The FUJIFILM GFX ETERNA 55 Cinema Camera is more than just a digital cinema camera – it is a purpose-built creative instrument designed to redefine cinematic storytelling. As Fujifilm’s first camera developed primarily for professional filmmaking, it combines the company’s unrivaled legacy in film color science with groundbreaking digital technology, resulting in images that are both technically pristine and emotionally powerful. Images: Fujifilm At the heart of the GFX ETERNA 55 lies one of the tallest sensors available on the open market: a 44 x 33 mm large-format CMOS II HS sensor with an effective resolution of 102 megapixels. Its 4:3 open-gate design provides nearly 1.7 times the image height of traditional Super 35mm, creating an expansive canvas for filmmakers. This enables unique aesthetic possibilities when shooting with both spherical and anamorphic lenses, delivering visuals of unprecedented scale and character. Whether it’s capturing sweeping landscapes, intimate close-ups, or anamorphic widescreen epics, the GFX ETERNA 55 gives filmmakers the freedom to shape every frame with cinematic intent. Fujifilm’s celebrated film heritage is fully embedded in this system. With 20 built-in Film Simulations, including iconic looks like ETERNA, PROVIA, Velvia, and ACROS, cinematographers can access creative color palettes inspired by decades of analog film tradition. These simulations provide beautiful, production-ready images straight out of the camera—ideal for fast turnaround projects such as commercials, corporate films, or documentaries. For productions requiring more intensive post-production workflows, the GFX ETERNA 55 supports F-Log2 and F-Log2 C gamma profiles, delivering over 14 stops of dynamic range for maximum flexibility in grading. Filmmakers can also store up to 16 custom 3D LUTs in-camera, allowing them to preview their intended final look on set and streamline collaboration between production and post. In modern filmmaking, workflow efficiency is just as critical as image quality. The GFX ETERNA 55 is engineered with this in mind, supporting Apple ProRes 422 HQ, 422, and 422 LT for high-quality internal recording, along with H.265/HEVC for lighter file management. The ability to record proxy files in ProRes Proxy dramatically reduces editing workloads and accelerates turnaround times. For productions requiring the highest level of image fidelity, the camera outputs up to 8K/30p 12-bit RAW via HDMI, ensuring that every nuance of the large-format sensor can be preserved for demanding post-production pipelines. Its integration with Frame.io Camera to Cloud further enhances collaboration by enabling direct upload of footage to the cloud for instant review, approval, or editorial assembly, no matter where the crew is located. Despite its technical power, the GFX ETERNA 55 maintains a compact and ergonomic design. Weighing approximately 2.0 kg, it is lightweight enough for solo shooters yet robust enough for professional sets. Dual side monitors allow both operators and assistants to access controls easily, while a 2000-nit 5" LCD provides clear visibility even in challenging outdoor conditions. The inclusion of a multi-function dial for lens control and a built-in electronic variable ND filter ensures precise handling of exposure and creative depth-of-field control on the fly. Reliability is another hallmark of the GFX ETERNA 55. With support for both CFexpress Type B and SD cards, as well as SSD recording, filmmakers can choose the media that best fits their workflow. The hot-swappable NP-W235 battery system allows continuous shooting without interruptions, a vital feature for professional productions where downtime is not an option. Advanced connectivity options—including HDMI, SDI, LAN, USB-C, and audio I/O—ensure seamless integration with studio and on-location setups alike. From independent features and high-budget films to music videos, commercials, and live events, the FUJIFILM GFX ETERNA 55 Camera is designed to meet the demands of diverse filmmaking environments. It combines Fujifilm’s iconic approach to color with cutting-edge digital cinema technology, delivering imagery that resonates with authenticity and impact. For creators who demand the highest level of visual storytelling, the GFX ETERNA 55 is not just a camera—it is the ultimate creative partner. Features – FUJIFILM GFX ETERNA 55 Camera 102MP large-format CMOS II HS sensor (44 x 33 mm) 4:3 open-gate recording for cinematic framing Sensor nearly 1.7x larger than Super 35mm Over 14 stops of dynamic range with F-Log2 / F-Log2 C 20 built-in Fujifilm Film Simulations for instant cinematic looks Supports up to 16 in-camera 3D LUTs for live preview and shooting Native dual ISO: 800 and 3200 for extreme lighting conditions Supports Apple ProRes 422 HQ/422/LT and H.265/HEVC codecs Proxy recording options for faster post-production workflows Frame.io Camera to Cloud integration for instant collaboration RAW output: up to 8K/30p 12-bit via HDMI High-brightness 2000-nit 5" LCD with touchscreen and tilt adjustment Dual side monitors for operator and assistant access Multi-function control dial for focus, iris, zoom, and ND filter Built-in electronic variable ND filter (ND4–ND128) Lightweight body (approx. 2.0 kg) for portability Dual CFexpress Type B and SD card slots for flexible recording media Intelligent Hybrid Autofocus with subject recognition (face, animal, vehicles, etc.) Wireless connectivity with Wi-Fi, Bluetooth, and LAN terminal Hot-swap battery system with NP-W235 for uninterrupted filming Technical Specifications Model: FUJIFILM GFX ETERNA 55 Lens Mount: FUJIFILM G Mount Sensor: 44 x 33 mm GFX 102MP CMOS II HS Effective Pixels: 102 million Image Processor: X-Processor 5 ND Filter: Electronic Variable (ND4–ND128) Dynamic Range: 14+ stops (F-Log2/F-Log2 C) ISO Range: 100–12800 (expandable to 25600) Shutter Speed: 1/8 sec to 1/8000 sec, 5.6°–360° shutter angle Autofocus: Intelligent Hybrid AF with phase & contrast detection Recording Formats: MOV, Apple ProRes 422 HQ/422/LT, H.265/HEVC Max Resolution: 8K (8192 x 4320) up to 30p Recording Bitrates: up to 720 Mbps RAW Output: 8K/30p 12-bit via HDMI Media: CFexpress Type B, SD (UHS-I/II), SSD (up to 2TB) Monitor: 5" 2000-nit LCD touchscreen + dual 3" side monitors Connectivity: HDMI Type A, USB-C, LAN, 12G-SDI, TC IN/OUT, GenLock Wireless: Wi-Fi (802.11 a/b/g/n/ac), Bluetooth 4.2 Audio: 3.5mm mic in, 3.5mm headphone out, stereo recording support Power: NP-W235 Li-ion, V-mount compatible, AC adapter included Hot-swap battery support Dimensions & Weight Width: 110.8 mm Height: 138.2 mm Depth: 176.8 mm Weight (body only, excl. battery & media): approx. 2.0 kg Operating Temperature: -10°C to +40°C Operating Humidity: 10–80% (non-condensing)

The Leitz HEKTOR lenses mark a new chapter in the story of Leitz Cine, entering the world of mirrorless cameras with a set of prime lenses designed to inspire creativity and deliver timeless cinematic beauty. Available in six focal lengths – 18mm, 25mm, 35mm, 50mm, 73mm and 100mm – each with a consistent T2.1 aperture, the HEKTOR series combines historical optical character with modern reliability and build quality. Image: Leitz Inspired by over 100 years of lens-making heritage, the look of the HEKTOR draws from the legendary Leica M lenses of the 1930s and 1950s, as well as the expressive Petzval lenses. The result is a visual signature that blends dynamic flares, field curvature and subtle spherical aberrations, evoking a sense of soul and emotion while staying distinctly cinematic. Unlike the hyper-corrected aesthetics of many modern optics, the HEKTOR lenses offer an organic, character-driven image with depth and nuance that flatters digital sensors. Image: Leitz Engineered with precision in Germany, each lens is fully manual and crafted with the same care and attention as Leitz’s premium lines such as SUMMILUX-C and HUGO. Although created for more affordable camera systems, the HEKTOR lenses embody the brand’s uncompromising philosophy: character first, quality first. Every detail is designed for longevity, serviceability, and ease of use in professional workflows. Image: Leitz With an 80mm front diameter and matched focus and iris ring positions across all focal lengths, lens changes are quick and efficient. The 120° focus throw and 49° iris rotation ensure smooth operation, whether pulling focus or working handheld. A nine-blade circular iris maintains consistent roundness across all stops, producing pleasing bokeh and natural out-of-focus areas. Image: Leitz The silver anodized finish pays homage to the original Leica Hektor lenses designed by Max Berek in the 1930s, while the inclusion of a 73mm focal length directly references a classic from the original line. This balance of historical inspiration and modern execution makes the HEKTOR lenses more than just tools—they are instruments designed to elevate storytelling, image by image. Image: Leitz For cinematographers seeking glass with soul, the Leitz HEKTOR lenses are built to stand out. More than technical perfection, they offer character, emotion, and a unique visual fingerprint that endures. Features of Leitz HEKTOR Lenses Six focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Consistent T2.1 maximum aperture across all lenses Full-frame image coverage for modern digital sensors User-interchangeable mounts: E, L, RF, Z Inspired by 100+ years of Leica optical heritage Character-driven design with Petzval-inspired rendering Organic flare, field curvature and spherical aberrations for a unique look Modern coatings reduce chromatic aberration and veiling glare Silver anodized finish with heritage-inspired design Compact, lightweight build with robust construction 80mm uniform front diameter across all focal lengths 77mm screw-in filter thread (except 18mm) 120° focus rotation for precise manual focus 49° iris rotation with matched positions for fast lens swaps Nine-blade iris for smooth, circular bokeh Engraved metric and imperial focus scales Fully manual operation for direct creative control Built and assembled in Germany by Leitz Cine experts Designed for durability, serviceability, and long-term use Technical Specifications Mount options: L, E, Z, RF Focal lengths: 18mm, 25mm, 35mm, 50mm, 73mm, 100mm Maximum aperture: T2.1 Image coverage: Full Frame Optical design: non-aspherical, spherical-only Coating: modern anti-reflective with warm natural tone Focus rotation: 120° Iris rotation: 49° Iris: 9 blades, circular across all stops Focus and iris ring alignment: matched across all lenses Engraved focus scales: imperial and metric Filter thread: M77 x 0.75 screw-in (except 18mm) Outer diameter: 80mm Manual control: focus and iris Operating style: fully mechanical, no electronics Build quality: precision engineered and assembled in Germany Finish: silver anodized heritage design Serviceability: designed for easy maintenance and long-term reliability Dimensions & Weight Front diameter: 80mm Filter thread: 77mm (25mm–100mm lenses) Filter thread: none (18mm lens) Length: varies by focal length Weight: compact and lightweight, approx. 600–900g depending on focal length

Iconic Panchro Look for Large-Format Cinematography Images: Cooke Now available for pre-order at CBM The Cooke Panchro 65/i Series brings the legendary Panchro aesthetic to 65mm and larger digital imagers, providing filmmakers with an unparalleled combination of classic character and modern performance. Inspired by the historic Speed Panchro line, these lenses preserve the distinctive warmth, smooth skin tones, and elegant depth that have made Cooke lenses a staple of cinematography for decades. Each lens in the series is meticulously engineered to deliver exceptional optical performance across a wide image circle, ensuring full compatibility with today’s larger-format cameras. The series currently comprises six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, and the upcoming 152mm (will be announced Spring 2026), covering a comprehensive range of cinematic perspectives. Filmmakers will appreciate the versatility, from the ultra-wide 30mm for expansive shots to the 100mm for detailed portraiture. With fast maximum T-stops of T2.5 on 55mm, 75mm, and 100mm, T2.8 on 30mm and 40mm, and T2.9 on the 152mm, the Panchro 65/i Series ensures stunning low-light performance while maintaining the classic Panchro signature look. Cooke’s precision lens engineering integrates subtle optical aberrations to enhance the natural dimensionality of subjects, giving images an organic, lifelike feel. Lightweight and balanced across all focal lengths (ranging from 1.8 to 2.3 kg), the lenses are ideal for handheld, gimbal, or studio setups. Moreover, each lens incorporates Cooke’s cutting-edge /i Technology, providing intelligent metadata capture for focus, iris, and zoom data, keeping productions at the forefront of modern cinematography. Whether shooting epic landscapes, intimate dramas, or complex visual narratives, the Cooke Panchro 65/i Series offers filmmakers a versatile, high-performance solution that elevates large-format storytelling with a timeless Panchro touch. /* Responsive Table for Shopware 6 */ .responsive-table { display: flex; flex-wrap: wrap; margin: 20px 0; gap: 20px; } .responsive-table .column { flex: 1 1 45%; min-width: 300px; } .responsive-table h3 { margin-bottom: 10px; } .responsive-table ul { list-style: disc; padding-left: 20px; } @media (max-width: 800px) { .responsive-table { flex-direction: column; } .responsive-table .column { flex: 1 1 100%; } } Features Classic Panchro look adapted for 65mm and larger formats Six focal lengths: 30mm, 40mm, 55mm, 75mm, 100mm, 152mm Fast maximum T-stops: T2.5 – T2.9 depending on focal length Minimum T-stop: T22 across all lenses Lightweight construction (1.8 – 2.3 kg) /i Technology for intelligent metadata capture Precision optical design with integrated aberrations Wide image circle for large-format sensors Smooth, cinematic focus falloff Dual focus scales: Imperial and Metric Iris scales with whole and third stops marked Focus drive gear: 140 teeth, 0.8 module Iris drive gear: 134 teeth, 0.8 module Screw-in filter (M105 x 0.75) on all lenses except 30mm LPL lens mount Ideal for handheld, gimbal, and studio rigs Preserves natural skin tones and depth in imagery Enhanced foreground-background separation Perfect for epic landscapes and detailed portraiture Technical Specifications Angular rotation of iris scale: 90° Minimum object distance: 400mm – 1,300mm depending on focal length Angular rotation to MOD endstop: 270° Lens length (front to PL mount): 139.5 – 169.1 mm Maximum front diameter: 110 – 125 mm Maximum diagonal angle of view (SP65 format): 22.5° – 90.2° Maximum diagonal angle of view (Full Frame): 16.3° – 71.4° Maximum diagonal angle of view (Super 35): 11.4° – 52.5° Total weight with lens mount: 1.7 – 2.4 kg Focus scales marked from infinity to MOD Compatible with Alexa 65 and other large-format digital cameras Lens mount: LPL Smooth, precise gear engagement for focus and iris Optimal for both cinematic and commercial productions PreOrder Now!

Discover New Creative Dimensions with the IBE Raptor Scope FF In the realm of high-end optics, the IB/E Raptor Scope FF is a groundbreaking tool designed for filmmakers who demand ultimate precision, versatility, and visual impact. Engineered with a high-definition optical system, this snorkel-style lens delivers exceptional clarity and detail with Full Frame image coverage (up to 44mm). Whether capturing fine textures, reflective surfaces, or impossible angles, the Raptor Scope translates every scene into a vivid, distortion-free image—perfectly suited for today’s highest resolution sensors. Built with a robust mechanical design and crafted from premium materials, the Raptor Scope stands up to challenging environments on set or on location. Internal focusing maintains a constant lens length, while intuitive controls place creative flexibility at your fingertips. The innovative image rotation compensator allows for 360° roll shots without the need to rotate the entire camera setup—ideal for dynamic storytelling and unique camera movements. This feature is especially powerful when combined with unlimited pan and tilt capabilities. Thanks to its modular system, the Raptor Scope supports multiple camera and lens mounts. A UMS PL mount is standard, with additional rear options like LPL, EF, or FZ available. The front accepts Leica M-mount lenses, and alternative mounts such as PL, LPL, or Canon EF are also available. A rear 0.75x booster enables a quick conversion to Super35 format, increasing the aperture to F/4.0, making the Raptor Scope a flexible solution for both Full Frame and Super35 productions. Features – IB/E Raptor Scope FF Full Frame (44mm) & Super35 coverage with optional rear booster 360° unlimited pan, tilt & roll movements Image rotation compensator for dynamic shots without rotating the camera Constant lens length with internal focusing Interchangeable front mounts: Leica M (standard), optional PL, LPL, Canon EF Interchangeable rear camera mounts: UMS PL (standard), optional LPL, EF, FZ Aperture F/5.6 (FF) | F/4.0 (S35 with booster) Advanced color correction (APO) Rugged design for high-demand production environments Technical Specifications – IB/E Raptor Scope FF Image Circle: +44 mm / +1.73'' Aperture: F/5.6 at Full Frame, F/4.0 with 0.75x Booster (S35) Focus Rotation: 180° Iris Rotation: 90° Focus/Iris: Both located near camera Camera Mount (Rear): UMS PL mount (standard), optional LPL, EF, FZ Front Lens Mount: Leica M (standard), optional PL, LPL, Canon EF Dimensions & Weight Length (flange to front): 32.3 cm / 12.7” (PL to M version) Weight: 4.4 kg / 9.8 lb Support Thread: ¼" thread for standard lens supportPDF DOWNLOADSRaptor Scope Data Sheet Raptor Scope AccessoriesRaptor Scope ManualRaptor Scope Lens Set

Mirror System Attachment for Interviews and Cinematic Close-Ups Developed by Sebastian Cramer SeeU by Screenplane is a professional-grade mirror system attachment developed by cinematographer Sebastian Cramer to elevate the quality of interviews, close-up scenes, and direct-to-camera communication. By enabling real-time eye contact between the subject and someone behind the camera—be it an interviewer, director, or scene partner—SeeU creates a more personal and emotionally resonant viewing experience. This versatile system allows filmmakers and content creators to shoot with two focal lengths from the same exact viewpoint, eliminating parallax issues and streamlining multi-angle productions. The adjustable mirror enables flexible eye-line control, allowing performers to shift their gaze naturally without relying on tape marks or artificial cues. Beyond its use in interviews and narrative storytelling, SeeU can also serve as a teleprompter when paired with a monitor or tablet positioned in the look-through area—ideal for guided presentations or scripted content that still feels personal and direct. Designed for real-world production needs, SeeU supports wide-angle lenses from approximately 18–20mm (S35, 16:9) and longer focal lengths. It features a collapsible build and integrates seamlessly with 15mm rod systems for easy rigging and transport. Adjustable flags further optimize the setup by minimizing reflections and glare, even when working with wide lenses. Whether for documentary, fiction, or corporate communication, SeeU offers a compact, powerful tool to strengthen on-camera connection and storytelling impact. SeeU is an innovative mirror attachment system for interviews that allows the interviewee to look directly into the camera and still maintain eye contact with the interviewer. Innovative Mirror Attachment | System is easy to use | Creates a more personal interview situation The image is reflected into a horizontal orientation leaving a wide look through area, for all sorts of interactions between a person in front or behind the camera. Personal Interviews | Direct Eye Contact | Wide look-through area | In front & behind the camera The face can be clearly seen in the look thru area. Apart from interviews, it also allows actors to interact with their counterparts on emotional close-ups. The eye-line can be adjusted from looking directly into the camera or to any side. No more acting to tape marks in the matte box. Clear Face Visibility | Emotional Close-Ups | Adjustable Eye-Line Shoot with two different focal lengths from the exact same view point, with no parallax offsets. Same Viewpoint: Shoot two focal lengths | No Parallax Offsets: Ensures perfect alignment Place a monitor or a tablet in the look through area and use SeeU as a teleprompter or interact with crew members, while speaking into the camera. Maintaining eye contact with the interviewer—creating a more natural and personal interaction. Teleprompter Function: Use with a monitor | Speak while looking into the camera Key Features Direct Eye Contact SeeU enables the subject to look straight into the camera while maintaining a real-time connection with a person behind it. Ideal for interviews, personal statements, close-up scenes, and emotionally driven conversations. Dual Focal Lengths from One Viewpoint Shoot with two different focal lengths from the exact same perspective, without parallax offsets. This allows for consistent framing and easier editing in multi-angle setups. Flexible Eye-Line Control The subject can shift their gaze naturally from the lens to different positions by adjusting the mirror angle. No need to act to tape marks or artificial cues, resulting in more natural performances. Teleprompter Functionality A monitor or tablet (such as an iPad) can be placed in the look-through area behind the mirror. This allows SeeU to function as a teleprompter for guided presentations or scripts while maintaining direct eye contact with the audience. Wide Lens Compatibility Supports lenses from approximately 18–20mm (S35, 16:9) and all longer focal lengths, offering flexibility across a wide range of cinematic setups. Collapsable and Rod-Compatible SeeU is designed to be collapsible and integrates easily with 15mm rod systems, making it practical for on-set use and transport. Optimized Reflection ControlAdjustable flags help reduce unwanted reflections and glare, ensuring a clear and undisturbed view of the subject’s face—even when using wide-angle lenses. Tech Specs Lens Compatibility: Supports lenses from approximately 18–20mm (S35, 16:9 format) and all longer focal lengths Mounting: Collapsible design compatible with standard 15mm rod systems Eye Contact: Enables direct eye contact with interviewer or audience – ideal for interviews, close-ups, and conversations Dual Focal Lengths: Allows shooting with two different focal lengths from the same viewpoint with no parallax offset Eye-Line Control: Adjustable mirror enables flexible and natural eye-line placement Teleprompter Use: Can be used with a monitor or iPad for guided presentations while maintaining direct eye contactDownload SeeU BrochureSeeU-Brochure

The Leitz Cine HUGO 40 mm T1.5 is the long-awaited expansion to the HUGO series, delivering the most requested focal length in professional cinematography. Designed in close collaboration with Leica Camera engineers, this prime lens captures the emotional, organic character of Leica glass while being optimized for demanding film productions. Filling the gap between 35 mm and 50 mm, the 40 mm prime offers a unique balance of intimacy and perspective, making it one of the most versatile focal lengths for narrative and commercial filmmaking. Its rendering is unmistakably cinematic: soft fall-off, creamy bokeh, rich color transitions, and sharpness in the center without appearing overly clinical. The result is a natural, tactile image that resonates with audiences and enhances storytelling. Compact, lightweight, and mechanically precise, the HUGO 40 mm is ideal for handheld work, gimbals, drones, and compact rigs, while still maintaining full professional cinema functionality. With a fast T1.5 aperture, consistent housing design across the HUGO line, and multiple mount options, it is a reliable and creative tool for filmmakers who demand exceptional optical performance with Leica’s legendary signature. Features – Leitz Cine HUGO 40 mm T1.5 Cinematic 40 mm focal length, perfect balance between 35 mm and 50 mm Maximum aperture of T1.5 for exceptional low-light performance and shallow depth of field Signature Leica rendering with soft fall-off, creamy bokeh, and rich colors Co-developed with Leica Camera engineers for unique optical character Compact and lightweight design, optimized for handheld and gimbal use Standardized housing with matched focus and iris positions across the HUGO series 0.8 MOD cine gearing for seamless integration into professional rigs Technical Specifications Focal length: 40 mm Maximum aperture: T1.5 Image circle: 43.3 mm (full-frame / VistaVision coverage) Minimum focus: approx. 0.36 m (14 in) Iris: 11 rounded blades Focus rotation: 270° Iris rotation: approx. 70.5° Mount options: LPL, L, M Dimensions & Weight Length: 68 mm Front diameter: 95 mm Filter thread: 92 mm screw-in Weight: approx. 810–870 g

Compact Powerhouse for High-End Cinematic ProductionsThe Sony VENICE 2 Extension System Mini CBK-3621XS is a revolutionary addition to the Sony VENICE 2 ecosystem, designed for filmmakers who require maximum flexibility without compromising image quality. This ultra-compact extension system integrates seamlessly with the VENICE 2 8K and 6K models, allowing for versatile camera configurations in confined spaces or complex rig setups. Weighing just 0.54 kg (1.2 lbs) with an E-mount and 1.05 kg (2.3 lbs) with a PL mount adapter, the Extension System Mini is approximately 70% smaller than the existing VENICE Extension System 2. Despite its reduced size, it maintains the same high-performance image quality, making it ideal for handheld, gimbal, and POV shooting, as well as Steadicam, VR, and stereoscopic applications.A key feature of the system is its innovative drop-in ND cartridge system, which includes nine high-quality glass Neutral Density filters, ensuring precise exposure control in various lighting conditions. Additionally, the system introduces an improved, detachable 4.5m (14.8 ft) connection cable that is 3.3mm thinner than its predecessor, allowing for easier rigging and more flexible camera placement. For extended setups, an optional 12m (39.4 ft) cable is also available. These features enable filmmakers to achieve dynamic and immersive shots while maintaining the renowned cinematic quality of the VENICE 2.Beyond its compact design, the VENICE 2 Extension System Mini opens new creative possibilities, particularly in immersive media production. With an E-mount configuration, two units placed side by side replicate the human interpupillary distance of 64mm (2.5 in), making it a valuable tool for stereoscopic imaging and VR content creation. Its lightweight build and modularity also make it an excellent choice for Steadicam applications, where precise movement and weight balance are critical. Whether used for traditional filmmaking, virtual production, aerial cinematography, or experimental visual storytelling, the Sony VENICE 2 Extension System Mini sets a new standard for compact, high-end cinema capture.Features – Sony VENICE 2 Extension System MiniUltra-Compact Design: 70% smaller than the VENICE Extension System 2, perfect for handheld, gimbal, and tight-space shooting.8.6K Full-Frame CMOS Sensor: Delivers the same exceptional image quality as the VENICE 2 in a compact form.Detachable, Thin Connection Cable: 4.5m (14.8 ft) standard cable, with an optional 12m (39.4 ft) version available.Drop-In ND Filter System: Includes nine ND filters (clear to 2.4) for optimal exposure control.PL Mount Adapter Support: Enables compatibility with a wide range of professional cine lenses.Stereoscopic & VR Capabilities: Sensor spacing aligns with human interpupillary distance for immersive content creation.Steadicam Optimized: Lightweight and modular for stabilized camera operation.Integrated Mounting Points: 15 mounting holes for versatile rigging options.Durable & Lightweight: Robust build with dust, moisture, and shock resistance for professional use.Technical SpecificationsSensor Compatibility: VENICE 2 8K and Venice 2 6K (8K capture requires firmware update for 6K model)Filter System: 9-stage drop-in ND filter (Clear, 0.3-2.4)Cable Options: 4.5m (14.8 ft) standard, 12m (39.4 ft) optionalMount Options: E-mount and PL mount adapterGyro Sensor: Integrated for real-time tilt and positioning dataMetadata Support: Cooke/i Lens Metadata through PL mount adapterDimensions & WeightDimensions: 63.9 × 103.2 × 60.2 mm (2.5 × 4.06 × 2.37 in)Weight: 0.54 kg (1.2 lbs) with E-mount, 1.05 kg (2.3 lbs) with PL mount adapterIn the BoxSony VENICE 2 Extension System Mini Head Unit4.5m (14.8 ft) Detachable CablePL Mount AdapterDrop-In ND Filter Set (Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4)Mounting HardwareUser ManualAvailabilityPlanned to be released by August 2025 (TBD)

The movement toward larger format sensors is still in progress, and the number of large format cameras available keeps growing. Larger sensors offer a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that cover the complete sensor area. Its wide aperture allows for beautiful background blur and bokeh's, enhancing the main subject and delivering sharp and vibrant images. IB/E OPTICS presents the new member of the RAPTOR Macro Lens Set. The 24mm will enlarge the existing set of 50mm, 60mm, 100mm, 150mm, 180mm, and 300mm. Features T-Stop 2.9 Maximum Magnification 1:1,7 Internal Focusing (Constant Lens Length) Front Diameter of 95 mm M0.8 Gear Wheels for Focus and Iris Control UMS PL Mount (Nikon F, Canon EF, Sony NEX E, etc.) Robust Mechanical Design Extended Color Correction (APO) Technical Data Focal Length: 24 mm Magnification: 1:1,7 Aperture: T 2.9 - T 22 Max. Aperture: Infinity / Near T 2.9 - T 4.7 Close Focus: 15,6 cm / 6,14'' Min. Working Distance: 8 cm / 3.14'' Focus Rotation: 290° Iris Rotation: 80° No. Iris Blades: 12 Max. Image Diameter (PL Mount): 43 mm / 1.69'' Mount: PL UMS Length (Flange to Front): 75,7 mm / 2.98'' Front Diameter: 95 mm / 3.74'' Weight: 1.4kg / 2.8 lbs

The Canon EOS C50 Cinema Camera is the smallest and lightest Cinema EOS camera to date, yet it delivers uncompromising image quality and professional-grade performance. Designed for filmmakers, content creators, and production teams who demand cinematic results in a compact form, the C50 combines the flexibility of a full-frame 7K sensor with advanced features for video and stills. Its block-style design makes it a versatile tool for handheld shooting, rigs, gimbals, drones, or tripod setups, adapting seamlessly to different production environments. Image: Canon At the heart of the EOS C50 lies a 7K full-frame CMOS sensor paired with Canon’s powerful DIGIC DV7 image processor. This combination enables breathtaking Cinema RAW Light recording in 12-bit, oversampled 4K video with extraordinary detail, and high frame rate recording up to 120fps in 4K or 180fps in 2K, without cropping. Open Gate recording offers maximum flexibility for post-production, supporting horizontal, vertical, and anamorphic workflows. With more than 15 stops of dynamic range, Dual Base ISO (800 / 6400), and Canon Log 2/3, the C50 ensures true-to-life color and outstanding performance in challenging lighting conditions. Image: Canon Canon’s renowned Dual Pixel CMOS AF II brings fast, accurate, and reliable autofocus with advanced subject tracking. Combined with EOS iTR AF X and intelligent recognition for eyes, faces, and even animals, the EOS C50 ensures sharp focus across the entire frame. For handheld and on-the-move shooting, the built-in electronic Movie IS stabilization works in sync with optical IS from supported lenses, delivering smooth and steady footage. Image: Canon The EOS C50 is built for professional audio and connectivity. It supports up to 4-channel 24-bit audio with dual XLR inputs, a stereo mini-jack, built-in stereo mic, and headphone monitoring. The multifunction accessory shoe further expands options with Canon and third-party audio interfaces. With CFexpress and SD dual slots, simultaneous or relay recording in multiple formats is possible, streamlining professional workflows. Connectivity includes HDMI Type-A, USB-C, Timecode (DIN), remote input, Wi-Fi, and LAN via adapter, supporting live streaming, remote shooting, and fast data transfer. Image: Canon In addition to its cinema-grade video capabilities, the EOS C50 also captures 32.5 MP still images with continuous shooting up to 40 fps. This makes it a powerful hybrid solution for creators who need both outstanding motion and still performance in a single, portable device. Image: Canon With its compact yet robust design, advanced thermal management with active cooling, and professional interface layout, the Canon EOS C50 is engineered for reliability and endurance in demanding production environments. It is the perfect choice for solo shooters, small crews, and production companies looking for a versatile, future-proof tool that grows with their creativity. Features – Canon Cinema EOS C50 Compact and lightweight Cinema EOS design – smallest in the lineup 7K full-frame CMOS sensor with DIGIC DV7 processor Internal 12-bit Cinema RAW Light recording up to 7K 60p Oversampled 4K from 7K sensor for superior detail and color High frame rates: 4K up to 120fps, 2K up to 180fps (no crop) Open Gate recording (3:2, 7K) for versatile post-production Dual Base ISO (800 / 6400) for flexible low-light performance Dynamic range exceeding 15 stops with Canon Log 2/3 Dual Pixel CMOS AF II with EOS iTR AF X Advanced subject detection: eyes, faces, animals, vehicles Electronic Movie IS with optical IS lens support Support for anamorphic lenses (x2.0, x1.8, x1.5, x1.3) Professional audio: 4-channel, 24-bit recording Dual media slots: CFexpress Type B and SD UHS-II Multifunction accessory shoe for audio and expansion units HDMI Type-A, USB-C, Timecode DIN, remote input Integrated Wi-Fi (2.4 / 5 GHz) and Ethernet via adapter 14 customizable buttons for personalized operation 32.5 MP still photo capture, up to 40 fps bursts Active cooling system for unlimited recording durations Technical Specifications Sensor: Full-frame CMOS, 35.9 x 23.9 mm Effective pixels: approx. 32.3 MP (video), 32.5 MP (photo) Processor: Canon DIGIC DV7 Lens mount: Canon RF mount (EF and PL supported via adapters) Supported recording formats: Cinema RAW Light, XF-AVC, XF-HEVC S, XF-AVC S Cinema RAW Light recording: up to 7K 60p, 12-bit 4K oversampling from 7K, 10-bit 4:2:2 High frame rates: 4K 120fps, 2K 180fps, 5K Super35 up to 60fps Audio: 2x XLR (via top handle), 3.5mm stereo input, internal stereo mic, headphone out Still image capture: RAW / C-RAW / JPEG / HEIF, Dual Pixel RAW support ISO range: 100 – 25,600 (expandable up to 102,400 in video) Autofocus: Dual Pixel CMOS AF II, 100% frame coverage Stabilization: 5-axis electronic Movie IS with optical IS lens support Connectivity: HDMI Type-A, USB-C (3.2 Gen 2), Timecode DIN, remote (E3) Wireless: Wi-Fi (2.4 GHz / 5 GHz), Ethernet via USB-C adapter Storage: 1x CFexpress Type B, 1x SD UHS-II Power: LP-E6P battery, DC via DR-E6P Dimensions and Weight Dimensions (W x H x D): approx. 142 x 101 x 111 mm (body only) Weight: approx. 750 g (body only), 1,050 g (with handle, battery, and card) In the Box Camera body Detachable top handle with dual XLR inputs Microphone holder LP-E6P battery pack LC-E6E battery charger Shoulder strap Power cable

The IB/E PLx1.4 65-E Asph Expander is designed to allow the use of most of the FF and VV lenses on the new 65mm digital cameras. The projected image diameter and the focal length of the lens is increased by a factor of 1.4. The PLx1.4 65-E Asph is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminum. Inside it carries high-index low-dispersion glass and aspheric lenses to ensure the highest possible resolution and contrast with minimal optical degradation, while the flare-minimized surfaces keep the original lens character. The electronic metadata pass-through has been introduced to bring the lens information to the recorded takes. It is not compatible with mirror cameras, nor the UMS system. Features Electronic pass-through for lens metadata 60mm image diameter (65mm sensors) High-index, low-dispersion glass Robust mechanical design Extended color correction (APO) Small & lightweight Technical Data Max. Image Diameter (mm): 60 mm / 2.36'' Magnification: 1.4x Electronic Data Pass-through Max. T-Stop transmission: 1.4 Max. recommended T-Stop: 1.9 Camera/Lens Mount: PL/PL Data Sheet Download IB/E PLx1.4 65-E Asph Sheet

Ultra-Reliable Long-Range Wireless Video The SWIT Crew System is a new generation of professional wireless video transmission solutions designed for filmmakers, broadcasters, and live production teams. Powered by the advanced KUWI 2.0 Pro chipset, it ensures maximum stability, long-range performance, and ultra-low latency. Operating in the 5.1–5.9 GHz DFS-compliant frequency band with proprietary anti-interference RF technology, the system automatically scans and selects the optimal channel, providing robust performance even in crowded environments. With latency as low as 32 ms, visual lossless H.265 encoding up to 26.8 Mbps, and support for 3G-SDI, HDMI® and USB-C capture, the Crew System delivers reliable high-quality HD video for PC and Mac workflows. It supports 1T→4R multicast, ensuring one transmitter can seamlessly feed multiple receivers without signal loss. Embedded metadata and timecode trigger transmission, combined with AES-256 dual encryption protection, guarantee both professional workflow integration and maximum security. Each unit features a high-bright OLED display for intuitive configuration, while multiple power supply options (NP-F, V-Mount, 2-pin LEMO, USB-C) make the system highly versatile. The Crew family consists of four models—Crew, Crew V, Crew Max, and Crew V-Max—tailored to different on-set needs while remaining fully cross-compatible.Designed for Professional Film and Broadcast Work The SWIT Crew System is designed for professional film and broadcast environments, providing reliable wireless video transmission for every stage of production. It ensures that directors, camera assistants, DITs, and other crew members can monitor high-quality video feeds with minimal latency, even in complex shooting scenarios. Whether used on feature films, commercials, live events, or studio productions, the Crew System delivers consistent performance across multiple receivers simultaneously, thanks to its advanced multicast capabilities. Its robust anti-interference RF technology and long-range transmission make it ideal for both indoor and outdoor sets, allowing crews to maintain clear, uninterrupted communication and real-time decision-making. By combining flexibility, ultra-low latency, and professional-grade encryption, the SWIT Crew System enhances collaboration on set and ensures that every member of the production team has access to the same high-quality video signal at all times. SWIT Crew Versions • CrewThe base model Crew offers a compact form factor with NP-F battery support and 1.2 km / 4 000 ft line-of-sight transmission distance. Ideal for mobile productions and lightweight camera setups. • Crew V The Crew V includes the same transmission performance as the Crew but adds a dual-sided V-Mount design, allowing direct installation on V-Mount powered cameras and rigs with passthrough power. • Crew Max The Crew Max extends the range to 3 km / 10 000 ft line-of-sight with a built-in high-gain panel antenna on the receiver, combining NP-F power on the transmitter with V-Mount on the receiver for maximum flexibility. • Crew V-Max The flagship Crew V-Max combines 3 km range with dual-sided V-Mount transmitter and receiver design, making it the most powerful choice for demanding professional workflows and large-scale productions. Features – SWIT Crew System KUWI 2.0 Pro wireless technology (not Wi-Fi) Proprietary anti-interference RF system 5.1–5.9 GHz license-free DFS compliant Auto scan and channel selection 3G-SDI, HDMI® and USB-C HD video output H.265 codec up to 26.8 Mbps, visual lossless Consistent ultra-low 32 ms latency 1T→4R multicast capability Metadata and timecode trigger transmission High-bright OLED display for setup and monitoring AES-256 dual encryption protection Flexible power options: NP-F, V-Mount, 2-pin LEMO, USB-CTechnical Specifications – SWIT Crew System Transmission Distance: up to 3 km / 10 000 ft (depending on model) Video Interfaces: 3G-SDI, HDMI®, USB-C capture for PC/Mac Codec: H.265 up to 26.8 Mbps Latency: ~32 ms Multicast: 1T→4R Frequency: 5.1–5.9 GHz, DFS compliant RF Technology: KUWI 2.0 Pro with proprietary anti-interference Encryption: AES-256 dual encryptionBrochure DownloadDownload the Crew Brochure here

The new Ovide Smart Assist (2025) is the latest evolution of Ovide’s renowned video assist systems, designed to meet the needs of professional filmmakers and video operators. This next-generation device introduces a host of powerful upgrades, offering ultra-low latency video output, a 25% faster processing speed, and an advanced 12G-SDI interface for high-bandwidth applications. The integrated 8-GPU processor ensures the ability to manage up to eight fully processed and independent video paths, making it a top choice for multi-camera productions. Additionally, its built-in video router streamlines the workflow, while an integrated UPS protects against unexpected power interruptions.Not only does the Ovide Smart Assist (2025) excel in performance, but its new external design also enhances usability and portability. The device is now 20% lighter, making it easier to carry on set, while the robust construction ensures durability in demanding shooting environments. The 10% larger 1000-nit HDR display delivers outstanding brightness and clarity, allowing users to monitor footage with superior accuracy, even in bright daylight conditions. Powered by a single camera battery, it offers up to three hours of untethered operation, providing the flexibility required for dynamic shooting situations.Features – Ovide Smart Assist (2025) 12G-SDI support for high-bandwidth video applications Ultra-low video output latency for real-time monitoring25% faster processing speed for optimized workflow8-GPU processors enable eight independent video pathsBuilt-in video router for seamless input and output managementIntegrated UPS to prevent power interruptionsBattery-powered operation, lasting up to three hours on a single charge20% lighter construction for better portability10% larger 1000-nit HDR display for superior brightness and image qualityRugged design built for demanding on-set conditionsTechnical SpecificationsVideo input/output: 12G-SDI, multiple video streams supportedProcessing unit: 8-GPU processor architectureLatency: Ultra-low for near-instant responseDisplay: 1000-nit HDR, 10% larger than previous modelsBattery life: Up to 3 hours with a single camera batteryWeight reduction: 20% lighter than previous versionsBuilt-in components: Video router and UPSConstruction: Durable, impact-resistant designDimensions & WeightCompact and lightweight form factor20% lighter than previous Smart Assist modelsOptimized for portability without sacrificing display sizeIn the BoxOvide Smart Assist (2025) main unitPower supply unitBattery mounting systemProtective transport caseUser manual

Canon Bundle Net Price: € 5.748,99 - For business customers only (B2B)- Only one bundle available- Promotional terms see below * Inquiries and Orders This exclusive bundle combines the Canon EOS R5 C Cinema Camera and the Canon RF 24-105mm F2.8 L IS USM lens — designed for professional videographers and photographers seeking precision, power, and reliability. The Canon EOS R5 C is a demo unit in pristine, like-new condition with full original packaging (box opened), while the RF 24-105mm lens is brand new and factory-sealed, ready for high-quality cinematic and photographic work. The Canon EOS R5 C camera bridges the gap between high-resolution stills and cinematic video, offering a robust hybrid experience with up to 8K video and impressive photo capabilities. Meanwhile, the Canon RF 24-105mm F2.8 L IS USM lens brings incredible versatility, exceptional sharpness, and excellent low-light performance to any setup. This bundle provides unparalleled flexibility and quality, allowing you to capture any project with ease. Limited to one bundle—available only while stocks last! Features Canon EOS R5 C Cinema-grade 8K video recording with RAW capabilities Dual Pixel CMOS AF for precise autofocus in video and photo modes Impressive 45MP full-frame sensor for high-resolution stills Compact and lightweight design for easy handling Advanced in-body stabilization for smoother handheld shooting Dual memory card slots for versatile media storage Extended ISO range for low-light performance Built-in 13 custom user settings Features Canon RF 24-105mm F2.8 L IS USM Lens Versatile 24-105mm focal length range for all types of shooting Constant f/2.8 maximum aperture for low-light performance and depth of field control Optical Image Stabilization for clear, sharp images Durable L-series weather-sealing for rugged environments High-quality, Ultra Low Dispersion (UD) elements to minimize aberrations Nano USM for fast, smooth, and quiet autofocus Full-time manual focus override for precise adjustments Technical Specifications Canon EOS R5 C Sensor: 45MP full-frame CMOS Video Resolution: Up to 8K 30fps (RAW), 4K 120fps ISO Range: 100-51200 (expandable) Connectivity: Wi-Fi, Bluetooth, USB-C Display: 3.2-inch vari-angle touchscreen Technical Specifications Canon RF 24-105mm F2.8 L IS USM Focal Length: 24-105mm Maximum Aperture: f/2.8 Image Stabilization: Optical Filter Size: 77mm Lens Mount: Canon RF Dimensions & Weight Canon EOS R5 C: Approx. 138 x 98 x 88mm, Weight: 680g Canon RF 24-105mm F2.8 L IS USM Lens: Approx. 88 x 108mm, Weight: 795g Package Contents Canon EOS R5 C (demo unit, original packaging, box opened) Canon RF 24-105mm F2.8 L IS USM Lens (new, unopened box) * Please note our promotional termsThe Canon EOS R5 C is a single-unit demo device (near-mint condition) with complete original packaging, although the box is open. The Canon RF 24-105mm F2.8 L IS USM Lens is new, the box unopened. For business customers only (B2B) Prepaid required (Vorkasse)Delivered free of chargeDelivery time: 7-10 daysOnly one bundle available; once sold, it will not be restocked.Warranty: The camera has approximately 6 months of remaining warranty (until May 2025). The lens comes with a full warranty. Legal Notice: Our standard terms and conditions apply. All goods remain our property until full payment has been received. For more details, please refer to our Terms and Conditions.Back to the Deals Page

Sony Burano Bundle Net Price: € 29.999 - Sony BURANO with Remote Handgrip, 2 x 2TB CFAST Express Cards, MRW-G1 Reader, ARRI Pro Cine Set & Orca Bag- For business customers only (B2B)- Promotional terms and financing option (by Sony) see below * Inquiries and Orders Sony Burano Bundle – Complete Cinematic Excellence for ProfessionalsUnlock top-tier cinematic potential with our exclusive Black Friday bundle, meticulously assembled to meet the demands of professional filmmakers. At the heart of this bundle is the Sony BURANO CineAlta 8K FullFrame camera, featuring a 8.6K sensor, dual ISO, internal ND filters, and a 16-bit X-OCN LT recording for stunning color and detail. Paired with essential accessories—an ergonomic remote handgrip for enhanced control, a high-capacity 2TB CFast memory card, the Sony MRW-G1 CFexpress Type B card reader, and the versatile Orca OR-13 shoulder bag—this bundle enables smooth workflows and superior storage solutions. Completing the kit, the ARRI Pro Cine Set for Sony BURANO offers top-quality support for advanced filming setups, giving you maximum flexibility and stability. This all-in-one solution is tailored for filmmakers who demand the best in camera technology and functionality, enabling them to bring their vision to life with ease and precision.Sony Burano CameraCineAlta 8K FullFrame Camera8.6K FullFrame sensor for unmatched image clarity and depth8K 30p (FF), 6K 60p (FF), and 4K 120p (S35) for versatile frame rate optionsE-Mount with optional PL-Mount, supporting various lens types16 stops of dynamic range for incredible detail in highlights and shadowsAdvanced AI-driven Phase Detection Autofocus for precise subject trackingLens shading, chromatic aberration, distortion, and breathing compensation (E-Mount lenses)IBIS for smooth, stabilized shots with both E-Mount and PL-Mount lensesElectronic variable ND filter (ND 0.6–2.1) for quick exposure adjustmentsDual Base ISO (800 & 3200) for excellent low-light performanceSuperior noise reduction for clean, high-quality footageInternal 16-bit X-OCN LT & 8K XAVC H recording (Intra/H.265 in MXF wrapper)CFexpress Type B dual-slot with VPG 400 certification for reliable storageProxy recording on SD card for efficient post-productionNew 720p touchscreen viewfinder with flip-up opticsConvenient body-mounted control buttons and touchscreen menu navigationCustomizable buttons on LCD and camera bodyMultiple connectivity options: 2 SDI outputs (12G/3G-SDI), HDMI, TC I/O, REF I/O, EthernetComprehensive audio and power inputs: 2x XLR, headphone jack, 12V XLR, V-Mount compatibleDurable body, weather-sealed for dust, sand, and splash resistanceSony Remote HandgripRemote Handgrip for BuranoEffortless remote control of key camera settingsStart/stop functionality for precise recording controlErgonomic design for comfortable handling in long shootsDirect, reliable connection with the BURANO for seamless operationCompatible with both handheld and rig-mounted setups2 x Sony CFast Memory Cards2TB CFAST Express Type B Memory Card2TB storage capacity for extended recording without interruptionHigh-speed data transfer suitable for 8K and high-frame-rate recordingsVPG 400 certification ensuring smooth 8K workflowOptimized for professional cinema camerasRobust build quality designed for extreme shooting conditionsSony MRW-G1 Card ReaderCFexpress Card Reader Type BHigh-speed data transfer from CFexpress Type B cards for efficient workflowsCompact and portable, ideal for on-the-go data managementUSB 3.1 Gen 2 for fast and reliable connectivityOptimized for Sony CFexpress Type B cardsDurable design suited for demanding production environmentsOrca OR-13 BagOrca Shoulder Camera BagLightweight, ergonomic shoulder bag for easy portabilityAdjustable, padded interior for safe gear storage and organizationWeather-resistant exterior to protect equipment in diverse conditionsMultiple pockets for organizing accessoriesPadded shoulder strap for comfortable carryingARRI Pro Cine Set for Sony BURANOProfessional Support SetPrecision-matched components for enhanced stability and flexibilityCompatible with Sony BURANO for professional setupsIncludes ARRI dovetail plate for secure mountingEasily adjustable for balanced rig configurationHigh-quality materials designed for demanding cinematic environmentsProduct Dimensions & WeightsSony BURANO Camera: Weight: 1.6 kg (3.5 lbs), Dimensions: 153 x 119 x 148 mmSony Remote Handgrip: Weight: 0.15 kg (0.33 lbs)Sony 2TB CFast Card: Weight: 0.02 kg (0.04 lbs)Sony MRW-G1 Card Reader: Weight: 0.07 kg (0.15 lbs), Dimensions: 95 x 50 x 13 mmOrca OR-13 Shoulder Bag: Weight: 1.2 kg (2.65 lbs), Dimensions: 450 x 270 x 250 mmARRI Pro Cine Set: Contact for detailed specifications * Additional information about the Sony Bundle Black Friday DealFinancing Option – Sony German Finance Promotion Sony currently offers a financing promotion in Germany, allowing you to purchase Sony equipment with interest-free financing until March 31, 2025. This makes it easier for professionals to access high-quality equipment. The promotion includes financing on select Sony products, including the BURANO camera, for qualifying customers. For detailed information and eligibility requirements, please visit our detailed info page: Sony FinancingPromotional TermsPayment Terms: AR_Vorkasse/PrepaymentTerms & Conditions: https://cbm-cine.com/Legal-Rechtliches/Terms-Conditions-AGB/All goods remain property of CBM until full payment is completed. Back to the Deals Page

Special Price: €3.026 net (List Price €5.026, net) - For business customers only (B2B)- While supplies last - Promotional terms see below * Order Request The Inovativ Echo 48 Workstation with Hydraulic Brake System offers the ultimate combination of mobility, organization, and convenience for professionals. This semi-collapsible mobile workstation is crafted with a reinforced mainframe to securely transport sensitive equipment. With its hydraulic brake system, smooth mobility meets unparalleled stability, making it perfect for studios, on-location shoots, or corporate environments. Whether you're adjusting gear height or maneuvering across uneven terrains, the Echo 48 ensures precision and ease.Designed for efficiency, the Echo 48 features a top shelf with INOVATIV’s patented Self-Locking Adjustable Shelving (SLAS) system, customizable for various heights, and ergonomic accessibility to equipment. Alongside its marine carpet-finished surfaces and dedicated cable management, the workstation guarantees a clutter-free environment. Combined with the free RoboCup, a portable clamp-on dual cup holder that accommodates drinks, tools, or accessories, this bundle enhances productivity and convenience like never before.With a 1,000 lbs payload capacity and premium accessory options, the Echo 48 is built to handle even the most demanding workflows. The included RoboCup adds functionality, attaching securely to round or flat surfaces for quick access to essential items. Together, they provide a complete solution for professionals seeking to optimize their workspace. Hydraulic Brake SystemThe Hydraulic Brake System is an advanced upgrade for the Inovativ Echo 48 Workstation, designed to provide unmatched stability and control. Unlike traditional brake systems, this hydraulic option allows precise braking with minimal effort, ensuring your workstation remains secure even on inclines or uneven terrain.Activated by a conveniently placed lever on the handle, the Hydraulic Brake System applies controlled pressure to the rear wheels, delivering superior stopping power. This is particularly valuable for professionals working in dynamic environments where safety and stability are paramount. Whether on set or in the studio, this optional feature adds a layer of reliability, enhancing the Echo 48's already impressive mobility and functionality. Features of Inovativ Echo 48 WorkstationSemi-collapsible design with reinforced mainframe for secure transportation of sensitive equipment.Hydraulic Brake System for superior control and stability on inclines.Self-Locking Adjustable Shelving (SLAS) with height increments from 38.25" to 48.25".Ergonomic three-sided top shelf for easy equipment access and keyboard use.1,000 lbs payload capacity to accommodate heavy gear and accessories.Marine carpet-finished work surfaces for durability and cable management.Permanent EVO pneumatic wheel system with sealed bearings for smooth mobility.RoboCup compatibility, providing dual cup holders and versatile accessory storage.Technical Specifications Payload Capacity: Top shelf: 68 kg; Total: 454 kg.Packed Dimensions: 133 cm L x 64 cm W x 55 cm H.Built Dimensions: 142 cm L x 64 cm W x 122 cm H.Top Drawer: 46 cm L x 46 cm W x 8 cm H.Bottom Drawer: 56 cm L x 42.5 cm W x 14.5 cm H.RoboCup Clamp Capacity: Up to 5 cm surface diameter.Product Weight: 52 kg. Dimensions and WeightEcho 48 Workstation: 115 lbs, 56" L x 25.25" W x 48.25" H (built).RoboCup: Fits surfaces up to 2" diameter.In the BoxInovativ Echo 48 WorkstationHydraulic Brake SystemRoboCup (Orange), dual clamp-on cup holderInstruction manual * Please note our promotional termsFor business customers only (B2B) Prepaid required (Vorkasse) While supplies last Legal Notice: Our standard terms and conditions apply. All goods remain our property until full payment has been received. For more details, please refer to our Terms and Conditions.Back to the Deals Page