The Leitz HUGO lenses bring the legendary optical character of Leica M photography glass into the world of modern, professional cinematography. Based on the popularity of the Leitz M 0.8 series, HUGO primes carry forward a century-old tradition of storytelling optics — known for their rich colors, artful flares, and a rounded image field that translates emotion into every frame. New Leitz HUGO II 90mm T2.1 Lens Leica M lenses have long been the tool of choice for street photographers, war correspondents, and visual storytellers who value speed, subtlety, and soul. With the HUGO series, Leitz distills that spirit into a cine-ready lens set that meets the highest demands of today's productions. Leitz Hugo meets Sony Venice | Image credit: Leitz Even wide open at T1.5, HUGO lenses deliver sharp images — yet remain gentle in contrast and falloff. The lenses exhibit a natural, organic rendering, with strong field curvature in full frame use that allows subjects to visually separate from their surroundings. The resulting bokeh transforms backgrounds into painterly backdrops, enhancing the emotional depth of a scene. Two Series. One Signature Look. The complete HUGO lineup now includes 13 full frame lenses ranging from 18mm to 135mm, all featuring Leica M optics in a new housing designed for cinema use. HUGO Series I – T1.5 Compact, fast, and built for performance, the original HUGO lenses offer exceptional speed and character with T1.5 apertures across nine focal lengths — from ultra-wide to telephoto. HUGO Series II – T2.1 Newly introduced, the HUGO II lenses (66mm, 75mm, 90mm) provide slightly slower T2.1 apertures but offer smaller size, lighter weight, and a slightly different rendering while maintaining the same visual language. The 66mm T2.1, for example, is based on a Cold War–era “spy lens” design, while the 75mm and 90mm T2.1 draw on the iconic Summicron-M look. Special EditionThe 50mm T1.0 completes the range with a unique character, offering even more creative control over depth and exposure. At a Glance – Full Lineup HUGO Series I (T1.5): 18 mm, 21 mm, 25 mm, 28 mm, 35 mm, 40 mm, 50 mm, 65 mm, 75 mm, 90 mm, 135 mm HUGO Series II (T2.1): 66 mm, 75 mm, 90 mm Special Edition: 50 mm T1Durability, Serviceability, and Future-Proofing Leitz Hugo meets Sony Venice | Image credit: Leitz As with all Leitz cine lenses, the HUGO series is designed for long-term professional use: Readily available partsFactory-trained lens technicians Long-term service support Existing Leitz M 0.8 lenses are eligible for conversion to HUGO housingsBuilt for Cinematography  New Leitz HUGO II 66mm T2.1 Lens The HUGO lenses are not adapted still lenses — they are fully re-engineered for professional production environments: Production-Ready Design: Traditional cine-style housing, 270° focus rotation, matching gear positions for fast lens changes Mount Flexibility: Standard LPL mount, easily swappable to Leica M or Leica L mount Improved Mechanics: Greatly increased close focus performance Consistent Build: Compact and featherweight housings starting at 1.78 lbs / 0.81 kg, lengths between 2.7–4.8” (68–121 mm), all with 95mm front diametersWho is Hugo? The name “HUGO” pays homage to Hugo Wehrenfennig, a legendary engineer at Leica who helped develop the original Leica M bayonet mount — still used today. With a 27.8 mm flange depth, the Leica M mount made it possible to design small, fast, high-performance lenses for those who needed to move lightly and shoot quickly. That same design philosophy lives on in the Leitz HUGO cine lenses. Summary The Leitz HUGO lens series is the perfect intersection of Leica heritage and Leitz cine innovation — designed for cinematographers who value optical character, compactness, and mechanical excellence. Whether you're shooting handheld, on gimbals, or full-scale productions, HUGO lenses give you legendary Leica rendering in a robust, modern package.

Power the Prodigy Air Deflector with this 2-pin Lemo to 3-pin XLR cable.24V RATEDThe 1.5m (4.9ft) cable made from high-quality materials rated for 24V offers minimal voltage drop. They are flexible and reliable for the most demanding conditions.WIRING SPECIFICATIONSThe Prodigy power cable uses the US standard. For both the 2-pin LEMO & XLR connector, Pin 1 is wired for Power (+), and Pin 2 for Ground (-). EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Power Cable comes with our famous Bright Tangerine Support and the addition of a 12-month warranty.   Product Highlights Hand-built and tested for a reliable connection for the Prodigy Air Deflector High-quality 2-Pin 2B Lemo & XLR connectors Rated for 24V output with low voltage drop Flexible 1.5m (4.9ft) long cable    

The Prodigy Top Flag is a great way to protect your frame from the elements and maintain contrast by blocking out flares.  No tools are required, so you can install it quickly on the go. The flag provides additional protection for your Prodigy glass, with its 165 degree range of movement. It can close flush  for transport and open up to block out flares and provide coverage from rain.QUICK AND EASYTo install the flag, line up the guide posts and insert the thumbscrew through the mounting point. You can now use the thumbscrew to set the tension. When fully tightened, the flag will be secured in position. Slightly loosen to adjust the flag on the fly. This is great when working in fast paced environments when constantly changing angles.EXTRA CARE COMES STANDARDMachined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Prodigy Top Flag comes with our famous Bright Tangerine Support and the addition of a 2-year warranty.Product Highlights Quick and easy installation, no tools required Adjustable tension - lock it off or adjust it on the fly Lightweight carbon fiber construction for easy transport Closes flat for complete protection for your Prodigy Glass  

Clear lens with the Prodigy Air Deflector The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition. Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.   Product Highlights Easily deflects rain and other debris for a clear lens 50cm (20") long hose allows for flexible compressor placement Rugged and tough construction for use in any weather conditions Includes all necessary cables, accessories and spares Set up for three stages, with 15mm LWS support using Black Hole In the box B5000.1001 - Prodigy Air Deflector Compressor B5000.1002 - Prodigy Air Head 2x B5000.1004 - Prodigy Power Cable 2x B5000.1007 - Prodigy Hose B5000.1009 - Prodigy Top Flag 3x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick) B5000.1006 - Prodigy Spare Glass B1235.1017 - Frame Safe Clamp Adapter (143mm) B1250.1076 - Black Hole Rubber Donut (143mm) B1235.1002 - 15mm LWS Support Bracket (Misfit Kick)  

The Prodigy Air Head takes pressurised air from the Compressor through the connected hose and creates barrier over a  specially treated piece of glass for a clear lens. With advanced processes, we can make a glass that is optically clear with no effect on image quality or exposure, and it has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a  superhydrophobic coating. Spare glass is accessible if it gets damaged or breaks, and replacing it takes only a few minutes.BUILT ON THE MISFIT KICKThe Air Head can also be used as a standalone matte box. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clipon configuration or with rod supports on a 15mm LWS or 15/19 Studio setup.Compared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed from high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates.EXTRA CARE COMES STANDARDHand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Air Head comes with our famous Bright Tangerine Support and the addition of a 24-month warranty.   Product Highlights Keep your lens clear to shoot through rain, dust and debris Low maintenance with no moving parts Flat surfaces make it easy to bag your camera No vignetting with wide angle lenses on large format sensors Can be set up for clip-on or rod mounted with full range of Frame Safe clamp adapters  

The Prodigy Air Deflector Compressor filters and compresses air, accelerating it to 300+ mph through the connected hose to the Air Head. It is extremely durable, rugged, and waterproof, and can endure any harsh conditions in either hot or cold climates. BUILT FOR PROFESSIONALS The Compressor can be placed up to 50cm (20") away from the Air Head and has a variety of rigging possibilities. When in high risk situations, connect a safety wire to the tether point for added peace of mind. Powered by industry-standard 24V for high efficiency and ability to use larger batteries for longer run times. The 2-pin LEMO port has built-in automatic polarity switching to prevent any short circuits and potential damage. The 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes. USER-FRIENDLY The large buttons on the control panel are easy to operate with gloves on, and future firmware updates can be done by the user using the Type-C USB port. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. The air filter is a drop-in replacement with no special tools required that can be done in the field. EXTRA CARE COMES STANDARD Hand-built in our single factory in Church Crookham from high-grade materials. The Prodigy Compressor comes with our famous Bright Tangerine Support and the addition of a 24-month warranty   Product Highlights Easy to rig using arms, rod brackets and clamps Simple interface for operation with R/S connectivity Automatic Polarity Detection (2-pin LEMO for US or ARRI Standard) Rugged housing and military-grade filtration Self-serviceable in the field or on location

Clear lens with the Prodigy Air Deflector The Prodigy Air Deflector is the perfect solution for keeping a clear lens. At Glastonbury Festival, where it was raining, we noticed the camera operators continually wiping water off the lens. Rain deflectors have been employing spinning discs and centrifugal forces for decades and have several disadvantages. The underlying principles haven’t changed in almost 30 years. We knew there had to be a better solution. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition. Harnessing the Power of AirBefore it’s compressed and accelerated at 300+ mph, air is filtered to 1 micron and passes through the hose to the Air Head. The air attaches to the specially treated piece of glass, deflecting any water or particles that might otherwise ruin the shot. The pressurised air provides a barrier over the entire frame with no dead zones where water might accumulate. The Prodigy is quieter and produces sound at a lower frequency than traditional rain spinners, resulting in less discomfort for the talent, crew and environment. The downward force imitates gravity and the natural movement of rainfall.No Spinning GlassWith no need for a spinning piece of glass, we eliminate many limitations in traditional designs. The Prodigy has no centrifugal forces at play so there’s no gyroscopic effect for the operators to manage. This makes it a much easier experience for the operator whether it’s panning on a tripod or operating in handheld. The glass in the Prodigy is secured in place dissipating any vibrations, making it stronger and less likely to break from impacts.Optically Clear, Impact Resistant and SuperhydrophobicThe special piece of glass goes through a number of advanced manufacturing processes. The end result is a glass that’s optically clear with no effect on image quality or exposure,and has excellent impact resistance. Any water or liquid on the surface slides off and doesn’t bead up after being treated with a superhydrophobic coating.More Creativity and Fewer RetakeWith an airspeed of over 300 mph, the lens is cleaned almost immediately, with some particles not even coming into contact with the glass, making it ideal for high-speed work. The compressor has three different speeds so you can choose the one that best matches your desired look and feel.Saves Time On SetThe Air Head doesn’t emit any heat, so there’s no fogging on the lens or filters. This also saves time because you don’t have to unbag the camera and lens to clear the lens before shooting.Plastic bagging is easily secured to waterproof the camera and other electronics because of the flat sides.Rental Friendly & Easy MaintenanceCompared to spinners, the Prodigy has far fewer moving parts. With no bearings to physically spin the glass, there is less maintenance to do. Constructed of carbon fiber, high-grade aluminum, and stainless steel, making it extremely durable, rugged, and waterproof. It can endure any harsh conditions in either hot or cold climates. It won’t rust or corrode. When you need to replace your glass, it’s simple and quick to do so. Spare glass is accessible if it gets damaged or breaks. This results in a faster ROI for rental investments and the lower cost makes it more accessible to end-users, works with existing accessories, requiring less inventory space to store.Industry Standard 24V PowerThe Prodigy is powered by 24V, which has already become an industry standard used to power cameras and light fixtures. This increases efficiency and allows for the use of larger batteries with longer run times. An industry-standard 2-pin LEMO input with built-in automatic polarity switching prevents any chance of shorting out and damaging the compressor when using different cable standards.Built on the Misfit KickThe Air Head can also be used as a standalone matte box and builds on the foundation set by the Misfit Kick. The large field of view makes it ideal for wide-angle lenses, with the Reveal stage delivering the third stage without the need of any additional accessories. It’s light enough to use in a clip-on configuration or with rod supports on a 15mm LWS or 15/19 Studio setup. The top flag is made of carbon fiber, which aids with flare control and adds further protection from the weather.Built for RiggingThe Compressor has a variety of rigging possibilities, featuring helicoil reinforced threads to connect clamps and brackets. When it comes to high-risk stunts, the priority is always safety. For added security, attach a safety line using the tether points on the Air Head and Compressor. The Compressor can be positioned anywhere on the rig using the 50cm (20”) long hose. The bayonet quick-release connectors ensure a leak-free connection.Run/Stop ConnectivityAn industry-standard 3-pin Fischer Run/Stop port allows the Prodigy to be triggered using compatible hand units and remotes.Field-Tested by ProfessionalsThe Prodigy is already in use on feature films and projects like Matt Reeves’ The Batman, shot by DP Greig Fraser ACS, ASC and many more.User-Friendly Control PanelThe buttons on the compressor’s control panel are big and well-lit, making them easy to operate even with gloves on. The warning lights will light up to indicate the operator how to troubleshoot any problems, thanks to built-in error detection. Future firmware updates may be completed by the user without requiring the unit to be sent in using the Type-C USB connection.   Product Highlights Easily deflects rain and other debris for a clear lens 50cm (20") long hose allows for flexible compressor placement Rugged and tough construction for use in any weather conditions Reveal Stage expands for a third filter stage Requires Frame Safe clamp adapter - available in 11 sizes In the box B5000.1001 - Prodigy Air Deflector Compressor B5000.1002 - Prodigy Air Head B5000.1004 - Prodigy Power Cable B5000.1007 - Prodigy Hose B5000.1009 - Prodigy Top Flag 2x B1251.1042 - 4x5.65"/4x4" Filter Tray (Misfit Kick)  

The Prodigy accelerates air to over 300 miles per hour. The high airflow filter purifies to 1 micron blocking out dust particles and debris from entering the compressor.It is robust, waterproof, and designed to operate in a wide temperature range (-40 to +50°C) so you can use the Prodigy in any type of environment.EASY INSTALLATIONThe filter in the Prodigy Compressor needs to be replaced every 12 months or sooner, so that you can maintain the highest possible level of performance. To replace it is simple: remove four mounting screws on the bottom and remove the housing. Remove the old filter and drop in the new filter. Reattach the housing and you’re ready to go.Product Highlights Prevents particles from entering the compressor Military-grade filtration designed for high airflow Filters out any particle larger than 1 micron Waterproof and operates in a wide temperature range  

The Prodigy Glass has been through a nummer of manufacturing processes to create a piece of glass with special properties.The air flow from the compressor attaches to the glass to deflect water and particles out of view.IMPACT-RESISTANTThe Prodigy Glass is neutral and impact resistant, free of unwanted color shifts while protecting expensive front elements and filters. It provides a barrier for any debris or particles which would otherwise damage the lens during stunts or action scenes.WATER REPELLANTThe glass has also been treated with a superhydrophobic coating that prevents water from beading on the surface. Combined with the Prodigy air flow, any water is cleared almost instantly.EASY INSTALLATIONThe replacement of the glass is a simple process that can be done in minutes. Using a 4mm Hex key, undo the screw to remove the access panel. Slide out the old glass and insert the new glass. Reattach the access panel and fixing screw and you’re ready to go.Product Highlights Impact-resistant against chips and scratches Superhydrophobic coating to repel water and particles Optically clear to maintain lens characteristics Easy to replace and install in a few minutes  

A custom-made flexible hose for air to flow from the compressor to the Air Head. Purpose-built to handle the high pressure and volume requirements.QUICK RELEASE CONNECTORSAttaching the Prodigy Compressor and Air Head is easy using the quick release connectors on each end. The custom designed bayonet fittings ensure a secure fit and are a one-piece construction, removing any chance of air leaks or loss in pressure which could affect the air flow.DESIGNED FOR HIGH PRESSUREThe Prodigy Hose is 50cm (20") in length, allowing for the compressor to be placed in a range of positions on the camera rig. It is kink resistant so it can be articulated and tied down without affecting the air flow.Product Highlights Purpose-built to handle high pressure and large volume of air 50cm (20") long hose allows for flexible compressor placement Kink resistant and durable to provide high air flow One-piece quick release bayonet fittings for no leaks  

The LeftField System for the Sony VENICE 2 has been built to reliably deliver time after time. The cage provides an extremely rigid frame for rigging with helicoil reinforced mounting points, rosettes for handles & 15mm rod support for EVFs and focus motors. Time on set is critical, each part of the system has been designed to allow ACs and operators to move faster with quick release dovetails which can be preconfigured during prep. Multiple safety mechanisms have been integrated removing any chance of failure & accidents on set. Completely rigid cage for rigging with detachable baseplate for low profile setups on gimbal/steadicam. Multiple safety mechanisms for increased reliability on set Patented Open•UP quick-release to snap on/off any ARRI standard dovetail. Top & bottom 15mm LWS rod mount, ARRI rosettes, 1/4” & 3/8” threaded points for accessory mounting. DVF-EL200 ready with Axl EVF mount with 3-axis locking knob for fast adjustments. WHAT’S INCLUDED Each Advanced Kit comes with the Sliding Top Plate, Side Plates, Split Riser 15mm LWS Baseplate, D-Style Top Handle, Axl EVF mount (DVF-EL200), 4″ & 12″ Drumstix 15mm rod pairs & the ARRI BP-8/BP-9 Dovetail adapter. The kit is also compatible with the KASBAH shoulder support system with a range of hand grip options and shoulder pad for all-day comfort. ZERO COMPROMISES Every part of the LeftField System is machined from single aluminium-alloy billets to create extremely rigid and light weight components. All of which play perfectly to the strengths of the Sony VENICE 2. Absolutely no compromise has been made in our manufacturing process. Our engineering is focused on creating products that are both high-performance and enabled with a longer life of service. Combine that with unparalleled level of Bright Tangerine support, and your LeftField Sony VENICE 2 System becomes the most reliable and hard-working partnership that any filmmaker could wish for. Weight: 1.91 kg Dimensions: 30 × 30 × 25 cm  

The LeftField System for the Sony VENICE 2 has been built to reliably deliver time after time. The cage provides an extremely rigid frame for rigging with helicoil reinforced mounting points, rosettes for handles & 15mm rod support for EVFs and focus motors. Time on set is critical, each part of the system has been designed for rapid changes in a safe manner with interchangeable dovetails that can be preconfigured. Reliability is a key factor for large productions. Multiple safety mechanisms have been integrated removing any chance of failure & accidents on set. Completely rigid cage for rigging with detachable baseplate for low profile setups on gimbal/steadicam. Multiple safety mechanisms for increased reliability on set Patented Open•UP quick-release to snap on/off any ARRI standard dovetail Top & bottom 15mm LWS rod mount, ARRI rosettes, 1/4″ & 3/8″ threaded points for accessory mounting. DVF-EL200 ready with Axl EVF mount with 3-axis locking knob for fast adjustments. WHAT’S INCLUDED Each Base Kit comes with the Sliding Top Plate, Side Plates, Split Riser 15mm LWS Baseplate & Standard Top Handle. The kit is also compatible with the KASBAH shoulder support system with a range of hand grip options and shoulder pad for all-day comfort. ZERO COMPROMISES Every part of the LeftField System is machined from single aluminium-alloy billets to create extremely rigid and light weight components. All of which play perfectly to the strengths of the Sony VENICE 2. Absolutely no compromise has been made in our manufacturing process. Our engineering is focused on creating products that are both high-performance and enabled with a longer life of service. Combine that with unparalleled level of Bright Tangerine support, and your LeftField Sony VENICE 2 System becomes the most reliable and hard-working partnership that any filmmaker could wish for.  

The LeftField System for the Sony VENICE 2 has been built to reliably deliver time after time. The cage provides an extremely rigid frame for rigging with helicoil reinforced mounting points, rosettes for handles & 15mm rod support for EVFs and focus motors. Time on set is critical, each part of the system has been designed to allow ACs and operators to move faster with quick release dovetails which can be preconfigured during prep. Multiple safety mechanisms have been integrated removing any chance of failure & accidents on set. Completely rigid cage for rigging with detachable baseplate for low profile setups on gimbal/steadicam. Multiple safety mechanisms for increased reliability on set. Patented Open•UP quick-release to snap on/off any ARRI standard dovetail. Top & bottom 15mm LWS rod mount, ARRI rosettes, 1/4” & 3/8” threaded points for accessory mounting. DVF-EL200 ready with Axl EVF mount with 3-axis locking knob for fast adjustments. WHAT’S INCLUDED Each Expert Kit comes with the Sliding Top Plate, Side Plates, Split Riser 15mm LWS Baseplate, D-Style Top Handle, Axl EVF mount (DVF-EL200), 4″ & 12″ Drumstix 15mm rods, ARRI 300mm Balance plate & a 19mm rod mount. The kit is also compatible with the KASBAH shoulder support system with a range of hand grip options and shoulder pad for all-day comfort. ZERO COMPROMISES Every part of the LeftField System is machined from single aluminium-alloy billets to create extremely rigid and light weight components. All of which play perfectly to the strengths of the Sony VENICE 2. Absolutely no compromise has been made in our manufacturing process. Our engineering is focused on creating products that are both high-performance and enabled with a longer life of service. Combine that with unparalleled level of Bright Tangerine support, and your LeftField Sony VENICE 2 System becomes the most reliable and hard-working partnership that any filmmaker could wish for. Weight: 2.5 kg Dimensions: 30 × 30 × 25 cm  

Craft your image with filters to get the shot you envision. This kit is ready for three 4×5.65” filters, with 15mm LWS Swing Away support for faster lens changes without having to remove the matte box. Independent 360-degree rotating filter stage for use with polarisers, graduated ND & FX filters. Swing away provides clear access to swap lenses & accessories. Compatible with 4×5.65″, 5×5″ or 5.65×5.65″ trays & filters. Offers a wide field-of-view and maximum coverage for cine-servo lenses. Combines with Frame Safe clamp adapters to suit a range of lenses, available in 80-143mm sizes. 360-Degree Rotation The kit includes the expansion pack, with both rear stages offering 360-degrees of rotation, useful for positioning graduated NDs or adding a polariser to reduce glare or reflections. Wide Angle Coverage with support up to 5.65×5.65″ For operators using wide angle cine-servo lenses, the Misfit Kick 360 supports larger 5×5” & 5.65×5.65” trays & filters, removing the risk of vignetting, even when rotating the stage. Frame Safe To complete the system, simply add a Frame Safe clamp adapter to suit your lens available from 80mm to 143mm diameters. It is also compatible with ARRI clamp adapters. British Workmanship Machined and hand-finished in our single factory in Church Crookham from high-grade materials. Hard anodised for extended durability. The Misfit Kick 360 comes with our famous Bright Tangerine Support and the addition of a 5 year warranty. Weight: 1 kg Dimensions: 35 × 25 × 12 cm

Form a rigid cage around your Canon C70 with a steady foundation, protecting your camera while speeding up transitions between setups. From here, you can accessorise the camera in any way you like using NATO accessories or directly mounting to the helicoil reinforced 1/4” & 3/8” threads. With a lightweight build, the cage improves the filmmaking experience for the Canon C70 whether it is being operated in handheld, tripod or gimbal modes. Each kit comes with the Side Plate, Top Plate, NATO Top Handle, Top Bar Bracket, LeftField 15mm LWS Baseplate (DJI), HDMI Clamp & a set of two 15mm (9” length) Sterling Titanium Drumstix Rods. Versatile mounting options with 1/4”, 3/8”, NATO & QD points. Helicoil reinforced threads to prevent stripping and loosening over time. Patented Open•UP baseplate lets you easily lift off the camera from the dovetail. DJI compatible dovetail lets you move from tripod to gimbal with less weight & low center of gravity. Adjustable top handle provides a balanced grip. Support for Axl EVF mount, lens motors & other 15mm rod mounted accessories on top of camera. Sterling Titanium Drumstix Rods offer rigid support while being ultralight. No Compromises Every part of our Canon C70 LeftField system has been machined and hand-finished in our single factory in Church Crookham. The Advanced Kit comes with our famous Bright Tangerine Support and the addition of a 5-year warranty. Weight: 1 kg  

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market. Thought for users, these lenses are the perfect addition to the Angénieux high-end Full Frame collection which already included the Optimo Ultra 12X and the Optimo Prime Series. They will seduce by their ergonomics, their Optimo optical quality including the Angénieux look and their high-precision mechanics. The major characteristics of the Optimo Ultra compact lenses which integrate high-tech optical and mechanical components are listed below.   SPECIFICATIONS - Preliminary Full-Frame version only Focal Length (mm): 21-56 T-Stop: 2,9 Close Focus: 600mm/2ft Internal Focus: Yes Image Circle Coverage: 46,3mm Front Diameter: 114mm Iris full closure: Yes Metadata: Yes Horizontal angular field of view: TBC Object dimensions at MOD (mm): TBC Weight: TBC Length: TBC   NEW OPTICAL DESIGN Completely new optical design to enable Full Frame Coverage Superb image quality from T2,9 (in FF/VV) open aperture Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of 2ft / 0.6m enables extreme close-up shots Internal focus, internal zoom, constant lens volume NEW MECHANICAL DESIGN Completely newly designed mechanics vs. Optimo 15-40 & 28-76 Compact (235mm) and very lightweight (2,6kg / 6lbs) Precise and rugged travelling of the zoom and focus groups using Angenieux classic rod mechanical guiding system Precise and ergonomic focus ring with scale rotation of 310°, user-optimized marking design User changeable focus marking rings (focusing scales available in feet or metric) Adapted to extreme shooting environments (passive athermalization from -20°C to +45°C) Available in PL mount. Front protective glass (as an accessory) Can be used with with ARRI FF4 & FF5 Follow-Focus, please use ARRI FF Gear 0.8 Module, 43 Tooth, 45mm K2.0020752 MULTIPLE IMAGE FORMAT DESIGN IRO ready Optimo Ultra Compact FF/VV Only for the time being /i Cooke Metadata : External connector for metadata transfer to an external drive or a display unit  

Take your Smart 7 Monitor to the next level with intuitive camera-control software. This kit includes a software license download card and control cables that enable real-time configuration of RED® RCP2™ Cameras (KOMODO®, DSMC3™). Quickly access essential RED camera settings with intuitive, user-friendly controls on the Cine 7, 702 Touch, and Indie 7 monitors from SmallHD.Special Note: If you already own Komodo Control, unlock the expanded RCP2 Control by downloading the latest firmware for your monitor at https://downloads.smallhd.com.Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor.  In the Box: RED Camera Control for RED RCP2 Software - KOMODO, DSMC3 (#18-1007) RED Ext 9pin to SmallHD 5pin USB Camera Control Cable 18in/45cm (#17-4305) Micro USB to 5pin Lemo Adapter (#ACC-C7T-USB-ADP)RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CTRL-18)  

Take your Cine 5, Ultra 5, Ultra 7 or Ultra 10 to the next level with intuitive camera-control software. This kit includes a software license download card and control cables that enable real-time configuration of RED® DSMC2™ cameras. Quickly access essential RED camera settings with intuitive, user-friendly controls on the Cine 5, Ultra 5 or Ultra 7 monitors from SmallHD.Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor FEATURES of the Sofware Quickly access essential RED DSMC2 camera settings with intuitive, user friendly controls  In the Box: RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CNTRL-18)Camera Control (Software only)  

Take your Ultra 5, Ultra 7, Ultra 10, or Cine 7 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of the Sony BURANO, FX6, VENICE, AND VENICE 2. Quickly access essential SONY camera settings with intuitive, user-friendly controls on the Ultra 5, Ultra 7 Ultra 10, or Cine 7 monitors from SmallHD. Camera Control Access:Start/Stop Record, ND Filter Selection, FPS, Shutter Speed, ISO, Color Temperature/White Balance, Partial LUT Configuration, Clip Playback Non-Interactive Camera Information:Timecode, Media Status, FPS, Resolution, Battery Info, Recording Format Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor*Users need to source their own USB-C to Ethernet adapter In the Box: Camera Control for Sony Software Only (#18-1002) Slim Ethernet Cable (#CBL-ETH-36)  

Take your Cine 5, Ultra 5, Ultra 7 or Ultra 10 monitor to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of RED® RCP2™ Cameras (KOMODO-X, KOMODO®, DSMC3™). Quickly access essential RED camera settings with intuitive, user-friendly controls on the Cine 5, Ultra 5 or Ultra 7 monitors from SmallHD.Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor In the Box: Camera Control for RED RCP2 Software (KOMODO-X, KOMODO, DSMC3) RED EXT 9pin to SmallHD 5pin USB Camera Control Cable 18in/45cm (#17-4305)RED CTRL 4pin to SmallHD 5pin USB Cable (#CBL-CNTRL-RED-CTRL-18)  

ake your Ultra 5, Ultra 7, Ultra 10 or Cine 7 to the next level with intuitive camera-control software. This kit includes a software-license download card and control cables that enable real-time configuration of Alexa Cinema Cameras, including the ALEXA 35. Quickly access essential ARRI camera settings with intuitive, user-friendly controls on the Ultra 5, Ultra 7 or Cine 7 monitors from SmallHD. Camera Control Access:RecordStart, RecordStop, Playback Control, Set & Read TC, Set & Read Project Rate, Read & Set System Date/Time, Read Clip List from Medium, Camera Type, Camera Serial, Camera State, Look Filename, Color Temperature, Tint Variable, Exposure Index, Sensor FPS List, Sensor FPS, Shutter Angle List, Shutter Angle, Exposure Time List, Exposure Time, Exposure Index List, ND Filter List, ND Filter, White, Balance List, Media Status, Recording Mode, Clip Scene, Clip Take, Medium Type, Model, Name, Serial Number, Clip Count, Current Reel, Medium Size, Medium Status, Write Protection, Clip, Count, Current Reel, Free Capacity, Clip Filename, Clip UUID, Clip Project Rate, Clip Start TC, Clip Duration TC Disclaimer: Once any camera control is registered in your SmallHD monitor, it can not be removed or transferred to a different monitor. In the Box: Camera Control for ARRI Software (#SW-ARRI-CONTROL) Locking 10pin ARRI ALEXA (m) to Ethernet (m) Camera Control Cable 36"/90cm (17-4311) ARRI Alexa Cable Control Cable -right angle (#CBL-ETH-ARRI-R-ANGLE-39in/1m) 5pin to Ethernet Adapter (17-4306)  

Angénieux 18mm Optimo Prime FThe Optimo Prime 18mm T2 Lens from Angenieux is a PL-mount lens that features a fast T2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. All the Optimo Prime lenses have a 95mm front diameter (except the 200mm), making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm) A totally genuine cinema design based on Directors of Photography recommendations Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity Optimo performances associated with a very high optical and mechanical quality, Famous Angénieux look & perfect match with the new Optimo Ultra 12X Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as: replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect) filters to change optical properties, MTF, CCI, etc. high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane front diameter 95mm for all except the F200 which is 114mm   Specifications Max T-Stop: 2 Minimum Object Distance: 1’2” Front Diameter (inches/mm): 3,74/95 Image Circle: 1,8/46.31 Reference (feet/meters): 324783/324887 Length(inches/mm) From PL Mount: 6.30/160 Horizontal FOV: 97.0° Vertical FOV: 65.0° Weight kg/lbs: <1.9/4.2 Focus Barrel Rotation MOD to Infinity: 320° Focus Barrel Rotation end stop to end stop: 300° Iris Barrel Rotation: 75°   ______________________________________________________________________________________ SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm ______________________________________________________________________________________ Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.

  Angénieux 200mm Optimo Prime F The Optimo Prime 200mm T2.2 lens from Angenieux is a PL-mount lens that features a fast T2.2 maximum aperture, a replaceable iris blade unit, 320° focus rotation, and user-configurable bokeh. It shares a matching color profile with the entire Optimo range, including the Optimo zoom lenses. Each lens in the series also features nonlinear zoom and iris, internal glass optical elements, and a rear filter option. Except for this 200mm with a 114mm front, all the Optimo Prime lenses have a 95mm front diameter, making it easy to swap lenses without changing your focus motor or matte box setups.The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven experience and know-how in high precision optics and mechanics. Each lens in the 12 piece series (from 18mm to 200mm) was designed to be incredibly compact and lightweight, most of them at a fast T1.8, with Optimo-class mechanics and feel that embodies the legendary Angénieux look. Based on cinematographer feedback, the series provides meta data (Cooke-I, LDS) and unique user-features such as replaceable iris blade unit, internal glass optical element and rear filter. Three types of sets are available for sale depending on budget and applications: Platinum set with 12 lenses (18,21,24,28,32,40,50,60,75,100,135 and 200 mm), Gold set with 9 lenses (18,21,28,32,40,50,75,100 and 135 mm) and Silver set with 6 lenses (21,28,40,50,75 and 135mm) A totally genuine cinema design based on Directors of Photography recommendations Several Series in One with customizable lenses (interchangeable iris, internal glass element, rear filter) to express your own creativity Optimo performances associated with a very high optical and mechanical quality, Famous Angénieux look & perfect match with the new Optimo Ultra 12X, Main featuresBased on cinematographer feedback, Optimo primes also provide meta data (Cooke-i, LDS) and unique user-features such as: replaceable iris blade unit, user-configurable for bokeh (including anamorphic effect) filters to change optical properties, MTF, CCI, etc. high-end cinema functionality: constant volume, non-linear iris (as for Optimo Zoom range), non-linear focus (as for Optimo Zoom range), with 320° focus rotation angle, possibility to go ‘beyond’ infinity and close focus, identical colorimetry across the range, matched to OPTIMO Zooms, round bokeh across image plane front diameter 95mm for all except the F200 which is 114mm Specifications Max T-Stop: 2.4 Minimum Object Distance: 4′ Front Diameter (inches/mm): 4,50/114 Image Circle: 1,8/46.31 Reference (feet/meters): 324785/324889 Length(inches/mm) From PL Mount: 7.48/190 Horizontal FOV: 11.5° Vertical FOV: 6.5° Weight kg/lbs: <2.3/5.07 Focus Barrel Rotation MOD to Infinity: 320° Focus Barrel Rotation end stop to end stop: 300° Iris Barrel Rotation: 75°   ______________________________________________________________________________________ SILVER, GOLD OR PLATINUM SET - JUST MAKE YOUR CHOICE PLATINUM SET (12 lenses): 18, 21, 24, 28, 32, 40, 50, 75, 100, 135, 200mm GOLD SET (9 lenses): 18, 21, 28, 32, 40, 50, 75, 100, 135mm SILVER SET (6 lenses): 21, 28, 40, 50, 75, 135mm ______________________________________________________________________________________   Angenieux Optimo Prime Series with IOP - Intergrate Optical Pallette. This Video shows the unique features of the Optimo Prime lenses: the interchangeable internal glass element & interchangeable iris.  

The Angénieux Type EZ-1 Pack is a versatile, high-performance zoom lens designed for professional filmmakers seeking flexibility without compromising on image quality. Engineered for both Super 35mm and Full Frame/VistaVision cameras, this lens features an innovative modular design that allows users to switch between two focal lengths and formats with ease. In its standard configuration, the lens delivers a 30-90mm focal length with an impressive aperture of F1.9 (T2) for S35mm. By simply exchanging the rear optical group, it transforms into a 45-135mm F2.8 (T3) lens suitable for Full Frame/VistaVision sensors, covering up to a 46mm image diagonal. Created to bridge the gap between traditional still-photography zooms and the high-end cinema lenses of the Optimo line, the EZ-1 offers exceptional optical performance in a lightweight and compact form factor. Whether used for documentaries, commercials, or narrative film productions, the EZ-1 delivers cinematic image quality with smooth mechanics, consistent colorimetry, and minimal breathing—making it a top choice for demanding production environments. Features – Angénieux Type EZ-1 Pack (S35mm and FF) Interchangeable Rear Optics (IRO) technology for S35 and FF formats Covers 30-90mm F1.9/T2 in S35 and 45-135mm F2.8/T3 in FF/VistaVision Fast aperture for shallow depth of field and low-light performance Compact and lightweight design ideal for handheld and gimbal use Maintains focus and color consistency across focal range Industry-standard 114mm front diameter 3x zoom ratio for maximum flexibility on set Minimal focus breathing and smooth, precise zoom mechanics Technical Specifications Focal Length: 30-90mm (S35) / 45-135mm (FF/VistaVision) Aperture: F1.9 (T2) in S35 / F2.8 (T3) in FF Zoom Ratio: 3x Image Coverage: up to 30mm diagonal (S35) / up to 46mm diagonal (FF) Lens Mount: PL mount (interchangeable with optional accessories) Focus Rotation: ~300° for precise focusing Color Matching: Matches Angénieux Optimo and Optimo Style lenses Dimensions & Weight Length (S35 configuration): approx. 226 mm Length (FF configuration): approx. 248 mm Weight: approx. 2.15 kg Front Diameter: 114 mm Filter Thread: None (requires matte box) In the Box Angénieux Type EZ-1 30-90mm (S35mm configuration) Rear Optical Group for Full Frame/VistaVision (45-135mm T3) Front and Rear Lens Caps Lens Support Bracket Hard Case with Custom Foam Interior User Manual