.46 lbs • Maximum height: 62.9 cm / 24.76 in • Stroke: 220 mm / 8.66 in • Footprint diameter at minimum height: 1343 mm / 52.87 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs Dimensions and Weights • Overall dimensions: 727.5 x 705 x 91 mm / 28.64 x 27.76 x 3.58 in • Ragno Pod weight: 9 kg / 19.84 lbs • Operator platform weight: 6 kg / 13.23 lbs • Padded carrying case weight: 1.5 kg / 3.31 lbs

The Cartoni Lifto 25 Additional Column allows you to upgrade your existing Lifto 25/S into a Lifto Twin configuration, providing expanded vertical range and enhanced operational flexibility. This motorized column is designed to integrate seamlessly with your current setup, enabling synchronized operation of dual columns for larger camera rigs, heavier payloads, or multi-camera configurations. Equipped with an XLR connector and a dedicated cable for connecting the operator switch, the Additional Column ensures smooth communication and control between the columns and your Lifto 25 system. The integration maintains precise and coordinated movements, giving operators the confidence to execute complex camera shots with repeatable accuracy. This is particularly useful in professional broadcast, studio, or live production environments where reliability and consistency are essential. The modular design of the Lifto 25 Additional Column allows for quick and straightforward installation, minimizing setup time while maximizing functionality. By converting a single Lifto 25/S into a Twin column configuration, production teams gain the ability to manage larger setups, support additional PTZ cameras, or increase the flexibility of automated camera movements without requiring extensive additional equipment. This Additional Column maintains the high performance, smooth vertical motion, and professional-grade reliability that Lifto 25 users expect. It is compatible with all existing Lifto 25 accessories and supports integration with PTZ controllers, automation modules, and other Cartoni systems. The result is a highly adaptable and scalable solution for complex production workflows, enabling operators to expand creative possibilities and maintain operational efficiency. With the Cartoni Lifto 25 Additional Column, production teams can elevate their camera setups to new professional standards, enabling synchronized twin-column operation and enhanced flexibility in both live and studio production scenarios. Features of the Cartoni Lifto 25 Additional Column • Converts Lifto 25/S into a Lifto Twin configuration • Motorized vertical column for synchronized operation • Equipped with XLR connector for reliable control • Cable connection for operator switch integration • Supports larger camera rigs and additional PTZ cameras • Quick and easy installation for minimal setup time • Compatible with all Lifto 25 accessories and modules • Provides precise and repeatable vertical movements • Ideal for studio, broadcast, and live production workflows • Enhances creative flexibility and operational efficiency

Wireless Operation for Maximum Flexibility The Cartoni Lifto25 Bluetooth Remote Control allows operators to control the Lifto 25 column wirelessly, providing freedom of movement and simplified operation. This compact remote ensures quick, responsive control for professional studio, broadcast, and live production environments. Designed for intuitive use, the Bluetooth remote enables precise adjustments without the need for cables, reducing setup complexity and increasing operational flexibility. It integrates seamlessly with existing Lifto 25 systems for effortless control of vertical movements and presets. Features of the Cartoni Lifto25 Bluetooth Remote Control • Wireless Bluetooth operation for Lifto 25 columns • Compact and ergonomic design for easy handling • Enables precise vertical movement and control presets • Reduces cable clutter and setup complexity Technical Specifications • Connectivity: Bluetooth wireless • Compatibility: Lifto 25 column systems • Operation: Controls vertical movement and presets • Power: Battery-operated • Range: Standard Bluetooth operating distance

The Cartoni PTZ Universal Plate for Lifto 25 is a versatile mounting solution designed to accommodate PTZ cameras from the most popular brands, even when using non-aligned mounting patterns. This universal plate provides multiple mounting holes, allowing precise centring of the camera for optimal balance and stability. It is compatible with all pedestals and Mitchell-based tripods, offering flexibility for a wide range of studio and broadcast setups. This plate is particularly useful in professional production environments where multiple PTZ camera brands are in use, or when camera setups need to be frequently adjusted. The range of mounting options ensures that each camera can be positioned securely and accurately, minimizing the risk of misalignment or instability during live production or multi-camera workflows. For added convenience, the PTZ camera can be attached using the optional AH921 quick-release sliding plate. This allows fast attachment and detachment while improving centring precision, which is especially valuable in fast-paced environments such as live broadcasts or mobile productions. The universal plate’s lightweight aluminium construction ensures durability without adding unnecessary weight, making it easy to handle and integrate into existing setups. With a maximum payload capacity of 15 kg (33.07 lbs), the Cartoni PTZ Universal Plate provides a reliable and stable platform for professional PTZ cameras. Its thoughtful design combines versatility, precision, and ease of use, making it an essential accessory for operators who require flexibility across different camera systems and mounting configurations. By using this plate, production teams can streamline setup processes, maintain accurate camera alignment, and achieve consistent results in any professional studio or broadcast environment. The Cartoni PTZ Universal Plate for Lifto 25 enhances operational efficiency, reduces setup time, and ensures reliable, stable camera mounting, making it a practical and dependable tool for modern production workflows. Features of the Cartoni PTZ Universal Plate Lifto 25 • Universal mounting for most PTZ camera brands with non-aligned patterns • Multiple mounting holes for precise camera centring • Compatible with all pedestals and Mitchell-based tripods • Optional AH921 quick-release sliding plate for fast attachment • Lightweight aluminium construction for easy handling • Maximum payload capacity of 15 kg / 33.07 lbs • Stable and secure platform for professional PTZ operation • Ideal for live broadcast, studio, and mobile production environments • Simplifies multi-camera setups and camera reconfigurations Technical Specifications • Weight: 0.8 kg / 1.76 lbs • Maximum payload capacity: 15 kg / 33.07 lbs • Material: Aluminium • Mounting holes: Multiple for precise centring • Compatibility: Pedestals and Mitchell-based tripods • Optional accessory: AH921 quick-release sliding plate • Application: Studio, broadcast, and mobile production • Stability: Ensures secure and reliable PTZ camera mounting Dimensions and Weight Weight: 0.8 kg / 1.76 lbs Material: Aluminium Maximum payload: 15 kg / 33.07 lbs

The Cartoni Lightweight Dolly for Lifto 25 is a compact and versatile mobility solution designed to enhance the flexibility of your studio or broadcast setup. Built for use with Red Lock and SDS tripods, this dolly allows easy repositioning of camera systems, including the Lifto 25 column, without compromising stability or precision. Its design provides smooth movement across studio floors, enabling operators to adjust camera positions quickly during live productions or multi-camera shoots. Constructed with lightweight materials, the dolly is easy to handle and transport, making it ideal for dynamic studio environments where equipment needs to be moved frequently. Despite its compact size, it offers a stable platform for tripod-based setups, ensuring cameras remain secure during transitions. The 75mm wheels deliver smooth rolling performance on various floor surfaces, reducing friction and effort while providing precise control over movement. The Cartoni Lightweight Dolly is particularly useful in fast-paced production environments, where quick repositioning of camera and column systems is required. Its compatibility with Red Lock and SDS tripods allows operators to integrate the dolly seamlessly into existing setups, providing enhanced flexibility without the need for additional modifications or adapters. This makes it a practical choice for both permanent studio installations and mobile production setups. By incorporating the Cartoni Lightweight Dolly into a Lifto 25 system, production teams can combine vertical camera movement with smooth horizontal mobility. This ensures greater creative control, faster setup times, and improved workflow efficiency. The dolly’s robust yet lightweight construction ensures that operators can move camera systems safely while maintaining professional precision and stability. Whether for live broadcast, studio production, or mobile shoots, the Cartoni Lightweight Dolly for Lifto 25 provides a reliable and flexible solution for dynamic camera positioning, making it an essential accessory for professional PTZ and tripod workflows. Features of the Cartoni Lightweight Dolly for Lifto 25 • Compatible with Red Lock and SDS tripods • 75mm wheels for smooth studio floor movement • Lightweight construction for easy handling and transport • Provides stable support for camera systems and Lifto 25 columns • Enables fast repositioning during live production and multi-camera shoots • Compact and versatile design for studio or mobile setups • Enhances workflow efficiency and creative flexibility • Ideal for dynamic camera positioning and flexible setups • Supports professional studio and broadcast environments Technical Specifications • Wheel diameter: 75 mm • Tripod compatibility: Red Lock and SDS systems • Construction: Lightweight aluminium and durable materials • Mobility: Smooth rolling on studio floors • Application: Studio, broadcast, and mobile production • Load capacity: Supports standard tripod and camera setups • Portability: Easy to handle and transport • Stability: Secure platform for precise camera movements Dimensions and Weight Lightweight, compact dolly Wheel diameter: 75 mm Material: Aluminium and durable components Designed for tripod-mounted cameras and columns

The Lifto 25 & PTZ Solutions TX Box + Pedals Kit is a professional control solution designed to extend the capabilities of the Lifto 25 system when paired with the RX Box. This setup allows operators to control the vertical movement of the Lifto 25 elevation columns with unmatched precision and flexibility, using intuitive foot pedals or alternative input devices. It is ideal for broadcast studios, live productions, and automated multi-camera environments where smooth, real-time column control is essential. The TX Box features a clear display that provides direct access to all connected settings, allowing operators to adjust configurations quickly and efficiently during live operations. By combining the TX Box with the pedals, the system enables movement of the Lifto 25 Up and Down and the ability to recall preset positions instantly. This functionality is especially useful for repetitive or complex shots, ensuring consistent framing and timing across multiple camera angles. Each pedal is equipped with a potentiometer, allowing operators to regulate the maximum speed in both directions. This feature provides fine-tuned control over column movement, enabling subtle adjustments or faster transitions depending on production requirements. The TX Box + Pedals Kit ensures that camera operators can focus on creative direction without compromising precision or reliability. Designed for integration with professional PTZ workflows, the TX Box + Pedals Kit supports live speed adjustments and instant recall of stored positions, making it a powerful addition to any automated camera setup. Its compact, durable design ensures it fits seamlessly into studio control environments, enhancing operational efficiency and creative possibilities for every production. With the Lifto 25 & PTZ Solutions TX Box + Pedals Kit, controlling automated camera elevations becomes intuitive and highly responsive. It allows for full dynamic adjustment, precise movement, and integration with PTZ controllers, enabling a seamless production workflow and professional results. Features of the Lifto 25 & PTZ Solutions TX Box + Pedals Kit • Compatible with RX Box for full Lifto 25 elevation control • Foot pedals enable Up, Down movement and recall of preset positions • Pedals equipped with potentiometer for real-time speed adjustment • TX Box display provides direct access to all system settings • Supports smooth, precise, and repeatable column movements • Ideal for live production, broadcast, and automated PTZ workflows • Enables instant recall of multiple preset positions • Compact and durable design for professional studio integration • Enhances creative control during multi-camera operations Technical Specifications • Power: 60 W • Operating tension: 12 V • Supply voltage: 100–240 V ~ 50/60 Hz 1.5 A • Control interface: Foot pedals and TX Box display • Functions: Up/Down movement, preset recall, speed adjustment • Pedal feature: Potentiometer for maximum speed regulation • Integration: Works with RX Box and Lifto 25 system • Supported environments: Broadcast, studio, live production

The Lifto 25 RX Box is a professional-grade controller designed to expand the capabilities of the Lifto 25/S, Lifto 25/S PRO, and Twin Elevation Columns. By leveraging the Ethernet network available at the location, the RX Box provides a robust, flexible, and highly reliable solution for controlling your column with precision and ease. This system is tailored for professional studio environments where synchronization, repeatability, and automation are critical for live production and broadcast setups. Installed alongside a dedicated power supply, the RX Box allows seamless integration with the most widely used PTZ camera controllers, including units from Sony, Panasonic, and Skaarhoj. Users benefit from a familiar workflow while gaining the ability to manage complex movements, store positions, and recall them instantly. This makes it ideal for environments where multiple camera angles, automated movements, and repeated shots are required. For additional operational flexibility, the RX Box is compatible with the Companion application module. This module enables control of the column using alternative input devices, such as the Stream Deck, giving operators the freedom to configure the control interface according to their production needs. The system allows storing up to 30 positions, which can be recalled at any time, enabling repeatable and precise camera movements without the need for manual repositioning. With the Lifto 25 RX Box, column movement is no longer limited by distance or complexity. The Ethernet-based architecture ensures smooth, reliable communication and allows for centralized control of the system in professional PTZ setups. This solution transforms the Lifto 25 columns into fully integrated, programmable studio tools, enhancing creative possibilities and operational efficiency in demanding production environments. Features of the Lifto 25 RX Box • Ethernet-based controller for advanced column operation • Compatible with Lifto 25/S, Lifto 25/S PRO, and Twin Elevation Columns • Works with most popular PTZ camera controllers including Sony, Panasonic, and Skaarhoj • Integration with Companion app module for Stream Deck and alternative devices • Allows storing and recalling up to 30 programmable positions • Supports professional studio and broadcast workflows • Provides centralized and repeatable column control • Operates alongside a dedicated power supply for stable performance • Enhances automation and synchronization in multi-camera setups Technical Specifications • Power: 200 W • Operating tension: 24 V • Supply voltage: 100–240 V ~ 50–60 Hz 2.8 A • Control protocol: Ethernet-based communication • Maximum programmable positions: 30 • Compatible PTZ controllers: Sony, Panasonic, Skaarhoj • Integration: Companion application module for alternative devices • Supported columns: Lifto 25/S, Lifto 25/S PRO, Twin Elevation Column