Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation Simple and intuitive Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera. Full-Frame sensor for cinema VENICE features an all-new Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom: Full width 36 mm 6K In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9, and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra-shallow depth of field, super-wide shooting, and other creative effects. Super35 anamorphic 4K For super-wide screen productions, VENICE offers two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively. Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart: Fast shutter VENICE’s high-speed readout sensor minimizes the jello effect typical in CMOS sensors. Phenomenal latitude VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. More colors for more expression VENICE can exceed Rec. 2020 color space. This means the color range is wider than DCI-P3 and can beautifully reproduce the true color of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3) and ultra-wide color space. Dual Base ISO VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera. World’s first 8-step mechanical ND Filters VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing. Next generation viewfinder The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high-resolution focusing and framing, including False Color Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability. Engineered to survive VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. Easily configurable VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws. Additional features of the Venice camera: native PL- and E-mount (Lever lock type) anamorphic aspect ratios of 4:3 and 6:5 at 4K for shooting both 2.4:1 and 2.66:1 widescreen desqeeze function on monitor out for several anamorphic squeeze factors up to 16bit of tonal range when recording in RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) file formats downsampling from Full Frame Image with 6K resulution to 4K XAVC codec parallel recording of Proxy Files or XAVC on SxS cards while recording 6K (RAW or X-OCN) on AXS cards the Select FPS function lets you choose frame rates from 1 frame per second to as high as 120 fps, depending on imager mode. *Note: higher Framerates than 60fps require the HFR License available from summer 2019 several control tools for checking aperture an focus such as: up to 4.0x Dot-by-Dot magnification of the viewfinder image, Surround View (Look Around), High/Low Key, USER 3D LUTs, ACES compatibility Full menu control via web browser based wired and wireless connection and much more... More information about the Sony VENICE can be found at www.sonycine.com Download Technicolor Look Collection for VENICE here.
IB/E Optics Raptor T2.9 150mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 60mm APO Cine Macro VV Lens - UMS PL Mount All RAPTOR lenses featuring full frame (24x36) coverage and beyond, 1:1 magnification, max T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E, …) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
IB/E Optics Raptor T2.9 100mm Cine Macro Lens - UMS PL Mount The RAPTOR lenses featuring full frame (24×36) coverage and beyond, 1:1 magnification, T-Stop 2.9 as well as robust and durable professional cine mechanics. Features: Maximum magnification 1:1 No change in length, thanks to internal focusing extended color correction (APO) Aperture T 2.9-T22 Constistent distance from flange to iris- and focusring Front diameter of 95 mm M0.8 gear wheels for focus and iris UMS PL Mount (LPL, Canon EF, Sony NEX E,...) Robust and durable mechanical design Data sheet downloadAPO CINE MACRO LENS FAMILY
The M full frame lenses have captured unique, iconic images for over than 60 years around the world. To bring the characteristics of these lenses directly to the cinema world, Leitz Cine Wetzlar designed the new M 0.8 lenses. The complete set contains focals of 21mm, 24mm, 28mm, 35mm, 50mm, 50-N, 75mm and 90mm. The M 0.8 lenses interpret light and skin tones with a unique sense of clarity, color and charisma. FEATURES Focal Length: 35 mm Max. Aperture: f/1.4 Format: Full Frame (24mm x 36mm) Mount: Leica M-Mount Front Diameter: 80mm Weight: 380g CAMERA COMPATIBILITY Sony VENICE ARRI Alexa Mini/Amira RED Monstro and more - see comparative table:
The Angénieux Type EZ-3 Tele 65 extends the EZ65 Series into the telephoto range, bringing the established EZ workflow and optical character into large-format 65 mm production. Designed for high-end cinema systems such as the Blackmagic URSA Cine 17K and Fujifilm GFX Eterna, it enables filmmakers to fully leverage large-format sensors while maintaining the ergonomics, resolution performance, and distinctive visual signature of the EZ lens family. This telephoto cinema zoom is engineered for professional production environments where reach, image quality, and consistency are critical. Key Features Telephoto zoom for large-format 65 mm cinema systems Consistent EZ Series optical character across focal range Optimized for high-resolution sensor performance Robust professional build with established EZ ergonomics Specifications Focal Length: 82–300 mm Aperture: T4.2–T5.4 Minimum Object Distance (MOD): 1.2 m / 4 ft Image Circle: 60 mm Weight: < 3 kg / 6.6 lbs Focus Scale: Dual scale (feet / meters) Lens Mount: LPL mount only (non-interchangeable) Important Notes Sold as single-format lens only (no lens packs available) Fixed LPL mount; mounts are not interchangeable... more infos coming soon
The Angénieux Type EZ-2 Wide Angle 65 brings the iconic EZ Series experience to the large-format 65 mm ecosystem, unlocking the full imaging potential of next-generation cinema cameras such as the Blackmagic URSA Cine 17K and Fujifilm GFX Eterna systems. Designed to preserve the core strengths of the EZ Series, it combines outstanding ergonomics, high optical performance, and the characteristic Angénieux cinematic look. Key Features Wide-angle cine zoom optimized for large-format 65 mm sensors Maintains the established EZ Series optical character and operational workflow High-resolution performance with a smooth, cinematic rendering Optimized for professional cinema and high-end production environments Specifications Focal Length: 27–72 mm Aperture: T3.6 Minimum Object Distance (MOD): 0.6 m / 2 ft Image Circle: 60 mm* (covers 58 mm image circle from 27–30 mm) Weight: < 2.5 kg / 5.5 lbs Focus Scale: Dual scale (feet / meters) Lens Mount: LPL mount only (non-interchangeable) Important Notes Available as a single-format configuration only (no lens packs) Fixed LPL mount; mounts are not interchangeable... more infos coming soon
* Full details coming soon. The Angénieux Optimo Ultra 12x 65 is a cinema zoom lens engineered specifically as the new reference for large-format and 65mm digital cinematography. It features a new optical design developed to deliver uncompromising performance for next-generation 65 Format cameras. The lens provides full 60 mm image circle coverage, ensuring consistent contrast and resolution across the entire frame.This lens brings the signature Angénieux look to large-format applications, characterized by elegant skin rendering, smooth falloff, and cinematic consistency. With a 12x zoom range covering focal lengths from 46 mm to 556 mm and a constant T5.6 aperture, it is designed for high-end professional cinema environments where large sensor coverage is required. The optical design is specially optimized for Large-Format applications to provide consistent image quality throughout the entire zoom range.Features Angénieux Optimo Ultra 12x 65• New optical design developed specifically for Large-Format cinema applications • Optimized for next-generation 65 Format digital camera systems • Full 60 mm image circle coverage for consistent resolution across the entire frame • Signature Angénieux look with elegant skin rendering and smooth falloff • Versatile 12x zoom range covering 46 mm to 556 mm • Constant T5.6 aperture for cinematic consistency during zooming • Designed to deliver uncompromising performance in professional cinematographyTechnical Specifications• Product Reference: 66066539BA • Focal Length: 46–556 mm • Aperture: T5.6 • Image Circle: 60 mm • Minimum Object Distance (MOD): 1.29 m / 4'3"Dimensions and Weights• Length: 560 mm / 22.05 in • Weight: 12.8 kg / 28.2 lbs
Tele cinematic compression and isolation The Cooke AP3 FF 85mm T2.4 1.5x Anamorphic Lens is designed for controlled telephoto anamorphic cinematography, offering strong subject isolation, elegant background compression, and refined cinematic depth. It is ideal for portraits, close-ups, and emotionally driven narrative sequences. The 1.5x anamorphic squeeze creates characteristic oval bokeh and subtle horizontal flare behavior, while maintaining sharp optical performance and controlled rendering across the full frame image area. Despite its telephoto nature, the lens remains compact and highly portable, reflecting the AP3 design philosophy of lightweight anamorphic performance without compromise. The anodised housing ensures durability in demanding production environments, while maintaining ergonomic handling. The dual focus scale system and precise mechanical alignment across the AP3 series enable fast lens changes with consistent focus and iris motor positioning, improving efficiency on set. Class-leading close focus capability enhances creative flexibility, enabling intimate framing even at longer focal lengths. The AP3 system is optimized for modern mirrorless cinema workflows and maintains consistent optical and mechanical behavior across the full series. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 85mm T2.4 • 85mm telephoto anamorphic focal length • 1.5x squeeze factor • T2.4 constant aperture • Strong subject compression • Cinematic oval bokeh rendering • Compact telephoto cine design • Dual focus scale system • Excellent close focus performance • Matched AP3 mechanical alignment • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 85mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine focus mechanics • Anamorphic optical design • Interchangeable rear mount system • Mirrorless cinema optimized • Matched AP3 system standard
Natural anamorphic storytelling perspective The Cooke AP3 FF 50mm T2.4 1.5x Anamorphic Lens represents the classic anamorphic “normal” focal length, delivering a natural perspective with subtle compression and strong cinematic character. It is designed for narrative storytelling, dialogue scenes, and controlled cinematic compositions where emotional depth and spatial realism must coexist. The 1.5x squeeze factor produces elegant anamorphic oval bokeh and refined horizontal flares, while maintaining high resolution and controlled optical breathing characteristics. The result is a balanced anamorphic aesthetic that remains highly usable in modern digital production environments. The lens is built with portability and consistency in mind. Its compact anodised body, dual focus scale system, and precise mechanical matching across the AP3 series ensure efficient lens swaps and stable focus/iris motor alignment during production workflows. Close focus performance enables creative framing flexibility, allowing cinematographers to work in tight environments without compromising image quality or optical character. The AP3 system is designed for mirrorless-based cinema rigs, offering maximum adaptability while maintaining professional mechanical durability. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – Cooke AP3 FF 50mm T2.4 • 50mm full-frame anamorphic focal length • 1.5x anamorphic squeeze • T2.4 constant aperture • Natural anamorphic perspective • Compact lightweight cine design • Dual focus scale system • Strong close focus capability • Matched mechanical alignment • Durable anodised housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale system • Manual cine mechanics • Anamorphic optical system • Interchangeable rear mount system • Mirrorless optimized architecture • Matched AP3 mechanical standard
Wide cinematic anamorphic immersion The Cooke AP3 FF 35mm T2.4 1.5x Anamorphic Lens delivers a wide cinematic anamorphic field of view designed for immersive storytelling, dynamic camera movement, and modern full-frame production workflows. It combines classic anamorphic character with the compact ergonomics of a lightweight, mirrorless-optimized cinema lens system. With a 1.5x squeeze factor, the lens produces natural anamorphic oval bokeh and controlled horizontal flare characteristics while maintaining high image clarity and consistent sharpness across the frame. The optical design is tuned for modern digital sensors, ensuring a balanced combination of resolution, character, and cinematic softness. The AP3 series is engineered for portability without compromise. Its compact anodised housing, dual focus scale system, and precise mechanical alignment across the entire set enable fast lens changes while maintaining consistent focus and iris motor positions in professional production environments. Close focus performance is class-leading, allowing for creative framing flexibility even in tight shooting spaces. This makes the 35mm AP3 particularly effective for narrative filmmaking, handheld work, and high-mobility production setups. The AP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless platforms. Features – Cooke AP3 FF 35mm T2.4 • 35mm full-frame anamorphic focal length • 1.5x anamorphic squeeze factor • Constant T2.4 aperture • Classic Cooke anamorphic rendering • Lightweight compact cine design • Dual focus scale system • Class-leading close focus capability • Consistent mechanical alignment across set • Anodised durable housing • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The AP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories, depending on purchase conditions or registration. Technical Specifications • Focal length: 35mm • Format: Full Frame (S35 compatible) • Squeeze factor: 1.5x • Aperture: T2.4 • Dual focus scale layout • Manual cine focus system • Anamorphic optical design • Interchangeable rear mount system • Optimized for mirrorless cinema systems • Matched mechanical set alignment
Extended telephoto cinematic reach The Cooke SP3 100mm T2.4 Full Frame Prime Lens is the longest focal length in the SP3 series, designed for maximum subject isolation and controlled compression. It excels in close-ups and distant subject framing while maintaining Cooke’s signature organic rendering and smooth tonal response. Despite its telephoto reach, it remains compact and optimized for modern lightweight cinema workflows. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 100mm T2.4 • 100mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong compression effect • Cooke cinematic rendering • Compact telephoto design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 100mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency
Controlled compression cine tele lens The Cooke SP3 75mm T2.4 Full Frame Prime Lens is designed for subject isolation and controlled compression. It is ideal for portraits, close-ups, and emotionally driven cinematic framing. It delivers strong subject separation while maintaining natural skin tone reproduction and smooth tonal transitions. The lens integrates seamlessly into lightweight cinema rigs and maintains consistent rendering across the SP3 lineup. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 75mm T2.4 • 75mm telephoto focal length • Constant T2.4 aperture • Full-frame coverage • Strong subject separation • Cooke cinematic rendering • Mirrorless optimized • Compact telephoto design • Smooth focus control • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 75mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine construction • Color consistency
Classic cinematic normal perspective The Cooke SP3 50mm T2.4 Full Frame Prime Lens represents the standard cinematic focal length, closely matching natural human vision. It is a core lens for dialogue scenes, portraits, and narrative storytelling. It delivers smooth tonal transitions, natural contrast behavior, and Cooke’s signature organic rendering with refined highlight roll-off. The lens is optimized for modern lightweight cinema systems while maintaining full optical consistency across the SP3 series. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 50mm T2.4 • Standard 50mm cinematic focal length • Constant T2.4 aperture • Full-frame coverage • Natural perspective rendering • Cooke cinematic look • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus • Minimal breathing • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications • Focal length: 50mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Cine housing • Color consistency
Versatile mid-wide workhorse The Cooke SP3 32mm T2.4 Full Frame Prime Lens sits in the critical mid-wide range, making it one of the most versatile lenses in the series. It is ideal for interviews, narrative scenes, and handheld filmmaking. It delivers balanced perspective, natural depth rendering, and the signature Cooke filmic response with smooth highlight roll-off and organic skin reproduction. Engineered as a workhorse lens, it maintains consistent behavior across varying shooting conditions while integrating seamlessly into lightweight cinema setups. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options. Features – SP3 32mm T2.4 • Mid-wide versatile focal length • Constant T2.4 aperture • Full-frame coverage • Cinematic Cooke rendering • Mirrorless optimized system • Lightweight cine design • Smooth manual focus • Minimal breathing • SP3 color matching • Interchangeable mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Technical Specifications• Focal length: 32mm • Aperture: T2.4 • Full-frame coverage • Manual cine focus system • Geared rings • SP3 optical system • Mirrorless optimized • Interchangeable mount system • Cine housing • Color matched series
Natural wide cinematic perspective The Cooke SP3 25mm T2.4 Full Frame Prime Lens delivers a natural wide-angle perspective that closely reflects human visual perception. It is a highly versatile focal length suitable for narrative filmmaking, documentaries, and commercial productions requiring spatial realism and controlled perspective. The lens renders images with smooth tonal transitions, natural contrast behavior, and the signature Cooke “film look”. Skin tones are reproduced with a soft, organic roll-off, avoiding harsh digital characteristics even in high-contrast lighting situations. Designed for modern lightweight cinema setups, the SP3 25mm integrates seamlessly into handheld and gimbal-based workflows. It is part of a fully matched optical system ensuring consistent rendering across all SP3 focal lengths. The SP3 series is supplied with a Sony E-Mount as standard configuration. RF, L, and M mounts are available as interchangeable rear mount options, supplied as accessories and in some cases provided at no additional cost depending on purchase conditions or registration. The system is designed around short flange focal distance mirrorless camera platforms. Features – Cooke SP3 25mm T2.4 • Natural wide-angle focal length • Constant T2.4 aperture • Full-frame coverage • Cooke cinematic color science • Mirrorless optimized design • Lightweight cine construction • Smooth manual focus control • Minimal distortion characteristics • SP3 color consistency • Interchangeable rear mount system Mounts • Sony E-Mount (standard, pre-installed) • Canon RF Mount (interchangeable rear mount) • Leica L-Mount (interchangeable rear mount) • Leica M-Mount (interchangeable rear mount) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Designed for short flange focal distance mirrorless systems. Technical Specifications • Focal length: 25mm • Aperture: T2.4 • Full-frame coverage • Manual focus cine design • Geared rings • SP3 optical matching • Mirrorless optimized • Interchangeable mount system • Lightweight cine housing • Consistent series design
Ultra-wide cinematic control The Cooke SP3 18mm T2.4 Full Frame Prime Lens delivers an ultra-wide field of view designed for immersive storytelling, architectural work, and dynamic handheld cinematography. It is engineered as part of Cooke’s modern mirrorless-focused SP3 series, translating the renowned Cooke Look into a compact, lightweight optical system optimized for full-frame sensors. Despite its wide-angle perspective, the lens maintains exceptional edge-to-edge sharpness while preserving the organic rendering Cooke is known for. Skin tones remain natural, contrast transitions are smooth, and highlights roll off with cinematic precision rather than harsh digital clipping. This makes the 18mm SP3 particularly effective for narrative filmmaking, documentaries, and high-end commercial production. The mechanical design is optimized for modern gimbal and run-and-gun workflows. Its compact form factor supports lightweight camera builds without compromising precision in focus control or optical consistency across the SP3 series. Features – Cooke SP3 18mm T2.4 Full Frame Prime Lens • Ultra-wide 18mm focal length for immersive perspectives • Constant T2.4 aperture for consistent exposure control • Full-frame image coverage • Signature Cooke cinematic rendering (“Cooke Look”) • Optimized for mirrorless cine workflows • Compact and lightweight design for gimbals and handheld rigs • Smooth and precise manual focus control • Minimal focus breathing for cinematic pulls • Color-matched across SP3 lens series • Interchangeable rear mount system Mounts • Sony E-Mount (standard, factory-installed) • Canon RF Mount (interchangeable rear mount accessory) • Leica L-Mount (interchangeable rear mount accessory) • Leica M-Mount (interchangeable rear mount accessory) The SP3 is delivered with Sony E-Mount pre-installed. RF, L, and M mounts are interchangeable rear mount modules available as accessories. Depending on purchase conditions or registration, selected mounts may be provided at no additional cost. The system is engineered specifically for short flange focal distance mirrorless camera platforms. Technical Specifications• Focal length: 18mm • Aperture: T2.4 • Full-frame coverage • Manual focus design • Cine-style geared focus and iris rings • Interchangeable rear mount system • Color matched across SP3 lineup • Optimized for digital cinema sensors • Consistent SP3 optical tuning • Designed for modern mirrorless cine systems
For Cooke SP3 & AP3 Prime Lenses only: M-Mount to ARRI Interchangeable Lens Port The P+S SPM Camera Mount is a precision-engineered, mechanical lens port replacement. It is explicitly designed to interface Cooke SP3 ans AP3 prime lenses (Leica M-mount configuration) with ARRI cinema camera bodies. This mount compensates for the mirrorless flange focal distance and represents the dedicated solution to attach the SP3 or AP3 M-mount series to deep-body ARRI camera housings. P+S SPM Mount for Cooke SP3 Primes with M-Mount P+S SPM Mount for Cooke AP3 Primes with M-Mount .cms-image-stack { display: flex; flex-direction: column; gap: 24px; } .cms-image-item img { width: 100%; height: auto; display: block; } .cms-image-item figcaption { margin-top: 8px; font-size: 14px; line-height: 1.4; color: #666; text-align: center; font-style: italic; } Installation & DesignMounting Mechanism: Direct replacement of the camera's original lens port. Installation requires unscrewing the factory lens port and replacing it directly with the SPM unit.Material Composition: Aluminium construction for robust on-set durability and structural stability.Camera CompatibilityARRI Alexa Mini *ARRI Alexa Mini LFARRI Alexa 35ARRI Amira ** Required/Recommended Modification: For implementation on ARRI ALEXA Mini and ARRI AMIRA cameras, the installation of the original ARRI "stray light shield" (ARRI Part Number: K5.0016435) is highly recommended to suppress internal stray light and optical reflections.Technical Specifications & ConstraintsData Transmission: This mount operates 100% mechanically. It features no electronic contact blocks or interface pins; lens metadata (aperture, focus distance) is not transmitted to the camera body.Mechanical Clearance Warning: Explicitly engineered for the Cooke SP3 series. Do not attach generic photographic M-mount lenses without verifying rear-element clearance. Protruding rear optical assemblies pose a severe risk of mechanical impact with the camera's internal filters or sensor.Packaging & Physical DimensionsMaterials: AluminiumWeight: 91 gDimensions (L x W x H): 8.9 x 8.9 x 1.3 cm
Amicro to BP-U Adapter for Extended Production Runtime The bebob Coco-A2BP-U expands the flexibility of BP-U camera systems by enabling seamless operation with professional Amicro battery setups. Designed for demanding production environments, the adapter allows cameras such as the Blackmagic PYXIS and Sony professional camcorders to benefit from extended runtimes and centralized power distribution. The Coco-A2BP-U is especially suitable for productions that require consistent battery standards across multiple camera platforms. Rental houses and broadcast teams can simplify battery logistics while maximizing efficiency during long shooting schedules and fast-paced production days. Its adjustable height mechanism improves compatibility with a wide range of camera bodies and rigging solutions, allowing the adapter to integrate naturally into existing production workflows. The compact design ensures reliable handling for handheld, studio and shoulder-mounted operation. In addition to powering the camera itself, the Coco-A2BP-U provides extensive connectivity for professional accessories. Integrated USB-C and Twist D-Tap outputs allow simultaneous operation of monitors, wireless systems, mobile devices and additional production equipment directly from the connected Amicro battery. Built from a durable aluminum and composite construction, the adapter combines professional reliability with low weight and compact dimensions. Modern USB-C Power Delivery and Quick Charge functionality further increase flexibility within demanding filmmaking and broadcast applications. The bebob Coco-A2BP-U is an efficient and production-oriented solution for integrating BP-U cameras into professional Amicro-based power infrastructures while maintaining maximum versatility and runtime. Features – bebob Coco-A2BP-U • Amicro to BP-U adapter for professional camera systems • Compatible with Sony camcorders and Blackmagic PYXIS • Ideal for extended runtime production workflows • Adjustable design for flexible camera integration • Professional Amicro battery compatibility • 2x Twist D-Tap outputs for accessory power • USB-C PD3.0 connectivity for flexible charging • USB-C Quick Charge 4+ output up to 60W • Lightweight and robust production-ready construction • Centralized power distribution for camera accessories Mounts • Amicro • BP-U Technical Specifications • Adapter type: Amicro to BP-U • Operating voltage: 14.4V unregulated • 1x USB-C QC4+ input/output up to 65W • 1x USB-C PD3.0 output up to 36W • 1x USB-A output up to 15W • 2x Twist D-Tap outputs 14.4V unregulated • Maximum D-Tap load: 8.5A • Material: Aluminum / composite construction • Suitable for professional cinema and broadcast applications • Simultaneous camera and accessory power support Dimensions & Weight • Dimensions: 66 × 91 × 122 mm • Weight: 362 g
Vmicro to BP-U Adapter for Professional Camera Workflows The bebob Coco-V2BP-U is a highly flexible power adapter designed to integrate BP-U compatible cameras seamlessly into professional Vmicro battery workflows. Developed for modern production environments, the adapter enables cameras such as the Blackmagic PYXIS, Sony camcorders and the latest Sony Z300 to operate efficiently using professional micro V-Mount battery systems. The Coco-V2BP-U is particularly valuable for productions using mixed camera setups where unified power management is essential. Rental companies, broadcast environments and production crews benefit from standardized battery infrastructure, simplified logistics and significantly extended operating times during long shooting days. Its height-adjustable design ensures broad compatibility across different camera bodies and rigging configurations. This allows for easy integration into existing production setups without compromising ergonomics or accessibility. Beyond powering the camera itself, the adapter serves as a central power distribution hub for additional accessories. Multiple USB and Twist D-Tap outputs enable simultaneous operation of monitors, wireless transmitters, smartphones, tablets, follow focus systems and additional production equipment directly from the attached Vmicro battery. The robust aluminum and composite construction ensures durability while maintaining a compact and lightweight form factor suitable for handheld, shoulder-mounted and mobile production workflows. With modern USB-C PD and Quick Charge support, professional connectivity options and reliable unregulated 14.4V power delivery, the bebob Coco-V2BP-U offers a highly practical solution for integrating BP-U cameras into advanced Vmicro-based production environments. Features – bebob Coco-V2BP-U • Vmicro to BP-U adapter for Sony and Blackmagic cameras • Compatible with Blackmagic PYXIS and Sony camcorders • Ideal for rental houses and mixed camera productions • Height-adjustable design for improved compatibility • Supports professional Vmicro battery workflows • 2x Twist D-Tap outputs for accessory power • USB-C PD3.0 input/output connectivity • USB-C Quick Charge 4+ output up to 60W • Compact and lightweight production-ready construction • Simultaneous camera and accessory power distribution Mounts • micro V-Mount • BP-U Technical Specifications • Adapter type: Vmicro to BP-U • Operating voltage: 14.4V unregulated • 1x USB-C QC4+ input/output up to 65W • 1x USB-C PD3.0 output up to 36W • 1x USB-A output up to 15W • 2x Twist D-Tap outputs 14.4V unregulated • Maximum D-Tap load: 8.5A • Material: Aluminum / composite construction • Designed for Sony and Blackmagic camera systems • Professional accessory power distribution support Dimensions & Weight • Dimensions: 66 × 91 × 122 mm • Weight: 362 g
Compact Hot-Swap Power Hub for Modern Cinema Cameras The new bebob MLmicro combines compact size, professional hot-swap functionality and extensive connectivity in a highly versatile 43Wh / 14.4V power solution for modern cinema workflows. Designed specifically for demanding productions, the MLmicro allows users to power V-Mount cameras and multiple accessories simultaneously while ensuring uninterrupted operation during battery changes. The MLmicro is especially valuable for modern camera systems that offer limited integrated power outputs. Cameras such as the Blackmagic PYXIS, Sony BURANO or Fujifilm ETERNA benefit from the MLmicro’s ability to distribute power efficiently across several external devices without additional power management hardware. Unlike the previous generation, which focused on a heavy-duty metal construction, the new MLmicro utilizes a durable composite housing that significantly reduces overall weight while maintaining the reliability and robustness expected from bebob products. This results in improved handling for handheld, gimbal and lightweight rig applications while also offering a more attractive price point. A key advantage of the MLmicro is its advanced hot-swap capability. The integrated 43Wh buffer battery keeps connected equipment powered during battery exchanges, minimizing downtime and protecting sensitive camera systems from unexpected shutdowns. The internal buffer can be recharged not only via attached batteries, but also through chargers, D-Tap or USB-C power delivery. With multiple power outputs including Twist D-Tap, LEMO and USB connections, the MLmicro easily supports monitors, wireless video systems, focus motors, transmitters, smartphones, tablets and additional accessories within professional production environments. Compact dimensions, intelligent power management and versatile connectivity make the bebob MLmicro an ideal power hub for mobile filmmaking, broadcast production, documentary shooting and professional rental applications. Features – bebob MLmicro • Compact hot-swap micro V-Mount battery with integrated buffer system • 43Wh internal rechargeable buffer battery • Continuous power supply during battery exchange • Compatible with Vmicro and standard V-Mount batteries • Ideal for Sony BURANO, Fujifilm ETERNA and compact cinema cameras • Lightweight yet durable composite construction • 2x Twist D-Tap outputs with 14.4V unregulated power • 3x 2-pin LEMO outputs for professional accessories • USB-C input/output with up to 45W power delivery • Simultaneous camera and accessory power distribution Mounts • V-Mount • micro V-Mount Technical Specifications • Battery type: Li-Ion hot-swap buffer battery • Capacity: 43Wh / 3Ah • Voltage: 14.4V unregulated • Maximum load: 16A • 2x Twist D-Tap outputs up to 5A • 3x 2-pin LEMO outputs up to 2A • 1x USB-A output 5V / 1.5A • 1x USB-C PD input up to 40W • 1x USB-C PD output up to 45W • LED status indicator for buffer monitoring Dimensions & Weight • Dimensions: 77 (85) × 110 × 57 mm • Weight: 580 g • Material: Aluminum / composite housing
High-Speed Cinematic Large Format Prime The Aizu Prime 75mm T1.3 LF delivers a classic cinematic portrait perspective combined with the exceptional optical speed and large-format coverage that define Sigma’s Aizu Prime lineup. Designed specifically for professional cinema production, the lens combines refined subject separation, cinematic rendering, and modern high-resolution optical performance within a compact cine housing. The 75mm focal length is widely regarded as one of the most cinematic portrait perspectives, providing elegant compression, strong subject isolation, and natural visual depth. This makes the lens particularly suitable for dramatic close-ups, beauty cinematography, commercials, fashion production, narrative filmmaking, and emotional dialogue scenes. Optically, the lens combines exceptional sharpness with an intentionally organic cinematic rendering profile. Skin tones remain natural and dimensional while highlights transition smoothly and out-of-focus areas maintain refined softness. The result is a cinematic image with emotional depth and modern technical precision. The constant T1.3 aperture enables filmmakers to create extremely shallow depth of field while maintaining excellent low-light capability. Subject isolation appears highly cinematic, while Sigma’s cinema-focused optical design minimizes focus breathing and distortion to preserve framing consistency during focus pulls and moving shots. Mechanically, the lens features a robust full-metal cine housing with standardized gear positions, consistent front diameter, and long 270° focus rotation for highly precise manual operation. Despite its high-speed optical design and large-format image circle, the lens remains compact enough for handheld, Steadicam, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with modern metadata-driven cinema workflows for VFX and virtual production applications. Features – Aizu Prime 75mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Cinematic portrait focal length • Exceptional subject isolation • Organic cinematic rendering • High-resolution optical performance • Excellent low-light capability • Smooth cinematic focus falloff • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 75mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.85m / 2'9" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.8kg / 4.0lb • Weight (Sony E-Mount): approx. 1.9kg / 4.2lb
Cinematic Large Format Prime The Aizu Prime 65mm T1.3 LF is designed to deliver a refined cinematic portrait perspective combined with the exceptional brightness and optical consistency that define Sigma’s Aizu Prime lineup. As part of the world’s first large-format cinema lens family with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for cinematic portraiture and narrative filmmaking. The 65mm focal length provides elegant spatial compression and natural subject separation while maintaining a highly cinematic field of view. This makes the lens particularly effective for emotional close-ups, dialogue scenes, commercial cinematography, beauty work, and dramatic storytelling applications. Optically, the lens combines high-resolution sharpness with an organic rendering profile optimized for cinema production. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain refined softness without sacrificing overall image detail. The result is a cinematic image that balances technical precision with emotional depth. The constant T1.3 aperture allows filmmakers to achieve exceptionally shallow depth of field and excellent low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Focus breathing and distortion are carefully minimized to ensure stable framing during focus transitions and moving shots. Mechanically, the lens features a professional cine-standard housing with full-metal construction, long 270° focus rotation, and standardized gear placement for seamless integration into professional cinema workflows. Support for Cooke /i Technology and ZEISS eXtended Data ensures compatibility with advanced metadata workflows used in VFX production and virtual production environments. Features – Aizu Prime 65mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Cinematic portrait focal length • Organic cinematic rendering • Excellent subject separation • Exceptional low-light capability • Smooth focus transition rendering • Controlled focus breathing • Reduced distortion characteristics • Refined cinematic bokeh • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact professional cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 65mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.70m / 2'4" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for large-format cinema cameras • Compatible with professional cine accessories • Optimized for 6K–8K workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.8lb • Weight (Sony E-Mount): approx. 1.8kg / 4.0lb
Cinematic Large Format Prime The Aizu Prime 50mm T1.3 LF represents the classic cinematic standard focal length within Sigma’s advanced Aizu Prime lineup. Combining a highly natural perspective with exceptional optical speed and large-format image coverage, the lens is designed for professional cinematographers seeking maximum creative flexibility and cinematic image quality. As part of the world’s first large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the Aizu Prime 50mm T1.3 LF establishes a new performance category for modern cinema optics. The lens delivers exceptional brightness while maintaining consistent rendering characteristics across the entire Aizu Prime family. The 50mm focal length is widely considered one of the most universally applicable cinematic perspectives, closely matching natural human visual perception while still providing cinematic subject separation and spatial compression. This makes the lens highly suitable for narrative filmmaking, portrait cinematography, commercials, dialogue scenes, and documentary production. Optically, the lens delivers a refined balance between high-resolution sharpness and organic cinematic rendering. Images maintain outstanding detail while preserving natural skin tones, smooth tonal transitions, and elegant highlight behavior. The rendering avoids the sterile appearance often associated with digital cinema optics and instead produces a cinematic image with depth and emotional texture. The ultra-fast T1.3 aperture allows filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light capability. Focus transitions remain smooth and cinematic, while Sigma’s advanced cinema optical design minimizes focus breathing and geometric distortion to preserve framing consistency during focus pulls and camera movement. Mechanically, the lens features a robust full-metal housing engineered specifically for professional cinema environments. Standardized gear positioning, consistent front diameter, and long 270° focus rotation ensure seamless compatibility with follow focus systems, matte boxes, remote motors, and professional rigging configurations. The lens also supports Cooke /i Technology and ZEISS eXtended Data, enabling advanced metadata workflows for VFX-heavy productions, virtual production environments, and post-production tracking systems. Features – Aizu Prime 50mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 50mm perspective • Organic cinematic rendering characteristics • Modern high-resolution optical performance • Excellent low-light capability • Cinematic shallow depth of field • Smooth natural focus transitions • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight cine housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 50mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Designed for professional cinema cameras • Optimized for 6K–8K workflows • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb
Cinematic Large Format Prime Lens The Aizu Prime 40mm T1.3 LF expands Sigma’s next-generation Aizu Prime lineup with a focal length that delivers a highly natural cinematic perspective combined with exceptional optical speed and large-format coverage. As part of the world’s first full large-format cinema lens series with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production workflows. The 40mm focal length is widely regarded as one of the most versatile perspectives in cinematography, positioned between the classic 35mm and 50mm visual language. It delivers a natural field of view with strong subject separation while maintaining environmental context, making it particularly effective for narrative filmmaking, commercials, handheld cinematography, documentary production, and dialogue scenes. Optically, the lens combines extremely high resolving power with an organic cinematic rendering profile designed specifically for motion picture production. Images maintain exceptional detail and contrast while preserving natural highlight transitions, refined skin tones, and smooth out-of-focus rendering. The result is a cinematic image with depth and dimensionality that integrates naturally into modern digital cinema workflows. The constant T1.3 aperture enables filmmakers to achieve exceptionally shallow depth of field and outstanding low-light performance. Subjects separate naturally from the background while maintaining smooth and cinematic focus falloff. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to preserve compositional consistency during focus pulls and camera movement. Mechanically, the Aizu Prime 40mm T1.3 LF features a robust full-metal cine housing with standardized gear positioning, long 270° focus rotation, and consistent front dimensions across the lineup. This allows seamless integration with professional cinema accessories including matte boxes, follow focus systems, remote motors, and rigging configurations. Despite its ultra-fast aperture and large-format image coverage, the lens remains compact and lightweight, making it suitable for handheld, Steadicam, crane, drone, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with advanced VFX, virtual production, and post-production pipelines. Features – Aizu Prime 40mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame image coverage • Natural cinematic 40mm perspective • Organic rendering with modern sharpness • Excellent low-light performance • Cinematic shallow depth of field • Smooth highlight roll-off characteristics • Controlled focus breathing • Minimal geometric distortion • Refined cinematic bokeh rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight cine housing • Full metal professional construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 40mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.45m / 1'6" • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Housing: Full metal cine construction • Compatible with professional cine accessories • Designed for large-format cinema cameras • Optimized for 6K–8K production workflows Dimensions & Weight • Length (PL Mount): approx. 125mm / 5" • Length (Sony E-Mount): approx. 159mm / 6.3" • Weight (PL Mount): approx. 1.7kg / 3.7lb • Weight (Sony E-Mount): approx. 1.8kg / 3.9lb
Cinematic Large Format Prime The Aizu Prime 35mm T1.3 LF represents one of the most essential focal lengths within Sigma’s Aizu Prime cinema lineup, delivering a classic cinematic field of view combined with the extraordinary brightness and rendering consistency of the series. As part of the world’s first lineup of large-format cinema lenses with a constant T1.3 aperture across all focal lengths, the lens establishes a new standard for high-end filmmaking. The 35mm focal length has long been considered a foundational cinematic perspective, offering a natural balance between environmental context and subject intimacy. This makes the lens exceptionally versatile across narrative filmmaking, commercials, music videos, handheld cinematography, and documentary production. Optically, the Aizu Prime 35mm T1.3 LF combines modern high-resolution imaging performance with an intentionally organic cinematic character. Images maintain exceptional clarity while preserving soft tonal transitions, natural skin rendering, and refined highlight behavior. The lens avoids the overly clinical rendering often associated with digital cinema optics, instead producing dimensional and emotionally engaging imagery. The ultra-fast T1.3 aperture provides outstanding low-light capability and exceptionally shallow depth of field, allowing cinematographers to isolate subjects with cinematic precision while maintaining smooth and natural focus falloff. Focus breathing and distortion are carefully minimized to maintain composition integrity during focus transitions and camera movement. Mechanically, the lens features a professional cine-standard housing with robust metal construction, standardized gear placement, and a long 270° focus rotation for highly precise manual focus operation. The compact form factor allows seamless integration into handheld, Steadicam, crane, and gimbal workflows. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX production, post-production tracking, and virtual production environments. Features – Aizu Prime 35mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame large-format image coverage • Classic cinematic 35mm perspective • Organic rendering with modern resolution • Exceptional low-light capability • Cinematic shallow depth of field • Controlled focus breathing • Reduced geometric distortion • Smooth cinematic bokeh • Natural skin tone rendering • 46.3mm image circle • Standardized cine mechanics • Long 270° focus throw • Compact lightweight housing • Full metal construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for professional cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 35mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Cine-standard mechanical design • Compatible with professional cinema accessories • Designed for full-frame cinema cameras • Optimized for 6K–8K capture systems Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for handheld and gimbal workflows • Standardized dimensions across the Aizu Prime lineup
Balanced Cinematic Full Frame Prime The Aizu Prime 32mm T1.3 LF is designed as one of the most versatile focal lengths within Sigma’s Aizu Prime lineup, combining a natural cinematic perspective with the series’ signature ultra-fast T1.3 aperture and large-format coverage. As part of the world’s first full large-format cinema lens lineup with a constant T1.3 aperture across all focal lengths, the lens establishes a new benchmark for modern cinema production. The 32mm focal length provides an exceptionally balanced angle of view that closely matches natural human perception while still offering cinematic spatial separation and depth. This makes the lens highly effective for narrative filmmaking, handheld cinematography, commercials, documentary work, and dialogue-heavy productions. Optically, the lens combines modern cinema sharpness with an organic and naturally soft rendering profile. Images maintain high resolution and refined detail while avoiding harsh digital characteristics. The result is a cinematic image with dimensionality, smooth tonal transitions, and elegant falloff behavior. The constant T1.3 aperture enables filmmakers to achieve extremely shallow depth of field while maintaining excellent low-light performance. Subject isolation appears highly cinematic while focus transitions remain smooth and visually natural. Sigma’s cinema-focused optical design minimizes focus breathing and geometric distortion to maintain visual consistency during focus pulls and dynamic camera movement. Mechanically, the lens features a robust all-metal cine housing with standardized gear positions, long focus throw, and consistent front dimensions for seamless integration into professional cinema workflows. Despite its large-format coverage and high-speed optical design, the lens remains lightweight enough for modern gimbal, Steadicam, and handheld operation. Support for Cooke /i Technology and ZEISS eXtended Data enables advanced metadata workflows for VFX-heavy productions and virtual production environments. Features – Aizu Prime 32mm T1.3 LF • Constant T1.3 aperture across the lineup • Large-format full-frame coverage • Natural cinematic perspective rendering • Organic image character with modern sharpness • Exceptional low-light performance • Cinematic shallow depth of field • Smooth focus transition rendering • Controlled focus breathing • Minimal distortion characteristics • 46.3mm image circle • Compact lightweight cine design • Standardized cine mechanics • Long 270° focus rotation • Full metal housing construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for handheld and gimbal workflows • Designed for professional cinema production Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 32mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens construction optimized for cinema use • Compatible with professional cine accessories • Designed for large-format camera systems • Optimized for 6K–8K workflows Dimensions & Weight • Compact professional cine housing • Lightweight design optimized for modern production rigs • Standardized dimensions across the Aizu Prime lineup
Natural Perspective Large Format Cine Lens The Aizu Prime 27mm T1.3 LF expands Sigma’s next-generation large-format cinema lineup with a focal length designed to deliver an exceptionally natural and immersive cinematic perspective. As part of the Aizu Prime series, the lens maintains the lineup’s defining characteristic: a constant T1.3 aperture across all focal lengths, establishing a new benchmark for professional cinema production. The 27mm focal length occupies a unique position within the cinema ecosystem, offering a slightly more natural field of view than a traditional 25mm while maintaining strong environmental context and cinematic spatial depth. This makes the lens highly versatile for handheld cinematography, dialogue scenes, moving camera shots, and immersive commercial work. Optically, the lens combines modern high-resolution sharpness with an intentionally organic rendering profile. Images maintain exceptional detail while avoiding the overly clinical appearance often associated with digital cinema optics. Skin tones render naturally, highlights transition smoothly, and out-of-focus areas maintain a refined cinematic softness. The extremely bright T1.3 aperture enables outstanding low-light capability while producing exceptionally shallow depth of field and powerful subject isolation. Focus breathing and distortion are carefully minimized to preserve compositional integrity during focus pulls and dynamic camera movement. Mechanically, the Aizu Prime 27mm T1.3 LF features a robust all-metal housing engineered for professional production environments. The lens incorporates standardized cine gear placement, a 270° focus throw, and consistent front dimensions to ensure compatibility with professional cinema rigs and accessories. Despite its advanced optical performance and large-format image coverage, the lens remains compact and lightweight, supporting modern handheld and gimbal workflows without compromise. Advanced metadata integration through Cooke /i Technology and ZEISS eXtended Data further enhances compatibility with modern VFX and virtual production pipelines. Features – Aizu Prime 27mm T1.3 LF • Constant ultra-fast T1.3 aperture • Full-frame and large-format coverage • Natural cinematic field of view • Organic rendering with modern sharpness • Exceptional low-light performance • Controlled cinematic contrast • Minimal focus breathing • Reduced geometric distortion • Smooth highlight transition rendering • 46.3mm image circle • Long 270° focus rotation • Standardized cine mechanics • Compact lightweight construction • Full metal professional housing • Cooke /i compatible • Supports ZEISS eXtended Data • Optimized for handheld and gimbal use • Designed for high-end cinema workflows Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 27mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.33m / 1'1" • Maximum magnification ratio: 1:6.9 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Designed for large-format cinema production • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125.4mm / 5" • Length (Sony E-Mount): 159.4mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.8lb
Ultra Fast Large Format Cinema Precision The Aizu Prime 25mm T1.3 LF is part of Sigma’s groundbreaking Aizu Prime series, the world’s first lineup of large-format cinema lenses to achieve a constant T1.3 aperture across all focal lengths. Designed specifically for professional cinema production, the lens combines exceptional brightness, modern optical precision, and an organic cinematic rendering optimized for high-end digital filmmaking workflows. Featuring a large image circle of 46.3mm, the Aizu Prime 25mm T1.3 LF fully supports large-format and full-frame cinema cameras while maintaining excellent edge-to-edge consistency. The focal length delivers a highly versatile wide-angle perspective ideal for narrative filmmaking, commercials, documentaries, music videos, and immersive cinematic environments. The extremely fast T1.3 aperture allows filmmakers to create exceptionally shallow depth of field while maintaining natural dimensionality and smooth subject separation. The lens delivers refined bokeh characteristics and cinematic highlight rendering without sacrificing overall sharpness or image fidelity. Sigma engineered the optical system specifically for motion picture production, minimizing distortion and focus breathing to ensure visual consistency during complex camera movement and focus transitions. Mechanically, the lens follows a professional cine-standard design philosophy with robust all-metal construction, precise focus resistance, and long-throw focus rotation for accurate manual operation. Standardized gear positioning and a uniform front diameter allow seamless integration into professional cinema rigs, follow focus systems, matte boxes, and remote production environments. Despite its extremely bright aperture and large-format coverage, the lens remains remarkably compact and lightweight, supporting handheld, Steadicam, gimbal, crane, and drone workflows. The lens also supports Cooke /i Technology and ZEISS eXtended Data for advanced metadata workflows in VFX and virtual production environments. Features – Aizu Prime 25mm T1.3 LF • Constant ultra-fast T1.3 aperture • Large-format full-frame cinema coverage • 46.3mm image circle • Designed exclusively for cinema applications • Organic cinematic rendering characteristics • Modern sharpness with natural softness • Controlled focus breathing • Minimal geometric distortion • Smooth cinematic bokeh rendering • Excellent low-light performance • Standardized cine mechanics • Long 270° focus rotation • Compact lightweight housing design • Full metal cine construction • Compatible with Cooke /i Technology • Supports ZEISS eXtended Data • Optimized for 6K–8K cinema workflows • High durability for professional production use Mounts • PL Mount • Sony E-Mount Technical Specifications • Lens type: Large Format Cinema Prime Lens • Focal length: 25mm • Aperture range: T1.3 – T22 • Image circle: 46.3mm • Iris blades: 13-blade diaphragm • Minimum focus distance: 0.31m / 1'0" • Maximum magnification ratio: 1:6.5 • Front diameter: 95mm • Focus rotation: 270° • Iris rotation: 70° • Gear standard: 0.8 MOD • Metadata support: Cooke /i + ZEISS eXtended Data • Lens support foot: SF-61 • Optimized for large-format cinema cameras • Compatible with professional cine accessories Dimensions & Weight • Length (PL Mount): 125mm / 5" • Length (Sony E-Mount): 159mm / 6.3" • Weight (PL Mount): 1.7kg / 3.6lb • Weight (Sony E-Mount): 1.7kg / 3.7lb